#know history

[zytes]

this manatee looks like it’s in a skyrim loading screen

[trudlejack]

(+part 2)

[charlesoberonn]

Tell me you know nothing about history without telling me you know nothing about history

[marzipanandminutiae]

As someone who works with social history for a living, I feel like I’m the aggressive opposite of an anti-vaxxer

I fucking LOVE vaccines, friends. Give me the science stab. I’m so ready. it’s a beautiful day to not die of a Bajillion and one diseases that carried off like half the population before they had even reached age 10, and a significant portion before they made it to old age, 150 years ago

I go to the old cemetery. I see the vast numbers of infant and child and young adult graves. And then I go to my doctor and get injected with Potion of Fuck That Noise. This is beautiful and miraculous and I do not remotely understand how some people can reject it – not just for themselves, but for their children

[tariah23]

White people are miserable, racist losers period. They’ve even been getting mad at Japanese people for correcting them about Yasuke as well.

[do-you-know-this-queer-character]

Do you know this queer character?

Castiel is Queer and Agender or Genderfluid, and uses varying pronouns based on presentation!

[hamletthedane]

I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.

What I thought that meant: telling us about unique sculpture materials and paint mixtures.

What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.

What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.

The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.

And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.

But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.

I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.

[crowkip]

yeehaw, baby!

[foolsocracy]

identity reveals are always fun

[ditzybat]

jason: you don’t even know what my favorite book is, how could you even stand to call yourself my father if you don’t know me anymore!?

bruce: jay, your favorite is pride and —

tim: the velveteen rabbit.

jason: … i’ve had like two conversations with you outside of murder attempts, how do you know that?

tim: im not an amateur, i took my baby stalker duties very seriously!

[curiositypolling]

pls reblog for sample size etc

follow for more occasional useless polls :)

[honourablejester]

Oh, I didn’t know that.

I was listening to Gordon Lightfoot’s “The Wreck of the Edmund Fitzgerald” on youtube, and browsing the comments several people mentioned …

Okay. The song is about the real sinking of the freighter the Edmund Fitzgerald on Lake Superior in 1975. And there’s a line in the song:

“In the Maritime Sailor’s Cathedral,

The Church Bell chimed till it rang twenty nine times,

For each man on the Edmund Fitzgerald”

Which references something that the actual Maritime Church in Detroit did in honour of the ship’s crew. And I just found out in those youtube comments for his song that when Gordon Lightfoot died in May last year (2023), the Maritime Church rang those bells again, this time 30 times. Once for every man on the Edmund Fitzgerald, and once more for Gordon Lightfoot.

That’s … That is a memorial I would be proud to have earned. And proud to give. I do like that. A lot.

Apparently, the Split Rock Lighthouse on Lake Superior also lit its beacon in honour of him.

Sorry. I’m having … extremely maritime sort of feelings over here. Songs and memorials, bells and beacons, and the ways we carry memory forward. That’s … that’s a good memorial. I like that.

[starii-void]

going to chb must be crazy like imagine sharing a camp with

-one of the strongest demigods ever who's saved the world like at least 3 times, fought multiple gods & titans and WON (and is a tartarus survivor)

-the literal main architect of OLYMPUS who's also saved the world multiple times (also tartarus survivor)

-THE lord of the wild who's also close friends with the first two (and has helped save the world multiple times)

-an emo kid from the 1930s who again helped save the world and is also a tartarus survivor (TWICE)

-a son of apollo who survived tartarus with nothing but cargo shorts and sheer will (pun intended)

-the main designer and builder for the argo II, also the first hephaestus kid to have fire powers since hundreds of years ago (did i mention killed gaea? no? yeah he did that too)

-a girl who somehow charmspeak-ed gaea into falling back asleep (also side note daughter of super famous actor because why not)

-pretty much everybody is a two-time war veteran

-THE GOD APOLLO who just sometimes comes down to visit in the form of a teenage boy

-did i mention dionysus, god of wine madness and theatre

-also chiron, trainer of pretty much every greek hero ever

[egophiliac]

doylist explanation for why Gidel is only in Fellow's non-idle lesson animations: probably something about space constraints and making sure two sprites in one seat aren't covering anyone else when they're not in focus

watsonian explanation for why Gidel is only in Fellow's non-idle lesson animations: he snuck in and is hiding from the teachers, don't give him away 🤫

(I've reached my limit of unsuccessful attempts at pulling them before I need to save keys for Halloween, so I've been living vicariously through youtube videos...but the fact that Gidel just pops up from under the desk to wave his arms around happily is really testing my resolve. D: I'm gonna die when they finally get to do alchemy...)

[blueskittlesart]

i hope everyone in nintendo’s management department dies and goes to hell no matter what and i’m not kidding

[uncanny-tranny]

Fat people deserve mobility aids, too. No matter if it's connected to their fatness or not, because having a mobility issue that is connected to one's fatness won't change that they're still fat and still have the issue at hand. Fat people don't deserve to "tough it out" because fatness should be this divine punishment doled out to those who "deserve" it. Fat disabled people deserve to have the peace of mind that they can exist in whatever way is most comfortable and accessible to them