#killjoys meta

[ur-fav-is-a-killjoy]

HAPPY PRIDE!!!!! Every queer person ever from real life is a Killjoy!!

[5ummit]

The Left-Handed Winter Soldier Myth

A theory has been circulating for years that the Winter Soldier is left-handed (or at least heavily favors his left hand and uses it at every opportunity) while Bucky is exclusively right-handed. I’ve tried to ignore it in the past, but it’s come back with a vengeance in the wake of the Thunderbolts trailer and I can no longer sit idly by and let this misinformation continue to spread unchallenged. Not when it's now being used as “evidence” that the Bucky we see in Thunderbolts is not actually Bucky but the Winter Soldier.

Luckily, this myth is easy to disprove.

Turns out there’s tons of examples of the Winter Soldier favoring his right hand (these are just a few I could grab that clearly showed his hands and weren't too blurry). I actually noticed while gathering these screenshots that the soldier rarely fires a gun and basically never uses a knife with his left hand, even when it might make more sense for him to do so as the metal arm is theoretically stronger and faster. Unsurprisingly, Bucky being right-handed means the Winter Soldier is too.

But just to be thorough, here are few counterexamples of Bucky using his metal arm when he’s definitely not the Winter Soldier. One of which even includes him killing people with a gun, something I've seen some Bucky fans also claim he never did in TFATWS and try to use as further proof that he’s the Winter Soldier in Thunderbolts, because their Buckybear is a sweet innocent baby who doesn't carry weapons and wouldn’t harm a fly.

I know I'm constantly beating this drum to the point that it's probably getting annoying, but it’s really easy to manipulate "data" to “prove” whatever you want. Just because something seems like it could be credible at first glance doesn’t mean it is. Please double-check other people's claims before you use them to inform your own opinions.

[umbralsong]

I'm rewatching this mainly to study the components adapted by D&D regarding the Meereen plot with the slavers.

Dany was necessarily aged up, they adapted the Dothraki to be somehow more orientalist and racist than the books (no word for "thank you?" gtfo), and completely neglected Dany's own relationship with being enslaved. Even the most crucial aspects of her early abuse are hand-waved, even when there is a literal in-text comparison to Dany and Khal Drogo's enslaved people wearing golden collars.

GRRM famously wondered what made Aragorn a "good" king, and wondered about his tax policy. Here, he adapts it by having Dany's freed advisor, Missandei of Nath, tactically hit the slavers where it hurts - taxes. People can sell themselves into services, but former enslavers can't sell those they used to own, and husbands cannot sell wives. However morally dubious, these policies have a chilling effect on the trade. There are many unhappy components to Dany's compromise with slavers, but it is my opinion that GRRM is demonstrating the limits of compromise with people who don't believe in the humanity of others.

My research means there is a lot I can go into (like the inherent racism of the whole plot), but I feel the most crucial is the fact D&D, Confederate sympathizers that they are, distilled Hizdar's character to Brown Face to pretend that Dany is a white settler colonizer Just As Bad as the slavers for taking away their sacred fighting right of watching poor people butcher each other and laughing as helpless people are eaten by lions :(((

[scalproie]

people will see curly being violently dehumanized and will go "oh no! let me do the same in the exact opposite way!"

[aq2003]

twelfth night main plot: haha bisexual love triangle that is gay in both directions! haha mistaken identity and gender fuckery haha

malvolio side plot:

[restlesshush]

The use of Chuck as a tool of analysis in fandom is genuinely so frustrating, because fundamentally it encourages people not to engage with spn as a piece of media made by real life flawed human writers, which is what it is!! Like, Cas’s inadvertent structural protagonist status at various points has nothing to do with ~him vs Chuck~ or whatever, but due to specific oversights by the writers such that his actions are the ones driving the plot rather than salmondean’s. ‘Chuck’ isn’t trying to ~keep him out of the story~, that doesn’t really mean anything (and if it wasn’t for that one line in Unity, no one would necessarily even think it) – it’s that the writers, trying to keep him off screen, gave him more interesting and more impact-having things to do than they gave salmondean with their much larger amount of screen time. Like I get the Chuck explanation being enjoyable, but we already have a real life explanation, and it’s pretty fun in itself imo! Gamble very much did arguably make Cas the structural protagonist partially as a direct result of trying to kill him off, which is kind of hysterical.

Also the thing is like, Chuck as the authorgodvillain was such a late addition that pretty much nothing is designed around him being the most satisfactory explanation – and it’s incredibly nebulous what viewing earlier events in that light of his intervention is even supposed to entail. If the writers had the courage of their convictions a little more, we could have been invited to recontextualise various really out of left field events in this light, eg @autisticandroids has talked about this re godstiel and the way the leviathans came out of nowhere, and me and them have also discussed it re gadreel being set up to be the “perfect deantransgression” (as @themauvesoul has pointed out) – it would make sense for a villainous author trying to create drama (and undermine Cas) to have contrivedly brought those things about specifically to that end. It is absolutely the case that there are places where it can be fun to say “it would make sense for Chuck to have made this happen for x/y/z reasons”, and it would have been very brave and sexy for the writers to be like “oh yeah lol this thing we wrote would have made more sense of it was Chuck”, but it would be very silly to say “oh the leviathans coming out of nowhere wasn’t actually bad writing because that was Chuck” y’know? Chuck as the authorgodvillain is a concept you can play with if you like, but he’s not a tool of analysis. In the show’s protagonist-powers-deconstruction episode the writers aren’t even brave enough to attack the most egregious writing conveniences facilitating the story, so extending the Chuck lens anywhere else in a way that lets them off the hook is extremely generous, as well as just pretty meaningless.

Fundamentally , the main function that Chuck as the authorgod really serves is a way to handwave away the bad writing (or any other disliked things) in spn when 1) the bad writing is interesting and 2) do we really want to give the writers that get out of jail free card?

[dirteater69]

i watched wendigoons analysis of no country for old men earlier today and it got me thinking of themes in stories reflected through characters, and i started thinking about the themes of the killjoys fic im currently writing and how they reflect through the characters, so im gonna write some of it down now before i forget. im only on the third chapter and there will be at least ten when im finished, but this is based on what i have written and planned currently so i hope it makes sense. the main themes are pretty vague in my mind, but im thinking it will be along the lines of how real people shape themselves into characters+how real events are mythologized, how ideologies and hopes affect people, heroism and villainy, how committing and experiencing violence changes someone, what normalcy means, clinging onto or rejecting social norms in times where they have kind of lost all meaning.

in this post i will mainly write about how these themes reflect in the characters of jet star and party poison (at least how i write them) and their relationship and thoughts about each other.

party wants to be the hero and shapes themselves into that character: they are the leader of the killjoys, they are very charismatic and a good fighter, later on they become an important figure in zones society in the wake of the analog wars and lead many battles. they end up being seen as a hero by many and their actions in battles and other things about them are talked about around the zones as myths or folktales.

the thing is, deep down, party does not see themself as a hero. they feel that they have something at their core — whether that’s queerness, inability to conform to other social rules, committing violence — that makes them unable to embody the ideal of a hero that they have in their head. they feel that because there is something ‘wrong’ with them, they don’t deserve to get the things they want. this manifests most obviously in the story in their romance with jet, where they think that they can never, or should never, be in a relationship with him because they would taint his (perceived by them) normalcy and moral purity with their wrongness and strangeness; however, this is only part of the fact that they dont believe themself deserving of a good life at all.

they are the first of the killjoys to ever kill someone: it happens when they are all escaping battery city, and party ends up accidentally killing one of the bl/ind guards chasing them down. though this action may have saved all their lives, party still feels immense shame and horror at having done it. the night after, their first night in the zones, they have a nightmare where they are eating the body of the man they killed, and jet appears to kill them in a way reminiscent of putting down a sick animal. at their core, party believes that they are a villain and a danger to the people around them.

of course, in the middle of a horrible war, the zones needs a hero. that is what party shapes themself into: a loud, confident, violent leader of the zonerunners to take down bl/ind once and for all. there’s a sort of split in party’s identity, where on the outside, they are the hero of the zones, but on the inside, they believe themself to be a morally corrupt fraud who is going to ruin everything good and beautiful they touch. combined, this makes for an absolute monster of a martyr complex: if they die for a good cause, then the world will both be better because the thing they’re fighting for (the freedom of the zones, the destruction of bl/ind) has succeeded, and because the evil that they bring into the world simply by existing is gone.

one other thing i want to touch on with party is how they deal with social norms. before beginning life in the zones they knew they were nonbinary but didn’t really have a safe way to express it besides going by they/them around kobra and later, when they met, the other killjoys, but when they enter the zones they begin to present more femininely. in the first chapter, party and ghoul (who is transmasc, and who i have a ton of other thoughts about) have a whole conversation about gender, which might be one of my favorite parts that ive written so far, and it ends with them swapping pieces of the school uniforms they had to wear at the school in battery city, with party wearing ghouls skirt and ghoul wearing their pants. i haven’t written any more in that vein yet, but i want to explore party’s gender more in the fic. they are definitely very open to rejecting gender norms, at least when they have the opportunity, and it’s an extremely joyful experience for them to present the way they want, but it still sort of claws at them. to them, gender nonconformity doesn’t fit with that idea of heroism that they have. when they present more femininely, they almost feel like they’re betraying the people in the zones that believe in them, like they’re ruining the hero.

this is where we get to their perception of jet star. i mentioned earlier how they feel like he’s too good for them to pursue him romantically, but there is so much more to that. to party, jet is the ideal of heroism that they feel they should be; more so, he represents the ideal of american masculinity that they betray when they present femininely. they piece together true and half-true things about him to create a version of him in their mind that they can compare themself to, furthering their idea of themself as a villain. when they decorate the masks and ray guns of all the killjoys, they make jets red, white, and blue. this idolization also ties into the shame that they feel about the violence that they commit. there is of course the nightmare they have of him killing them for having killed the bl/ind guard, but there is also the fact that while they are a very active fighter in the analog wars, jet mainly works in the medical tents. they destroy things, he fixes things. (never mind the fact that the destruction they commit is against bl/ind) this idolized idea of jet eventually ends up clashing with the real him in a scene late in the fic, where they have a whole breakdown at him about how bad of a person they are, including how they’ve ‘ruined’ him by simply being his friend. he doesn’t have a clue what they’re talking about.

but what is actually going through jet stars head throughout all of this? well, while party is eager to show themself as a hero, jet tries to portray himself as the ‘everyman’, the regular person in a world of chaos and absurdity. this is how he’s been coping with the trauma he’s experienced at the hands of bl/ind: he is sent away from his family’s farm in zone 8 to a ‘reformation academy’ in battery city, and ends up staying there for several years before escaping with the other killjoys, but throughout those years he thinks of it as something fleeting and temporary; surely, he’ll get back to zone 8 soon, to return to his normal life. he’s not actually some kind of crazed desert rebel like the rest of the killjoys, he’s just a regular american farm boy who’s been thrust into a strange situation by forces beyond his control, and as soon as he gets the opportunity he’ll return to that life. even when beginning life in the inner zones, surrounded by the stranger aspects of zone culture, this is how he thinks and portrays himself to others — or, at least, tries to. it’s related to how he deals with trauma. while party thinks of the bad things that they’ve been through as yet another thing that makes them wrong and unfit, yet another thing that makes them the villain, they at least acknowledge that it’s happened. jet just tries to suppress those thoughts completely.

however, his entire idea of returning to a normal life in zone 8 falls apart once he sees what’s happened to it. when he travels to zone 8 for the first time in years, it’s entirely under the control of bl/ind, unrecognizable from the wholesome farm society he remembers. his plans for a normal life — and, furthermore, his thoughts of himself as a normal person — begin to fall apart when he sees the place representative of his old life destroyed. party is with him in that scene, and though he has to break through all his layers of emotional repression for it and it makes him almost feel physically sick, he manages to explain some of his issues to them. one of the things they say in response is something that will be very relevant to both their character arcs: “normal isn’t a thing anymore”.

jet is soon embroiled in the chaos of the analog wars along with the other killjoys, but he still clings to some ideas of normalcy. whereas party is an avid fighter, jet stays out of battles until it is absolutely necessary for him to join, instead helping out in the medical tents and administering first aid on the battlefield. though he isn’t explicit about it, he does kind of look down on the zonerunners most active in the fighting, especially the ones that don’t show any shame or remorse about the violence they commit and sometimes even delight in it (cough cough, a certain bomb-building thrill-chasing black-haired city-born adrenaline junkie with no regard for social niceties, mayhaps?).

of course, the main exception for this is party poison, because love makes you ever the hypocrite — and it is love that he feels for them, though he doesn’t realize it, and certainly wouldn’t admit it for the majority of the story. party falls for his front of the normal, well-adjusted american farm boy, and he falls for their charismatic hero persona in turn. while he does help people in his role as a medic, and sees it as far more preferable to shooting peoples brains out with a blaster, bl/ind goons or not, he finds his unwillingness to fight kind of cowardly. this ties into many other things he believes about himself, like shame about not having fought back against bl/ind when they were taking over zone 8 and he still lived there, as well as the idea that he can’t truly be useful to his community. the latter relates heavily to his issues with normalcy and his own identity: he’s spent so much effort on trying to make himself as palatable as possible that he’s almost cheated himself out of an identity, trying to appear normal to the point where he feels like he doesn’t have any real good traits or talents left. party is the opposite of all of this for him. they are loud and unapologetic about who they are (or, who they want people to think they are), they don’t have any qualms about doing what they have to in order to save the world, they are the ideal of a true zonerunner and hero.

circling back to jet, the thing about him is that he is not as normal as he tries to make himself seem. throughout the story, he slowly gets more comfortable showing small, strange parts of himself to the people around him. he seems to have taken party’s words to heart, at least partially: normal isn’t a thing anymore. it’s only small things, he still deals with some heavy repression of trauma and trouble facing a lot of his own feeling and desires, but its a start. he has his own quirks and absurdities, his own traits that make him a unique and fucked up person. i don’t have every part of those developments planned out, but i know that at least some of it will be in relation to gender, like growing his hair out and presenting more femininely in other ways. he would have a lot more inhibitions to let go off before really being able to face his thoughts about his own gender than party would, just due to the environment and pressures he’s been raised with. (a full exploration of jet’s gender would not really fit in this fic just with the story outline I have planned, but i might write a continuation that goes more into detail. my hc for jet’s gender in the music video era is a he/she transfem, though this fic takes place many years before that and jet still thinks of herself as a cis guy for most of it.) the point being, jet is not actually the one of the killjoys who is the most normal; he is just the one who’s the best at pretending to be.

when jet and party actually acknowledge their feelings for each other, they both have to break down a lot of emotional barriers to do so, and it’s a large part of them beginning to reject the characters they’ve resigned themselves to. party has to realize that they are not an inherently horrible person and that they do deserve to live a good life, that jet is not an untouchable object that they’ll ruin by being close to. jet has to accept that he’s allowed to love someone he’s been taught he’s not allowed to love, that just because he’s in a relationship unlike the ones he’s ‘supposed’ to want doesn’t make it any less real. it heavily involves them letting each other off the pedestals they’ve put each other on, and loving the real person underneath the persona. that is actually an interesting thing that is true for both of them: while they fixate on the fronts that the other puts up, it’s the real person underneath that they fall in love with. jet idolizes the heroic leader that party tries to be, but falls in love with their kindness and vulnerabilities. party envies jets projected normality and righteousness, they fall in love with the strange quirks that make him who he is.

their emotional journeys won’t have full resolutions in this fic, but if i finish it i will probably write a continuation in which the analog wars have ended and there is more focus on the characters emotional development. it would show more of that theme of them letting go of the roles they’ve placed themselves in: party realizing that they don’t need to act a specific way or have a certain personality to be a hero, they just need to help people; jet letting go of his attachment to normalcy. they don’t need to be perfect heroes, they don’t need to follow specific norms or rules. they just need to be who they are, and that’s some fucked up kids stuck in a fucked up situation just trying to make the best of it.

of course, even with those emotional issues resolved, they still struggle. I mentioned at the beginning the theme of real events being turned into myths, and that would certainly be relevant to the killjoys, especially to party. during the analog wars, the image of party poison as a hero and leader of the zones spread quick and they were mythologized into an almost godlike figure. (this is true for the other killjoys as well, but not to such an extent.) this image comes to haunt them even when the wars have ended: wherever they go, they are expected to live up to this idea of themself that they have long since let go of and never even really fit in the first place. the mythologizing is to the point where certain people who preach about the figures of party poison and the killjoys don’t even know what they actually look like.

there is also the fact that while the analog wars have technically ended, there are still attacks occasionally made by bl/ind, and the killjoys have to defend themselves with violence whether they like it or not. the ‘end’ of the analog wars also brings along some other questions about the themes: how do the killjoys deal with the absurdity of their lives when they can no longer blame it on existing in an active war zone? how do they rebuild their lives after all that non-stop violence? again, this is if i finish the fic im currently writing.

im not sure how to end this post but it’s been fun to write and i hope other people might enjoy reading it. i might write a similar one about how the same themes reflect in fun ghoul and kobra kid, but i dont know.

[kirkwall-age]

this is a stupid me personal thing. but Fereldan names have always driven me a little bit insane because they are a hodgepodge of different Britonnic languages with no rhyme or reason. the devs will take one name, and use all versions of it: Scottish Gaelic, Welsh, Irish, Cornish, and then some Germanic variants to boot.

which etymologically is very frustrating and sloppy world building to me. incredibly niche pet peeve, i know. but languages are my specialty and such careless use does invite questions

e.g. Mhairi, Moira, Maura, Miriam are all different language representations of the same name. how did that come about? or Wynne and Fiona being a Welsh and Irish representation of the same root, and they are in a room having a conversation, and I'm here wondering when did the language split?

one could ostensibly make a case that before Calenhad united Ferelden, all the Alamarri tribes had one single root language family but it devolved in these related but different languages

but. regardless. as I was looking up all the names and trying to map out where they fall in the actual Earth languages

i made a discovery i should have really made a long time ago

which is: i know from general history examples -- and also other fiction (*cough* Dishonored *cough*) that Teague is an Irish masculine name

based on that knowledge, I never questioned Teagan

but Teagan (also spelled as Tegan) = while most certainly related to the name above = actually follows the same logic as such names as Megan / Meagan. or Regan / Reagan. current unfortunate association with a president who ruined everything notwithstanding, Regan is King Lear's daughter. and Regan is the child protagonist of The Exorcist, a girl tormented by the demon. these are feminine names. TEAGAN is a traditionally feminine name

another OBVIOUS example being of course the ever famous sister-duo Tegan and Sara. but. based on the queerness. I kind of assumed the opposite? that it was a butch thing and she wanted to use a masc name? or that the name is just unisex and the popularity with one gender or the other changed with time, like it did for Addison, or Cameron, or Ashley. or that the spelling made a difference

but no. straight-up. historically it's a woman's name

and listen. i'm all for unexpected unisex names. Artemis Fowl? Star Trek: Discovery's Michael and Pushing Daisies' Chuck? hellyeah. my own name is traditionally masc and I'm fem-presenting

but also i'm just saying: trans!Teagan

(they did blithely retcon and canonize that Eamon and Teagan had polyamorous parents. that their father had a wife and a male lover (Connor) whom Rowan, Eamon and Teagan also considered a father. and Eamon named his son after the man. so honestly this isn't the most wild headcanon I could put forth about them)

[moonchild-in-blue]

@staff I have a concept for you: Custom Badges. Like, if we could pay for a badge but it's actually our own submission? Like the Reddit Custom flairs? Because I'd LOVE to get a badge for my blorbo fandoms (like the Goncharov badge).

You don't even need to credit me for the idea, just make it happen yeah? Thanks babes 😘

[crimsonscloud]

related to the uniform analysis post, simultaneously lol-ing and angry that fucking carl (minor character from seasons one and two) shows up again in season five as a factory worker, yet we couldn't get just one reference to jelco. with the whole fake memories plotline that would have been so interesting esp if amnesia!jelco turned out to be a decent guy / willing to work with dutch to figure out what's going on, and then he regains his real memories and chooses to keep helping her despite remembering what he did to old town in the past.

it would have been a nice reversal of their earlier hostility back in season two where they tried to get the other killed (or at the very least were completely fine with it happening), where now you have them trusting each other to have the other's back. sure they still snark at each other and occasionally annoy the shit out of each other, but what person has dutch met that doesn't do both of those things repeatedly lmao. they've moved past the trying to kill each other part (mostly).

[ur-fav-is-a-killjoy]

NEVER KILL YOURSELF!!!

[brunnismemorybank]

Rat City might be my favorite of the show’s urban locations. I wonder if  the towers with the turning helixes are part of a geothermal energy system-- a power source frequently ignored by science fiction, but likely to play a major role in the future. The skyline certainly looks very different from that of Old Town, with its gigantic chimneys pouring out smoke. Which makes sense, considering the Nine’s deal with the Hullen: Sustainable energy no doubt sounds less pressing if you expect most life on the planet to be wiped out in a couple of centuries anyway.

[thornswithroses]

I do have to disagree with this part:

...that they're more focused on having unnecessary amounts of "spicy" scenes to make it more taboo and forcing certain tropes into the book to pitch it towards their audience.

I mean, I hope I'm not misinterpreting it so please let me know if I am, but I'm seeing this trend in romance novels where there's less sex and more "goes to black" type of scenes. Perhaps this is a problem specific to the romance genre, I don't know.

This is frustrating to me because romance is one of the few genres where a woman can enjoy reading about sex that is written by other women.

I do see a lot of issues with these anti-sex modern romances where they write to the tropes, not the stories themselves. In fact, Al* H*z*lwood annoyed a lot of people on Twitter when an interview of hers got passed around where she basically admitted she doesn't know how to write out the plot of a story, so her agent picks different tropes for her to connect to one story. And, look, I usually try to give an author another chance when it comes to disliking a book of theirs, but The L*ve Hyp*thesis really sucked ass.

To be frank, most contemporary romances really lack quality these days because of this overreliance on tropes to carry a story. This sort of a-to-b checklist.

It's why I mostly stick to historical romances these days because this sort of trend doesn't seem to touch them as much as contemporary romances.

What's really weird is how contemporary romances seem more hellbent on gender roles and sexism than historical romances but that's another talk for another day.

literally this

[monscrow]

intro post, i guess!!!

last updated 06/nov/2024

⚠️flash warning for blinkies at the bottom⚠️

free gaza, free palestine, stop genocide. you don't agree? block me.

i go by both mons and crow.

my pronouns are they/them, he/him and any neos/xenos that you think would fit either comedically or off of vibes.

lvl 16, so, a minor !! beware

aromantic, graysexual, something like that; qprs are sick asf and all hail relationship anarchy.

art sideblog is @monscrow-arts

super amazing pretty boyfriend !!!<3 🍎

audhdcd (asd + adhd + ocd 😻😋) and hEDS (+ ortho hypo 😛). i use tonetags.

bday is oct 7. 🎉🎉🎉

i'm mexican 🇲🇽!! i speak both spanish and english.

timezone is cst/utc-6.

i say slurs i can reclaim (mainly the f and t queer ones) and swear a lot, though if that makes you uncomfortable please either block me or lmk so i can try to tone it down when around you.

i love interacting!! feel free to tag me in stuff, send some asks (be it on anon or not), or message me! moots can ask for my discord even if we've never actually talked before. though i suck at keeping consistent, nothing personal i promise</3 /gen

i tend to spam-reblog so do with that information what you will.

some tags you might see me use here and there:

#mons rambles ← just my thoughts, ideas, opinions, and whatever i feel like throwing into the tumblr void.

#ask a crow / #anon asks ← askbox replies.

#save / #art save / #fav / #hellsite faves ← these are more for myself, but yeah they're pretty self-descriptive. just in case you get curious or anything.

#🍎 ← beloved.

hyperfixations/interests/things i'm passionate about !!! i guess, kinda

→ mcr (+ most of the members' solo projects)

→ killjoys (california + national anthem, but mainly calif and fanon)

→ demolition lovers lore (i have literally written like at least three different essays about it for school help me i'm so serious)

→ emo/alt/diy culture

→ will wood

→ bandom in general

→ graphic design, arts and crafts, illustration (that's right y'all graphic design IS my passion 😔)

→ fnaf

→ cosplay/costume-making

→ d&d

→ crows (no way, crow, really???)

→ australian shepherds

→ the umbrella academy (s4 isn't canon in my heart + currently reading the comics !!! )

→ gravity falls

→ neurodivergencies/psychology/disabilities (this one's pretty meta ngl)

→ lgbtqia+ identities (emphasis on the aroace-spec ones + relationship anarchy)

→ politics/activism

→ linguistics + conlangs

→ fantasy in general (high fantasy, magic, vampires, tieflings, you name it)

→ boardgames

→ the count of monte cristo (2024) (also i just bought the book so i'll be reading that too !!)

→ parkour civilization

→ uhhhh there's more but i don't remember rn, i'll keep adding as i see fit (probably... maybe..... perhaps....... quizás........ puede ser..........)

dni

trump supporters, terfs, transphobes, anti lgbtqia+/queerphobics, exclusionists, ableists, racists, prolifers/antichoicers, proshippers/anti-antis, irl gore, pro-israel/zionists, pro-ai generated "content", pro-nft, non-critical media consumers, classists, ed blogs, sh blogs.

also, i'm aware that dnis tend to not be effective and i probably will still get shitty ppl in my inbox so i can and will block. though i'm p chill as long as you're chill. this blog is run by a very neurodivergent, mentally ill, mexican, transmasc, aroace faggot, and any kind of bigoted hatred will not be tolerated.

blinkies made with blinkies cafe !!!

pssst btw, before you go, if you read my intro post i'd heavily encourage you to like it, so i can know!!! :] (/nf though!)

[junethehellenicpagan]

Riverdale is a GREAT show, its CAMP, its, FUN, its so gay, its colorful, its meta, its heartwarming, its stupid, so stupid but that’s what makes it so good. It makes no sense and yet its genius, I will die on that hill, riverdale is great when you stop being a film bro hispter killjoy.

Things can be fun. Not everything has to be serious and profound. It’s okay to have some glitter, a few songs and a weird ass plot.

[vintake-ss]

𝐕𝐀𝐋𝐎𝐑𝐀𝐍𝐓 𝐗 𝐆𝐄𝐍𝐒𝐇𝐈𝐍

// basically the valorant agents as genshin characters... these are mainly based off vibes

I've had this in my head all day and it's been consuming me.

→m.list

Okay, so Jett's obviously an anemo sword user, duh(but they're dual daggers). She's the standard 5* that was meta early game but then fell off years later

Sage is litterly a geomancer. But she's that character whose design doesn't fit their element. Standard 5*, catalyst.

The ripple effects when you shoot at Astra's wall and just the overall visual of her kit screams hydro. Catalyst, 5* that's an S tier support

The 4* vibes radiating from Yoru are flabbergasting despite his ego. Cryo dps that requires the blood sacrifice of your entire lineage to be decent. Sword user

Dendro bow Skye cause it just feels right. 4* dps that's better than some 5*s

Using her dendro vision, Viper releases poisonous fumes using plants. Polearm. Is supposed to be a 5* bc of her status and lore but alas. Ningguang treatment fr

Unfortunately, Reyna is that 5* with a kit so bad they're basically a premium 3*. Electro polearm.

Gekko is the SS+ tier 4* support that has like a 91.6% spiral abyss usage. "𝘐𝘧 𝘺𝘰𝘶 𝘥𝘰𝘯'𝘵 𝘩𝘢𝘷𝘦 𝘨𝘦𝘬𝘬𝘰 𝘪𝘯 𝘺𝘰𝘶𝘳 𝘵𝘦𝘢𝘮, 𝘵𝘧 𝘢𝘳𝘦 𝘺𝘰𝘶 𝘦𝘷𝘦𝘯 𝘥𝘰𝘪𝘯𝘨??" Dendro claymore

SS tier pyro catalyst 5* dps since release. You can pry the meta out of Raze's cold dead hands. Popular enough that even people who know nothing about the game recognize her.

Deadlock is the most forgotten character, but she's still a decent 4* for beginners. Cryo claymore.

Omen would be a 5* anemo catalyst with the sickest animations not him dying instead of his friends

Sword user cypher who had to be sent to the ER for singlehandedly carrying the geo meta. 5*

Fade would probably have the creepiest idle voice lines. 4* cryo catalyst.

Dearest father brimstone. Everyone looses their 50/50 to him at least once. Standard 5* geo claymore.

Our Pyro king Phoenix who happens to be the worst Pyro character. But at least he's got great humor and a loveable personality! Also pretty popular. Standard 5*, sword user

Breach is that character that will get you kicked from someone's world if you dare try to bring him into a domain. 4* Pyro claymore

4* Iso who should've been a 5* with how strong his shield is. Slap some def% and he's tanking 5 ruin guards and 3 abyss mages at the same time. Electro bow

Neon is definitely one of those niche characters. Not versatile in most team comps but will do big dmg if you get her the specific setup. 5* Electro catalyst

Clove was called trash even before they were released. Turned out to be the best 5* sub-dps. Will nuke your enemies if teamed up with astra. Hydro bow

Killjoy doesn't wield her claymore herself, she has tech to that for her. Electro 4*

Sova has a pretty easy kit to understand, he's also pretty easy to build. The kind of character you wouldn't mind loosing your 50/50 to. Standard 5*, cryo bow

You'd need a PhD from an ivy League university to understand chamber's kit though, so most people just end up skipping his banner. 5* hydro catalyst with the lowest player ownership lmao

4* that's being held captive in the basement, harbour gets to be on a banner once a year if lucky. Hydro claymore genshin could never.

KAY/O is that one character that, by all means, refuses to crit. Idk why. Anemo claymore.