#katrina lyndon

[strechanadi]

Matthew Bourne Swan Lake, the 2019 DVD edition

So I finally got to watch the 2019 Matthew Bourne’s Swan Lake with Will Bozier and Liam Mower and I have thoughts.

First things first - Nicole Kabera is gorgeous queen and Katrina Lyndon is having a blast as the girlfriend.

I quite like good 95 % of Bourne’s changes he made from the original 1995 production - be it in choreography, costume or dramaturgy. I like the slight shift with the girlfriend not being in it from the beginning with the general secretary, which makes her story more tragic and painful, so bring it on! I like there’s no prince as a kid at the beginning with a swan plushie. But I’m not sure I like that the connection between the secretary and the stranger was erased. True, with the 1995 production the end of act III (the ball) looked a bit too cartoon villain-y, with the stranger evil laughter while shaking hands with the secratary, but now - he just goes to the queen and embraces her and it’s just... Bland. I don’t know, I quite like the idea of the secretary plotting with everything and everyone all the time.

Now to the main characters. Liam is pretty good (saying it in the most british way possible), there’s no denying that, his dancing and technique is on top, his acting skills undeniable and he’s a perfect cast choice for this role.

But now to Will. I was truly looking forward to finally seeing him, as he was the only Swans/Strangers I missed back in 2019 when I was in London to watch the production live. And I hate to say it, but I was quite disappointed. His characterisation was OK I guess, nothing special necessarily, but nothing too bland either. But what was putting me off all the time was his technique... It was clear he is not a classically trained dancer (as Adam Cooper was back in 1995 or Matthew Ball and Max Westwell in the 2019 run) and it was painful to watch, especially with the whole company evolving so much in this aspect! Back in 1995, they were not what you would call a ballet company (and New Adventures is not claiming they are a classical ballet company, so it’s cool) and there was basically just Adam Cooper (and possibly Scott Ambler) standing out. But now, looking at the company (both men and women), they are different kind of animals now. True, Bourne is still much more about musical/jazz/modern/ballroom/whatever type of dancing, but it is undeniable his dancers now are much better in the classical ballet technique department. And watching the male corps de ballet as swans doing really well with all their arabesques, pas de chevals, developpes and pointed feet in general, and then Will who you can see is trying, but his feet are just not trained enough for this sort of things... And it’s infurriating, because the man has A JUMP! His elevation is huge, he was seriously flying over the stage.

Is the Swan about pointed feet? Of fucking course it is not. The Swan is all about raw energy, animalistic power, charisma... (to the point where Matthew Ball sometimes looked like too well classically trained ballet dancer, not truly ready for the sheer abandon)  But the technique matters as well. It may not be the most imporant thing (and gods know it is not for me, not by far!), but while its lacking is putting you off, then it is clearly a problem.

Will found his was as the Stranger, he seemed much more in his element, reigning over the stage and all the characters. And he was positively glowing in last act as the beaten up, but still fighting Swan. I love all those moment where he was jumping head first between the other swans, ferociously protecting his prince, fighting for him almost on the verge of absolute hysteria. The ending was as heartbreaking as it should be.

But still...

MB’s SL is still one of my very favourites. It’s still fucking spectacular and I love all the paralels and connections and reflections of the original SL characters and story with Bourne’s new one and all the possibilities his retelling offers. But I just couldn’t shake the treacherous ideas about different casting for this latest dvd edition.

Because I would give anything to once again see Max Westwell as the Swan/Stranger (preferably with James Lovell as his prince - since these two together broke me beyond repair). And Katrina Lyndon as the Queen (because she was heartless, stone cold and freaking amazing in this role) and Carrie Willis as the Girlfriend.

[ddlcaskblog]

*cracks knuckles*

All right, Monika. I didn't want to have to do this, but you've given me no choice. Since you're so eager to know what our reality is like, it's time to show you...THE TRUTH.

*shows her footage and reports of the Hindenburg*

*shows her footage and reports of Pearl Harbor*

*shows her footage and reports of D-Day*

*shows her footage and reports of FDR's death*

*shows her footage and reports of V-E Day*

*shows her footage and reports of Hiroshima*

*shows her footage and reports of the end of WWII*

*shows her footage and reports of Harry Truman's upset 1948 presidential win*

*shows her footage and reports of Douglas MacArthur's firing*

*shows her footage and reports of Sputnik's launch*

*shows her footage and reports of John Glenn's orbit of Earth*

*shows her footage and reports of Marilyn Monroe's death*

*shows her footage and reports of the Cuban Missile Crisis*

*shows her footage and reports of JFK's assassination*

*shows her footage and reports of Lee Harvey Oswald's assassination*

*shows her footage and reports of Lyndon Johnson dropping out of the 1968 presidential race*

*shows her footage and reports of MLK's assassination*

*shows her footage and reports of RFK's assassination*

*shows her footage and reports of the Apollo 11 moon landing*

*shows her footage and reports of the Apollo 13 crisis*

*shows her footage and reports of the Kent State Massacre*

*shows her footage and reports of the Munich Olympics crisis*

*shows her footage and reports of Richard Nixon's resignation*

*shows her footage and reports of the fall of Saigon*

*shows her footage and reports of Elvis Presley's death*

*shows her footage and reports of the Iran Hostage crisis*

*shows her footage and reports of John Lennon's assassination*

*shows her footage and reports of Ronald Reagan being shot*

*shows her footage and reports of the Challenger explosion*

*shows her footage and reports of the fall of the Berlin Wall*

*shows her footage and reports of the beginning of the First Gulf War*

*shows her footage and reports of the Rodney King Riots*

*shows her footage and reports of the Waco standoff*

*shows her footage and reports of the O.J. Simpson saga*

*shows her footage and reports of the Oklahoma City bombing*

*shows her footage and reports of the Flight 800 explosion*

*shows her footage and reports of the Atlanta Olympics bombing*

*shows her footage and reports of Princess Diana's death*

*shows her footage and reports of Bill Clinton's impeachment*

*shows her footage and reports of the Columbine Massacre*

*shows her footage and reports of JFK Jr's death*

*shows her footage and reports of the 2000 presidential election controversy*

*shows her footage and reports of 9/11*

*shows her footage and reports of the beginning of the Iraq War*

*shows her footage and reports of Hurricane Katrina*

*shows her footage and reports of the Virginia Tech Massacre*

*shows her footage and reports of the 2008 Great Recession crash*

*shows her footage and reports of Barack Obama's 2008 election*

*shows her footage and reports of Michael Jackson's death*

*shows her footage and reports of Osama Bin Laden's killing*

*shows her footage and reports of the Sandy Hook Massacre*

*shows her footage and reports of the Boston Marathon bombing*

*shows her footage and reports of the Pulse Nightclub Massacre*

*shows her footage and reports of Donald Trump's upset 2016 presidential win*

*shows her footage and reports of the Vegas Country Festival Massacre*

*shows her footage and reports of the Parkland Massacre*

*shows her footage and reports of Donald Trump's first impeachment*

*shows her footage and reports of Kobe Bryant's death*

*shows her footage and reports of the COVID Pandemic*

*shows her footage and reports of George Floyd's killing*

*shows her footage and reports of Jan. 6th*

*shows her footage and reports of Donald Trump's second impeachment*

*shows her footage and reports of the fall of Kabul*

*shows her footage and reports of the Uvalde Massacre*

*shows her footage and reports of the Maui wildfires*

.

.

.

Keep in mind, Monika, that this is a VERY small sample size of what our world--indeed, my native nation in the United States--has had to deal with over time. This is just some of the stuff we humans in this universe have been able to capture on live film or tape, and we've been around for MILLIONS of years.

If you STILL feel brave enough to want to traverse this world, well...there's not much I or anyone else could probably do to stop you. But you deserve to know the truth--what it was you were ACTUALLY driven to kill the other club members for.

If you need some time alone to reflect and gather yourself, I understand. If you need someone to talk to, I get that too, and I'm here if you need me.

Take care and be good to yourself--and the other club members. <3

M: "..."

M: "Just...Don't show the girls."

[bournefan]

Casting for Nutcracker!

Cordelia Braithwaite and Katrina Lyndon will play Clara with Ashley Shaw and Monique Jonas as Princess Sugar. Harrison Dowzell will play the title role, along with Ben Brown and Reece Causton and Fritz will be played by Dominic North, James Lovell and Stephen Murray. Playing the formidable Dr Dross we have Neil Westmoreland, Reece Causton and Danny Reubens with his wife, Mrs Dross performed by Madelaine Brennan, Daisy May Kemp and Steph Billers.

The citizens of Sweetieland are performed by New Adventures’ dancers Jonathon Luke Baker, Benjamin Barlow Bazeley, Alistair Beattie, Isaac Peter Bowry, Kayla Collymore, Keenan Fletcher, Cameron Flynn, Rose Goddard, Shoko Ito, Harry Ondrak-Wright, Catrin Thomas, and Bryony Wood. Making their debuts with New Adventures are Jade Copas, Jessica Crompton, Gabrielle de Souza, Kurumi Kamayachi and Rory Macleod. New Adventures are thrilled to announce and welcome their first Emerging Artist Apprentice, Enrique Ngbokota who joins the company having been supported and mentored by New Adventures throughout their third year of training. This apprenticeship is supported by The Archie Lloyd Charitable Foundation.

[danceoftheday]

Performed by: Lee Bridgman, Danielle Cato, Shane Collard, Lee Crowley, Israel Donowa, Katie Love, Matt Flint, Bethany Rose Harrison, Luke Jackson, Gian Luca Loddo, Katrina Lyndon, Rithy Pereira, Stephanie Powell, Charlotte Scally, Tom Shilcock, Kirsty Swain, Charlie Wheeler, Alice Woodhouse

Number: “River Deep, Mountain High”

Choreographer: Mandy Moore

Style: Jazz

From: So You Think You Can Dance UK, Series 2 (2011)

[ausetkmt]

NPR: As the Bidens mark Hanukkah, the White House gets its own menorah for the first time

NPR: As the Bidens mark Hanukkah, the White House gets its own menorah for the first time.

This year, to celebrate the ancient Jewish festival of lights, the White House added a menorah to its holiday lineup for the first time.

The nine-pronged candelabra was created by the Executive Residence Carpentry Shop out of wood removed from the building in 1950 during a Truman-era renovation, the White House says.

White House unveils its holiday decor, including 77 trees and a 'We the People' theme

POLITICS

White House unveils its holiday decor, including 77 trees and a 'We the People' theme

It now sits in Cross Hall, between portraits of former presidents Jimmy Carter and Lyndon Johnson, as part of this year's "We The People"-themed holiday display. The White House welcomes roughly 50,000 visitors each holiday season, in addition to offering virtual tours of the decorations.

President Joe Biden and First Lady Jill Biden are set to add the menorah to the permanent White House collection at a Hanukkah reception Monday evening, which will mark the first time a Jewish artifact is added to the White House archives, according to the White House.

NATIONAL

Many American Jews are conflicted about publicly celebrating Hanukkah amidst growing anti-Semitism

Various menorahs of special significance have been loaned to the White House over the years, the Hill reports.

A 2007 event included the parents of murdered Wall Street Journal reporter Daniel Pearl and a menorah that had belonged to his great-grandfather, and in 2010 then-President Barack Obama lit candles on a menorah that had been recovered from a Louisiana synagogue hit by Hurricane Katrina.

It's one of several ways the Biden administration is marking the holiday

The Biden administration marked the first night of Hanukkah on Sunday by publicly denouncing antisemitism after a rise in troubling incidents and hate speech. U.S. Attorney General Merrick Garland, who is himself Jewish, lit the National Menorah on the White House Ellipse.

Second gentleman Emhoff says antisemitism has become an epidemic

POLITICS

Second gentleman Emhoff says antisemitism has become an epidemic

"Together, we must stand up against the disturbing rise in antisemitism. And together, we must stand up against bigotry in any of its forms. Our democracy depends on it," he said, according to CNN. "As a descendant of those who fled persecution because they were Jewish, it is especially meaningful to be here tonight as we light this menorah in our nation's capital and under the protection of its laws."

The White House points to other actions that Biden has taken to support the Jewish community, from convening a summit to combat hate-fueled violence to forming an antisemitism task force to securing the largest-ever increase in federal funding for the physical security of nonprofits, including synagogues and Jewish Community Centers.

Antisemitism is on the rise, and it's not just about Ye

UNTANGLING DISINFORMATION

Antisemitism is on the rise, and it's not just about Ye

Monday night's Hanukkah reception will include a blessing and menorah lighting, with special guests including Holocaust survivor Bronia Brandman, Rabbi Charlie Cytron-Walker (who was among the hostages held at a Texas synagogue earlier this year) and Avigael Heschel-Aronson, the granddaughter of Rabbi Abraham Joshua Heschel.

The White House says that Biden's remarks will "make the case that in the face of emboldened antisemitism in the U.S. and around the world, silence is complicity — and we must forcefully say that all forms of hate, antisemitism, and violence can have no safe harbor in America."

A brief history of White House Hanukkahs

The first president to mark Hanukkah in the nation's capital was Carter, who lit what would come to be known as "the National Menorah" in nearby Lafayette Park in 1979.

Hanukkah officially arrived in the White House a decade later, when President George H.W. Bush displayed a menorah (given to him by the Synagogue Council of America) in the building. Bill Clinton became the first president to actually light a menorah in the people's house in a small ceremony in 1993 (at which a young student's hair famously and briefly caught fire).

How to address antisemitic rhetoric when you encounter it

RELIGION

How to address antisemitic rhetoric when you encounter it

President George W. Bush and First Lady Laura Bush hosted the first White House Hanukkah party in 2001, lighting a 100-year-old menorah borrowed from the Jewish Museum in New York.

Second gentleman Doug Emhoff led the menorah lighting at last year's Hanukkah party, which Biden called a White House tradition that was newly "a family tradition" as well.

And this year, the president and first lady hosted the first-ever High Holiday reception at the White House in September.

[gramilano]

Matthew Bourne’s Swan Lake. Will Bozier as ‘The Swan’. Photo by Johan Persson

Matthew Bourne’s Swan Lake will be screened in cinemas in the UK on Tuesday 21 May 2019.

Bourne says,

I’m thrilled that this brand-new production of my Swan Lake will be in cinemas… It has become a modern classic much beloved by the British public and throughout the world. Its popularity has never been greater, and several generations of audiences have been inspired and moved by its universal story of love and acceptance.

Now 24 years after Swan Lake was first performed more people than ever before will be able to experience the dramatic power and mesmerising performances on the big screen.

New Adventures’ production comes to cinemas with a fresh look for the 21st century. Retaining the most striking elements of the original staging, Bourne and his award-winning designers Lez Brotherston (set and costumes) and Paule Constable (lighting) have created a stunning re-imagining which was first seen at Sadler’s Wells, London, in January 2019, where it was filmed live for cinemas.

Will Bozier plays The Swan/The Stranger, Liam Mower is The Prince and Nicole Kabera is The Queen.

Matthew Bourne’s SWAN LAKE. Nicole Kabera ‘The Queen’ and Liam Mower ‘The Prince’. Photo by Johan Persson

Matthew Bourne’s SWAN LAKE. Photo by Johan Persson

Matthew Bourne’s SWAN LAKE. Liam Mower ‘The Prince’ and Nicole Kabera ‘The Queen”. Photo by Johan Persson

Matthew Bourne’s SWAN LAKE. Liam Mower ‘The Prince’. Photo by Johan Persson (1)

Matthew Bourne’s SWAN LAKE. Liam Mower ‘The Prince’. Photo by Johan Persson

Matthew Bourne’s SWAN LAKE. Photo by Johan Persson 05

Bourne’s production has collected over thirty international accolades including an Olivier Award and three Tonys on Broadway.

More2Screen, who is bring the ballet to cinemas, has acted as consultants, producers and worldwide distributors for over 150 ‘special event’ productions to its network of more than 7,000 cinemas in 65+ international territories.

International screenings will begin on 1 April 2019.

For more information and to book cinema tickets visit swanlakecinema.com #SwanLakeCinema

Matthew Bourne’s SWAN LAKE. Photo by Johan Persson 04

Matthew Bourne’s SWAN LAKE. Photo by Johan Persson 03

Matthew Bourne’s SWAN LAKE. Photo by Johan Persson 01

CREDITS

Cast The Swan/The Stranger – Will Bozier The Prince – Liam Mower The Queen – Nicole Kabera The Girlfriend – Katrina Lyndon The Private Secretary – Glenn Graham

Production Director & Choreographer – Matthew Bourne Set & Costumes – Lez Brotherston Lighting Designer – Paule Constable Sound Designer – Ken Hampton

Running time 130 mins

Matthew Bourne’s SWAN LAKE. Will Bozier ‘The Stranger’. Photo by Johan Persson (1)

Matthew Bourne’s SWAN LAKE. Will Bozier ‘The Stranger’ and Shoko Ito ‘Romanian Princess’. Photo by Johan Persson

Matthew Bourne’s SWAN LAKE. Will Bozier ‘The Stranger’ and Freya Field ‘The Girlfriend’. Photo by Johan Persson

Matthew Bourne’s SWAN LAKE. Photo by Johan Persson 02

Matthew Bourne’s SWAN LAKE

Matthew Bourne’s Swan Lake to be screened in cinemas 21 May Matthew Bourne’s Swan Lake will be screened in cinemas in the UK on Tuesday 21 May 2019.

[azzy-the-christian-furry]

The ATF burned women and children alive in Waco, Texas in the 90s.

They did take guns in the 1990s. Clinton’s (D) AWB. Reagan (R, formerly D) also passed several gun control laws. Barack Obama (D) wanted to ban them and accessories. There was a confiscation of firearms during hurricane Katrina in 2005. Both red and blue states have several restrictions on what kind of guns you can own- more so in the blue states than the red.

1934? Major gun control right before sending the Japanese into camps (FDR, D). 1968, major gun control under Lyndon B Johnson (D). Sure, republicans have also done gun control laws- quite often. That’s because both parties are bad. One party just makes it a platform to take away your rights.

We used to be able to own full on WARSHIPS with ARTILLERY mounted to them, automatic weapons, explosives... and now, we are debating over small caliber rifles that fire one round per trigger pull. Gun control crowd is really into their gaslighting.

[thestageyshelf]

Matthew Bourne's Car Man @ Sadlers Wells 2015 (#2)

Title: Matthew Bourne's Car Man

Venue: Sadlers Wells

Year: 2015

Condition: Creasing

Author: Music by Terry Davies and Rodion Shchedrin's Carmen Suite, after Bizet's Carmen

Director and Choreographer: Matthew Bourne

Choreographer: Matthew Bourne

Cast: Cordelia Braithwaite, Tom Clark, Daniel Collins, Pia Driver, Freya Field, Marcelo Gomes, Glenn Graham, Tim Hodges, Nicole Kabera, Katy Lowenhoff, Katrina Lyndon, Kate Lyons, Andrew Monaghan, Leon Moran, Liam Mower, Dominic North, Jonathan Ollivier, Danny Reubens, Ashely Shaw, Zizi Strallen, Christopher Trenfield, Alan Vincent, Katie Webb, Layton Williams, Dan Wright

FIND ON EBAY HERE

[strechanadi]

Swan Lake - no longer a fairy tale

Right, so... Nobody asked me to, but something so marginal cannot stop me, clearly, so I went and translated the longest, the trickiest, the most profound review I have ever written. (And that includes POB Giselle, Swan Lake and Onegin! OK. Maybe not Onegin. But since I’ve done this one I can almost make myself believe I could give translating Onegin a go as well.) (She said and then promptly kill herself before she could made another clearly, completely and utterly deranged decision.)

Half of the things don’t make sense, I’m sure. And I can only hope they made sense in the original. (Which they probably didn’t, let’s be real, but since when this matters to me anyway?) (God, I literally cannot stop babbling, somebody strangle me or something. Or at least take the keyboard from my grabby and apparently very high fingers, that decided to simply vomit words after words for no real reason and with no brain to mouth/fingers filter whatsoever!)

It’s in times like this I truly wish to be able to write in an actual English language. Or for my mother language to be a world language, not some beautiful, hot mess, but a mess nonetheless, from the middle of nowhere. A mess I despite of everything love dearly and even live in this illusion of me being really pretty good in using (or more like playing with) it.

What is also clear - I, for a reason not known to humans, love to write absurdly, ridiculously long sentences. Be it just up to me, I’d write a whole review in one obscure linguistic construction I call a perfectly normal sentence. I was told however, that English doesn’t really do or like such things, so I tried to shorten them. Or some of them. Was really unbelievably succesfull doing so...

No reason to prolong this now, I guess?

So just, please be patient. Or benevolent. Or try to laugh in private at least! Look, I tried and I know it’s actually rather pathetic to be so spectacularly bad in English grammar, that I supposedly learnt from the age of 5 (but then spent more than 15 years actively hating the whole language, which... doesn’t make sense, I admit, but maybe explain some things), but... I mean, it would be better than google translate, if anything else. It HAS TO be!

As always - I appologize for anything and everything I did to the poor English language. It doesn’t deserve such a poor treatment.

Were there anybody who would feel personally attacked by my sheer ignorance of the basics of language of Shakespeare, Byron or Shelley and would want to make this thing better, let me know! (Even though I am afraid there are so many mistakes, your eyes will be bleeding around the end of 2nd paragraph...)

Last one - I have no idea how in/definite articles work!

(Good thing I don’t write fiction of any sort, ANs would be longer than the actual thing.)

Swan Lake, no longer a fairy tale

 Whenever the two words – Swan Lake – were mentioned, everybody had some universally shared idea of the final picture. Nothing has drastically changed with John Neumeier (1976, Illusionen – wie Schwanensee), who mixed the original fairy story with events from prince Ludwig II of Bavaria’s life, nor with Mats Ek (1987), whose prince was torn between imaginary princess Odette and real life Odile, nor with Jean-Christophe Maillot (2011, Le Lac) and new relations between his main characters, not even with Alexander Ekman (2014, A Swan Lake), who came back in time and took a look at the first premiere of said ballet in 1877 and tried to make a rather poetic story about what from certain point was started to be called a fiasco. As if the later Petipa/Ivanov version needs any more boost…

The unshakable certitude was irretrievably broken in 1995 by Matthew Bourne. His Swan Lake was new, daring, bold, with unexpected twists and one could not left theatre feeling indifferent after seeing it. Part of the ballet world turned its back to such profanity of beloved classic. The other part fell for its captivating charm, and since in 2018 Bourne’s Swan Lake came back to his New Adventure’s repertoire for umpteenth time, after hundreds of successful shows, many tours across the globe, adorned with every possible theatre and dance awards, it seems clear who were right then, 24 years ago.

  The most common characteristic of Bourne’s Swan Lake is „the male one“. Prince is in the centre of attention, black swan Odile is changed into unknown Stranger, and most obviously – all the swans became purely men’s business. Which opens completely new perspective for male dancers and saying that this ballet has a major influence to whole generations of artists is hardly an overstatement.

  Bourne follows the original structure and basic frame of Swan Lake. There are still four acts, act one follows the Prince, his character, the environment he’s living in, relations he has, act two is for the swans, act three still represents the ball, and in act four, where traditionally the Prince is coming back to the lake, here the swans appear in prince’s room. Many times even the formal structure is intact – the prince’s solo at the end of act one, pas de quatre of both little and big swans, or Bourne’s take on character dances in act three. Even the entrée of swans in second act follows the same space structure of the Ivanov’s original /aka swans are coming one after the other and crossing the stage from left to right (dancers‘ perspective)/.

  Oedipal Complex, repressed sexuality, low self-esteem

Bourne’s Prince, his personality, is more than ever influenced by his upbringing, by the estrangement of aristocratic background, his world constantly controlled, constricted by rules and rituals, with no spaces for affection, understanding, empathy, every emotion being replaced by duty. Bond between son and mother the Queen (ice cold, distant Katrina Lyndon for whom one cannot feel an ounce of sympathy, or more emotional, but still dismissive Nicole Cabera) is minute, almost non-existent, which has such a strong impact on the introverted, socially inept, insecure Prince, who is on top of all that haunted by strange dreams about swans. The feeling of lacking something gets even worse when he clearly sees his mother is more than capable of showing emotions, particularly towards another young men.

During yet another military parade or boat christening or exhibition opening, the heir to the throne is met with a bit silly, ill-mannered and completely unsuitable girl for his royal life (incomparable Carrie Willis, whose interpretation makes her character pretty sweet with candid, open-hearted warmth), who shortly after became his girlfriend and went with the family to the opera house to watch a ballet performance. Staging theatre scenes within the actual production /we call it theatre on theatre, which probably doesn’t make sense in any other language then ours, sorry/ is always very rewarding. Bourne is on top of that master of choreographic punchline and this scene (to pas de trois from Act I music) combines all clichés from romantic sylphs, awaken Floras, forest beasts to well-built male heroes one could think of and is a joy to watch for its grotesqueness as well as for the subtle details in gestures, ballet quirky manner or choreographic pattern for those, who know where to look for them.

The prince is trying to find his freedom in a night club, but to no avail. He’s met there unexpectedly with his frolicking girlfriend, then he got himself into a fight with one of her suitors (or maybe rather clients) and at the end his soul is beaten for good, when he has to watch the royal secretary paying some money to the one girl, whose affections he believed were genuine. (And it kind of doesn’t matter they most probably truly were.)

The only logical solution for the prince is a suicide. But before he’s able to throw himself into waters of a small park lake, majestic Swan appears and everything is changed at once. Traditional swans‘ corps de ballet danced by women is often associated with delicate elegance, crystalline beauty, dreamy atmosphere and aesthetics of homogeneously moving bodies. Swan is becoming a pure ideal almost as if from ancient Greece. Bourne’s swans are first and foremost animals, he’s not denying their grace, but is showing their slight awkwardness and ridiculousness in some movements at the same time. His swans are wild, independent, fetterless. Looking sinister when lining up to attack the prince, their physical, natural power strengthened by additional slapping arms, stamping feet, hissing and dangerously sharp, audible breathing. The Swan alone is very wary of the prince, uncompromisingly harsh, defensive, with sharp edges of aggressiveness that serves as self-defence of this imposing, powerful creature from anybody who would think of causing any harm. The almost imperceptible gestures calling the prince towards him are even more meaningful then, the moment when he nuzzles prince’s chest indescribably intimate.

Next evening there’s a ball at the palace. And even though it may seem the main reason of it is prince’s engagement thanks to all the ladies present, it’s the queen in her bright crimson dress amongst all black gowns who is in the spotlight. While her son doesn’t even know, what he should be doing with all said ladies. Break from routine comes with mysterious Stranger, whose raw, animalistic charisma draws every female’s attention to him, which he welcomes with great satisfaction. At the same time it also affects, quite unintentionally, the utterly unprepared prince, because Stranger’s arrogant dominance has something from Swan’s animalistic fierce. /Dear English language, you have many words. More than my mother language. But you have exactly nothing that would or could match prchlivost. Or at least I am unable to find it./ As Odile in original libretto, the Stranger dances his way through character dances (the Neapolitan one stands out with its light-hearted fun it makes of cliché Italian relationships) and finds his dancing peak in duet with the queen (music of so called Black Swan Pas de Deux). It is when prince’s psyche breaks and he, in his imagination, is thrown in arms of unknown to be faced with intimacy, sensuality, sexual tension and even the most basic physical contact, everything so strong even person of sound mind would probably find it difficult to cope. Therefore, when the Stranger kisses the queen, prince is there with gun in his hands and complete madness in his eyes. In chaotic situation gunshot is heard (although not by prince’s pistol), prince’s girlfriend falls dead and terrified young man is drawn away.

The tragedy is inevitable. To padded cell, where the prince is held, come doctor with the queen followed by group of nurses with queen’s face, whose hairstyle and white uniform may resemble the demonic nurse Ratched from the Miloš Forman’s film Flew over the cuckoo’s nest. After certain medical procedure (just shy from lobotomy) the prince is taken to his room, where the miserable, wounded Swan emerges from his bed. Shortly after he is followed by irritated flock of other swans, that throw themselves unbridled on the young man and then even on their supposed leader, doing so with brutality growing with every Swan’s desperate attempt to save his prince. The Swan dies at the end after their fatal, almost fanatical attack. And with him die prince’s illusions, dreams, hopes and then he himself. So when the Queen comes in the morning, all she finds is her son’s dead body, the sight of the Swan embracing his prince behind the bed the only, yet bittersweet comfort for the audience.

  As many other versions of this famous ballet, this too strengthens psychological aspect of the story and deepens characters‘ personalities. Here, more than ever, the contours of main characters are pretty blurry. The prince and the Swan are blending into one, they are reflected in the other, full of opposites they are complementing each other, one would say they are like two sides of the same coin. /Ha!/ Bourne on top of that let his characters to blend with different original ones. Where in traditional Swan Lakes it’s Odette weeping at the beginning of the last scene, here it’s the Prince, who is going through mental breakdown in striking resemblance to Giselle’s mad scene. The role of Rothbart, the sorcerer, is played by the royal secretary as well as prince’s own mother, who at the same time plays a part of original Siegfried during the act 3 ball, when being seduced by Stranger, who is Odile. What may seem as confusing chaos at first sight, makes perfect sense in the end and strengthens the unquestionably dark tones of Bourne’s choreographic vision.

  Artistic approaches or One man’s meat is another man’s poison…

As it always is with story ballets, individual artistic interpretation is something that has the power to change the final image of said piece. In case of Bourne’s Swan Lake and its current stars, the outcome may be completely different with each cast.

  Where Liam Mower was bored, annoyed, slightly defiant teenage Prince, Dominic North’s hero was more tired, depressed young man with no illusions, very well aware of all his flaws and inability to fulfil all expectations of his social role, while James Lovell, who seemed most out of touch with reality, emphasized prince’s childishly pure, honest naivety. If the suicide attempt of Mower’s prince was more than anything a dramatic gesture, North was simply resigned to its inevitability, and Lovell threw himself into the waters with absolute, desperate abandon, his mind not able to see any other solution. Each and every prince is then influenced by his Swan and Stranger (and every Swan and Stranger by his prince).

Matthew Ball, the newest principal of the Royal Ballet, can rely on his first-class technique as well as on his unquestionable elegant stage presence. His pliable body felt the music to its very last molecule, every movement full of regal charm and classical beauty, which in a way brought Ball closer to traditional, delicately soft, feminine portrayal of Odette. His Swan was untouchable in his impeccable perfection, icily confident, aware of every gesture he made, of every prince’s fascinated glance. Max Westwell, former soloist of English National Ballet, concentrated more on the raw temperament, natural animal distrust, physical power and ferocity combined with enigmatic magnificence. Dynamics of his movements escalated at all times, was full of unexpected turns and transitions from strong, energetic endings, to exhalation captured in casual, seemingly ordinary movement of hanging wrist.

As the Stranger Ball looked like smug dandy enjoying himself and all the attention, all too well aware of his own youth and beauty, that make everybody fall for him. Personally though I couldn’t help thinking he wasn’t as in charge as it might look at the first sight. He was mocking his prince, showing off ostentatiously. Weswell on the other hand was the embodiment of pure, uncompromising charisma. Interactions between him and Mower’s prince, who was impressed by Stranger’s unconventional, rough manners at first, was quickly becoming a tense fight for power, the prince trying to prove himself worthy of Stranger’s attention, to prove he’s his equal. With Lovell’s prince the seducing, open flirting, blatant sexuality was much more evident, which combined with this prince’s ingenuous innocence made the final picture unpleasantly sinister.

 Regardless of different casts, ending of the ballet became a real emotional roller-coaster. With Matthew Ball and Dominic North equal in their complete despair when being sure of the inevitable death of their partner. Ball’s total resignation the more palpable, the more he was stubbornly, despite his injuries trying to stay or at least look unaffected on the outside. Change of Westwell’s Swan, in act 2 so independent and powerful, was shocking. Now he was utterly, hopelessly, painfully broken. He was defending both his princes against furious swans with rabid determination, with no self-preservation whatsoever, with perfect, devoted abandon. Bond between him and James Lovell’s prince was then strengthened by certain feel of responsibility, by tenderness that felt almost motherly. He was not only trying to protect, but to sooth, to give some comfort to his prince as well with physical contact, with touches stronger, more frequent, more expressive, more meaningful. That was why prince’s positively hysterical, agonizing grief hurt almost physically then.

 Bourne managed something extraordinary. His Swan Lake with costumes by Lez Brotherson is as iconic, as legendary as the original ballet. His vision as strong as let’s say Ek’s Giselle. What’s more, Bourne’s ballet doesn’t age, it hasn’t lost any of its impact – thanks to slight costume, dramaturgic and choreographic changes, that only strengthen its drive. Prince’s hinted homosexuality won‘t shock anyone anymore as well as men swans won’t provoke such controversy, true. But thanks to these examples it is evident, that Bourne’s ballet is so much more than just a gay version of one famous story…

For everybody who actually reach the end of this madness - congratulations. And I am sorry.

[patriotsnet]

What Did The Democratic Republicans Believe In

New Post has been published on https://www.patriotsnet.com/what-did-the-democratic-republicans-believe-in/

What Did The Democratic Republicans Believe In

The Rise And Fall Of William Jennings Bryan

What Do Democrats Believe?

The opposition Democrats were close to controlling two-thirds of the vote at the 1896 national convention, which they needed to nominate their own candidate. However, they were not united and had no national leader, as Illinois governor John Peter Altgeld had been born in Germany and was ineligible to be nominated for president.

However, a young upstart, Congressman William Jennings Bryan made the magnificent “cross of gold” speech, which brought the crowd at the convention to its feet and got him the nomination. He would lose the election, but remained the Democratic hero and was renominated and lost again in 1900 and a third time in 1908.

Era Of Good Feelings 18171825

Monroe believed that the existence of political parties was harmful to the United States, and he sought to usher in the end of the Federalist Party by avoiding divisive policies and welcoming ex-Federalists into the fold. Monroe favored infrastructure projects to promote economic development and, despite some constitutional concerns, signed bills providing federal funding for the National Road and other projects. Partly due to the mismanagement of national bank president William Jones, the country experienced a prolonged economic recession known as the Panic of 1819. The panic engendered a widespread resentment of the national bank and a distrust of paper money that would influence national politics long after the recession ended. Despite the ongoing economic troubles, the Federalists failed to field a serious challenger to Monroe in the 1820 presidential election, and Monroe won re-election essentially unopposed.

Development Of Political Factions And Parties

Opponents and supporters of the new constitution began to coalesce into political factions. In Virginia, Anti-Federalists led by Patrick Henry defeated James Madisons election to the Senate and forced him into a campaign for the House of Representatives against a strong Anti-Federalist, James Monroe , later the fifth president. The rapid evolution of political parties from factions was an inventive American response to political conflict.

Letter from James Madison to Thomas Jefferson, December 8, 1788. Manuscript. Thomas Jefferson Papers, Manuscript Division, Library of Congress

Bookmark this item: //www.loc.gov/exhibits/creating-the-united-states/formation-of-political-parties.html#obj10

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Presidency Of Lyndon B Johnson

Then-vice president Lyndon B. Johnson was sworn in as the new president. Johnson, heir to the New Deal ideals, broke the conservative coalition in Congress and passed a remarkable number of laws, known as the Great Society. Johnson succeeded in passing major civil rights laws that restarted racial integration in the South. At the same time, Johnson escalated the Vietnam War, leading to an inner conflict inside the Democratic Party that shattered the party in the elections of 1968.

The Democratic Party platform of the 1960s was largely formed by the ideals of President Johnson’s “Great Society” The New Deal coalition began to fracture as more Democratic leaders voiced support for civil rights, upsetting the party’s traditional base of Southern Democrats and Catholics in Northern cities. Segregationist George Wallace capitalized on Catholic unrest in Democratic primaries in 1964 and 1972.

The degree to which the Southern Democrats had abandoned the party became evident in the 1968 presidential election when the electoral votes of every former Confederate state except Texas went to either Republican Richard Nixon or independent Wallace. Humphrey’s electoral votes came mainly from the Northern states, marking a dramatic reversal from the 1948 election 20 years earlier, when the losing Republican electoral votes were concentrated in the same states.

The Resolutions Defended Civil Liberties And States’ Rights

The resolutions have a complicated history and legacy. They were an early defense of the Constitutions protection of civil liberties, especially freedom of speech and of the press; however, because they argued that the acts illegally usurped powers reserved for the states, they also became the founding documents in the states rights movement and were cited by antebellum supporters of state nullification and secession in the mid-nineteenth century and by advocates of resistance to federal school desegregation orders in the mid-twentieth century.

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The Myth Of The Republican

When faced with the sobering reality that Democrats supported slavery, started the Civil War when the abolitionist Republican Party won the Presidency, established the Ku Klux Klan to brutalize newly freed slaves and keep them from voting, opposed the Civil Rights Movement, modern-day liberals reflexively perpetuate rather pernicious myth–that the racist southern Democrats of the 1950s and 1960s became Republicans, leading to the so-called “switch” of the parties.

This is as ridiculous as it is easily debunked. ;;

The Republican Party, of course, was founded in 1848 with the abolition of slavery as its core mission. Almost immediately after its second presidential candidate, Abraham Lincoln, won the 1860 election, Democrat-controlled southern states seceded on the assumption that Lincoln would destroy their slave-based economies.

Once the Civil War ended, the newly freed slaves as expected flocked to the Republican Party, but Democrat control of the South from Reconstruction until the Civil Rights Era was near total. ;In 1960, Democrats held every Senate seat south of the Mason-Dixon line. ;In the 13 states that made up the Confederacy a century earlier, Democrats held a staggering 117-8 advantage in the House of Representatives. ;The Democratic Party was so strong in the south that those 117 House members made up a full 41% of Democrats’ 283-153 advantage in the Chamber.

So how did this myth of a sudden “switch” get started?

It would not be the last time they used it.

Howard Dean And The Fifty

These debates were reflected in the 2005 campaign for Chairman of the Democratic National Committee, which Howard Dean won over the objections of many party insiders. Dean sought to move the Democratic strategy away from the establishment and bolster support for the partyâs state organizations, even in red states .

When the 109th Congress convened, Harry Reid, the new Senate Minority Leader, tried to convince the Democratic Senators to vote more as a bloc on important issues and he forced the Republicans to abandon their push for privatization of Social Security.

With scandals involving lobbyist Jack Abramoff as well as Duke Cunningham, Tom DeLay, and Bob Taft, the Democrats used the slogan âCulture of corruptionâ against the Republicans during the 2006 campaign. Negative public opinion on the Iraq War, widespread dissatisfaction over the ballooning federal deficit and the inept handling of the Hurricane Katrina disaster dragged down President Bushâs job approval ratings.

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Sign Up For The Weeds Newsletter

Voxs German Lopez is here to guide you through the Biden administrations burst of policymaking. .

They go further than merely believing the 2020 election was stolen, a nearly unanimous view among the bunch. Over 90 percent oppose making it easier for people to vote; roughly 70 percent would support a hypothetical third term for Trump .

The MAGA movement, Blum and Parker write, is a clear and present danger to American democracy.

2) Republicans are embracing violence

The ultimate expression of anti-democratic politics is resorting to violence. More than twice as many Republicans as Democrats nearly two in five Republicans said in a January poll that force could be justified against their opponents.

It would be easy to dismiss this kind of finding as meaningless were it not for the January 6 attack on Capitol Hill and the survey was conducted about three weeks after the attack. Republicans recently saw what political violence in the United States looked like, and a large fraction of the party faithful seemed comfortable with more of it.

These attitudes are linked to the party elites rhetoric: The more party leaders like Trump attack the democratic political system as rigged against them, the more Republicans will believe it and conclude that extreme measures are justifiable. A separate study found that Republicans who believe Democrats cheated in the election were far likelier to endorse post-election violence.

4) Republicans dislike compromise

Formation Of Political Parties

What Do Republicans Believe?

Return to Creating the Bill of Rights List;Previous Section: Demand for a Bill of Rights;|;Next Section: Election of 1800

Political factions or parties began to form during the struggle over ratification of the federal Constitution of 1787. Friction between them increased as attention shifted from the creation of a new federal government to the question of how powerful that federal government would be. The Federalists, led by Secretary of Treasury Alexander Hamilton, wanted a strong central government, while the Anti-Federalists, led by Secretary of State Thomas Jefferson, advocated statesâ rights instead of centralized power.; Federalists coalesced around the commercial sector of the country while their opponents drew their strength from those favoring an agrarian society. The ensuing partisan battles led George Washington to warn of the baneful effects of the spirit of party in his Farewell Address as president of United States.

Let me now take a more comprehensive view, and warn you in the most solemn manner against the baneful effects of the spirit of party generally.

George Washington, Farewell Address, September 19, 1796

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Political Rights Of Women Asserted

In a letter to her sister, Elizabeth Smith Shaw Peabody of Aktinson, New Hampshire, Abigail Adams, wife of John Adams, asserted the rights of women to judge the conduct of government, even if a woman does not hold the Reigns of government.

Letter from Abigail Adams to Elizabeth Smith Shaw Peabody, July 19, 1799. Manuscript. Shaw Family Papers, Manuscript Division, Library of Congress

Bookmark this item: //www.loc.gov/exhibits/creating-the-united-states/formation-of-political-parties.html#obj23

The Report On Public Credit

For the national government to be effective, Hamilton deemed it essential to have the support of those to whom it owed money: the wealthy, domestic creditor class as well as foreign creditors. In January 1790, he delivered his Report on Public Credit, addressing the pressing need of the new republic to become creditworthy. He recommended that the new federal government honor all its debts, including all paper money issued by the Confederation and the states during the war, at face value. Hamilton especially wanted wealthy American creditors who held large amounts of paper money to be invested, literally, in the future and welfare of the new national government. He also understood the importance of making the new United States financially stable for creditors abroad. To pay these debts, Hamilton proposed that the federal government sell bondsfederal interest-bearing notesto the public. These bonds would have the backing of the government and yield interest payments. Creditors could exchange their old notes for the new government bonds. Hamilton wanted to give the paper money that states had issued during the war the same status as government bonds; these federal notes would begin to yield interest payments in 1792.

As the first secretary of the treasury, Alexander Hamilton , shown here in a 1792 portrait by John Trumbull, released the Report on Public Credit in January 1790.

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Regulating The Economy Republican Style

The Republican Party is generally considered business-friendly and in favor of limited government regulation of the economy. This means favoring policies that put business interests ahead of environmental concerns, labor union interests, healthcare benefits and retirement benefits. Given this more pro-business bias, Republicans tend to receive support from business owners and investment capitalists, as opposed to support from labor.

Resolutions Asserted The Separation Of Powers

The resolutions assert two key propositions. First, the Union is a compact among individual states that delegates specific powers to the federal government and reserves the rest for the states to exercise themselves. Second, it is both a right and a duty of individual states to interpose themselves between their citizens and the federal government. On these bases, Virginias resolution, penned by Madison, declared that the Alien and Sedition Acts were unconstitutional and that measures should be taken by all states to retain their reserved powers. Jeffersons more strident Kentucky Resolution took Madisons theory of interposition a step further and concluded that because the Alien and Sedition Acts were unconstitutional, they were null and void.

Also Check: Republicans Wear Red Or Blue

The Second Presidency Of Grover Cleveland

The Bourbons were in power when the Panic of 1893 hit and they took the blame. The party polarized between the pro-gold pro-business Cleveland faction and the anti-business silverites in the West and South. A fierce struggle inside the party ensued, with catastrophic losses for both the Bourbon and agrarian factions in 1894, leading to the showdown in 1896. Just before the 1894 election, President Cleveland was warned by an advisor:

We are on the eve of very dark night, unless a return of commercial prosperity relieves popular discontent with what they believe Democratic incompetence to make laws, and consequently with Democratic Administrations anywhere and everywhere.

Aided by the deep nationwide economic depression that lasted from 1893 to 1897, the Republicans won their biggest landslide ever, taking full control of the House. The Democrats were lost nearly all their seats in the Northeast. The third party Populists also were ruined. However, Cleveland’s silverite enemies gained control of the Democratic Party in state after state, including full control in Illinois and Michigan and made major gains in Ohio, Indiana, Iowa and other states. Wisconsin and Massachusetts were two of the few states that remained under the control of Cleveland’s allies.

Adams And The Revolution Of 1800

Shortly after Adams took office, he dispatched a group of envoys to seek peaceful relations with France, which had begun attacking American shipping after the ratification of the Jay Treaty. The failure of talks, and the French demand for bribes in what became known as the XYZ Affair, outraged the American public and led to the Quasi-War, an undeclared naval war between France and the United States. The Federalist-controlled Congress passed measures to expand the army and navy and also pushed through the Alien and Sedition Acts. The Alien and Sedition Acts restricted speech that was critical of the government, while also implementing stricter naturalization requirements. Numerous journalists and other individuals aligned with the Democratic-Republicans were prosecuted under the Sedition Act, sparking a backlash against the Federalists. Meanwhile, Jefferson and Madison drafted the Kentucky and Virginia Resolutions, which held that state legislatures could determine the constitutionality of federal laws.

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Presidency Of Bill Clinton

In the 1990s, the Democratic Party revived itself, in part by moving to the right on economic policy. In 1992, for the first time in 12 years the United States had a Democrat in the White House. During President Bill Clinton‘s term, the Congress balanced the federal budget for the first time since the Kennedy Presidency and presided over a robust American economy that saw incomes grow across the board. In 1994, the economy had the lowest combination of unemployment and inflation in 25 years. President Clinton also signed into law several gun control bills, including the Brady Bill, which imposed a five-day waiting period on handgun purchases; and he also signed into legislation a ban on many types of semi-automatic firearms . His Family and Medical Leave Act, covering some 40 million Americans, offered workers up to 12 weeks of unpaid, job-guaranteed leave for childbirth or a personal or family illness. He deployed the U.S. military to Haiti to reinstate deposed president Jean-Bertrand Aristide, took a strong hand in Palestinian-Israeli peace negotiations, brokered a historic cease-fire in Northern Ireland and negotiated the Dayton accords. In 1996, Clinton became the first Democratic president to be re-elected since Franklin D. Roosevelt.

Slavery And The Emergence Of The Bipartisan System

Chris Matthews admits that Democrats believe in illegal immigration

From 1828 to 1856 the Democrats won all but two presidential elections . During the 1840s and 50s, however, the Democratic Party, as it officially named itself in 1844, suffered serious internal strains over the issue of extending slavery to the Western territories. Southern Democrats, led by Jefferson Davis, wanted to allow slavery in all the territories, while Northern Democrats, led by Stephen A. Douglas, proposed that each territory should decide the question for itself through referendum. The issue split the Democrats at their 1860 presidential convention, where Southern Democrats nominated John C. Breckinridge and Northern Democrats nominated Douglas. The 1860 election also included John Bell, the nominee of the Constitutional Union Party, and Abraham Lincoln, the candidate of the newly established antislavery Republican Party . With the Democrats hopelessly split, Lincoln was elected president with only about 40 percent of the national vote; in contrast, Douglas and Breckinridge won 29 percent and 18 percent of the vote, respectively.

Also Check: How Many States Are Controlled By Republicans

Most Americans Say Partisan Disagreements Extend Beyond Policies To Basic Facts

Fully 73% of the public says that most Republican and Democratic voters not only disagree over plans and policies, but also disagree on basic facts. Just 26% say that while partisan voters often differ over plans and policies, they can agree on basic facts. These opinions have changed only modestly since last year.

Comparable majorities of Republicans and Democrats say that Republican and Democratic voters cannot agree on basic facts.

Republicans Vs Democrats: Where Do The Two Main Us Political Parties Stand On Key Issues

After an impeachment, a positive coronavirus test and an unforgettable first presidential debate rounded out the final months of Donald Trumpâs first term, it seems fair to say the past few years have been a roller-coaster ride for US politics.

On November 3, Americans will decide which candidate will win the 2020 presidential election, sparking either the beginning, or end, for each nominee.

But how does it all work?

Well, the US political system is dominated by two main parties the Democrats and the Republicans and the next president will belong to one of those two.

Just how different are their policies?

Hereâs what you need to know, starting with the candidates.

Don’t Miss: What Is The Pin The Republicans Are Wearing

[directoryassistancepls]

Kat MastaList

[Bold = Subject To Change]

[ * = currently cannot access]

[Italics = not officially in use yet]

Hub: @chaorgem (rp) / @vodkamacka (spare/follow)

Adler: @/chaerilus

Adrian: @/adriiglass

Adrien:  @/rieenrose

Alessia: @/gruiidaes

Amaro: @/amarosour

Amber: @/ambshana

Ame: @/violetquartzes

Andy: @/dehaandys

Ariadne: @/labrynthines

Arie: @/aevanburhen

Arlo: @/graphenites

Atticus: @/attirenn

Autumn: @/equinoxiia

Aya: @/eyeuhhs

Benjie: @/benjiepanji

Blake: @/blakecakes

Bonnie: @/bonitaclyde

Bowie: @/rosebowies

Brett: @/brettberlins

Camila: @/camilakovacic54

Carson M: @/carscmoore

Carter: @/westofcarter

Cass: @/anachronisticum

Cat D: @/cautionitscat

Cat M: @/cattreeona

Chase T: @/thieeles

Chloe: @/chlointensifies

Ciel: @/buthidaes

Ciera: @/vieencie

Circe: @/ofaeaeas

Claude: @/notexactlymonet

Connelly: @/connellyprice

Cor: @/cxrensyn

Courtney: @/courtconte

Dana: @/someotherdana

Danny O: @/dannyorse

Davide: @/holydavinities

Davina: @/thedavinaortega

Dawn: @/howitdawns

Dei: @/deivais

Delia: @/cordeels

Dillon: @/dillonistic

Eleticia: @/eletties

Ellery: @/flosoccisor

Ellie: @/peanutsforellie

Elliott: @/ellioshi

Emery: @/emeryegen

Emil: @/xxxstasea

Emilio: @/pythagoreanmuse

Emmy: @/emmyvennett

Eulalie: @/eulaofthecats

Evan: @/evsusach

Evi: @/venatios

Eric: @/stolenfantasies

Fallon: @/fallwhatmay

Fionn: @/fionnest

Flip: @/flippantbastard

Frankie: @/francisconotsan

Freya: @/thefreyastone

Frida: @/frizuni

Gia: @/ligoastrapi

Gordie: @/gordenner

Grace: @/gracettis

Gwen: @/thatfuckinggwen

Haley: @/ahaleyscomet

Hadley: @/ligoastrapis

Hayden K: @/haykellys

Hayden S: @/prozdrljiv

Hollis: @/thehollisfiles

Hwan: @/sonyeonhwan

Hya: @/hyaacinths

Iggy: @/igaizas

Ira: @/petrosyira

Jac: @/jjakolins

Jacinthe: @/evangeliones

Jackie: @/perragrasient

Jamal:  @/flowersforjamal

Jaša: @/jhaesah

Jaslyn: @/jaslynminj

Jasper: @/jasrozinsky

Jena: @/jenajovi

Jeno: @/peklostvorca

Jin: @/jiinsengs

Jina: @/lyndykitten

Jino: @/puercasia

Jory: @/glassmenageriie

Jules: @/julesofrome

Julian: @/juliandolinsek

Julien: @/sirallumette

Jun: @/dalgangs

Juno: @/diaamantes

Kat W: @/wukats

Katrina*: katniix

Kendra: @/kendrishh

Kit: @/vixxkits

Ksen: @/kennicubri

Laci: @/babylacix

Laurel: @/onherlaurels

Lauren: @/laurenzees

Lawry: @/knezsranja

Lee: @/leeonysus

Lex: @/notalexius

Liev: @/lifeofliev

Lorenzo: @/lorenzoperons

Lotte: @/lottevenne

Luna: @/lunariists

Lyndon: @/lyndykittens

Lynn: @/lynnsyas

Maddox: @/maadweiss

Madison: @/aranciatas

Maja: @/majakovs

Malcolm: @/mallcies

Malka: @/glassofmalka

Margo: @/marsmargos

Marlo: @/marlomayhem

Mat: @/mattlaus

Matty: @/mattytates

Maya: @/mayadyas

Mercer: @/mercerlees

Michelle: @/hayschoen

Milan: @/milanesias

Mira: @/mmmmiras

Missy: @/suissmiss

Mitty: @/mitongatito

Molly: @/mollweiss

Myki: @/prakeiktas

Naf: @/nafalti

Nery: @/neryistic

Nicky: @/nickyrosaj

Nina: @/glitterninas

Noel: @/ofanothernoel

Noen: @/noenesque

Noura: @/nourananis

Octavio: @/diatarachis

Orion: @/oriolles

Orson: @/orsonists

Padme: @/padmepatil

Parker: @/mahtorkp

Pas: @/pxxhasrisen

Pat: @/holypatrimony

Paul: @/paulieddaniels

Penn: @/pennvolk

Perri: @/perriscopic

Petro: @/velysians

Pierce: @/pierceelliotts

Pim: @/pimpangi

Porter: @/oreandas

Princeton: @/princepscinere

Rae: @/thatssoraelyn

Rainn: @/oftherainn

Remy: @/remyeti

Ren: @/renairima

Rima: @/rimananii

Rio: @/itsamiorio

Romy: @/nachtlelie

Roi: @/roidesreves

Rorie: @/rorierex

Ros: @/earthtoroswell

Saige: @/saiizas

Sam: @/yesimsamiam

Samson: @/novelartifacts

Saxon: @/rothsaxx

Shan: @/shannkellz

Shae: @/shaesnow11

Shion: @/shionmew

Sky: @/notsosky

Siggy: @/siggyvennett

Sofie: @/sofiewangs

Spencer: @/giftofspencer

Stormie: @/afterthestormie

Taylor: @/sosaystayy

Thayer: @/theepots

Théo: @/theodv54

Toby: @/thneier

Worthington: @/jwprice

Wren: @/littlewrenz

Wyn: @/katjiesuns

Vale*: @/gotadelimons

Violet: @/skiesofviolets

Zaire: @/miesiacs

Zayne: @/zayneosaur

Zeno: @/housegreycat

-

Old Pat: @/unholypatrimony

[igorsamarskystuff]

Killing Kenedy

Igor Samarsky

Killing of  President Kennedy

-------------------------------------------------------                                                        

Interesting, though, time travel.  My piu-meson existence in the universe

continued in close proximity to Earth. I stuck to some satellite.  I looked up at

Earth. There was a hurricane raging over California.

People like to call hurricanes by women's names.

Like “Katrina” or “Nancy”.

Apparently it came from Adam, who was created by the Universal Mind. Well,

Adam and Eve confronted each other in a scandal about whether or not to eat

that apple. Eve got so mad that the serpent fell out of the tree!

That's how irreversible changes in the genetics of men were made in relation to

women's psyche and mind. Especially blondes. And yet Eve was a blonde! If

you think about it, where there is a scandal or war or intrigue, there are

women everywhere. Even near Hitler - Eva Braun was hanging around.

I shook with laughter and was thrown to another passing satellite.

Right into the resonator quartz.

The resonator was operating on some secret frequency.

I knew it.

U.S. CIA contacts Russian FSB.

They ask Putin not to touch Poroshenko. The Ukrainian president.  That jerk -

they'll throw him out soon and he won't be president anymore.

Politics is a shitty business!

And so is the perishable pursuit of money.

Look how worried the Americans are. Russia is rising from the ruins of

perestroika. They're worried, they're worried.

Feeling the danger for themselves.

My sensor froze over the timer buttons-- 2018? 2020?

I pondered lazily. Thoughts were dissolving into the information space.

Suddenly there was a flash of gunfire in my head. One, two, three... And

President Kennedy's head burst with bullets.

              - That's where! That's it! Now, now! We'll see who...

in the land of supreme democracy.

The sensor is stuck in a number - 1963.  Illinois, Chicago.

Mwah.

My cursor cloaked itself in the flames of the fireplace of the spacious room.

Four people were seated in deep armchairs. The smoke of cigars, the leisurely

conversation of solid men. Brandy on the table.

The vice president, Lyndon Johnson; the FBI director, Edgar Hoover; the

multi-millionaire Lafayette Hunt; and the head of the Chicago mob, Sam

Johncana.

A leisurely conversation of empowered men:

His father, Joe, begged me so tearfully to win! That bastard spit on

his father and fooled us. And what did it cost me for that bastard

John to win by a hundred and twenty thousand votes? Who

knows?" Joncana spat on the Persian carpet.

Don't worry so much, Mr. Jongkana. I've got him on the hook. If I

publish his homosexual liaisons, he'll be out of the presidency in

no time.

Why do we need such a long process for Hoover? Wouldn't it be

easier to do it immediately and without cost?

               - I support Hunt. Lyndon!  What do you think?

What old Joe Kennedy promised to Joncana is true. It's also true

that this Joe, with Robert, shat on his father's opinion and

orchestrated these arrests....

Joncana jumped up out of his chair.

Ha! That scumbag orchestrated the arrests. That's half the trouble.

His brother put the brakes on business and stuck his legal snout in

our pockets. That's something we've never let anybody do and

never will...

Hunt impatiently dropped it:

Joncana, sit down...Take a drag on an authentic Cuban cigar. It's

unparalleled!

Joncana walked over to the table, grabbed a bottle of brandy and tipped it

down his throat. Johnson shook his head. Hunt, with his mouth ajar,

with interest as the brandy gurgled into Joncana's mouth. Hoover nonchalantly

shook the

ash off his cigar and took another drag. Jongkana placed the empty bottle on

the table and flopped down in his chair. Johnson took a deep breath:

Believe me, gentlemen. Kennedy is a bastard, just like his brother.

So is his father, for that matter. I am in favor of drastic measures...

Hunt stared at one point. Hoover shifted his gaze to Johnson and fixed it on the

bridge of his nose. There was an oppressive pause.

At last Hoover stood up, went to the fireplace, and stirred the wood with the

fireplace poker.

He did not even notice the unnatural gleam of flame from my cursor in it. Too

far away were his thoughts from what his eyes saw.

He turned to the others.

                 - I'm in...

Hunt took his cigar out of his mouth:

                 - I agree.

Jongkana jumped up from his chair again.

                 - At last! It's about time! I'll arrange everything in the near future.

Johnson turned his head toward him:

Jonkana. Calm down!  Have a seat. Are you for it or against it?

We didn't hear it!

                 - Of course we are, Lyndon!  Don't you understand?

                 - Sit down! Sit down! Give us a brief outline of the situation...

Joncana slumped back in his chair. With trembling hands he seized a cigar, cut

the tip with tongs, and lit it with a lighter. The three looked at him

questioningly. Jongkana took a drag and looked around meaningfully.

I suggest we do it in Dallas, Edgar. Isn't that where his next visit

is planned?

                 - There, there...Lyndon confirm.

Johnson nodded his head heavily. Joncana continued:

I've got a lot of connections and guys in Dallas. No

problempicking up performers. Just for the duration of the

action, of course. But the cover-up...

                 - Don't worry, Jonkana! I'll take care of the cover-up.

Hoover turned his head to Johnson and continued:

                 - Lyndon. What about the route? Will you agree with me? The car?

                 - Sure. No problem...

                 - By the way, it's very convenient... Great! The long way round...

Everyone looked at Hoover questioningly. He winked at them:

Yes, yes... There's a candidate for scapegoat. One Lee Harvey

Oswald. He's a rare sixer. Communist. Rare adventurer.  Been

to Russia. It's a cover-up, gentlemen!

All breathed a sigh of relief. Hoover smiled victoriously:

I think three performers will be enough. Triple insurance doesn't

hurt...

Jongkana turned his head to Johnson. He nodded.

                  - What date is suggested, Lyndon?

Lafayette Hunt looked at Johnson with interest:

                  - I should know and make appropriate instructions to the brokers at

the stock exchange.

Johnson and Hoover stared at Hunt

Johncana, head back and blowing smoke into the ceiling, was thinking about

something, without hearing his interlocutors. There was a pause again.

Hunt mumbled:

                  - No, no gentlemen. Naturally. Ten percent, I think, would be good

evidence...

Johnson hummed. Hoover turned away unhappily. Johnson squeaked.

                  - Twenty-five!

Hunt sighed and took a drag on his cigar. His brain was feverishly calculating

something. Hunt shook off the ashes:

                  - Eighteen each! And believe me, gentlemen, that's the limit.

Johnson and Hoover looked at each other. They nodded accordingly.

                  - So...a number!  Lyndon?

                  - I think ... The twenty-second of November ... Dallas.

Joncana woke up.

                   - What do you mean? The twenty-second?  That's fine...

Jumped up and went to the phone. Johnson barked:

                   - Joncana, sit down! Or I'll put you in jail! You call me three days

after we leave here! Got it, Joncana?

Jongkana froze, as if he had run into an invisible obstacle. Slowly he turned

and walked back to his chair. His cheekbones played furiously. He looked at

Johnson with hatred.

I imagine he was already making plans to shoot him, too.

Hunt clapped his hands conciliatorily:

Gentlemen. No unnecessary excitement, please. We have discussed

and agreed upon everything. No one will be left unscathed. I

propose we celebrate with a fine bicentennial French cognac...

Hoover's lips parted in the widest smile:

              - Well, Mr. Hunt...you're a wizard!

Hunt rose from his chair, walked over to the bar built into the wall. The bar

doors clicked shut, and old-timey music played. Hunt turned to the others, and

raised his hand with a beautiful bottle...

This is how history is made.

And I have no right to interfere with it.

By the way, I wouldn't interfere - America is for Americans.

I was in the smoke of the fireplace's flames, and I found myself at the height of

a bird's flight. I felt sorry for Kenedy...

But why should I pity him?

Daddy was mixed up with the Chicago mob, made his money in bootlegging.

And the whole Kennedy clan reeks of crime. If Khrushchev knew who he was

talking to and flirting with.

               - That's it! That's it!  Back to the soundboard...

The clouds are gathering over Chicago.

Lightning flashed. I darted effortlessly through its million-volt flash, into the

stratosphere. Rethinking history.

I'll see you again. Bye! ....

(To be continued )

-----------------------------------------

Тranslated by Deepl Translator.

Copyright 2003.

[bournefan]

Casting for Swan Lake!

Full casting here.

Royal Ballet star Matthew Ball, will be playing the role of the Swan at Sadlers Wells. Also playing the role for the entire tour are Will Bozier and Max Westwell.

Liam Mower and Dominic North will be playing the Prince, joined by James Lovell (making his professional debut, congrats!)

Nicole Kabrera and Katrina Lyndon will be playing the Queen, and Katrina Lyndon, Freya Field and Carrie Willis will be playing the Girlfriend. The Private Secretary will be played by  Glenn Graham, Max Westwell  and Ashley-Jordon Packer.

[orbemnews]

What's the Rebellion Act? The unfounded posts have gained traction within the wake of the US Capitol breach on Wednesday that engulfed the nation’s capital in chaos and left 5 lifeless, together with an officer with the US Capitol Police. Whereas the legislation supplies ample authorized footing for presidents to deploy the navy in the event that they so select, in follow it has been used sparingly. Essentially the most notable software of the legislation was maybe its invocation to implement desegregation within the Nineteen Fifties. The principle provision of the Rebellion Act states that troops can solely be deployed to an American state by the President if the governor or state legislature requests it. One other provision of the legislation, nevertheless, outlines that underneath sure restricted circumstances concerned within the protection of constitutional rights, the President can ship troops unilaterally. “Traditionally and virtually, such a request isn’t essentially a prerequisite to the President utilizing common federal troops for home legislation enforcement,” Stephen Vladeck, a College of Texas legislation professor and CNN contributor, beforehand advised CNN of the legislation. How have presidents used the legislation? The Rebellion Act hasn’t been invoked since 1992 throughout the riots in Los Angeles that adopted the acquittal of 4 white cops within the beating of Rodney King, a black man, in keeping with the Congressional Analysis Service. Congress amended the legislation after Hurricane Katrina in 2006 to offer extra readability about its use throughout pure disasters, however dropped a few of these modifications a 12 months later after objections by state governors who didn’t need to cede their authority. There are examples of presidents utilizing troops over the objections of governors, as Dwight Eisenhower (and later John F. Kennedy and Lyndon B. Johnson) did throughout the Civil Rights period. Particularly, Eisenhower invoked the Rebellion Act when he federalized the Arkansas Nationwide Guard after which despatched the one hundred and first Airborne Division into Little Rock to combine the faculties. A separate legislation, the Posse Comitatus Act — learn a protracted description of it right here — does search to ban using the navy to implement legal guidelines until expressly licensed by Congress or the Structure. However there are exceptions in that legislation for rebellion of rise up and, after the Patriot Act, for terrorism. Has Trump ever threatened to invoke it? Whereas he is by no means invoked the legislation, the President did threaten to make use of it final 12 months. Following the police killing of George Floyd in Might, Trump touted the Rebellion Act as a solution to break up anti-fascists, or Antifa, who he stated had been organizing violent riots that led to looting. “If town or state refuses to take the actions which can be essential to defend the life and property of their residence, then I’ll deploy america navy and shortly remedy the issue for them,” Trump stated on the time, although he by no means did. CNN’s Zachary B. Wolf contributed to this report. Supply hyperlink #act #Insurrection #Politics #WhatistheInsurrectionAct?-CNNPolitics

[dipulb3]

What is the Insurrection Act?

New Post has been published on https://appradab.com/what-is-the-insurrection-act/

What is the Insurrection Act?

The unfounded posts have gained traction in the wake of the US Capitol breach on Wednesday that engulfed the nation’s capital in chaos and left five dead, including an officer with the US Capitol Police.

While the law provides ample legal footing for presidents to deploy the military if they so choose, in practice it’s been used sparingly. The most notable application of the law was perhaps its invocation to enforce desegregation in the 1950s.

The main provision of the Insurrection Act states that troops can only be deployed to an American state by the President if the governor or state legislature requests it.

Another provision of the law, however, outlines that under certain limited circumstances involved in the defense of constitutional rights, the President can send troops unilaterally.

“Historically and practically, such a request is not necessarily a prerequisite to the President using regular federal troops for domestic law enforcement,” Stephen Vladeck, a University of Texas law professor and Appradab contributor, previously told Appradab of the law.

How have presidents used the law?

The Insurrection Act hasn’t been invoked since 1992 during the riots in Los Angeles that followed the acquittal of four white police officers in the beating of Rodney King, a black man, according to the Congressional Research Service.

Congress amended the law after Hurricane Katrina in 2006 to give more clarity about its use during natural disasters, but dropped some of those changes a year later after objections by state governors who did not want to cede their authority.

There are examples of presidents using troops over the objections of governors, as Dwight Eisenhower (and later John F. Kennedy and Lyndon B. Johnson) did during the Civil Rights era.

In particular, Eisenhower invoked the Insurrection Act when he federalized the Arkansas National Guard and then sent the 101st Airborne Division into Little Rock to integrate the schools.

A separate law, the Posse Comitatus Act — read a long description of it here — does seek to prohibit the use of the military to enforce laws unless expressly authorized by Congress or the Constitution.

But there are exceptions in that law for insurrection of rebellion and, after the Patriot Act, for terrorism.

Has Trump ever threatened to invoke it?

While he’s never invoked the law, the President did threaten to use it last year.

Following the police killing of George Floyd in May, Trump touted the Insurrection Act as a way to break up anti-fascists, or Antifa, who he said were organizing violent riots that led to looting.

“If the city or state refuses to take the actions that are necessary to defend the life and property of their residence, then I will deploy the United States military and quickly solve the problem for them,” Trump said at the time, though he never did.

Appradab’s Zachary B. Wolf contributed to this report.