#katara analysis

[theotterpenguin]

there’s a post floating around here claiming that sokka is the only person keeping the atla kids alive and it very much reminded me of how the labor that women perform is often undervalued and overlooked. (and this post is not meant to be targeted towards op at all, but rather is speaking towards a general trend that i’ve noticed in the atla fandom)

i recently rewatched atla and it’s surprised me that the fandom interpretation is that only sokka is worried about the group’s lack of food/money, particularly in book 1, because katara worries over the exact same things and is usually the one backing up sokka. in “the warriors of kyoshi,” sokka reminds aang that they need to make it to the northern water tribe soon and stop making pitstops, and katara agrees with him. when they stop at kyoshi island, katara reminds aang multiple times that it’s risky to stay in one place for too long. in “the waterbending scroll,” sokka worries over how little money they have left after aang wastes money on a bison whistle, so katara takes charge of keeping track of the money instead, and she also reminds aang that they need to practice waterbending, not focus on having fun. in “the storm,” katara realizes they’re out of food and says they need to go to the market, then sokka gets a job so they’ll have more money for food. in “the king of omashu” and “the deserter,” sokka worries that aang will be discovered, and katara agrees so she suggests that they wear disguises. in “the cave of two lovers,” sokka says they need to focus on getting to omashu without getting sidetracked, and katara agrees. in “avatar day,” sokka and katara buy food/supplies together while aang waits for them. 

despite sokka being seen as the pragmatic sibling, both katara and sokka are pretty united in their practicality and trying to keep their mission on track. katara only makes exceptions on a couple occasions when she values standing up against injustice even more than sticking to the plan, such as freeing the imprisoned earthbenders or helping the fire nation village as the painted lady. and the way that i've seen people use katara’s passion for social justice as a way to argue that she’s “irresponsible” seems a bit disingenuous considering that she sees it as a moral duty to help people in need (and let alone everything else she does on the day-to-day to help the group).

(“the library” is in fact the only episode in the entire show that i can remember where katara disagrees with sokka and says there’s no harm in having some fun in their downtime. and as soon as sokka finds out about the existence of the library he’s also fine with taking a break from their mission lol. despite what the fandom thinks, it’s not the norm).

and while there’s a lot of focus on sokka’s mapping/planning skills, there’s also so much that katara does so much behind the scenes that isn’t as explicitly acknowledged. “the chase” tells us that katara, aang, and sokka all contribute pretty equally to setting up their camp while traveling. in “jet” they all help pack up camp, in “the great divide” sokka sets up their tent, katara collects firewood, and aang gathers food. and yet even though they all seem to contribute pretty equally to setting up camp, we are shown so many scenes of katara doing extra chores while the others are preoccupied with something else. in “the southern air temple,” katara packs up their supplies while sokka is sleeping, then again packs up everything while sokka’s eating the food momo gave him. “the warriors of kyoshi” episode implies katara is the only one mending everyone’s clothes, and while sokka is getting his ass kicked training with the kyoshi warriors and aang is entertaining his fan girls, katara is shopping for food and supplies.

in “the painted lady,” the group all goes shopping for food together, but it’s katara who cooks dinner for everyone (shown twice in this episode). in “the runaway,” katara’s at camp cooking for everyone while they’re off tricking a gambler to make more money. sokka, aang, and toph buy food/supplies, then leave them with katara to sort out while they go have fun in the village (and sokka gets to buy his messenger hawk). and katara’s the one seen as a “buzzkill” for worrying about their safety. this pattern continues in “the western air temple” and “the firebending masters” where we see katara cooking and serving food to the group, but there aren’t scenes of them doing other chores.

and of course, “the desert” is an entire episode dedicated to katara keeping the group alive. and that’s not even to mention the countless amount of emotional support that she gives to her friends, often putting other people’s needs above her own. sure, katara might not be the person with the map or the master plan, but that doesn’t mean her contributions are any less important.

sokka’s character arc involves growing into a strong leader and strategist, so it makes sense that the fandom often likes to focus on the moments that go into building this arc, the moments where he does take the lead and is responsible. but for katara? it’s just something required of her and of most female characters. taking on extra responsibilities is something to be admired in men, but just expected of women. 

and to be clear, i’m not saying that sokka is not responsible, he definitely is. i just find it interesting that some parts of this fandom have a skewed perception of katara’s role in the group, often claiming her to be the “irresponsible” or “immature” sibling while poor, exhausted Dad!Sokka™ is the only one keeping these silly kids alive. sokka and katara both had to grow up too fast, they’re both kids who are very mature for their age and took on adult responsibilities far too young (though in different ways). acknowledging the sacrifices katara made and the labor she took on to take care of others isn’t diminishing sokka’s character arc, it’s something he even admits in the show himself. and i love their relationship because even with such a complicated family dynamic, it’s so clear how much they love and support each other.

[sapphic-agent]

Why & How Katara is the Strongest Waterbender

The ATLA fandom is funny. Because if there's one member of the Gaang whose skills are continuously doubted, it's Katara's.

No one hesitates in saying that Toph is the strongest Earthbender in the world. Aang has always been maintained as a natural prodigy. Sokka's strategic intelligence and cleverness are never in question. Most people are positive that Zuko would have beaten Azula if she hadn't targeted Katara and hail him as a swords master.

But for some reason, it's always Katara whose proficiency is either called into question or severely downplayed.

Some are skeptical about the legitimacy of her becoming a master in a short time. Others are certain that her victories are due to plot manipulation. Both of these arguments that ATLA is a kids' show which pushed it into giving her the win.

(Funny how ATLA is the greatest piece of media ever read until it comes to anything pertaining Katara's character lmao)

So I wanted to take a minute to talk about the progression of her waterbending skills and how she became Master Katara.

Pre North Pole

The first time we really see Katara practice waterbending is in The Waterbending Scroll when she decides to show Aang her limited very skill set. She noticeably has a difficult time with her bending, whereas he seems to pick it up rather quickly.

As we know, Katara has never met another waterbender before. She has no idea what their bending is supposed to look or feel like. And that's reflected in the moves she shows Aang.

I want to draw attention to Katara's stance here. She's stiff, even a little awkward. She's standing where more like an Earthbender. We see this repeated when she's practicing the Water Whip.

Even later when she does perform the Water Whip correctly, there are still traces of this.

You know how Iroh learned to redirect lightning watching Waterbenders? Well, my assumption (at this point I'm 80% sure it's meant to canon) is that Katara learned most of her bending by watching Aang and the Earthbenders they met around the world.

It makes sense, right? They would have been the closest thing to Waterbenders she could have learned from. She even asked Aang to teach her in the first episode. So the start of her bending began with incorporating the forms of Air and Earth.

And we see the results of that in her fight with Pakku.

Fighting Pakku

Katara's fight with Pakku is a great demonstration of his visually. He's a master, so he's already proficient at "push and pull." Katara is not. She's done it before, but it's not her go-to style when she's fighting. And we can see it in this fight.

Again, her stance is firm. She either blocks his attacks or bats them away. She doesn't reinforce and redirect them like he does hers. She isn't fighting like a Waterbender, she's fighting like an Earthbender.

Not to say this is a bad thing. Pakku himself even admits that she's good even though they both know she can't beat him.

Why am I bringing this up? Because one thing about Katara that's overlooked is her adaptability. When she didn't have a waterbending teacher, she made do with observing Earthbenders. She picked up Pakku's teachings even better than Aang had. And going forward from here it really begins to shine in her bending.

She completely dominates Pakku's other students and Zuko (twice). Why? What makes her so special compared to men who have been training their whole lives?

Because water is the element of change. By being so proficient in adapting (not just in her bending, but openly embracing different things and experiences and people), Katara unknowingly embraced the mentality of her element.

(It's actually a funny twist of fate because you could make the point that the North held its other Waterbenders back by being so bound to and unflinching in their traditions. It would explain why none of Pakku's students even stood a chance against her)

If you think about it, you could draw parallel to Yue explaining the history of Waterbending to Katara to the Sun Warriors explaining fire as an element to Zuko. In both cases, you can see that they're able to see and understand their element in a new light. Although it's more of a realization moment for Katara as she already knew about pushing and pulling and it's more of a lesson for Zuko who was taught something completely different.

Katara vs Azula (Round 1)

You know how I said people attribute her wins due to plot manipulation because ATLA is a kids' show? Well it seems like Katara vs Azula is the scene they focus on the most for that.

But let's be real, this isn't a fluke. The show purposely draws attention to Katara prowess and skills during this fight.

Azula is someone who's always in control. She's someone who goes into fights with full confidence. But she is completely thrown off by Katara's abilities here.

And this is something that persists throughout the entire fight. Katara completely overpowers her. At no point during the fight did Azula have the upper hand against her.

And remember, this is Azula's fight. She's the one who imprisoned Katara and Zuko. She's the one who attacked Katara and Aang to begin with. Sure, she was probably counting on her manipulation of Zuko working and him backing her, but there was no guarantee that he would be able to get away from Aang long enough to help her.

And right after this, Aang really struggles against Azula. He doesn't own the fight nearly as well as Katara does.

So, we know it isn't a fluke. The creators intentionally made Katara outclass Azula here. She's canonically the superior bender between the two of them. And that's not a small feat by any means. Azula at this time is one of the best Firebenders alive, probably fourth (after Ozai, Iroh, and Jeong Jeong (she could possibly be above Jeong Jeong)).

So what was the reason for this? Why was Katara able to outclass Azula so effortlessly?

Well here's where Katara's mastery of the meaning of her element comes into play again. She understands and excels in the concept behind water. Always changing, always adapting. She embraces water to its fullest capabilities (which also includes incorporating other elements into it; water would actually be the best element to do this with). The entire fight, she's switching stances and forms and keeping Azula on the evade. Whatever Azula throws back is dealt with without an issue.

And as we know, Azula (and most Firebenders) misunderstand fire as an element. She uses it solely as a destructive force, but it's also energy, life, and passion. This is also part of the reason Zuko lost so easily in the Northern Water Tribe; he also had the same issue. Katara's proficiency in water as not just a weapon, but an element, gave her the advantage over Azula she needed.

Katara vs Hama

A debate that comes up a lot is who's the better bender between Katara and Amon. To that I have always said Amon was taught Bloodbending, Katara just did it.

Let me reiterate: NO ONE TAUGHT KATARA BLOODBENDING. Hama explained the concept to her, yes, but never actually taught her. In fact, she did not expect her to pick it up without guidance. In her own words, "You should've learned the technique before you turned against me."

This was a technique that took Hama decades to learn. Tarrlok and Noatak were trained relentlessly. And Katara just... Did it. No guidance and no build up. This supports that Katara's adaptability and versatility in her bending is unmatched. She's able to comprehend and perform advance concepts with no training or teaching.

Now that we got that out of the way, this fight is so comprable to Katara vs Pakku. This is the second time she's fought a master and we can see how much she's improved. So much so that she doesn't even struggle against Hama.

At this point, she's mastered "push and pull." She's able to take everything Hama throws at her and send it right back with little to no effort.

But she takes it a step further.

Instead of redirecting, Katara completely stops Hama's onslaught. This undoubtedly is something she picked up from Earthbenders. It certainly isn't a Waterbending technique, yet somehow she made it into an effective move.

Look at Hama's face. She's completely thrown off by this. This was not something she ever expected out of any Waterbender. She was completely unprepared for Katara to be able to outmatch and overpower her.

Katara completely surpassed her, solidified by using the technique she invented against her.

I was going to talk about Katara and Azula's second fight, but there isn't much to add there. I already compared the difference in their skills talking about the first fight, and the Agni Kai is an escalation of that. The outcome of the Agni Kai was already decided and confirmed in the catacombs.

And that my friends is how and why Katara is the best Waterbender in the world

[arieskorra]

Angry Katara is my lifeblood but have we talked enough about how beautifully emotional she is? Her heart is so full of love.

She sees Aang do something even mildly adorable and suddenly she becomes overwhelmed™️ and starts thinking of everything he’s been through, and how good he is to her and how happy he seems after the war, and how much she values his presence in her life and how noble and gentle and kind he is and how she thinks he brings light everywhere he goes, and she loves him more than she can express with words and suddenly she starts *sobbing* and Aang is like “oms are you ok??”

She looks at Sokka one day and suddenly he makes a face that looks exactly like their mother, and she starts to think of how far he’s come and how supportive he always was of her even through his misguided misogynistic boy years because she knows he’s never really been that way, he was just trying to be what he thought a man was, and now look at the man he’s grown into, and he sees her and says “are you alright? you’re staring at me funny. did i do something?” and she just starts *sobbing uncontrollably* (however she tries to keep it together bc he’s her brother and losing it in front of him is way too embarrassing lol)

All this to say I think what’s so beautiful about Katara is how her anger is something that comes from her capability to feel everything so deeply. It comes from love and a desire to protect the things that are precious to her, and when she helps others she is guided by empathy. She is so so so emotionally intuitive and not only that, but she also understands fundamentally that her emotions are a sacred part of her. She takes pride in them and lets them guide her and it’s so inspiring to me.

On a side note, Katara is 100% Cancer coded and you cannot convince me otherwise.

[sanrielle]

I've been thinking a lot about Katara and her feminism vs. her desire to preserve her dying culture. Like I know that the SWT probably isn't as sexist as the NWT, but there are still a lot of enduring practices that have roots in patriarchy, as demonstrated by Sokka's earlier sexism.

So I think Katara would end up with an odd mix. She's obviously a staunch feminist who thinks girls and women should follow their own paths, regardless of what society in general thinks their roles should be. But at the same time, she can't escape from some of the subtler (and possibly more insidious) traditions of 'propriety' and the role of women as the homemakers.

[Obligatory disclaimer that I don't know that much about Inuit culture when it comes to these things. I'm purely basing this off of what is shown in the cartoon itself.]

Something that kinda goes along with this is Katara's necklace. To her, it's a symbol of her grandmother's struggle for independence, as well as a memento of her mother and the sacrificial love she displayed. In the NWT, it represented (at best) a romantic commitment and (at worst) a transfer of property. I don't think she'd associate hers with either, and she'd probably be insulted if Aang tried to give her a new one when proposing.

(I maintain that the necklace she wears as an old lady is the same one she had in childhood. The fact that it looks wonky in that one screenshot is nothing more than lackluster rendering.)

Anyway, I've gone a little off topic. I just think she's a really interesting study in how someone can rail against the negative parts of their culture that don't appeal to them, while also having an internalized fondness for some of those same traditions, simply because they are familiar and nostalgic.

Take Toph for contrast. I don't think she's the butch anti-feminine person a lot of people make her out to be. She just does what she wants. She's perfectly happy to go to the spa or wear dresses and makeup, but only if it's her choice to do so. She's railing against the repressive and oppressive culture of elite EK society simply because she previously had no agency over her life.

Meanwhile, Katara takes an active role in seeing to the physical and emotional needs of her brother/friends. And even though that 'motherly' role is largely a trauma response and something she deeply resents at times, I think it's also a source of comfort to her. Something about her culture that she desperately clings to.

I think a lot about her and Aang's life post-war. They would be very focused on reconstruction for years, most likely. Katara would have her own projects with the Water Tribes, but also spend a lot of time helping Aang. Some part of her craves the validation of appearing to be 'proper' concerning her relationship with him. Maybe she's a bit hypocritical about it: unwilling to wait until they've settled down to be intimate, but also reluctant to publicly break certain social 'rules'.

She keeps telling herself there's so much to do in the world, and maybe she feels this heavy burden to do as much good as she can before allowing herself to rest and slow down and create the family she's always wanted.

But then ten(ish) years have passed and suddenly! Baby on the way! Oops! Katara knows she's a public figure and cares a lot about how she's seen. She wants the respect of the people from her own culture. And so they stop. They get married. They settle down.

Katara becomes the wife and mother, which she definitely wants while also having some lingering regrets and conflicting feelings. She still wants to be a role model for other girls and women, but she likes not being constantly on the move and fighting people and playing politics. She likes getting up in the middle of the night to sing an old Water Tribe lullaby to her baby. She likes it the most when Aang is there because he's always seen her as an equal partner, not a piece of property.

Anyway, I didn't really have a point. Just rambling about my own headcanons. I've always put a lot more thought into Toph and Sokka's characters, but I guess Kataang has been on my mind lately. And tbh I never gave Katara the attention she deserved when writing fics, which is a travesty.

[starlight-bread-blog]

In Defense of Katara

Update: The views expressed on Aang in this post are majorly dated.

Katara has been..

a controversial character. Particularly for the following reasons.

Supposedly talking about her mother "all the time", bringing it up out of context, making it all about herself and lashing out about it.

But before properly analyzing her character, let's first actually list off all the episodes where Katara has mentioned her mother (also in video form):

The Boy in the Iceberg:

Mentions her mother to confront Sokka about being lazy, establishing the family dynamic after her death and generally setting up her character arc.

The Southern Air Temple:

Firstly mentions her mother to prepare Aang to discovering a "potential" loss when getting back home. Then again to show empathy to Aang by showing that she somewhat understands what he's feeling.

Imprisoned:

Brings up Kya to connect with Haru about similar losses. It's also brought up again by Haru when her mother's necklace disappears.

The Waterbending Scroll:

Didn't mention her mother, just the necklace. Since Zuko showed her the necklace, which was lost.

Jet:

Mentions Kya to connect with Jet who also lost his parents to the Fire Nation.

The Waterbending Master:

Once again, she only mentions the necklace. And only because Pakku notices it himself.

The Swamp:

The swamp makes her hallucinate about her mother. It was fully outside of her control.

The Crossroads of the Destiny:

Brings up her mother's death once she got a chance to have a conversation with Zuko, who was her enemy and for all she knew, represented the nation who killed her mother.

The Headband:

It is brought up by Aang. He tells Katara that people could recognize her necklace for being Water Tribe while hiding in the Fire Nation.

The Puppetmaster:

Katara connects with Hamma over being from Southern Water Tribe and being hurt by the Fire Nation.

The Southern Raiders:

This entire episode focuses on Kya. She mentions her 5 times total. (Worth noting that Zuko brought it up in the first place).

It is also brought up in The Runaway by Sokka, and in Sozin’s Comet Part 4: Avatar Aang by Hakoda.

To sum up: Katara brings up her mother in a total of 11 episodes. 1 to establish the tragedy, 1 to comfrot Aang, 1 was outside of her control, 1 to confront the Fire Nation prince, 3 to connect with someone with similar experience of loss, and 4 times it's just about the necklace.

The claim that Katara brings up her mother "all the time" and out of context is entirely baseless. But I know what you're thinking:

Yeah it's bad. Really bad. But Katara is a 14 year old, dealing with grief. By no means this is an okay thing to say. But let's dive deeper – how her mother's death effected her, the dynamics it created and if there is any truth to what she's saying.

Katara has always been the care giver, the one who'll notice when you're in need, giving seemingly unconditional emotional support. Even prioritizing other's well being over her own. In The Deserter, Aang acted careless, using his firebendering to accidentally injure Katara. Unsuprisigly, Aang feels terrible about hurting her. He is confronted about it not by Katara, but by Sokka. Meanwhile Katara heals her own scar. And in the end, she's the one comforting guilty Aang.

Another instance is The Desert. The Gaang was stuck without Appa, with little to no supplies, in the middle of a desert. They're all hungry, exhausted and unsure of what's to come. Katara shows incredible resilience and empathy – she offers her bending water to everyone, but isn't show to drink any herself. And her response to Aang's outburst after semi failinh to get water from a cloud.

Katara: Wow, there's hardly any in here..

Aang: I'm sorry, okay?! It's a desert cloud! I did all I could! What's anyone else doing?! *Points at Katara* What are you doing?

Katara: Trying to keep everyone together. Let's just get moving. We need to head this direction.

In the end of the episode, Aang finds the sendbenders who stole Appa. He gets in the Avatar state, and while all the other characters run away, Katara stays, she hugs him in an uncontrollable rage. Want to hear something interesting? We don't see the characters express gratitude to her efforts. Even in the next episode she helps strangers give birth.

Instead of resolving her trauma, Katara internalized it. She became "the mother". She is the reason Sokka doesn't bring up his mother. I'd like to add a quote from Sokka in The Runaway:

"I'm gonna tell you something crazy. I never told anyone this before, but honestly, I'm not sure I can remember what my mother looked like. It really seems like my whole life, Katara has been the one looking out for me. She's always been the one that's there".

This is the closest we got to giving Katara the much needed support. Their grief is not the same.

Same goes for Aang's grief. Yes, he lost his entire nation. While Katara's grief molded her character, Aang's grief is only brought up when used in context. It's only brought up explicitly 3 times: In The Southern Air Temple, while finding out what happened for the first time; in The Storm for giving us his backstory and in The Guru when he has focus on his grief. It's also used to create another layer of tension 3 other times (The Northen Air Temple, The Desert and The Serpent's Pass). In every time it's brought up, it's linked to the overall plot/subplot in some way. It isn't something that is shown to change who he is as a person.

Katara on the other hand, took on the mother role in the age of eight, fundamentally changing who she is. She is used to swallowing her pain, to suck it up because others need help. Only showing weekness when alone, when no one from the Gaang is looking.

Almost everything about her is somehow linked to Kya. She cooks, she she sews, she gives orders – like a mother. A quote from The Runaway:

Katara: What do you think, Aang? Do I act like a mom?

Aang: Well, I-

Katara (intensively): Stop rudding your eye and speak clearly when you talk.

Aang: Yes ma'am!

That's her canonical love intereat what? So casually, it's about Kya. The trauma they all experienced is semi the same, but the impact was completely different. Katara's experience of grief is fundamentally different from Sokka's and Aang's and never had a proper closure.

Until The Southern Raiders. Katara has a chance to finally express all of this pent up trauma. You might not think it's healthy, or sympathetic, but now it's Katara's grief that is on full display. But Aang and Sokka weren't understanding. They suggest her to go right back to what she has been doing for years. Aang even compares her loss to losing Appa and tells her she sound like Jet. And in a moment of humanity, weekness and frustration, Katara lashes out.

[marchlione]

another bone i have to pick with atla fic writers, writing katara in a way that makes her out to be a totally unreasonable bitch who goes out of her way to hurt zuko or refusing to treat him is completely ooc. katara, no matter how much she hates someone, always tries to help, it is the core of her character, no matter how angry she is, no matter how much she can hate, she always, always, chooses compassion and forgiveness. This is a choice she makes even when confronting her mother's murderer. She could have killed him or done any number of things to him, but she didn't. In her own words, Katara will never, ever turn her back on someone in need. That is Katara's greatest strength and what makes her my favourite character.

In the beginning she, like Sokka, is helpless to the dangers her tribe faces. When she, Aang and Sokka travel to the North Pole, she is yet untrained, and if caught or attacked, she doesn't have much in the ways of defending herself, but despite this, she goes out of her way to try and help other victims of the war in any way she can. After being trained, she has the power to defend herself and others. She even gains the ability to blood bend. With all this power that she didn't have before, she could have gone the way of Jet and exacted her revenge in anyway she could, without considering how it hurt innocents. She could have done a lot with her bloodbending. But she didn't. She draws a line in the sand, she chooses "good", she chooses to be compassionate, even when it would be so much easier to hate, and hurt, even when it would make far more sense to turn someone away. Katara is the first person to give Zuko a chance, despite the fact that he has been chasing them from the moment Aang came out of that iceberg. Zuko had been pursuing the gaang the way Azula hunted them for far longer, even if he didn't deprive them of sleep. He at one point caught her and tied her to a tree. Katara had so many legitimate reasons to hate him and turn him away and not trust him. And we know she is capable of hate, we know she is capable of hurting. But she doesn't. That's the point. That is who she is.

So making her a petty bitch going out of her way to cause bodily harm to poor baby zuzu, is extremely disingenuous. We, as the audience, know Zuko's arc, we've seen his journey, we've watched him realize the harm the fire nation causes, the atrocities they've committed and resolve to no longer be a part of that and eventually accept that he has to actively make the world a better place. We know that his betrayal under Ba Sing Se was him backsliding, and was ultimately what sealed the deal in terms of him coming to realize the full extent of the fire nation's corruption. But their world didn't sit around "waiting for him to switch sides, and had to plan for a future where he didn’t" (quote from 'There Within' by Avataraccount on ao3). And a direct consequence of Zuko's betrayal was Aang's near death and destruction of the Avatar cycle. Katara was the one who worked tirelessly to keep Aang alive, to keep the world's last hope alive. She was the one who had to directly face the devastating consequence of her choice to trust Zuko in the caves. So when Zuko comes back and reiterates the spiel he gave her (albeit with stronger and firmer conviction but that makes no difference to someone who has heard a version of it before and watched him go back on it), Katara is well within her rights to not trust him. Making her distrust seem like it is childish or selfish is ridiculous. As is trying to justify it as her "character flaw". Katara is learning from what she deems as her mistake from before. In fact, she's making the smart decision!

[theotterpenguin]

i just saw this comment when i was looking through the reblogs - the chores analysis was my post in case were still looking for it!

I just watched Avatar for the first time all the way through, and yeah, it’s great, but the one thing that surprised me was how different Katara was compared to the fandom interpretation I’d seen and internalized before watching.

Like, before you watch Avatar, you’ve seen all these memes about Katara and her mom, and based on those memes, you assume it’s one of those lines you have to get used to hearing at least once every episode. But then you watch the show and realize that she only talks about her mom maybe five or six times per season and you also realize she only brings her up when she’s trying to comfort someone or empathize with them because that’s how she processes her grief and that’s one way she connects with people.

Or you hear the infamous line, “then you didn’t love [our mother] the way I did” and you prepare yourself for one of the worst character assassinations ever only to see the scene after nearly three seasons worth of context and realize she was kinda right. She’s been the mother, the nurturer, the comforter. She’s been patient, gentle, and accommodating where everyone else has gotten to be insensible and reckless and childish, and the one moment where she allows herself to feel her grief, suddenly she’s this evil bitch and not, y’know, a 14 year old girl whose been thrusted into adulthood in a way no other character has. A 14 year old girl who should be allowed immaturity and raw emotion and anger instead of the patience and grace she’s been forced to extend to every character without even the smallest amount of gratitude or even consideration in return.

Or you see all of the clips where Katara puts Aang in the “friendzone” and you expect to have this wishy washy back and forth where Aang is putting his feelings out there only to have Katara neither commit nor express any clear reciprocation or rejection. Then you watch and realize that, as cute as the ship is initially, that there’s never a point where Aang returns any comfort or grace to Katara despite her always doing this for him to the point of coddling. That for as much as Aang says he loves her, he never seems to outgrow his perception of her so he can recognize her as someone who feels grief, anger, and pain as much as she expresses love, kindness, and maturity. And instead of having moments where he learns to see her beyond her strength or compassion, you’re instead given moments where Aang forces his feelings onto her, both romantic and non-romantic, and Katara is expected to just…shoulder those feelings the way she shoulders everyone else’s.

Katara is the most misunderstood character in the show. As much as people recognize the complexities of Zuko, Sokka, and Azula, they struggle to do the same for Katara because they see her struggles as somehow lesser, and therefore, less deserving of sympathy. They can handle her so long as she’s being endlessly patient and loving and kind, but the moment her endless love, patience, and kindness runs out, she’s suddenly this annoying bitch who can’t shut up about her mother or reciprocate Aang’s feelings. But Katara’s trauma does matter as much as anyone else’s. No, she wasn’t banished from her kingdom. No, she didn’t lose her entire community, and no, she isn’t the only one who lost her mother. But the difference between her and everyone else whose experienced loss because of the Fire Nation is that she’s never given time to process her trauma. Aang gets to lean on Katara constantly. Toph gets to express her feelings to Katara, and yeah, Sokka also lost their mother, but unlike Katara, he isn’t put in the position of being a substitute for everyone’s parent. He even admits that he sees his sister as a mother. The only characters who ever comfort Katara or allow her to vent is Zuko and her father and that’s, like, three scenes in a show where the other characters are consistently given opportunities to seek out Katara for unconditional support.

The fandom interpretation of Katara has been so bastardized that even those who haven’t watched the show know her for this fanon version and not for who she is. She’s such an interesting character beyond her fandom limitations, though. She’s brave, hot-headed, and hopeful as well as gentle and caring. She wishes to learn waterbending, not only because she wants to fight in the war, but because she wants to continue her culture’s practices because, and people often forget this, she also lost an entire subculture within her already fractured tribe. And she wants to defeat the Fire Nation both because of her deep love and empathy for other people, but also because she wants to avenge her mother. But because some of the fans have reduced Katara to a bitch who constantly whines about her mother and friendzones Aang, you wouldn’t know any of this, and it sucks because she’s the only character whose been dumbed down to such an extent.

[count-horror-xx]

I actually like zutara as a concept, it's a ship I'll casually read fics about them sometimes.

it's just zutara fans are fucking delusional. Stop treating their Canon partners as abusive when it's the complete opposite. Especially Mai.

Aang isn't a misogynistic monk that forces katara to be his house wife. If he did katara would leave him in a millisecond. He actually cares so much about her. It's actually Canon HE cooks and accommodates his cultural food with kataras.

And Mai was literally ready to die for zuko. Even when they just broke up, she was ready to get electrocuted by azula if it wasn't for ty lee chi blocking azula.

I'm aware it seems like she doesn't care about him the way she's quiet and aloof but I understand where she was coming as someone who somewhat has similar tendencies of being a little awkward when trying to show emotions and it coming off as being uncaring or rude. But at the end of the day she really shows she loves him, so people saying she's abusive is completely inaccurate to her character.

Her bottling up her emotions was taught by her parents as she explains in the beach episode somewhat where she had to worry about her father's reputation all the the time, forcing her to be quiet as a form of behaving.

Personally I think her quiet personality fits with Zukos loud ass, especially giving him a reality check during the beach episode calling him out for being angry all the time and how he needs to keep it in check.

Zutara is a nice ship I agree but you can ship it without mischaracterizing tf out of thier Canon partners.

[longing-for-rain]

Katara and Mutuality in Relationships

There are lots of conflicting opinions about which characters Katara felt attraction towards, which characters she didn’t, and how long she felt that attraction. I see in most cases, people point to quick clips of her faintly blushing or kissing another character on the cheek as evidence, but I think these kind of takes miss the nuance of the purpose attraction serves in a story.

Most importantly, I see these characters treated as if they are actually people capable of making their own decisions. It’s important to remember that these are fictional characters. They don’t make their own choices; the writers make their choices for them for the purpose of telling a story. From that standpoint, it’s more valuable to examine how a character’s story and narrative themes tie into their relationships with other characters. Animators can shove in a kiss or a blush wherever they want, but it’s harder to demonstrate through storytelling how and why two characters might feel attraction towards one another, and how a relationship between them would develop both characters and contribute to the overarching themes of the story.

In other words, when discussing which characters Katara is “attracted” to, I’m discussing which relationships and actions within the narrative build on her established story and arc. Romance is always integrated into a story for a reason, and considering that reason is important.

Unfortunately, ATLA is very much a product of its time in this way. It’s easy to see what romance adds to the arcs of the male characters—but not so much with the female characters. All three canon relationships (kataang, sukka, and maiko) follow this trend to some degree. The primary purpose of the woman in this narrative is to act as a prize for the man for performing some good deed. Once they’re together, she ceases having her own motivations and becomes an extension of the male character she’s dating. This is pretty blatant with Suki—she barely had a personality in that later seasons; she is there to be Sokka’s girlfriend. Similarly, Katara becomes a completely different character—she’s even animated differently—when the narrative pushes her into romantic scenes with Aang. Her character is flattened.

So what is Katara’s arc, and how do the romantic interactions she has throughout the series contribute to this?

Well, that could be a whole other essay itself, but to put it simply, Katara’s arc is one of a young girl devastated by grief at a young age clinging to hope that she has the power to fight and change the world for the better. Which she does as she gains power and confidence throughout the series—culminating in her defeating Azula in the finale.

But the part I want to focus on here is how Katara connects with other characters. She connects with them over shared experiences of grief and loss.

Take Haru, for instance.

Haru: After the attack, they rounded up my father and every other earthbender, and took them away. We haven't seen them since.

Katara: So that's why you hide your earthbending.

Haru: Yeah. Problem is…the only way I can feel close to my father now is when I practice my bending. He taught me everything I know.

Katara: See this necklace? My mother gave it to me.

Haru: It’s beautiful.

Katara: I lost my mother in a Fire Nation raid. This necklace is all I have left of her.

Haru: It’s not enough, is it?

Katara: No.

This isn’t just a throwaway moment; it’s an important character moment that leads up to growth and the progression of Katara’s overall story, both in this individual episode and in the whole series.

Katara finds her power in the connections she’s able to make with other characters. It’s a powerful driving force for her that makes her a strong character even before her bending abilities develop. Imprisoned was such an important episode to establish who Katara is and what her power is, and adds so much to her arc.

But there is one line in particular from the above exchange that also stands out: Haru says “it’s not enough, is it?” and Katara agrees. Even this early in the series, we’re establishing the fact that despite her drive and hopeful outlook, Katara feels deeply hurt, she feels a deep sense of loss that she opens up about to other characters in moments like these. But unlike Haru…Katara can’t go rescue her mother. Her mother is dead, and we see her grapple with that grief throughout the series.

Another character she reaches out to like this is Jet.

Jet: Longshot over there? His town got burned down by the Fire Nation. And we found The Duke trying to steal our food. I don't think he ever really had a home.

Katara: What about you?

Jet: The Fire Nation killed my parents. I was only eight years old. That day changed me forever.

Katara: Sokka and I lost our mother to the Fire Nation.

Jet: I’m so sorry, Katara.

Another important note about Jet is that there are explicit romantic feelings from Katara in this episode. Again, Katara empathizes with another character through a shared sense of loss. Sadly, in this case, Jet manipulated her feelings and tricked her into helping in his plot to flood the village…but those feelings were undeniably there.

That was the tragedy in this episode, but it also gives the audience so much information about Katara as a character: what motivates her, and what she wants. Katara is established as a character who wants someone who will connect with her and empathize with her over her loss—her greatest sense of trauma. She wants to help others but also receive support in return. The reason why she was smitten with Jet, beyond just initial attraction, is because he gave her a sense of that before Katara realized his true motivations.

A lot of people make the claim that Aang is good for Katara because he also feels a sense of great loss and trauma. And while on paper that’s true…does he really demonstrate that? I just gave two examples of characters Katara connected with this way, and both responded with deep empathy to what she said. Very early on in the show—the third episode—Katara attempts to connect with Aang the same way. How does he respond?

Katara: Aang, before we get to the temple, I want to talk to you about the airbenders.

Aang: What about 'em?

Katara: Well, I just want you to be prepared for what you might see. The Fire Nation is ruthless. They killed my mother, and they could have done the same to your people.

Aang: Just because no one has seen an airbender, doesn't mean the Fire Nation killed them all. They probably escaped!

Just compare this exchange to Haru and Jet. No effort to empathize, not even a “sorry for your loss” or anything. It’s a stark contrast, and the reason for that is because this narrative entirely centers Aang. Katara’s narrative always seems to be secondary to his when they’re together—which is exactly my point when I say this relationship has a fundamental lack of mutuality. It’s built that way from the beginning of the series. It does not add to Katara’s arc nor establish what about this dynamic would attract her.

And, look, before someone jumps down my throat about this…I’m not saying Aang is a horrible person for this response. I think it’s a sign that he’s immature and has a fundamentally different approach to problems than Katara. Katara is a character who has been forced to take on responsibilities beyond her years due to being a child of a war-torn world. Aang’s approach to problems is avoidance while Katara never had that luxury. It doesn’t mesh well.

This is all in Book 1. I honestly could have gotten on board with Kataang if the series meaningfully addressed these issues…but it didn’t. In fact, they actually got worse in some ways.

Back to Katara’s mother. We’ve established that this is a core part of Katara’s character and like in the scene with Haru, she indicates that this is an unresolved issue that pains her. But then, in Book 3, Katara actually does get a chance to confront this pain.

This would have been a powerful moment. Surely the character who is meant to be her partner, her equal, would have been there for her. Surely he would have understood and supported her, fulfilling her narrative and adding to her story.

But Aang didn��t do that. I won’t go into details because there are a million analyses out there on The Southern Raiders, but Aang’s response to Katara was the opposite of understanding. He got angry with her, insinuated that she was a monster for wanting revenge, and tried to dictate her behavior according to his own moral values. And importantly, from a narrative standpoint, he did not go with Katara. One of the most important events in her arc, and Aang didn’t support her—he actually tried stopping her. He didn’t contribute to her growth and development.

Also noteworthy:

Katara: But I didn’t forgive him. I’ll never forgive him.

Even at the end of the episode, Aang clearly doesn’t understand at all what Katara is feeling. This line demonstrates it perfectly. He thinks she forgave him when that wasn’t the case at all…but of course, he didn’t even accompany her, so he didn’t see what actually took place. His worldview is fundamentally different from hers, and he’s consistently too rigid in his morality and immature to center Katara’s feelings.

Throughout Katara’s whole arc, her most significant character moments, Aang’s character just doesn’t come through the way Katara’s constantly does for him. Their narrative lacks mutuality. When Katara and Aang are together, she becomes an accessory to him. The ending scene is a perfect demonstration of this.

Now, to address the elephant in the room.

Which character does actually add to Katara’s narrative and support her growth as a character?

Correct! I just talked about how important The Southern Raiders is to Katara’s character and story, how it’s a chance for her to finally address the grief she’s been carrying since Book 1. And who stood by her side throughout this pivotal moment? Right—Zuko did.

You can talk all you want about how he’s a “colonizer” while Aang’s people suffered genocide, but you’re forgetting that “show, don’t tell” is one of the most basic aspects of storytelling. The fact is, despite how it looks on paper, Zuko was the one there for Katara at her critical moments. Zuko empathized with Katara more than Aang ever did—as demonstrated in this episode. Zuko never once brought up his own cultural values. Zuko never once told Katara what to do. Zuko’s position was that Katara should be the one to decide, and that he would support any choice she made. He supported her decision to spare Yon Rha, but he would have also supported her if she decided to kill him. I actually found this episode to be a satisfying reversal to what is typically seen in TV—for once, the female character is centered while her male counterpart takes the backseat and becomes a supporting role to her narrative.

Even before this, Zuko is shown to empathize with Katara.

Zuko: I’m sorry. That’s something we have in common.

I think what gets me about this scene is the fact that he’s still Katara’s enemy, and she was just yelling about how she hates him and his people. But despite that, Zuko still empathizes with Katara. She is fundamentally human to him, and he expresses that to her in a way that allows them to connect. Zuko stands to gain nothing from this. It’s true that Azula entered the picture and twisted things around—but in this moment, Zuko’s compassion is genuine. His instinct was to respond to her grief with empathy, just like she consistently does for other characters.

And finally, how else does Zuko add to Katara’s arc?

I don’t think there is any more perfect of an example than the finale itself—the culmination of the arcs and development of all characters.

Zuko and Katara fight together. In a heartbeat, Zuko asks Katara to fight by his side against Azula, because he trusts her strength. She’s his equal—both in his mind, and in a narrative sense.

Then, this:

Both of their roles are so critical in this fight. They both save each other. The scene has such raw emotion to it. These characters were together at the conclusion of their respective arcs for a reason.

This is the perfect conclusion to Katara’s arc. She just played a critical role in ending the war that has caused her trauma her whole life. She just demonstrated her mastery of waterbending (another thing she’s dreamed of throughout the series) by defeating the world’s most powerful firebender during Sozin’s Comet. Even though she had help as all characters do, these are victories that belong to her and demonstrate the growth and power of her character. And to top it all off? She was able to save Zuko’s life. She didn’t have to endure the pain of feeling helpless to do anything while someone else died for her; this time, she had an active role, she changed her fate, and she prevailed. Zuko plays an important role in Katara’s story without dominating it. They perfectly represent mutuality. They add to each other’s stories. Their narratives become stronger when they’re together, without one diminishing or sidelining the other.

So, from that standpoint, that’s why I always see the attraction between Zuko and Katara and why I see it lacking between Aang and Katara. Zuko and Katara’s story doesn’t need some cheap little throwaway moments to shine. It’s integral to both characters’ stories. We are shown not told of the way these characters feel about each other. Given everything we know about Katara, her goals, her values, her past loves…absolutely everything points to Zuko being the true subject of her feelings.

Because let’s be honest. The ending I just described is so much more powerful and so much more Katara than seeing her being relegated back to a doe-eyed love interest for Aang to kiss. It hardly even made sense—Katara played no role at all at the culmination of Aang’s arc. She was relegated back to a love interest, rather than the powerful figure we saw fight alongside Zuko.

[pokidokieships]

Excuse my Zutara fangirlism but I’m on my hundredth ATLA rewatch and I just noticed another one of those scenes that could have made for PERFECT foreshadowing… it’s really crazy how this ship wrote itself in the show!

Anyways notice how Katara reacts to Jet seemingly wanting to join the gaang and Toph calling her out on it:

(Excuse the bad quality Netflix didn’t allow me to take screenshots bahah)

And then:

She’s blushing because she obviously had feelings for Jet, a canonical love interest of hers.

But doesn’t this scene strike you as familiar in any way…..?

She reacted the same way with Zuko, these scenes are so identical it’s INSANE! The subtext!! *screams*

But this time Zuko is genuine and works to gain her trust back!! And then we see him risk his life for her like a couple episodes later…. AHHHHH

How are they not a canon couple again??

[did-we-imagine]

OMG you hit the nail on the head esp because I feel ppl sleep on the fact that Katara not only grieved but she felt guilty and responsible for that tragedy even though she wasn't.

I think it's the reason why she is holding onto her grief/trauma more than Sokka. My poor girl is angry at herself.

If Hakoda was the one to sacrifice himself to protect Sokka and Sokka talked about him often, most of the fandom wouldn't bat an eye at it.

But when Katara talks about her mother’s sacrifice it's suddenly annoying.

[theotterpenguin]

Katara's Legacy in LOK: "Healer Wife of the Avatar" (part I)

I only recently finished watching all of The Legend of Korra from start to finish. Based on the analyses I’ve read from the time the show was airing, there seemed to be a decent amount of backlash against how the adult gaang was portrayed - particularly Katara. LOK’s fanbase has grown since then, though, especially during the 2020 renaissance, and I was surprised by how many recent positive comments I’ve seen from fans on Katara’s role.

Because if you paid attention at all to Katara’s characterization compared to Aang, Sokka, Toph, and Zuko, it’s clear just how much Legend of Korra has tarnished her “legacy” or lack thereof.

I will be splitting this analysis of lok!Katara into two parts:

First, I will break down her portrayal in the show compared to the other members of the gaang to demonstrate how Katara received the worst treatment from the writers. Though I did have problems with the other characters’ portrayals as well, I don't have time to discuss them in-depth in this post. Then, I will counter common arguments used in defense of lok!Katara’s portrayal on the grounds that they do not provide an adequate in-universe explanation for her character’s drastic change from ATLA.

For part 1, I decided to examine everything we know about the gaang after the original series only based on the information provided via Legend of Korra (excluding poor Suki, who is never mentioned at all). For each character, I will answer the question “What do we know about [character] based solely on their role in Legend of Korra?”

Sokka

Assuming we have never watched ATLA before, what do we know about Sokka based on LOK?

Well-respected for his wisdom and leadership, as he was Chief of the Southern Water Tribe, a councilman in Republic City (Representative of the Southern Water Tribe), and the chairman of the United Republic Council

Played a significant role in Yakone’s bloodbending trial - moderated the Council’s deliberations and announced their decision to find Yakone guilty

Worked together with other political/military leaders - Zuko, Tenzin, and Tonraq - to protect Avatar Korra by designing prisons for Red Lotus members that would be impervious to their bending

Toph mentioned they were friends in their youth, describing a time he was stuck in a hole when she was trying to teach Aang earthbending

Sokka, Toph, and Aang seemed to have remained friends into adulthood as they all worked together to defeat Yakone

Fond of his trusty boomerang, which he claimed to have used to win a fight against a man with combustion abilities

Due to his achievements, has a statue built in his honor in front of the Southern Water Tribe Cultural Center in Republic City

Zuko

Assuming we have never watched ATLA before, what do we know about Zuko based on LOK?

Former Fire Lord and co-founder of the United Republic, who worked with Avatar Aang after the 100 years war to transform the Fire Nation colonies into the United Republic of Nations

Zuko and Avatar Aang had a rocky start, as Zuko described a time when he once hired a man with combustion abilities to kill Aang in his youth, but they eventually became close friends

Acted as Aang’s counsel and was described as being the person who knew Aang better than everyone else, leading Korra to turn to him for advice

Good friends with the Southern Water Tribe - worked with Sokka, Tonraq, and Tenzin to imprison Red Lotus members that wanted to kidnap Korra, specifically working with Unalaq and Tonraq to build a prison to hold P’Li

Years later, continued to work against the Red Lotus when they broke out of prison

Investigated the prison break of Ming-Hua, sent word to Lin Beifong to protect Korra, then flew off on his dragon to stop the Red Lotus from breaking P’Li out of prison

Fought Ghazan using his firebending during the Red Lotus break-in

Discussed the Red Lotus situation with Lin, Korra, and the others, before leaving early on Druk (his dragon) to return to the Fire Nation and protect his family

Despite being in “retirement,” remains an active participant in international relations - makes appearances as Prince Wu’s coronation and Jinora’s airbending master ceremony, along with engaging in discussions with President Raiko, Tenzin, and Tonraq about the future of the Red Lotus after Zaheer was imprisoned again

Highly respected and honored for his achievements - Bolin and Mako were impressed to meet him, statue was built in his honor in Republic City

Had a close relationship with his Uncle and his surviving family include his daughter, Fire Lord Izumi, and his grandson, General Iroh II

Toph

Assuming we have never watched ATLA before, what do we know about Toph based on LOK?

Previous Chief of Police in Republic City, founder of the first metalbending police force, founder of the first metalbending academy

Renowned for inventing metalbending, which is utilized for the development of modern technology and innovation in Republic City and the Earth Kingdom (particularly, Zaofu, is regarded as the safest city in the world due to it being made entirely out of metal)

To honor her metalbending achievements, there are several statues of her in Zaofu

Good friends with Avatar Aang, whom she affectionately named Twinkletoes, and was his earthbending teacher

Worked with Aang to arrest Yakone and was present at Yakone’s trial

Acted as a mentor to Korra, helping Korra face her fears and trained with her

Despite her old age and grumpy personality, Toph remained a strong fighter - easily able to beat Korra during training sessions, take down Kuvira’s sentries, and successfully break into Kuvira’s prison using her earthbending and metalbending abilities

States that her fighting days are over due to her old age, but has no problem fighting to save her family when they are captured by Kuvira (twice)

No interest in involving herself in current political problems in the Earth Kingdom, but will defend her family from political forces that threaten them

Strained relationship with her daughters (Suyin and Lin) because of how busy she was with her job, giving them too much freedom as she didn’t want to be as strict as her own parents

Covered up for Suyin’s crimes to save her reputation, leading her to retire early from guilt

Eventually repairs her relationship with her daughters - admitting she wasn’t a great mother but had great kids

Spent rest of her life living alone in a swamp, mentioning she has previous experiences with the visions it produces

High reputation in Republic City - has a statue of her built in front of police headquarters, Asami is impressed by her, Bolin calls her his hero

Aang

Assuming we have never watched ATLA before, what do we know about Aang based on LOK?

Previous Avatar before Korra, negotiated relations between people of all nations to keep peace and balance and served as the bridge between the Spirit World and natural world

Worked with his closest friend Zuko to transform the Fire Nation Colonies into the United Republic of Nations after the war

Lost his entire culture of Air Nomads to genocide during the hundred year war and was devastated - his greatest dream was frequently described as rebuilding the Air Nation and reviving Air Nomad culture

He began to do this by founding the Air Acolytes, who preserved the culture, practices, and teachings of the Air Nomads passed on from Aang

Placed all of his hopes and dreams for the future on Tenzin's shoulders, his only airbender son

Deeply connected to the Spirit World and was an esteemed spiritual leader, hoping his son would one day experience the same

Traveled the world with Tenzin so he could learn as much as possible, but was so focused on doing his duty to the world that he never had time for his other kids, Kya and Bumi, whom he had with his wife, Katara

Kya and Bumi felt like a disappointment to their father for not being airbenders and Bumi never felt connected to his father’s culture until he became an airbender later in life

Aang’s acolytes did not even know Aang had other children besides Tenzin

All of this seems to indicate Aang valued the ability to airbend the most in his children, leading to his waterbending/nonbending kids being neglected

Greatest flaw mentioned as his tendency to cut and run when things get tough

Despite all this, he was highly respected and admired by most characters in the show for all his achievements as Avatar and his wisdom

Assisted in the arrest of Yakone with Toph, a friend of his, and used energybending to remove Yakone’s bending

Gave Korra advice along with restoring her bending and bestowed upon her the ability to energybend

His grandkids (Meelo, Jinora, and Ikki) enjoyed hearing stories about his youth, such as his visit to Wan Shi Tong’s spirit library and his time with Guru Pathik at the Eastern Air Temple

Described as natural leader by Tenzin, sweet-tempered by Lin, and was good friends with Iroh

He built the air temple on Air Temple Island and in his honor, Aang Memorial Island was named after him and a statue of him was built

He’s so well-known and respected that there are even Aang-themed carnival games at the South Pole

Katara

Assuming we have never watched ATLA before, what do we know about Katara based on LOK?

Described as the best healer in the world, responsible for teaching Korra how to heal, and mentioned to be a waterbending master

Monitored Korra’s avatar training and spoke to the Order of the White Lotus when Korra was ready to begin airbending training

Declared bloodbending illegal, but was not present for Yakone’s capture or trial

Attempted to restore Korra’s bending after Amon took it, but failed

Failed to heal Jinora when she was trapped in the Spirit World

Tries to guide Korra’s healing process after she is poisoned, but is unable to heal her on her own

Worked to heal the injured after Unalaq’s attack

According to Toph, Katara didn’t get involved in the civil war taking place in her homeland because of her old age

Mentions to Korra she knows what it’s like to go through a traumatic experience but doesn’t elaborate, instead describing Aang’s trauma

Married to Avatar Aang and had three kids - Tenzin, Kya, and Bumi - and three grandchildren - Ikki, Jinora, and Meelo

After Aang and her brother died, she was incredibly lonely, prompting Kya to move to the south pole to be with her. Misses her family that has passed away.

Her kids don’t visit her much, Meelo doesn’t even recognize his grandmother. She cries when Tenzin and his family leave.

Never speaks about her own life, but Jinora asks her once about what happened to Zuko’s mom, indicating they may have known each other.

By reading those summaries, it should be obvious just how differently Katara’s character was treated by the writers compared to the others. Katara’s legacy is reduced to simply being the “healer wife of the Avatar.”

And before anyone tries to twist my words: The problem is not that she is a mother, a wife, and a healer. The problem that is all she is ever allowed to be. Her entire identity revolves around:

Trying to heal people

Being the Avatar’s wife and occasionally offering random pieces of advice about what Aang would do (instead of, you know, giving advice based on her own experiences)

Missing her family

Again, none of these characteristics are inherently negative - the problem is how poorly they are written for Katara’s character. We are told things about her that just don't match up with what is shown in LOK canon. We're told that she’s a world renowned healer, but every time we see her use these abilities, she fails. We’re told that she’s the Avatar’s wife, but he was closest to his friend, Zuko. We’re told that she’s a mother who cares about her family, but we don’t know anything about her relationship with her children (and in fact, we know far more about her children's relationship with Aang).

Katara has no characteristics, no personality outside of her relationship to others - whether she’s acting as a healer, a mother, or a wife (this is some textbook misogynistic writing). She never speaks about herself, never mentions having any friends - only ever speaking about her husband, never describes her life before being a mother or a wife, is never shown to be honored or respected in the way the rest of the gaang is, has no political titles, and has only one post-atla accomplishment to her name. This is in contrast to Aang, Zuko, and Toph - all of whom have children but are never reduced solely to being a parent, all of whom are implied to be close friends, and all of whom have made multiple important contributions to the world of LOK. Even Sokka - who is barely in the show - is shown as having more achievements than Katara. I’m not sure how anyone could see this as doing Katara’s character justice.

I want to end with this excerpt from the book Avatar: The Last Airbender: Legacy - while not from Legend of Korra, this letter written by Katara to her and Aang's son, Tenzin, is a perfect demonstration of Katara's poor characterization post-ATLA. Despite being written by Katara, this entire letter is about Aang. I'm honestly not sure why the writers didn't just have this letter written by Aang himself because there are no insights that Katara adds to it.

The letter starts with Katara saying that she hopes this letter will help Tenzin "feel the pride of [his] heritage and gain a deeper understanding of who [he is]." And yet this letter never discusses the fact that Tenzin is the son of a waterbender and an airbender, never discusses any of the lessons Katara has learned in her life or the hardships she's overcome, never mentions any part of water tribe culture, never even mentions her own brother or father or mother (family is important to Katara, but apparently the writers only think that her family with Aang matters). The letter is entirely about Aang's struggles and triumphs because post-ATLA Katara doesn't matter outside of her relationship to her husband and kids.

Part 2

[theweeklydiscourse]

It’s really funny how much people misremember certain aspects of ATLA and then proclaim to the internet stuff that either never happened or is extremely distorted with absolute certainty. For example, today I saw a person claiming that whole point of Katara’s character arc was unlearning the parentified behaviours she developed in wake of her mother’s death. That a huge part of Katara’s arc was a confrontation of how that trauma fundamentally shaped her maternal tendencies.

The thing is though…WE the audience, can recognize that the parentification Katara experienced was something that was really straining for her, but the TEXT doesn’t. The audience (or at least certain parts of the audience) can identify that her maternal tendencies were indicative of a responsibility that she took on far too young and subjected her to unnecessary pressure and stress. There are flashes of recognition maybe, but for the most part, the show doesn’t actually confront the negative impact that Katara’s maternal role had on her.

Katara never truly unlearns the maternal behaviours that put so much pressure on her because the text doesn’t see it as a bad thing. Arguably, the text doesn’t see much of a problem with the emotional labour Katara takes on and how that labour goes unreciprocated for the most part (particularly from her canon love interest). We see some reflections, but it’s not enough to support a reading of the text where that element is actually extremely obvious and a prominent point in her character arc.

We’re not the ones “watching the show with our eyes closed”, I think you’re just misremembering the canon progression of Katara’s arc to avoid confronting a real issue in the text.

[late-draft]

Southern Raiders

Well, after rewatching the Southern Raiders with my mom, it's easy to see why it could be interpreted as Zuko wanting violence and revenge, with scenes such as him lingering too long with his angry stare at Yon Rha after Katara already decided to leave, or him attacking and pressing on to get information from the captain of the Southern Raiders on the whereabouts of the man they were actually looking for, even though he could have called it quits as a "dead end" when Katara already started walking away.

But that's a misread. This is nothing personal to him and it wouldn't align with any of Zuko's previous behaviour - not in the Boiling Rock where he did everything to help Sokka, not in Day of the Black Sun when he didn't attack his father. Not in the North, where he offered a hand to try to save Zhao, a man who attempted to get him killed.

If the viewer invests two seconds into investigating the situation, it instantly becomes clear that when Katara was walking away when they hit the information "dead end", she was grim, tense, frustrated, bitter and still deeply hurt. Calling it quits there would mean her emotional wound would not heal. This is the reason why Zuko pressed on, and the reason he looked at Yon Rha with disgust. Not because he wanted murder, but because he was significantly affected by how deeply Katara was hurt.

"You should get some rest." "Are you ready Katara?" It's disingenuous to read Zuko's quotes as him doing this just to manipulate her into committing murder. He's never been portrayed as a manipulator in the show, and it makes perfect sense he's truly saying and doing these things to help her, just like how he was helping Sokka an episode earlier.

Yes, if I were directing the episode, I would have added scenes of more closeups, Katara despairing when they ran into a dead end; Zuko seeing her pain and it reflecting in his expression of sadness. That is where the focus actually is, and it would be conveyed visually this way. But:

Considering this episode was rewritten a thousand times, it's clear how the actual meaning was placed underneath the top layer of misdirection. And it becomes clear there was no chance for directing to put these visual explanations.

My mom commented, "maybe the Southern Raiders took Katara's mother as a prisoner, why is she overreacting?" and I had to facepalm. No, it's heavily implied Katara saw her mother's charred corpse. Her reactions throughout the show in regards to her memories of her mother are extremely intense, causing her to shake and cry. Third episode of the series, she outright says the Fire Nation killed her mother. And Yon Rha confirms in the end that he "didn't take any prisoners". It doesn't matter that Yon Rha was a pathetic person who was able to kill Kya due to Southern Raiders overwhelming their village and her being a nonbender. The trauma it caused to Katara became an integral part of her. Her "nasty" comment towards Sokka is logical. It's not nice or kind, but it's logical. Zuko was able to understand the depth of her pain and that simply "forgiving and moving on" was not an option for her.

And in the end, facing Yon Rha did help Katara get closure. It helped her. It alleviated the pain she was intensely bottling up for years. It gave her back control and power over the murderer she could do nothing about as an 8 year old girl.

[rms10]

Absolutely. Azula and Katara are definitely narrative foils in the show, which is the primary reason it's necessary for Katara to be at the Final Agni Kai with Zuko. From a plot-perspective, we know Zuko needs to face Azula, but in the end that's just the warmup for the real battle between Katara's choices to end the cycle of violence and hate but subduing Azula rather than killing her, and then heal Zuko the sibling who finally chose the side of good; the one who did succumb to the cycle for a time but was able to separate himself from it.

It's also necessary for Katara's arc to be the one who takes down Azula, who had killed Aang, and hence the world's hope for a peaceful future. Katara is there at the end of the every season to fight the big battle directly against the Fire Nation siblings. They shift their relative positions, but Katara also changes, going from S1 when she's willing to leave Zuko to die in the snow, to S3 when she defeats Azula in a way that keeps her alive, if broken.

@atla-polls

And please reblog, to get the poll more votes.

[starlight-bread-blog]

"Zuko would take a lightning for anyone–"

But it was Katara that he chose to invite.

"Zuko would take a lightning for anyone–"

But Azula knew to aim at Katara.

"Zuko would take a lightning for anyone–"

But the scene was romamtically coded.

"Zuko would take a lightning for anyone–"

But Katara needed to get to heal him.

"Zuko would take a lightning for anyone–"

But it was Katara who was with him in season finales.

"Zuko would take a lightning for anyone–"

But he needed to choose Katara over Azula.

"Zuko would take a lightning for anyone–"

But Shu needed to survive in this life.

"Zuko would take a lightning for anyone–"

But the writers deliberately chose Katara.

Inspired by @captain-konami-code 's "They were enemies"