#kick 2 Teaser trailer

[girlsloveupdates]

GL Series Update (09/24)

Currently Airing

Reverse 4 You

Unlock Your Love

Chaser Game W 2

Affair

The Two of Us

The Loyal Pin

Due To Air

Apple My Love (October 12th)

Pluto (October)

My Ex’s Wedding Movie (November 14th)

Petrichor (November 23rd)

Mom Ped Sawan (November)

Currently Filming

Pluto

Petrichor

Mom Ped Sawan

Reverse With Me

I’m Your Moon

Apple My Love

In Pre-Production

Us

Announced

Only You (teaser trailer is out)

The Last Case (teaser trailer is out)

Sunshine In The Wind (teaser trailer is out)

Let’s Kick This Love (announced)

Clairebell (announced)

The Dragon, The Tiger, The Swan (rights acquired)

Poisonous Love (rights acquired)

Cranium (rights acquired)

[melefim]

Dead Boy Detectives full soundtrack!

(Or at least all the ones I could find)

I’ve seen several soundtrack playlists floating around, but unfortunately a lot have other songs added or are missing some that were used in the show, so I went ahead and made my own!

Below the cut is a full listing of when each song was used during the show, timestamped as accurately as I could manage.

Please let me know if there are any songs I missed, and I’ll add them ASAP! Score will be added if/when it’s released. If anyone would be interested in separate posts for each episode, let me know and I’ll get right on it!

Enjoy!

🎥Promotional🎥:

“Psychobilly Bandits” by Alibi Music: Teaser trailer

“Welcome to the Black Parade” by My Chemical Romance: Full trailer

“Young and in Love” by Fast Forward Romance: Meet the Characters teaser

🔮The Case of Crystal Palace🔮:

“Doorman” by slowthai, Mura Masa: Hotel hallway chase scene. (2:33-2:47)

“Hang on to Yourself” by David Bowie: Prep for Crystal’s case. (11:59-12:30)

“Bad Feeling” by Cobra Man: What Crystal is listening to on her headphones in the subway before the David the Demon fight. (12:36-13:04)

“I’m Telling Your Mum” by Danny Farrant, Paul Rawson: Jenny’s introduction. (21:46-22:44)

“It’s Not Unusual” by Tom Jones: In the Malt shop after they find Esther’s house and after Crystal sees David the Demon. (26:42-27:38, 29:24-29:47)

“Bones of Rock” by The Boneless Ones: In the background during Crystal and Jenny’s talk in the alley. (34:03-35:07)

“Take the Rest of Me” by Brocklesby Crooke: Dandelion sprites- Crystal meeting Niko. (36:39-36:51)

“Deal Wiv It” by Mura Masa, slowthai (instrumental): Meeting David the Demon flashback. (38:36-39:10)

“So What?” by NOISY (instrumental): Planning Becky’s rescue in the butcher shop. (41:34-42:19)

“White Teeth” by The Screaming Gypsy Bandits: Record playing inside Esther’s house. (43:33-44:30)

“Surfing in the Sky” by The Vaccines: Fight in Esther’s front yard. (49:08-49:50)

“Missing” by slowthai (instrumental): Sending Becky home, heading back to the butcher shop. (51:23-52:34)

🌼The Case of the Dandelion Shrine🌼:

“Take the Rest of Me” by Brocklesby Crooke: Dandelion sprites- Niko faints outside the bathroom and attracts attention in the butcher shop. (12:48-12:52, 28:29-28:57)

“Natural Successor” by Pictish Trail: Turning Monty human. (47:22-49:16)

🪓The Case of the Devlin House🪓:

“Free Tonight” by Skymachine: Charles & Crystal walk into butcher shop, just a few bars on radio before anchor talks about the storm. (8:13-8:15)

“Oceans” by The Yada Yada Yadas: on radio after anchor talks about the storm while Charles and Crystal are asking Jenny about the Devlin murders. (8:21-8:50)

“Owner of a Lonely Heart” by Yes: Devlin house time loop, repeated multiple times. (First full loop 19:06-21:09. Loop repeats: 21:31-23:05, 23:36-24:38, 25:02-25:35, 26:52-27:17, 29:04-29:55, 30:22-31:24, 33:17-34:30, 34:34-35:35, 35:48-37:01, 37:18-38:55, 39:28-40:50. Final loop: 42:23-42:36)

🌊The Case of the Lighthouse Leapers🌊:

“RoMaNcE” by ShitKid: Jenny reading letter from her secret admirer, gets rent from the girls. (1:16-2:40)

“Fire Escape” by Nine One One: Jenny reading letter before finding the Night Nurse upstairs. (29:06-29:32)

“The Wellerman” (original music box version): Charles winds up music box, hits Night Nurse with it, kicks her into Angie. (43:07-43:49)

“Young Blood- White Sea Remix” by The Naked and Famous, White Sea: End of episode- Niko starts to read letters from mother, Charles and Crystal kiss, end credits. (48:22-50:59)

🐉The Case of the Two Dead Dragons 🐉:

“Thunder” by ZEE MACHINE: Interviewing students about Brad & Hunter. (14:24-15:11)

“Apocalypse” by Cigarettes After Sex: Jenny and Maxine mid-date. (26:54-28:04)

“Melting” by Kali Uchis: Jenny and Maxine late date until stalker reveal. (36:25-38:10)

“Disorder” by Joy Division: End credits. (49:49-50:41)

🍄The Case of the Creeping Forest🍄:

“Who’s Ur Girl?” By The Mysterines: Niko redecorates her room. (1:15-1:29)

“The Wellerman” (original Music box version): Sea calming music box, playing inside Angie. (13:45-14:07, 15:35-15:49)

“A.T.T.A.C.K” by Arre! Arre!: Niko tries to get Jenny to forgive her in the butcher shop. (20:49-21:57)

“Shakedown” by Infamous Stiffs: End credits. (51:17-52:11)

🕷️The Case of the Very Long Stairway🕷️:

“Under the Milky Way” by The Church: Charles’ memories of his death. (11:06-13:15)

“Dinner Jazz” by Tony Kinsey: Limbo/Hotel lobby in Hell. (17:27-18:27, 44:13-44:30)

“Revolution Action” by Atari Teenage Riot: David turns on lights and music in abandoned bowling alley. (30:20-30:48)

“Window Shopping” by Robert Foster: Gluttony/Café when exiting Hell. (43:13-43:35)

“Circle In The Sand” by Belinda Carlisle: Jenny singing in Crystal’s head while possessed. (31:43-33:50)

“Burning” by Yeah Yeah Yeahs: Monty flies away from rooftop, Esther works on her machine, Jenny sleeps while Niko looks at Cursed Magic 8 ball, Night Nurse knocks on supervisor’ door, Crystal eats first memory marble, end credits. (52:37-55:16)

🐍The Case of the Hungry Snake🐍 :

“Standing In The Way of Control” by Gossip: Crystal’s first memory marble. (1:18-2:04)

“I’m What You Want” by Walt Disco: Crystal Club fight memory. (8:35-8:48)

“When I’m Gone” by Ging: Crystal says goodbye and leaves the butcher shop. (16:18-18:13)

“Sleeping On Grassy Ground” by The Heavy Heavy: Charles and Edwin wake up in Esther’s house. (25:55-27:43)

“Who’s Sorry Now” by Connie Francis: Niko and Crystal break into Esther’s house. (30:35-31:17)

“Loss & Relax” by Black Belt Eagle Scout: Talking in Niko’s room. (40:44-42:59)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

And if you like lists of things like I do, you can check out my other Dead Boy Detective ones here!

When Charles’ shirt color changes

George Rextrew’s Edwin comic inspo board

Moves, Incidents, and Cases masterlist

Swearing Stats Masterlist

First pass at finding where the songs in the score are used- full post with timestamps in progress.

[stormblessed95]

Let's talk about the AYS Trailers!

As and the songs that went with it!

The Launch Trailer

SGMB played and then SNTY finished it. Where they were talking about feeling free and wanting to go on trips and be together before enlistment. And these clips were from before they knew if they would be accepted for the buddy program or not. There was still the chance of around a 2 year separation here

The teaser trailer

Kicks off with Who... Ends with Seven...

The main trailer

Uses neither of their solo songs and is instead using Skool Luv Affair which is just SUCH an interesting choice. It's neither of their songs, neither of their voices Singing... And it's continuing the theme of using love songs for the lyrics in the background lol it's Hobis and RMs verse that play in this trailer

Off and On

Off, be yourself time - with jungkook

On - performance mode

Off, be yourself time - with Jimin

On - performance mode

D3 USA

SNTY again

D2 Jeju trailer

SGMB again

D1 Sapporo

Who, except it's the bridge where it just repeats over and over "who is my heart Waiting for" over Jikook clips and is not helping my delusions any, thanks BH

And Disney+JP on twt

Back to Seven lol

[roxiestranger19]

OBX 4 PREDICTIONS

hello only probably like 2 people are gonna see this but I gotta get these thoughts out of my head. My predictions for OBX4!!! (this is mainly gonna be about JJ and Jiara because they’re my favorite)

JJ focused season finally! He’s been my favorite character from day 1 and i’m so glad that there’s hopefully gonna be more of him this season. It looks promising from the trailer but who knows.

JJ AND KIARA!!! Yall im so excited for them to finally be together. All im asking for is one kiss in good lighting and it looks like we’ll get it.

This scene specifically has me screaming and kicking my feet already.

On the topic of jiara i think the writers are gonna make them go through everything in the book. Between Kies parents to JJs dad potentially coming back to jjs impulsivity in general.

3) This leads me to my next point on how i think the season is gonna go in terms of Jiara. In the first couple episodes i think we’re gonna rewind to the 18 month time jump and finally see them together and see them doing all the normal couple shit and it’s gonna be beautiful and wonderful. Hopefully we’ll see how they support each other through their parent drama, mainly kies.

Then I think they’re going to either get in a fight or break up whenever JJ starts being really impulsive with the money like we saw in the trailer. I also think this is where Luke’s gonna come in if he does make an appearance. I think Luke is gonna guilt JJ into giving him money and JJs gonna come to some agreement with him. JJs either gonna not tell kie about it and it’s gonna cause a blowup when she inevitably does find out or she’s gonna know from the beginning and advise JJ not to help Luke but he does it anyway. This is gonna go back to the self sabotaging topics from season 3 and how JJ just can’t realize that his dad is a piece of shit and Kies gonna give him the ultimatum of either her or his dad which he’s then not gonna be able to choose.

If Luke isn’t the reason for a Jiara fight then I believe it will be because of his impulsivity with his life and the money. We saw in season 3 that JJ is willing to sacrifice himself for the good of the group and that’s where the dirt bike racing is gonna come in along with gambling and betting the money. (Bonus points if someone tells him “you’re just like your dad”) This is the point that I feel has the strongest amount of evidence because in the teaser we saw the races and JJ and John Bs conversation on how they have everything to lose now. We also know from the trailer that JJ spent the last of their money so he feels the need to earn it all back himself in the fastest way possible which would be betting on winning the race. Also if Rafe is his competition this is more reason for him to bet everything on the race. I’m gonna guess he does not win the race which is then why they agreed to take on the black beard case.

This then brings us up to date after the 18 month time jump to the ceremony and my previous reasons for Jiara fighting would check out with why JJ and Kie were being so awkward at the ceremony.

Anyways JJ is gonna kinda take the lead with the case because again, he feels like he owes it to the rest of the group since he spent the last of their money and/or gambled it away. He also might think that this could win kiara back although that most likely won’t be the case since all kie wants is for JJ to realize that he matters and she loves him no matter what he has or doesn’t have.

I think that this scene is gonna be Kie explaining these things to JJ. Also as much as i want this scene to be full Jiara lovey dovey steamy shit, i don’t think that will be the case. I actually would be just as happy if this was a “there was only one bed” trope because the rest of the pogues are coupled off and who knows maybe this will lead to a kiss or cute cuddling moment, either way i’ll be happy.

I think that the rest of the season will be filled with angst and tension from JJ and Kie because they clearly are obsessed with each other and can’t just turn off their feelings. I think this will be way more interesting than if they stayed coupled up all season because their whole relationship is fiery banter and let’s face it, John B and Sarah’s relationship is boring compared to Jiara because there’s no drama or fire. Also think about all the protective JJ moments we can get from this especially the scuba scene?! Or when it comes to Rafe. We saw in the teaser that JJ punches Rafe with Kiara in the background. Plus with them “supposed” to be broken up or fighting, but unable to stay away from each other both internally and externally bc everyone else in the group is paired together, we’re gonna get a bit of “forbidden romance” and longing looks and jealousy and tension galore which is gonna make every scene with them together electric. I have no idea how their relationship is gonna end up at the end of the season but i hope they’ll be back at where they were at the beginning during the time jump.

4) In terms of the ending and the other bits and pieces i honestly have no idea where it’s gonna end. I want to say they win and solve the blackbeard case but they have a pretty bad track record with that. Also depending on how many more seasons the show has left is a big component in this. I don’t think the show could go past a fifth season. Also don’t know where the scenes with JJ breaking windows and destroying things fits in. It appears to be in the OBX but who knows.Living for those moments though. this is probably another reason why Jiara breaks up. Could have to do with Rage and Topper or his dad but i have no idea. Maybe Barry is coming for him because JJ did steal from him and Barry used to sell to Luke.

5) Rafe and Topper

don’t have a single clue how they’re gonna fit into this after the 18month time jump. We only really saw them in the OBX or at the bike race. I guess there’s potential for them wanting to get in on the blackbeard case but i don’t really see it tbh. I’m guessing they’re gonna have a separate plot from the pogues or it’s just gonna be slightly related through sarah or something.

6) THE BOMB Here are my different guesses for what this could mean.

JJ dies. this seems to be what everyone thinks but i really don’t see this happening. i don’t think Rudy hates OBX as much as everyone thinks he does i think he just gets caught at the wrong times and everyone reads into it. If they do write him off though i will never forgive them it literally wouldn’t make sense it would destroy me. and it better be a damn good death and be actually really sole crushing and good writing. giving jj a good death would be the least they can do if they choose to go this.

JJ and Kie break up. As i said before i actually think this would make sense for them but i do think it would come to a shock to many people hence them saying that a “bomb is gonna drop on them”

Luke comes back. Again like i said this is pretty likely especially since there’s a leaked picture with luke and JJ in it. In terms of it having huge effects on Jiara, this depends on JJs decisions.

JJs mom. Maybe he suddenly figures out a way to find her or something else i literally have no idea

Rafe and Kiara. Can’t see kiara cheating on JJ. Maybe we finally get to see what happened during kies kook year. Don’t see how that would affect Jiara now though.

Kies parents. Might’ve had more of an impact on their relationship during the 18months but i can’t imagine that’s the reason for something blowing up between them after that since they don’t care about their opinion

time for my really crazy theories

pregnancy. kie getting pregnant would be a bomb. don’t imagine the writers doing this because it’s just not that type of show but it would make things interesting. especially if she finds out while they’re broken up or fighting, it would add a lot more tension and jj would be a lot more protective of her.

Luke and Anna. in season 2 luke mentions something about knowing anna. Always thought that was an interesting point. Maybe they had something going on in high school and when JJ and Kie figure that out if kinda deters them and makes them question a lot. idk these are crazy.

jj and sarah share a mom. always liked this theory. think it has possibility but very unlikely. don’t think this would relate to the plot very much or impact Jiara.

anyways that is all. If you read all the way through this i appreciate you.

[thelilreddragon]

Episode 4 Predictions (I don’t watch teaser trailers):

1. Rio and Agatha eyefuck eachother

2. Fire challenge

3. We find out how Alice’s mom died

4. Teen says something stupid to Agatha and Rio threatens tf out of him.

5. Sharon shall live on as a guide.

6. I will scream and kick my feet excitedly, bc Patti LaPone will belt her heart out

7. New version of Witches Ballad

[kylesvariouslistsandstuff]

Animation-twitter, animation video essay youtube, etc. would probably be better off if they assumed every upcoming animated movie was going to be CRAP.

The director of INSIDE OUT 2, Kelsey Mann, has talked a bit about the picture recently. After all, it's out in less than two months... And immediately, so much of what he's saying is either being misread or quoted out of context. Something something Anxiety is going to be "the villain", something something they cut characters Shame and Guilt out of the movie because they felt it was too heavy, something something-

And we've got other people freaking out that Pixar showed 35 minutes of it at CinemaCon... LIKE... What's THE issue? Pixar has done that before! CinemaCon attendees were treated to half-hour chunks of Pixar movies in the past, like MONSTERS UNIVERSITY. When TOY STORY 3 was coming out, Pixar prepared a cut of the movie that ended just as the toys were escaping Sunnyside Daycare... to show to college campuses across the country a month before release.

Y'all need to calm down.

This movie isn't even out. We don't know how it'll tell its story exactly. Maybe there's more here than it seems? Maybe Anxiety will be an antagonist in the sense that she's doing what she feels is right, or is straight-up malevolent. I doubt it's the latter, that would be kind of... Not nuanced? For a sequel to INSIDE OUT? Having Anxiety just be an evil scheming bad guy just doesn't seem like it'll happen, nor is it a good idea. I think director Kelsey Mann meant that by her kicking the other emotions out of the main control room, she'll be the "big bad" of the movie. Why she kicks those emotions out could be related to how anxiety tends to work within the human brain. Taking control of your brain, thinking that it's steering you to make the right decision, making you cautious of dangers more so than "Fear" does. Pixar movies have had antagonists in the past that aren't necessarily evil, they just think what they're doing is right.

I also doubt that Pixar would let out a movie that flat-out stigmatizes people who suffer from anxiety disorders, such as myself. Maybe the Shame and Guilt characters were cut from the movie because director Mann, writer Meg LeFauve, and several others just didn't like the direction the story was going with them in it. Maybe it was too depressing for THEM, not because of any concerns for kids in the audience. People tend to associate Pixar with "tearjerking storylines", maybe it's possible that this went WAY TOO FAR at one point? I don't know, neither do you. Pixar's team isn't Disney Animation's leadership. Pete Docter is less controlling than John Lasseter based on everything I see and hear, but there are probably still some ground rules and some do's-and-don'ts. But I think it was ultimately down to the director not enjoying making the film back when it had these characters in it. As a writer/creator myself, I sometimes pull back when I feel something I'm making is causing ME lose the drive to make the thing in the first place. Maybe it hit too close to home for Mann, LeFauve, someone- Just a few variables, ya know? Not just "Pixar is too afraid to be sad", "Disney's telling them what to do", etc. etc.

Maybe animated movies shouldn't have this kind of pre-release thing... How about, just... Movie title, release date, BOOM. Nothing else. No interviews with the filmmakers and cast, no nothing... Wanna know more? You have to see it when it comes out! Put that in big letters in the teaser trailer!

But if they did that, twitter and the YouTube Animation Opinion Industrial Complex would sound the alarm: "They're not saying anything... IS THIS MOVIE IN TROUBLE???"

(sarcasm for those last two sets of sentences)

You can't win. And watch... It'll come out, and it'll be disliked for some weird reason. Probably because it isn't... PUSS IN BOOTS 2 or whatever. While the rest of the world goes, "Yeah, that's was pretty solid." And said population streams it on Disney+ a gazillion times. I'm not part of this "animation fandom" thing, quite frankly I don't even know what half of these people want most of the time. It seems like every movie is an oncoming stinker to them, and it ends up being a stinker. Sometimes the worst thing ever made, a work of evil. You know I still see people raging over that completely harmless CHIP N' DALE RESCUE RANGERS movie from two years back? The fuck is that all about?

I get that INSIDE OUT is a sequel to a beloved Pixar movie, I get that the original movie means a lot to so many people. I love it myself. At the same time, I'm not gonna be weird about a sequel I never even wanted until the day they announced it. Okay, if it isn't very good, I'll just go on with my life. But we're not even there yet... It's not out... This is the only INSIDE OUT sequel. Now if we were coming up on an INSIDE OUT 3, and INSIDE OUT 2 managed to somehow upset everybody? Then I'd somewhat understand...

Others will dole out their dislike of recent Pixar movies as their reason, but you know me... I feel each Pixar movie - for the most part - is a statement of its filmmaking team. Not a Mr. Pixar person coming up with each and every movie. (That was Lasseter in a sense, lol.) If "animation is cinema", then you oughta look at these movies as director-driven. I feel the other way around reduces the films to a brand, and not the people who actually make them. INSIDE OUT is first and foremost a Pete Docter-directed film... Made at Pixar. Not a "Pixar film". Pixar isn't a person nor is it a collective, it's a place. It should be judged on how functions as a movie and as a sequel to INSIDE OUT, not up against other movies made at the studio by other people. Like I'm not here for THE INCREDIBLES or UP, I'm here for an INSIDE OUT sequel. I know, that's a very radical opinion to have. Silly me!

I just don't get it... I'm just gonna do it the old-fashioned way... I'm going to see the movie, and hope that I like it or get something out of it.

[blazehedgehog]

Between Shadow costume being added to Sonic Superstars, and Shadow Generations being a thing,,,,,, My theory is that these games will introduce us to Classic Shadow as young Shadow in his Generations levels. What do you think?

Well, since making that post theorizing on levels, I've thought about it a bit. I rewatched the teaser, broken down parts of it in my head.

So what's going on in the trailer?

(A lot of images follow.)

It opens simply enough: we see Shadow on the Ark. Time frame is unknown. There are GUN robots everywhere, but that's not necessarily an indication of anything. These could be leftovers from the raid 50 years ago, so this could be modern day, this could be Sonic Adventure 2, this could even be a flashback to that raid.

We see Shadow, mid-Chaos-Control, kicking some kind of device or possibly even a warhead away from the Ark. It seems like some kind of nose cone of a rocket, but there's also a big window or door on the side.

The next thing we see: Shadow's still on the Ark, running down a very similar corridor he met Sonic in right before their final race. He runs into Doom's Eye, who seems to emerge out of a black and red portal.

Doom's Eye gestures like he's saying dialog, but we can't hear it. His eye bulges and rolls around before the creature flies away and the Ark disintegrates around Shadow. It disintegrates to reveal Westopolis, where Shadow first met Doom's Eye.

But it's a crazy, hallucinatory, Dr. Strange fractalized version of Westopolis, the whole city folded in on itself, buildings jutting up towards a skyline that goes in all directions. Doom's Eye returns to taunt Shadow some more and we see a bit of Shadow running around this Westopolis, the strange broken city still in the background.

What this says to me is that we're going to open on The Ark (Shadow's investigation), but the game is going to transition seamlessly into Shadow in Westopolis. This is probably all one level, and Doom's Eye pulls Shadow through time, possibly to a broken, impossible version of the past.

I think to some degree this is going to try explaining why parts of Shadow (the game) contradict each other. If some readers out there don't know, that game has ten different endings. Each ending is about Shadow understanding a different version of the truth about who he is and where he comes from. Some endings directly contradict each other, like there are two different endings where it's implied Shadow kills Dr. Eggman, and others where he does not do that.

Once you see all ten endings, the game's true final boss unlocks and you get one last 11th ending to tie everything together... except this last leg of the game confusingly picks and chooses different elements from the other ten endings to canonize, suggesting Shadow somehow simultaneously experienced multiple conflicting endings and remembers them all.

(By all accounts this does not seem to be intentional, that game was just held together by chewing gum and duct tape.)

Given that Chaos Control has actually straight up allowed time travel in these games, it wouldn't surprise me if this is going to comment on how confusing that was, and either attempt to untangle or at least explain why it was so confusing.

The very next shot we see is Shadow back on the Ark, fighting The Biolizard at the end of Sonic Adventure 2, but things are different now.

The Biolizard has all these tentacle-like shredded wires coming out of its back on either side, which weren't there before. The arena is much more enclosed, too, with a tiled roof evoking the echidna temples in Mystic Ruins.

It's worth mentioning that we see a shot of what looks to be the very start of the boss fight, where Biolizard seems to drop out of the sky, landing in front of Shadow. It's tough to see through all the water, but the wires aren't there yet.

The fight probably starts out evoking its original battle, and then shifts to introduce new elements, such as when the Biolizard climbs up on the roof around the arena:

Here we see The Biolizard covered in some kind of purple goo, shooting a litany of projectiles at Shadow, who returns with a Chaos Spear shot.

We see various rapid shots of Shadow in Chaos Control breaking some kind of glass orb. All of these appear to be at different points during the Biolizard fight, as you can sometimes make out parts of its body or the arena around Shadow. (Meaning this is the glowing red core on its back)

If this is a thing about either Black Doom or Shadow trying to rewrite history and change Shadow's past, I don't know if I see much room for switching to a Classic Shadow. And, historically, in the lore of what we know, was there even a Classic Shadow to be seen?

Like, Shadow was grown in a lab and we've only ever seen him the same age as Sonic. To that end, Shadow himself is effectively immortal. It has been said many times that Shadow has "eternal life." And that's partially because Shadow isn't even a "real hedgehog."

Or he's not a hedgehog like Sonic is. He is a "bio-mechanical android." This means he looks like flesh and blood but a non-trivial portion of his body is a robot, a fact these games almost never comment on or explore in any capacity. But it's the whole reason Eggman had all of those Shadow clones in Heroes and later the Shadow game -- they were technically robots, not actual animals.

I didn't consider it at the time, but whether he's Young or Old, he is going to look exactly like he does right now. You even see this in the games:

When Shadow knew Maria on the Ark 50 years ago, he looks exactly like he does now.

And then, in Sonic 2006, Mephiles shows that humanity grew to fear Shadow and locked him in a prison. This particular scene is 200 years in the future, but the imprisoned Shadow in the purple cage has not aged a day.

I don't think there will be "Classic Shadow" levels, and I don't think "Final Chase" and "Westopolis" will even be separate levels.

This could go in some really weird directions.

[elennemigo]

5th

✦ Benedict kicked off Letters Live at Wilderness Festival.

Gallery / Vids x x x/ more pics

12th

✦ Benedict in news clips for Prada Fall/Winter 2023: 1 / 2

13th

✦ New pic for Prada campaign.

24th

✦ First official poster for "The Wonderful Story of Henry Sugar" and new date release on Netflix.

29th

✦ First teaser trailer for The Book of Clarence (Benedict not included yet)

30th

✦ First official still for "The Wonderful Story of Henry Sugar" with Benedict.

31st

✦ More new stills for Wes Anderson film.

                     ⊱ ────── { FIN } ────── ⊰

[elvisabutler]

i've had no love like your love

summary: both you and professor presley would like to forget about the incident between you two and you do while still occasionally falling into each other's arms when spending time with one another. the two of you finally reach a breaking point. fandom: elvis presley | elvis ( 2022 ) rating: m pairing: professor! elvis presley ( big daddy flavor ) x student! female reader word count: 9487. i got a little carried away. warnings: big daddy elvis. elvis using a walking stick/cane. implied praise kink. student and professor relationship ( everyone are of legal age ). religious talk. elvis being ill enough to miss class. unrequited love that would be requited if people just opened up their mouths. oral ( f receiving ). use of psalms in inappropriate ways. bunch of tears. mention of physical abuse/hitting/being kicked out of houses. use of the nickname belle for the reader. use of the derogatory name jezebel. mentions and beginning of impersonal sex like in my hearts already sinned. thigh riding. author's note: so i'll warn you ahead of time you've got to get through a lot of words of sadness to get to their happiness in this but it's worth it. i'm honestly super glad this got the reception it did since when i posted the little teaser/trailer as my last kinktober piece i thought this was hella niche and didn't think anyone would like it since it's big daddy elvis and it's a professor au. but y'all have seemed to absolutely adore it and it makes me happy. this is not the end of them since i've got an epilogue ( purely happy, i promise ) and honestly, if anyone ever wants me to write more of them ( case in point, the ask i got about a movie night with him and belle ) or i have an urge to i probably will. and y'all know the drill, pick your elvis poison, this is written with real elvis in mind but you can imagine austin elvis. and previous parts are here to be read in order: 1 and 2.

There's one thought- or a series of thoughts- his mind keeps cycling back to, that keeps rolling over and over in his head as he looks at the door you just left out of. Gossip isn't something he normally cares about but when he heard your name, he couldn't help but listen in properly because when it came to you he couldn't help it, he never has been able to help it. 

"She's going for Presley? That religious- he won't give her the time of day like that. She's too impure for him."  

"I've heard that's why she wants him because come on man, you know he never has gone for a student. Why not have the Tour Guide show him what he's been missing? Besides she's already spending all that time in his office and wearing his jacket half the time. Bet she's gonna fuck him before Thanksgiving break. Then she'll be free."  

"Two in one semester-" The calculus professor whistles. "Next semester she'll be begging for an orgy at this rate." 

He's not dumb, contrary to what his teachers back in the day might have thought. No, he's not dumb but sometimes he prefers to see the best in people, sees the parts that other people might overlook. Maybe it's just from his upbringing or maybe it's from how he was treated in the music industry but he likes to think himself a good judge of the character people might otherwise keep hidden. And with you he had thought- he had thought there was something there. Something you had hidden away amongst your conquests as ill advised as they might have been. You were- you felt like the sort of person who could be taken care of while still taking care of him. You felt like coming home or like God himself had dropped an angel in his lap. The idea that he was just another man- another professor in your long line of them stung. He knows he's not a great catch any more, that he's not nearly as pretty as he was even two years ago, let alone when he used to perform on stage or was in the movie picture business but you didn't seem to mind. You seemed to enjoy him, unless he had read everything wrong, had read your lingering glances wrong. Unless he had read your reactions to his very presence wrong or how you would smile just so in a way he recognizes from some women.

If he hadn't have read this situation wrong and you had actually enjoyed his company and cared about him at least in some small part the way he cared about you, why had you answered yes to his test. Why in God's green Earth had you told him that you just wanted him to be another professor you fucked? The answer should have been that you wanted to fuck him as a person and not just- him because he was your professor. You didn't need to charm him like this- to worm your way so comfortably into his heart in a way Priscilla had and how Linda had as short as their relationship was. It's- you didn't need to play with him like this- you didn't need to be cruel.

Maybe the best thing for both of you would be to pretend none of this happened. Pretend that everything was normal and that he hadn't seen how your pussy looked in underwear that was barely there. Pretend he hadn't seen you arch your back for him. Just pretend he hadn't had you against the desk in a way that was so far from how he planned. That's- that should be what he does. You were still perhaps that good girl, that wonderful woman he thought you were, you just needed to be reminded of it continuously. Maybe he just wants to be selfish and have you in his life in whatever way he can. God, he was getting to be stupid and silly as he got older, wasn't he?

Love makes you do stupid things, you've realized this more than anything with El- Professor Presley. With other men, with other professors your brain and your heart seemed to actually be in line with one another, seemed to remember that these were flings and while their outcomes led so much to be desired you could file them away as business transactions. Business transactions that allowed you to avoid worrying about your grades if you were sick or if you had too much going on at one time. You figure it's your own fault for taking the challenge Noelle had offered you. Figure that you brought this on yourself despite knowing that you had seen the man for years now from afar and thought that he was the most attractive man you've ever laid eyes on. Thought his waistline- much as it occasionally fluctuated was perfect at damn near any size but you had a special place in your heart for his size now. You should have known your heart would believe one thing- would feel one thing while your brain would try and remind you that this- this couldn't ever be more than whatever it was. You hadn't even needed to do it, hadn't needed to take the chance on sleeping with him because you were fine when it came to his class, never missing a class or a discussion or anything that had him lowering your grades. Yet, you had to be selfish, had to ruin the relationship- the friendship you and him had with each other. You had to ruin him as a person, didn't you?

The man who had sex with you against his desk that day wasn't Elvis Presley, Professor Presley, whatever you wanted to call him. He wasn't the person you had fallen so deeply in love with that your heart ached and twisted and threatened to fall right out of your chest at the mere idea of losing him for good. He was something- someone else entirely, someone who you didn't recognize in the slightest but maybe that's who he always had been, maybe that was the man you had fallen completely in love with over the semester. Your brain hadn't bothered to entertain the idea of a life beyond this semester but you think- no, you know- that your heart had other plans. Your heart dreamed of a life with you at his side at Graceland during the summer and on the breaks at night. It dreamed of a life with you in his lap and his head in yours. You just dreamed of a life with him come whatever may be.

That dream is still in your heart as much as your brain knows it's stupid and silly and a forgone conclusion at this point. Yet, you can't stop yourself from still wanting it from pining for the mere idea of it. You can't stop yourself from taking his jacket you still have and wrapping yourself in it after you come home from that day- that absolute mess of an emotional day because that mere idea of a life with him. A life where he comforts you and wraps his arms around you when you find that life is too much or when he finds that life is too much.

Maybe that's why you don't back away, maybe that's why you let yourself continue on debasing yourself in a way that you're practically mortified to realize. Or maybe it's because after that day things go back to normal. He acts like the man you fell for, acts like the man you could see some form of a future with and could dream of living the rest of his days with. Still, you choose to believe that it's worth it, that this is all you're ever going to have of Elvis. God you wish your brain could just call him Professor Presley or Mr. Presley but when you're in his office talking about what had happened in class or the lesson plans he had for the next one he always insists on you calling him Elvis and it feels so natural rolling off your tongue. It feels like it's meant to leave your mouth in sighs as he brings you pleasure and with fondness that you can only have with someone you love to the ends of the Earth.

You should have known better, you should have known better because you might be strong, you might be the sort of person who can hold herself up with or without praise that Elvis sprinkles into your life. You're the sort of person who shouldn't do this, who wouldn't do this for anyone else if it wasn't him. You should break it off, should give yourself a clean break but he's always there and he's right there saying the words you want to hear. He's there acting like he's supposed to and you find you can't even grieve for the loss of him because he's not gone, is he? No, he's right there in front of you, almost mocking you in his actions and how they conflict when you're up against his desk, his cock sliding in and out of you with such obscene squelching and squishing because he knows how to touch you in just the right way that has you groaning against the coolness of the desk. He knows how to touch you in just the right way that has you so aroused you make a mess of whatever you touch. The times you're just on his thigh because he can't get it up- not for lack of want, but because of his body betraying him like everything else seems to- those times always end in him with a suspicious wet spot that makes him glad he's got on black pants to hide the stain you've put there from riding him.

Things feel so impersonal, such a stark contrast to the actions of both of you around the times you do these things. You're adults and yet the concept of talking about what happens- talking about how you two fall into some natural rhythm of companionship only to have it stripped away the moment one of you climbs on top of the other or the moment he pats his thigh for you to straddle- is so alien to either one of you. When you've fooled around with the other professors even when it came to the worst exits you were still able to look at them, still have that element of attachment when you would be with them up until the point where you were kicked out and where you were slapped and yelled at and chased out windows that had you breaking your ankle. With Elvis it should be the same, you want it to be the same because maybe if it was you could- it would be easier for the two of you to talk. It would be easier to not feel like this is a business transaction and that as much as he'll be the man you started to love before and after it, he won't be that man during the act. You'd say you felt used but how can you be used if you're also using him. It's silly and embarrassing and it wears you down after each time even though you always crave it just a little bit because it's all you feel like you can get of him like that. You want more than his companionship, his praise and his subtle touches on your shoulder and his laughter. You want every single bit of him you can have. You're grasping at whatever you feel you can get and you don't realize he's doing much the same thing.

It has to be impersonal because if he looks at you he doesn't trust himself to not fall to your knees and worship you like the angel sent from on high he believes you to be. He calls you Jezebel because that reminds him how you wrenched his heart from his chest and twisted it in your hands. Staying away from you isn't an option because outside of when you two fall into each other's arms you feel like his- feel like third time is truly the charm on women he adores to the ends of the Earth and that you could be the one he spends the rest of his life with- however long that may be.

However long that may be is always on his mind the more his stomach gives him issues or his body feels like it's breaking down more and more. Should try and get everything in check, try and cut out some things maybe but he's never been the most disciplined in anything that isn't religion and even then he knows he falls off that wagon on occasion. He has to miss two more classes and on one of the nights he can't sleep, his stomach contorting in on itself and his bones feeling an ache he can't shake he wishes you were there. Your presence that one night, curled up against him after he had woken up and found you on the couch only to carry you to his bed had been some of the best sleep he'd had in such a long time. You might not have healed all his ills but you served to be a balm he couldn't help but crave on this night.

The thing about him missing is that he can't know- he doesn't know that you notice the second it's Joe up at the front of your class again and you swear you want to throw up. Your stomach drops so far out of your body that it might as well be in the core of the Earth. Elvis wasn't here again which meant something- some part of his body was acting up again. Maybe you shouldn't have been on his thigh after the last class, maybe you should have just let it be one of those times when you just talked and relaxed with one another and not let it turn sexual. No- No, it would have happened regardless, after all, the last time he had missed you and him hadn't even done anything other than talk. That was before- you wouldn't dwell on it, if this was anything like the last time he'd be back come next class a little more worn down and needing perhaps more company and a bit of help but he would be fine. He's always been so larger than life and so strong that there was nothing to worry about.

Except- he doesn't come back after that first class and he misses another one and you had been lulled into a false sense of security thinking he was alright when no one including Joe was there early. No, instead you had Jerry coming in almost five minutes late telling everyone that class was canceled since anyone who would take over for EP was a little occupied and as nice as he's heard everyone was- he's a business professor- an economics one- not a religious studies kind of guy. You don't expect people to be loitering outside of the class, figuring that much like any college students they'd be rushing to the library to study or to their dorms or apartments to sleep. You wish people had done that, wished the two people you come upon would have done that.

"He's gonna be dead in a year if that, man." The student- James you think- says, rolling his eyes. "My brother had him last year and he missed one class, we're on what, our third?"

"Third and the Tour Guide wearing his jacket. Maybe that's why- she's drained him." The other laughs quietly.

"She hasn't worn it since the middle of October, no, she's already moved on. Wouldn't be surprised if he passed her along to his little Mafia." James pauses. "Whatever the case- he's dead next year. If he even gets through the semester. Sucks, man, he wasn't the worst professor."

There's a part of you that wants to hear what they have to say, hear how they want to blame you for Professor- Elvis not being here but you can feel your heartbeat rushing in your ears and feel your eyes welling up with tears you can't- you refuse- to shed in front of people and find yourself pushing past them, your boots thumping on floor as both of them laugh just a little realizing you had been listening to them the whole time.

They had to be wrong, they had to be wrong because as sick as maybe Elvis was he wasn't- he couldn't be that sick. No, they were just- joking around, they had to have been. Maybe they knew you were there the whole time and just said it to mock you, after all, you know it's truly no secret that you are his favorite student and were even before- the incident. If they were right though, that meant-that meant after this semester he was gone. You'd never hear a story about how stupid some of your classmates were or about hear him sing like he had that one night again. You'd never share another set of snacks and a drink with him. He'd be gone and you'd be- He'd be gone and the world would feel a little bit dimmer.

The idea of a world without Professor Presley, a world without Elvis swirls in your mind that weekend as you force yourself to do your schoolwork. Ignoring it would be so easy and you could just curl up with his jacket and with your favorite book or in front of the little television and just pretend you hadn't heard any of that. Any time you think of doing that, though, you hear a voice that sounds suspiciously like his with a little backing of a voice that sounds like yours in your mind reminding you that you should do your work. So you do and you eat and you do everything you're supposed to that weekend as you try to avoid thinking of what the other students had said. It's hard but you manage well enough. Monday comes sooner than you'd like and you find yourself dreading entering Elvis's- Professor Presley's class. You sit down in your normal spot though, your eyes shut as you try to relax and burrow yourself into his jacket as you do.

His cane taps against the floor and a breath you hadn't realized that you were holding comes out of your mouth in a rush. He's here, he's alive and he's going to be teaching class today. You bite your lower lip as you hear the taps stop right behind you and feel Elvis's hand grasp your shoulder, just as warm as it always is. You hear his voice rumbling, even with so much exhaustion coloring the tone about how he's glad to see you where you’re supposed to be and you look up at him to see something in his eyes, something that feels like a spark of the man you've fallen for completely this semester. Maybe- no, you don't dare hope fully.

Class feels like a blur and while there is a debate as per his usual it's much more subdued with you barely offering input and him still feeling a little too rough to really force some excitement into it. A part of you wants to just head straight to your other class and not entertain the idea of going to Elvis's office but as you start to leave you hear the tap of his cane following you and hear his voice.

"Y/N." He starts, his eyes roaming your top half and settling on his jacket. "Gonna see ya in five minutes?"

The word no is on the tip of your tongue, you should say no but you've been so worried about him that you nod slowly, adjusting the straps on your bag and it earns a small smile from him as he walks off slower than normal but still seeming just as strong as normal with the tap of the cane. It takes you a little longer than five minutes to reach him, almost as if you're too nervous to really go to his office but when you get there the door is wide open and you see two drinks on the desk and you settle yourself onto the couch.

Talking- even with everything- comes so naturally to the two of you that you hardly realize how you both shift closer to the other as you talk. You hardly realize how you're close enough that you can feel his body heat against your side and that he feels the same thing. This is how it always seems to start since the Incident, with you two moving closer and closer until you're in his lap and today is no exception. Except, maybe it is because you're wearing his jacket and you saw a glimmer of something in his eyes that tell you maybe there's something there. That maybe the person you want to spend all your time with is still there underneath everything. You don't know when you decide to hook your leg over his thigh, thanking every god you know that he has a tendency to spread his legs even if there's no reason to and you hike up your skirt just a hair as you start to grind against his thigh, facing him as you do. Your hands move to try and cup his face, try and pull him closer to you before you feel his hands on your hips manhandling you to face that opposite way.

No. This- no, this isn't- you want him but not like this any more. God you can't- why was it so hard for him to let you just look at him when you do things like this. He was gone for two classes and you were so worried but he won't look at you. You're wearing his jacket and he noticed and he won't let you look at him. Your body can't help itself, still grinding a bit as you try and maneuver yourself back to facing him only to be stopped time and time again by his grip. It's not punishing and it's not going to bruise- you hope- but he won't let you turn. He won't let you turn and his mouth starts to spew words that make you want to curl up in on yourself.

His mouth hisses into your ear. "The Jezebel doesn't want it this way? Doesn't want my thigh today? Too good for me?"

You snarl, tears starting to form in your eyes out of sheer frustration and anguish rolled into one. "I never- I'm not saying that, I just- Elvis, please, let me look at you." Your body starts to contort in positions you didn't think were possible as you continue to try and face him only to be brushed aside.

Words are leaving his mouth, you hear them faintly but you finally just launch yourself off his thigh, chest heaving and eyes fiery as can be. Your legs shake at the sudden loss of his thigh that had supported you up until now but you stand your ground as best as you can. "No, I'm not- We're not doing this, not like this, I- What have I even done to deserve this? This- God, I don't even know what to call it. This joke? This playing with me like this?"

"Playing with ya like this?" He barks, heaving his body off of the couch and moving to stand in front of you, his blue eyes stormy as anything you've ever seen in your life. "That's goddamn rich comin' from ya. Lil Miss Jezebel. The Tour Guide. The Harlot who-"

"Don't!" You shout, not even caring if anyone outside in the hallways can hear you. "Stop calling me that! I'm not- You wouldn't call me a good girl if I was any of those things!"

"They're- They don't hafta be seperate, darlin'!" His emphasis on the nickname is punctuated by him inching even closer to you, his words getting lower as he starts to hiss them. "Because you're most certainly a Jezebel, climbin' on me every chance ya get. Actin' like your God's gift to men wit' the others. Tell me, that new professor, t'one in the math department-"

"What other- Is this about-" Your thoughts jumble as they try to catch up with what he's saying. He's calling you a complete Jezebel and asking about someone who doesn't even exist to you. Your chest heaves as you push yourself into the little bit of space between you, your pointer finger pointing at his chest. "The new professor? The one I had to ask for help for because he's the only math professor who hasn't tried to come onto me?"

"Do- Do I look stupid to you, Jezebel?" He asks, almost as if he's afraid to say your name. "I heard from the other professors-"

"You could have asked me!" The words are spit out of your mouth and you can even see a bit of spittle flying onto his face. It brings you a sick sense of satisfaction to see how his already angry face slides between pure shock and more anger. "I thought we were friendly enough to do that! I've been to your house, Elvis!"

The noise that comes out of him before he can even get words out is truly defined as a snarl and a growl in the truest sense of the words. If you hadn't known any better you'd have thought you were arguing with a wild animal. It startles you to the point where you back away just a bit, not because you're worried he'll hurt you- no he's never been that type even with everything- but just because it's your natural instinct in the face of something like that. Despite that, he follows you, moves closer again even as his voice roars leaving his mouth. "You've been in my bed, Y/N! My goddamn bed! Curled up next t'me like ya belonged there!"

You duck away from him, almost as if to escape feeling very much like a cornered animal. He's not going to hurt you- he won't because he's not like- he's not like the rest of them but you can't defend yourself if he pins you down with his body or his words. His eyes follow you like a predator stalking prey even if you both know you've never truly been prey to him or perhaps anyone else. "That's exactly my point! Why wouldn't you just ask me?"

"'Cuz ya'd have lied!" His answer is slurred, the anger truly getting the better of him as he moves to cage you against the wall, only to have you slide away again.

"Not to you, Elvis!" How could he even think you'd lie to him about something like that? That you'd truly lie to him in general? "I've never lied to you!" You hadn't told him things but you had never lied, not a true and honest lie.

"Haven't ya?" He doesn't move this time, instead choosing to stare you down. "Tell me, Jezebel. Did ya just wanna fuck me so ya could tell everyone ya did? How ya got me when I haven't fooled around with a student in all my years and I haven't fooled around with anyone going on at least a year? Or was this just ya bein' sweet on the fat ol' man?"

The flinch that comes from you is unexpected and you look down at your body wondering if he shot you or slapped you and you didn't realize. There isn't a mark on you, no blood showing, no handprint making a mark on you. There is just you wishing he would have slapped you or injured you in some way because maybe it would hurt less than the words he had just said. It would hurt less than the accusation he's just thrown your way. You do not cry in front of people, you refuse to, knowing tears never make things better when you're caged and yet you feel your lower lip starting to jut and your nose starting to run before you shake your head. It's- he's not- he is wrong and you need to prove that to him.

"Just being sweet on the fat old man." You can't help but laugh, the cacophony of emotions threatening to tear you apart at the seams. "Do you- Do you hear yourself? I- What is it, Elvis? Am I your Jezebel sent to what ruin your little God Fearing self? Or am I just some Jezebel who's sweet on you? Or are you going to tell me I'm both? That I'm not good enough for you? Too used?"

You see his jaw tighten and you worry if you've said the wrong thing. You worry that he's seen how you look like you're about to cry and something is going to go wrong but he just takes a step closer to you, his cane tapping on the floor just once. His head tilts just slightly to the side. "I know what I said, lil Jezebel. I know that you've been actin' all sweet, actin' like you're worthy of the nickname Belle. Worryin' 'bout me. Comin' to my house, gettin' me into bed but when I worry 'bout ya, put ya in my bed next to me, ya leave me alone. Then I hear t'boys. Hear what the lil professors you'll eventually fuck gotta say about ya. Ya just playin' a lil game wit' me, ain't ya?"

You bite your lower lip as an answer before you take a deep breath as you start to head to the door, trying to open it only to realize at some point he's locked it. You could unlock it but you feel the need to turn around and defend yourself. "That's- Elvis. No. No- I- I wouldn't- I honestly like you!" You don't dare say love because if he thinks this low of you he's not going to want to hear it. "I care about you! I- You haven't been here for almost a week in actual days counted and I've been worried. They're making jokes about you dying and that idea terrifies-"

He cuts you off as he takes another step and you hear another tap of that goddamn cane as you find yourself moving up against the wall, realizing you can't move. "Stop. Lyin'."

"I'm not- Elvis- I'm not! Why can't you- I'm I wouldn't lie to you about something like this. I wouldn't lie to anyone like this." You want to be strong, you want to fight more but it's as if he's saying everything exactly to hurt you in just the right way. He's saying everything that just cuts through any defense you have for it.

It finally starts to weigh on you, finally starts to drag you down into the depths you were trying so hard not to fall into. He- he won't understand either because of his own choices and stubbornness or because the idea is foreign to him. The idea that you were terrified- you the girl who is so strong that you've taken something that should be an insult and wear it with a bit of pride or at least wear it in a way that lessens its effect- is so foreign it truly refuses to penetrate his brain. At last that's the only thing that crosses your own mind as you feel cornered. You feel trapped and like- you feel like something is finally breaking within you. That this, out of everything you've had thrown at you is what's broken you. The wall behind you reminds you of his solid form except it's all wrong, it's so cold that it can't be him. He's standing in front of you, blue eyes raging like a hurricane and his body coiled like a tight spring, his cane holding up his leg as he moves forward to cage you in again and that's it. 

Your body sags against the wall, using it to remain somewhat upright as you slunk down to the floor, unshed tears congealing in a hard mass in your throat. You try and swallow only to have something again to a low groan or small whine escape your lips. This- he's broken you, you've been so strong only to let this stupid man who you shouldn't have even gone for in the first place break you. This stupid man who was- who felt so different and like he held every promise for happiness in the words he spoke. In the praise he gave you. In the way his body felt like it was made to hold you and touch you in ways you yearned for.

"Jesus-" His voice sounds crushed above you and for some reason there's a part of you that feels a victorious delight in the fact that you've made him sound like that. Made him sound as anguished as he's made you feel for weeks. As anguished as you feel thinking of him dead. “Y/N- Get up- Ya g-gotta stand up darlin’.” 

No you don’t, hell you don’t even trust that your legs would let you stand up at this point, as much as you feel them minutely shaking. No, you’re quite content to stay on the floor, feeling almost catatonic in the way your mind is focusing on everything about the past semester. You try to close your eyes as if that will make the tears that are threatening to fall go away when all it does is make them slide out the corner of your eyes. That's the final dam bursting as more follow even as you don't want them to. All that’s in your mind is every moment he’s touched you, every moment you’ve walked next to him, every moment when his eyes were like sapphires glittering as he looked at you laughing over a bottle of Pepsi while you waved your hands talking. You remember every hint of praise that had your mind going a little fuzzy and had you shiver for a want of more. 

"Anyone ever tell ya how insightful ya are?" No because even if you paid attention during class and did the readings and made the grades they didn't care. 

"Ya ever thought about teachin'? Though the debate was a goner till ya put it back on track." That was nothing, just you wanting to make sure no one lost the point Elvis was trying to teach.

"You've been makin' this semester a goddamn breeze."

Perhaps you had but for what? For him to be missing class and looking half strung out or exhausted when he came back? In all the time you had spent together he hadn't even hadn't even told you what the problem was- what took him away from you and from a job he loved. Maybe everyone was right, maybe this might be his last semester teaching and look what you’ve done- you’ve made it so his last hurrah is being known as your last fling or just another fling in your series. The thought makes your stomach roil at doing that to him- doing that to a man that God help you- you had fallen head over heels for to the point that you wanted him at any cost and in any way you could get him. 

"You're- darlin'- you shouldn't b-be-" He has to stop himself from talking, feeling an old stutter starting to rear its ugly head. His breath comes out shakily as he tries to focus on you, focus on how your shoulders are shaking with tears and how he did this to you. How he's done something that's irrevocably harmed you. He hadn't wanted this, not even at his most angry has he wanted this. "Don't- don't cry. Goddammit, calm down. God, why'd ya hafta get on the ground."

You look up and for a brief moment there’s a flash of fire in your eyes, a pang of pure annoyance at what he says. "I'm sorry to inconvenience you once again! Make the great Elvis Presley have to get down on the ground. Put him at the Jezebel's level. Leave me down here where I apparently deserve to be."

"Ya know I didn't mean it like that! Goddammit Belle, jus' meant my knees-" He has to take a deep breath, slow and steady and shut his eyes as he gets down to your level before he opens them and cups your cheek, trying to be gentle even as you flinch a little and shake your head. "This- you s-shouldn't be cryin' like this." Not over him and what he's done. Over everything that's been done from the very start. "Ain't worth it."

More accurately he ain't worth it.

"I don't know anything when it comes to you, Mr. Presley." You pull away as your tears start to fall even faster. "I am crying like this over a man who thinks I'm- Don't call me Belle, don't call me that like you did when I was leaving you in your bed. Don't act like you care." After all, he doesn't, he can't because who would care for you and feel the way he does about you. Believe the things he does about you without giving you a chance to explain. "I'm just a harlot. I'm the Tour Guide of the school who now even you get to say you've slept with. You've still got it."

"Darlin'." His voice is pitched lower, almost as if he's trying to talk to a skittish animal. As if he's scared if he talks any louder he'll spook you and that you'll run away for good. "I-I never said I didn't care. W-Wouldn't've put ya in my bed that night if I didn't. Ya looked- ya looked freezin' 'n i couldn't stand it." He pauses, his features darkening for a moment. "Then ya left in the mornin' 'fore I even woke up."

You had left in the morning. You had left that morning because every time you stay at someone's house, some professor's house it's always ended so poorly. The way his face darkens as he tells you that makes your body shiver even as his jacket- that for some ungodly reason you still have, that for some ungodly reason you couldn't get rid of- tries to keep you warm. The anger he has makes you think you were right to avoid him that morning- he- but if he cared, if he meant to put you in there- then you should have stayed. He wanted to wake up to you, wanted to have you burrowed into his side. It makes you freeze.

Elvis looks at you and sees how your body tenses up, sees how you're frozen in place and he frowns as you start to speak. "When I stay in the morning, it's not pretty, Elvis. I- I didn't want you to be the same."

His hand clenches into a fist as he shuts his eyes. His breaths are slow and measured for what feels like an eternity before you see him unclench his fist and look at you. "Ya mean how the Chemistry professor's wife would have beaten ya black and blue if she had gotten a real proper hand on ya? 'Stead of the shiner ya had for a week? Or how ya busted yer ankle hoppin' outta tha' one history professor's window. Ya want me to go on?"

Something blooms in your chest at him telling you about those times. You hadn't even met him when any of those times happened. Sure, you had seen him around campus but he didn't- couldn't have even known your name. You open your mouth, tears still falling but slower as your body tries to calm you down. "You- You shouldn't know about-"

"'ve got eyes don't I?" He responds, as if that explains everything. "Y/N- Belle- I noticed ya before ya ever stepped foot in my class. And they talk, darlin', oh do they talk."

It's then that you look away, almost ashamed at knowing that he's always known about you actions. It is absolutely no wonder that he called you what he did, why he believes you to be what he's called you. You have to pause before you speak, trying to gather your thoughts, rubbing at your eyes as you do. "And that's- that's why you've been- if you've heard all the stories and do know about me then I guess you're not wrong in calling me Jezebel. Just adding you to my long list. But- you- when that's what happens when I don't leave- why do you think-"

His voice takes on an edge of frustration you think, or maybe it's genuine hurt. "Ya really think I'd've done any of that to ya? Ya think I'd do any of that t' someone 've been callin' Belle in my mind 'cause I sometimes look at ya n' I can only think of that damn word in French?" He moves to stand up, his knees and other joints cracking just a bit. "Get up, darlin'. I- just trust me this once and get up."

A stubborn part of you wants to stay on the ground, just sit there and stew in your tears and feelings but when you look up at him with blurry eyes you can't help but heave yourself off the floor and plant yourself just close enough to him that you're looking into each other's eyes if you look up through your lashes. "I- Elvis-" You start to speak only to have him cup your face and the warmth of his hand juxtaposed with the calluses on his fingertips has your eyes fluttering shut against your will. He's not supposed to be this soft, not to someone- not to the person he doesn't care about, the person he's only roughly fucked while pretending it didn't happen afterward. "Don't."

When you say that word he pulls away his hand and you think he's listening to you, think that he's doing what you're asking him to do only to hear the next words that come out of his mouth. "Blow your nose, Belle." His hand that hand left your face, had left your cheeks came back with a handkerchief, monogrammed with a cursive EP. He doesn't necessarily shove it under your nose but it's a near miss even as he kisses your forehead. "I'm not moving it from under here till ya do, Belle."

"I'm not a-" You start before looking up at him and realizing despite his comforting air no part of him is doing this because he thinks you're a kid. No, he knows you're a grown woman- you're a grown woman he wants to be with until his dying breath. "I can hold my own handkerchief."

His lips stop in the middle of attempting to give you another peck on your cheek a slight chuckle escaping him. "Would ya quit bein' stubborn? Tryin' to comfort ya and you're tellin' me ya can hold your own handkerchief. 've been a goddamn asshole let me show ya 'm really a good southern gentleman at heart."

"Southern gentleman don't act the way you did." You shakily exhale, realizing that he's trying to comfort you, trying to place small kisses on your face as if that is solving anything. You shake your head. "Southern gentleman don't play with people like that."

"Darlin', trust me, the older we get, the more every single Southern gentleman does." He pauses to look down at you, his blue eyes narrowed. "I try t'be a gentleman but Lord knows 've got a temper wit' a wrath that rivals God himself. 'N I think I took that out on ya. I- I'm- Ya wounded my pride, alright? Sayin' what you said when I asked if ya wanted me t'fuck ya. I know- I know I can get a woman, but I don't- It's usually more of one night stand or somethin' that's lackin'-" He rubs at his neck. "Care. Doesn't have that tender lovin' care I need nowadays more than I did when I was younger."

Care. Oh, you had been so- you both had been so stupid. Your eyes flit up and you notice how vulnerable he looks just in this moment and you swear it takes your breath away. "Elvis. I didn't- I thought you were trying to make me beg." A pause. "I was trying to what I thought you liked. I didn't- You've never been- No one else has made me feel like you make me feel."

So loved, so proud of, so everything under the sun. There's a reason your heart and your brain had wanted to spend the rest of his life and your life together. Being with him felt right when you stripped away everything that's been happening.

Elvis is silent for a moment, almost as if he's debating his next words or actions even as he still places another kiss to the crown of your head and uses his thumb to wipe away tears that keep falling and holding the handkerchief by your nose. He finally puts the handkerchief away, freeing that hand and using it to cup your chin. He tilts your head up just a hair so that you can see his eyes shining with what you think might be unshed tears as his voice becomes so gentle it twists your heart. "What d'ya want from me?"

"Everything." You choke out your answer, your voice scratching and sounding so raw when you do that you almost want to hide. "I want to be with you after this semester. I want to dance with you like we did that night. I- God- I want to wake up with you every day until one of us dies. I just want to be yours."

At your last words the tears start falling in earnest again and it breaks something in Elvis a little, seeing you cry after that confession. He doesn't waste a second before pulling you into a soft kiss, using his grip on your chin to make it easier. You want more but he's pulling away and placing kisses on your forehead and your cheeks, chasing after the tears in a way that's so gentle you'd think it's fatherly but it's not- it's just him allowing you to be a human again. Allowing you to be more than just the harlot or the Jezebel. Seeing you as the person he's always thought you have been before the Incident and even after the Incident.

"Ya mean it?" There's a small part of him that curses how he sounds asking that but he needs to hear it from you. Hear that you're being honest and truthful with him about what you want. "If ya gonna change ya mind I need t'know right now."

You sniffle and shake your head. "I mean it! I want to be with you and only you. I've only been with you since that day. Haven't flirted or anything. I want to do my work on your desk, want to curl up on your couch with you just- I want you. I want you, my Elvis, my Big Daddy because you're- You're the only one who's ever treated me like more." You pause, taking a deep breath. "Like I'm worth getting to know beyond just my pussy. I can't- I don't want to go back to a world where I don't have you. Where I'm not able to kiss you and be with you in whatever way I can. Where I can't fill your house with-" You stop yourself, because that's too much, that's not something you're admitting to him right now. "I just I want you. I'm not changing my mind, if I was going to I would have the second you didn't give me back my panties, Elvis. When you were so mean and hurtful and-"

He cuts you off with another kiss, this time a little less gentle but still nothing compared to what he wants to do to you. His teeth nip at your lower lip just a bit and you can't help the whimper that escapes you as he pulls away your mouth trying to follow his. Looking in his eyes, you see something different, you see the overwhelming lust, the blown pupils threatening to overwhelm his blue eyes but more than that you see a man who looks so in love with you he might as well keel over with the sheer force of it.

"Feel like an idiot for missin' out on that. Gonna keep kissin you like that for as long as i can. Ya realize that." He pauses as his eyes rake over your form. "Get on the desk, Y/N. My sweet Belle." His emphasis on the nickname, Belle versus Jezebel is the only thing that reassures you he's not planning on doing anything rough. That he has a plan for you to look at him while he does- whatever it is. You take a minute to hop up, sniffling once again as you rub at your eyes. Your emotions are still a mess but you can- this helps, you think.

Elvis grunts, using the cane and a grip on your knee to help ease him onto the ground right in front of your legs, right in between your legs as his hands dance up your thighs. His gaze is on you, full of promise and want as his hands inch further up and up until he reaches between your legs, one hand moving to cup your pussy while the other grabs your hip and pulls you a little closer to the edge of the desk.

"You been payin' attention in class?" He asks as you can't help but whimper a little at the feel of his hand covering you like that. "Specifically this one? What we talked 'bout at the beginning?"

Your head nods slowly as you shiver, feeling the fabric of your underwear being pulled lower and lower down your legs. "You mean psalm 51? What about it, Elvis?"

"Think ya can recite it by memory?" The words of his question are punctuated by kisses up your legs, starting with your calves before moving to knees and then to your thighs. He bites softly causing you to clench them together around his head before he mumbles a no. "While I'm here between your legs."

It feels like a challenge and it causes a curl of arousal to shoot directly between your legs as your vagina clenches around nothing. His hand feels the movement and you can feel the smirk of his lips against your skin before you answer as he puts one singular finger inside of you. "I can." You sigh out your answer as he curls that one finger your arousal making it easy for him to.

Hard doesn't even begin to explain how it is to try and speak- to try and remember the psalm as you feel his tongue flick against your clit once, twice, before moving down to your folds. Another finger has joined the first and you can feel them inside of you, following where his tongue traces. His licks and strokes are leisurely done, almost as if he wants to drag this out, wants to go at the pace that you're speaking when all you want to do is have your orgasm that you can feel brewing but when you stop to take a breath, so does he. It's infuriating right until the midway point when you say "grant me a willing spirit, to sustain me" his mouth wraps around your clit, sucking and even giving you a small nip as his fingers curl against your g-spot. It shouldn't be enough to help you cum, it shouldn't and yet you feel your toes curling and your thighs tightening around his head as he hums in satisfaction. Your body shakes, grinding against his mouth even as his free hand tries to keep your hips from moving. Your thighs don't unclench until he taps at your leg and even then they still shake as he pulls away, mouth glistening with your release as you try and pull him up for a kiss only to have him continue his attack on your cunt.

You keep reciting, feeling as if that's what he wants you to do despite how your voice shakes and how you whimper the more sensitive everything becomes. You cum again by the end of your first full recitation, panting with your chest heaving. There is a thought in your mind to tell Elvis to stop, that you need a break but even though you are starting to feel over stimulated, the way he's looking up at you as his mouth does sinful things to you, as he teases your swollen clit with his fingers and his mouth more and more stops you. His free hand moves to lock fingers with the one of your hands that isn't winding through his hair, yanking and earning growls the more you speak. The intimacy of it all has you nearly sobbing tears of joy this time, not the tears of sadness you had been experiencing. You feel yourself cumming in a way that's unfamiliar as you stutter out the words "my tongue will sing of your righteousness" and Elvis has to pull away, a chuckle escaping him as you see his whole face might as well be covered in your release. It takes him a moment to recover but you swear you hear him talking about squirting when he kisses his way up your thigh and back to his task at hand. When you finally finish the psalm the second time your body is shaking and his tongue and fingers and everything are so overwhelming that when you attempt to start the psalm for a third time you say the first words five times.

"Daddy please, let me cum. Please, I've been good." The words are whimpers when they leave your mouth as you try and grind and get to that edge.

"I know, Belle, been so good, taste even better." He mutters against your clit.

That does it, that has your hand clenching his and your other pulling his hair as you grind on his face, practically smothering him as you cum. The sheer intensity of it has you thumping backward on the desk, trying to catch your breath as your legs shake and you hear him speaking against your thigh. You catch bits of the word holy and jezebel and God and you feel a warmth settle in your body that you can't quite explain. You use your hand to pull him away enough that you can understand him before you ask.

"Are- Are you talking to God- thanking God for me?" The concept boggles your mind but it's so touching at the same time that your heart threatens to burst at the idea.

"Think 've been thankin' God for ya since I first saw ya, but 'specially since I saw ya in my class. My holy- My sweet holy Belle." He winces at the crack his knees make when he gets up and leans both on the cane on the desk when he finally stands up. "None of 'em deserved ya 'n I'm not too sure I do but- 'll try to deserve ya."

Your hands move to cup his face, marveling in how he nuzzles up against your palm before you smile, pulling him in for a soft kiss. "Trust me, Elvis, I think you're the only one who ever has." You nuzzle at his nose before pulling away. "How about you let this pretty little sinner, this harlot, this Jezebel take care of you. I don't have a class and-"

Elvis cuts you off with another kiss before he nods. "Only if Big Daddy-" He looks at you, reminding you that yes, your nickname you have for him snuck out. "Gets to take care of his pretty lil sinner, his Belle, and help her wash away all those sins."

The light in the smile you give him could power the whole of the campus for months if you could bottle it up. You slide off the desk a little less gracefully than you mean to before nodding. "Lead the way, Elvis." A pause. "I love you."

"Ain't I the luckiest man for it too." He adjusts himself in his pants, hoping you don't notice that there's a bit of a wet spot on them where his cock should be. "Love ya too. Come on now, never did get to show ya Graceland's shower in my room."

taglist: @elvisgirl35, @butlersluvbott, @lokis-right-femur, @godlypresley, @steph-speaks, @lindszeppelin, @eliseinmemphiss, @thatbanditqueen, @venus-haze, @lrd98, @ab4eva, @blurredcolour, @butlersxbirdy, @notstefaniepresley, @holyastronauts, @vintageshanny, @powerofelvis and @ellie-24 and i think that's it? i don't know and apologies if you got tagged twice, i trusted a copy/paste.

[theoncelerswifearoo]

Watch "Five Nights At Freddy's 2 – TEASER TRAILER (2024) Universal Pictures" on YouTube

I AM SO EXCITED ABOUT THIS! I'm screaming, crying, and kicking my feet after watching this!!!! THANK YOU BLUMHOUSE FOR THIS MASTERPIECE!

[skeletalheartattack]

Im soooooo hungry i neeed.... gaming trivia. tO live 😺

i mostly just have TF2 trivia, as its history has always been something ive always been fascinated with, so i hope these suffice:

The Pyro's Beta Head: While 8 of the 9 classes had their heads redone throughout development (to better show off Valve's new facial flex system), only the Pyro was left untouched, leaving them as the only class to still have their beta head.

Reference Posing Medics: In "Trailer 2", there are two Medics who are in their reference pose, during the first-person sequence of the Scout running through RED's base. While their role isn't clear, one likely theory is that they were meant to be camera positions for shots that were ultimately removed, in favour of the Scouts perspective, and Valve just forgot to remove or hide them. The second Medic even turns to look at the Scout as he runs by, maybe further proving their original purpose.

The Teaser Corkboard: While we don't have a clear idea as to what Valve had been planning with the "Teaser Corkboard", one likely theory is that it was created for the proposed update that would've included both Asteroid and Cactus Canyon, due to the few mentions of "Future", the blueprint of the rocket engine from Half Life 2 Episode 2, and Poopy Joe. Also worth noting, the two posters that were added with the corkboard share similar styles Asteroid and Cactus Canyon.

The Balls of Steel Taunt: Originally, The Love & War update was meant to include a lot more taunts than what ultimately shipped. One of the few to get scrapped is a taunt called "Balls of Steel", where the initiator would dare other players to kick them in the groin. While we don't have footage of this taunt, we do have voiceline files that reference the taunt's intention, as well as the name. The few files that remain were reused for other contexts, such as the Soldiers Conga taunt, where his "Ooh!" and "Ahh!" lines were originally his pain sounds for the taunt.

[girlsloveupdates]

GL Series Update:

Currently Airing

The Loyal Pin

Affair

Reverse 4 You

Unlock Your Love

Due to Air

Chaser Game W 2 (September 19th)

Pluto (September/October)

Petrichor (November 23rd)

Currently Filming

Pluto

Chaser Game W 2

Petrichor

Mom Ped Sawan

Reverse With Me

I’m Your Moon

Apple My Love

In Pre-Production

Us

Announced

Only You (teaser trailer is out)

The Last Case (teaser trailer is out)

Sunshine In The Wind (teaser trailer is out)

Let’s Kick This Love (announced)

The Dragon, The Tiger, The Swan (rights acquired)

Poisonous Love (rights acquired)

Cranium (rights acquired)

[dressed2k1ll]

Did you watch the Barbie movie when it came out? What were your feelings on it, if so?

I found it was basic and disappointing, and it’s depressing that so many people seem to think it’s deep. I can understand that it was an entertaining movie and it gets props for that, but anything else is like :-| at least for me.

Thanks for having your blog up, it validates my feelings a lot abt gender and society. I lean much more into radical feminism personally

Thank you so much for the compliment and the question!!! Gosh if it weren’t for Tumblr I might go bananas! I need to know there are more out there like me!

So Barbie. First let me start by saying I’m a 43 year old woman. This movie was basically made exactly for my demographic in many ways: features many of my era of dolls and contained enough nostalgia to melt my brain.

I remember when I saw the first teaser, despite any logic or feminism I’ve grown to internalize, the teaser trailer (when she stepped out of her shoe) touched something very nostalgic and formative and pre-logical in my mind. I truly loved my Barbies, I ADORED the fashion and clothing changing (still do for myself lol), and the way that she did allow me and my childhood friend to navigate or play out or experiment with social dynamics, even though we couldn’t appreciate it in that way.

Having said that: ken also was the “object doll” of the Barbie world 😆 and so the promise of demonstrating. the banality of Ken as an inversion of what most people felt was as the banality of BARBIE became something truly new to me. It is a uniquely childhood-barbie-lover feeling.

Also for context: the last “Barbie” spinoff I knew was from the Simpsons Malibu Stacy doll episode, wherein they tried to use Lisa to critique the expectations Barbie seemed to place on girls (although sheesh - compared to social media, looks tame). It didn’t really succeed in moving the needle on trying to make Barbie a “feminist” icon.

Going in, I felt “okay, I realize they’re going to do something feminist with Barbie - it’s gonna go good, or it’s gonna go bad.”

For me? As a Barbie loving girl who grew into a feminist: it was fun, silly, very entertaining, unsubtle, and pretty basic politically.

I cried at the “what was I made for” song - I think this is a really great question every girl and woman should ask. Because 1. It brings attention to girl socialization and 2. It gives me that feeling I had when my feminism “kicked in” - like “what the fuck: I guess this was a lie”

My sense is if the movie DOES this for other women who aren’t as far along their feminist journey, holy shit: worth it.

My niece, who was 3 when she saw it, instinctively got upset when the men tried to put “the real” (she calls it) Barbie in the box. It touches something so unarticulated, so unexpressed - and it’s not sexualized, and it’s not women in captivity for men to be aroused by: it’s transcends that somehow.

And the line that Rhea Pearlman said stood out to me as important too: “We mothers stand still so our daughters can look back and see how far they’ve come” - that CHOKED me. Because my mom WAS a struggling “free spirited” feminist that burned her bra but still wound up being a trad wife for my dad.

I didn’t see anything in the movie that made me ashamed to show it to young girls, which is rare.

So TL:DR, despite its basicness, it is a rare example of a successful feminist film for young girls. And it (I dare say) rehabilitated the doll from a more “sex ideal” image. If fans understand America Ferreras speech and it strikes them as new (and there are many) it’s worth it. It’s pushing the needle forward.

A couple more points (omg can you tell this is something I think about?)

1. Compare it with the other “women is made and not born” companion movie that came out: Poor Things, which was so clearly a male centered fantasy.

2. It’s an example of showing a world where women are empowered. What other movie or show has shown this as a viable alternative to patriarchy?

Thank you again for the question!!!!!

[dominustempori]

Ghostbusters: Frozen Empire - my takes, thoughts and stuff I kinda got wrong

SPOILERS IF YOU HAVEN’T WATCHED THE MOVIE!!!

1) First off: things I definitely got wrong after thoroughly enjoying the teaser trailer…

James Acaster = NOT OSCAR BARRETT. Snarky scientist employed by Mr Zeddemore? Yes, absolutely. Anyone else get a slight Alan Tudyk vibe from his character?

Secret Society? Well, kind of? Not late 1890s but STILL Victorian era. And, why exactly would these “Adventurers” want to release a revenge-bent ancient deity? Because they can? For that matter, did they maybe kidnap Nadeem’s grandmother, or steal the orb from her? There’s so much more to her story (and presumably her family/predecessors in regard to keeping Garraka’s prison safe and hidden) we don’t know about…

On that note, Garakka wasn’t trying to escape the containment unit, he wanted to release all the ghosts within it (that the guys had caught AFTER 1984? after Peck originally turned it off? Gil, more details and context please!)

But I DID get Patton Oswalt’s character right! Li-freaking-brarian! And the whole “under-library?”Totally borrowed from the Video Game (Special Archives level!)

2) Couldn’t help these ideas, they just popped in there…and sort of in order of the movie’s chronology:

-How EXACTLY did Walter “Dickless” Peck go from the EPA to MAYOR OF NYC?!

-Darn that final edit! I liked the bit with “overruled! sustained!” from Paul and Finn.

-Couldn’t Winston have helped fix up the firehouse a LITTLE more over the last, what 2 years? I mean, it’s a business AND a single family home now!

-Also guessing they hauled as much of Egon’s equipment, tech and books as they could from Summerville to Manhattan, right?

-Love Janine being back and as sassy as ever…but mainly throwing in one-liners for the sake of exposition? Which I got a kick out of, don’t get me wrong, but they could’ve gone a little deeper with her character, possibly? Guess I’m still not happy with how much of Annie’s scenes got cut in “Afterlife…”

-Glad Callie’s embraced her Ghostbuster heritage. And look at her piloting that drone trap! Boom!

-OMG Phoebe. I have ALL the feels for her moreso than before. 15, frustrated, feeling isolated…and upping the acerbic sarcasm to 11…then doing something that very well could be read as, maybe more than purely experimental?, at least in my mind (look closely…when she gets into that extractor, her heart rate drops to 42 bpm). And what if something went wrong with the timer?

-And OMG when Melody double crossed her…was I the only one who thought they’d kiss, maybe? Anyone else think of that plot device from the newer DuckTales first season? Just me?

-Or did the orb and wax cylinder give anyone Venture Brothers season 3 vibes?

-Or how the “open rift over the firehouse to the spirit world” idea totally made me think of new Doctor Who, season 1?

-Oh yeah, Kumail is a fire MASTER, and NOT a Fire BENDER!

-One more: NARNIA AND MIDDLE EARTH JOKES!!!

Damn, I need a part 2 after all these pop culture mentions. I’ll pick this up tomorrow.

Peace out, Ghostheads!

[emperorbubblegum]

This is gonna be another long-ish spoiler post for F/SR, so don't click if you haven't learned Rider's True Name yet

Also slight spoilers for Fate/Extra CCC Foxtail and maybe Shimousa but those are old enough that I doubt people care

I really need to hear the opinion of someone who doesn't know much about Fate play Samurai Remnant. I feel like most of us where able to guess a lot of the new Servants based off connections they had to pre-established ones. Rider's probably one of two exceptions because her reveal is supposed to be this huge "what the fuck" moment - and it is, but I feel like that mostly hinges on the player knowing Fate's version of Minomoto-no-Raikou.

Ushi Gozen has been teased for years. Raikou's always been one of the many Servants that mentions how her Berserker Saint Graph isn't the only one we might aee of her (edit 1: I didn't play FGO when it first released so I didn't know this, but apparently Ushi actually shows up in the same event Raikou's introduced in). In Foxtail, we see her used as a prarallel to Suzuka, since both have connections to Oni. The most prominent tease is in Shimousa, where we actually see Ushi Gozen appear, but with the same design as Raikou for budget reasons I guess (edit 2: No we don't, that's just Raikou, but she has the Rider class so I misremembered her there as Ushi Gozen). And now she's actually here! She gets her own game! And she looks...

Girl what the fuck happened to you

I really like both of her designs to be honest. She's one of the few Servants to be wearing actual samurai armor, and she's the first to wear the helmet too I'm pretty sure. Then after Saber kicks the shit out of her, the armor falls apart and we see that she's in a much worse state than any of us expected. Her hair's cut short, her eyes are dead with noticeable bags, her skin's paler than it was before, and she barely looks like she's eaten anything. Those last two could also be said about Raikou (Raita for the love of god learn to draw human women properly) but on Rider they're noticeably worse. Also she seems crazier than her Berserker form, albeit a different kind of crazy.

When we fight her the second time in Chapter 5, she shows up with these awesome robot-like spider legs reminiscent of what Ushi-oni are usually described with. She doesn't look human because her humanity was seemingly beaten out of her. Raikou tends to suffer from what I like to call "the Altera Problem", where if used right she can be a really genuine and badass character, but 90% of the time she's used for jokes and to get people's dicks hard. However in things like Foxtail, or Shimousa (which is even more apparent in the manga), or Heian-Kyo we get to see her for how she really is, which is A) terrifying and B) a hero worthy of going down as one of humanity's best. Rider is only that first one. No jokes, no big tits, just pure unadulturated "you're gonna die" energy.

Rider's the first Servant we ever see in Samurai Remnant. She's the first one Iori encounters, leveling his house in the prologue and acting as the tutorial boss to show the player "hey you can't fucking take these guys on", and in the teaser trailer (which shows that scene) she's one of three Servants who are actually shown to us - the other two being SR's Saber and everyone's favorite bisexual dimension hopper, Musashi. I could write a whole other post about Shousetsu and Iori (maybe I will who knows) but Rider follows their dynamic. She's a strong parallel to Saber. Fuck she basically is Saber if they didn't have people like Ototachibana-Hime and Iori to keep them grounded.

All of the new Servants are super cool (with the exception of Caster that bitch ass nerd), but I think Rider's possibly the coolest. I mean, I've been wanting Samson since I got into Fate and you haven't seen me make any real posts about him because Minamoto-no-Raikou, one of my least favorite Servants, has got me in a vicegrip. I don't know if she's my favorite, but I'll definitely be saving for if she ever comes into FGO

[twinsunstars]

Let’s break the Ahsoka trailer down.

ft. this little pure soul

Things we knew before the trailer:

Centers around Ahsoka (obviously)

Takes place after Rebels era

Features original characters from Star Wars Rebels: Sabine Wren, Ezra Bridger, Hera Syndulla, Chopper, and Grand Admiral Thrawn

Now that a teaser trailer has dropped in honor of Star Wars Celebration 2023 kicking off today, fans have obtained more footage of what we are going to look forward to this August. Considering the live celebration premiering on YouTube started at 5 AM where I live, I definitely had to stop myself from screaming with glee to not wake up my family. I've been a Rebels and Clone Wars fan since the pandemic, and the lore is captivating. Let's take a look at the characters set to make appearances in the series.

Rosario Dawson returns as Ahsoka Tano, previously playing her role in The Mandalorian, which was the character's live-action debut. We see Ahsoka at the beginning of the teaser in a place that is yet to be known, but it is clear that she senses something coming, and it's definitely going to be big. Ahsoka continues to protect herself in this galaxy, searching for answers.

Natasha Liu Bordizzo plays the live-action debut of Sabine Wren, and I adore her look! Normally, fans see Sabine with a very short cut, but her constant re-dying of her hair is nothing new. This time, we see her with long wavy hair with shades of magenta and orange, and I'm pretty sure I see some red and purple in there. Sabine appears to be staying on Lothal, which was Ezra's home. What she's been up to, that is to be seen.

Our beloved duo, Hera Syndulla and her brave droid, Chopper! The last we saw them in animation, we got to see a younger version of Hera in Season 2 of Star Wars: The Bad Batch. Here, the two make their live action debut, with Mary Elizabeth Winstead playing the role of Hera.

Considering the Rebels finale (sorry for anyone who hasn't seen the show, feel free to skip this part if you haven't!), we know she had a child who carries the blood of her late lover and Ezra's Jedi Master, Kanan Jarrus, who had passed in an explosion after saving Hera from the Imperials.

We have yet to learn who will be playing the young Jacen Syndulla, or if he will be making an appearance at all.

We all know the woman on the left to be Mon Mothma, a senator who fights against the Empire, played by the elegant Genevieve O'Reilly. The woman on the right was first seen in the same episode of The Mandalorian that Ahsoka had made her live-action debut in. Morgan Elsbeth, played by Diana Lee Inosanto, was seen ruling a town and facing off against Ahsoka, leading to Ahsoka defeating her. Her role in this series is yet to be learned of, but it most likely will answer how Ahsoka had known her before this.

When I first saw these characters, the first thought that went to my head was, "Are they inquisitors??" Actor and actress Ray Stevenson and Ivanna Sakhno will be playing these roles. Stevenson will play Baylan (left), and the name of the woman is yet to be revealed. I'm curious to hear more about these new characters and what purpose they will have in the series.

IT'S HIM! Since the day Rebels came to an end, fans all miss Ezra Bridger, questioning where he went and how he is. The hashtag, #ezracomehome, became very popular. This is just a hologram, but there are theories that he will likely come back in the series. How? We'll see. Ezra's live-action debut will be played by Eman Esfandi.

"The heir of the Empire." That line gave me goosebumps. It's been a long time since we've seen Grand Admiral Thrawn on the screens, and now he will be making his live-action debut in Ahsoka. Last in The Mandalorian, Ahsoka questions Morgan Elsbeth, asking "Where is Grand Admiral Thrawn?" Ever since, fans have been coming back to that line, knowing that Thrawn will probably be coming back, and now, we'll get to see his role in this world. The person who will be playing the role of Thrawn is still unknown, and we have still not gotten a proper look at him. Fans will be awaiting the news and more of his appearances.

When Ezra became lost to space during the finale, so was Thrawn. So how has he returned?

Here, we see Ahsoka facing off against what appears to be an Inquisitor. In another part of the trailer, we see her face off against Stevenson's character. There will definitely be a lot of action happening in the series, and Ahsoka's fights are always something looking forward to watching.

According to sources, Hayden Christensen will be reprising his role as Anakin Skywalker, although we have not seen any footage of him in this series just yet. Anakin played a vital role in Ahsoka's life as her Jedi Master while she was in the Jedi Order. In Rebels, Ahsoka faces off against Darth Vader, realizing that it is Anakin and hearing his voice again as he tries to kill her. Ahsoka has been through a lot since her time as a Jedi and on the run since Order 66, and it does not stop there.

There are many questions resurfacing with this teaser, but there will definitely be more footage coming before Ahsoka makes it's debut. Will surely be going on a Rebels rewatch before the series comes out. If you want to see more of Ahsoka before the show, consider watching Star Wars: The Clone Wars and the episodes she appears in in The Mandalorian and The Book of Boba Fett, and her episodes in Star Wars: Rebels. I can't wait to see the loth cats again, as they were completely adorable in Rebels.

Ahsoka is set to start on Disney+ in August 2023.