#katara-draws-sometimes

[katara-draws-sometimes]

some hilariously bad renditions of how i think these two mfs sleep side note- HC that Coco is a certified My Melody stan (Minamimoto is too he just doesnt outright show it)

[thatonedudeinthecorner]

Thinking about this kids crippling guilt complex and the feeling of being so out of place for reasons beyond him

[gurinpotte]

Please more buff aang I'm thirsty 🏃🏽‍♀️🏃🏽‍♀️

well i hope these will quench ya....

i had wayyyy more fun with this than i should have had. i was giggling and kicking my feet nonny, it's my first time doing quenching drawings like that. i'm not that great with manly muscles so i'm sorry for the messyness and mistakes. thank you sm for this ask my dear thirsty anon! also sorry if the kataang wasn't that you expected but in this house we serve kataang at every chance

[idrawsometimes9001]

Been thinking about ✨them✨ lately 🧡💙

[demaparbat-hp]

Hiya!! 👋🏼😄 How's it going? Your fashion taste for Zuko in a Modern AU seems to be artsy, or maybe "formal" is the word. That shirt he wore when he gave Sokka romantic song advice looked Versace����. Anyway, I was wondering how you came up with it, he always struck me more as the type that didn´t care much about fashion, so I'm curious about other´s opinions and heacanons about it. And do you have any other fashion headcanons for the rest of the GAang? Also, their music tastes. How did you come up with them? Especially Katara's! 😍

Hello! As it happens, I have a lot of Thoughts and Feelings™ about this, so I'm leaving these over here, and the rest of my ramblings down below the cut!

Let us begin with the Gaang, shall we?

SUKI always struck me as that Pretty Girl from the Gym. She is so incredibly fit it isn't even funny. She could kick anyone's ass, and we'd all thank her. She has this casual gym style that somehow always looks glorious on her, as it should! Comfy yet fashionable clothes for a nice workout or a day in town.

Her music tastes are basically any and all power songs from the eighties and nineties. (Eye of the Tiger, anyone?) She also enjoys metal via Toph, and bands like BSB, NSYNC, or Boyz II Men with Katara. My girl has a very eclectic Playlist and we all love her for it.

SOKKA is That Guy™. Loose T-shirts and shorts everywhere he goes, no matter the weather. He's stupidly into fashion but it doesn't show! At all! And everyone teases him about it. His closet is about 90% Cactus Juice merchandise, hence the "it's the quenchiest!" shirt.

His fashion and music tastes are pretty much the same. He loves poetry but isn't really into lyrics. He'll misinterpret just about anything you place in front of him. His Playlist is mostly vibes and tiktok songs he kind of enjoys. He isn't really into music...at least not as much as his sister.

AANG owns exactly one hoodie, one pair of shorts, and one beanie (THE beanie). Oh, and the crocs—don't forget the crocs. Somehow, he's always wearing the exact same outfit. Every. Single. Day. Ancient Gaang lore suggests that the day Aang goes out without his beanie, it's the end of the world.

His Playlist is the poppiest, most bizarre thing ever. Every single song is Happy by Pharrell Williams levels of happy. Yet sometimes, among the bouncy dance-to songs, you'll find the strangest of things... (He does know what Good Day by Twenty One Pilots is about. That's the reason he likes it so much, actually. And it's so weird.)

KATARA is all about sundresses and loose pants. The epitome of comfortable loveliness. Light fabrics in blue shades, careful embroidery, delicate shoes, and little to no accessories—hers is a simple, yet quite adorable, style. She just needs to add more colors to her usual palette...

She is, first and foremost, a Florence + The Machine girl. It's the Dark Goddess of the Sea vibes, to be honest. Florence Welch is her idol and yes, she will fight you about lyrics interpretation, and win. It may not seem like it, but her music tastes are also very varied.

She draws a little from each member of the Gaang, so you'll hear her humming along to Gorillaz (where did you even find out about them, Aang?), The Weeknd (I...don't think this song means what you think it means, Sokka...), and Hozier (Zuko why did you dedicate Talk to me, Zuko WHAT DID YOU MEAN BY THAT).

TOPH...ah, lovely girl. I'll summarise everything about Toph’s fashion sense in two words: comfort and rebellion. Stuffy dresses forced on her by billionaire parents? No thank you! Give her tank tops with loose shirts and short pants. Bandaids shared with Aang, bracelets from Katara, and even piercings she got in tandem with Sokka. Shoes? What even is that?

Something I love about this fandom is our collective agreement that Toph is into the dirtiest, heaviest, most ear-splitting and soul-crushing death metal of all times. Her Playlist is full of the most obscure names to ever exist, and she can and will blast through your walls with the sheer volume of her speaker.

Zuko. ZUKO.

Even in a modern AU my boy must suffer. That being said, I envision Tales from the Couch as—well, exactly what it is: an ATLA modern AU. While there is not a war to fight, and a lot of plot lines are discarded or expanded upon, much about the core story remains the same.

This is my way of saying that Zuko still goes trough his redemption arc, and it reflects on his fashion choices.

The way you described it works perfectly because of one single reason: in this AU, Zuko is an artist. He had to suppress his love for writing and drawing because of his background and the expectations Ozai had for him (taking over the family company), and a very large part of his redemption arc directly affects his relationship with art.

In the Couch equivalent of S1, Zuko has fallen out of Ozai's graces, and is desperate to protect his place in the company and the Kasai household. He's pretending to be someone he isn't and trying to live up to his Father's image of a perfect heir while still being somewhat cut-off financially, and it shows.

He's all about imposing long coats and a semi-formal style, imitating what he knows Azula and Father would respect. He's striking and sharp and dark. But no matter how he dresses or carries himself (that air of cold superiority and arrogance)—it won't help him when he needs it the most.

In S2, Zuko has hit his lowest point. He's officially disinherited and tossed away by his father, and would be out in the streets if it wasn't for Uncle Iroh. He goes from sharp, high-tailored outfits to old second-hand clothes that hang loosely on his frame. He starts smoking and cuts his hair off, forgoing the undercut for the first time in years.

But then...Father accepts him back. When Zuko returns home, it's with respect to his name and a very high position in his father's company. He's finally the perfect Kasai heir, dressed in overly expensive suits and finery, even at home... But Father forbids him from wearing Lu Ten's earring, and Zuko can no longer recognize himself without the familiar glint of gold dancing on his peripheral vision.

When Zuko leaves the Kasai name behind him and goes back to living with Uncle Iroh...he's finally at peace with who he is, and what he wants in this life. The sharp edges aren't gone (they'll always be a part of him, after all), but now they're dulled by looser clothes and softer hairstyles.

He's an artist, and for once in his life, he is determined to pursue his own ambitions. Zuko's outfits may not be designer-made anymore, but he takes what he has and makes himself look like he wants to look, like the person he wants to be.

He doesn't read fashion magazines or keeps up to the latest trends like Azula does. He's just...Zuko. And his newfound confidence makes everything he wears look like it belongs on him.

As for music...well, Ursa raised a literature boy.

He loves lyric-heavy music and natural voices, be they soothing or powerful. Dissecting song meanings and possible interpretations with Katara is one of his favorite parts of the day. They're both very passionate and strong-minded individuals, so it stands to reason that their debates can get quite...heated.

Zuko's Playlist is both incredibly eclectic and somehow very...him. There's a common thread that binds together every song and artist he likes, and he's hilariously unaware of this. To take a look into his Playlist is a higher honor reserved only for those closest to him.

In the wide spectrum of things, it is no wonder that Zuko is, first and foremost, a Hozier man. But though Andrew is his God in all aspects of this life, there's someone else that has had a huge impact on him...

Two someones, actually.

Zuko refuses to tell anyone how he got into Twenty One Pilots, but it's kind of a moot point when the beginning of his obsession is nothing compared to everything that came after. They have just about the right amount of everything that makes Zuko...well, Zuko. The poetic lyrics, the soothing or raging music, the heavy, intensely resonant themes...

Up there, in the second artwork, I placed an album cover behind each period of Zuko's life. The election of these records is intentional, as I feel like their general themes work incredibly well with Zuko's arc and growth.

Blurryface in S1. For the demons within us. For giving a name to our fears and shame.

Trench in S2. For escaping the confined walls of a depression city, and fighting to understand the depths of the map of your mind.

Scaled and Icy in the first half of S3. For returning to places you had left behind. For convincing yourself and everyone around you that you're fine, that you're perfect, even though everything is crumbling inside...

Clancy in S3. For recognizing that you can backslide, that you can have fears and shame and pain—but you're shaping yourself with each step you take. For knowing that seeking help from others is okay. Nobody learns to walk on their own.

(And, in the end, you'll always be better than the person you were yesterday. If only because you're still here. You're still alive. You're still yourself.)

.

Overall, I rambled a bit too much, don't you think?

If you made it all the way down here—thank you so much for reaching out and being interested in this crazy AU! I hope you enjoy these ideas and tell me some of your own ❤️

[artkaolinite91]

Zutara Week 2024- Day 2 Dusk

".....and grief"

What come in my mind when I saw the prompt?

✨ ehe..let's traumatized them :3✨

Joking aside, because dusk was the last light before a long darkness... I thought maybe Katara and Zuko sometime remembered the darkest days in their lives.. like when they were both losing their mothers (I knew about Ursa whereabouts from the comic, but I am living in my book 4 AU, okay :p), also the day when Ozai scarred his face...

I really want to see them bonding together 🥹✨ yet I draw them like this..sowry 😞 (I also want to draw them crying)

@zutaraweek

🚫do not use, edit, reupload my arts, thx!

[lilrobinbird]

cooking again

wips.............

[starlight-bread-blog]

The Fortune in The Fortune Teller

This is an isolated look into this specific episode.

The Fortune Teller is the 14th episode of book 1 of Avatar: The Last Airbender. It is famous for supposedly developping the show's romantic subplot between Katara and A\ang. The episode does two things: A\ang attempts to flirt with Katara, and Katara is finally willing to consider him as more than just a friend.

However, I believe that this episode could have masterfully foreshadowed the pair not getting together in the end. In this essay I will detail how each step the episode takes towards a Kat@ang endgame is actually foreshadowing the opposite.

1. Katara and the Nature of Destiny

In the beginning, the Gaang meets a person getting attacked by a bear. He is acting incredibly passive, simply dodging the bear's attemps at his life. Then, A\ang and Appa interfere to help the man. When the Gaang questions him on why he was so passive, he says it's because the Fortune Teller told him he'd have a safe journey. They then have the following exchange:

The man's logic is obviously flawed. If the Gaang didn't interfere, if the man continued to passivaly dodge, the bear would have attacked him. Fortune and destiny come from agency – from actively shaping them.

However, Katara is delaited at the prospect of seeing the future. Her and the Gaang go to meet the Fortune Teller, Aunt Wu. Aunt Wu tells her she'll marry a very powerful bender. Later, she comes back asking more details about her future husband. Remember her excitment, fantacising about her future husband:

After that, Katara becomes somewhat reliant on Aunt Wu's prophecies. She goes as far as to ask her what she should eat.

And she obeys her "prophecy", despite not wanting to. She became like the man from the beginning. She knowingly follows the fortune even though it doesn't make sense. She had given up on forging her own destiny.

Although by the end of the episode, she is no longer in this state of reliance, she still believes in the prophecies. Then, Sokka says that A\ang is a very powerful bender. This reminds her of what Aunt Wu said about her future husband. I don't want to cherry pick, so I took 4 different pictures of her face when she realizes A\ang might be the powerful bender she is to marry:

With the look in her eyes, with her mouth tilted down and with the ominous music, this could easily be read as disappointment. Especially when remembering how she fantacized about the powerful bender earlier in the episode. She doesn't smile, but looks concerned. As if she doesn't want this. Earlier in the episode, she says this:

A\ang is like the papaya. The fortune says he's right for her, but Katara doesn't want him. Now, she isn't like the man, passively dodging the bear attacking her. She shouldn't sit and wait for the prophecy to come true point blank. She has the agency to shape her own destiny and not to choose A\ang as her future husband.

2. A\ang, Meng, and First Crushes

In this episode we're introduced to a girl named Meng. Aunt Wu told her she'd end up with someone like A\ang, and so she developped a one sided crush on him. Throughout the episode she attempts to talk to him, all to no avail. Because A\ang is not interested in her.

Interestingly, her one sided crush is directly paralleled to A\ang's crush on Katara.

Exhibit A:

Exhibit B:

Exhibit C:

Please note that in exhibits B and C in particular, there is an emphasis on the other party not reciprocating their feelings.

In this parallel the show draws, A\ang is Meng, the younger, shorter one the one who is in love; and Katara is A\ang, the older, taller one who... *checks notes*... doesn't reciprocate.

But in the end, A\ang and Meng have a heart-to-heart.

Sometimes you'll like someone, and they aren't going to feel the same way, and even though it's hard, it's okay. They're young, just kids having a crush. A\ang responds to this with "I know what you mean". Because he, just like the audience that watched the parallels, knows that Katara likely doesn't return his feelings.

———————

In conclusion, The Fortuneteller could have been brilliant foreshadowing to Kata\ang not being the endgame couple, and it would have done so through beautiful, mature lessons about first loves and destiny. Thank you for reading.

[narrativelysignificantturtleduck]

i've occasionally seen the take that sokka should've have been just as down for avenging kya as katara was and well, no, it makes sense that katara takes it more personally considering kya died to protect her specifically. "the runaway" establishes that sokka has let katara claim ownership of kya's memory to the point where he can barely separate the the two of them in his mind. he doesn't really allow himself to grieve openly enough for revenge because to him openly grieving kya is solely katara's right. any desire for revenge he has manifests more as a general desire to win the war and "knock some firebender heads".

but recently i saw a post that went further and said that hakoda would've supported it and THAT is interesting to me because i do think hakoda decided to go to war because of kya's death. i think he told people objective, tactical, noble reasons - the raid established that the war was more of a threat, he doesn't want anyone else to lose loved ones to the fire nation - but if i were a southern water tribe warrior i'd wonder if i was signing up for a revenge mission. like the tribe hasn't been involved in the war before but the chief's wife is killed and he's suddenly very interested in fighting the fire nation? hmmm. it's not that the nobler reasons are lies but i think hakoda blames himself for kya's death (just like katara does) and feels like he has to go fight the people who killed her because he didn't fight hard enough to save her. and the line between that kind of guilt and revenge is thin. what do you think must be done to make things right? what provides closure? this is what draws katara to revenge, this is what would draw hakoda to revenge. i think there is a part of him that went to war seeking that catharsis. i think sometimes during battle there is a look in his eyes that scares his men, moments where he seems far too eager to stab a fire nation soldier through the heart. the kind and friendly leader they know replaced with something dark.

but would he support katara's quest for revenge? no. he went off to war to protect his kids from its harsh realities. he may want revenge and even be willing to take it but he would never let katara have that on her conscience. if anyone will carry that, it will be him.

and ultimately, he never did seek out the leader of the southern raiders. yon rha is still alive for zuko and katara to track down. maybe he realized he didn't want it on his conscience either

[sanrielle]

Amazing fanart by Joanacchi! Posted here on tumblr with their blessing. Each one is based on a style that reflects a particular ancient culture's art history. (See below for descriptions provided by the artist!)

Store (buy these prints!) Twitter Instagram

Aang: Tibetan Thangka

"Thangkas are traditional Tibetan tapestries that have been used for religious and educational purposes since ancient times! The techniques applied can vary greatly, but they usually use silk or cotton fabrics to paint or embroider on. What you can depict in a Thangka is really versatile, and I wanted to represent things that make up Aang as a character."

Zuko and Azula: Japanese Ukiyo-e

"Ukiyo-e is a style that has been around Japan between the 17th and 19th century, and focused mainly in representing daily life, theater(kabuki), natural landscapes, and sometimes historical characters or legends!

Ukiyo-e was developed to be more of a fast and commercial type of art, so many drawings we see are actually woodblock prints, so the artist could do many copies of the same art!

I based my Zuko and Azula pieces on the work of Utagawa Kuniyoshi (1798-1861) one of the last ukiyo-e masters in Japan! He has a specific piece which featured a fire demon fighting a lord that fought back with lighting, and that really matched Zuko and Azula's main techniques!”

Toph: Chinese Portraiture from Ming and Qing Dynasties

"Ming Dynasty (1368-1644) was one of the longest in China! It was also a period where lots of artistic evolutions were happening, especially when it comes to use of colour! There was not a predilection for portraits during this time, but there are a lot of pieces depicting idealized women and goddesses from the standards of the time. For this portrait of Toph, I imagined something that maybe their parents commissioned, depicting a soft and delicate Toph which we know is not what she is about ♥️

Qing Dynasty (1644-1912) was the last Chinese Dynasty to reign before the Revolution. One of the most famous emperors of this period was Qianlong, and he really liked Western art! He commissioned a lot of portraits of his subordinates, and I chose a portrait of one of his bodyguards as a reference for the second Toph portrait, which I believe is much more like how she would want to be represented! The poem on top talks about the bodyguards' achievements during a specific war. I had no time to come up with a poem for Toph, so I just used the same one for the composition!”

Sokka and Katara: Inuit Lithograph

"For a long time, Inuit art expressed itself in utilitarian ways. The Nomadic lifestyle of early Inuit tribes played a huge part in that: most art pieces are carved in useful tools, clothing, or children's toys, small and easy to be transported, and depicted scenes and patterns representing their daily lives!

That changed a lot during the colonization. Since the settling of the Inuit tribes, many art pieces began to be created in order to be exported to foreigns, so they started to sculpt bigger and more decorative pieces.

Lithography, which is a type of printmaking, was introduced to Inuit people by James Houston, that learned the technique from the japanese. The art form was quickly embraced by the inuit, as part of the process is very similar to carving. Prints that are produced by inuit artists are still being sold today!

As lithography is not an old art style and it's still commercially relevant to the Inuit communities, since creating these in 2021 I have been donating regularly to the Inuit Art Foundation, not only all the money I get from selling some prints of these but a bit more, at least once a year. Hopefully, I can increase donations this year!”

[halfhoursonearth-writes]

Can you recommend fanfiction that you personally really like?

Yes! Love this ask. I’ve never made a Zutara fic rec list partially because I’ve read so many wonderful stories over time that I find the prospect daunting! 

But there are absolutely certain stories that I have a personal soft spot for, that I return to again and again. And that’s my criteria for what’s included below. This is a sampling of fics that I find myself coming back to, in no particular order. I may come back and add more, because this list is so far from exhaustive. A mix of ratings (marked), so keep that in mind.

Wish I Was the Moon by Like a Dove (T), post-canon: There’s so much that I love about the way this one-shot explores Katara’s character and what she faces post-canon, how she frees herself, strikes out in the world and finds her way home. Her feelings for Zuko, and her inner-conflict around them, are rendered tangibly, both through scene and subtext. A really good example of how an author can show a character’s lack of/journey to self-knowledge without breaking voice.

Refraction by caroes3725 (E), post-canon: When I started reading Zutara fanfic (for me this was in 2020), this was the fic I was looking for—a deep, realistic-to-canon, in-character exploration of how Zutara could unfold after the events of ATLA in a way that gives Katara in particular the arc she deserves. Really well-done development of the Fire Nation court world, well-developed characters, shining dialogue. An amazingly well-worth-it slow burn.

Wildfire by rainstormdragon (E), post-canon: To me this story is kind of a steamy Zutara thesis. The characters are so spot on and alive, their flaws are on full display in a way that feels realistic, and their chemistry is powered by their compatibility—matched in passion and stubbornness, and also in what they want from life. And I think it really gets Aang, too, which is something that can be hard to find in ZK fic. Also really hot, but that's only part of what makes it really shine.

Partners in Learning by evergreenonthehorizon (T), Modern AU: One of the things I love in modern AUs is watching an author weave that invisible string between these characters. Sometimes, it’s by writing narrative arcs that parallel the series, and sometimes it’s by drawing out the personality traits that make the characters both lovable to readers and such a compelling match and watching that spark bloom into flame. This beautifully written story does that so, so well in a really compelling Modern AU setting. Zuko and Katara here are so wonderfully lovable, and it’s a joy to watch them fall for one another, too.

Journeys by Smediterranea (E), Modern AU: In real life, I want to see my friends in relationships with people who can recognize why they’re so particularly amazing. That potential, I think, part of the appeal of ZK as a ship, and that’s part of the special magic of this fic. Watching these two characters get to know one another—really see one another—and fall in love deliciously sweeps the reader up. Plus, really fun, in character cameos from the rest of the Gaang along the way.

Spark, set fire by marijayne (T), Modern AU: literary fanfic, and I mean that in the best way. This story is beautiful and bittersweet, the latter is not often something I seek out in fanfic (where I hide from life), but here it’s gorgeous and worth it. The world building here is really cool—allows the author to explore some of a set of cultural issues/interactions that both echo the ATLA world and ours. The characters are so tenderly drawn (dadko especially)—and the connection between them builds beautifully and tangibly—and the longing is…chef’s kiss. 

Wrong when it's right by nire (T), Book 1 Canon Divergence: Before I read this, I couldn't imagine wanting to read a Book 1 Zutara. After, I wanted more. Bickering, bed-roll sharing, shared heat, tenderness and common ground. A delight from start to finish.

Anyway, thanks for asking and happy reading! <3 And if you want more recs, let me know.

[katara-draws-sometimes]

|| The Angel's Folly ||

Bit of a non-canon moment for them, but still neat regardless :))

I'm still absolutely head-over-heels for these two, the brainrot is strong but my desire to finish school is even stronger 💀💀

Colors are still very much a WIP, but I wanted to at least post something after not drawing anything since December lolol

[creatingblackcharacters]

Hey! I have a couple of questions related to hair physics (hairodynamics?) and Google has failed me in my search to answer them. They’re pretty specific, so if you can’t answer either, no worries, just figured I’d ask.

Basically, I am creating a superhero character (named Siren, they/them pronouns). I am planning for their hairstyle to be 6 jumbo 2-strand twists. Four of those twists would be up in Bantu knots. Here are a couple drawings for reference.

Because they’re a superhero, I want them to at some point have a cool action star moment where they get hit with a big attack and then emerge from the destruction looking disheveled but in a really badass and cool way. I know sometimes, for characters with straighter hair, that includes their hair coming out of their hairstyle (I’m mainly thinking of Katara from ATLA here, referring to like when she gets hit with a big attack and her braid comes undone). My question is, would it make sense for something like that to happen with Siren, where the Bantu knots come undone and they’re left with only the twists? Hopefully that question makes sense outside of my brain.

Also, do you know how bonnets work with Bantu knots? Everything I Googled said that you can wear a bonnet with Bantu knots and you would take the knots out in two weeks, but I’m unclear if it would make more sense for Siren to undo the knots and sleep with just the twists in, redoing the knots in the morning, and if they would be able to immediately retwist their hair every two weeks.

Thanks!! I’m sorry for how hyper specific these questions are.

1) this is hard to answer because it depends how the bantu knot was done. I see it in my mind and idk how to describe it for you. It could fall that dramatically if the texture of the hair was looser, or if there was a lot of hair in the bantu knot, or they were knotted while in braids. Otherwise it's just gonna like... unfurl as a twist, I would think. I'll think on it some more, and if any Black peers want to chime in on this one, that'd be helpful!

2) just put the bonnet on. The knots will hold. Like, yes, you could do what you just said but... Imo there's no real point to having bantu knots as a style if you're gonna take them down every night. You just get used to sleeping on them. "Pain is the price of beauty" me mother used to say 😅. If your character doesn't have time to retwist her hair every two weeks due to her lifestyle, then she might want to consider a different style altogether.

Edit: I forgot the pictures. Yeah her hair would probably fall and if her hair is that long, yeah she could redo them. I was thinking shorter hair.

[survivalove]

I just got reminded of the craziest thing and I had to share it

but basically oomf showed me some post where a zk said sokka would brag about his brother-in-law being the firelord and i was like???

why would sokka brag about his sister marrying into the people that tried to wipe out their tribe ☠️ got their mother k***ed? not to mention it’s canon that sokka brags about aang being the avatar.

then it slowly started to hit me: most of the zk headcanons i unfortunately come across is just things that already relate to aang in canon. even things that don’t make sense when it comes to zuko.

another example is their imaginary children’s names: why the hell would one of their children’s names be bumi???? ☠️ and even when they try to be creative, they go naming their children after zuko’s ancestors, you know, the ones that tried to have katara k***ed? like huh??

third, they always try to copy the kataango or say zuko would’ve blown up that factory in the painted lady…. how do you say kataang sucks because aang is a horrible person and then give your ships all the kataang scenes, particularly things AANG does?? using the AVATAR’s love theme for your edits?? just a bunch of leeches

next, sometimes i look for kataang fanart and i’ll see something with appa or momo and think it’s kataang AND THEN IT’S ACTUALLY ZK ☠️ why the hell is anyone drawing fanart with momo or appa that has nothing to do with aang??? much worse when you don’t even like him??? make it make sense?!

lastly, i haven’t actually seen this but apparently they even started giving ole boy tattoos on his chi lines?? just like aang’s???

like i’m sorry if aang’s such a horrible person, why are they so obsessed with him? where is the creativity? they’re lowkey hijacking things that belong to aang/kataang and then when you go searching for this stuff that WACK ship comes up. it’s pathetic.

[idrawsometimes9001]

This could be yuri if you squint

[somewhereincairparavel]

seeing people draw jason grace as the avatar in atla x pjo crossovers make me HAPPY because yes. finally someone gets it. no percy wouldn't be the avatar, it makes zero sense y'all are just saying that bc you want him to be the main character in every universe. percy would be a solo water bender with a bloodbending variant. like katara. exactly like katara actually. they're both attached to their mothers and would burn the world down to avenge her, etc. but I won't get into that here.

jason's basically aang in another universe. lost his family, has wind/air powers, was 'secure' and sheltered in his home (like aang was in the air temples) but was forced to be trained as a child soldier in the same home (like aang was trained to be avatar in his home so young) but then was thrusted into another environment other than his home (like aang) and learned that there's more to life than being a soldier (like aang) with the help of his friends that he found in a place other than his home. but jason/aang still miss parts of their old lives so much that they sometimes wish their old and new lives could converge, so they could have both.

also aang meeting bumi again feels so much like reyna/jason meeting because they acknowledge how much change that took place. aang being sad about how bumi changed feels like reyna being sad that jason changed.

aang and jason were also forced to be good at everything and didn't have a specific 'position' in their life. aang as the avatar was an airbender, waterbender, firebender and earthbender, just like how jason was considered both a greek/roman advocate. they were both known and assigned as the world's peacemakers to solve rifts.