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#kinda like with the hades Persephone thing
applepixls · 2 days
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hey guys. have you heard of hadestown.
(its a musical that meshes the myths of orpheus & eurydice and hades & persephone)
orpheus is a naive (sorta sheltered?) bard who acts on his whims while eurydice is a realistic and tough girl who's doing all she can to survive
hades is king of the underworld and keeps persephone there a lot of the year meaning there's a lot of winter up above
now hear me out.
3rd life.
scar as orpheus, grian as eurydice.
wedding song as scar proposing they take over the desert, the second verse being grian suggesting they take the dark oak. now, imagine all I've ever known as a dark night dancing in the desert not to mention, "its a sad tale, its a tragedy" (bonus: in a gathering storm eurydice calls for orpheus and he isn't there because he's off writing his song, narratively similar to grian calling for scar in double life when everyone was digging around for their sugar cane while scar was off accidentally lighting the place on fire and petting the jellie pandas)
extra bonus ideas:
persephone sounds like bdubs? like, listen to livin' it up on top. the gritty voice/singing and all her attitude (/pos) and some of the lyrics "who makes the summer sun shine bright?/thats right! persephone!" (he was the esmp2 sun god!) she sort of reminds me of the vibe bdubs gave off when he was ren the king's guy in s9 (my impression was he was kinda frantically running around at ren's whim, its not at all the same with hades and persephone but there's the sort of obeying a king thing)
leading me to my next thought of ren as hades. someone i was listening with said "winter has come" which made me think of "red winter is coming" dfhj
but another thought is just the last life ethubs divorce? seems very relevant with bdubs persephone parallels
also in hey little song bird hades refers to eurydice as a canary and we all know whos a canary
hermes (conductor of the train on the road to hell) and the fates play a narrator type role except hermes is more explicit while the fates are the humming in the back of your head they weave the path of how everything goes and you cant defy them
martyn throughout all the series is a sort of nomadic no solid home kinda guy and always self aware (he makes the lore-) which connects him to hermes for me but at the same time the fates are very much watcher/listener things so like bigb and martyn? (i don't know the lore sorry lol) i'd also say that somehow impulse's littlefinger flip floppy triple double agent character in third life gives a vibe like he knows whats going on in all the groups also connecting him to them for me
(i will say scar could fit hermes as well in being a sort of travelling sales person in last life and a bit in double life? also I've read dirges in the dark which means i see him and the devil and making deals with complicated clauses as very interconnected)
my final note (and being a devils advocate)
scar could also parallel hades.
if you watch his perspective he's very happygolucky and doesn't seem to get the real weight of the situation and such but from other perspectives his and grians deal seems kinda like he's had grian sign away his soul or he's kidnapped grian and there's some stockholm syndrome happening (its actually grians guilt but i digress)
hades convinces eurydice (scar is a silver tongued man) to sign away her soul to him and also the story of hades and persephone is that he kidnaps her and she eats some pomegranite and has to stay in the underworld for part of the year
sooo yeah. paralells between hadestown and 3rd life/life series. enjoy.
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haydenthewitch · 3 days
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if i was doing a greek myths au of sanders sides, i think i would do intulogical as hades and persephone and here's why:
1. Logan as hades makes sense, Not only becuse of the thing they both do, the "i don't do feelings thing" but also becuse of the god of wealth thing. Logan's the one doing taxes in sanders sides. Also, Hades is not known for being like a "grim reeper" figure, he doesn't delight in death nor is he the god of death (the act of dying). He is the god of the dead (ruling over already dead pepole) and he seems to rule as fair as any of the gods did (maybe even more fair.)
2. Remus as persphone is so good acrualy. Did you know that before pepole refered to Persephone as Persephone they refered to her as kore. The intresting thing about Kore is that it doesn't translate to 'flower' or some spring goddess name like that. Kore translates as "maiden" or "girl." Some theroize that this is becuse saying the name of a god was bringing their attention to you; oftentimes pepole would not refer to hades AS HADES belivng it to be bad luck. THEREFORE some think that the greeks gave her the name 'KORE' becuse they were so scared of her: they wouldn't say her name. they basicly said "so in this tale a certain madien we don't say the name of does xyz." and this was BEFORE she hooked up with the god of the dead; she was then remaimed Persephone (witch btw translates to "to bring/cuase death".) NEED I SAY WHY REMUS WOULD BE SUCH A GOOD PERSEPHONE??? first, he'd totaly roll around in the dirt and mud, bring about the chayos of spring. and two EVRYONE IS FRICKING PISSING THEIR PANTS AROUND HIM ALL THE TIME. three: he would and does fuck shit up by sponatouisly growing vines everywhere. sometimes on purpose and sometimes not at all.
3. Logan (as hades) Seeing remus(as kore) Causing disaster and ruin with plants and insitantly falling in love and lementing how perfect and ordrly the underworld is becuse vines and plants can't grow there easily. Secretly wishing and hoping to see him again. Technicaly kidnapping remus on acceident but remus can smell fear on him and is SOOO INTENT on figuring out why (it's becuse logan is so deeply in love with his laugh and logan is kinda freaking out about it.) remus maybe intentionaly eating some of the pommagranite as a show of faith and logan proposes on the spot.
THEY ARE THE COUPLE OF ALL TIME (and this isn't even getting into why roman and virgil would make SUCH A GOOD orpheuis and erodice pair don't even get me started. i feel like i have to find a sanders pair for phsyce and eros becuse they are my favorite greek myth so)
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quidam-sirenae · 4 months
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I’m also not saying the idea of Odysseus as a straying husband is a *bad* way to read the odyssey (Ovid read it that way!) it’s just way too overdone and people are starting to take it as fact not as one possible reading of the story
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boyfriendyke · 3 months
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there r a lot of things about the myth of psyche and eros that makes me a little insane but one of them has always been the tasks from aphrodite and the unfairness of it. they're not intended to be possible. they're so obviously not meant to be possible, and psyche isn't fucking hercules, you know, she's not a demigod or whatever, she's mortal and these aren't mortal tasks!! it's why psyche has to be helped with each one, fucking by like ants and river gods and shit. and so like. idk. i know ppl see psyche and eros as like a story about love and shit which obviously it is but as a kid psyche and eros always felt like a story about being able to accept help
#in my theoretical adaptation of psyche and eros i'll never write i emphasize this theme#by changing psyche from a princess and youngest daughter to a poorer girl and eldest daughter who is very like. sophie hatter esque#also tbh when i first started thinking about my theoretical adaptation of psyche and eros i was reading hmc LMAO#also also ALSO. as a kid i always felt like the story was soooo deeply about regret and atonement and forgiveness#like YES the story is about love but not about easy love. love is difficult and requires work and sometimes u hurt each other !!!!!#it always struck me as a kid how psyche just. accepts the tasks.#i always read it as like. psyche KNOWS these tasks are unfair and i dont even think she expects to achieve them#but she accepts them anyways because she so deeply regrets what she did to eros and has no idea what else she can do.#am i verbalizing this well or have the worms eating my brain reached an irreversible point#also tbf im pretty sure the version i read as a kid didnt include the multiple times psyche tries to kill herself LMAO.#but we're ignoring that because i love the idea that shes just. so aimless and resigned to the tasks#ALSO on eros' side of things#i dont have like proper analysis about it but as a kid i saw eros hiding his face as like. fear?#like. fear that the person he loves will think he's a monster if he reveals his true self. or somethin. which also. i think is very queer#also very beauty and the beast. for obvious reasons since it was based on psyche and eros lmao#oh also. i already mentioned it but psyche and hercules r so similar.#did something unforgivable to a loved one --> given multiple impossible tasks to atone for it etc etc#i dont have any real analysis abt it i dont remember a lot abt hercules tbh but. yah#ALSO. okay i think retellings of hades and persephone where theyre totally in love and stuff r kinda tired.#BUT. in the theoretical adaptation i always imagined a scene where psyche does the last task where she goes to the underworld#and shes tired shes soso tired#and she goes to persephone and persephone is gentle and motherly which aphrodite has Not been to psyche#and i think if persephone is unkidnapped and truly in love w hades#then i think there could be a fun parallel between persephone and psyche in which like. theyre both in love w ppl#who are seen as monsters. and shit. or whatever#anyways. idk what made me think abt this again. ACTUALLY i do know i might write a twine for the neotwiny game jam#and it might be inspired by psyche and eros#anyways. lmao#jc.txt
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dootznbootz · 8 months
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Sparta royal family headcanons?? Any generation.
I HAVE A LOT AND PROBABLY HAVE TO RESEARCH MORE BUT I DO!!!! >:D Thank you for the ask!!! *headbonks*
So we don't know much info with Hippocoon and how that went down yet other than basics YET or if I plan for him to be a half-brother to Icarius and Tyndarius. BUt Icarius and Tyndarius are opposites in that Tyndarius is a worrywart and Icarius is just vibing most of the time. Tyndarius is also just dealing with more stuff...they're their generation's version of Agamemnon and Menelaus in a way with how one brother takes a lot of the brunt for the other except both have a happy ending :'D )
Also, neither are the best fighters as while Sparta was pretty big on military they were exiled for a bit. Another thing with them, being half-naiad, (and being surrounded by others like them), it makes it kind of easy to tell when one of your kids is fucking with one of your advisors as they can feel the water being moved as well. It's harder for Icarius though as his children are more naiad than him. It's easy for Tyndarius as Clytemnestra is less naiad than him. Kind of go into that here, just not with the specific family dynamics :D Also might change some things
I didn't plan for naiads and naiad-born to really have scales but now I'm kind of coming around to it because I just KNOW Tyndarius picks at them and Leda has to do the whole "stop that". (might have to redo that post I did on naiads because of it, or maybe just have a poll just for the homies :P might be skin colored and just be different skin texture. idk for sure) Also while Icarius and his whole family are pretty okay about water and spend a lot of time in the water as Periboea is a Naiad and all his children are 3/4th naiad, Tyndarius often forgets that he needs to get into the water every once in a while. Leda doesn't technically need it and his children are only 1/4th so they don't need it as often.
Leda: Dear, when was the last time you went for a swim? You've been looking over those tablets for a while, I'll take over. loosely based on clay records found at Knossos :P I think they're neat. LINEAR B, BITCHES! Tyndarius: Oh, it has been a bit! Let me finish this one up before I do. Leda, getting annoyed at him scratching at himself just dumps a pot of water over him: Better? Tyndarius: Yeah, actually! :D
It's...sometimes a bit of a problem when you're a person who needs to be damp often and two of your children kind of always have a lot of static electricity :'D
I know Leda and Tyndarius have affection for one another, but I don't really have a plan for how they got together :P I DO kind of for Icarius and Periboea though! :D All I know is that Icarius being a runner, it's really funny to me to think this guy, being half-naiad, just fucking RUNS on water for funsies, which annoyed Periboea when he's back from exile. Plan for them to have a pretty happy marriage, though sadly, that's not the case for all their children :') and that's part of the reason why he tries to get Penelope to stay in Sparta as he's overprotective of them all while also desperately not wanting them to have feuds like what happened to him and Tyndarius.
Lil bit of spoiler but...Hermione was 5 years old when her mom was kidnapped and she was a bit traumatized by it. :') as she kind of got to see it happen
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rakshaspeaks · 5 months
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"My dear wife, I hope you don't plan to accomplish anything for a few days. I intend on taking you to bed and keeping you there. I want to lick the sweat from your skin while I reaquaint my cock with your sweet cunt. If you thought I was insatiable before, you will see me ravenous."
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toon-kirby · 7 months
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With the recent revival of Percy Jackson I kinda realize that the only one of the twelve Olympians who isn't a complete jerk in some way is Demeter. The only time she did something problematic was when she had a mental breakdown after her daughter got kidnapped
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beemintty · 10 months
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ok ok do a quiz on what greek god you are. I just confirmed that my girlfriend --the love of my life-- is indeed my soulmate.
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justlemmeadoreyou · 1 year
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Secret Little Rendevous | (co-worker!harry x reader) [COMPLETE SERIES]
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Unfulfilled | (nerd!harry x reader)
in which you and harry are (friendly) academic rivals, and things change
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A Chrome Connection | (grumpy!harry x sunshine!reader)
In which you are in desperate need of some car-fixing(and a place to live in) and you find Harry, a grumpy mechanic who supposedly dosen't care about people around him. But, will he melt when he finds a broken girl crying in her car on a cold Thanksgiving night?
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In which Y/n just wants to leave her abusive husband, and Harry is hopelessly devoted to her
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Sweet Creature | (restaurant owner!harry x chef!y/n)
you landed your dream job as a line cook at Harry Styles' prestigious haus kitchen restaurant in chicago. the tough chef job demands focus, but it's really hard when your boss looks like harry styles.
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《LONG ONE SHOTS》
An Eternal Embarce* (hades!harry x persephone!y/n)
in which persephone is back after 6 months, and the underworld blossoms once again. tensions arise too, but there is nothing that the king of underworld and queen of sspring can't handle together [Word Count: 7k]
Just the two of us -vday check in
Serendipity*
harry meets you at the most unexpected of places, and helps you like a knight in a wedding suit. it all starts at your best friend's wedding, where you find yourself in a predicament without an escort. as panic sets in, harry appears, sent by the groom's brother to fill in as your last-minute companion. from that moment, a serendipitous connection begins to bloom between you both. [Word Count: 5k]
Solace* (famous!harry x masseuse!y/n) part 2
harry is in need of some unwinding and destressing, and he finds the perfect masseuse for that. they end up growing much closer than the relationship they began with, but it's never that easy, is it? [Word Count: 11.6 k]
Rain-Kissed* (footballer!harry x nerd!y/n)
y/n and harry, former rivals turned reluctant partners, find unexpected chemistry. heated glances, playful banter ignite a spark. a near-tragedy makes y/n confront feelings, and...will they be reciprocated? ft. lots of mutual pining [Word Count: 6.1 k]
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harry practices at the local ice rink every night, but lately, all he can think about is a specific figure skater that he admires from a distance. when she asks him for some "private" lessons on ice, will they give in to the stolen glances and undeniable tension? [Word Count: 6k]
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SMUT
hot n' hard*
you and harry are at the pool for some fun, and you both rile each other up throughout. you both end up fucking at the edge of the pool and your exhibitionism kink has never been fueled so good.
thigh riding*
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harry sees you around kids on a Christmas dinner, and he's obsessed with giving you his own
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harry is jealous, primal and dominant tonight, and you have never been so turned on
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three knuckle deep*(aka fingering blurb)
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curves*
a plus-size!y/n fic
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euphoria*
soft dom!harry while his girl sucks on his cock
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drunk harry
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here for you
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ANGST
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kaciebello · 7 months
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Strawberries with too many seeds
Masterlist Luke Castellan x Hades! reader (implied, fem) Percy Jackson x Hades! reader (platonic) Chris Rodriguez x Hades! reader (platonic) Summary: Percy might feel like he is messing up the whole demigod thing, but he sure feels like he has friends here. Warning: Insults( nothing mean, just banter), no use of y/n author note: English is not my first language so I am sorry for any mistakes beforehand. I wrote this while eating blue candy, had to get into the character somehow. Yes I know Chris is unclaimed, Luke calls him brother in a bromance way. Proofread by me and me only (T▽T) word count: 1,2k
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Percy couldn't help it. He was still feeling down about the amount of times he messed up. He, Luke, and Chris were sitting down at the Hermes table. Chris babbling something about the goddess of failure. Percy wasn't paying attention. 
“Don't worry, we’ll find something you're good at.” Turns to him Luke with a tight lip smile. Then it spreads into a grin as his eyes shift to look behind Percy. He feels a person sitting down next to him with their food. He looks up and sees the Hades girl he met the other day.
“Hello, my little gremlins!” She says with a smile. Percy doesn't have time to react, well not before Chris does.
“Gremlins is crazy.” He says pointing his fork at her. She just chuckles and picks up her fork.
The older boys continue to eat. Percy looks at her a bit confused. From what he learned, claimed kids are supposed to eat at their parents' table. He found the system kinda of dumb, if he wanted to eat with Athena’s kids, he should be able to. Not that he had anyone particular in mind.
“Aren't you supposed to sit at your table?” He asks her confused. She stops in the middle of her bite. She looks at him for a second before returning to her food.
“No cabin, no table.” She says. Percy now remembers that she mentioned that her father does not have a throne on Olympus and, therefore no cabin. It makes sense not to have a table either. He thought he could hear Chris whisper ‘No face, no case’ before Luke slapped his brother on the back of his head. The girl just gives them a side eye and turns to Percy again.
“What are you drinking?” She motions to his drink.
“Cherry cola.” He says
“Why is it blue?”
“ Daamn girl, you can't judge a soda by its color!” Chris says, making a fake gasp and clutching his heart. She just rolls her eyes and shakes her head. Chris receives a slap on his shoulder from Luke.
“Ignore him, Percy.  Chris is just a moron.” She says with a smile.
“I am your brother-in-law to-be!” Defens Chris, leaning over the table to jab his finger in her shoulder. Percy notices a blush on Luke's face before he clears his throat and looks away for a second. The girl just shakes her head and pushes the boy away. An argument breaks out between those two. Percy could swear that he heard a few very creative insults. He looks at Luke who just shakes his head and continues to eat. Percy follows his lead. 
“Sweets, do you want my starberries?” Ask Luke, making the two stop fighting. They both turn to him. 
“Oh yes my darling, thank you.” Answers him Chris and reaches for the few strawberries Luke has set aside while eating. Luke just frowns at him slapping his hand away, pushing his plate to the girl. Chris whines and holds his hand in a very fake hurt-like state. The girl just shakes her head and pushes Luke's plate back. He just gives her a face with a giant question mark on it. She just looks at him dead in the eye.
“I don't think taking a fruit with many seeds from a man is something I should do.” She says and Luke's eyes widen. He gives the thought a second before rolling his eyes.
“I do not want to kidnap you into my secret hideout,” He says not looking into her eyes. 
“Aw, what a shame.” She says teasingly and Luke's head snaps to her. Chris and Percy just laugh.
“Shouldn’t Persephone’s kids worry about that more?” Asks Percy genuinely curious about what other superstitions should he be worried about. He knows that Annabeth does not like spiders because Athena cursed Arachne. Now this. 
“Great question! Let us ask my stepsiblings!” She says and jumps up. She looked around before sitting down.
“That's right, Persephone does not have mortal children.” She explains to Percy. He just lets out a little ah and goes back to eating. Well, more like pushing the food around his plate since he felt embarrassed.
“It's fine Percy, nobody expects you to know who has children and who does not. And it gets tricky when even the maiden goddesses have mortal children, Athena for example.” She says with a kind tone.
“You’ll get the hang of it.” Tells him, Luke, trying to cheer up the younger boy. Percy just nods at his older friends. He hopes to be as skilled as those two one day. The two look at each other with a warm smile. Percy could see the love in their eyes. His mom had the same look when she talked about his dad. He just hopes these two have a happier ending than them. A gaging sound can be heard from one of the chairs. All of them turn to look at Chris, who is pretending to vomit violently.
“ Nurse, please I am feeling a bit sick, all this sweetness makes me wanna puke,” Chris says, clutching to his stomach pretending to be sick.
“I will stuff gauze down your throat if you don't stop” She threatens, going back to their banter. Luke just shakes his head at them and turns to Percy.
“Come on, we need to throw the rest into the bonfire.” Says Luke and the other two get up without another word. Percy wants to ask why, but it is like he could read his face.
“Offering to the gods, they like the smell.” He manages to finish. Percy gives him another confused look so Chris clarifies.
“They like the smell of begging.” He stops and looks at the girl. “ Just as much as she likes the sound it.” He finishes, very proud of his jab. The girl just narrows her eyes and goes to stand in the line. Percy swears he could hear ‘I will bite your head off’ but it was mostly covered by the amused sound Crish made after.
“ Excuse them, Percy, they grew up together, got here together. They have always been like that. You should have seen them when they shared a cabin. It was a nightmare.” Lukes says and follows the two, Percy close behind him.
“Okay little praying mantis, Luke you must be careful. You never know, you might lose your head.” Turns to them Chris and throws the rest of the food to the fire.
“ Have you hurt your head?” She asks before shaking her head.” Why am I even asking, I heard you slam your head on the upper bunk bed the other night.” Chris stops in his tracks and narrows his eyes at her.
“ Why were you in the Hermes cabin?” He asks and she just shrugs and looks away. Percy could see that Luke had gone red once again.
“ I was with Luke, why else Einstein.” She says walking away from all of them. Chris is hot on her toes.  Luke just looks at his feet before placing his hand on Percy's shoulder making him follow those two.
“YOU HAVE A WHOLE ROOM!” Yells Chris making big hand gestures to the girl who looks bored with whatever he is saying. Luke patted his back.
“Welcome to the family kid.” He says before lightly jogging to the older campers and delivering a slap on the back of the head to his brother.
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bookishdaze · 5 months
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Noa and Mae as Romeo and Juliet in the Next Planet of the Apes Movie?
Here's why a potential "love story" between Mae and Noa, whether explicit or simply implied, may not be such a terrible idea.
Why? Because Shakespeare told me so, that's why.
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"When in doubt, it's from Shakespeare....or the Bible." At least according to a book I had to read for high school, lol.
The biblical references in Caesar's trilogy have been pointed out multiple times already, and these movies have also been described as Shakespearean tragedies. So I thought, 'ok, what kind of Shakespearean tragedy will we have this time around?'
I'm first gonna start off with Hamlet in the Caesar trilogy. I'm also gonna mention other popular movies that are based on Shakespeare's plays. Not necessarily because it's concrete proof that this is what will happen in future POTA movies. This is me simply picking up certain storytelling beats and patterns I've noticed in some of my favorite movies.
It's not 100% the same, but there are some similarities. Also, this isn't anything new. Many have pointed this out before, but I love talking about this stuff!
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The Lion King, Black Panther, and Dawn of the Planet of the Apes are loosely based on Hamlet. A king or rightful heir is killed. Usually by an evil uncle, cousin, or family member. For some reason this always results in them falling off a very high cliff.
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Everyone thinks they're dead, the evil relative takes power, and everything kinda sucks. There is not enough food in the Pride Lands under Scar's rule. Killmonger burns the heart-shaped herbs. Koba leads the apes to war against the humans.
The rightful ruler spends time in exile, recovering from their wounds and trauma. They might even get a visit or have a recollection of their dead father.
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Then the rightful ruler comes back from the dead, challenges the usurper, and regains their rightful place upon the throne.
Now lets take a look at their sequels.
The Lion King 2 and Wakanda Forever share some similarities. They both follow another one of Shakespeare's popular plays, Romeo and Juliet.
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Like the Montagues and Capulets, we have two rival kingdoms in both movies. We got the Pridelanders and the Outsiders. We also got the Wakandans and Talokanils.
The two heirs/rulers from both kingdoms meet. They hate and don't trust each other at first, but then they start to have compassion for the other. In Kiara and Kovu's case, they fall in love. Namor and Shuri don't fall in love, but after Namor shows her his underwater kingdom and what he has to protect, she softens and begins to understand him more. (They even got the whole Hades and Persephone thing going on, who are a couple in Greek mythology, by the way).
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There are losses on both sides. Kovu's brother was killed while going after Simba. One of Namor's people was killed when Shuri was rescued by Nakia, and Shuri's mother, Queen Ramonda, died after Namor's attack on Wakanda. (Starts nervously eyeing Anaya here...)
These losses make things worse, by the way.
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In the end, both pairs are able to bring the fighting between their people to a stop. The Outsiders are welcomed into Simba's pride. The Wakandans and Talokanils stop fighting after seeing their leaders return together.
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In the end, they realize that they're the same. That they can't let hate and fear of the other side cloud their judgement.
Kiara tells her father, "A wise king once told me we are one....Look at them. They are us. What differences do you see?"
Shuri tells Namor while she spares his life, "Vengeance has consumed us. We cannot let it consume our people."
And I think this goes well with one of the core themes of these POTA movies. The apes are a mirror to humanity. We the audience are seeing us through them, and the characters in the movies themselves must come to the realization that they're the same.
Like when Caesar tells his son, "I always think ape better than human. I see now how much like them we are."
Maybe something similar like this will happen with Noa and Mae and whatever fight will happen between apes and humans. While I'm all for a good romance, it may end up being more like Namor and Shuri's case. There's something there. The tropes are present, but they don't fall in love. (At least not yet. Please Ryan Coogler, give me Nashuri endgame in Black Panther 3, hehe).
This is just a theory, by the way. This doesn't have to happen, but I just think it'd be neat. There would be differences though. What those differences would be, idk, but whatever happens in the next one, I can't wait!
"But but.... aren't you forgetting something?"
What's that?
"Don't they...ya know...both die at the end?"
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Besides, they don't have to die. Things can be a little more hopeful for our two heroes 🙈
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cherrytea556 · 1 year
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Lore Rekindled; The Lore Olympus that should have been
To be honest, I checked out the rekindled version before the original one and now having reading the original as well, it's extremely odd. Y'know goodbye volcanic high where the original was a mess but a group of 4chaners made a parody game which turned out to be of better quality than the original? This is like that but replace 4chan with tumblr users, mainly @genericpuff whose series is pinned in their tumblr blog where you can check all of the episodes, especially updated ones. In this post, I will be praising this series of how it fixes the problems of the original
The Pacing
One thing I notice about lore olympus and lore rekindled is the pacing. Not just the flow of the story but where it chooses to focus on. Now in lore olympus, the pacing is kinda a mess and its mainly to do with what it focuses on. An example is the magazine plotpoint; in the original, its basically kinda there in between doses to focus on other stuff like persephone and hades together, persephone's sa (i'll get to that later), eros story, zeus and hera etc...The flow generally isnt that bad per say (except for persephone's sa cuz that was way too quick) but for a story meant to be a romance between hades and persephone, you'd think it idk, it would focus on persephone and hades specifically, not eros which is another example of; its flashbacks. Eros specifically has such a dragged out flashback in episode 12 which we didnt need or at least with that much exposition when it should've naturally expand in the story and that's what rekindled does. The magazine plotline has turned into the first conflict of persephone and hades as we see how it affects their lives and relationships. This works for its pacing better because it doesn't give you too much stuff to jumble with, making the narrative more concise and easier to understand where the story is going. And with the flashbacks, rekindled cuts out the fat in the flashbacks from the original to a perfect balance where it gives exposition of the characters while also leaving mystery for the audience to be intrigued, my favourite one would have to be this (though it more of a nightmare than a flashback specifically speaking);
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It's of persephone in a greenhouse her mother placed her in with this red eye thing following her from outside the greenhouse. I have no idea of this lurker if its her metaphorical rage or a danger in her life but either way, i am intrigued by its presentation.
The Characters
When reading lore rekindled and lore olympus, the characters are definetly an odd experience. For lore olympus, the characters arent exactly uh....great per say. I think the main reason for this is how their ultilised, with characters like eros, hera, hectate etc being there to mostly be a matchmaker for hades and persephone even if it was initially seen as wrong like with hera and hectate, be antagonistic as a way to have conflict between hades and persephone like minthe, demeter and recently leuce even if ones had reasons too like minthe with hades emotionally cheating on her and demeter because lets be honest, she had a point. Then there's hades and persephone, whoo boy where to start with them.
Hades starts off as a creep eyeing at persephone during a party, specifically at her body and still lusts persephone even being aware that shes 19 and he's 2000 years old. Also is a shitty boss, father AND contributes to slavery with it while being adressed in some way, doesnt change him which isnt good for a character that's meant to be the main protagonists love interest.
Persephone though, I can get the self insert vibes. From favouritism towards the story, being who most of the men in the story are attracted too, portrayed as a 'cinnamon roll' (they actually said that early on in the story, im not kidding) who cant do no wrong. She acts like a teenager rather than a young adult which makes the scenes where shes sexualised just more uncomfortable (and they already unnecessarily were) along with adding that uncomfortability to the romance
But with rekindled, they expanded on the characters much more than they originally were. Persephone for instance has turned from a 'sexy baby' legal teenager to an actual young relatable adult with agency and allows her to screw up (e.g, getting drunk on her own rather than eros drunking her). Her adult attitude makes the romance between her and hades not only more palpable, but also strays away from the infantilisation/uncomfortable sexualisation of her character which is nice to see. Hades also is written well in the series from how it acknowledges his faults while still making him likable. And thats the same for every character really, their personalities are much more fleshed out and nuanced which makes their characters feel real to life, gaining effectiveness for more emotional scenes with them. An interesting thing too is that they even expanded the magazine guy's character from making fake news for profit into feeling guilt over what they done, standing up for persephone which is a pretty nice change.
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No Sa Plotline
Not like you cant have sa in your story ever but if you never planned it from the beginning and only did when people tell you that the scene you drew from your comic was sa then....maybe just not do it. Lore olympus does exactly that where while an attempt was made, it goes on to retcon it into making apollo (the guy who sa'd persephone) into a lesser evil like that would made a difference instead of just cutting it out from the very beginning. Lore rekindled thankfully just made apollo into his pilot version, a shitty bf but more likeable and expanded upon (which should have been his portrayal from day 1). His shittiness doesnt come up in the story, more like self absorbness/egotisticalness although with its recent chapter of the magazine guy offering persephone lunch, it might reveal some cracks or at least further down the story it will be revealed to us which futhers how effective rekindled character writing is in how its expansion of characters would give us the feels. That or portray him as not a good match for persephone, either way much better than the original.
Artstyle
Lore olympus has a pretty good artstyle (at least in s1/the early episodes, s3 is just kinda goofy) but lore rekindled has got a good artstyle which is on top, more consistent too. Here's some examples;
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Comedy
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It's objectively funnier than lore olympus, no question asked
All in all, if you want to read lore olympus, i recommend you to read the lore rekindled one instead as it's better in every way. Give it a read.
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aroaceleovaldez · 6 months
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Nico Di Angelo headcanons?? (I hc he has cfs, that’s basically canon though)
He DEFINITELY has ehlers-danlos syndrome. Always cold? Poor circulation. Frequent fainting? Poor circulation and also poor nutrient/water absorption and etc. Weirdly pale? Semi-translucent skin + did i mention the poor circulation. Weird vitals? Can. Can you guess. (Poor circulation). Chronic fatigue? All his joints are subluxating constantly. He tends to stand/pose weird cause his joints all bend backwards/hyperextend and it freaks people out but he finds it kinda funny. Plus EDS has comorbidity with adhd and autism babeyyy it all works. somebody get this boy a pair of crutches.
Also Nico bruising like a peach is funny. He wakes up covered in bruises and just presumes ghosts are beating him up while he sleeps but no, he just has paper skin and glass bones joints.
The skinny jeans are strategical they're compressive and the only thing keeping his legs from dislocating constantly. That and the bone powers. The bone powers help a lot with the dislocating problems.
NICHE ROGUE DEMIGODS WORLDBUILDING THING: Okay so short version is something something i like to think rogue demigods go by nicknames often instead of their real names cause of the whole "names have power" thing. Some rogues pick their rogue name, others just kind of end up with one over time from people calling them something, whatever. Nico's main one is "Hound"/"Hound of Hades" cause he keeps wandering around with a pack of hellhounds and intimidating the daylights out of everyone. Also the rogues who are less scared of him joke about him being CHB/Camp Jupiter's dog, since he's one of the few rogues with direct loyalties to the camps. Nico thinks the name "Hound" is badass though so he rolls with it.
The jacket is both a sensory object (autism babeyyy) and because he is constantly mildly cold. He likes having layers.
In terms of sensory/clothing stuff, he prefers clothes that are too big or generally baggy on him. Because of this he is a notorious clothing thief when it comes to his friends. No jacket is safe from his clutches. His own clothes are big enough that the Argo II crew can steal from him right back though and it'll actually fit so it evens out.
He got all his emo inspiration from Thalia. She gave him her ipod in TTC for like 20 minutes to get him to shut up and that was a canon event that changed the trajectory of his life forever.
He regularly does little chores and errands for different deities and is generally friendly with a ton of them and will hang out with them and help with stuff. He may or may not have briefly been an Eye of Anubis, and may or may not have partially influenced how Anubis ended up goth (by transitive property, this means Thalia has made at least one god goth. There Will Be More). Other gods he often hangs out with (besides his dad) include Thanatos, Charon, Persephone, Demeter, and more.
He also has kept in touch with Eurytion and Triple G ranch to help out there sometimes and he dogsits Orthrus occasionally. Mrs. O'Leary and Orthrus are friends.
The idea of Hades/Pluto kids being allergic to mint because of Minthe is very funny to me.
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aliciavance4228 · 2 months
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Here Are A Few Things From Greek Mythology Which Not Only That Make Sense, But Are Actually Quite Briliant
1. The children of Ares (war, combat, bloodlust) and Aphrodite (beauty, sex) are: Eros (love), Anteros (requited love), Himeros (uncontrollable immediate desire), Pothos (longing desire), Harmonia (harmony), Phobos (fear), Deimos (panic/terror) and Adrestia (revenge); which are all of the emotions that can happen in a relationship between the foul-tempered abusive jock and the pretty girl. The ancient Greeks understood relationships.
2. Perseus is the son of Zeus. Why didn't Hera go after him or his mother? Because they're from Argos, and she's the patron of that city.
3. The story of Heracles states that Hera tricked Zeus into saying that the next king of Argos shall be the next male born. Of course, she manipulates events to happen so that Heracles's cousin Eurystheus is born first - thus making him the rightful king. But wait - Heracles has a twin. (Iphicles) So why go for his cousin, and not his fraternal twin to really rub salt in it with Zeus ("Hey, Alcmene's son is the next rightful king - Ain't no rule saying it had to be Heracles, haha!")? It makes a bit of sense actually - by making Eurystheus the next born child, she ensures that it's not Heracles. If she induced labour in Alcmene, there was still a chance Heracles could have been the first one born - and not Iphicles.
4. Why would the relatively amiable Hades kidnap Persephone to make her his bride? Well, according to some sources, he did that after asking Zeus for relationship advice. Given the fact that Zeus has raped and/or kidnapped plenty of women (and poor, minor Ganymede) just 'cause he felt like it, it isn't surprising that his advice would involve something like that.
5. Every source and most people tend to think Hades got the worst and Zeus the best of the deal when they divided up the world, but actually it's kinda balanced because all three of the brothers' domains come with some great perks. Zeus' is obvious, but consider this: Poseidon got the element that covers about two thirds of the planet, with earthquakes to boot, and for Greeks travelling by sea was something of a necessity, while Hades got all of the minerals and gemstones, and as many point out, the one biggest flaw of humanity is that the dead have always and will always outnumber the living.
6. Most stories of Andromeda mention that she was supposed to be eaten by a monster because her mother Cassiopeia blasphemed and made Poseidon mad by claiming Andromeda was more beautiful than the Nereids. All nice and good as the Nereids were supposed to be extremely beautiful, including Amphitrite, Poseidon's wife herself, but the thing comes in when you remember that the Nereids had a brother called Nerites, who was even more beautiful than them, and who was Poseidon's first serious relationship besides his wife. No wonder he got pissed off, she was badmouthing both his wife and his boyfriend!
7. There's some poetic justice in the fact that Narcissus, who saw himself as an unattainable treasure, got transformed into a flower — something that literally anybody can take and do with as they wish.
8. The anger the Olympians felt when they discovered Tantalus' crime makes even more sense when you remember that at least Hera, Poseidon, Hestia and Demeter (Hades wasn't present at the time) all know how it feels to be eaten by your own father.
For Hades' part, it certainly explains why he'd give Tantalus such a torturous punishment in the afterlife.
Made worse by Tantalus being the son of ZEUS.
9. Why are all the gods (save Hestia) prone to so much hypocrisy, violence, sexual assault, and abuse? Well, each god is typically associated with either an aspect of nature (such as the oceans, plants, weather, etc.) or emotions and biological reactions (bloodlust, love, sexuality). As such, the gods are less like people, and more akin to forces of nature; the gods, like nature, are indifferent to humanity, so sometimes they’ll harm people when they’re angry, reward people when they’re happy, etc.
10. Some of Typhon and Echidna's offspring, such as Cerberus, Ladon, the Caucasian Eagle and the Colchian Dragon were utilized by the Olympians in some way despite the fact that they were the offspring of their Nr. 1 Enemy. Sounds odd...but when you think about it, it's actually genius. It's an excellent way to prevent the monsters from running wild and destroying stuff, whilst simultaneously taking advantage of their destructive tendencies.
11. Why is Hades such a faithful husband (Leuke and Minthe were later Roman additions) when both of his brothers are pretty unfaithful? Well, Hades has a very important job that never seems to end. He’s in charge of the Underworld and since someone is always dying, Hades is always very busy which means that he didn’t have time nor interest in having affairs. Also many couples were likely to be together in death. Perhaps Hades saw through those couples what it means to be a good husband. It does help that Hades is also far more mature than his brothers.
12. Nyx is one of the few beings Zeus is too afraid to face, having let her son Hypnos get away with messing with him since he went to his mom. Why's he scared of her in particular and not other primordial deities like Gaea? Depending on the myth Nyx is the mother of many personified concepts, and that includes the Fates...aka the one force even gods like Zeus can't overcome. Imagine how outclassed Zeus'd be if he had to fight their mom!
13. Why is Hestia the least problematic deity out of all Olympians? Cronus ate five of his children, and she was in there the longest. Perhaps the reason Hestia is the sanest and nicest of the six Olympians is because she as the oldest was forced to mature faster in order to take care of her younger siblings while they were trapped in their father's stomach. Hades being the second oldest and first son similarly assumed this role as well. Then we have Demeter, then Poseidon, then Hera and Zeus. While not a perfect graph, you could graph 'reasonable behavior' as being tied to 'who spent the longest in his stomach'.
Credits: TV Tropes
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abiiors · 6 months
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persephone - matty x reader ˖𓍢ִ໋🌷͙֒✧💌˚.⋆🌿
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a/n: this is kinda loosely based on the myth of persephone and also this is just one interpretation of it, obv several exists in the media :) and like matty's barely hades lmao, this is mostly just the connection of persephone, demeter and spring ♡ cw: this contains themes of parental neglect, dysfunctional families, emotional abuse/neglect and alcoholism, and they're very much PRESENT and DETAILED. this isn't angst but it's def bittersweet (emphasis on the bitter whoops) wc: 5.1k
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the first word she learns is “mama”. 
she has a faint memory of this—a woman with shining brown hair, smiling and cheering at her. everything is blurred around the edges and filtered in through a haze. everything has a foggy white quality to it but the woman’s eyes are crystal clear and looking at her, focused solely on her. she has a memory of others laughing and clapping along, encouraging her to say the word again and again. 
mama.
the brown haired woman looks tired—she’s young and, looking back, barely even an adult. but the woman smiles at her and coos along. “mama,” the woman says in an exaggerated baby voice and points to herself. 
“mama,” she babbles again at the woman she now recognises as her mother. the woman gives her a bland smile, playing with her almost absently. the woman even lets her grab onto her fingers and bite on them—not that it counts much as biting, she barely has teeth at this point. 
the next memory she has is of an older man with a freckled happy face and salt-n-pepper hair. he throws her up in the air and catches her until she’s giggling and breathless and light as air. he's often at their dining table, peeling pomegranates.
mama says she can't eat them yet—they're of course a choking hazard for a baby her age. but the old man peals it for mama, because mama looks happy when she sits next to him and pops the seeds into her mouth, sighing at the sweetness.
“these are delicious, daddy,” mama says to him and he smiles at mama with all the tenderness in the world.
when mama needs a break from her, he takes her to the nearby pond, and lets her touch leaves and rocks. he points at the tiny things in the water and says a word she barely recognises. 
fishies.
he clicks his tongue and waits for her to imitate the word, but she only claps her hands and says “mama” again. 
the man laughs. “let’s get you home to mama then.”
the younger woman gets mad at him when they get home though. mama grabs all the treasure—their entire day’s hard work—and puts it away somewhere where she can never reach it again. 
the man grumbles about it too but she’s far too young yet to understand words and tone, much less full blown fights. all she knows is a distinct sharp feeling of fear when mama snatches her away from the old man’s hands and puts her away in a room alone. 
there are white bars around her that she can’t climb, even though she cries and cries and screams for mama. even when a pungent smell fills the room and she feels uncomfortable wetness in her onesie. 
but mama doesn’t come. and the old man’s voice can’t reach her anymore. there’s only the sound of her cries and an eerie music box lullaby that plays on repeat as if it would ever be enough to pacify her.
mama doesn’t come for hours. 
years later, she’d know why mama can’t be bothered. 
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the last time she calls her mother “mama” is when she’s seven years old. 
it’s rained all night and the backyard is wet and muddy. mama grimaces the moment she looks out the window but for a seven year old girl, it’s the most fun thing to ever exist. mama makes a sound of disgust when she runs outside, whooping with joy and slipping and sliding in the mud. 
all she wishes for is a companion now—a sibling or a dog or a cat, she’s not picky. a friend works too, but she’s not entirely sure where someone gets those. 
“if you get mud on my carpets, i swear!” mama shakes her fist from the back door but she can’t care less.  
she’s drenched in mud and having way more fun than she’s had in days. so much so that she doesn’t even realise when mama shakes her head and goes back inside. 
the winter chill is almost gone, there’s even a few little saplings sprouting from the ground and she can’t wait for the whole backyard to be filled with weird little weeds and wallflowers. she can’t wait until it’s warm enough to sit outside in the afternoons and make her little witchy potions from mud and weeds and flowers and see if any butterflies would be curious enough to land near her. (or maybe even on her like they do in the movies she’s seen!) 
she forgets the movies for a moment, though. today is the best day a girl could have. 
her grampy—her grandpa—is supposed to visit too, and she knows he’s going to bring treats; sweet honey from the hive on their farm or tiny red strawberries that dribble juice down her chin. she knows he’ll sit in their kitchen and peel her a pomegranate (she can eat those now!) and tell her about the new calf on the farm. (she’s asked this story twice now but it only gets better each time) it’s all so exciting that she even forgets about her aversion to the kitchen for a bit, forgets how a pit opens in her stomach every time she has to be in the kitchen with mama. 
she can’t wait for the after, but right now she runs through her backyard again, whooping and cheering and smiling. 
she’s slipping and slipping, just like before. the fence comes closer, her little mind tries to calculate the distance, her feet try to slow down but the mud’s grown too slippery and she just can’t stop, can’t put her arms up in time. 
her jaw collides with the fence with a sickening crunch. pain flares in her mouth along with the sharp coppery taste of blood. it almost makes her gag and she tries to spit it out. something white falls on the ground, covered in blood—her first tooth, the one that’s been loosening for days. 
she stays curled on the ground, covered in mud, sobbing and spitting out more blood until her saliva runs clear, then she somehow shuffles inside, hoping mama would have a magic fix. 
mama’s eyes widen the moment she walks in, dried mud crusted around her feet, blood on her chin.
“what the fuck?!” mama yells, the glass in her hand jostles dangerously and the dark liquid inside almost splashes out. mama’s words also have an unnerving, slurred quality to them but she’s too much in pain to care. 
“what’s wrong with you?!” mama screeches again and gets up. through tears, she manages to splutter out what happened. she shows mama the tooth, (girls in school have told her about the tooth fairy) but mama only smacks her hand away. 
“i told you not to get mud on my carpets. who’s going to clean them huh? not you, you’re useless. you’re all useless.”
more tears fall on her cheeks and she looks at mama, horrified. but mama slams the glass hard enough on the table that a crack goes through it. she’s worried mama’s going to yell at her more, but mama only yanks the mop from the corner and waits for her to move out the way. 
she takes the hint, grateful it didn’t get worse. she tries not to get the mud onto anything else but a little gets on the bathroom tiles anyway. 
under the hot water, she finally lets her sobs free and scrubs her little body until the skin is all red and raw and stings from the temperature of the water. until each stream of the showerhead feels like a bb bullet. 
then she gets on her hands and knees and scrubs the bathroom floor clean, occasionally flicking her tongue over the now-empty spot where the tooth used to be. it tastes vaguely salty, and it still aches but not as much, definitely nothing in comparison to her jaw which is turning a nasty shade of purple. her tooth’s still safe on the counter, though—free of blood and mud now. gleaming white. 
at least that’s the saving grace of the day. at least she’ll get a visit from the tooth fairy. 
grampy cancels his visit—his knees hurt, mama says—but she tries not to be miffed about it. she’ll make sure to get grampy something nice with the money from the tooth fairy. 
that night she gingerly places the tooth on the bed, carefully places the pillow on top so that the tooth is protected from all sides. nice and snug. 
then she closes her eyes, dreaming of tiny fluttering wings and shiny pennies. but the tooth fairy never visits at all. 
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her mum ages rapidly in a decade. by the time she’s seventeen, her mum’s already gone grey—unravelling at the seams, fraying with each passing day. not that anyone’s seen her mum in days. or months even. her mum’s not coherent enough to hang out with people most of the time. 
she’s started spending less and less time at home. it helps to have a part time job on top of school—a place that delivers chinese food. a couple guys from her school work there too, not that she really knows a lot of them. except one. 
matty. 
he’s the one person she’s ever considered a friend. 
the one person who’s been worthy of that title. 
matty’s all casual smiles and laughs—he flirts shamelessly and kisses people on the cheeks when he gets drunk. he offers her fags and spliffs even though she always denies them. he nicks leftover chinese so they can eat it in his car, giggling and laughing, way prouder of their heist than they should be. 
the food tastes better when she’s with him. everything’s better when she’s with him—even the shitty, off-brand beer he keeps buying. with him it tastes like expensive champagne. not that she knows what champagne tastes like to begin with, but she imagines the bubbles settling on her tongue feel like his laugh spilling from his lips. she imagines it tastes like the sparkle in his eyes.
matty looks at her differently too—she’s not stupid, she knows what interest looks like. 
she’s been the object of fascination since she turned thirteen and developed boobs seemingly overnight. she shies away from attention most of the time—wears t-shirts twice her size, keeps her hair a bland brown. she barely even looks at boys or men who tell her she looks mature for her age. but when matty looks at her, it’s different. 
when matty looks at her, she wants to be seen. 
“you sure it’s okay for us to be out so late?” he asks one night when they’re sat in his car. the world around them has already gone quiet—it is a school night after all, she should be in bed too. but she sees the cigarette dangling loosely between his lips and for a second she forgets to respond. matty quirks and eyebrow and she realises she’s been staring at his mouth. 
“my mum won’t mind.” her response is a bit curt, but she leaves it at that. there’s no need to mention that her mum’s probably drowning in wine by now, tripping and spilling the liquid onto floors and sofas and carpet. 
“she must be chill,” matty hums to himself and takes a drag of his cigarette. she watches him hold it into his lungs, some of it escapes through his nose and curls around his face. 
she keeps quiet, unwilling to get into that topic of conversation. 
“i’m thinking of dropping out,” matty says quietly once the cigarette turns into a tiny stub. his voice is carefully neutral, monotonous. she whirls to look at him, jaw practically dropping to the (dirty) floor of his car. matty stares straight ahead, trying to look as nonchalant as possible, but the tension in his shoulders gives him away. 
images flash in front of her—walking the school corridors alone, eating lunch alone, doing her homework alone. working at her job alone. 
alone, alone, alone. no one but her mum around her again. that wretched fucking woman occupying every atom of her existence.
“did you h—”
“i heard you.” her voice has gone quiet now but there’s an edge to it that doesn’t go unnoticed by matty. 
“and?”
“and what? if i said no, would that convince you to stay?”
she doesn’t mean to sound so sharp, so bitter. certainly not so selfish. but an ugly feeling bubbles up so deep inside her that all the excitement from before just dies—all the butterflies from just a moment ago, now dead and rotten, making her feel nauseous. 
“no but—”
“i don’t want to tell you why it’s irresponsible, matty. frankly, i don’t know if i believe that myself but… it’s… it’s big.”
his face falls further and further the more she speaks. with each word she wants to press a hand to her mouth, wrap it around her throat so it would strangle everything else that’s about to come out. with every word she wants him to tell her to just shut the fuck up, that she doesn’t know what she’s talking about. but matty only looks at her and a different sort of quiet spreads around the car. 
“you think this… this thing you’ve got going on. music. you think that’s enough?! you play for fucking retirement homes, matty! you play for old people who probably won’t even remember what they heard twenty minutes later. and you want to–what? you want to leave your education incomplete? you want to leave a-levels and school and your job? you just want to…leave?”
which is the real problem. 
he gets the luxury of leaving. 
she gets the misery of staying. 
“thanks,” he says dryly, trying to roll his eyes. she catches the extra shine they now have, she catches the way his throat bobs. and suddenly the car is so stifling she can’t stand it anymore—can’t stand the taste of the nasty, cheap beer and the too-salty, too-greasy chinese they’re eating and she can’t stand the cliche, indie rock music playing at low volume. 
she can’t stand him anymore. 
“i need to go,” she says curtly, wiping her hands on her jeans and already halfway out the door when matty grabs her wrist. 
“wait—”
“what.”
“n-nothing.” it’s the first time she’s heard him stutter, first time he’s ever said something without sounding completely sure of himself. “let me just drop you home.”
it’s also the first time he’s offered to do that. 
“i have my bike.” besides there’s no need for you to see the state of the house right now, no need to come across that belligerent woman in case she’s still conscious. 
“it’s late.”
she can’t really argue with that logic. it is almost 11 at night and she might not live in a very shady neighbourhood but it’s still not the safest at this time of the night. still, she doesn’t want matty driving her around and dropping her home. that feels too vulnerable. besides, she just wants to be away from him.
he’s leaving anyway, she might as well start practising that from now on. 
“i’ll text you when you get home,” she mumbles and forces her wrist out of his hand. 
she’s out of the car and slamming the door shut before he can even protest. she’s marching across the empty road and to her bike before the absence of his warmth registers, before her body realises that she can no longer feel his skin against hers. 
before she really has a chance to let anything sink in. 
matty honks and she hisses. 
“what!”
“i’m following you home.” and then the little shit rolls up the window. 
she has half a mind to stubbornly wait him out, see how long he stays if she just refused to move but that’s a stupid plan. like it or not, it’s happening. he’s following her home. 
like it or not, she’s going to have to let him. 
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“i’ll only accept your apology on one condition.”
it’s two days later that they’re back in his car—her with a guilty conscience, matty with a smug smile. 
“ugh, if you’re about to be a boy about it!”
“you haven’t even heard me out yet!”
the pit in her stomach shifts, the hollow cavity catching in her throat until she has to forcefully clear her throat and blink rapidly. it’s not that she’s completely forgiven him for wanting to leave, she hasn’t completely given up on that yet either. but she realises the way she went about it was perhaps…a bit shitty (okay it was definitely a lot shitty) 
“spring dance”
“what?!”
the words jerk her out of her thoughts so violently that she almost forget about everything else for a second. the spring fucking dance. 
matty healy, the boy who nicks chinese food and drinks cheap beer and wears ripped, skinny jeans wants to go to the spring dance. 
“right don’t look at me like i’ve asked you out to a strip club—”
“that’d be more in character—”
“oi! just… let me speak!”
and so she shuts up, puts her hands under her thighs so she won’t impulsively chew on her nails while her crush is…trying to ask her out. 
matty rolls his eyes at her and the fond smile on his face takes her breath away. 
“i want to do it. i want one last cheesy school experience before i…” he trails off, maybe not wanting to finish that sentence for her sake. or maybe because it affects him more than she thinks. “and i want to do it with you.”
“me? ooh like i’m special or something.” she tries for it to be teasing and playful, but the words come out sounding so hopeful that it knocks the breath out of her. 
“don’t pretend,” matty’s voice goes all quiet then. serious too, and suddenly he can’t meet her eyes. “don’t pretend like you don’t see it.”
“see what…”
there’s a lot in her life that she pretends not to see—half the things at home, sometimes her failing marks, sometimes the way other people look at her and whisper. but he is the one person she can’t pretend with. can’t pretend to not see the way he looks at her and acts around her. can’t pretend to not notice the way his touches linger and his smiles last longer. 
even now, she can’t pretend like he’s not looking right at her lips, leaning in a smidge at a time. wishing she’d close the gap. 
involuntarily, her eyes flutter shut. anticipating. 
she wants to feel it so fucking bad—his hands on her waist, his fingers on her skin. she wants to feel his faint stubble against the palm of her hand, his lips on hers. most of all she just wants to feel him close, to feel his breath on her skin. 
matty jerks away and a loud horn of a car breaks the spell. 
“fucking dicks!” matty rolls the window down and yells at the retreating figure of teenagers in a car, one of them even flips him off and next to him she seethes. 
fuck this, fuck everything. why can’t she just have nice things. 
why must someone come and ruin it every time. 
it takes them both a minute to breathe and settle down and meet each other’s eyes again. even then there’s a slight pink tinge on his face that makes him look adorable. 
“sorry about that…” matty mumbles and taps his fingers against the steering wheel. “so…spring dance?”
“i’d love that.”
she hopes the smile she gives him is genuine. she hopes he sees it plain and simple all over her face—all the words she hasn’t said and cannot say. 
matty smiles wide. “then i forgive you.”
and it’s like a weight gets lifted off her chest. 
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“you look pretty,” her mum’s eyes roam over her body, eyeing her from head to toe, flicking over certain places again and again until she almost feels naked—like the blush pink fabric doesn’t even exist. like her mum sees right through her. 
years of this has taught her that it’s not a compliment. if anything, it’s just another trap, so she focuses on her reflection in the mirror and smiles with as much warmth as she can muster. “thanks!”
her mum reeks of wine already, maybe even a little weed but it’s nearly not enough today which is surprising. she would have expected her mum to be at some bar by now. 
“i’ll be a bit late. don’t worry i have my keys though.” 
then she scoffs to herself. when has her mum ever worried? 
“who’s taking you? to the dance.”
“wha–? oh. uh, just a few friends. only met them recently.” she winces, trying to get the last of the curls in place, trying not to be too cagey in front of her mum. she doesn’t want her mum to think she’s hiding something—mostly because it never ends well, and she can’t be arsed to deal with another screaming match right now. not when there’s a ball of anxiety and anticipation in her chest, wound so tightly that it’s slowly choking the air out of her lungs. 
she just wants to be outside. she just wants matty to see her, to call her pretty and maybe even kiss her. 
she just wants this one night with him. 
just one. 
her mum huffs and stumbles into the room. everything about this woman wants to make her shrink away—the days old stink of sweat and alcohol and cigarettes, the grime under her fingernails, her beady stare… 
even when her mum’s fingers twirl around her curl, she fights not to shrink back, to slap her mum’s hand away. 
“you look pretty,” her mum repeats. “prettier than i did when i was your age.” 
her stomach churns at the cruel edge to those words but her mum isn’t done yet. “huh–not so easy to be pretty with a seven month pregnant belly. like a fucking whale…”
and there it is. 
her fault that her mum was robbed off having normal teenage experiences. 
“right, mum,” she smiles shakily, “need to get going.”
it’s almost a miracle that her mum doesn’t say anything else. mum just backs away and lets her gather her things. she quickens her pace, heart beating in her throat, hands trembling when she picks up her small purse. 
it’s okay it’s okay it’s okay
“don’t spread your legs for that boy.”
she freezes in place, almost out the door.
“wha—”
“act dumb again and i’ll make sure you never see that boy again.” 
“mum…” she swallows harshly, prays that the tears pricking her eyes don’t spill down her cheeks. then she nods and books it out of there. better to go before her mum changes her mind. 
better to go before leaving becomes impossible. 
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matty makes her forget all of it. 
the moment she sees him, the shakiness in her limbs disappears, her heart thuds in her chest for all the right reasons. he’s in a suit. a fucking suit that makes him look all grown up and handsome but then his unruly curls go all over the place and suddenly she’s laughing with the boy she’s had a crush on. 
no matter what he wears and what he looks like, he will always be that boy.
the school auditorium is full of flowers—some fake, some real. all the girls around her look stunning, dressed in colourful pretty gowns. it’s all spring incarnate. 
all night he dances effortlessly, twirls so many people around him like he’s friends with everyone. and maybe he is—he’s certainly always been so much more popular than she has. she should be the one leaving. 
but she also can’t help but stare. she wonders if he is a daydream, something her lonely mind conjured up during hours filled with boredom or after long, exhausting fights with her mum. and suddenly, he is looking right at her. sweat makes his white shirt stick to his body in the most flattering way possible, makes his sweaty curls fall into his eyes until he can barely see straight.
stop ogling! 
“staring is rude, you know?” he walks—no, saunters—over to her. suddenly, there’s not enough air left in the giant school auditorium. 
“you’ve been staring too,” she counters. and she’s right. all night she’s caught his long lingering glances that make her feel like she’s coming alive. 
like a flower blooming in spring. 
“you kinda make it hard not to stare.” so does he, she thinks. but everything, from his half smile to his relaxed posture, tells her not to inflate his ego further. she stifles the faint blush creeping up her face and shakes her head bashfully.
“come on,” he says. 
at first, she doesn’t realise what’s happening. then he whisks her away to the dance floor and her shriek of surprise turns into one of delight. she has never danced like this before but that night they dance till her heart pounds in her ears, till she can’t stand straight anymore. then they sway softly, in spite of the rock and roll playing in the background. 
“you’re beautiful,” matty smiles at her, sincere and real. 
if she discovers anything about herself that early spring night, it would be her love for dancing. it’s a feeling she’s never felt before—something that almost feels like…freedom. it’s foreign at first, all the blood coursing through her body at the speed of lightning. she tries to keep track of how many times she shrieks and laughs and jumps in excitement. all of it until matty picks her up and twirls her around. 
round and round until she’s breathless and light as air and fucking free. 
somewhere after that, she loses count. at the end of the night, her dress clings to her and matty can’t stop staring. can’t stop letting his eyes roam all over her until he’s grinning himself. his smile is boyish. perfect. and just as she’s getting self-conscious, he pulls her closer. 
“you’re fucking perfect, you know that?”
next thing she knows, matty is holding her softly against the wall and kissing her bare neck. he softly caresses her waist through her dress and she shivers against the warm spring breeze. she can feel him shaking too, almost like he’s…nervous to do anything more. to actually kiss her and shatter the moment. she can���t have that, can’t let this moment slip through her fingers. 
“kiss me,” she pleads and matty moves in an instant, his warm mouth capturing hers. like he was only waiting for her permission.  
his lips are a little chapped. far from perfect and yet electricity zings through her all at once. if it weren’t for the wall, her legs might have given out from under her. she might just be a heap on the floor, surrounded by all the spring flowers. 
matty kisses with such reckless abandon that it steals her breath away. kisses her until her heart swells in her chest, ready to burst. her fingers tangle themselves into his hair and she kisses him back with everything in her. she can’t care less about how public this is, there’s only him in this moment. 
only the two of them on a warm spring night suspended in this one moment.
she almost whines when matty pulls back. annoyed beyond belief that he’d pull away now. 
“mat—”
“it’s late.”
“it’s not!”
“it is, love.” suddenly his voice has gone gentle, almost quiet. matty pulls his old phone out of his pocket (with the screen cracked and all) and holds it in front of her. the screen flashes with 11:17
shit where did all the time go?
matty makes no move to untangle himself from her arms, still pressed against her. in her ead she forms a childlike grudge against his phone. if it weren’t for it, they would have never known what time it was…
“i hate this.” her voice comes out thick with tears and something wet hits her nose. “i don’t want to go, i don’t want you to go. please.” but even then she knows how unfair it is to put him in this situation. 
matty’s caresses her cheek, wiping away her tears, smiling at her like she’s the most gentle precious thing in the whole world. 
and maybe she is. in his world. 
“you’ll finish school too,” he says, voice a low murmur, “and then you have a uni to attend. so much shit to do. god, you’re brilliant enough to get everything you want.”
but it’s you i want. still she doesn’t say it. not just yet. 
she nuzzles his palm instead, placing a soft kiss on it. “i hate spring. i wish it was autumn instead. i’d be starting uni at least.”
“and you will,” matty reassures again. “you’re going to do so many things.”
“you won’t be here to see them…”
and there it is, all the things she’s been holding deep inside laid bare. matty looks at her for a long time and smiles sadly. “who said that? i’d find you, we will keep in touch. isn’t spring meant to be about new beginnings and all that? so why don’t we start a pact?”
“that’s a silly idea,” she teases but even then she’s eager to know what he means. 
matty ignores it. “stay here for spring and summer, finish school. i’ll find you when autumn comes.”
“you’d really do that?”
“who’s gonna help you move into uni halls huh?”
through tears she laughs. only matty could make it sound so exciting. only matty could make her hate it so much less. 
she doesn’t trust herself to speak anymore so she kisses him instead. he tastes like peaches, mint and something sweet. the very first boy she’s ever loved. the boy she will always love. 
he’s leaving soon, she knows it. who knows maybe she will wake up tomorrow and he will be gone. she feels all that passes between them and she tries to send all her longing and all her yearning down that bond. for a brief second she is determined to make matty stay through sheer willpower. 
but that would be the most selfish thing she’s ever done. and so she smiles and lets him go. 
matty might be leaving but she’ll always have this one warm spring night. even as the clock inches towards midnight and a new day threatens to arrive.
for a brief moment she wonders if she can make time stand still. this one moment stretched into eternity. 
but the minutes tick by anyway. and tomorrow comes anyway.
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arminsumi · 1 year
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so happy you're writing for gojo and getou!! You make my day fr <3
Thinking of ex getou hc... he annoyingly drapes himself over you like your not broken up, still brings you lunch and snacks when he knows your craving them, hugs you for way too long Infront of other men until you break and take him again <33
He would not be afraid of being toxic if it ment getting you back
˗ˏˋ꒰ 🍒꒱ ex-boyfriend
GETO x f.reader
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A/N: i am in pieces at the word choice 'drapes' 😩 thank you for your request — so happy i can make your day 💗 i kinda... wrote an excessive amount srry if i deviated a bit i was in a real suguru state of mind
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♪ NOW PLAYING: don't blame me, your love made me crazy
Wc: >900
Overview; Suguru just can't let you go. His mad love reels you back into his arms.
Content; fluff, (ex.bf) headcanons
Warnings; light toxicity, light obsessiveness/possessiveness (?), jealousy, he doesn't let you leave
arminsumi's library
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— He is the definition of the "I'm not her ex" ex-boyfriend. Anyone who asks "Did you two split?" will be met with a firm "No. We're just working things out." from Geto before you can even open your mouth to speak.
— Soft, good-smelling, and good-looking; his aura permeates through the air of your apartment as soon as he walks in. He unashamedly invited himself over and said "Aren't you lonely without me? C'mon admit it. I'll make some tea, do you want? Okay then, I'll make you one anyways."
— Behind those abyssal eyes are all his unchanged feelings for you; his one and only. He can't move on. You have a death grip on his mind; he thinks about you in the shower, on the road, walking to the store, while shopping. Daydreams of you are plastered throughout his routines.
— He engulfs you in a consuming hug and peers down at you with a tender look. He's so much bigger than you; the broadness of his shoulders are laughable in comparison to yours. "Missed you, baby." he says, usually pressing a kiss to your cheek (smirking when you swat him away like a fly), and he says that a lot; you can feel the weight in each word.
— Of course... when in front of other men, his hugs seem to get clingier. Heavier. Longer. More possessive. He hangs on your body as if he's the clothes on your back. His scent lingers on you.
— Still lends you his oversized T-shirts and insists that you wear them before heading out for coffee with your coworker, Gojo. Asks for 'proof' pics that you really are wearing his shirt.
— He calls you by the nickname you always favored, the one that had the power to weaken your knees to the point of falling to them. Paired with that silken, dangerously attractive voice and the yearning glint in his eyes, you're a goner.
— He's always been able to read you like an unravelling scroll. As if you're a painting and he's an artist, he knows every brush stroke that creates an artwork like you.
So when you push him away, he knows that you actually want him to hold you tight. When you tell him to give up, you actually want him to try harder. And when you shakily answer no to his inquiry about "Do you still feel for me?" he knows you actually mean yes.
— Leans in to whisper something in your ear when you've got company or guests over at a party. He loves forming a barrier of intimacy between you and him in a public setting; he thinks that they should all witness how capable he still is of flustering you. His heart lurches when you react to his whispers with the same swooning smile as you did in high school.
— He pops up at your workplace, "I got you your favorite." he says with a smooth smile that you instantly succumb to.
— He selfishly drags you back into his arms like Hades mythically dragged Persephone back into the underworld.
— You want to move on from him ? Nope, not happening. He's dead set, completely determined, to dig his way back into your heart.
— Needles of jealousy prick his chest when he sees you laughing because of someone else. He can't stand that, not even for a second, so he invades the conversation and plucks you out of it like you're a gemstone lost among rocks in a dirty river.
"Let's go." he says, "Go where?" you ask, but he whisks you away without answering.
— Honest to god, if he could snatch you away and trap you in a castle, he would. In fact, he can, minus the castle — but his penthouse will have to do 🤷‍♀️
A few lavish invitations to dinner at his place lead to you sleeping over like how you used to. It's all part of his grand scheme. "Baby, come back to me." he murmurs into your hair. "This house is so cold without you."
— Come the morning, you're readying yourself to leave for coffee with your coworker again. Stupid Sunday tradition, Geto hated it. No, he despised it; it made his head spin with anger.
"I've got to go... Suguru?" He blocks your path down the hallway, his silhouette giving hint to his serious frown. It's dark in the hallway, but not darker than his eyes.
"You're not gonna let me leave, are you?"
"No." He admits heavily. "Come on, don't look at me like that; I love you. You'll be safe here. You know what, tomorrow I'll make you your favorite for breakfast, doesn't that sound nice?"
— All these sweet words are said in a smooth, murmuring voice... while his veiny hands firmly plant on the front door and force it shut with a startling bang after you attempted to open it.
"Stay." he demands in a threatening, low voice. "Please?" he lightens it at the end, aware of how scary that probably sounded.
— He's wrapping you around his finger like how he did in the beginning. You coil around his life until, without realizing soon enough, you're back in it.
— Just like that, his love ensnares you once more, and you're happily trapped in his big strong arms.
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