#kanno hiroshi

[littleeyesofpallas]

PHOTON[フォトン]

aka Idiot Adventures Photon

[otakusparkle]

Identity V Announcement

Identity V Stageplay Episode 5 "Break The Golden Night"

Cast

Survivor

Main Character : Norton Campbell/Prospector (Kyosuke Suga)

- Gardener (Emma Woods): Uchida Asumi

- Lawyer (Freddy Riley): Sanada Yuuma

- Doctor (Emily Dyer): Suzuki Mayuri

- Thief (Kreacher Pearson): Yamanaka Hiroshi

- Lucky Guy : Maruyama Kazushi

- Priest (Fiona Gillman): Sakura Karen

- Mercenary (Naib Subedar): Matsufuji Takuya

- Fortune Teller (Eli Clark): Chiba Mizuki

- Gravekeeper (Andrew Kreiss): Masaki Kohei

- Painter (Edgar Valden): Miyagi Kodai

New Survivor!

- Entomologist (Melly Plinius): Manabe Ayaka

Hunter

Main Character : Ithaqua/Night Watch (Hiromu Kudou)

- The Ripper (Jack): Narimatsu Yoshihiko

- Geisha (Michiko): Nakano Aimi

- Sculptor (Galatea): Yagi Mashiro

New Hunter!

- Smiley Face (Joker): Onitsuka Michiho

- Naiad (Grace): Tachibana Rie

- Hermit (Alva Lorenz): Kanno Yuuki

Side Character

Main Side : Nathaniel/Ithaqua's Brother : Ryuuya Minato

- Kokone Imamura

- Yu Sawada

- Shunpei Kawashiro

- Ryo Tachibana

- Junichiro Nishino

[nanairoarts]

Cowboy Bebop Opening and Ending Theme Credits

I had someone ask about this on YouTube and figured I may as well share the information here too.

テレビシリーズオープニングテーマ: Tank! 作曲/編曲:菅野よう子 演奏:シートベルツ 原画:そえたかずひろ　小森高博　後藤雅巳　今掛勇 作画監督:川元利浩 後藤雅巳 演出:渡辺信一郎 コンピュータ処理:レアトリックチャッピィ テレビシリーズエンディングテーマ: THE REAL FOLK BLUES 作詞:岩里祐穂 作曲/編曲:菅野よう子 唄:山根麻以 演奏:シートベルツ 原画:逢坂浩司 作画監督:川元利浩 演出・渡辺信一郎 コンピュータ処理:レアトリックチャッピィ

TV Series Opening Theme: Tank!

Composed/Arranged: Yoko Kanno Music: Seatbelts Keyframes: Kazuhiro Soto, Takahiro Komori, Masami Goto, Isamu Imakake Animation Director: Toshihiro Kawamoto & Masami Goto Director: Shinichiro Watanabe CG Effects: Raretrick, Chappy (Chappie? This company does not appear to exist anymore)

TV Series Ending Theme: THE REAL FOLK BLUES

Lyrics: Yuho Iwasato Composition/Arrangement: Yoko Kanno Vocals: Mai Yamane Music: Seatbelts Keyframes: Hiroshi Osaka Animation Director: Toshihiro Kawamoto Directed by Shinichiro Watanabe CG Effects: Reatrick, Chappy

[animarchive]

Animekai Honto ni Atta Kowai Hanashi novel - illustrations by Hiroshi Kanno   (Animage, 09/1992)

[tmntladies]

April & Irma from Mutant Turtles Gaiden (cover/dust jacket illustration)

Mutant Turtles Gaiden written/drawn by Hiroshi Kanno

[operationrainfall]

Anime Review: Earth Maiden Arjuna

Anime Review: Earth Maiden Arjuna

Arjuna is the best anime you’ve probably never heard of unless you’ve heard of it as Earth Maiden Arjuna, it’s actual full name. I came across it On Demand, a long time ago, yet didn’t get the chance to watch the full series until years later. I think every anime fan should see it at least once. Arjuna follows the story of Juna, a girl who dies in a motorcycle accident. Her soul, or spirit,…

[pkjd]

The main cast and character visuals from the anime adaptation of Haruhisa Nakata’s manga series “Levius” has been revealed. It'll be globally distributed via Netflix in Winter 2019.

-Synopsis-

“In the 19th century empire after the war, rose “mechanical boxing” which involved people who had had their bodies modified. Under his uncle’s tutelage, Levius, a lonely youth who lost his father in the war and whose mother is in a coma, enters the mechanical boxing scene.”

-Staff-

Director: Keisuke Ide

Series Composition: Hiroshi Seko

Character Design: Yuki Moriyama

Music: Yugo Kanno

Studio: Polygon Pictures

-Cast-

Nobunaga Shimazaki

Junichi Suwabe

Takahiro Sakurai

Ayane Sakura

Houchuu Ootsuka

Daisuke Ono

Saori Hayami

Mamoru Miyano

via: levius.net

[deadscanlations]

The Wooden-Mortared Kingdom - Garo 20th Anniversary Memorial Issue  - VARIOUS

Here’s a proper post for it. For Garo’s 20th anniversary, a massive anthology was put out collecting all of the authors that had been featured in the magazine up until then (at least it looks that way), haven’t verified). 1200 pages.

DDL Torrent (600dpi scans) Mangaupdates

Abe Shinichi AKASEGAWA Genpei AKI Ryuuzan AKIYAMA Shigenobu ANZAI Mizumaru ARAKI Nobuyoshi ARASHIYAMA Kouzaburou EBISU Yoshikazu FUJISAWA Mitsuo FURUKAWA Masuzou HAGA Yuka HANAWA Kazuichi HAYASHI Seiichi HIGO Tomiko HINO Hideshi HIRAKUCHI Hiromi HIRATA Hiroshi HISAUCHI Michio Hoshikawa Teppu IIKO Junzou IKEGAMI Ryoichi ISHII Hisaichi ITOI Shigesato IWAMOTO Kyuusoku KAMOSAWA Yuuji KANNO Osamu KATSUMATA Susumu KAWASAKI Yukio KIMURA Tsunehisa KOBAYASHI Norikazu KOJIMA Goseki KONDOU Youko Kou Shintaro KUSONOKI Shouhei MASUMURA Hiroshi MATSUMOTO Michiyo MATSUO Hiroshi MINAMI Shinbo MINEGISHI Toru MITSUHASHI Otoya MIURA Jun MIZUKI Shigeru MOMOTAROU Kotarou MORISHITA Hiromi MURANO Moribi NAGASHIMA Shinji NAKA Keiko NEMOTO Takashi OKUDAIRA Ira OSAWA Masaaki SAKURAI Shoichi SASAKI Maki Shimizu Satoshi SHIRATO Sanpei SUGIURA Hinako SUZUKI Oji SUZUKI Seijun SUZUKI Shigeru TAKAGI Jun TAKAYAMA Kazuo TAKITA Yuu TAMURA Shigeru TANI Hiroji Tashiro Tamekan TATSUMI Yoshihiro TERUHIKO Yumura TSUGE Tadao TSUGE Yoshiharu TSURITA Kuniko UESUGI Seibun WATANABE Kazuhiro WATARI Futoshi YAGUCHI Takao YAKUWA Masako YAMADA Murasaki YODOGAWA Sanpo YOSHIDA Mitsuhiko YOSHIDA Shouichi 

 タイトル : 木造モルタルの王国 : ガロ二〇年史 出版社 : 青林堂 初版発行日 : (昭和59年)1984年12月1日 ISBN : 4792601320 サイズ(函) : 縦23㎝ 横18㎝ サイズ(本) : 縦22㎝ 横16㎝ ページ数 : 1200ページ 備考 : 各作品の欄外に作者の経歴･コメント記載 収録作品 　『ざしきわらし』 - 白土三平 　『ねこ忍』 - 水木しげる 　『海原の剣(武蔵の巻)』 - 諏訪栄(小島剛夕) 　『顔の曲がった男の物語』 - 星川てっぷ 　『真昼』 - 渡二十四 　『愛 : 新釈武士道物語』 - 加治一生 　『チーコ』 - つげ義春 　『若草漫歩』 - 藤沢光男 　『宇宙の出来事』 - 田代為寛 　『夏』 - 池上遼一 　『かかしにきいたかえるの話 : シリーズ･黄色い涙』 - 永島慎二 　『六の宮姫子の悲劇』 - つりた・くにこ 　『巨大な魚』 - 林静一 　『どろ人形』 - 日野日出志 　『海ほおずき』 - 仲圭子 　『花あらしの頃 : 寺島町奇譚』 - 滝田ゆう 　『長持唄考』 - 矢口高雄 　『雨季(2)』 - つげ忠男 　『わかれみち』 - 辰巳ヨシヒロ 　『たこになった少年』 - 淀川さんぽ 　『かんたろ月』 - 勝又進 　『うらぶれ夜風』 - 川崎ゆきお 　『雨の色』 - 鈴木翁二 　『マツコおじちゃんの嘆き』 - 秋竜山 　『ぼくのデブインコちゃん』 - 佐々木マキ 　『無頼の面影』 - 安部慎一 　『幻の少女･和小路伯爵邸のトラブル』 - 谷弘兒 　『肉屋敷』 - 花輪和一 　『北への旅人』 - 吉田昌一 　『彩雪に舞う･･････』 - 楠勝平 　『おざ式』 - 赤瀬川源平 　『「ガロ」第一期 : ガロの時代をひらく』 - 上野昂志 　『再会』 - 増村博 　『紫の伝説(イメージSTATION)』 - 古川益三 　『絶対休日』 - 秋山しげのぶ 　『荒れた海辺』 - 安西水丸 　『クシー君の発明』 - 鴨沢祐仁 　『毆者(ボクサー)』 - 吉田光彦 　『昇り凧』 - 村野守美 　『ペンギンごはん』 - 湯村輝彦.糸井重里 　『愛の嵐』 - 蛭子能収 　『ぼくの弟』 - 糸井重里 　『？』 - 南伸坊 　『それからの岩本武蔵･怪談』 - 岩本久則 　『ハリー氏のこと』 - 松尾ひろし 　『愛妻記』 - ひさうち・みさお 　『ギョーザ定食の昼』 - 平口広美 　『お父さんのネジ』 - 渡辺和博 　『長靴をはいた猫』 - 清水聰 　『ものろおぐ』 - 近藤ようこ 　『モダン・ラヴァーズ』 - 奥平衣良(奥平イラ) 　『性悪猫』 - やまだ紫 　『青春の汗は苦いぜ』 - 小林のりかず(小林のり一) 　『夜行』 - 高山和雄 　『ぷいさん村放送局』 - 八鍬真佐子 　『五人だまし･道糞武士道 : 幻想の明治』 - 高信太郎 　『怠屈な日』 - 泉昌之(和泉晴紀[作画].久住昌之[原作]) 　『K』 - 大澤正明 　『海のお話』 - 滸太郎 　『二つ枕(初音)』 - 杉浦日向子 　『PHANTASMAGORIA』 - たむら・しげる 　『野辺は無く』 - 三橋乙椰(シバ) 　『少年』 - 森下裕美 　『糸口』 - 松本充代 　『ママと呼ばれて三ヶ月』 - 根本敬.高木順 　『ローカル線の午後』 - 菅野修 　『ホトホトなんぎなパパとママ』 - みうら・じゅん 　『扁桃腺の夏』 - 峰岸達 　『戻ってきた日』 - 肥後十三子 　『スラップスキップ』 - いしい・ひさいち 　『はぴー・ばーす・でい』 - 芳賀由香 　『どうなってんの : イソップ式漫画講座』 - 水木しげる 　『浪漫写真 : 私のアリス達』 - 荒木経惟 　『図象の学習塾 : 肖像 イメージ選挙』 - 木村恒久 　『目安箱 : 「書けないということについて』 - 上野昂志 　『嵐山の人生相談』 - 嵐山光三郎 　『重坊のスーパーマーケット : 悪評嘖々』 - 糸井重里 　『劇画風雲録 : 嗚呼、貸本の灯は輝やいて』 - 桜井昌一 　『連載随筆 : 夏と暴力』 - 鈴木清順 　『白土三平論 : 英雄論』 - 石子順造 　『清文入道のウンチク寄席』 - 上杉清文 　『読者サロン』 　『「ガロ」第二期 : 多様化･拡散の時代』 - 呉智英 　『木造モルタルの王國の貴賓室』 「木造モルタルの王国」によせて(※寄稿文.小冊子) 　『「ガロ」有罪説』 - あがた森魚 　『ガロはきっと大丈夫』 - 秋野等.井上章子 　『二十年のランナーへ』 - 有川優 　『(タイトルなし)』 - 岩家緑郎 　『ガロには貧乏がよく似合う』 - いしかわじゅん 　『(タイトルなし)』 - 糸川燿史 　『「ガロ」は忘れない』 - 小野耕世 　『とにもかくにも、エライ！！』 - 川崎徹 　『すてきな可能性を持ったマンガの世界』 - 金子勝昭　 　『長井さんと苦労のこと』 - 川本コオ 　『(タイトルなし)』 - 桑原甲子雄 　『(タイトルなし)』 - 小島剛夕 　『「ガロ」われらの聖森』 - 佐々木守 　『大プロデューサー・プランナー 長井勝一さんへの手紙』 - 佐々木昭一郎 　『(タイトルなし)』 - 末井昭 　『(タイトルなし)』 - 杉本博道 　『(タイトルなし)』 - 谷川晃一 　『高校時代、文学、エロチシズム、思想の香りを味わっていた』 - 高取英 　『(タイトルなし)』 - 高橋章子 　『祝・開店20周年』 - 長新太 　『(タイトルなし)』 - 竹宮恵子 　『 『ガロ』に 』 - 鶴見俊輔 　『きみよ』 - 堤任 　『(タイトルなし)』 - 栃谷隆 　『(タイトルなし)』 - 内記稔夫 　『(タイトルなし)』 - 野本三吉 　『(タイトルなし)』 - 萩尾望都 　『(タイトルなし)』 - 原田三郎 　『安倍慎一』 - 松岡博治 　『(タイトルなし)』 - 松田哲夫 　『(タイトルなし)』 - 村上知彦 　『「ガロ」創刊20周年、本当にバンザイ！』 - 森田芳光 　『青林堂はえらい』 - やなせ・たかし 　『(タイトルなし)』 - 吉弘幸介 　『(タイトルなし)』 - 四方田犬彦 　『(タイトルなし)』 - 渡辺一衛

Optimizing...

[yabaihiro]

Hijikata all (my fav) version

[littleeyesofpallas]

Paraiso Road[ぱらいそロード]

[recentanimenews]

Studio Bones Celebrates 21 Years of Excellence!

I watched plenty of anime as a child—Pokémon, Digimon Tamers, Crush Gear Turbo. But much of it I absorbed passively, because my friends were watching it or it was airing on Toonami or because it was based on a video game I loved. I happily consumed all cartoons equally regardless of quality, chronology or origin. Then one day I discovered the manga series Fullmetal Alchemist, which was just then being published in English. After blazing through volumes of the comic, I discovered the Fullmetal Alchemist anime which aired in 2003.

  Just like that, I was hooked. Something in the anime adaptation spoke to me as a teenager: the plaintive choirs of the song “Brothers,” the sadness infecting Ed and Al's rollicking adventures. In the Philippines I sought the series out on Animax and implored by friends (confused by anime) to do the same. Later, in the United States, I would record overnight episodes on my parents's TiVo and watch them on Saturday afternoons with microwaved pizza in hand. To this day I have never seen the whole thing, and there are many other anime series I would rank above it. But in retrospect, the first Fullmetal Alchemist series is the first I understood and loved as an anime, rather than as a cartoon. It was my gateway.

  Then in college, I made a friend who had a similar experience with anime—but not with Fullmetal Alchemist. No, her turning point was Scrapped Princess, another animated fantasy series from 2003. Like Fullmetal Alchemist, Scrapped Princess combined an elaborate fantasy world packed with nested secrets, a constant sense of high adventure, and surprising darkness. Scrapped Princess's heroine, the bratty but well-meaning princess Pacifica, was hunted by her world as an instrument of its destruction; the medieval world she traversed with her friends was a cover-up for its true science-fictional origins. Just like I cried when Colonel Hughes met his end in Fullmetal Alchemist, my friend cried when Pacifica's love interest Fulle sacrifices his life to ensure her safety. And as Fullmetal Alchemist ends with a shocking twist that punches through the rules of its setting, Scrapped Princess wraps its fantasy narrative with robot dragons dueling in space.

  You probably know someone just like me, or just like her. Perhaps the series that turned them into anime fans was the recent Shounen Jump megahit My Hero Academia. Perhaps it was the spooky creatures and slick animation of Soul Eater. Or maybe it was Fullmetal Alchemist: Brotherhood, which in 2009 tackled the full story of the original manga to excellent results. If you're an anime fan like me and you've been following along, you can probably guess the twist here. All of the shows mentioned so far were produced by Bones!

    Today, the famous studio Bones turns 21 years old! Founded in 1998 by Masahiko Minami, Hiroshi Osaka and Toshihiro Kawamoto—all veterans of the legendary mecha animation studio Sunrise—the studio has been releasing both adaptations of popular material and original series all this time. Much has changed in these 21 years: Gainax has fragmented into fiefdoms, Madhouse lost its famous producer, Masao Maruyama, and more anime is being produced than ever before, at a rate that threatens the health and sanity of those creating it. As chaos ravages the industry, Bones has been a rock. It's continued to produce series with ambitious worlds and settings, whether that be the skewed New York fantasia of Blood Blockade Battlefront or the political commentary of Un-Go. It has done so with consistently solid animation quality; famously, Bones chose to split My Hero Academia up into multiple seasons of material separated by breaks, rather than risk a production collapse in the strain of continuous release. If some have blasted Bones for often prioritizing that consistency over more flexible, visually experimental art... well, Bones also produced Space Dandy, which features some of the weirdest individual episodes of the past decade.

Bones has also consistently provided a venue for talented animators and directors to flex their muscles over these twenty-one years. Masahiro Ando directed one of the best action films in the history of the medium with Sword of the Stranger, but was also invited back to direct the eccentric Shakespearean action series Blast of Tempest and the endearing romance Snow White with the Red Hair. Takuya Igarashi set the stage for soon-to-be-legendary action sequences in Soul Eater and Star Driver, and even now is working with his favorite collaborators on pumping out seasons of fan-favorite series Bungo Stray Dogs. Star animator Yoshimichi Kameda rose to fame knocking scenes out of the park in Fullmetal Alchemist: Brotherhood, most famously where Roy Mustang roasts Lust to a crisp. And of course you have Yutaka Nakamura, who some have claimed to be the most popular and influential action animator currently working today. Nakamura's work reaches across the studio's entire filmography, from the well-choreographed fisticuffs in Cowboy Bebop: Knockin' on Heaven's Door to multi-level sword on sword combat in Sword of the Stranger, to his current outrageous fights in Concrete Revolutio and My Hero Academia.

  And this only sums up a small portion of their total output! There's also RahXephon, an ambitious reversioning of Neon Genesis Evangelion that classmates of mine in college would insist was superior to its inspiration. You have the two seasons of Show by Rock!!, one of the most bizarre idol shows of all time that happens to feature some very good CG. Then there's Darker Than Black's cryptic worldbuilding and fantastic soundtrack by Yoko Kanno. Also, there's the spiritual sequel to Scrapped Princess, cult favorite Chaika -The Coffin Princess-. And of course, there's the skewed workplace drama of Hisone and Masotan. Even Bones's deep cuts rival the highlights of other studios.

To me there are two shows that most of all define Bones's past and future. The first is Eureka Seven, a big sloppy love letter to mecha series that pulls in elements from Gundam, Macross and Evangelion into a vast and emotional saga. Its complex and fascinating world, fantastic action, grounded character work and blockbuster sensibilities mark it out as what I would say is the studio's defining work, despite the flaws in its construction. The second is Mob Psycho 100, which stands alone as one of the wildest and most cutting-edge action series of the past several years. Yutaka Nakamura contributed some excellent scenes to the first season, but even he was outdone by the work of countless young and talented animators in season 2! Watching the Mogami arc, you can see the next generation of fantastic artists spreading their wings. The exciting future of a medium being stretched to its breaking point by the forces of commerce. May Bones give them the support they need to survive and thrive in the next twenty-one years.

If you would like to learn more about Bones, I highly recommend following @liborek3 on Twitter, and checking out his articles on Sakugablog (starting with this one!) I would also recommend seeking out Kim Morrissy's article on the studio's history, which heavily cites multiple interviews Bones released on their twentieth anniversary. Happy twenty-first birthday to Bones's many employees and graduates! I'll be waiting patiently in the corner for the third season of Mob Psycho 100.

Are you a fan of Studio Bones? Did they help introduce you to the medium? Do you have a favorite production by them? Let us know in the comments!

---

Adam W is a features writer at Crunchyroll. When he isn't repeatedly listening to the soundtrack for Eureka Seven Ao, he sporadically contributes with a loose coalition of friends to a blog called Isn't it Electrifying? Follow him on Twitter at: @wendeego

  Do you love writing? Do you love anime? If you have an idea for a features story, pitch it to Crunchyroll Features!

By: news+feed@crunchyroll.com

[newsintheshell]

Levius, l’anime si mostra in un nuovo trailer

La serie animata basata sul manga di Haruhisa Nakata arriverà su Netflix il 28 novembre!

Svelati da Netflix una nuova locandina e un secondo trailer per l’anime tratto dal manga “Levius” di Haruhisa Nakata. Il video svela che la serie debutterà in esclusiva sulla piattaforma il 28 novembre e anticipa la sigla  "wit and love", cantata dalla debuttante Nazome.

Di seguito il cast principale:

Levius Cromwell: Nobunaga Shimazaki 

Zachs Cromwell: Junichi Suwabe 

Bill Weinberg: Takahiro Sakurai 

Natalia Garnet: Ayane Sakura 

Malcolm Eden: Houchuu Ootsuka 

Hugo Stratas: Daisuke Ono 

Donna misteriosa: Saori Hayami 

Dr. Crown: Mamoru Miyano

Il progetto è diretto da Keisuke Ide con la supervisione di Hiroyuki Seshita (Knights of Sidonia, Ajin) e realizzato in computer grafica da Polygon Pictures (Drifting Dragons, Blame!). La sceneggiatura è curata da Hiroshi Seko (Ajin, Banan Fish) assieme a Kenta Ihara (Vinland Saga, Saga of Tanya the Evil), mentre il character design è adattato da Yuki Moriyama (Blame!, Godzilla). La colonna sonora è ad opera di Yugo Kanno (Psycho-Pass, Le bizzarre avventure di Jojo: Vento Aureo).

Perseguitato dal ricordo delle vittime di guerra, il giovane Levius sfrutta il suo braccio artificiale per combattere nello spietato mondo della boxe meccanica.

Il manga è stato serializzato fra il 2012 e il 2014, venendo raccolto in tre volumi; nel 2015 è stato lanciato il sequel “Levius/Est”. Entambe le opere sono edite in Italia da Star Comics.  

Autore: SilenziO))) (@s1lenzi0)

[FONTE]

[weloveamami]

[20170128] KoisaikaMiyamoto Stage greetings on first screening day

(5)

cr. walkerplus

[no-nakajimayuya]

M1. フィクション

M2 ドキュメンタリ

M3. CATWALK

M4. 苦楽ララ

M5. MUSICA

M6. D・T・F

M7. あんたがたどこさ

M8. 綺麗事

M9. チャプター

M10. エンドロール

⁡

Bass.Vocal. Shorter Takagi

Guitar. Katsushiro Sato

Keyboard. Yuta Ikeda

Sax. George Hayashi

Drums. So Kanno

All Music & Lyrics by Shorter Takagi

All Arrangements by BREIMEN

Band Recording Engineer:Yu Sasaki

Assistant Band Recording Engineer: Yuki Ishida / Naoki Kawashima

Vocal Recording Engineer:

Tomomi Ogata (MUSIC FOR MUSIC)

Mixing Engineer: Yu Sasaki

Mastering Engineer: Kentarou Kimura(M1,M2,M4, M5, M8, M9) / molmol (M3,M6,M7)

Band Recorded at:

Music Inn Yamanakako (M1, M2, M3, M4, M6, M7, M8, M9, M10)

Studio Dede (M5)

Sony Music Studios Tokyo(M7)

STUDIO DYSS

Vocal Recorded at:

FORSTA（MUSIC FOR MUSIC）

Mixed at: CASINO Studio & Studio Dede

Mastered at: KIMKEN STUDIO/molmol

Drum Technician: Genki Wada（M1,M2,M4,M7,M9,M10）/Kokichi（M5,M6,M8）

Art Direction & Design: 2025

Assistant Director: Kentre Takagi

Photography: renzo masuda/Goku Noguchi

Lighting Director & Lighting Operater: Ibuki Katagiri

Set design:

Shooting at NIKKATSU STUDIO

Hair & Make - up: Riku Murata (OFF)

Stylist: Yuya Nakajima

Artist Manager: JP

Artist Manager/Senden bucho: TOKIO

Assistant Manager: Yudai Sakai

Exsective Producer: Misao Ishida（SPACE SHOWER MUSIC）

A&R: Hironori Sakuma/Ayano Nakada（SPACE SHOWER MUSIC）

Promotion: Tomokatsu Fukazawa（SPACE SHOWER MUSIC）

Digital Promotion: So Kiyama（SPACE SHOWER MUSIC）

Special Thanks: Shunsuke Fujiwara

Hiroshi Kawasaki

Naomi Toyoshima

HAMUZA (From MINAMIS)

Ryo Konishi (From CRCK/LCKS, ZOO-MIN-SHA)

Yu Seki

AAAMYYY

Cassava

Mamoru Fuminashi

Ayu Takao

Ruri Nagasawa

Goku Noguchi

Gakushi Okamoto

ROCKINN SHINJUKU

GuitarShop Hoochie's

SOUND CREW

TCGAKKI

miiiiieeeee

yura

Kumi

GON

Cure Kaito (From MEMEMION)

Masaki Horiguchi

Mr.Watanabe (Music Inn Yamanakako)

[heyscroller]

How do the Japanese show that they care? By sending a telegram.

How do the Japanese show that they care? By sending a telegram.

TOKYO – When he got married this summer, Hiroshi Kanno, who works at a security company in Tokyo, wanted to make a big statement that would impress his future in-laws. So he asked the president of his company to send him a telegram of congratulations. It arrived during the wedding reception and was read aloud. “It really heated up the atmosphere,” said Kanno-san, 33. “I felt like a celebrity,”…

[pkjd]

Haruhisa Nakata's manga series "Levius" will be receiving an anime adaptation. It will be globally distributed via Netflix in Winter 2019. 

-Synopsis-

“In the 19th century empire after the war, rose "mechanical boxing" which involved people who had had their bodies modified. Under his uncle's tutelage, Levius, a lonely youth who lost his father in the war and whose mother is in a coma, enters the mechanical boxing scene.”

-Staff-

Director: Keisuke Ide

Series Composition: Hiroshi Seko

Character Design: Yuki Moriyama

Music: Yugo Kanno

Website: http://levius.net

Studio: Polygon Pictures