#kinoshita ayana

[geassgirls]

Koyama Rina with some of her Seidō ni Junzuru Kishi castmates

[kosmosinusa]

Shinju may not be my favorite Uranus, but the Shinju/Ayana UraNep combo is definitely one of my favorite UraNep pairings in all of Sera Myu! They're SO cute. ;w;

[guster-animations]

KR Gotchard Producers Roundtable PART 2

producer minato gave me a hard time with this one. if you see any problems, please tell me in reblogs/dms/asks/whatever

TOKU TRANSLATION MASTERPOST HERE

this was done for the henshindex wiki! join today!

Kamen Rider Gotchard TV Series Finale Commemoration Toei Producers Special Symposium (Second Edition)

“Kamen Rider Gotchard” will soon reach its climax!

With that, we are delivering a Toei producer symposium like usual, split into three parts. Furthermore, the first and second volumes will be released one week before the final episode airs. The three-part talk totaled up to over 30,000 words. The participants are, of course, Producer Yosuke Minato and Assistant Producers Daigo Matsuura and Kaho Miyashima. In this second volume, we mainly discussed the inside story on the first half of the battle…!

Act 5: 1st-2nd Cour Summarization

TTFC: I can say that Gotchard is the result of you young producers sincerely bringing answers to the views of “adults”.

Minato: That was when I suddenly realized that the big veteran Keiichi Hasegawa is on our side. That was amazing. It’s not a bad thing to be young. I thought that his aging halted 30 years ago because of changing from art staff to scriptwriter.

[Footnote: After being an assistant director and on art staff, Keiichi Hasegawa made his debut as a screenwriter in Tsuburaya Productions’ “Ultraman Tiga” (1996). He was also involved in “Tiga” as filming set staff until the middle part of the show.]

Hasegawa already has a fair amount of achievements, and it seems like his core is that his surroundings don’t change what he says. However, at the same time, he is also flexible. While communicating during preparatory meetings, he can switch over to going “Oh, it’s this way!” with ideas. That flexibility was very helpful.

Harashima: For me, episode 5 was my first time being in charge of casting the guest actors. That was the pro wrestling episode of all things… (Laughs). But this one also had many guest characters, and I thought whether I did well would be pretty essential, so even though I consulted with Director (Katsuya) Watanabe, I pulled it off in my own way. Even so, it was very troublesome to find who I would ask to play the role of “Koichiro Asahi”.

[Footnote: Masanori Machida, who appeared in “Gotchard”, is a big veteran of the acting industry, boasting of an over 60-year career since childhood. His appearances in tokusatsu works are also numerous; in “Ninja Hattori-kun + Ninja Kaiju Jippou” (1967), he was also responsible for Hattori-kun’s suit actors (multiple times). It’s actually been 43 years since he last appeared in the Kamen Rider Series. Koichiro Asahi re-appeared afterwards in episode 47 too!]

We were able to get Masanori Machida to appear, and after seeing the footage, Hasegawa sent me an email saying, “That was an incredible casting choice”. I made sure to save that email to look at when I’m having a hard time.

Minato: That’s true, you were in charge of episode 5, and then episode 6 too. Shogo Amo was a good choice for Boruto Namarizaki.

Harashima: I didn’t know Mr. Amo had appeared in “Mashin Sentai Kiramager” (2020) and “Avataro Sentai Donbrothers” too (Laughs). And yet both of those appearances were for episodes directed by Watanabe’s team. Not knowing that, when I asked Director Watanabe, “How about this person?”, he said, “That’s Amo!”. I immediately said, “Sure. Let’s ask him.”

Matsuura: Amo was good in “Kiramager” and “Drive”, but he was even better as Boruto Namarizaki this time. He gave a performance that made it hard to believe he was the same actor as in his last two works. At the same time that I thought, “Wow, he’s still a great actor,” Director Watanabe could tell that Boruto would be performed well if it were Amo.

Minato: I think that episode’s script from Hasegawa was good too. Bolt was truly a heel (bad guy) typical of Hasegawa works. Moreover, I’d wanted to see Hasegawa and Director Watanabe working together for myself. They were together for a year in “Donbrothers” and I really wanted Director Watanabe to participate in Gotchard, so one of my aims was to have him work with Hasegawa. That was realized in episodes 5-6, 13-15, and the endgame episodes 44-45. The first one, episodes 5-6, was especially interesting during the script phase, but those were episodes that I think were “changed” in such a way because of the guest casting, the synergy, and even more so, the direction. It had an effect.

Matsuura: It complements itself a little, one cool episode… The structure up to maybe the Kyoto arc was decided before the show started airing. The scripts for those were mostly finished too. Since we had calculated which forms would appear in what order and the like, we weren’t making that part of the show while looking at how the audience reacted. We wanted to do it that way from the start. We were making each episode having already decided what would be done and seen in it. Though there was trouble because there were a fair amount of things we should have done or weren’t easy to explain.

Matsuura: In the early days, episode 4 was profoundly memorable to me. That was the first one where we fully depicted the relationship between Hotaro and Rinne. I wondered if it would be easier for everyone to enjoy “Gotchard” if they watched this episode. But, on the other hand, I was worried if the path we took properly conveyed Hotaro’s goodness. Hotaro is the type of protagonist who makes sure to “listen” to the thoughts of others more than he shares something himself. We also included the point of “a supportive protagonist” and “passivity”. Personally, I think we need more people like him in this day and age… It was for exactly that reason that I wondered if he would be hard for present-day viewers to relate to. In other words, he’s not “easily understood”, isn’t it flashy? At that point, we were already coming to like how Hotaro was, but I worried about if audiences would feel the same way about him. The next pro wrestling episode… I think WrestlerG’s episode (episode 5) was full of showiness, and that was structurally good.

Minato: (Hiroki) Uchida finally had time to write in episodes 7-8, and moreover, that was the first two-episode arc, so we aimed to gamble with Uchida’s specialty style. It’s a story of the protagonist and a young guest character coming together.

Matsuura: Then, 9 and 10 was a school trip arc filmed in Kyoto. That was Director (Ryuta) Tasaki’s second time going up to the mound after the first two episodes of the show.

Minato: Personally, I strongly wanted to make Gotchard also a school drama, so at an early stage, I decided to “do these (episodes 9 and 10) on the Kyoto location as a school trip”. That’s why I basically left episodes 5 and 6 to Harashima, and 7 and 8 to Matsuura; I was focusing on helping with preparations for the location shoot. Then we had to make the scripts for those episodes… Hasegawa specializes in dark stories, and if we did that, it would go in that profound direction. At that time, the person who said during meetings that the appeal of “Gotchard” is its cheerfulness was Matsuura.

Matsuura: The back-and-forth exchanges around that had a structure to them. But my thoughts regarding Hasegawa, who I’ve socialized with for a year, were only “Keiichi, I’m sorry about this” (Laughs). “Gotchard” was our first time working together, but naturally, I knew his name before then. Now, I respect him a hundred times more than I did then. Well, it’s not that I didn’t respect him before (Laughs). I said it before, but even though he’s a big veteran, the way he thinks is young. I don’t know if “young” words are appropriate or what, but he always listened to what a youngster like me had to say, and he would adopt the ideas if he thought they were good. He would say, “I seeeee!” with genuine excitement… I have no idea if he’s always been like that (Laughs). He’s accumulated various experiences, and I know what he’s like now, but the Hasegawa I spent a year with was truly someone I can respect. That’s why a person like me could always talk nonstop about my cocky views without hesitation. I’m very grateful for that. I was also able to give many opinions in the script meeting for the Kyoto location episode too.

Minato: Because Hasegawa and Uchida’s unique characteristics are different, as the side that orders materials, there were parts where it was easy to go, “Hasegawa would fit here,” or “Uchida would be good for this one”. Then Akiko Inoue joined, but she also liked to write scripts that have personality. When ordering for Inoue, I deeply wanted to know her writing style, and I only came across an “Akiko Inoue Script Episode” from “GeGeGe no Kitaro (Series 6)” (2018-2020) that she had participated in.

[Footnote: In series 6 (97 episodes), Akiko Inoue was involved from episode 6 and onwards, and authored fourteen episodes in total. Incidentally, responsible for episode 1 of series 5 among others, Keiichi Hasegawa also participated in series 6, starting with episode 56 in the second year of broadcasting. He has written nine episodes for the franchise.]

Then, whichever episode she did would be very interesting. She’s very good at making use of the writing styles for people and societies, and yet, she also depicts things that are like human love flowing down. Of course, since it was “Kitaro”, the original work itself is amazing, but I also felt the power of her own writing. What I first asked her to do was Majade’s TV debut episode (episode 19) where what she would do had been decided, so there wasn’t much room left for Inoue to write with freedom, but from the next moment I asked her to do something, around episodes 22-23, she quickly showed her personality. I only ordered her with the information that “a Chemy called Zukyumpire appearing” and “a story where good intentions about love go wrong would be nice”, but she did more than I asked her (Laughs). After that, we were surprised again by Inoue with episodes 36 and 36, but what I really felt a reaction to in the beginning was 22 and 23.

Matsuura: I kept saying from the side, “Zukyumpire in live action is difficult, so can’t we do it another way?”, but a person named Akiko Inoue and a person standing here named Harashima conspired together, and I definitely couldn’t try to stop (Laughs).

Minato: Oh, come on, everyone and their energy was amazing in that episode. Even though we think about production in various ways for the difficult work, I expected that we could more or less compromise and say “It’s good if we make it this far!”, but the filming site really won’t give up either (Laughs).

Matsuura: For example, when Zukyumpire possessed Sabimaru, Sabimaru would always become a different emotion, and try to sing the song with “Everyone’s heart I zukyun, zukyun…” I was proposing that it would end up structured like a Super Sentai “filler episode”. It was interesting for the audience to see a Sabimaru that was different from normal, too. However, the young lady Akiko (laughs) didn’t give up there.

Minato: She was very particular about the idea of “Zukyumpire himself intentionally appearing as a human”.

Matsuura: While midway through it, I thought, “Well, it’s good that I’m not in charge (of the casting) myself”, and said afterwards for Harashima to do her best. No, of course I’m kidding.

Harashima: Firstly, Akiko’s pilot was interesting. That and another thing—when I looked at “Gotchard’s” audience analysis data at that time, it was sufficiently reaching the original audience of the C-group (Children/Kids group, ages 4-12), but more than that, the T-group (Teenager group, ages 13-19) and F1-group (females aged 20-34) were looking a little weak. Here, I thought about how I could bring about a character that seems to appeal to the said groups. I’m really glad we got Taro Yamanaka to appear.

Minato: Yamanaka was decided. and I told Director (Kyohei) Yamaguchi that we should push Zukyumpire and Yamanaka in this episode. So, if you rewatch episodes 22 and 23, there are many scenes we shot inside the Oizumi filming site to cut costs (Laughs).

TTFC: But Zukyumpire was right after Kamen Rider Valvarad’s debut arc (episodes 20-21), so when I think about it again, January and February were putting up a big offense.

Minato: Also as a connection between past and present, Mr. Minato became an enemy, the base called the Alchemy Academy was taken, and the “Kitchen Ichinose Alliance” was active for a while… I had decided that for that series of events, episodes 26-27 would be directed by Tasaki’s team, after episodes 23-24’s (Takayuki) Shibasaki group. I made the season with a lot of excitement.

TTFC: Then, from the spring break period, the episodes broadcast up to early April were a lot of “breather” episodes.

Minato: When we welcomed in Director (Kiyotaka) Taguchi, it was right during that (episodes 28-29).

Act 6: “The Dark Sisters” Secret Story

TTFC: With this, Director Taguchi has now taken part in all of Japan’s “Three Big Tokusatsu Series” (Ultraman, Kamen Rider, and Super Sentai) as a director.

Minato: Actually, I approached Director Taguchi before I did Akiko Inoue. With various conflicts, I knew we wouldn’t have enough directors at some point. So I foresaw that development. Rotating directors isn’t a mechanical process; If we did that, it would be too much. For every director of a story, I would think in the same way as I do for casting guest members, and pick them based on the contents of the episodes. So while looking for what timing would suit Director Taguchi to come in, Director Taguchi himself was pretty busy, and it was hard to find a good spot in his schedule. If his schedule was more open, I might have asked him to do a pair of single digit episodes early on. I was contacting the director frequently, and what I thought he “might be good in” was episodes 28-29. It was also an episode that was just after a big development had ended. When I called the director, I first asked, “What kind of things do you want to do?”. I remember that I started by talking about “which Chemies remained”. And then it became “The Great Yokai War” (Laughs).

Matsuura: I thought with Director Taguchi that the image of monster movies and the work of “Kingdom of Light” was still strong, but when I call on him, he seems to like “GeGeGe no Kitaro” and the works of Mr. (Shigeru) Mizuki too. And since Akiko Inoue happened to have written for “Kitaro”, they got excited about doing a “ghost” story arc (Laughs).

Minato: Well, he had directed with Toei before in “Mashin Sentai Kiramager”, so I thought that he should direct in a different way from “Kiramager” since this is the Kamen Rider series. So, Otojiro Sato, “Gotchard’s” second assistant director… he also had experience filming for the Ultraman series, so we asked for his “favorite Taguchi work”. He had liked “The Love” (episode 6) from “Ultrazone” (2011).

[Footnote: A love story connecting Alien Zalab (Voice: Tomokazu Seki) and the widowed woman Omoya (Mitsuko Oka). A sudden and distinct episode to be broadcast in the short-story-focused “Ultrazone”.]

TTFC: He has great taste…

Minato: I watched because I hadn’t seen it, and it turned out to be really good. I discovered that atmospheric dramas like this are the director’s specialty, and I think that reflected on the story of episodes 28-29 too. Toshie Negishi also appeared then, in the role of Renge’s grandmother.

Matsuura: Ms. Negishi was the role of the protagonist’s grandmother in “Ultraman Arc” (2024). Actually, her shoots for “Arc” came before “Gotchard”.

TTFC: That’s been a pattern recently.

Matsuura: There was no aim to have this be “Gotchard’s” specialty. There are benefits to filming early (Laughs). The child actor Soto Osagaki, who we got to appear as a guest actor in the Saboneedle episodes (episodes 7-8), was filmed in the V-Cinext “Kamen Rider Geats: Jyamato Awaking” before, but his role in “Gotchard” ended up airing first as well (Laughs). Ayane Kinoshita from the next episodes, the Kyoto location ones (9-10) was the same way. TTFC’s “Ninja Sentai Kakuranger Part 3: Mid-Life Crisis” was filmed first, but before that even went up on streaming, we got her to come back for more “Gotchard” episodes (9-10, 44-45) (Laughs).

TTFC: Director Taguchi came back to help with Sabimaru’s focus episodes, 42-43, and results-wise it seems like he became the “director in charge of the older students [Renge and Sabimaru]”…

Minato: But episodes 28-29 weren’t originally intended to be Renge focus episodes. It’d been decided that it would have a “grandma character”, but not whose grandma it would be. We’d already had focus episodes for Rinne and Hotaro, so it was a difficult point, and then it became “wouldn’t Renge fit?”. And then there were talks of her grandma living in Kansai since Renge uses the Kansai dialect (Laughs). At any rate, the episodes turned out good, so when we asked him to do two more afterwards, it was easy to say, “Please do Sabimaru this time.” In the beginning, the aim in appointing Director Taguchi was from a place of wanting to expand the work’s worldview, so I think there was good synergy with him focusing on Renge and Sabimaru.

TTFC: Since we did the older students’ episodes, I want to touch on the Dark Sisters; weren’t they created because Hasegawa was in charge?

Minato: That’s right. At first, since it’s “a story where they search for Chemies”, we didn’t want clear enemies to be there yet, so there was a period where we were fumbling around for something in that direction. But when Hasegawa formally joined and looked over the plan, I received a comment that “it’ll become hard to understand which way the story is facing”. So I started to think about the creation of an enemy for Hasegawa. What appeared from there was “the Dark Sisters”, but because only three people would appear as enemies at the start, I thought, “this is a new approach”. So, at that time, Hasegawa fit very well with the drama “Dr. Chocolate” (2023)…

[Footnote: Created by Yasushi Akimoto. Ryo Aoki [played Kento/Espada in KR Saber] played a regular cast member who is a police detective, and Kokoro Aoshima [played Tsumuri in KR Geats] was a guest actor in episode 6. A favorite even with TTFC, Akira Shinomiya [played comedians in various KR media] was a guest actor in episode 3 while participating as a “comedy duo”.]

The premise is that its heroine is a ten-year-old genius surgeon. It was Hasegawa’s idea from the start that the eldest sister of the “Dark Sisters”, Atropos, would be played by a child actor. So when it became time to look for Atropos in auditions, I was able to come across a talented person named Itono Okita. The third daughter, Lachesis, is the incredible Alisa Sakamaki, who we met at auditions for the main cast members. Lachesis’ presence was one that I thought was valuable, so I asked her. The middle daughter, Clotho, was a brutish character, so a person who could fight is the best option. When speaking with Director Tasaki, he said, “What about Kanon Miyahara?”. Now the names had already been decided. Especially at the start, it felt like I would wonder when they would die (in the show) every time I read a script, but Hasegawa, at a point where there is a “creator” of the Dark Sisters, was always saying, “All of them will survive until the endgame!”. On the other hand, I was constantly worrying, “What will happen in the endgame?”. “However it’s done, it will look pitiful. We can’t avoid that.”

TTFC: In the midst of that, to have Lachesis and Spanner, Atropos and Rinne, and Clotho and Hotaro team up, the “teamwork” between the three sisters and three Riders was born.

Minato: The three sisters weren’t just Hasegawa; Uchida and Inoue, as well as all the directors, depicted them well. Right, I was saying to Director (Koichi) Sakamoto that “We’ll definitely ask you when the schedule is free” from an early stage, but his first words regarding that were, “Please let me film Kanon (Miyahara)!” (Laughs).

TTFC: That was definitely implemented in episodes 32-33.

Minato: That’s correct. It was decided to have Kamen Rider Legend finally appear in the TV series, and it became that we asked him to make the buildup to that more exciting. I asked Uchida to do the script, and it was an episode where he really got to shine. Clotho got more action scenes compared to the other sisters, but hadn’t been delved into as a character that much. Uchida was able to come up with a situation where the two of them, as “rivals”, are able to cooperate for a moment, while firmly summarizing the small connections between Hotaro and Clotho up to that episode.

TTFC: I think it’s because of Uchida cooperating with you from the planning stage, Minato.

Minato: Uchida gave me comments from the standpoint of series structure for the episode scripts that Hasegawa and Inoue wrote. Like, “Couldn’t this part be connected to this one in a previous episode in this way?”. He gave useful suggestions within the minimum necessary scope while never erasing the personality of Hasegawa and Inoue’s writing, so it was always helpful. I think the fact that Hasegawa and Inoue had as much freedom as possible to write with probably caused Uchida trouble. The early-on episodes 7-8 and the endgame episodes 42-43 might have been when the “Uchida World” could expand. But because episodes 7 and 8 had so many components put into it, 42 and 43 too, there was an aspect of Uchida World and Taguchi World’s Gotchanko, so with the process of letting Director Taguchi do what he wanted, he had to adjust a fair amount of things…

Act 7: A Well-rounded “Adult” Cast

TTFC: With Kanji Ishimaru (Fuga Kudo), Yoko Minamino (Tamami Ichinose), Saki Fukuda (Kyoka Edami), and Kenta Kamakari (Glion), everyone in the “adult cast” is magnificent.

Harashima: Ishimaru and Minamino had a sense of stability, of security. They were there until the end, and I am very grateful for that. Saki Fukuda herself liked tokusatsu works herself, and she would say, “It’s fun!” whenever I went to meet her. She was an important person for Spanner while performing too, but I think it was good for (Yasunari) Fujibayashi to be able to act alongside her. From Fukuda’s standpoint, there were many times she was together with young cast members other than Fujibayashi, but it seems like she put a lot of work into helping him. Fukuda didn’t say it herself whatsoever; however, we should put care into the things that can’t be seen, and I’m grateful for it from the bottom of my heart. There was also a “Mr. Minato and…?” scene at the end of the summer movie, and it was wonderful. Being an “older sister adult” character, there are places where she overlaps with Sumiko Kozawa from “Kamen Rider Agito” (2001).

Minato: I think that was a little of my inspiration at the start.

Matsuura: Well, I should have her eat barbecue and gulp down beer from a mug, then (Laughs).

Minato: No, it’s because she was asking for parsley at the ramen cart (Laughs). But, “Gotchard” became a work with many female regular cast members. That wasn’t intended at all, and moreover, I have a feeling that there aren’t too many women in the audience.

Matsuura: The Dark Sisters are certainly raising the numbers (Laughs). But really, there was nothing that made me uncomfortable, and it’s just the trend of the times. Now, it’s the aforementioned last moment of the summer movie, but for Fukuda, even in the TV series, she had been thinking, “Kyoka and Minato could perhaps…”, so when there was a chance, she brought that nuanced acting into it. Even so, (Rikuto) Kumaki is more stubborn and doesn’t get on at all. I don’t think he realizes that (Laughs). The truth is that, and the fact that he played with so much force in Director Tasaki’s summer festival scene. Kumaki himself is a very warm and cozy person.

Minato: That’s true. I hoped for it to be like “Avataro Sentai Donbrothers” (2022)’s Tsuyoshi Kijino… (Hirofumi) Suzuki (plays Kijino), where we would get him to show his immense “acting ability” as a character from the Alchemy Academy, and stimulate the growth of the new cast members, but Kumaki wasn’t “that type”, not in a bad way. He would just enjoy being with everyone if those members were around (Laughs). But, I’m glad it’s that way. If anything, I think a good balance was struck when Fukuda joined later on, and it became an incredible team over the year. Now for Kamakari; Glion.

Matsuura: Kenken (Kamakari) helped a lot too. I think this is a hot topic right now, but in scenes like the one where Glion comes to “Kitchen Ichinose” in episode 49, when I read the scripts for them, I already thought, “I want to see this!”. And because Kamakari recognized that this was a highlight of the show, it became a truly good scene. I think that scene was created specifically because he was Glion. At the same time, wouldn’t he have not been performed that way without Kamakari?

[shiroasada]

All Sailor Uranus Actresses in Sera Myu

Bandai Myu:

Sanae Kimura (1995 - 1998) appears in 10 Musicals, but 3 of them doesn't recorded.

Usagi Ai no Senshi e no Michi

Henshin - Super Senshi e no Michi (not recorded)

Henshin - Super Senshi e no Michi (Kaiteiban, not recorded)

Super Spring Festival (not recorded)

Yume Senshi - Ai Eien ni

Yume Senshi - Ai Eien ni…Saturn Fukkatsu Hen (Kaiteiban)

Sailor Stars

Sailor Stars (Kaiteiban)

Eien Densetsu

Eien Densetsu (Kaiteiban) - The Final First Stage

She is the second longest Sailor Uranus actresses. She had four different Sailor Neptune Actresses at her site (Kahoru, Chikage, Miyuki & Hiroko). In contrast her successors successors who always had only one or, in the case of Nao, two different Sailor Neptune actresses at their side. Sanae retired after the musical. She was a guest on the talk show for the 10th anniversary. In 2018, 2019 and 2023 she was at the Akiko Kosaka anniversary concert alongside many other Bandai Myu actors such as Anza, Nao & Yuuka, etc.

Nao Takagi (1998 - 2002) appears in 11 Musical

Shin Densetsu Kourin

Kaguya Shima Densetsu

Kaguya Shima Densetsu (Kaiteiban) Natsuyasumi! Houseki Tankentai

Shin/Henshin Super Senshi e no Michi - Last Dracul Jokyoku

Kessen/Transylvania no Mori - Shin Toujo! Chibi Moon wo Mamoru Senshi-tachi

Kessen/Transylvania no Mori (Kaiteiban) Saikyou no Kataki Dark Cain no Nazo

Last Dracul Saishuu Shou - Chou Wakusei Death Vulcan no Fuuin

Tanjou! Ankoku no Princess Black Lady

Tanjou! Ankoku no Princess Black Lady (Kaiteiban) - Wakusei Nemesis no Nazo

10th Anniversary Festival - Ai no Sanctuary

Mugen Gakuen - Misstress Labyrinth

Nao is the longest Sailor Uranus Actresses. She is very close with Yuuka Asami. In an interview she once said that she would no longer play Sailor Uranus if Yuuka wasn't at her side. And the two kissed in Kaguya Shima Densetsu (Kaiteiban). On her 22nd birthday (July 10 1998) the premiere of the first musical in which she starred took place.

Asako Uchida, now known as Mari Hatano (2003 - 2004) appears 3 Musical

Mugen Gakuen - Misstress Labyrinth (Kaiteiban)

Starlight - Ryuusei Densetsu

Kakyuu - Ouhi Kourin - The Second Stage

Akiko Nakayama (2004 - 2005) appears in 2 Musicals as Sailor Uranus the two Musicals before Akiko played Kou Taiki/Sailor Star Maker.

Shin Kaguya Shima Densetsu

Shin Kaguya Shima Densetsu (Kaiteiban) - Marinamoon Final

She appears after Sera Myu in other Musical and shows. Often with another former actors of Sera Myu. Akiko is the last Bandai Sailor Uranus actresses.

New Myu:

Shu Shiotsuki (2015 - 2017)       real name Noriko Fukunaga appears in 3 Musical

Un Nouveau Voyage

Amour Eternal

Le Mouvement Final

Shu is a formerly Takazuka like her Sailor Neptune Sayaka Fujioka who she is certainly close to. She appears after Le Mouvement in much stages/ Musicals. 

Shinjyu Terada (2021 - 2022) appears in 2 Musical

Kaguya-hime no Koibito

30th Anniversary Musical Festival - Chronicle

She is very close with Ayana Kinoshita (her Sailor Neptune).

DISCLAIMER: Of course, I don't have any rights to Sailor Moon. These belong to Kondansha, Bandai Visual, Bandai, Nelke Planning, Toei Animation, PNP and especially to the creator Naoko Takeuchi.

[sorakazeno]

Sera Myu Music Festival 2022 Blu-Ray

Event was held at the Shinagawa Prince Hotel Stellar Ball in Tokyo from November 17th – 20th, 2022.

I missed it by less than two weeks since I wasn't in Japan until December of that year. I doubt I would have stood a chance getting tickets.

Can we also talk about how excited I am to have Japanese Blu-Rays being the same region where I live? Makes it so much easier!!!

Back cover of jacket.

Performance booklet and musical performance dice.

Disc set. The performance on Disc 1. Bonus features on Disc 2. I love how all of them are also huge fans of Sailor Moon. Soundtrack for musical on CD 1. Special performances for the different guests on CD 2.

I haven't see a Sera Myu in a while so a lot of the music was new to me even if it had been out for a few years.

 Sailor Moon: Riko Tanaka

 Sailor Chibi Moon: Chise Niitsu

Riko Tanaka has a great voice.

Sailor Mercury: Kaon Maekawa

Sailor Mars: Rei Kobayashi

I can't be the only amused that the actress' first name is Rei, right?

 Sailor Jupiter: Kisara Matsumura

Sailor Venus: Marin Makino

Sailor Uranus: Shinjyu Terada

Sailor Neptune: Ayana Kinoshita

Sailor Pluto: Chisato Minami

Sailor Saturn: Yuzu Ide

Tuxedo Mask: Riona Tatemichi

Princess Snow Kaguya: Sayaka Okamura

Luna: Yune Sakurai

Human Luna: MARISA

I was fortunate to see Riona Tatemichi perform as part of the America Tour for the Super Live in 2019. I really loved seeing the bonus section with the senshi that were also on tour.

Guest Performances varied by date and time:

November 17 Show 1: Akiko Kosaka, ANZA

November 17 Show 2: Akiko Kosaka, ANZA, Toshino Akamine, Misako Iwana, Emi Kuriyama, Akiko Miyazawa

The original Sera Myu cast performed La Solider on the first night. Loved it!

November 18 Show 1: Tomomi Kasai, Cocona, Yui Hasegawa, Takae Obana, Hoshinami

November 18 Show 2: Shu Shiotsuki, Sayaka Fujioka

November 19 Show 1: Reona Hayashi, Samejima, Yui, Kyoko Ninomiya, Mayuka Ida, Yuko Nakanishi

November 19 Show 2: Yume Takeuchi, Karen Kobayashi, Kaede, Satomomo Hasegawa

November 20 Show 1: Satomi Okubo, Hyakuyo Koyama

November 20 Show 2: Satomi Okubo, Meiku Harukawa, Saki Matsuda

Lyrics

[neptunefairytales]

A little drawing of Sayaka Fujioka as Sailor Neptune, because I am so sad she’s no longer performing as Neptune (along with Shuu’s Uranus, they were perfect!) ;( But I wish the best for the new HaruMichi combo and the rest of the new cast! Can't wait to see them!

——Please reblog if you like my art, it help artists. Do not repost or use. Thanks!——

[leenaevilin]

[Announcement] ミュージカル『美少女戦士セーラームーン』かぐや姫の恋人 (musical bishoujo senshi sailor moon kaguya hime no koibito)

you will be able to watch 2 shows @ Streaming＋ (& GLOBE CODING)

price: ￥2.960 + fees (each)

◎ 初日 (shonichi) [September 3rd, 2021 ~ 18:00]

◎ 千穐楽 (senshuuraku) [September 12th, 2021 ~ 12:00]

--------------------------------------------------------

infos about GLOBE CODING (international archive streaming) to be announced!!

[gracemyheart]

Shinjyu Terada as Haruka and Ayana Kinoshita as Michiru

[gracemyheart]

The OTP that could have been but never was 😔

Shinjyu Terada as Haruka Tenoh / Sailor Uranus  Ayana Kinoshita and Michiru Kaioh / Sailor Neptune

Sailor Moon - Kaguya-hime no Koibito

[crazykacey]

HELLO I’M ALIVE AND BACK WITH TRANSLATIONS

Funny thing called life happened after I returned from Japan so had to sort that crap out which is why it has taken so long with the Sera Myu Chronicle pamphlet translations (and also cause the I couldn’t be bothered to translate the first bit, but I did anyway lol) SO LET’S CONTINUE WHERE WE LEFT OFF

(remember that not all translations are 100% accurate)

Greetings from a few staff members (aka my personal hell)

When I came across this production, it was really shocking to see how sensational it was for women to become soldiers, and as they continue to fight in modern times, I feel the persistence of human beliefs and justice in the fact the the world is demanding it.

Last year the baton was given to us after the many trials of Bandai’s musicals and that is all thanks to the efforts of many people.

I feel a great sense of responsibility and gratitude for being involved in this production that has a lot of history. Among them is the choreographer, Satomi Touma, who has been involved in Sera Myu for a long time. Whom achieves both “unchanging history” and “changing entertainment” with her choreography from working with the Sailor Senshi to the enemies. In that way, the “Sera Myu-ness” that cannot be expressed in words has been handed down to us and keeps on living without fading.

Without forgetting the respect for all the people involved in this production, all of us are determined to put our hearts and souls into this radiant show so that we can repay Takeuchi-sensei for all the wonderful encounters. Please enjoy the beloved songs and the brave pretty soldiers who keep on fighting till the end.

Stage manager - Kaori Miura

I am truly grateful to be able to take part in the 30th anniversary celebration of Sailor Moon which is loved throughout the world. When talking about the songs of Sailor Moon, it goes without mention that Moonlight Densetsu has such an impact that it is difficult to describe it. Even for me, who didn’t watch Sailor Moon when growing up, hearing that impressive melody and lyrics, the silhouettes of those pretty yet pretty heroes come to mind. I have been the music composer since the previous musical and finally the vague silhouettes of the heroes have finally become real. Furthermore, combined with the individuality of the cast who basically live their own characters, I’m very proud to see the company grow into a more wonderful company that attracts all Sailor Moon fans. I have great expectations fo the further leap forward, and I myself would like to enjoy this FESTIVAL to the fullest, as it will be a perfect opportunity for me to experience the numerous masterpieces of the older musicals.

Composer - Go Sakabe

Congratulations on the 30th anniversary!

The first time I was introduced to the Sailor Moon musicals was in 2014. It has been 8 years since then.

We have worked hard with many Sailor Soldiers from different generations.

The stage is more brutal than you can imagine. However, in addition to the scale of the production, there is the strength of each actor’s ambition and challenge. And after every time a performance is over, I look at everyone and notice how different everyone has become and how they have grown… They truly are like soldiers. The tears shed shed at the Senshuuraku(final performance) are like the tears of a pure girl but they are also tears full of pride and strength, that is what I think when I see them. Surely, we will all be guided by the production “Sailor Moon” in meetings, in challenges, whether we are friends or enemies, or whether we have to fight against ourselves. That is what this production has thought us. It is something universal and unwavering that pushes us forward. Thank you so much for coming to see 30th Anniversary Musical Festival Chronicle! I am overwhelmed with emotion to be able to share this time with everyone on this special milestone. I would like to continue to protect his eternal brilliance with all of you.

All of us are soldiers.

Looking forward, together.

Choreographer - Satomi Touma

Characters:

Sailor Moon/Super Sailor Moon/Usagi Tsukino

Riko Tanaka

Protector of the Moon, the Planet of Love and Justice, the Soldier of Mystery!

Normally a clumsy crybaby. She excels in the power to purify evil, and that power increases as she grows. In her previous life she was Princess Serenity, the Princess of the Moon Kingdom, Silver Millenium.

Inner Solar System Sailor Soldiers

The 4 Soldiers who protect the Princess of the Moon(Sailor Moon)

Sailor Mercury/Ami Mizuno

Kanon Maekawa

Protector of Mercury, the Planet of Water, the Soldier of Wisdom!

Genius girl with an IQ of 300. She is also the brain of the Sailor Soldiers.

Sailor Mars/Rei Hino

Rei Kobayashi

Protector of Mars, the Planet of Fire, the Soldier of War!

Unwavering cool beauty. Good at fortune-telling.

Sailor Jupiter/Makoto Kino

Kisara Matsumura

Protector of Jupiter, the Planet of Thunder, the Soldier of Protection!

Although she is very strong and good in fights, she prefers cooking and sewing.

Sailor Venus/Minako Aino

Marin Makino

Protector of Venus, the Planet of Beauty, the Soldier of Love!

The leader of the Inner Soldiers. Aggressively active in love, truly a “Soldier of Love”

Outer Solar System Sailor Soldiers

Lonely Soldiers who watch over space, other worlds and even time.

Sailor Uranus/Haruka Tennou

Shinjyu Terada

Protector of Uranus, the Planet of the Sky, the Soldier of Flight!

A special person who is both male and female. Works as a professional car racer.

Sailor Neptune/Michiru Kaiou

Ayana Kinoshita

Protector of Neptune, the Planet of the Deep Sea, the Soldier of Embrace!

Is a world-famous violinist.

Sailor Pluto/Setsuna Meiou

Chisato Minami

Protector of Pluto, the Planet of Space-Time, the Soldier of Revolution!

Is calm and has a kind heart.

Sailor Saturn/Hotaru Tomoe

Yuuka Ide

Protector of Saturn, the Planet of Silence, the Soldier of Destruction and Birth!

A quiet and mysterious girl.

Other characters:

Sailor Chibimoon/Chibiusa

Chise Niitsu

Usagi and Mamoru’s daughter from the future moon. Traveled in time to the present day to train as Sailor Chibimoon.

Luna

Yune Sakurai (Cat form)

MARISA (Human form/Snow Luna)

A black cat that guides the Sailor Soldiers. A Messenger of the Moon sent to Earth in a cold sleep state

Princess Snow Kaguya/Ms. Frozen

Sayaka Okamura

The true form of the comet “Princess Snow Kaguya”. She tried to capture and rule the Earth and was supposed to be purified by Super Sailor Moon…

Tuxedo Mask/Mamoru Chiba

Riona Tatemichi

Usagi’s gentle boyfriend who always protects her.Whenever Sailor Moon is in trouble, he always comes to her rescue. In his previous life, he was prince of the Kingdom of Earth, Prince Endymion.

Ensemble

Moeko Koizumi, Ayumi Sakisaka, Ayano Nagasawa, Yuri Hirano

After that is the Musical Numbers which you can find here.

Then is a really amazing pic of all the Senshi! Would love this as a poster <3

That's it for now! I will translate the rest when I have time! (Should be easier since I'm out of my personal hell lol)

[demifiendrsa]

Shin Megami Tensei V News Vol. 2 (with English closed captions)

New Characters Vol. 2 video

New Stat / Skill Building Features to Survive Da’at video

New Characters

Shohei Yakumo (Voice: Tomokazu Sugita)

A demon hunter with unknown motives, however he works alongside the demon Nuwa.

Nuwa (Voice: Ayana Taketatsu)

A goddess in Chinese mythology, she’s worked with Yakumo ever since he was young to fulfill a certain goal. She suddenly appears before the protagonist, and attacks.

Abdiel (Voice: Romi Park)

An angel who oversees Bethel’s headquarters. Stern and uncompromising, she eradicates anyone who threatens the order of Bethel through sheer force. She is fervently devoted to God, and is committed to defending His order at all costs.

Sophia (Voice: Sayaka Kinoshita)

She aids the protagonist with demon fusion.

New Demon

Loup-garou

New Stat/Skill Building Features

By exploring the world of Da’at, players will find “Essences,” which are spiritual entities embedded with the power of demons. Unique to each demon, they can be fused with the protagonist in order to customize his skills and affinities. Essences can also be fused with other demons in order to customize their skill pool.

Additionally, in Da’at, a resource called “Glory” can be obtained by fulfilling certain conditions. Glory can be used to learn “Miracles,” powerful abilities that alter the laws of nature and can further assist the protagonist during battle.

Shin Megami Tensei V will launch for Nintendo Switch on November 11, 2021 in Japan and November 12, 2021 worldwide.

[senshidaily]

Shinju Terada as Haruka and Ayana Kinoshita as Michiru!

[solarmiracle-makeup]

Thoughts on Kaguya Hime no Koibito :)

After watching both the first and final day performances, I think that the singing was a little better during the final day performance, but both were really nice. I will probably have more to say after I get to watch it with subtitles at some point, but here are my thoughts for now:

I think the Inner Guardians were all really good! Riko Tanaka (Moon) reminds me a bit of Satomi. She was really cute and her facial expressions (especially during Mako/Minako/Setsuna’s birthday part) were really funny. I love it when the Sailor Moon actresses are kind of able to convey Usagi’s exaggerated expressions like the 90s anime had. I like her voice too. Kanon Maekawa (Mercury) seemed really sweet (very 90s anime Ami) and Rei Kobayashi (Mars) played a mature but fun Rei. I’m always here for Sailor Jupiter because she’s my favorite, and I think Kisara Matsumura’s voice sounded really nice. Marin Makino (Venus) was just...the cutest. Her karaoke performance at the birthday party and her part of the Inners intro song was just so Minako. When she was waving at the audience my sister and I were joking that she reminded us of Pauline in Mario Tennis.

ReinakoReinakoReinakoReinako

I think both Chibi Moons were really good! Both had nice voices and Chibiusa energy.

The Outer Guardians...I live for the Outers. Jupiter is my favorite, but the Outers have my heart too, and this cast was excellent. Shinjyu Terada (Uranus) and Ayana Kinoshita (Neptune) were really cute together (definitely one of my favorite Harumichi pairings). Ayana reminds me very much of 90s anime Michiru and I like her voice for Michiru! Speaking of voices, oh my god Yuuka Ide (Saturn) can SING! Her solos were amazing! Love her. I really like Chisato Minami (Pluto). At first it felt weird to me to be watching a Nelke musical without Mikako Ishii (I miss her :( ), but Chisato played Pluto really well. Shinjyu felt very Haruka to me too.

Look at the cute Outers Family 💕

LETS GO LESBIANS I just love them so much

I really like both Lunas, especially cat-Luna. Her voice was AMAZING.

I usually don’t like Mamoru as a character (I’m sorry) but I like Riku Sorahane. She has a really nice voice and made Mamoru a little more likeable for me.

I thought the rest of the cast was great too, I just mostly had opinions about the guardian cast.

Overall I think the guardian cast was amazing and they all worked really well together! I would LOVE to see them all together in another musical.

In terms of songs, overall I think they were pretty good! Even though it wasn’t a realistic hope, I was really really hoping they would include an earlier song like Ai no Starshine or La Soldier as a service number. I liked the new one and of course Moonlight Densetsu is iconic, but they brought La Soldier back for Nogimyu and The Super Live so why not this one too :(

“You’re My Universe” and the Inners and Outers intro songs were really good though, I have been listening to them on repeat. The song they all sang together at the birthday party was pure cuteness and it low-key reminded me of Unubore Shoujo ga Yatte Kita!! (just the way it sounded, I don’t know the lyrics). The fact that Setsuna and Haruka were reluctant to join in was really funny.

Okay, now for the costumes. I think the new Super Sailor Moon costume is stunning! Especially the brooches and poofy skirt. Definitely my favorite myu Super Sailor Moon costume.

I really liked all the of the costumes, I’m a big fan of the sparkles and poofy skirts. Waaaay back when I first saw the promotional photos I was a little disappointed that they didn’t have the signature sera myu gold trim, but seeing them now I really like them. Also, Neptune’s wig is gorgeous.

The lights/special effects were breathtaking. I love that they project each guardians planet symbols in the background. The lightning effects for Sailor Jupiter and the fire effects for Sailor Mars during the Inners intro song were wonderful. And the Outers’ entrance at the beginning in “You’re My Universe”....*chef’s kiss*

[recentanimenews]

Watch Sailor Moon The Lover of Princess Kaguya Musical's First Day Performance Digest

    The official YouTube channel for the Pretty Guardian Sailor Moon franchise started streaming a three-minute digest of the first day performance of its latest muscical show  Kaguya-hime no Koibito (The Lover of Princess Kaguya), which kicked off at The Galaxy Theater in Tokyo on September 3. This new show is based on the 1994 film Sailor Moon S: The Movie and its manga edition titled Kaguya-hime no Koibito drawn by the Sailor Moon manga's original author Naoko Takeuchi herself in the same year

  The show is scheduled to run at the theater until September 12, and the tickets for its final day performance are already sold out. As reported, its first and final day (September 3 and 12) performances are live-streamed through the Streaming+ streaming services to the audience in Japan first, then will also be available to the international audience through GLOBE CODING at a later date.

          【ミュージカル】本番2日目！ 本日もご来場いただき、誠にありがとうございました！ハートを贈ってくれたち��うさ・ルナ・ほたる。通りがかった翔くんからもかわいい〜と声がかかるかわいさでした！明日9/5(日)も2回公演。劇場でお会いしましょう！ ★チケット好評発売中！≫ https://t.co/q9oLE6kXDP pic.twitter.com/cgtNeDj0HB

— セーラームーン25th公式 (@sailormoon_25th) September 4, 2021

    【ミュージカル】本番3日目！ 本日も2公演、誠にありがとうございました！仲良く撮影していたルナ・翔・姫子のスリーショット♡明日9/6(月)は18時公演。ご来場をお待ちしております！ ★チケット好評発売中！≫ https://t.co/q9oLE6kXDP pic.twitter.com/SAWtD5w4pg

— セーラームーン25th公式 (@sailormoon_25th) September 5, 2021

    【ミュージカル】本番4日目！ 本日もご来場いただき、誠にありがとうございました！写真はセーラー戦士に立ちはだかるプリンセス・スノー・カグヤとスノー・ダンサーたち。明日9/7(火)は13時公演と18時公演の2回です！劇場でお待ちしております！ ????BD＆DVDも予約受付中！≫ https://t.co/LqLo4mATfQ pic.twitter.com/WPzyLDoT9f

— セーラームーン25th公式 (@sailormoon_25th) September 6, 2021

    【ミュージカル】本番5日目！ 早くも折り返しです！ご来場いただいた皆さま、誠にありがとうございました！本日はセーラー5戦士ショット！ダイジェスト映像( https://t.co/YA35sNWRVF )も公開しましたので、ぜひチェックしてください！明日9/8(水)も2回公演です！劇場でお会いしましょう！ pic.twitter.com/0SOIZBzVDs

— セーラームーン25th公式 (@sailormoon_25th) September 7, 2021

    Main visual:

    Main cast:

  Sailor Moon / Usagi Tsukino: Riko Tanaka

Sailor Mercury / Ami Mizuno: Kanon Maekawa

Sailor Mars / Rei Hino: Rei Kobayashi

Sailor Jupiter / Makoto Kino: Kisara Matsumura

Sailor Venus / Minako Aino: Masuzu Makino

Sailor Uranus / Haruka Tenno: Shinju Terada

Sailor Neptune / Michiru Kaiou: Ayana Kinoshita

Sailor Pluto / Setsuna Meiou: Chisato Minami

Sailor Saturn / Hotaru Tomoe: Yuzuka Ide

Sailor Chibi Moon / Chibi-Usa: Yurika Kobayashi, Erena Kamada (double cast)

Luna (in human form): MARISA

Luna: Yune Sakurai

Kakeu Ohzora: Natsume Oki

Himeko Nayotake: Nanami Tamai

Snow Dancers: Moeko Koizumi, Ayumi Sagisaka, Ayano Nagasawa, Yuri Hirano, Sakura Morimoto, Eri Yanagida

Princess Snow Kaguya: Sayaka Okamura

Tuxedo Mask / Mamoru Chiba: Riku Sorahane 

    Source: "Pretty Guardian Sailor Moon" official YouTube channel / Twitter

  (c)Naoko Takeuchi, PNP/Musical "Pretty Guardian Sailor Moon" Production Committee 2021

  By: Mikikazu Komatsu

[shiroasada]

All Sailor Neptune Actresses in Sera Myu

Bandai Myu:

Kahoru Sakamoto also known as Kaoru Ukawa (1994) appears in only Musical. She was the first Sailor Neptune of Sanae Kimura. She appeared in many films and television productions.

Usagi Ai no Senshi e no Michi

Chikage Tomita (1995) appears in 2 Musicals, but the musicals were not recorded. She was the second Sailor Neptune of Sanae Kimura.

Henshin - Super Senshi e no Michi

Henshin - Super Senshi e no Michi (Kaiteiban)

Miyuki Fuji, now known as Miyuki Sena (1995 - 1996) appears in 2 Musical. She is the third Sailor Neptune of Sanae Kimura.

Yume Senshi - Ai - Eien ni

Yume Senshi - Ai - Eien ni...Saturn Fukkatsu Hen

Hiroko Tahara, also known as Hiroko Harada  (1996 - 1998) appears in 4 Musicals. She is the second longest Sailor Neptune actresses. She is the fourth and final Sailor Neptune of Sanae Kimura.

Sailor Stars

Sailor Stars (Kaiteiban)

Eien Densetsu

Eien Densetsu (Kaiteiban) - The Final First Stage

Sara Shimada, her real name is Saori Nakada (1998 - 1999) appears in 2 Musical She has worked as a model and appeared in several shows and movies. She was the first Sailor Neptune of Nao Takagi.

Shin Densetsu Kourin

Kaguya Shima Densetsu

Yuuka Asami (1999 - 2002) appears in 9 Musicals as Sailor Neptune and in another Musicals as Jadeite (Starlight - Ryuusei Densetsu 2003).

Kaguya Shima Densetsu (Kaiteiban) Natsuyasumi! Houseki Tankentai

Shin/Henshin Super Senshi e no Michi - Last Dracul Jokyoku

Kessen/Transylvania no Mori - Shin Toujo! Chibi Moon wo Mamoru Senshi-tachi

Kessen/Transylvania no Mori (Kaiteiban) Saikyou no Kataki Dark Cain no Nazo

Last Dracul Saishuu Shou - Chou Wakusei Death Vulcan no Fuuin

Tanjou! Ankoku no Princess Black Lady

Tanjou! Ankoku no Princess Black Lady (Kaiteiban) - Wakusei Nemesis no Nazo

10th Anniversary Festival - Ai no Sanctuary

Mugen Gakuen - Misstress Labyrinth

She is the longest Sailor Neptune actresses. Yuuka is the second and last Sailor Neptune of Nao Takagi. She is very close with Nao Takagi. In the Senshuuraku of Kaguya Shima Densetsu (Kaiteban) Nao and Yuuka kissed. This makes it the only Haruka and Michiru kiss that ever happened. In her last Musical ( is was Nao last Musical too) they sang together the Song "Destined Couple". She and Nao often attend fan events and sometimes host them.

Tomoko Inami (2003 - 2004) appears in 3 Musicals, before she played Sailor Neptune, she appears as first Misstress 9 in Mugen Gakuen - Misstress Labyrinth.

Mugen Gakuen - Misstress Labyrinth (Kaiteiban)

Starlight - Ryuusei Densetsu

Kakyuu - Ouhi Kourin - The Second Stage

Takayo Ooyama (2004 - 2005) appears in 2 Musicals, she was the last Sailor Neptune actresses of Bandai Myu.

Shin Kaguya Shima Densetsu

Shin Kaguya Shima Densetsu (Kaiteiban) - Marinamoon Final

Takayo has the same name like Anza Ooyama and Chiho Ooyama but not related. After Sera Myu She appeared in several films and other plays.

New Myu:

Sayaka Fujioka, formerly known as Tsukino Himeka (2015 - 2017) appears in 3 Musicals

Un Nouveau Voyage

Amour Eternal

Le Mouvement Final

Sayaka is a formerly Takazuka actress. She is very close with Shu Shiotsuki (her Sailor Uranus) together with she had a guest part in 30th anniversary Musical 2022.

Fun Fact: She has the same first name as the voice actress Sayaka Ohara of Sailor Neptune in Sailor Moon Crystal. Together with Junko Mikagawa she sings the first ending of the third season "Eternal Eternity" which is also a love song of Uranus and Neptune.

Ayana Kinoshita (2021 - 2022) appears in 2 Musicals.

Kaguya-hime no Koibito

30th Anniversary Musical Festival - Chronicle

Ayana is very close with her cast members. She was a member of the idol group "Sunmyu" from 2013 until the dissolution in 2020.

DISCLAIMER: Of course, I don't have any rights to Sailor Moon. These belong to Kodanaha, Bandai Visual, Bandai, Nelke Planning, Toei Animation, PNP and especially to the creator Naoko Takeuchi.

[sunnyside8chang]

headphone-girl:

Hojo Toshimasa - Headphone ＆ CECIL - Kinoshita Ayana,SAITAMA