#kind of wanted to use one of her quotes from the flashbacks but

[frollosversion]

Why is Hellfire (AND JUDGE CLAUDE FROLLO'S PERSONALITY) creepy in itself?

Take it from a Theater Major! Let's dive in his song breakdown!

In a musical, there are 3 types of songs. There are "establishing/new songs", an "I am song", and an "I want" song.

Establishing/new songs are made to— self explanatory— establish the existence of the set and the characters without getting much depth as it focuses on the build up of the world the characters are living in or what the center of that place is supposed to be.

Let's not stray too far. Let's use The Bells of Notre Dame. Clopin, as the narrator, elaborates that an object, or a phenomena is linked to the character but doesn't really say what the character's in depth wants, needs etc are included (Which is the Bells and the Cathedral herself). 'The bells of Notre Dame' is played at the first part of the film/musical to establish a backstory or a character's focal point and a glimpse of moral standpoint (Claude's backstory and the Existence of Quasimodo) and to establish the setting (Which is Paris 1482 + 1462 flashback). That's the establishing/new song. It is also used as breathers like Flight into Egypt.

Next is an "I want Song". "I want" songs are automatically given to the main characters so the audience can get a peek of the beliefs of these characters and resonate with them in a sense. This kind of song elaborates the purpose and goals they try to achieve.

Quasimodo's "Out There" is a very good example of an "I want" song. He sings about his dream/goal to go down the bell tower without any consequences— "Just to live one day out there" as he would quote (love you quasi). That's where he's at and that's what he wants. To feel like he belongs.

Next is an "I am" song. Now, an "I am" song isn't directly given to villains/anti-heroes either. These can be used as a type of song to other characters. But in most cases, villains own these songs. Good example of an "I am" song is:

“Gaston” from Beauty and the Beast,

“Poor Unfortunate Souls” from The Little Mermaid,

“Mother Knows Best” from Rapunzel,

or “Be Prepared” from The Lion King.

All of these songs explain who they are not just on one fragment. But the entirety of it.

Villains use this to establish the dynamic and the power they are trying to uphold and "shove in" the viewer's faces to who they are.

Now, the problem (the situation, rather) in Hellfire, is Frollo gets an I WANT song instead of an I AM song. Again, An I WANT song is used for the protagonists— to allow us to see the goodness in their hearts and what they want best.

He tried to just do an I AM song, given that the first verse is literally

“Beata Maria, you know I am a righteous man of my virtue I am justly proud.

Beata Maria, you know I'm so much purer than the common vulgar weak licentious crowd.”

He tries to convey that Hellfire is an I AM song but eventually slips into the lines like he wanted her bad. Like... BAD bad.

And now since Frollo got an I WANT song, we saw what he wanted, which is lusting on Esmeralda + his moral dilemma. AND WE DON'T REALLY WANT TO SEE THAT, DO WE?? (I do. hehe). We saw things that we didn't really want to see. In this instance, his "little trouble at the fireplace."

And it's disgusting and disturbing to see how twisted a person is when left repressed and pushed. Not to mention that he's being sacrilegious himself because he blames that it's the Most High's plan that he made the devil "so much stronger than the man.". It's creepy. I know. sighs.

He's given a divine intervention (film), when he said "Let her taste the fires of hell or else let her be mine and mine alone!" Which he straight up rejects even if he asked for the sign himself AND PROCEEDS TO SING AND FINISH THE WHOLE DAMN THING.

So yeah, he's creepy, hellfire is twisted as it is. You get the gist. Thanks for listening to me yap. Take notes in case you wanted to write a musical. Yun lang! Mwah. HAHAHAHAHA

[ginaporterr]

So this has been really illuminating on so many levels, but we kind of have a musical to save.

SOFIA WYLIE as GINA PORTER High School Musical: The Musical: The Series | 4x06 – Trust the Process

[hiddenreamers]

Unlikely pair

SUMMARY: Where Oscar is dating a musician known for strictness and harsh comments on survival shows. To everyone's surprise, the unlikely pair is nothing short of perfect.

yntheone made a new post:

Close your eyes, take my time Let's remember this moment

Photograph (prod. Offonoff) is out on Thursday

Comments:

user1: WHATTT

user2: this is not a drill I repeat this is not a drill

user3: girl you can't just drop this on us and bail 💀

user4: is this real or is this my ambien

user5: i see the saga of blurry pictures continues

↳ user6: it's a vibe, you hater 😤

user7: omg is this the song realoffonoff played on his live the other day??

user8: who is this and why is it not me 😩

user9: she destroyed everyone on Don Mills Daebak remix just to turn around and do cute rnb songs 😭 queen shit 👑👑

oscarpiastri: can't wait ❤️ liked by yntheone

↳ yntheone: ❤️❤️ ↳ user10: the last person I expected to see here ↳ user11: 🤨🤨 well that's suspicious

user12: You need to do an entire album with realoffonoff !! Cigarette was amazing 😍

↳ user13: oh my godddd do you think cigarette was about the same guy? ↳ user14: definitely ?? i mean how can you listen to yntheone sing she wants you to be addicted to her like cigarettes and go "nah I'll pass" ?? brain damage ahh behaviour

yntheone tagged oscarpiastri in a post:

Do you really think you're that good??

(He is.)

Comments:

user15: babe wake up new roman empire just dropped

user16: not the caption 💀💀 quoting herself like the queen she is

↳ user17: giving trainees war flashbacks lmao

user18: he better know how to fight 😤😤 im throwing hands

user19: this can't be the same person who tore apart trainees on live tv 😐 since when is she all lovey dovey

↳ user20: if you had Oscar Piastri smiling at you, you'd be lovey dovey too

user21: out of all the people I suspected to be the guy from a blurry picture, this man wasn't even on the list ??? there's opposites and then there's THIS

↳ user22: ya I'm genuinely surprised someone as calm as him can keep up with her ↳ user23: yall are forgetting he's keeping up with Lando Norris

oscarpiastri: I really am liked by yntheone

landonorris: he's not as good as me but I guess he's still kind of ok

↳ danielricciardo: you might want to rethink that mate ↳ landonorris: blocked

user24: I'll just assume every love song she's done has been about him

↳ user25: Cigarette?? Moon?? Photograph?? Make the Move?? He better know the poetry that she's written about him or he gon catch these hands ↳ oscarpiastri: I do know and I appreciate every word

user25: finally Mclaren found someone who can actually pull off the papaya and not look silly

user26: yntheone is taken?? worst day of my life tbh

user27: imagine all the contestants on survival shows that will come in mclaren merch 💀💀 we're about to unlock a new level of embarrassment that shouldn't be possible

user28: this is the best golden retriever black cat couple, everyone else can go home

user29: for his own sake, I hope he knows what he's gotten himself into 😩😩

↳ user30: no better racing motivation than remembering your girlfriend is famous for roasting people in front of the entire nation

f1fans_official made a new post:

oscarpiastri and yntheone on their little New York trip 🥺🥺

Comments:

user31: yes I watch f1 for the rivalry and driving

↳ user32: these two are the main plot

user33: am I the only one bothered by the fact that she's a rude bitch??

↳ user34: yes sis you're the only one who can't tell between a rude bitch and a professional realistically evaluating wanna-be artists

user35: no thoughts head empty thinking about my favourite paddock couple

user36: i can't even be mad she's taken my man 😞😞 they look cute together

user37: hope they don't break up I can't take going through my parents' divorce twice

user38: if Lando and yntheone become friends we're going to see the most iconic duo of all time

↳ user39: the Lando slander is about to get serious 💀 ↳ user40: Oscar is gonna be bald by the end of the year because of them lmao

oscarpiastri tagged yntheone in a post:

Resting and recharging before the next race weekend

Comments:

user41: it's giving he asked for no pickles

yntheone: no need to thank me, I know I'm the only thing you need 😴 liked by oscarpiastri

↳ oscarpiastri: wouldn't have it any other way ❤️

user42: forget guard dog boyfriend, Oscar's got a guard dog girlfriend and I'm here for it

↳ user44: feminism

landonorris: guys help me she's scary

↳ yntheone: I know where you live 🥰🥰 ↳ oscarpiastri: yntheone I'll hold your bag baby ↳ user43: forget the office this is the sitcom i'd watch ↳ georgerussell63: the bigger the distance from angry yntheone the funnier it is

user45: honestly why would he go for a manly rude bitch?? there are so many better women out there, just sad

↳ user46: have you considered the fact that men are not a monolith and have, in fact, individual preferences? or is your IQ too low to comprehend that?

user47: I will tell my children this is the royal pair

user48: can't wait for her the sample Oscar and add him to a beat 🔥🔥

user49: ok now I get why she wrote absolute bangers about him 😍

user50: if she's in the stands cheering him on, FIA should give Oscar a penalty for unfair advantage 😤😤

[actual-changeling]

Welcome back to Alex's unhinged meta corner, and today I have something surprisingly not kiss-related—though it is still about the final fifteen because hey, gotta keep the brand image.

I read this post by @goodoldfashionednightingale and began typing a small response. Then I made the mistake of drinking half a litre of coffee on an empty stomach right after taking my adhd meds and my brain began vibrating at the speed of light.

But oh, have I discovered parallels. This, my friends, is about the nightingale, where it comes from, what it means, and what the fuck happened in part 3 of 1941.

Ready? Let's go.

Now, as OP said in her post, s1e3 is important. In the script book, Neil himself says that these flashbacks are where the producers would tell him to cut scenes to save money. They suggested every single one—except for the one he ended up taking out, which was the bookshop opening scene set in 1800. The others are building blocks, you need them to see how their relationship progressed and what kind of important milestones they had.

(side note: author is very miffed that english does not have a separate subjunctive form like german which makes quoting lines way more confusing than it has to be)

The one I want to mention is neither 1941 nor 1967. No, what I want to talk about is 1601. This might be about to get a bit rambly but I will do my best to keep it tidy.

The focus of that flashback is on the Arrangement, yes, but it gives us a lot more information than that.

they both see Shakespeare's plays regularly, maybe even meet in the crowd

Crowley prefers the comedies

Aziraphale does not seem to have a preference, he enjoys the tragedies and presumably the comedies too

there is an oyster woman selling food -> reference to their meeting in Rome when Aziraphale tempted him to try some oysters

Aziraphale reflexively denies their relationship

Crowley might say he is not worried but circles Aziraphale the entire time, keeping watch

they both ask favours of each other and both agree to do them

What stands out to me in relation to what I am about to expand on is the line that Crowley delivers after Aziraphale's little 'buck up'—which Crowley finds adorable btw but that's a post for another time.

"Age does not wither nor custom stale his infinite variety."

Why would he say that? What exactly is prompting this? WHY say that specific line?

At first I thought it might be to tempt Shakespeare because he does commit art theft by just copying that line down, BUT I think there is more to that. So much more, in fact. I am wiggling now because I am very excited about this and my adhd meds are kicking in anyway.

First things first: the line itself.

It appears in Shakespeare's play Antony and Cleopatra, a romantic tragedy, which was first performed in 1607 aka six years after this meeting. Enobarbus is talking about Cleopatra and describing why Antony won't leave her. Her.

Ccrowley uses his—again, who is he even talking about? Hamlet? Shakespeare? Random poetic quote?

No, I think this line is about Aziraphale and it's a code. Right after, the next line from Aziraphale is "What do you want?", meaning that this is their code phrase for 'I have a favour to ask of you'.

Age does not wither nor custom stale his infinite variety

Age will not affect his appearance nor will he ever become boring to Antony. Crowley, who later chooses the name Anthony for himself, tells Aziraphale, an immortal, that he will never age and that he will never grow bored of him.

It's flattery, pure and simple, and it's code at the same time. This establishes the important fact that they might use more of Shakespeare's work as code/already have a system in place (even though he steals Crowley's line for later).

They play their little morality game of back and forth, Aziraphale agrees, Crowley probably manipulates the coin toss, and THEN we find out that the oyster woman is called Juliet.

Why? What is the meaning of that? Why give her a name and that name in particular? Why bring the sexy oysters back into it?

Romeo and Juliet premiered in 1597, so it is safe to assume they have both seen it by 1601, but this is mostly for the audience, not for us-or is it?

Aziraphale gives Crowley puppy eyes until he agrees to make Hamlet popular, and while I don't think Juliet itself is a code word, although it's very interesting that the OYSTER woman is the one with that name (especially adding what we now know about Job), Romeo and Juliet might be.

Yes, the Nightingale song came out in 1940 but the bird has been around for much, much longer, and, as many probably know by now, also shows up in Romeo and Juliet.

This is where I am starting to vibrate at the speed of light because listen to me. Listen.

Crowley is Juliet. Anthony J. Crowley. Antony Juliet Crowley.

(side note: I'm not saying that Crowley chose it based on that—though I am not not saying that—but that it is a clue for us at the audience.)

Why do I think that? In the play, Romeo spends the night with Juliet and then goes to leave as the night begins to end. Juliet tries to stop him and tells him that the birds they are hearing aren't larks, which sing at dawn, but nightingales, which sing at night.

Who is the one always pushing for more? Crowley. He is the one trying to convince Aziraphale it's safe, they're safe to spend time together.

Romeo disagrees with Juliet and says 'I must be gone and live, or stay and die'.

Leave and stay alive, or stay and hell/heaven will punish us. It gets even better though.

We all know how Romeo and Juliet ends: Romeo thinks Juliet is dead, kills himself, Juliet finds him and then kills herself too.

Hey, do you know how Antony and Cleopatra ends?

Antony thinks Cleopatra is dead, kills himself and dies in her arms, then Cleopatra also kills herself—by snake poison; Romeo also died by poison.

The parallels are THERE. They are jumping down our throats! Two tragedies, two sides, several familiar names and phrases, same fear, same ending.

I think by now you can guess how this ties back to 1941.

We do not see how that night ends, but we know it ends. One of them wants to stretch it out, maybe even quotes Romeo and Juliet because look at the setting!

Candlelight, wonderful night they spend together, the threat of Crowley's early demise, and, to quote the play once more, this time Romeo: I have more care to stay than will to go.

Crowley thought it was his last night on earth and went with Aziraphale to his bookshop, to be with him, because he cares more about that than the fact that he will be dragged to hell come morning. Do you remember?

"Expect a legion to come for you first thing tomorrow" THAT is the threat. They have until dawn, just like Romeo and Juliet, which is why she is so desperate for the birds to be nightingales. Fortunately for them, Aziraphale saves the day, BUT there is NO SECURITY. They do not KNOW if a legion will still show up or not. If dawn is a deadline and they will need to fight.

Sure, they improved their chances, but who knows? Maybe they will come for him anyway, it's not like hell is all fair and square.

The best part: it gets even better.

Juliet eventually panics and tells him to go, and Romeo drops a line that huh, sounds oddly familiar, doesn't it?

'More light and light, more dark and dark our woes!'

Remind me, what does Aziraphale say again? Ah, yes. Perhaps there is something to be said for shades of grey.

There is more. Yes, even more. We know the whole rescue relies on a magic trick, a switch. Guess what Juliet yearns for while telling Romeo to go save himself?

Oh, now I would they had changed voices too. While they did not for Romeo and Juliet—they kiss and part—they did for our two. One fabulous switch and we're good.

(side note: Toads? Associated with hell. Larks? Associated with the dawn, yes, but also heaven since Romeo says 'Nor that is not the lark, whose notes do beat the vaulty heaven so high above our heads.')

So, this was a whole lot of information, let's see if I can summarize my thoughts.

I believe the nightingale is a code word that has existed even before 1941 and gained a lot of importance over the years. In 1941, the song is added to the meaning and whatever happened between the two that we have not seen yet, it fundamentally changed their relationship. Maybe they kissed, maybe one of them tried to convince the other to prolong the night but they parted on not-great terms.

The nightingale and the song become a symbol of hope, a goal to achieve, another uninterrupted night, maybe, or an uninterrupted life.

When they part in the final fifteen, it's morning. Crowley points at the sky and says "no nightingales", which at that point has several different layers to it.

No nightingales because their night is over, just like with Romeo and Juliet, and please, please allow me to add another detail, because I am frothing at the mouth over this. The scene I quoted, known as balcony scene, do you know what it is preceded by?

A ball.

Star-crossed lovers defying their sides, falling in love at a ball, getting a hurried, wonderful night together but torn apart by danger of punishment, the nightingale as a dream, as a wish for unhurried time together. Family rejection, torn apart by parents, willing to die for each other so they can reunite in death.

No nightingales. The ball, the romance, is over, their dancing is over, heaven is tearing them apart, and Aziraphale returns to heaven while they are both stuck in a pit of misunderstanding and miscommunication, all bound together by fear for each other.

The thing is, Crowley hates tragedies, he never liked the "gloomy ones", and he does not want them to end in one—luckily, this isn't the end. Yes, they kiss and part, but the play keeps going. We have an entire act 3 to fix what Romeo and Juliet couldn't, to ensure that this is a COMEDY, not a tragedy.

Both Antony & Cleopatra and Romeo & Juliet died out of fear, hurried into making bad decisions because they knew what would happen if their sides were to catch up with them.

Crowley and Aziraphale can reunite heaven and hell with love, not death. This is THEIR story and they are writing the ending. No more day and night, no more deadlines, no more hiding and sneaking about, no more fear of larks and sunshine.

Good Omens will end the way it began: In a garden with two no-longer-star-crossed lovers embracing the song of a lark as well as that of the nightingale.

I hope this made sense to everyone who was no present while my mind started to vibrate itself into a puddle because the thing is I can see Neil doing all of this completely on purpose.

Thoughts? Questions? Additions? Come and join me in my insanity and until next time I have a mental breakdown over this show (probably in like two hours).

[genericpuff]

This might be kind of a stupid question, but in total, how many times did Rachel retconned LO? I clearly remember Hypnos being trapped for 10 years and then it getting retconned to "a few days"

Also, Hera, Demeter, Hestia going from friends to sisters

Did something else get retconned…?

UHHHHHHHHHHHHHH-

this question got me thinking so hard i consulted the UnpopularLO crew, here's what we were able to come up with but there are almost definitely more examples:

Melinoe claims she's only been trapped for a few days but this contradicts what Hypnos told us about Kronos using a child deity to overthrow the Underworld in the first place. Unless this just means Persephone showed up just a day or two after everyone fell into a deep sleep, but considering the state of the Underworld when she arrives and other things we're told after the S2 finale, there's no way this is the case.

Speaking of Melinoe, the whole concept of "the interloper" was clearly something Rachel came up with on the fly and didn't have an actual solution to because when we're first told about them, they look nothing like Melinoe:

The weird replacement of Hades' imagined childhood self with Melinoe as a dream child who was actually "always present" throughout the first two seasons. Like, why is Hades so familiar with the ghost child 'checking in on him' if this was some random thing that started happening due to Kronos messing around with the timeline?

The sudden 'reveal' that Ouranos was the one pulling the strings and manipulating Apollo since the very beginning even though that makes zero sense and was completely unnecessary to explaining Apollo's motivations. Apollo himself even constantly flip flops between being some evil mastermind out to get Persephone for a very specific purpose (overthrowing Zeus) and being just a completely oblivious obsessed asshole who doesn't understand consent and actually believes Persephone is in love with him. After all, why would Apollo go on a date with Daphne and then ask her if she'd be willing to cut her hair to look like Persephone's if the goal was to get his hands on Persephone specifically for the purpose of using her powers to overthrow Zeus? How in the world does Daphne factor into that?

Throughout S1 and 2, the gods claim that the mortals are largely disposable and easily replaceable, but then when Persephone causes the plague, suddenly mortals need to be protected because their beliefs and rituals are necessary to sustaining the gods (funny how Hermes bounces between the mortals being necessary to save at all costs but also just inconvenient to live without, like which is it lmao):

The whole "plan" to overthrow Kronos bouncing between being Hera's idea and being Zeus' idea. Rachel just couldn't seem to decide if she wanted a strong female character like Hera to be a victim manipulated into abuse or willingly choosing to put herself in harm's way for the "greater good". IIRC it's written out in the end that Hera and Zeus couldn't even remember who came up with the plan first (but don't quote me on that, I need to find the panels, they do stick out in my mind but I don't know which episode they're specifically from)

The reveal that Hera was the missing fertility goddess depicted on the mural when the original reveal of the mural looks nothing like how it looks later in the flashback sequences. This is the same as the Interloper problem where Rachel was clearly grasping at setting up some kind of mystery box that she didn't know the contents of.

The reveal that Zeus and Metis had a relationship which is what allowed him to use her powers in the first place (because within that same episode Rachel revealed that a bond of love was necessary to using them, but then clearly realized that meant Zeus and Metis had to be in love)

Zeus consuming Metis was changed into some plan to "protect Hera" from being used as a fertility goddess power battery, but then Zeus just went ahead and slowly drained Hera of her powers anyways.

Metis becoming a star after being eaten by Zeus because reasons.

The text messages from Leuce and Hades were retroactively changed into a "manifestation board", probably to absolve Hades of "fooling around" while Persephone was trapped in the Mortal Realm, but all at the expense of a woman who was now retconned into being delusional just for the sake of strengthening the main ship and giving Persephone someone to bully.

The reveal during the trial that Eris was the cause of Persephone's wrath when there was literally zero reason for that to be the case.

The reveal during the trial that Thanatos was actually Hades' adopted son, which really doesn't look good on Hades considering how much of a dick he was to Thanatos throughout the entirety of the first two seasons without any impression given that they might have a canon father-son dynamic.

Apollo and Artemis WEREN'T originally going to be children of Zeus in LO, as Rachel didn't want to create any possibilities for incest within the messy family tree of the Greek gods, but then she decided to make them the children of Zeus anyways as a "plot twist" which is really silly considering 1.) most people would assume they're Zeus' children anyways due to being his children in the myths, and 2.) she still designed them to look just like Zeus.

The subtle but very present SA retcon. This one's so egregious and in-depth I wrote an entire essay about it.

Minthe was originally written with BPD which Rachel decided to "move away from", probably because she realized how shitty it made her look to give BPD to the one character she was pitting the audience against as the "mean other girl" who we all knew was eventually going to be turned into a plant.

Edited panels and changes in the physical books. This is unfortunately not something that I can fully document here, I'm planning on making an actual dedicated post for it, but people have caught changes both in the webtoon version of the comic AND the physical prints that point to Rachel trying to quietly retcon things in the wake of her own bad writing, one of which is present in that aforementioned SA erasure essay in which a scene was added to make Persephone seem more sympathetic towards Apollo. That said, there's also a scene in the trial arc that was changed in the webtoon version, in which Rachel retconned Eris' dialogue from revealing that Hades was the reason Demeter wasn't queen of the mortal realm to reminding her that Hades was the reason (because obv later on we'd get a flashback sequence showing us what happened between Demeter and Hades, which implied that Demeter knew all along what Hades did because he did it right in front of her):

(isn't it funny-weird how Persephone never asks about this despite being in the courtroom when Eris mentions this?)

There are almost DEFINITELY more examples of Rachel absentmindedly and/or intentionally retconning things throughout LO, but that's what we were all able to come up with and should at least get the gears moving in our heads when thinking about other instances of it throughout the comic. Granted, some of these are arguably less 'retcons' and more so just logical inconsistencies / plotholes / etc. but they all still point towards Rachel doing a very bad job at keeping track of her own comic's narrative, its characters, and its twists, even in spite of having multiple other people working for her who all seem to enjoy LO (including heyitsjaki, who is also a webcomic creator), an editor with a background in television writing, and a massive and dedicated fanbase that actively keeps track of her story and its themes arguably more than she does. At that point it feels less "oopsie daisy!" and more just deadass not giving a shit. I don't want to accuse her of intentionally doing this, but it's like she knows her fanbase will just go with whatever she tells them even when it doesn't align with other things she's told them or make sense within the overall narrative - and she'll still be rewarded with Eisner awards regardless - so she doesn't bother to actually try when it comes to the writing, it's just about meeting that panel quota and giving people more H x P fluff.

The simpler answer though, even outside LO, is that Rachel just can't write.

[rosenotactuallyquartz]

I just remembered this part of Garnet’s timeline from the artbook… woaw

let’s take a look at some more garnet quotes.

“garnet’s confidence and straightforward leader behavior developed from knowing rose as a fighter, and because rose consulted with garnet regularly.” — steven universe podcast, volume three, episode one

“garnet is shocked. rose quartz taught her to love herself. if that was a lie, if pink diamond was self-hating and wanted to disappear, then what does that mean for garnet […] no it wasn't garnet being inspired by rose... rose was inspired by them!” — end of an era, page 26

“before garnet, rose was only fighting for earth. but garnet changed everything. rose wanted to fight for her, she wanted to fight for gems!“ —pearl, now we’re only falling apart

rose & garnet have a very interesting, often overlooked dynamic. it’s something that i’ve written about before, and really i should find a way to add it to my pinned post. for rose, there’s 90s flashbacks & there’s war flashbacks. a lot of focus on rose’s relationship with greg & also rose as a mother, because the show is from steven’s perspective. he never met his mom, and he’s imagined her that way—an ideal warm & loving mom who knows everything & has no issues of her own. it’s a comfort, really, especially with everything that he goes through as a child. as he gets older, he learns that mom shattered pink diamond. then, he learns that mom was pink diamond. it’s… a lot to take in.

garnet is confident & straightforward, a leader who is literally made of love. just as a stable fusion is held together by love, garnet also tends to hold the group together as the leader of the crystal gems. she feels stable as garnet, and she knows that rose helped her love herself. the leader aspect also comes from rose, who consulted with her regularly, as sugar said. she has a kind heart & she’s incredibly caring, but on a flip side she’s often keeping it together and not showing her emotions so that she can keep the group together. she also prioritizes being there for steven, too, because she knows that he’s only a child who’s dealing with a lot himself.

i love the answer, now we’re only falling apart, & your mother & mine because they all look into garnet’s dynamic with rose. i also love the timeline and the quotes from the creators because it tells us even more.

in the flashbacks from pearl’s perspective in now we’re only falling apart, she remembers a version of rose who was ranting to her about how incredible garnet was. “a fusion between two completely different gems. can all gems do that? how have i never heard of this, i’ve only ever heard that it’s… unheard of!” in the flashbacks from garnet’s perspective in the answer, she sees rose as this beautiful, mysterious, inspiring leader of the rebellion. she remembers their surroundings, the forest of roses as beautiful, ethereal. like a dream, really. until now we’re only falling apart, she has no idea how much rose is inspired by garnet herself.

garnet is a quiet character; she doesn’t wear her heart on her sleeve, and i relate to that. this is why i really appreciate that you reminded me of these quotes from the timeline. she trusts rose & respects her secrets, she loves her mystery so she learns to love the mystery of herself. she’s inspired by rose’s self love… wow. my reaction is a lot like yours! we also see the way that she talks about pink diamond in your mother & mine.

her world was literally turned upside down, when she found out about rose’s past. & this really gets overlooked a lot, doesn’t it?

she had a special bond with rose, and she was deeply inspired by her. she felt that rose taught her how to love herself, and she said confidently that she was made of love. ultimately, she remembered that this love was always there. rose was inspired by garnet, admired her, and followed her simply because of who she already was.

& that’s such an important part of the show. sapphire’s line, “all this time we thought we were following her, but really, she was following us” has so much meaning.

[aeoncss]

…some of my personal movie!mike schmidt hcs <3

disclaimer: you dont have to agree, just don’t be an ass. thanks!

tw: parent/sibling death, mentions of insecurity, nightmares, trauma flashbacks, some nsfw (18+!), could be ooc?? idk?? don’t quote me on it

he’s a soft snorer. like the faintest sound comes through at night, and it’s usually when he’s laying on his back. when he’s sick, however, he snores so loud that abby has definitely thrown something at him to be quiet.

used to smoke cigarettes quite heavily. started in high school, then it turned into muscle memory that escalated into a harsh nicotine addiction. the second abby complained about the smell, mike stopped cold turkey, and hasn’t picked up a pack since.

does, occasionally, smoke weed though. usually in his car or in his garage late at night. spends extra time cleaning around and getting the smell out, including doing an extra load of laundry so his clothes don’t reek. it helps him sleep, although doesn’t do much for the nightmares.

mike has one of those huge CD books shoved underneath his passenger seat (it won’t fit in the glove box). it’s filled with many broken disks that are heavily scratched from use, and a lot of them belonged to his father.

he’s so bad at folding. so bad. he either hangs it up super sloppily or straight up just throws his clothes into his closet.

he prefers dogs over cats — although he takes the time to feed one of the neighborhood stray cats that abby has named ‘mr. whiskers’ because that’s gonna become his pet goddamn it

listens to a lot of korn, foo fighters, deftones, and the offspring. mike kinda refuses to play that kind of music in the car with abby around, so he might have grown to subconsciously love spice girls and a*teens as well…

grows insecure when he finds himself in a relationship, feeling like he equally can’t be enough or that he’s doing too much. mike has such a fear of pushing away good things from him, so it takes a lot of reassurance for him to finally understand that he isn’t doing anything wrong.

falls asleep during horror and romance movies. physically just can’t do it.

he can’t ever listen to the romantics ever again. if he hears even a snippet of ‘talking in your sleep’, his body straight up shuts down and mike goes into automatic panic mode.

service switch — really, he just wants to please his partner in any way. he doesn’t have a preference for anything sexually related, but he definitely gets a kick out of how good he can make his lover feel. he might have studied one too many playboys.

he doesn’t really realize how much he craves affection until after he gets into a relationship. whenever his partner leaves for the night, he feels like a piece of him is somehow lost, and he nonstop thinks about how nice it was to just be in their arms — even if it was just for a short moment.

besides the reoccurring nightmare of garrett, mike developed a new one after the events at the pizzeria. he can’t save abby in time, the sound of spring locks echoing deep inside his brain that he wakes up so physically ill. he has to go check in on her to get himself to calm down.

has a few really shitty stick n’ poke tattoos that one of his old high school buddies did while drunk together. he has a little stick figure on the inside of his left wrist, and a horribly disproportionate star on his right.

he’s a moaner. not a loud one, but there has been times where he’s either had to cover up his mouth by a pillow or even by his partners hand. it’s not overtly obnoxious or dramatic, more hushed pants and quick whimpers that escape deep from his throat. when he’s close, that’s when he gets a bit louder, the sound almost guttural.

he really gets a kick out of seeing his partner in his clothes or just doing something in his house. sitting on the couch just TV surfing? he’s hiding behind the doorway to the kitchen just so he can try and get his hard-on to go away.

mike was the type of kid in high school that genuinely did try to pass with good grades, but he just barely managed to scrape by without getting held back from graduation. it’s a regret of his, but understands what was going on during that time.

nicknamed his honda accord ‘marvin’.

really into making out, sometimes preferring it over sex. he likes the closeness and just enjoys the action of kissing — plus, it’s really nice foreplay.

[annabelle--cane]

htn act four thoughts:

-> genuinely surprised that judith is still alive, good on her for surviving being mega stabbed. also condolences to her for losing her cavalier without even getting to eat her, gotta be one of the worst case scenarios for this kind of relationship.

-> if god felt the damage done to harrow's temporal lobe from touching her face, then surely mercymorn must have noticed as well, right? but when she touched harrow's head to try and figure out why she kept calling the saint of duty "ortus," it didn't seem like she came away with a clear answer, nor detected anything that would point her towards such an answer. hmm.

-> I think god believes that harrow couldn't have actually broken into the tomb, but I do not buy that reality for a second. similarly, cytherea was 100% under harrow's bed and either ianthe is up to something or that was non-hallucination ghostly apparition.

-> god's characterization is scratching some itch inside my brain because there's a lot that makes me want to like him. he speaks kind of awkwardly and uses metaphors that don't work. he quotes dead memes and even deader literature for no reason. he's in a weird situationship with his lyctors. harrow tells him about the greatest shames of her life and he tells her they're not her fault and she has nothing to feel bad about. but also his reactions when harrow came to him about "ortus" made me Violent. "yeah I know being constantly brutalized isn't fun and I don't like it but it's a display of loyalty to me so cope ig" "he's a stand up guy, that doesn't sound like him, idk maybe try being normal?" I'm going to bone construct chest explode you.

-> the Big Mysteries heading into the final act: what's up with the second person speaker, what's up with just how wacky the flashbacks are, what's up with the sword, why does "ortus" do any of the things he does, cytherea ???, who's the traitor judith mentioned, and whom the fuck stabbed harrow in the prologue.

[claimedcrossbows]

Tyler Galpin's "Did you ever even love her?" Line Analysis, And Why It's Important to Weyler!

Y'all might wanna grab y'all popcorn for this analysis.

-

I know this has probably already been said a million times, and theorized upon but @gardenoblues and their analysis on the Tyler and Wednesday talk at the Rave'N got me thinking about a certain Tyler Galpin line.

Let me explain.

Tyler asking his dad in season 1, if he ever even loved his mom is actually so out of place considering we didn't learn ANYTHING of his mom, other than she was a Hyde, and eventually died after giving birth to Tyler, and apparently his dad and mom must've had some type of falling out.

That's all we learn in Season 1.

The reason I say it's so out of place to ask his dad in this episode or even season is because usually when writers set up a disposition, I feel it's usually followed through by the end of the episode or season. In this particular case we get no history or pay off at all of what Donovan and Francoise relationship was really like, not even a small flashback so this question seems like it was asked to early right?

So this makes me as a viewer as well as a writer ask the question.

"Why was this line incorporated into the show and why so early?"

Besides the Obvious reason, they just wanted to show some kind of drama with the Galpin household to make Tyler suspicious.

BUT

To me there's only 2 reasons this line was important enough, to be set up for Season 2 but mentioned in Season 1.

1.) This line is (obviously) going to be further delved into, giving us more of Francoise, Donovan's and Tyler's backstory in Season 2.

Yes, reason #1 could be enough to set up a One Liner so early in the first season, only to be resolved a season later. But to me, it's still a little weak that this couldn't have easily been delved into in season 1, if only just a little bit.

Which makes me think, there's ANOTHER reason, this line was used as a set up.

2.) For a motif, parallel's and indirect (covert) foreshadowing.

And what I mean by all this is, The phrase, "Did you ever even love her?" is a set up quote to be used again (A motif), by a different character, probably to the same person who asked the quote prior. Meaning at some point in S2, maybe even S3, I 100% believe this quote is going to be directed back to Tyler.

It will be a parallel because Tyler's question is now reverted directly back to him.

And I say it's indirect (Covert) foreshadowing because dramatic irony is amazing and in my opinion underused in movies or shows, because really, how ironic would it be to have someone ask Tyler the same question he asked his dad in similar circumstances?

Now, who could be asking him this question and who is it directed towards?

The first one, I'm not sure who's asking Tyler this.

But I can definitely tell you who it's directed towards.

Wednesday Addams.

Because when you think about it, from the very beginning of Wednesday's and Tyler story, all the way to the very end of season 1, Their entire relationship boiled down to the simple question.

"Did Tyler Ever Really Love Wednesday?"

I said all this to say this, that question more than likely will be asked to Tyler, just like he asked his dad, and I can't wait for the moment to happen.

*MIC DROP*

[dawnbreakerluna]

I really like this theory! Because I was thinking the same during the last few chapters when we finally get a glimpse of Sylus and MCs memories. This is the link - https://x.com/millecreupe/status/1813809147508613476?t=2YsqG032kliHKY18Z4QKZg&s=19

The way I'm so dedicated to this cause that I ended up making a Twitter account just to view this.

Let me preface that I am a bit freaked out right now because everything OP wrote about in this thread is pretty much accurately aligned with every specific detail I've predicted/theorized about Sylus and his purpose of changing fate/breaking cycles/etc. I've delayed making any posts about lore because I genuinely don't want to go back into the story chapters to take screenshots and shit, it's very tedious to me LOL 😭😭😭😭😭 I promise I remember what I can, even if it's not miniscule details, I just take away the important things!

(Side note: I've previously predicted/prophesized things before that have come true & I'm a little spooked by it. I don't like to put things out there unless I'm super passionate about a subject LMFAO)

[Warning: VERY LONG info dump/theory post ahead!]

Often when it comes to unveiling or creating monsters, there is always a price to pay. That's the common formula for any story involving someone who has an alternate form or is on the verge of becoming something non-human. It takes a special kind of trigger - often, it's intense emotional states - to unleash a creature or be granted a uniquely regal power. (ex. Eren from AoT, Nero in DMC5, Ignis in Final Fantasy 15)

I'm going to follow the evidence listed in OP's thread for my references + additional responses to the thread that are relevant, which I will link here for easy clickback! (Thank you so much again anon!)

I want to dive into one of the examples I listed first before I proceed. (Light spoilers ahead, and iffy details since it's been so long since I played the game.) While Ignis doesn't have an alternate form whatsoever, there's a DLC in FF15 where you have the opportunity to play as him during the climatic event of main story. Essentially, this would involve Ignis changing the planned fate of the protagonist where he would end up sacrificing himself in the very end to save his world and his people. Ignis pretty much defies that fate, going against godly forces and sacrificing a part of himself that ends up changing the canon ending. In short: Ignis saves the protagonist, everybody else, and everything's great. Yay!

I'm a broken record at this point by saying Sylus' involvement is going to defy fate and interrupt the timelines. TLDR; He's going to ultimately save MC from her curse and break the cycles, no matter the cost.

First, let's discuss Sylus' Evol (power). Energy manipulation can mean a lot of things, though as far as the story has shown us, this means he can bend anything/anyone at will through energetic binds. Also, he can know someone's deepest desires, which is activated when his right eye glows.

At a certain point in Chapter 9 (or 2.1), Sylus mentions something about the MC's Evol being weaker/not as strong as before. While we know Energy Resonance is the MC's power, there seems to be something more at play when it comes to it. It's a likely possibility that the MC herself is more powerful beyond resonating with others, perhaps to the point of causing re/destruction.

I like what OP says in part 3 of the thread: "I assumed MC didn't kill him but instead resonated with Sylus, making his self healing ability double in power, AND at the same time directly **pouring the energy of her aether core into the core the he would be implanted, forcibly reshaping a "heart" in his body."

[Previous quote was in alignment to: "Sylus turned into a wanderer. And if mc died and didn't kill him there, he might completely turn into a wanderer..."]

It's hard to deter me from the belief that in the flashback we saw towards the end of 9.2 that Sylus was literally in a Wanderer form. The arm that moves and reaches out to MC is a lot bigger than her own and when looked at closer, you can make out a textured hand with claws. You can see his palm held out faced upwards, and a weapon floating(?) just atop the center of it.

[10/25 UPDATE: The last time I touched this post was back in July, LMAO. This has been sitting in my drafts for months, but now with the Sylus Translation Project, I'm happy to add it to this mini dissertation.]

Here are some points from the Reddit post that struck my interest the most:

[Changed Facts] Changes how Sylus's powers work: specifically, there are invisible shackles inside of his body that prevent him from absorbing even more power. There is not a tether that prevents him from "tapping into" more power. This is a fundamental power difference and has created a complete misunderstanding about how his powers truly work amongst English-only speakers in the global community.

[Missing Fact] Sylus's Aether Core works by him invading and taking over consciousness; he does not merely perform basic mind control, it's actually far more insidious and terrifying.

[Power Nerf] Sylus's powers are actually described as "all-powerful and all-encompassing" but this was somehow reduced into merely blocking exits.

I encourage you to read the entire post in full, for it shifts so much about Sylus' character. Though for me personally, it only justifies all my speculations and conclusions about his character even beyond mistranslation. I will repeat myself over and over and OVER again: Sylus is beyond powerful, way more than we even know and I'm honestly just waiting for Infold to do something to show this grand transformation or show of power.

With these fixed translation points, it makes sense why he's so desperate to resonate with MC. A few comments on the Reddit post have the same speculation I did that it's possible him and MC have the same Aether Cores in their bodies. [OP responded to a comment with: "MC hears things like "Devour," "He's yours," "It belongs to you," I almost wonder if it's actually because they share two halves of a single Aether Core…"] [[THIS I AGREE WITH HEAVILY.]] If this is the case, I don't doubt that Sylus knows this, but he would rather MC find this out on her own due to some morale of integrity, building her inner strength, etc.

TLDR; Her resonating with him would unleash those shackles. I also don't think it's amiss that MC also has some kind of shackles, but that's just me thinking of other possible scenarios. Everything is so vague with this story because we've only been fed so much tidbits.

But one thing's for sure... I really, really think these two are the true fated pair, to a certain degree. And why it's difficult for them to resonate is due to the fact that they both wield a power that can shift the world, the universe... everything altogether.

[girlfriendsofthegalaxy]

tuesday again 9/10/2024

someone adopt this little orange man from me in Houston TX! more details here!

listening

the 1991 Ella Mae Morse compilation Capitol Collectors Series is the official driving-cats-to-the-vet album bc it is so mellow but still fun. this album has previously been featured several times in tuesdayposts but i think you should all listen to it again.

seven thousand three hundred days IS a long long time to sleep ur so right ella

-

reading

two different works that annoyed me: Emily Hamilton's The Stars Too Fondly. my first clue should have been that this is my least favorite poem, bc ppl would quote it to me smugly after my mom died. im sure they thought they were being so super comforting to a budding astronomer, but, much like how i can no longer eat lasagna bc ppl gave us Twenty! Party! Size! Platters! Of! Lasagna! after my mom died (they would just Appear on our front porch, frozen), too much of this poem really soured me.

i had this book on hold Forever and then delayed delivery twice bc i have not felt like reading lately. here's the publisher's description:

In her breathtaking debut—part space odyssey, part sapphic rom-com—Emily Hamilton weaves a suspenseful, charming, and irresistibly joyous tale of fierce friendship, improbable love, and wonder as vast as the universe itself. So, here’s the thing: Cleo and her friends really, truly didn’t mean to steal this spaceship. They just wanted to know why, twenty years ago, the entire Providence crew vanished without a trace. But then the stupid dark matter engine started all on its own, and now these four twenty-somethings are en route to Proxima Centauri, unable to turn around, and being harangued by a snarky hologram that has the face and attitude of the ship’s missing captain, Billie. Cleo has dreamt of being an astronaut all her life, and Earth is kind of a lost cause at this point, so this should be one of those blessings in disguise that people talk about. But as the ship gets deeper into space, the laws of physics start twisting, old mysteries come crawling back to life, and Cleo’s initially combative relationship with Billie turns into something deeper and more desperate than either woman was prepared for. Lying somewhere in the subspace between science fantasy and sapphic rom-com, The Stars Too Fondly is a soaring near-future adventure about dark matter and alternate dimensions, leaving home and finding family, and the galaxy-saving power of letting yourself love and be loved.

should be catnip for me, right? wrong. starts out as a chat fic, which i hate.

i had a lot of trouble finishing the first chapter, which also has an extended third-person omniscient narrator flashback in italics, a thing i also hate. i KNOW you can figure out how to integrate this information into the book in a better way instead of dumping it in my lap.

i think part of why this is not hitting like i wanted is the tone, because i think this veers more new adult than i was really hoping for. i think introducing a big group all at once is very hard to do effectively. i do not like a series of character introductions that feel like they are trying to sell me action figures. or perhaps blind-bag figures. i do not like a six-deep list of cheesy puns about someone's name. i do not have the patience to see if this debut novel finds its footing a little later on, though i am glad a sapphic ghost in the machine romance exists in this world.

i also read dean motter's mister x (both the original late eighties through early nineties run and the 2008 follow-on).

let's yoink the description from wikipedia:

Set in Radiant City, a dystopian municipality influenced by Bauhaus and Fritz Lang's Metropolis, the series concerns a mysterious figure who purports to be its architect. His radical theories of "psychetecture" cause the citizenry to go mad, just as he did, and he takes on the mission to repair his creation. To accomplish this he remains awake twenty-four hours a day by means of the drug "insomnalin", all the while coping with a Dick Tracy–like rogues gallery and supporting cast including his long-suffering ex-girlfriend Mercedes. (ed note: the redhead in the santa beard below)

the art in this comic book is really and truly stunning. everyone was firing on all cylinders. beautiful retrofuturistic advertisement vibes, very fun play with panels and word balloons while still being readable, there are airships, you know how it is. looooooooove a hardboiled noir.

the Concept of mister x, this horrible awful futuristic city that grinds its citizenry up and spits them out? both figuratively and sometimes literally? love it!!! love a great wounded beast of a city as a character!!!

unforch the "who is mister x" subplot does not resolve in a satisfying way, imo. there's a lot of flip-flopping, there's a lot of options, he ends up being (maybe?) someone he was very definitively proven NOT to be in an earlier issue, and it really soured me on the whole experience. and also i don't believe it! that specific person makes no fucking sense! who mister x is, is by far the least interesting part of the series. tell me more about how he's fixing the city. show me more of the city. shut up and dance, robot artists

-

watching

X-Men: Apocalypse (2016, dir. Singer). this movie did not need to be two and a half hours long. appreciated the EXTREMELY divorced energy from charles & erik though, quicksilver rescuing the school scene was also very fun. my bestie's husband has informed me we are NOT watching Dark Phoenix, i'm not sure if we're going to loop back and watch the ??? number of wolverine films or if we're going to see how i feel about deadpool. bc i find this character insufferable through clips only.

-

playing

there is a feature in the video game genshin impact to turn your World Level (TM) down in order to make overworld enemies a little easier. i am at seven out of nine bc i genuinely can't finish the boss to unlock world level 9, and i am finding some of the overworld enemies too hard at 8 and want to finish the achievements in a more relaxed fashion.

-

making

this is going to be a lot of previously posted pics so bear with me.

saturday morning/saturday evening. plants? repotted. porch and stairs? swept. old wasp nests? knocked down. different mirror on the porch to go out to the curb when i have the energy? yes. also a giant slab of engineered stone from the top of a dresser but that's out of frame.

speaking of the giant broken dresser that was in my apartment when i moved in just over a year ago, i ripped it apart with a crowbar and threw it in the dumpster. put my pretty zebrawood desk in the empty space and started thinking about what to hang on that wall. the wall across from it is maps, bc i think a cozy office should have lots of maps and it makes a good video conference background. maybe this will be the dedicated cowboy nonsense wall. i did so much dusting and vacuuming and mopping and the girls can't even hang out in here bc the orange boy is in the office bathroom. big sigh.

also a lot of driving around and emailing and calling thirty shelters and rescues figuring out how to get this orange man a home. please take this orange man off my hands.

[box-fivephantom]

Simone Ashley is such a brilliant cookie to have been pretty vocal about wanting to return to Bridgerton. If that People’s magazine (not the most reliable source and ir appears to be quoting her from the s3 press) article is right and she won’t be back no one can blame her.

It makes no sense.

She is the Viscountess Bridgerton, the head of the household, she is part of the family. She should be in any scenes concerning the Bridgerton family.

The only way I can somehow understand her absence is IF Jonny is filming some kind of flashback scene with Luke.

That’s it.

But otherwise the show should have wrapped up her story with a bow, show us their baby and them being happy.

[pynkhues]

Does the show ever definitively say that Claudia would have died if they hadn't turned her? It feels like by the time Louis gets her home in the "real" version, she's clearly dying--he says "she's going cold". But is there a chance that she would have lived had he rushed her to a hospital? And does it not matter because he should have let her die rather than turn her without her permission and trap her in a young teenage body forever? I would be interested to know if Claudia would say that she would rather have died than be turned like that. But of course, she could be furious that they would do that to her and still also want to live.

I just saw a phot of Delainey where she looks like such a little girl and it made me really want flashbacks with her as rue royal Claudia. She has such an endearing face.

No, it doesn't definitively, and I think the ambiguity there is pretty deliberate too. In theory, Lestat and Louis both would be able to sense how close to death she is, and the extent of her burns would certainly impact her health and quality of life into the future if they don't kill her, particularly given the time period, but we as an audience don't know for sure in no small part because I think Louis wouldn't want us to. He's made his choice the second that he sees her, and I think any version of the story that doesn't give him a daughter is unfathomable both in the moment and in hindsight.

As for whether it matters and Claudia's own choice - - mmm, yeah! It's an interesting thing to contemplate.

I'm kind of fascinated by the shifting metaphor when it comes to being turned without consent, because we've seen it (or, well, have heard but will soon see it in Lestat's case) twice now, but I read the metaphors very differently. Lestat's turning is a rape, which the book's clear about and the show has already implied, but I tend to see Claudia's turning as much more akin to this idea that no child asks to be born. There's no way to reach through time and space to get an infant's consent or non-consent before deciding to bring them into this world, and I think that metaphor holds strongly with Claudia having been so close to death she was voiceless and powerless before her birth.

Her turning is entirely about Louis and Lestat's relationship, as it is for most parents having a child, and whatever choice she may have made for herself is irrelevant because as a child she doesn't get to choose to be born. She just is.

This is kind of an aside, but I find the revisited turning really interesting at the moment, especially in the context of Louis coercing Lestat to turn her given we know for a fact now that he could've turned her himself. He turned Madeleine after all, with seemingly no further instruction to it given Armand's repulsion at turning others and Louis' disconnect from the other vampires. As a result, I think it's pretty heavily implied that Louis has the same knowledge at Claudia's turning that he does at Madeleine's, and while the emotions are very different, there's an interesting sense to me that Louis wanted Lestat to be the one to do it.

The motivation for that is totally open to speculation, of course, whether Louis wanted to shift any accountability by not being the quote-unquote 'birthing parent', whether he wanted Lestat complicit to be able to shift the blame onto him if things went wrong, whether he wanted to lock them together even further after having lost everything else, whether he really did just want a family with this man that he'd chosen, whether he was simply too emotionally raw to do it - - I don't know! I think it's probably a bit of all of that, which is what makes it such a fascinating scene, and honestly something I don't see talked about enough.

[phoebepheebsphibs]

Hide & Seek references compendium

I put so many little easter eggs and hidden things in my Hide and Seek fic, so here is my little ongoing list of references I purposefully put in the fic for those of you who like this kind of thing idk man

Chapter 1, Disney's Hercules: "Hey, Mack! Ya wanna buy a sundial?" Disney's Jungle Cruise: “Trader Sam’s! Come shop at Trader Sam’s! He’ll give you a great deal on shrunken heads! Two of his heads for one of yours!” the Holmes Hotel, Hugh's Pies is a reference to Nickelodeon's Jimmy Neutron series, Lilo's Stitches and Embroidery is a nod to Disney's Lilo and Stitch, "Crusty the Crab" is a nod to Spongebob Squarepants, Chell's Portal Stop is a reference to the game series Portal, and the final scene is from the ROTTMNT episode "Hidden City's Most Wanted".

Though this is not technically a reference or Easter egg, I wanted to add this note… I made a point of referring to Splinter as Lou Jitsu when he was mad or angry or selfish, and as Hamato Yoshi when he was scared or sad.

Chapter 2, Leo's determination to have Raph call him "the world's greatest ninja" is a reference to the film, Leo's quote "Land safely!" is taken from the episode "Mystic Mayhem" as well as the episode "The Evil League of Mutants", Leo's complaining to be leader is a nod to his future role, Raph referring to his father as a "sewer monster" is a reference to the episode "Man vs. Sewer", Splinter has a flashback from the episode "Goyles, Goyles, Goyles" and the line "OW! Why, you little--!" is also taken from that same episode.

Chapter 3, Mikey's dream is obviously a nod to all that he will do in the future.

Chapter 4, The origin of Lace Face from the episode "Man vs. Sewer".

Chapter 5, Phineas and Ferb "Escape from Phineas Tower": "That's some mole!" The line "Raph! Your enormous body is crushing me!!” is a reference to Disney's Lilo and Stitch, "sweater town" is a reference to the Gravity Falls episode "The Hand that Rocks the Mabel", the line "I didn't want to believe it, but... *sigh* science." is taken directly from the ROTTMNT film as well as a moment when Leo mentions that Donnie was wrong, Donnie uses two really's, a reference from the episode "Breaking Purple", Donnie gives Leo the comic seen in the episode "Jupiter Jim Ahoy!"

Chapter 6, Splinter's tv flips through several channels which include clips from media. These include a Thomas Sanders vine with "Weatherman Al", the quote "My leg!" from Spongebob Squarepants, part of the Fairly Odd Parents' theme song, Mrs. Cuddles' catchphrase "Let's be friends forever!", "I've got bad feeling about this" is a quote from Star Wars, the fake show about "Goosey" is an easter egg to @gooeseyleo and her Gooseyleo series. When Leo goes onstage, he does "a few improvised dance moves", which is a nod to Ben Schwartz and some dance moves he did in the Netflix improv comedy special "Middleditch and Schwartz”. The Lou Jitsu play the boys perform is a parody of the Godzilla franchise and the Pacific Rim films. Donnie's line "I strive for accuracy" is a reference to @sleepis4theweak 's comic (which I think about every gosh darn day), Horsebot-3000 and Splinter's line "I liked Horsebot-3000" are references to the show Community, season 3 episode 7: "Studies in Modern Movement".

Chapter 7, in the illustration Leo and Donnie are wearing Transformer and Decepticon t-shirts, respectively, and in the background you can see spray paint that spells out "Atomic Lass", as well as a drawing of the turtles' weapons.

Chapter 8, a young BEBOP AND ROCKSTEADY make an appearance, as does a very young Harvey Hokum from the ROTTMNT comics. When Bebop tries to sell Leo, he calls him “Shelly”, a reference to my pet turtle of the same name. In the illustration you can see a goldfish on the shelf, which is meant to be Piebald.

Chapter 9, How It's Made, APRIL O'NEIIIIILLLL, Harvey Hokum, Warren Stone and Kendra are referenced, "Operation Blue Suede Shoes" contains the title of a song, a reference to how in the show there are several similar code-names used for the characters ("Purple Rain" for Donnie, "Yellow Submarine" for April, etc.) Leo says that Mikey has empathy amplified, a reference to the fanfiction of the same name written by @filsa-mek on AO3.

Chapter 10, the boys watch "Wallace and Gromit: Curse of the Were-Rabbit". Leo promises to never leave Raphael alone and to always find him. Raph offers several scenarios that actually happen in the future where Leo searches for Raph - sewer monsters (a reference to the episode Man Vs. Sewer), getting captured by bad guys (the episode Bug Busters), and aliens attacking (the events of the film). The chapter as a whole is also based off of a few sketches I made - one of which shows the boys watching the film with Splinter, and one where Raph has a bad dream and wakes up to seeing he hurt Leo, who offers to help and gets the bros together for a turtle pile.

Chapter 11, the episode is heavily inspired by an episode of the audio drama series Adventures in Odyssey, specifically the episode "Mandy's Debut". The line "Wow, the shortcake of death" is a reference taken from said same episode! During Leo's flashback, a reference to the meme "She knocked that smug look off my face, but fourtunately I had a smaller smug look underneath" when Leo takes off his sunglasses to reveal a cooler pair of sunglasses underneath. Leo and Raph make a note to the fact that Leo is not the eldest in this universe.

Chapter 12, Raph, Leo, and Mikey teach April a game they play in the episode "Late Fee". When using sign language, Donnie tells Leo to "Stop yelling at me", which is inspired by a moment in Spy Kids 4. April introduces Raph to Ghostbear's starting career. Mikey repeats a line from the episode "Bug Busters", which is "Remind me not to ask questions anymore." Mikey uses the phrase "hydrate or die-drate", which is taken from a meme but is also something I say constantly as well. When in the Hidden City, Splinter hears people calling out to customers, one uses the lyrics to the Fairly Odd Parents' theme song, another is selling Mary Poppins' umbrella, a third is selling the three mystery journals from Gravity Falls, the fourth is selling Cinderella's glass slippers, and the last one is selling the Stanley Parable bucket of reassurance. Ochimizu is a Japanese mythical elixir of eternal life. The introduction and origins of Loathsome Leonard and the Mud Dogs. Malicious Mickey uses the "creepy doctor" line from "Stuck on You".

Chapter 13, Donnie delirium is directly based off of my own experiences with delirium, as well as his and Leo's conversation about whether or not Leo would miss him when he dies (which was an actual conversation I had with my mother when I was sick with croup as a little girl). The second half of that conversation was adapted from a scrapped fic called "The Kids Are All Dying". Donnie references the song "Big Yellow Taxi". The seven-tailed fox comes from Japanese folklore, but specifically this one was a reference to Naruto! Mikey sings the first line of the "Wonderfilled" song by Owl City. The secret ingredient being a discontinued soda was inspired by the ending of the musical "Be More Chill". The toad yokai becomes Heinous Green.

Short story, in the illustration you can see several signatures and sketches on Leo's cast, such as Raph signing "Mad Dawgs" and Mikey drawing his stickers. On the wall behind Leo is an eye exam that has the words "RISE" and "PHOEBE" on it. There's also a computer monitor in the back with Leo's vitals on it, as well as a notification about the trackers, and a list of all Hamatos Donnie tagged.

I will update more when I post new chapters... ;)

[ultravioletqueen]

I would like you to hear my rewrite of Subaru including my OC

Past:

His past is still the same but

He doesn't have a distrust of women or blames his mother he understands that she was mentally unwell and was pushed to her mental limits

Although it still hurt that his mother rejected him in favor of his father but he knew the Stockholm syndrome was deep inside her mind and

Unfortunately he was one of her victims of her mental outbursts although he didn't blame her though because he knew it was his father's doing

And wanted to push her to her mental limits out of sadism

Which made him grow his hatred for people that are sadistic and cruel

He can't even stand to hear a bride screams anymore because it reminds him of his mother screams

He still remembers the day when his mother was almost close to escaping but a hand went through her chest and teared out her heart

That image will forever be burned into his memory including the horrific screams of his mother

He actually thought his brothers would hate to be sadistic but he came to the unfortunate and horrifying truth that all of them took pleasure in inflicting pain upon a bride amd

He especially hated it when it was the most understanding and kind brides being treated like rag dolls

Of course he did have his own outbursts with them and sometimes he would bite them without their say so when he was starved and was desperate for blood but

When he would do that he would immediately disappear and behind closed doors stab himself with a knife that couldn't kill a vampire but would still cause pain as a way of punishing himself for what he's done and

His way of apologizing to the brides was getting them out of horrible situations

And he wouldn't apologize but that would be his way of apologizing

My rewrite facts:

He sometimes silently cries at white roses because they remind him of his mother

And he wished for one second he could have been there and saved her from that monster that dear to call himself her husband

He would be extremely overprotective over young Brides because he doesn't want their innocence being taken away from them so early and without his brother's noticing he would help them Escape those are one of the few times he actually smiled knowing he made himself useful

He actually ended up killing six Brides but but it only happened if if they had delicious blood or favored by one of his horrible Brothers

he would make their deaths painless be it poison or a simple slice to the throat

he doesn't want to inflict any more pain that has already been caused

My thoughts if my rewrite was in the game

He wouldn't have a romance route

Only a platonic one

He would still have his anger issues and like seeing the games he would sometimes lash out at Yui but I imagine him being a bit more soft he would still think he is trash and doesn't deserve love but isn't afraid to lash out at his brothers when the abuse became too much and was unnecessary

He would definitely get her out of a lot of horrible punishments that were unnecessary

He would slowly get attached to kianna since he sees her as the little sister he never had

He without a doubt would beat his brothers to a pulp after they murdered Yui

He knew she didn't deserve it and it was only caused by their stupid jealousy just because she was bit by a different vampire and he knew it wasn't her fault because no human can overpower a vampire without a weapon made for one

He ended up giving Kianna a bunny to cope with Yui's death

That would be the true reason but he would just end up shoving a bunny in her arms and disappearing

Once he found out about her self harm he ended up yelling and screaming at her

Because in my personal rewrite he has memories of his mother being forced to cut herself to quote unquote prove her love to her husband

Which would give him a major flashbacks

He absolutely hates how Yui and kianna were

Neglected and unfortunately sometimes the victim of their father's angry outbursts and how he could just throw away his daughters and a mansion of sadistic vampires and

He may not say it or act like it but he honestly does care a lot for kianna and cares about her well-being

And he would probably lose it if she died

Since she was one of the few people that actually cared about him

He understands her survivor's guilt since he suffers with it himself but makes it clear that it wasn't her fault that her sister died

And that's why he helped her Slaughter his brothers he knew her smaller frame couldn't last very long in a fight

So he helped her pick off his brother's one by one it was bloody and painful yes but like her he knew it wasn't going to be easy

His reaction to kianna having his mother's heart

He would definitely yell and think it's her fault but after hearing her story and remembering how his father didn't Crush her heart and it quote unquote disappeared he put two and two together and realized his mother's heart was implanted in her as a toddler when she needed a heart transplant and he saw her as the replacement Eve

Which pissed Subaru off

He honestly had a mental breakdown when he saw his mother's spirit knowing it wasn't destroyed by his father he was happy that she was at least given another chance at life and when

So when kianna became a vampire and found the same Elixir that Reiji used for her sister that unfortunately it took longer to take effect to make her a vampire but at least it bring her back to life but this time Subaru gave her some of his blood to mix with the elixir since this one was unfinished

And he was there when she would scream and Agony when the Elixir would kill everything human inside of her and even if she yelled and screamed and bit him Subaru didn't get angry at her since he knew the pain she was in was advertising

I LOVE THIS REWRITE! THIS IS HOW IS MADE A GOOD CHARACTER REJET! I like the fact that he has a platonic route!(maybe an ace icon?) And that unlike his brothers has empathy and some self control(even if is little self control),i love this subaru and wish this could be the canon subaru

[mattybstqrn]

𝐓𝐡𝐞 𝐓𝐮𝐭𝐨𝐫 (𝐏𝐓.𝟏) - 𝐂.𝐖

𝚠𝚊𝚛𝚗𝚒𝚗𝚐𝚜: 𝚖𝚊𝚔𝚒𝚗𝚐 𝚘𝚞𝚝, 𝚒𝚖𝚙𝚕𝚒𝚎𝚍 𝚜𝟹𝚡

Female Reader x Cole Walter

This chapter is just a flashback, but it is EXTREMELY important to read!

Y/n Y/l/n is a very smart girl, Y/n gets good grades, pays attention in class, takes thousands of notes, and also tutors kids who need it. Y/n was kind of known as a nerd, Y/n didn't care what people thought about you though. You just like learning new things and helping people out with school but if that considered you a nerd then so be.

But because out how smart you are you're used to tutoring a lot of people, so one day when the guidance counselor Y/n to tutor Cole Walter, the hottest guy in school and Y/n's crush, you obviously couldn't turn down the offer, not that you would've not matter who it was, you immediately agreed.

So, the next day the two of you started your lessons, twice a week after school and sometimes emergency sessions, just in case Cole needed extra help.

At first, the two started off weird and very quiet, Y/n didn't know how to talk to him, especially because you had feelings for him, not to mention Cole hated the idea of having a tutor, and just studying in general, but as the two got to know each other, they became quite close and started to develop a friendship.

But that all flipped upside down when one day Cole started playfully flirting with Y/n. She found herself falling for more than just his charm and good looks, once she got to know him she saw how sweet and caring he actually was and that he was a lot smarter than he seemed, he's just a 'dumb jock' he worked really hard, and was actually surprisingly good in school, all he had to do was apply himself, which he started doing with the help of you.

About a week and a half ago, it was time for their weekly study session, as usual she came over, and the two went to Cole's room so he could focus, there wasn't a full house, but Danny sat in the living room watching movies while Isaac, Lee and Alex were all outside, the Garcia boys skating and swimming while Alex, quietly read outside, wanting to get some fresh air. 

Their parents had taken the younger kids out of the house so Cole could study, which was something they usually did, they trusted Y/n to be alone with Cole, even though Katherine could tell that Y/n had the hots for Cole. Katherine trusted the girl knowing she was too shy to make a move on him and for some reason, she thought Cole wouldn't try anything with the girl, because when he first found out he was getting a tutor he said and I quote, "Ew, no she's a nerd," he was embarrassed to ruin his reputation but after he got to know the girl he realized that she was so much more than that.

So, the two sat on Cole's bedroom floor as Y/n started helping him with his Algebra homework, but Cole had other plans, he tried to distract the girl from the work, not wanting to study, he played with her hair, hid her pencils when she wasn't looking and even changed the topic multiple times, the girl followed his conversation but then realized what he was doing.

"Cole! you need to focus; this test is 20% of your grade!" the blonde-haired boy groaned in annoyance, rolling over on the floor so he was on his back, Y/n looked at him unamused by his actions, this was a normal thing he did when he didn't want to study, so you were pretty used to it.

Y/n crawled over to the boy, balancing yourself on your knees before sitting down next to him as he laid on the floor, "Cole." Y/n said with a warning tone, "I don't want to study! We've been at it for hours, let's take a break." he suggested, "Fine," Y/n reluctantly agreed with a huff.

"What do you want to do?" Cole didn't answer the question, he just sat up and placed his hands on his knees as he looked around the room. He looked bored, "We could play a game, watch a movie," Y/n listed things not paying attention to what Cole was doing, she looked off outside of his window admiring the view, but that all stopped when she felt him place his hand on her cheek.

Turning her attention to the boy as he gently forced her to look in his direction. His pupils were dilated, and he stared at Y/n, you had his full attention and he had yours, he continued to admire you as you sat there shocked by his actions, wondering where this was going, he started to lean in, at first you thought he was high or drunk, but he seemed perfectly fine.

Y/n quietly gulped, Cole was about to kiss you, your crush since like the 6th grade was about to kiss you and you didn't know what to do or if you should believe it or not. "Cole," you knew you probably just ruined the moment you had to know what was going on, what was happening? was this some type of prank? or was he serious?

"Yeah?" you took a deep breath, "Are you trying to kiss me?" it was an obvious question, really, but you wondered why, "If you'll let me," You looked at him and slowly and slightly nodded, confirming that you didn't mind.

Cole bought his lips to yours, sending butterflies everywhere, you swore you would explode, you had to be dreaming but you seriously didn't want to wake up if you were, it felt too good to be true. You immediately kissed back, but you couldn't pull away, you both continued to kiss until you pulled away.

Cole gave you these eyes, and you could tell he wanted more, you thought that he was probably just horny, and looking for someone to fill the void, but deep down you didn't care, you had been waiting for this moment for a while, to have your first kiss and your first time, and if that meant doing it with Cole Walter, you honestly didn't care.

You stared at him, slowly starting to give in to what he wanted.

You both started kissing again, continuing what you were doing, you started undressing each other, kissing down each other's bodies, it felt good, you were really horny and so was Cole, it was like being drunk, you didn't really know what that felt like because you had never been drunk but you were drunk in love.

You laid under Cole as he started to align himself with you, "Wait." you spoke causing him to stop, "I've never done this before," you told him, "I know, I'll help you," he told her, you nodded as he is started pushing himself inside of you. He didn't move, letting you get used to the feeling.

Y/n moaned at the feeling of him going inside of you, you took deep breaths as you got used to his big figure inside of you. Cole asked if you were okay and if you were ready, you frantically nodded, the pain was insane, it felt like your stomach was on fire but as he started thrusting in and out of you, the pain turned into pleasure and you couldn't help but moan, trying to stay quiet so no one else heard you guys, but it was kind of hard.

(Did I just write that?😨😱)

A few weeks later, Y/n stood outside of the Walter household. You were hesitant, questioning if you should knock or not. You had been seeing Cole because he still needed tutoring, you guys hadn't talked about what happened that day, Y/n was too scared to talk about it and Cole was forced into another relationship with Erin, which was pretty normal, but this wasn't the case.

Y/n took a deep breath before walking up to the door and knocking. You awkwardly stood at the door, you were nervous and scared, and you didn't even know what you would say to him. You were greeted by Katherine who smiled at you, inviting you inside, you awkwardly greeted her back telling her that you needed to speak with Cole, she made small talk with you as George called Cole down which caused you both to cover your ears at the loud yell.

Cole made his way downstairs a few seconds later, at first his tone was tired and annoyed but that all changed when he saw you standing with Katherine in the kitchen, "Oh hey, Y/n," Y/n awkwardly smiled at him, "Hi," you greeted him.

The two adults made their way out of the kitchen when Cole looked with raised eyebrows wondering why they were being weird. "What's up? we don't have a session today," he looked at her confused as he slowly made his way over to you where you leaned against the island with a cup of tea that Katherine placed down for you before she left. 

"Can we go somewhere more... private?" you asked, he nodded and the two of you made your way upstairs to his room. Cole sat down waiting for you to join him, you felt weird and didn't want to sit down but you reluctantly did, trying to get comfortable "So, what's up?" he questioned, you couldn't bear to look him in the eye, your eyes wandered the room before speaking, "We need to talk..."