#keep your hand in mine

[arickaandherfictionalothers]

Ryan Gosling f/os part 1 of 2

* is platonic or familial

~ platonic or familial

Zylus- Hercules legendary journeys ~

Aricka and Zylus, legends and lifesavers

Hercules- young Hercules ~

Aricka and Hercules, double the trouble double the fun

Alan Boseley- remember the titans

Aricka x Alan, miss Americana and the heartthrob prince

Noah Calhoun- the notebook

Aricka x Noah, I'm dancing on air with you

Lars Lindstrom- Lars and the real girl

Aricka x Lars, you changed my world with just one kiss

Jacob - crazy stupid love

Aricka x Jacob, we have that crazy, stupid, epic love

Stepehen Meyers- the ides of March

Aricka x Stephen, don’t go breaking my heart

Luke Glanton- the place beyond the pines

Aricka x Luke, just like a tattoo I’ll always have you

Holland March- the nice guys

Aricka x Holland, just keep your hand in mine

@astralshipper @rosieshipper @hyperionshipping @yeehawselfshipping @letsgofoletsgo @callsign-revenge @tsundere-selfship

[silverfoxphil]

grabs you hits you eats you bites you grabs you grabs you grabs you

[thefrsers]

OUTLANDER: 100th Episode Celebration with Sam, Caitriona, David and MBR onset(x)

[nortism]

It’s important for the soul to claim an irrelevant Les Misérables side character as your own

[nuclearanomaly]

She didn't Surecast...

[oneroomjestershow]

''He really should be the one being called 'angel' instead of me''

[ratatatastic]

he is quite literally every techie's worst nightmare girl please stop touching the mic STOP TOUCHING IT. YOU DONT NEED TO CONTINUOUSLY BRING IT CLOSER TO YOU AND MOVING IT BACK THATS THE PERSON ON SOUND'S JOB. STOP IT.

post practise interview | 6.23.24 (x)

[hakusins]

If male Jordan looks female does female Jordan look like a male? … (let me fuck em both)

unfortunately anon you'll have to get in line - there's already someone by jordan's side and he ain't the sharing type

but on f!jordan design!! I actually didn't think much when making m!jordan cause i was just thinking of what my oc's type would be (pretty men) HBREHBFJHBERF but if i were to view f!jordan, it would just be m!jordan design but female? so they'd look something like this:

BUT YOU DID give me the Thought of .... short haired f!jordan so you also get a bonus brainrot doodle from yours truly <3

but same anon - same, i want to fuck em both

[posletsvet]

Death Is a Mirror, or How Death Is Linked to the Sense of Self in Jujutsu Kaisen

Death is a fulcrum of Jujutsu Kaisen's message, a major point of reference for both the audience and the characters within the story. Death is a mirror that catches and reflects the last light of a life reaching its end, a moment of full disclosure that overcomes all distances and renders all defenses permeable. Death is a mirror as it asks one question: who are we when there's no more need to lie?

The thread that binds together all major characters' deaths in Jujutsu Kaisen is how, despite multiple characters trying in an unreliable-narrator-sort of fashion to convince us otherwise, no one's truly alone in death. The connections that people forge with others throughout their lives become their tethers to the world -- and then reach even further, transcending death itself. This is how humans, using Jogo's words, can still linger after they die: through the loving memory of those they held dear.

No human exists in a vacuum. We live in the context of our relationships with the world, of getting to know and getting to be known in return. Our lives, in a sense, are a dialogue -- that's why we give and are given names. We shape the images of ourselves through establishing connections with others; our self-recognition and sense of self come from recognizing those connections. Once again, we learn the outllines of our souls by bumping into others.

These two concepts, recollecting your 'tethers' before death and acquiring self-reflection in others, are consistently brought together in the story. Before everything else, it's reflected in Yuuji's (who the story's focal point as its protagonist) idea of a meaningful death, one gone surrounded by those you love. Nobara, who possesses arguably the strongest sense of self with her loud proclamation 'I'm Nobara Kugisaki!' and who's highly conscious about her relationships with other people. Megumi, whose overarching struggle for self-determination has him relying on others to define his own worth and leaves him passively suicidal. Toji, who in his last moments thinks about his family and understands that by leaving them behind he deviated from his true self. Nanami, whose fading mind conjures the image of his closest friend and who, guided by that, chooses to go south and stay true to himself. Kokichi is yet another example, and actually quite an interesting one. His character is explored primarily through the juxtaposition between the concept of 'the body within the world' and his forced isolation, but who still contextualizes the world through his connections with his friends. It's no coincidence that Kokichi's character arc is closely linked to Mahito, who is dubbed a mirror of death.

In short, there's a plethora of instances where death and one's sense of self are tied to one another like that. I'll ramble a bit about how this correlation is discovered in both Gojo and Geto's characters below the cut.

The lack of self

Gojo is somebody who's essentially lacking both connections to others and a sense of self-identity. His entire personality is shaped around the notion that he's The Strongest, the very thing which prevents him, even if in his own mind, from building meaningful relationships with the people around him.

Not having to challenge or change his self-image, Gojo has little to no recognition of himself as a person outside of his title. He has never faced a need to discover himself in relation to the world; he was given a foundation to construct his identity on upon birth. Did he really need to grow past that and redefine himself? Satoru lacks self-reflection -- most literally.

With Gojo's face obscured by the gaping void, we do not get to see his reflection. I'd say it's quite an apt visualization of Gojo's identity crisis. Who are you if not The Strongest? As Gojo's position is challenged with his Infinity suddenly overcome, this question is forced onto him.

But as he's spent over a decade trying to escape answering it, he never got a chance to acquire a definitive answer. So now, in Shibuya, he flees from it once more.

It's painfully ironic and at the same time fully logical that it is Geto who exposes this issue to Satoru as Gojo's sense of self is arguably connected to him more than anyone else. During their student years Suguru was the one who persistently rejected treating Gojo as a title and not a person, who looked through decorum and actively chose to see him not as Gojo Satoru, The Strongest but rather as Gojo Satoru, a teenage boy. For Gojo, it was through Geto recognizing him as a person that he was able to reach that recognition, too.

But after Toji Gojo is forced to seek self-affirmation and validate his ego by reclaiming his position, which was threatened by him losing to somebody for the first time. He tries to reinforce his self-image by separating himself from the world, which ultimately leads not only to his now automatic Infinity rendering him unreachable (= disconnected), but also to a loss of his sense of self as he loses his one and only connection.

As I've already said, with the Prison Realm breaching the defenses of Gojo's technique, this issue, his lack of a firm sense of identity beyond his title, is exposed to him once more. It's reflected in the way Satoru places his priorities post-unsealing. He fights Sukuna with seemingly a single purpose of cementing his position as the strongest sorcerer alive and thus regaining his uderstanding of who he is. The answer to this question has never lain in the plane of strength alone, though, and that is why Satoru fails utterly.

But in death, as the relevance of his Infinity is eliminated, Gojo is finally able to reconnect with his sense of self. He's reverted to his teenage self, to the time he could still relate to somebody on a personal level and get stronger for it. The entirety of the 236 chapter, in a sense, is written as an affirmative: he is The Strongest because he is Satoru Gojo, not the opposite, but it's his death which makes him finally recognize this.

The deviation from self

Now, this image could not be intended as a visual parallel to Gojo's reflection, or lack of thereof, in the Prison Realm's eye. Nonetheless seeing that scene in Shibuya animated immediately reminded me of it, and I think there potentially might be some thematic similarities between the two as well.

Talking about how our identities are defined by our connections to other people as much as our relationship with ourselves, it'd be only logical to assume that Geto should have a firm grasp on who he is. Not only is he a deeply self-reflective character, but also one who actively relates to others.

However, Geto's reflection in Gojo's eyes is unclear and uncertain, almost indistinguishable. It might be a neat way to convey how, finally taking a moment to look at his best friend for the first time since SPVI, Gojo doesn't really recognize him for how much he's changed. But it also could hint at how Geto, driven to the point where he bends and warps his beliefs to justify his actions, also bends and warps his sense of self.

At least how I see it, the image above calls to mind this panel:

The moment Geto tells Satoru he's decided on 'his true feelings' which would define him as a person. Isn't it ironic how in the exact same conversation he talks about how the goal he's settled upon is only possible for Gojo, meaning striving to achieve it would be akin to trying to become someone he's not? The light novel outright tells us as much:

This was the final confession of a man who could only choose to warp himself, who had erased himself in pursuit of his goals. The only person who could bear such a curse was Gojo Satoru.

In this light it's interesting how Gojo's struggle with his sense of self makes itself known through something which threatens his position as The Strongest, whereas Geto's is reflected in the eyes of someone to whom he refers while saying 'If I could become you...', deviating from himself.

A major factor of overcoming trauma is embracing the inadequacy of what happened. So, to a certain extent, by becoming an enemy to the system Suguru wants to prove the world of jujutsu sorcerers wrong and himself -- right. It once again reminds me of Toji's dying thoughts.

The flip side of 'deciding on your true feelings' is ultimately anchoring your entire identity to what is just a single aspect of it. People exist in motion, and our personalities are in actuality as dynamic and complex as our relationships. But Geto bound his self-definition to what was rather simply a reactive feeling, so in the end he inevitably failed to live up to it.

And once again, it's exposed at the moment of Suguru's death. In his case, though, this failure is also what leads to his defeat and consequent death in the first place. I also find it curious how Geto's face is the first thing Gojo sees in the afterlife, while Gojo's face is the last thing Geto sees and acknowledges in his life. And just like Gojo, in his last moments Suguru reminisces about their shared past.

The image almost mirrors what we saw in the chapter 236, suggesting how Geto's true self is in turn tied to Satoru. Despite how vague and uncertain their relationship's come to be, the two are rendered inseperable even in death -- or rather, in death especially.

[cuoredimuschio]

okay, but where's my steddie AU where steve wants to learn to play guitar to impress a girl he's infatuated with and he remembers that munson kid was always hanging up posters for his weird band at school, so he hikes out to eddie's usual dealing spot behind the track and asks (with far less groveling than he really should have) if eddie will teach him how to play, and obviously eddie says no because why would he want to help king steve, but of course, steve offers to pay him, $20 a week, and well, that's the kind of get-the-hell-out-of-this-shithole-town cash eddie really can't afford to refuse, so fine, he'll teach steve to play and they'll spend inordinate amounts of time together tucked away in eddie's room and they'll start to see that they have more in common than they thought and that they kind of had each other all wrong, and eddie will put his hand over steve's to help him get the placement for a tricky chord and it totally won't awaken anything in either of them?? where is it??

edit: i started writing it

[zishuge]

The Spirealm 致命游戏 (2024) | Ep. 55

[fire-in-my-woods]

❗️LIFE IS STRANGE: DOUBLE EXPOSURE SPOILERS❗️

When. When Safi realized the last piece of her was inside of max and. And she placed a hand over max's heart and asked. Asked if it was weird that she wanted it to stay inside her

[manderleyfire]

He’d have laughed at the irony of how quickly their relationship had deteriorated into their own private Hunger Games.

[coriander-candlesticks]

Sometimes your Mental Illness™ is kicking your ass and all you can do is offer the first hot, non-leftover meal you managed to prep in the day at 10:30 pm to Apollo & ask for help getting to *and* getting through your appointment tomorrow and that's okay

[answrs]

so i love me a good sneasel!ingo fic, don't get me wrong

but also you cannot convince me The Overachieving Pokemons Georg Warden of the Lineaged Nobles of the Cliffs Ingo would not, at a minimum, have at least 1-3 razor claws on his person at any given time. possibly up to 8 or more if he's actively collecting them from distortions. he is well aware of how a sneasler evolves from a sneasel.

what im saying, is, emmet goes to sinnoh, and instead of Wacky Hijinks With Funny Tiny Sneasel Brother Time, is immediately grabbed, hoisted over the shoulder of, and summarily carried off by an 8ft tall extinct sneasel evolution wearing the uniform and shredded jacket of a guy that supposedly should have kicked it several centuries past.* because SOME Legendary That Shall Not Be Named Royally Fucked Up The Instructions On Sending A Human Through Time And Accidentally Made Him A Sneasel (it was Arceus. Arceus Done Fucked It Up. Dialga is legitimately baffled how It managed this sheer level of Fucked Up-edness doing Dialga's like literally One Job instead of just like. consulting it on the matter.)

-

bonus points if Lady Sneasler tagged along. and brings some eggs. which Ingo is pleased as punch over. except then he gets to be absolutely mortified because the people here think they're (biologically) his. I mean. he's absolutely 100% Dad Who Stepped Up™ energy when it comes to caring for the eggs and raising the hatchlings, but that certainly doesn't help in denying the allegations. Also that he can't speak Human but like. mostly the former

(their genetic father is the alpha lucario that inhabits the northern cliffs of the Highlands that border the Icelands. just as like. a side tangent. I forget where I first heard the idea from but Hell Yeah I'll Integrate That Into My Belief Sysytem)

*wait no actually Lady Sneasler would definitely be the one to forcibly abduct this shiny warden outcome she sees just wandering the street. if another noble wanted this one they should've claimed him sooner. Ingo's great with the kids, but there's only so much he can otherwise do in a sneasler body with no opposable thumbs anymore. and as if by divine intervention (much like the previous ingo that appeared for her) this off-brand Ingo just got plopped in her way, so of course she's gonna haul it off back to the new nest!

[spacetravels]

light bearer