#kazu post

[punkbunboy]

thinking about Leona going to Vil about feelings and talking to him about all the shit that happened during his overblot (because i hc them as lowk besties, like Leona acts like he hates Vil as much as everyone else but hes secretly pretty close and opens up to him) and him breaking down over the fact that he nearly killed Ruggie. Like Leona getting super fucked up about it all and just getting so upset that he actually hurt the one person that can constantly tolerate him and enjoys his presence, not to mention that he enjoys having Ruggie around too. I just like them okay, they make sick to my stomach /pos

[dizzybizz]

the,,, the chocolate cereal

[grelleswife]

Miri and Rei are all smiles on their excursion together…though a distraught Kazuki appears quite peeved at having to miss out!

1 2

[motherstone]

Return

Trellis, the start of his return journey after his exile, the plot from this post.

[yourdailyqueer]

Otake Kokichi / Otake Kazue (deceased)

Gender: Female

Sexuality: Lesbian

DOB: Born 1893 

RIP: Died 1966

Ethnicity: Japanese

Occupation: Feminist writer, activist, artist

Note: She is regarded as a pioneer for queer feminism in Japan

[kumoriyami-xiuzhen]

Completely new 薄桜鬼 真改 万葉ノ抄 CGs

[ashipikaur]

back to your regularly scheduled mskz posting 🫶

[yannig]

Koisenu Futari’s Kazu-kun: one step further into the amato-normativity discussion

So. What’s up with Kazu-kun. Why does he deserve his own post.

Kazu-kun starts as a background character, and then progressively becomes the third main character of the show.

And I love him. Which is not a small feat because I started out hating him. And all of it was very much on purpose.

Kazu-kun, I believe, exists as a vessel for the allo audience.

He’s there to asks all the questions the allo viewers are asking themselves, and then to learn and grow from the answers, and become both a friend to our protagonists and an ally to aroace people in general.

He exemplifies the arc the allo viewer would ideally go through while watching the show.

The thing about Koisenu Futari is, it’s a show made from the perspective of aroace characters, for aroace viewers. It’s about our fears, our insecurities, our experience with amato- and allo-normativity, our lives.

And it’s good thing! It’s a significant part of why I love it so much!

But it also means that it’s risking loosing it’s allo audience a bit. (I’d be curious to know how many allo people have watched this show at all tbh). Almost all the other allo characters in the show exist so our protagonists can experience being faced with yet another form of amatonormativity. Kazu-kun exist so an allo character can experience being faced with aromanticism and asexuality.

And it impacts his entire character, including and especially the flaws that made me hate him at the beginning.

Part of it is, of course, because a character needs flaws to grow out of, as the most basic way to write a character arc.

For example, he begins as the most Straight Man™ ever. He thinks Sakuko belongs to him because they dated in the past (are kinda technically on a break the situation wasn’t clear the expectations were very different), thinks cooking is easy and a woman’s job and of course doesn’t know how and thinks it’s perfectly normal because he’s a man, absolutely cannot fathom how a man could not be sexually attracted to a woman he’s even somewhat close to.

All those traits are flaws he will overcome as he grows and becomes a better man.

But part of it is also traits he needs to play his role well.

He is, for one, a very nosy character, with a strong sens of entitlement that means he’ll stop at little to get his answers. Which of course makes him absolutely insufferable at the beginning! I spent almost all of episode 4 wanting to slap him! But it’s a necessary character trait for him to actually ask out loud the questions the allo audience is quietly wondering about. If he was a proper and polite Japanese man, he wouldn’t be asking those questions, and therefore wouldn’t be fulfilling his role in the story.

And then he learns. All his questions and indiscretions get him somewhere, which is a much better understanding of aroace people. And with some luck, the allo audience learned with him, without needing to invade actual aroace people’s privacy!

(yes I’m still salty about ep4, why do you ask. just because it was narratively necessary doesn’t make it any less hard to watch)

To be perfectly honest, from a pure character development perspective, I think he changes a bit too quickly. But, well. The show is only 8 episodes. Also that’s my only complaint about this show.

He first learns how to cook, and most importantly, instantly apologizes to Sakuko for asking her to cook like it was nothing. This ability to 1) recognize when he was wrong and 2) apologize for it, is key in his whole development and one of the main reasons I’m ready to accept that he did a 180 so quickly.

Cooking, of course, if a synecdoche for every gendered expectation about couples. He’s not just learning how to cook, he’s learning that the things he was taught to expect from his future wife actually take work and are very much doable and enjoyable as a man.

Most importantly, he learns that romance is not the only register he can use to interact with women; in this case especially Sakuko. In fact, at the end of episode 4, he offers that since she is aroace, they could have a QPR together.

(the show doesn’t call it a QPR, doesn’t use the word at all, but that’s exactly what it is, both the actual arrangement between Sakuko and Takahashi, and what Kazu-kun offers to Sakuko)

So, big points for getting what Minori can’t seem to grasp in ep 6: QPR are not reserved to aromantics! Really important lesson that a lot of allies never learn.

In this specific case, I don’t think it would have worked, and it can very well be interpreted as him refusing to let go. I don’t think a QPR with the woman he’s still very much in love with is a good idea. And while he has learned a lot, he’s still pretty new to the whole thing, and I think he’d still have too many expectations that would end up hurting Sakuko.

And once Sakuko has taken the time to think about it and tells him no, not only does he listen, not only doesn’t he get upset, but he immediately reassure her that they are still friends and will keep being friends.

In that way, this whole journey of his allows Kazu-kun and Sakuko to get back the easy and joyous friendship they seemed to have lost when they broke up. Which is both the biggest and final proof of maturity on his part and the best thing he got from the whole adventure.

Once he understand that Sakuko and Takahashi are aroace and quite happy with it, he also becomes their first defender. He tells Minori off twice when she steps out of line, and is ready to correct one of their colleagues when he assumes that he and Sakuko are a couple. Good example of how to be an ally.

Faced with micro-aggression (or even overt and intentional aggression), minorities:

might get overwhelmed by emotions and are almost certainly more sensitive to it than allies

are less likely to be listened to if they correct the person, because they are a minority

often cannot afford to be angry or aggressive or anything other than incredibly diplomatic about it without being told off, a problem allies face a lot less

Hence why a big part of allies' job is correcting other privileged people. Great ally-ship, take notes everyone.

In conclusion, I said last time that Minori and Haruka exemplify how amatonormativity also harms allo people. I’d argue that, with all this:

Kazu-kun shows what allo people have to gain from getting rid of it.

(his best friend back, at least one new friend, a new vital skill, and a lot less expectations)

[kazu-le-dork]

A special day with Special Costume Ingo | A special day with Special Costume Emmet

Base / Special Costume / Sygna Suits

[tricitymonsters]

Halloween Costumes!!

Mori

A juggalo

Amir

Diablo Lilith replete with full wingspan and creepy membrane train.

Akello

Blade. Gets real mad if someone asks if he's "The Matrix"

Honorable Mentions!

Raath

Slutty ghostface that's still pretty scary actually

Kazu

Ryu Street Fighter

Marcel

Scumbag Steve meme

[punkbunboy]

Blinkies & other graphics

This is my still being worked on google doc of all the blinkies, stamps, buttons, etc. that i have

Feel free to steal from me lol

FYI I didn't make any of these, don't give me any credit other than hording them into a pile lol.

[rmsebi]

disheveled

[kazu-naito]

[motherstone]

Flight

Hmm when I was working on this, I decided to experiment a bit with letting loose, not to make it look refined so I left visible brush strokes in/the sketch layer. The background is referenced from Houses with a Story (it's a great book, been flipping through it)

Headcanon time:

Y'see, in the Rewrite, I shifted some worldbuilding around, and one of those is the differences between stonekeeping styles, and elves only keep to the ground, but recently (like past few decades or so) Cielan stonekeepers started incorporating prolonged flight to their fighting style - because Vigo discovered how. Typically, stonekeepers can hover for a second, Vigo's developed it to be able to keep in the air for a few minutes. It's not a common skill though, but to give themselves an advantage, Vigo has managed to hammer it into these two, as a result - flight. It's not a very practical long-term way of travelling though, so they still rely on airships.

[nigh-temptation]

Hey gang! I hate the colors on this one (I literally NEVER use colors so… yeah, those are privy to change), but here is part 1 of my (more thorough) Trellis redesign!

(I warned you, the colors are an eyesore 😭)

As I’ve mentioned before, this design is inspired by Ukrainian, Bulgarian, and Middle Eastern clothing.

The neck piece is a Lemko seed bead necklace

The face paint is inspired by Croatian hand tattoos and North African face tattoos- they serve as blessings, and different symbols mean different things. The line down his chin is standard (almost all elves wake up in the morning, say their prayer and draw their chin line), a blessing from Vrasuta the sun goddess, and the symbol on his forehead is a blessing of luck (most soldiers use this one)

The armor on the arms is inspired by middle age middle eastern armor- “beetle shell armor” very hard and matte armor plates that are both decorative and functional

The pants and shirt are inspired by vyshyvakna (as well as the sash)- If I could change one thing about this drawing, it would be to make the sash less ugly, and reverse the blue and white

The boots I saw only once on a drawing of a Bulgarian folk outfit (I apologize I do not remember what they are called) - but I think that they would be “sand boots”, very light and airy, yet it’s almost impossible for sand to get in

My AU takes place in a 1940s-1950’s setting, so I added a couple of more “modern” touches, like an army chest vest and some… I don’t know what to call them, leather bracers?

His signature weapons are two retractable Shashkas which channel his stone power. He was always sent on stealth missions, so long range weapons aren’t really his forte

Throughout my sketches I write his name as Tręlis (tree-less), which is his name in my AU, but I’ll keep using his canon name in my posts so I don’t confuse anyone.

Part 2 will be his palace clothes which is a little less story centric and a lot more self indulgent because I just like dressing boys up in pretty outfits 💪

[hazeldough]

two sides of the same coin