#knot dress

[abirached]

VESTIDO PETROLEUM

[idanit]

pipped!

[kirstydreaming]

[rainmacaroni]

Hanako : the face of someone who’s happy to get married – and hey , what’s this ? There’s artwork of her , hand-in-hand , right next to her now husband , as you would naturally expect to get if you’re a fan of any newly married couple  

Rukia : the face of someone who’s clearly second-guessing her choice   I feel like I can also even safely say that this feels like the cover for an arranged marriage   Because there’s nothing in her expression here that says happiness ; RR fans are simply and obviously projecting if they see such   That projection is hilarious as well , because here’s Rukia in her pervious novel ,  

Now this is bright-as-day happiness – no one would ever doubt or deny that Such a comment , however , cannot be honestly said for the marriage novel cover – and here’s the real kicker – Kubo could have easily drawn Rukia looking plainly happy – yet , he chose the particular expression that he did instead – why ?  Why even do that ? He could’ve easily also drawn a similar illustration like the Wotakoi artwork one What’s more hilarious is that , if IH was ever the ‘ main ’ couple – where is their marriage novel then ? To this day , a decade later , they still don’t even have any art as an official couple , let alone any color spreads of just the two of them in the original manga Furthermore , the final volume cover of the Bleach manga had Ichigo & Rukia on it   Logically , there is no reason then to not have Rukia , and Renji on the cover for their ‘ marriage ’ novel – so , why wasn’t he also on it ?   1 , They know Rukia sells   2 , They knew that they could still get a solid enough number of IR fans to buy the novel if the cover had only Rukia on it Simple business   I cannot speak on the novel itself since to this day , I’ve never actually read it – why would I ?  Just from the title alone and still knowing it’s general contents though – it all feels like one big joke and a spit in the face   From the very same novel author who had previously written a handful or so of great IR moments – to them writing a RR wedding   ‘ We do NOT always love you ’ - of course they don’t

[gogmstuff]

More pre-Victorian 1830s (from top to bottom) -

ca. 1830 Evening or wedding dress (location ?). From tumblr.com/andrayblue 1080X1350.

1831 Marquise Chasseloup-Laubat (probably Marie Augustine Antoinette Le Boucher des Fontaines) by Joseph-Désiré Court (Musée des Beaux-Arts de Rouen - Rouen, Normandie, France). From their Web site' enlarged by half 845X1181.

1830-1832 María Cristina de Borbón, Queen of Spain by José de Madrazo y Aguado (Prado). From their Web site 1280X1745.

1832 Marie Franziska von Freytag by ? (Salzburg Museum  - Salzburg, Salzburgland, Austria). From tumblr.com/history-of-fashion 766X963.

1832 Amalie Klein by Friedrich von Amerling (Österreichische Galerie Belvedere - Wien, Austria). From tumblr.com/history-of-fashion; fixed spots & cracks throughout w Pshop 2893X3508.

1835 Illustration from La Mode by Paul Gavarni. From tumblr.com/clove-pinks 1650X2048.

1836 Marriage Portrait of Charlotte de Rothschild by Moritz Daniel Oppenheim (Israel Museum - Jerusalem, Jerusalem District, Israel). From Google Art Project.

Lady with Pink Sash by Camille Joseph Etienne Roqueplan (Sotheby's - 29Jan22 auction Lot 703) 1583X2000.

[votapublica]

Achilles dressed as Pyrrha

There is a Hercules knot on his waist, a Roman wedding knot

In my version of patrochilles, Patroclus is at least 3 years older than Achilles. And since Achilles was still a teenager in Skyros, Patroclus would be taller than him.

[wolframpant]

Domina S01E01 Fall

[yo-gummy-sharks]

Miku Yoneyama Mai figure 🪽

🤍 🎧 🤍 🎧 🤍 🎧 🤍 🎧 🤍

[glamerinalune]

Raspberry Kisses

[clove-pinks]

Women's coiffures for evening dress in Paul Gavarni's Journal des gens du Monde, 1834. Art by Gavarni (Rijksmuseum).

Apollo knot

(F)

Period: 1824–1838.

False hair plaited into a loop or loops and wired to stand above the head; for evening and some day hair styles.

— Valerie Cumming, The Dictionary of Fashion History (second edition)

The satirical magazine Le Charivari also depicted the Apollo knot in this 1832 cartoon detail by Honoré Daumier (Met Museum).

"The Mayeux knot, known as Apollo." I've found some references to hairstyles by Mayeux, but I'm not sure if this was a real person or a caricature persona.

[thesoftclubstoic]

Mel B (Scary Spice) 90s

[suiteddaily]

Who says white shirts have to be boring? When you pair one with a bold red necktie, you instantly elevate your look and make a statement. The contrast between the two colors is striking and eye-catching, yet still maintains a classic and timeless feel.

Whether you're dressing up for a formal occasion or just want to add a touch of sophistication to your everyday wear, a red necktie and white shirt combo is always a winner. And don't forget about the little details that make a big difference, like a well-fitted suit jacket or a sleek pair of dress shoes.

But the most important thing when it comes to dressing well is confidence. Wear what makes you feel good and own your style. After all, the most stylish people are the ones who feel comfortable in their own skin.

[britneyshakespeare]

She's

D R E S S E D ✨

[anielskaaniela]

Chic Bow Tie Clasps: Create Unique Bow Button Designs

In this post, you will learn how to sew fabric chic bow tie clasps with free PDF pattern. Welcome to the world of creative sewing! Whether you’re a seasoned seamstress or picking up a needle for the first time, this step-by-step tutorial is designed to guide you through the delightful process of crafting chic bow tie clasps. Perfect for adding a touch of elegance to any garment, these unique bow…

[vi-visected]

during the leon wearing a dress to disguise himself thing i admittedly didn’t actually get the joke at first with the “what’s taking you so long” “i’m a woman” exchange and then once i finally did i was like . leon you’re literally a knight you have easily 4 layers of garment to put on basically every fucking day and you expect me to believe (even with a squire or servant) that it takes you less time to get ready than the average woman? pardon fucking me but i do not believe it

[blatantescapism]

@disgruntled-lifeform

The point of the threads going down and up in the warp cross is to record their order. There is no deeper meaning to which ones go up vs down. Unless you are doing plain weave, or if you care about mathematical knot theory.

(If you were doing plain weave, there’d be a relevant bonus; but you’re skipping straight ahead to patterns. So ignore whether individual warps go down or up, and just pick whoever is next in the queue.)

At the point where the cross is happening, who can slide freely? That’s who’s next.

Behold, the shitty pixels I made on my phone:

Working manga style from right to left, obviously red is first. Who’s next? Is it yellow? Imagine taking both ends of yellow and dragging the whole yellow thread to the right. It would loop around orange and drag orange along with it. That means that yellow isn’t actually free. Orange comes before yellow. Slide it on over.

Great, we sorted that out. Who’s next? We’ve got green looking pretty similar to how yellow looked last time. Does that mean green can’t move?

Imagine grabbing both ends of green and dragging it to the right. It slides freely, without making anyone else come along with it. That means green is free, and it’s the next in the queue.

The point of the warp cross is that *if you correctly isolate it*, it physically prevents you from sliding the wrong thread.

*Once you know where the cross is* you literally don’t have to guess or remember anything.

You can put it down and walk away and forget everything and come back and know which warp is the next one to thread. It’s the one that slides freely *on the edge of the isolated warp cross*.

Ok, why all the weird purple scare quotes? Let’s look at a hypothetical warp that is more fucked up:

If you try to grab both ends of one of of these warps where they meet the edge of the image frame, you won’t be able to slide any of them freely to the right.

Evil wizards twisted things around and even braided some of the ends together.

But! All hope is not lost, because the warp cross is still intact. It’s right there in the center.

We pushed the gray lease sticks as closely together as they possibly could go. If we imagine grabbing a warp just by the points where it crosses the two lease sticks, we can see that everything is already set up to slide freely in the correct order.

So, all that’s left to do is to untangle the warp ends so that they neatly flow from the warp cross.

Remember, the warps only appear to cross over each other in the “warp cross” if you view it from the side. (Like you did when you were winding it on your warping board.)

The actual definition of the warp cross is the place where the warp crosses from being on top of one lease stick to being on the bottom of the other one.