#kipo episode 2

[loreweaver-universe]

in her defense you guys did screw with her first

[fruity-phrog]

I am begging you, watch Kipo and the Age of Wonderbeasts.

This show is so slept on, but lemme tell you - it’s good. The show has a plethora of good racial, queer and neurodivergent representation, and it’s just good.

Legit none of the main characters are white. We have Kipo, the main, who is half-Black and half-Korean (ignore her pink skin) and her crew Benson and Wolf, who are both Black. Benson’s love interest is Latino/Asian. In fact, if I’m correct, the most important white character in the entire show is the main antagonist for season 3.  Edit: why the hell did I write black twice.

(Spoilers in this paragraph) A side character, Asher, who is in seasons 2 and 3, is canonically non-binary. I can’t remember if their pronouns are used in-show, but the creator confirmed it on Twitter. On top of this, Benson’s love interest I mentioned? Yeah, his name is Troy, and he’s canonically pansexual. On top of this, Benson actively comes out in an episode where Kipo asks him out; “I like you as a friend...because...I’m gay!” Very sweet episode.

While there are no canonical neurodivergent characters, Kipo is heavily adhd-coded. Wolf has clear trauma from her “family” and the abuse she went through. The show tackles racism (in a way), abandonment, betrayal, found family and healed trauma from families. 

Now the plot. The story is a refreshingly original tale of Kipo, a girl that lived in an underground city her whole life. This is because “the surface” has become overrun by “mutes”, animals that have doubled, tripled, quadrupled or plus in size. They can also think, talk and scheme - and they hate humans. However, when Kipo is thrown to the surface with no hope of getting back home, she has to work with what she’s got - which is a small but angry Wolf and a flaky but loyal Benson. And a whole lot of mutes that would like her head on a stick.

Last thing - the cast is actually pretty star-studded. Kipo is played by Karen Fukuhara (Kimiko Miyashiro, The Boys - Glimmer, She-Ra and the Princesses of Power - Katana, Suicide Squad). Seasons 1 and 2 antagonist Scarlamange is played by Dan Stevens (Matthew Crawley, Downtime Abbey - The Beast, Beauty and the Beast - Alexander Lemtov, Eurovision; the story of Fire Saga). And Dave is played by comedian Deon Cole, who was also in Black-ish at a point. Edit: probably the biggest name, at least to me, is the side character Lemieux, portrayed by Grey Griffin (Azula - Avatar, The Last Airbender, Moon and Jackie - SVTFOE, Ice Queen - Adventure Time, Masha - The Owl House, and many more).

Honestly, this show is so good. Please please please give it a shot. If you like Amphibia, The Owl House, Hilda or SPOP, watch it. 

Okay final edit I promise: The soundtrack fuckin slaps. Apologies to everyone in the tags pointing out that I missed it

[nowhere-space]

Kipo and The Age of Wonderbeasts Season 2 Episode 8: Sympathy for the Mandrill

[shinygemstone]

HERE IS A LIST OF THE 30 MAIN KIPO AUs I WANT BUT WILL NEVER HAVE BECAUSE THE FANFIC COMMUNITY IS TINY IN ORDER OF SPOILERINESS (FEWEST SPOILERS FIRST OBVIOUSLY)

1. An AU where Kipo doesn't end up on the surface in the first episode, and has to go through the events with the mega monkey still looking for her

2. An AU in which all of Kipo's people are actually dead, and she's the only survivor. Depression for everyone!!

3. An AU where Margot never betrayed Wolf, and the two have a very close and codependent relationship. Bonus points if Wolf gets kidnapped by Scarlemagne

4. An AU where Wolf's wolf parents never actually betrayed her and raised her alongside the other children. Wolf girl wolf.

5. AU where the protagonists end up separated after Ratland, with Kipo and Benson trying their best to escape Scarlemagne's place without Scarlemagne realizing they're there while Wolf, Mandu, and Dave try to save them

6. AU like #1, except Lio fucking dies and Kipo's body now assumes it is in danger a lot more. So now she's dealing with the mega monkey and turning into the mega jaguar

7. Kipo gets along a little too well with the timbercats, and they kind of adopt her. Parental Yumyan and Molly. They're not surprised to find out she's part cat and teach her how to properly kitty

8. In which Lio turns out to be the mega monkey, somehow.

9. In which Kipo was raised on the surface, and is kind of known as the local feral half cat creature. Naturally, Scarlemagne kidnaps her for weapon usage and oops. Guess he has to teach the feral out of her

10. In which Jamack joins the protagonists (if you didn't think my man would be here you're wrong)

11. Let Kipo get upset about the whole mega jaguar thing PLEASE

12. Song and Lio raise Kipo, while Song is suppressing the mutagen and struggling more and more as she gets older.

13. Song turns out to fill Dr. Emilia's role, and is actually trying to end mutekind.

14. Emilia gets her hands on Kipo, but mistakes her for a normal human (somehow) so Kipo grows up in the science burrow believing mutes killed her parents and that what Emilia is doing is justified. Bonus points if she's Emilia's protege/assistant/intern

15. Emilia gets her hands on Kipo, knowing that she's Song and Lio's daughter, and decides she can use Kipo as a weapon. This would involve a lot of dehumanization and likely good brother Scarlemagne/Hugo. Also Lio? Totally dead

16. AU where Lio manages to yoink Hugo. That's the AU. Hugo and Lio and Kipo as family.

17. AU #16 with angst: Lio gets captured, so it's just Hugo and Kipo. Bonus points if Kipo grows up in Ratland

18. For even more angst, Scarlemagne kidnaps Kipo, raising her in his blooming empire. Except Scarlemagne has no idea how to raise a child, especially not one who's half mega jaguar.

19. Where Mulholland doesn't help Kipo, and Scarlemagne's coronation goes as planned.

20. Where Emilia kidnapping the mutes was a trap, and it works as planned. Kipo is in for such a bad time.

21. Where what Emilia did to the mutes she kidnapped mutes is a lot more horrific than in cannon.

22. WOLF BOTHERS TO REPLACE STALKY

23. Margot changes her mind about betraying Wolf sooner, and Emilia never captures any of the protagonists. Consequently, Emilia sneaks into timbercat village to conduct her evil plans.

24. Instead of Yumyan, Kipo gets hit by the cure. Consequently, the decision is made to have the mega jaguar deal with all subsequent human incidents. This prevents It's a Trap from happening.

25. Kipo gets hit by the cure, except it works. No more mega jaguar, but she gets back to timbercat village.

26. Kipo goes through with sinking the cruise ship. Insert huge crisis (and maybe Song, Lio, or both of them rejecting Kipo/treating her like a monster. Please. I live for angst)

27. AU where Dave kills child Benson, and is a reoccurring side character who's literally just a bastard

28. Fun Gus Monster Emilia. Like just IMAGINE if she took Gus' DNA instead of the mega walrus. Sludge monsters are underrated imo, and she could do so much fucking damage.

29. Emilia gets stuck as a half mute, and gets shoved in prison. Maybe with Hoag.

30. SCARLEMAGNE LIVES

[enriquemzn262]

What are some western cartoons you've enjoyed?

Amphibia

A fun western take of Isekai, without the wish fulfillment escapism that plagues Isekai, which was actually criticized with the character of Marcy, with a lovable cast, great animation and a well made story with a bittersweet yet satisfying ending.

Hilda

The best modern cartoon period, a cozy and sweet yet action packed and even sometimes dark adventure show about a little girl exploring her magical realism world.

Gravity Falls

Not nearly as fantastic as everyone and their mom claims to be, but still a great show, with tons of good characters, excellent animation, and an overarching plot that while ultimately flawed (the second half of season 2 really dropped the ball on that one) was still great.

She-Ra

Great solid show from beginning to end, but especially towards the end when the silly princess stuff finally began to be properly integrated with the actual plot. Also Catra best character don’t @ me.

Kipo

The most underrated modern cartoon I’ve seen, a superb show with a great story, characters and a truly unique setting, not to mention it did the whole villain redemption thing everyone and their mom was doing at the time, but actually did it fantastically.

Invincible

Like many others I was drawn in by the brutality of the first episode, and boy did it just keep getting better after it! Just skip everything with Amber in it, and you should be in for the best animated superhero show since JLU.

Arcane

Love it! From beginning to end it was a wild ride of a show, and this is coming from someone that only knows about LoL through memes and porn. At times it almost felt like I was watching an extended movie.

The Amazing World of Gumball

This has to be the funniest modern show there is, at least before they decided to use a ton of “funny faces”, when it went down to being among the funniest. Still, a love letter to animation, featuring just about every style of it there is, and with an extremely weird yet fun cast of characters.

Before jumping back to anime I used to watch a ton of these, so I’m sure there’s more, but these are on too of my head and from the last decade, but I can honestly tell you, that my favorite cartoon of all time is:

Courage the Cowardly Dog

There’s just not a single bad episode in it, and every character has been as memorable as Courage himself.

Dishonorable mentions:

The Owl House: Amphibia but actually embracing the bad of Isekai.

Steven Universe: Started weird, got good but ultimately fell down the stairs due to its terrible obsession with finding good things about terrible people.

OK KO: Garbage character models and too obsessed with making references.

Adventure Time: Everything wrong with modern animation.

Regular Show: Modercai is a simp and just looking at the guy gives me cringe.

Bee and Puppycat: Everything wrong with AT and SU COMBINED.

Korra: Not canon

[straightbaittournament]

may the best bait win! propaganda under the cut

kipo and benson:

It only lasts a few episodes, but this is a very clear INTENTIONAL straight bait from the writers, as it's a female main character with a male major supporting character, and Benson even takes Kipo to a carnival, which Kipo interprets as a date, until she confesses attraction to him, where he tells her he's gay and just wants to be friends.

ava and michael:

They have some amusingly straightbaity scenes where Michael initially appears to be interested in Ava (meeting her in a bar, asking questions about her, pursuing her to get her to do things with him and inviting her to kick ass with him) but almost all of these scenes are explicitly for plot reasons or end up displaying the closeness of Ava and Beatrice (and Beatrice’s jealousy over Ava seemingly being interested in a man) instead. Michael and Ava develop a strong close relationship that feels more sibling-esque by the end of season 2 and also Michael straight up dies at the end of season 2 as well.

[missfinefeather]

Oh, he's getting really close to finishing that 0.0;

That was a really good episode! I love the exploration of Luz's guilt, as well as Lilith's. Not to mention it got me to think about my own relationship with guilt...

I wish I could watch more episodes of this. I wanna see Eda exploring magic some more. Also, I've gotten the impression that episode 2 is going to be really gay and I really want to see that, but I've already dwelled enough on Owl House too much. Probably. I dunno, would people be broken up if I did episode 2 as well? Then again, that could be me looking for excuses to put off She-Ra and Kipo.

I dunno. I'll figure that out later. Whatever I liveblog next, it'll probably be on Sunday. Maybe Saturday, but, bears. Also that's when the Web Novel starts putting out chapters so I might be distracted.

Speaking of which, the web novel I've been working on for the last month or so is called Sanctuary of the Odd, and it'll start putting on chapters on June 1st. If you like my warped sense of humor or character writing, or if you just want to read a sci fi/fantasy story with prominent queer characters and lots and lots of lore, then maybe give it a read! Or not, I'm not the boss of you.

Click here in case you're interested.

Anyways, that's enough shilling out my own shit.

Thanks for joining me today! I love you! <3

(Click here for Episode 21!)

[a34trgv2]

The Problem With Animated Shows Today

I shouldn't have to make a post like this because I know there's so much more animated content now than there was when I was a kid. Yet for the better part of a year, I've sat through one abysmal failure of a cartoon after the other, and I just can't stand it anymore. I'm aware the title might come off as pretentious, but rest assured I'm not a pretentious person nor to I view this post as objective fact. I'm just here expressing the common problems I have with cartoons recently and what I feel are the best steps to avoid them.

A common problem I have with cartoons recently is the awful writing on display. Shows like Samurai Rabbit, Hamster & Gretel, Ollie's Pack, and Mech Cadets all have writing that at best very underwhelming and at worst inexcusably amateurish. Scenes would go on for minutes at a time delivering boring exposition, unfunny gags, and very unnatural dialogue. It very much feels like the creators don't understand the value of basic writing principles such as "show, don't tell" "less is more" or "do much, speak little." Rather, they often go through the motions of a typical show so they can meet the given runtine and stay underbudget. For example, an episode of Centaurworld is around 26 minutes, which should be more than enough time to develop the characters, explore the world, have a good amount of funny moments and intense action scenes. What they choose to spend that runtime on instead is one note characters standing around arguing with one another, exposition dump upon exposition dump, unfunny gags, and underwhelming at best action scenes. This in turn makes the premise of the show feel wasted, like the creators only gave a successful pitch just to make something digestible to put bread on the table.

It really does feel like characters in cartoons these days are one of 2 archetypes: the annoying chatterbox and the moronic dirtbag. Let's compare 2 characters that have the same idea but vastly different executions: Eddy from Ed, Edd, n Eddy, and Ollie from Ollie's Pack. Both are outcasts who aren't good role models, but we're supposed to find them entertaining and funny. Despite those similarities, Eddy is clearly the superior character in this scenario because he often gets his comeuppance for almost immediately, and he actually does care for his friends. Ollie, in contrast, is just a selfish brat who sees his friends as expendable and doesn't get his comeuppance as quickly. Not only are the main characters detestable and annoying, but the supporting cast isn't much better as often they're either underdeveloped and unfunny or they're just parrots that always share the same thoughts as the main character. And don't even get me started on how incompetent, pathetic, and annoying the show's villains can get. Seriously, I defy anyone to make a good case for characters like Lloyd Garmadon, Jamack, the Yokai from Samurai Rabbit, or any of the villains from Hamster & Gretel.

An important aspect of animation that not many people bring up in conversation is voice acting. Voice actors are essential in giving life to characters in animation as they're able to make them sound believable and authentic. Or at least, that's what good voice acting should be. So many of the animated shows I've watched have such underwhelming or otherwise terrible voice acting that make the characters sound fake and kill my suspension of disbelief. Some of the worst vocal performances I've heard in recent memory come from Chris Houghton as Cricket Green, Meli Povenmire as Gretel Gomez, Allyn Rachel as Bee, and Danny Pudi as Tiny. They all have very terrible range, no sense of urgency in their tones, and don't sound the least bit believable as their characters. It's also frustrating to hear veteran actors give lackluster performances such as Aulil'i Carvalho as Hailey Banks, Chris Diantamopoulos as Thunder, and Karen Fukahara as Kipo. It's not entirely the fault of the actors for giving lackluster performances, as often they're at the mercy of bad voice direction who doesn't do a good job bringing out the best in their actors.

It's a given that animation on television has more limitations than big budget animated films. The best animated TV shows ever made, though, are able to work around those limitations and provide some excellent visuals that make the world feel alive. Recently though, I've notice a common problem when it comes to the animation in shows like Mech Cadets, Super Giant Robot Brothers, Daniel Spellbound, Hailey's On It, Bee and PuppyCat and My Dad The Bounty Hunter. All of them look good from a design standpoint, but in actual animation, they look choppy and stiff. This is because these shows have bad animation direction. Most people don't think about animation direction when watching a cartoon, but we can definitely tell when animation looks good versus when it looks bad. Bad animation is not just what's being shown on screen but also how it's being presented. In Mech Cadets, a character is giving a backstory to another character in a dark control room, and the camera moves around the room, showing the walls while the character talks. This is beyond inexcusable as it showcases the lack of appreciation for visual storytelling and is a complete waste of resources. Other aspects of bad animation include choppy character movements, a lack of mass on the character models, disorienting cinematography, and poor use of lighting and shading.

What can be done to avoid these shortcomings? Well, it starts by having good scripts that value showing over telling. I can't recommend Pixar's 22 Rules of Storytelling enough for aspiring writers who want to make the best scrips they can. I also think having your characters be likable and well-rounded will help a ton, especially if they're in a show about good triumphing evil. Having good actors is one thing, but it's equally important to have a very good voice director with years of experience bringing out the best in voice actors. Finally, collaborating with a skilled animation director or a very well established animation studio would do wonders. And don't be afraid to speak up and communicate with the producers on how to make the show bettee while staying within the budget. Animation is a collaborative medium and animated series today should do a better job reflecting that.

[phantomrose96]

Just watched all of Infinity Train over the last few days. I definitely enjoyed season 1 (reminded me a lot of Kipo.) Season 2 had a rocky start for me, but really picked itself up in the second half. I ADORED season 3--like the whole season had me just jumping to the next episode. And season 4... I didn't care about at all. Really a fascinating mixed bag.

[aroaceswagcompetition]

Poll list part 2

Rouge the Bat(Sonic) vs Raphael Santiago(Shadowhunters)🎉

Death The Kid(Soul Eater) vs Tsubomi Takane(Mob Psycho 100)🎉

Berdly(Deltarune) vs Nausicaa(Nausicaa of the Valley of the Wind)🎉

Din Djarin(The Mandalorian) vs Anzu Hoshino(Romantic Killer)🎉

Amethyst(Steven Universe) vs Steven Stone(Pokemon)🎉

Talfryn(The Penumbra Podcast) vs Stanley(The Stanley Parable)🎉

Clay Terran (Ace Attorney) vs Buttercup(The Powerpuff Girls)🎉

Sei Handa(Barakamon) vs Xu Xialing(Shangchi and the legend of the ten rings)🎉

Sunny(Wings of Fire) vs Beta(Horizon Forbidden West)

Dr. Sylvester Ashling(Epithet Erased) vs Marcy Wu(Amphibia)

Perry the Platypus(Phineas and Ferb) vs Lancer(Deltarune)

Serana Volkihar(The Elder Scrolls 5: Skyrim) vs Charlie(It’s Always Sunny in Philadelphia)

Zhongli(Genshin Impact) vs Tatsumaki(One Punch Man).

V1(Ultrakill) vs Aziraphale and Crowley(Good Omens)

Shaggy(Scooby Doo) vs Itachi Uchiha (Naruto)

Reigen Arataka(Mob Psycho 100) vs Pyuko(Dannganronpa: Hope’s Chains)

Marie(Splatoon) vs Rose Cookie(Cookie Run Kingdom)

Joan D’arc(History) vs Morgana(Merlin)

Murderbot(The Murderbot Diaries) vs Royce Bracket(Transistor (game))

Ryland Grace(Project Hail Mary) vs Hollyleaf(Warrior Cats)

Wolf(Kipo and the Age of Wonderbeasts) vs Savathûn(Destiny video game)

Damian Wayne(DC Comics) vs Dr. Miranda Jones (Star Trek The Original Series, season 3 episode 5 Is There In Truth No Beauty?)

Keagan Máistirúin(Na Daoine Maithe (The Good People)) vs Sweetheart(Omori)

Kaitou Joker(Kaitou Joker) vs Piccolo (Dragon Ball)

Roach(Our Flag Means Death) vs Alex Fierro(Magnus Chase and the Gods of Asgard)

Aradia Megido(Homestuck) vs Hestia(Greek Mythology)

Zane Julien(Ninjago) vs Agatha Wellbelove(Simon Snow series by Rainbow Rowell)

Yelena Belova (Marvel) vs The Bear/Brent/The Pusher/The Fool/Shah Zaman(Ghost Quartet)

The Witch Queen(Old Gods of Appalachia) vs P03(Inscryption)

Lord Havelock Vetinari(Discworld Novels by Terry Pratchett) vs The Knight(Hollow Knight)

Power(Chainsaw Man) vs Jetstorm(Transformers Animated (2007 cartoon))

Athena Cykes(Ace Attorney) vs Grumbot(Hermitcraft)

Yuki Rurikawa(A3!) vs Anonymous/Someone(Our Dreams At Dusk)

James(Pokemon) vs Dipper Pines 1 Mabel Pines1(Gravity Falls)

Charles Emerson Winchester III (M*A*S*H) vs Chaerin Eun(Surviving Romance)

Yamori Kou (Yofukashi no uta) vs Zenyatta(Overwatch)

Mirabel Madrigal (Encanto) vs Entrapta(She-Ra Princess of Power)

Simon Snow(Simon Snow series by Rainbow Rowell) vs Sabo(One Piece)

Silver(Sonic) vs Gin Akutagawa(Bungou Stray Dogs)

Kankri Vantas(Homestuck) vs Madhouse Mike(Cryptid Crush)

Darius(Owl House) vs Jason Todd(DC)

Emerald Trio:Willow, Hunter,Gus (Owl House) vs Artemis(Overly Sarcastic Productions' Miscellaneous Myths)

Jo March (Little Women 2019) vs Daryl Dixon(The Walking Dead)

Bakura Ryou(YuGiOh!) vs Professor Balaam(Welcome to Demon School Iruma-kun)

Granny Smith(MLP) vs Cyborg(Teen Titans)

Maki Katsuragi(Hoshiai no Sora) vs Kaladin Stormblessed(The Stormlight Archive)

Jess(Loveless) vs Asui Tsuyu(BNHA)

GIR(Invader Zim) vs Xiao(Genshin Impact)

Alexa(Xenoblade Chronicles X) vs Selah Summers(Selah and the Spades)

Felix Hugo Fradarius(Fire Emblem 3 Houses) vs Sunil Jha(Loveless)

Madeline Hatter (Ever After High) vs Maya Fey(Ace Attorney)

Kim Dokja(Omniscient Reader’s Viewpoint) vs Noé Archiviste(Vanitas no Carte)

Eleven(Stranger Things) vs Jinx(Arcane League of Legends)

Fitzroy Maplecourt(The Adventure Zone) vs Pidge(Voltron)

Volo(Pokemon) vs Cole Brookstone(Ninjago)

Traveler(Genshin Impact) vs Madotsuki(Yume Nikki)

[mylastmoleculeofserotonin]

One of my favorite things about KATAOW is Wolf’s character development. It’s so subtle and gradual that on my first viewing of it, I didn’t really notice it until the end of each season.

I feel like Season 1 could be used as a masterclass for this kind of character development. Even though there are major changes in the way she lives, they don’t change her immediately. At the start of the show, Wolf’s life fundamentally changes by living with another person, but she is basically the same as how she was before for about the first 4 episodes. However, during this time, she disagrees with Kipo on just about everything, but the way they resolve conflict slowly gets better and better, going from physically fighting over eating/keeping Mandu in “Burrow Girl” to Wolf willingly going along with Kipo’s plans in “Cactus Town” and even risking her life to do so again in “The Astronomers in Turtlenecks.” But even after that, they don’t start working seamlessly together. Wolf still is the person who she was before she met Kipo, putting herself and her security above everything else. But in “Tad Mullholland,” we see that this now is beginning to encompass her long-neglected social needs, which then comes into conflict with her physical safety in “Mute-Eat-Mute World” where we see her instinctively prioritizing her physical safety above all else.

But by the end of Season 1 and the start of Season 2, we see that Wolf’s concerns over physical safety, have grown to encompass the safety of Kipo and the others as well. This is a very subtle and important change which turns her rugged survivalist mentality into a more fiercely protective one, as showcased in “The Goat Cheese Prophecy” and “To Catch a Deathstalker,” where Wolf is more than willing to charge headfirst into danger to protect Kipo. But then, in “Benson and the Beast,” when Kipo is able to transform whenever she needs to, Wolf suddenly is not in charge of protecting Kipo and the others, which takes that stress off of Wolf and makes room for her to trust Kipo and actively participate in her plans for redeeming Scarlemange in “Sympathy for the Mandrill” and “All That Glitters.” This building trust eventually culminates in “Heroes on Fire” where Wolf has no weapon to fight with and she actually asks Dave for help, which was a small thing but made me pause the episode to appreciate how far Wolf had come.

In Season 3, Wolf gets a new weapon to replace Stalky, which I choose to take as an indication of how Wolf changes in this season. Her new rope dart not only compensates for all the disadvantages she had when fighting Emelia (reach, contests of brute strength, etc.) but also has non combative uses as well (ie restraining people and climbing). However, one of the biggest differences is the fact that it is often out of sight and not always in her hand. This both symbolically and literally shows that Wolf drawing her weapon to fight is a choice now that Kipo can turn full Mega and all of these properties of her new weapon are shown in “A Wolf in Wolf’s Clothing” where she makes the conscious choice to stop fighting Margot and helping her instead. When she chooses to do this, she does it because of how being around Kipo has influenced her and made her more willing to make peace with people instead of fighting them. Unfortunately Wolf does not, in my opinion, get enough screen time in Season 3, but we do see little instances where she chooses to do things the Kipo way such as getting the other HMUFA members to set traps for the invading humans instead of waging an all out war in “It’s a Trap” and stopping Kipo from sinking Emelia’s ship in “Requiem for a Dave.” She even agrees to do Prahm Kipo’s way as a genuine party instead of using it to kill Emelia, which was particularly cool to see because it took her some time to overcome her desire to protect Kipo and actually let her take this risk, but not only because she knows that Kipo can defend herself if worse comes to worst, but because she understands that it’s the right thing to do. She not only comes around to supporting Kipo, but gets Scarlemange to do so too and even prevents him from mind controlling people again, not because Kipo said so, but because she understands that it’s morally wrong. Everything then culminates for Wolf’s development in the show when she takes off her wolf skin and symbolically letting go of her old worldview for good in the name of peace and cooperation and then stops fighting Greta in “Age of the Wonderbeasts” to convince her to break free from Emelia and her manipulation.

And I think that this is a beautiful ending for Wolf’s arc. Not everything was wrapped up neatly for her, but she’s gotten to a point now where she can heal and move forward from her past to find an identity for herself within a community, and while we don’t know who she will eventually become, I think it really works because it shows us that we don’t need to know where we want to end up as people, but that just being around the right people will, by it’s very nature, change us and that this type of growth is possible for anyone. And I think KATAOW nails this in the subtlety of Wolf’s growth and that it just emerges because she spent so much time with Kipo.

Anyways. This was a lot longer of a post than I intended to write, so if you’ve made it this far, thank you for coming to my TedTalk.

[loreweaver-universe]

The wolf girl likes her freedom, but more than that, her life up here is all she’s ever known, and she’s a stubborn one.  She’d resist the opportunity.

[disneytva]

Disney Junior Sets Alice's Wonderland Bakery Season 2 Premiere As Well Announces Special Featuring Kathryn Beaumont

Disney Branded Television announced today that Alice’s Wonderland Bakery — the deliciously whimsical, CG-animated preschool series inspired by Alice in Wonderland — is returning to screens for a second season. New episodes will be ready to sample on Wednesday, June 28 at 7:15 a.m. EST/PST on Disney Junior, with an initial batch of seven episodes available the same day on on-demand platforms and Disney+.

Kathryn Beaumont, voice of Alice in the original Walt Disney Animation Studios Alice In Wonderland film from 1951 film, will guest star in 22-minute special titled Alice’s First Day in Wonderland, premiering this fall.

Additional Season 2 guest stars include Broadway and television star Merle Dandridge (HBO “The Last of Us”) as the Silver Queen, Swayam Bhatia (HBO “Succession”) as Kyra the Knight, Mark Williams (Aardman Studios “Early Man”) as Ribbitton, a frog footman, and Karen Fukuhara (Dreamworks Animation Television Animation “Kipo And The Age Of The Wonderbeasts”) as Sakura, a singing and dancing cherry blossom.

Season 2 will see Alice go through the Looking Glass after finding a magical mirror in the pantry that transports her to a whimsical chessboard world. On this side of the Looking Glass, anything Alice imagines is possible. With the Silver Queen as their guide, Alice and her friends ­– Rosa, Hattie, Fergie, and others  — meet all sorts of curious characters in this season, including Kyra the Knight, Jacques the Mock Turtle and Mopsy the mop dog.

[nowhere-space]

Kipo and The Age of Wonderbeasts Season 2 Episode 9: All That Glitters

[084392]

list of media that i can remember. has made me shed at least one tear over the years....

....the end of one of the drawn to life games. the one that ended with someone waking up from a coma????? i was playing it on my way out the door i think. frankly im pretty sure i was just mindlessly crying bc the ending was so. odd to me as a child tho???

pmd sky. but. ive only cried one(1) time that i can remember about the main story ending, years after my original playthru when i was replaying it.....but lol no the thing that made me BAWL as a kid was the end of igglybuff the prodigy.....

...........................that voltron episode where the princess had to destroy her dads hologram................

wolf from kipos backstory...also yumyan too i think??

HAZEL INFINITY TRAIN.

eveyrthing everywhere all at once. 1. when evelyn saw waymond on the steps in the universe where she didnt go with him and he was just as successful without her.... 2. In Another Life, I Would Have Really Liked Just Doing Laundry And Taxes With You. 3. the scene between evelyn and joy at the end....

...man and these are just the ones i remember😭

[cotton-kiwi-smoothie]

The fallout series and Kipo and the Age of Wonder beasts are the same show

I don't make fallout nor Kipo content but I need to share this observation. I have only seen like 2 1/3 episodes of the fallout series and have watched Kipo front to back and the two stories seem so similar it's just that one is for adults.

Similarities:

Protagonist is a sheltered girl who grows up underground in a post apocalyptic world

Protagonist's underground home is attacked and the protagonist loses her father

Protagonist goes on a journey above ground and is enthusiastic towards all locals that have no problem killing them

Protagonist comes to a shocking conclusion that life has been going fine on the surface

Protagonist becomes friends with a black man that was born and grew up on the surface

Protagonist catches feelings for said black man(Benson doesn't reciprocate bc he's gay)

Protagonist is allies with someone who is related to canines

Mutant animals

Protagonist's father harbors a deep secret that absolutely destroys the protagonist.

One of the main antagonists in the first season is a mutant

You cannot convince me that Fallout isn't Kipo with gore and swearing.