#kamaji

[daikaiju-arts]

“I can’t believe I forgot my name. He almost took it from me.”

“If you completely forget it, you’ll never find your way home.”

[theknucklehead]

I was re-watching Spirited Away with my friends the other day, and I was pretty surprised at just how many names they had in the english dub for it.

Chihiro - Daveigh Chase (Lilo)

Haku - Jason Marsden (Thackery Binx)

Lin - Susan Egan (Megara)

Kamaji - David Ogden Stiers

(Jumba, Cogsworth, & Ratcliffe)

Yubaba - Suzanne Pleshette (Zira)

The Foreman - Rodger Bumpass (Squidward)

and Aniyaku - John Ratzenberger

Some editional credits go to Michael Chiklis, Lauren Holly, Tara Strong, and Bob Bergen.

[linkemon]

Nandemonaiya (Haku x Reader)

Friendly reminder that English is not my first language. You can check my Masterlists both in English and Polish here. Consider supporting me on Ko-fi. You can also check out my commissions if you’re interested.

Other oneshots can be found here.

ɪɴ ᴏʀᴅᴇʀ ᴛᴏ ꜱᴀᴠᴇ ᴛʜᴇ ᴛᴇᴍᴘʟᴇ ꜰɪɴᴀɴᴄɪᴀʟʟʏ, [ʀᴇᴀᴅᴇʀ] ɪꜱ ᴀꜱꜱɪɢɴᴇᴅ ᴛᴏ ᴡᴏʀᴋ ɪɴ ᴛʜᴇ ʙᴀᴛʜʜᴏᴜꜱᴇ. ꜱʜᴇ ᴅᴏᴇꜱɴ'ᴛ ᴋɴᴏᴡ ʏᴇᴛ ᴛʜᴀᴛ ʜᴇʀ ᴇᴍᴘʟᴏʏᴇʀ ᴡɪʟʟ ʙᴇ ᴀ ʀᴇᴀʟ ᴡɪᴛᴄʜ. ꜱʜᴇ ɪꜱ ꜱᴀᴠᴇᴅ ꜰʀᴏᴍ ᴀ ʙʀᴇᴀᴋᴅᴏᴡɴ ʙʏ ʜᴀᴋᴜ. ᴀ ʙᴏʏ ᴡʜᴏ ᴅᴏᴇꜱɴ'ᴛ ʀᴇᴍᴇᴍʙᴇʀ ᴡʜᴏ ʜᴇ ɪꜱ ᴀɴᴅ ᴡᴀɴᴛꜱ ʜᴇʀ ᴛᴏ ᴀᴠᴏɪᴅ ᴛʜᴇ ꜱᴀᴍᴇ ꜰᴀᴛᴇ ᴀᴛ ᴀʟʟ ᴄᴏꜱᴛꜱ…

[Reader] casts one last glance toward the shrine. A black roof covered in moss. A red tori gate standing out against the greenery. A few sisters heading to one of the rituals. Everything was as usual, except for the man standing at the top of the stairs. He emerged from the evening mist, looking off into the distance. He stroked his long beard thoughtfully.  

The current kannushi was so old that she had only seen him a few times, at major events. He could barely handle his work. None of the young men wanted to replace him. He had no children either. He had placed all his hopes in orphans like her. But for several years now, there had not been a single boy of the right age to learn. Several had passed away before his health failed and the only one left was only three years old. The fact that the monk had come out to see her off seemed oddly suspicious to her.  

She adjusted her bag, trying to understand what had happened last night. Right after dinner, the man had called her over. He didn't say much. It was mostly Annaisha-san explaining the situation to her. [Reader] had always respected the eldest miko. But she couldn't stop the angry and frustrated words from the bottom of her heart. Why did she have to leave? And she was the only one? Everyone else would stay here in peace and do what they always did. Meanwhile, she was going to change her entire life to work at some bathhouse, for a woman she'd never heard of before. That wasn't what she meant when she said she wanted adventure.  

— How long will I stay there? — the girl asked, trailing behind Annaisha.  

—As long as will be needed — the woman replied. She didn’t turn to look at her once. — Did you pack everything I asked you to?

— Yes. — [Reader] thought back to the stinking ball in her bag. Did her employer have a moth problem? All she had been told was to smell good and throw in another one just to be on the safe side.  

The sea of ​​green gave way to a sandy path. The tiny grains were still slightly damp from the humidity. She had been in this area many times but it seemed as if she had never seen this place before. A tunnel loomed before her, from which darkness peered out. The statue of a minor god seemed to bore into her with a piercing gaze.  

— Listen. — Miko finally stopped and gently grabbed her by the shoulders. — I know it's hard for you but it's the only hope to save our home. I don't know my parents and neither do you. This place has been my haven my whole life and I believe you feel the same way, so on behalf of everyone, I'm asking you for help. When you were little, you said how much you wanted to travel. Think of this as a chance to learn something new. I'm sure your work will help us all get back on our feet and you'll be with us again soon.

[Reader] didn't know what to say. She hugged the older woman, wishing she didn't have to let go at all. The woman silently patted her on the head, then led her deeper into the tunnel.  

On the other side, she was greeted by something resembling a train station. She thought she could hear a train but she couldn't see the tracks anywhere. She hurried past dusty benches and four-coloured windows. Outside, she was greeted by the clearest sky she had ever seen. It was a bit odd, considering it was long past noon. Blue reigned over her head as she crossed the green grass. She had to admit that the place, full of flowers and crisscrossed by tiny streams, was breathtaking.  

— Is this an open-air museum? — she asked, curious, seeing a row of buildings in the distance.  

— Something like that. — Miko’s response was quiet.  

[Reader] walked past the abandoned buildings, feeling a growing unease. She looked around, trying to find anyone selling tickets or tourists but there was no sign of anyone. Maybe the place had gone out of business? But if that was the case, why did she still see steaming delicacies at one of the stalls?  

— Don't touch anything! — the woman warned her as she saw her approach the skewers. — That's why I told you to take our onigiri. — She looked anxiously in the direction they had come from. — It's getting late. Listen to me carefully. In that direction — she pointed — there's a bathhouse. It's only a few buildings from here. Wait until it gets dark. Then eat anything. Fruit, a leaf, grass, it doesn't matter. Just remember not to eat anything from the stalls. Then go inside the building right away. Look for Yubaba. She's the one who's supposed to hire you.

— Can't you take me there? — The girl felt fear creeping up on her.  

— No. It's... a tradition — Annaisha finished awkwardly. With that, she turned around and quickly began to walk back.  

[Reader], alone in the large square, looked around uncertainly. Maybe it was just her imagination but it was getting colder. The sun seemed to be setting unusually quickly as she searched for her future workplace. She wrapped her arms around herself, trying to ward off some of the cold. As dusk fell, panic gripped her. The lamps were slowly turning on and she still didn't know where she was. Fortunately, a moment later she breathed a sigh of relief at the sight of a wooden plaque announcing that she had come to the right place. She leaned over one of the herbs growing from under the concrete and picked a tiny leaf. It didn't taste good, so she swallowed it quickly. However, when she raised her head, her scream died in her throat. She instinctively backed away, clinging to the brick wall. A monster was moving a few meters away from her, in the pale light. The creature was black. It seemed to be crawling over the stones. Right behind it, a whole row of something that looked like ghosts was wandering. Transparent bodies glided over the ground. They were lined up to the bathhouse she was about to enter. Terrified, she wanted to go back. But when she looked back at the place she had come from, she noticed that it was covered in water. She shook her head. She had to pinch herself. It was definitely just a dream. But no matter how many times she blinked, the image remained the same. The stairs ended in something like a wide river. In the distance, on the other side, something glowed that looked like the abandoned train station she had passed earlier. Suddenly, Annaisha's nervousness made sense. Had she known something like this would happen? Was that why she had left her alone in such a hurry?  

— What are you doing here? — The quiet but firm voice seemed genuinely surprised to see her there.  

Terrified, she wanted to scream but a hand stopped her. A boy appeared before her eyes, about her age. He was wearing work clothes. To her relief, his form was completely human. Seeing that she had calmed down, he removed his hand from her mouth. 

— You shouldn’t be here. — He looked at her closely. Her clothes told him a bit about who she was dealing with. Just to be sure, he followed the strange scent. He reached into his bag, pulling out an herbal pill. Just as he expected. — Are you from the temple? — he asked, wanting to finally confirm his suspicions.  

She nodded, afraid to speak.  

— It's not safe here. Come with me. — He stood up and held out his hand.  

He looked around the area anxiously. He paid no attention to the ghosts, though. He stared at the increasingly darkening sky.  

— What are... Who are...? — The girl didn't know how to ask about the strange creatures. However, her interlocutor understood in the blink of an eye.  

— Didn't the temple tell you where they were sending you? We have gods, spirits, demons and many others. People like you are rarely seen here.

— I'm looking for Yubaba. I heard she runs this bathhouse. — [Reader] felt like her voice sounded unfamiliar. 

— I work for her. You came to the right place but at the wrong time…  

Whatever the employee wanted to say, he didn't have time. A black silhouette passing by turned a strange head in his direction. He blew in response. The air was filled with the beautiful scent of cherry blossoms. Pink momentarily obscured the world. The mysterious stranger quickly pulled [Reader] after him and disappeared into another dark alley. The girl could swear that she had never run so fast in her life. She didn't even know she was capable of reaching such speed. It was as if she was racing against the wind.  

— I just bought us some time. No one can find you for now. Not until we get you a job. I'll cast a spell on you and you'll become invisible. The only place you need to be careful is the bridge. When you step on it, take a deep breath and don't breathe until you step off. Meet me on the other side. Is that clear?

— Can you say that aga… — She didn’t have time to ask. Another wave of tiny flowers blocked her vision.

When she opened her eyes, she was standing only a few steps away from the huge red bridge leading to the bath house. When had she even traveled that distance?  

Her guide had already stepped onto the wooden planks, weaving between the various figures. She wanted to cry but she held back her tears. She didn't have time for that now. She took a deep breath and ran after him. She didn't look back. A frog was loudly conversing with those entering. She was about to pass her when a giant loomed in front of her. Whatever he was, he was several meters tall. His rusty body resembled a shapeless mass with holes for eyes. He settled in the middle, filling the entire space. The creatures began to speak to him in strange languages ​​she didn't understand. Her lungs seemed to be burning as she tried unsuccessfully to squeeze past. She had to do something and do it quickly. She looked around frantically. There was a branch lying nearby. It must have fallen from one of the few trees. She picked it up, praying that whatever was in front of her wouldn't turn out to be a god. She didn't want to displease him. She stuck the stick into the red mass. Something gurgled and shrank as if in pain. She rushed forward, finding the black shag.

— You did it. — He whispered. — Follow me.

Contrary to appearances, they didn't go inside. He led her down a small path next door. Then they started down the stairs. In contrast to the splendor that greeted her from the front, this one was much dingier. They passed machinery. A series of pipes that probably carried water. Some of them hissed, others leaked slightly. They went outside again. This time they headed up. At one point, she stopped and looked down. It was a mistake. She hadn't realized how high up she was. She crouched on a narrow step with her head between her knees. It was too much.  

— Are you okay? — A warm hand rested on her shoulder.  

— Not really. What am I even doing here? I'm a few hundred meters above the ground. If not higher. If there's even ground down there! And we just left. How is that even possible? There are things around me that you only read about in fairy tales. You can do magic. And I was only supposed to work for a nice old lady. Everything is wrong! — Tears flowed thickly, disappearing somewhere in the strange space beneath her feet.  

— Come on, come on...— He hugged her and patted her head. — It's always hard at first. When I got here, I didn't know much either and I was alone. And you have me. — He gave her a reassuring smile.  

— But… I don’t know you — she stuttered, trying to calm down.  

— Call me... call me Haku.  

— [Reader]. — She wiped her tears with the sleeve of her robe.  

Sniffling, she followed her new acquaintance, who never once let go of her hand the rest of the way. She was grateful for that. She wasn't sure if at some point she wouldn't just start running back to the entrance, just to look back at where she had come from.  

She should have been prepared for Haku's familiarity to be just as strange as the rest of the magical world but for some reason she expected a figure similar to him. So when something like a giant spider emerged from the warm air, she hid behind the boy's back. Eight arms worked in superhuman symbiosis, feeding coal to the furnace.   

— [Reader], meet Kamajī. He'll find you a job…  

[Reader] grabbed a warm bun and stuffed it all into her mouth. She wrapped the rest carelessly in a white scarf. Her boss — a giant rat — added his latest baked good to the mix, then went on a break. He showed his not-so-clean teeth in what she assumed was a smile. He seemed pleased with her dishes today. She nodded to a few of the workers and ran downstairs. She couldn’t understand any of the cooks. They probably couldn’t understand a single word she was saying either. They were a motley crew of different species. It was hard at first but somehow they managed to work together. The longer she thought about it, the less she could tell how long they’d been together. Time seemed to flow differently here. She felt like she’d been working long hours, although the days seemed to drag on, too.

Getting the job was harder than the job itself. Just thinking about her first days in this world gave her the shivers. Meeting the head of the bathhouse was something she wanted to forget. She would never in her life displease her. Yubaba was a witch. In the literal sense of the word. A huge head and big eyes, as if staring into her soul. She didn't want to hire [Reader] for anything.  

In the old days, when she was still starting her business, she needed workers more than ever. People who were more familiar with the spirit world than others would come to her place. Some shrines or temples would deliberately send their miko there to receive payments or blessings in return. But over time, everything grew. And the owner stuck with her promise to give work to anyone who asked for it. Now, however, she did it reluctantly. So she tried to scare off interested people in every way possible.

[Reader] couldn't just leave where she came from. She didn't really have anywhere to go back to. Yubaba had said she wouldn't pay the shrine anyway, which would mean ruining her home. She also didn't want to look into the faces of the people who had placed such high hopes in her only to be disappointed. Even if she was angry at Annaisha, she still remembered the years she had taken care of her. Besides, she had prepared her as best she could, even though she had lied. She had given her bullets that would mask the scent of humans among the inhabitants of this reality. She had also prepared a wooden tablet. On it, she had carved her name in kanji. As it turned out, so important.

So she begged for her job with annoying persistence all evening. The boss's opulent office provided ample opportunities for her to show how strong she was. The witch worked her magic stubbornly to get rid of the young girl. She started by throwing a stack of papers at her face, ending with strange folding birds that wanted to peck her. Then she corrected it with a blazing fire from the fireplace and three heads that constantly jumped on the colourful, fringed carpet. Finally, irritated, she threatened to turn her into a pig. This made [Reader] turn her head toward Haku. The boy had warned her that they had to act like strangers. But she hadn't expected him to be so cold. He seemed like the complete opposite of the person she had met earlier. He didn't even blink when she screamed when she saw the pig's tail sticking out of the back of her robe. Accompanied by shrill laughter, she screamed that she needed a job. This caused Yubaba to close her powerful mouth, sighing loudly. She waved her hand and the tail disappeared. She gave up and handed her the contract with boredom, complaining about the ill-mannered youth. Help in the kitchen in exchange for room and board. She had little choice. As soon as the girl's name landed on the paper, she changed it. Several characters flew into the air, leaving her with a new identity. The boy had warned [Reader] that this would happen. That was why the tablet she had brought with her was so precious. Since then, she had written her old name in places she visited regularly. So that she could remind herself of it. The witch gained power over the employees because she stole their names. Over time, they forgot who they were, only to stay forever and work as long as they were able. Just like Haku.

— Faster than me, as always. Do you even sleep?  

— Sometimes. — Haku smiled mysteriously.  

She had never seen him sleep or doze off but he had a lot of responsibilities. His job was one of the most responsible in the entire bathhouse. He was always on his feet from the crack of dawn until dusk.  

He hid in their favourite spot, in the middle of the flower maze. The azaleas and oleanders were a mosaic of pink and orange. The rising sun coloured the white camellias, which still had dew on them. The boy was just finishing watering the plants. It wasn't part of his duties. He simply liked doing it. Ever since she learned that he was always here at this time, she had come to visit him. She leaned against the dark hedge. She closed her eyes for a moment to enjoy the cool air.  

— What’s for breakfast today? — he asked, looking into the basket.  

— For gods magic goo, for demons magic goo and for spirits…  

— Let me guess, also magic goo? — Haku finished for her. — Good thing all I see here are buns. — He bit into one as he said that.

Food for the creatures of this world almost never looked tasty. It was usually gruel or soup. They had flavours and many of them reminded [Reader] of ingredients she knew but what she put into the huge pots looked unfamiliar. Only magic could turn liquids into dishes that resembled home-cooked food. She was still learning it. It wasn't an unattainable skill but it required time and focus. Something that the kitchen lacked during meal times, when she could practice it. Haku, as Yubaba's apprentice, helped her a lot. She couldn't count on a rat boss. He showed her gestures with his paws and what the end result should look like but he couldn't explain in words what she should do.

— How are you? — She leaned against Haku's shoulder.  

— Very good. You’re getting better and better. — He reached for another piece.  

— I think I’ll be promoted soon — [Reader] mused.  

The boss liked her. Magic was getting better and better. Plus she had friends around her. When she first found herself in this world, she was terrified. Now she had her life in order.  

— I made you a new tablet — Haku said, pulling a piece of wood from his robe.

Carefully carved kanji characters. Beautiful calligraphy. So perfect. Almost too perfect.  

— Another one? I told you to drop it.

The boy kept insisting that she repeat her old name. It irritated her. It was enough that she did it once a day. And he produced such reminders and left them in various places so that she would come into contact with them as often as possible. She left the orphanage and the temple behind. In that world, she was practically a nobody. Here, she had a chance to be somebody. She really mattered to someone. She didn't need to constantly think about the past.  

— It's important. You'll get out of here someday, and then...   

She didn't let him finish. She abruptly stood up, irritated.  

— Again with this! We've been through this before. There's no escape from here. Yubaba knows everything that happens here. There's a slim chance and I'm not going to take it. I know you're hurting because you don't remember who you are but I'm not you!

A shadow of resentment crossed his warm face. Barely noticeable but still. She felt a pang of guilt but she knew she was also right. He was projecting some of his resentment onto her. He had made a decision long ago that he now regretted. He didn't know himself and for years it had been eating him up inside. Who was he? What did he like to do? Where was his home?  

— It's true. I regret becoming Yubaba's apprentice. That's why I want to save you from what I myself can never escape. What happened to your dreams? When I met you, you said you wanted to see the world. Are you going to give up? — Haku gently grabbed her by the shoulders, as if to talk some sense into her.

— Dreams change. I have a new life now. You're one of the reasons I don't want to leave here. You should be happy. — [Reader] smacked his hand away.  

— Me? — Haku's face showed shock.  

— Is it so strange that I love you? — The girl seemed to not immediately realize what she had said. But once she did, she did not intend to take her words back.  

The boy didn't answer. He simply hugged her tightly. It wasn't like he hadn't seen how their relationship had begun to go beyond friendship. It had happened a long time ago. Subtle smiles. Holding hands. Spending every free moment together. Thoughts of her that haunted him while he worked. He had put the pieces of the puzzle together a long time ago. But hearing those words from her alone seemed to finally seal what was between them. He couldn't just leave it like that...

Haku said goodbye to Yubaba with a stony face. The witch draped herself in pitch-black feathers. She looked at him longer than usual but he held her piercing gaze. Had she guessed?  

— I'm leaving the business in your hands. See to everything. — With these words she took to the air and flew out through the open window.  

He let out a long-held breath. The festival was no problem. Everything was practically ready. A wealthy client had simply fallen from the sky. Ever since he had requested a big event, the entire bathhouse had been trying to prepare one for him. Yubaba would have liked to have been rushing the workers all evening but for some unknown reason she had left the bath house in a hurry.  

Haku walked out in front of the building. The usually empty booths were still filling up with new guests. The bath attendants were just starting their shift, rushing through the line of people gathered in line. Luckily, [Reader] was already finishing up. She was standing next to the boss, nibbling on the food on display. He waved hello to them. Then, without a word, he grabbed the girl's hand and headed for the stone steps.  

— Where are we going? — She looked pleased as she munched on the magic skewer.  

— To one of my favourite places. It’s almost always flooded but today the water level was low enough. — With that, he led her through the crowd of ghosts.  

He hoped the workers would manage without him for a while. The streets were swarming with capricious gods.  

They crossed a flowery meadow. The buds closed from the lack of sunlight. Shadows seemed to thicken around the buildings without light. Haku felt a tighter grip on his hand.  

— Are you sure we can go this far? — [Reader] looked around uncertainly.  

— We'll be fine. Yubaba left and it doesn't look like she'll be back anytime soon.  

The further they walked, the further they got from the baths. She passed places that had long since faded from her memory. This was where she had walked when she first came to this land. If she looked closely, she could even make out the abandoned train station. The one she had passed through long ago.  

It was only when she saw the lights that she understood where they were headed. In the middle of the meadows was a tree surrounded by thousands of fireflies. It was huge. Its spreading branches reached high into the air. It had completely dried out. She could still see the empty riverbed that had once flowed here. The birds that had once lived here had left behind only empty nests. The sight might have seemed eerie but to her it only brought sadness.

Haku felt connected for the tree for some reason. He didn't remember it. But he felt like he had seen it in his previous life. The sight of its death filled him with sorrow, though he couldn't imagine what it might have been like in life. [Reader] didn't interrupt his story. She laid her head on his lap, as she had done for a long time and let him speculate. Stories of how he imagined himself before. What might have happened to him in the past. A cool wind with the scent of cherry blossoms carried his stories across the meadow. They flew away towards the dark sky, surrounded by the glow of fireflies.  

He would miss these moments. The peace her presence brought him. But he believed he was making the right decision. He hoped she wouldn't be mad at him. At least not mad enough to erase him from her memory entirely. Would she even remember him when she will leave this world? How wrong was it that after what he was about to do, he still selfishly wanted her to love him? 

He wanted to visit this place with her under different circumstances because in some way it was a part of him. Even if he didn't know how. It was like sharing a piece of the past. If he forgot, she would still know. He wished they had more time.

He prayed to the gods that Yubaba would not find out it was him. If she discovered the truth, he would probably say goodbye to his life. But it was a fair price for the risk. One life in exchange for another.  

— I love you [Reader] — he whispered one last time.  

[Reader]. Yeah, right. That was her real name before she came here. The words came to her slowly. She didn't even notice the moment her eyelids grew heavy. Something that was probably a kiss rested on her forehead. She felt a nice warmth. She wanted to say the same thing but she didn't have the strength. She fell asleep.  

— [Reader], [Reader], [Reader]! — Yumeka happily jumped around her. — You must see the river.

The woman adjusted her hat, smiling. She offered the little girl her hand. She was pleased with how much good she had done. This was an example of a happy child. The orphanage she had founded was doing well. Unlike the temple where she had grown up, no one forced the little ones to follow one path. She had found people who were willing to support them in choosing a career when the time came.

[Reader] wanted to repay the good fortune she had experienced. The couple who had found her in the woods a few years ago, gave her a home. The doctors had determined that she had suffered from partial amnesia as a young girl. Whenever she tried to explain to them that she had grown up in a temple, they said it was impossible. Her adoptive parents took her there so she could see that it had been abandoned. It was only after several years of work, when she had been awarded the title of a top chef, that she managed to make enough contacts to look at the guarded documents. Some of the people she had grown up with were still alive. When she asked them about her disappearance, they told her that she had simply left one day. Supposedly because they had found parents willing to adopt her. What didn’t add up, however, was how much older she seemed compared to them. She couldn’t explain it but she felt as if there had been a gap in her life. A much longer one than anyone around her suggested.

Over time, she gave up digging into the past. There was little she could do and no one knew the answers to her questions. So she set herself a new goal. She travelled the world. She cooked for many different celebrities but also for ordinary people. She was hailed as a magical cook. Guests claimed she could do magic. According to critics, the dishes she prepared seemed to have a taste of something they had never been able to taste from anyone else. When her parents began to fail, [Reader] returned to her hometown. There, she came up with the idea of ​​opening an orphanage. Only, it was better than the one she knew. Raised as a future miko, she felt no happiness. She wanted the children to choose their own paths in life. After the deaths of their mother and father, she began to visit the building more and more often. The bond that developed between her and the children was something special. They were the only ones who didn't laugh when she told stories that the adults only shook their heads at. That for years she had been dreaming of a distant land. And in it a colourful bathhouse and magical creatures. Above all a terrifying witch. More often, however, a boy with a gentle smile and green eyes. One day, however, he stopped appearing there and did not want to return for anything.

— You’re saying that out of nowhere a river started flowing here? — [Reader] looked curiously at the lazily flowing water.

— Yes. My friend Chihiro said it just showed up here one day. She came here recently with her parents and they were the first to discover this. Then the neighbours came. Everyone was surprised.  

She nodded, staring into the clear surface. It seemed familiar for some reason. Like she had seen it before but that couldn't be possible since the stream had appeared only weeks ago.  

She took off her sandals and dipped her feet into the cool current. The world seemed to stop for a moment. Silence surrounded her. The scent of cherry blossoms filled her nostrils. She stood under a blooming, spreading tree surrounded by fireflies.

— You're so stupid, Haku! — The girl clenched her fist.

She looked helplessly at the water that was now flooding the entire area. He had fenced her off. He had fenced her off from that world. He had the nerve to carry her right up to the station and disappear while she was sleeping. On the other side. When she woke up, it was already morning. All he had left behind was a letter, which she opened with a trembling hand.  

Dear [Reader],  

I know you're angry. You have every right to be. I know that what I'm about to do will hurt you deeply but I can't let you spend the rest of your life here and forget who you are like I did. In time, it will start to bother you, just like it did me. You'll start to forget about the people, places and dreams you've had. Knowing that I'm the main reason you don't want to try to escape from here is one of the worst thoughts I've ever had. If I didn't do anything, the guilt would eat me up inside. Knowing you, you're probably wondering if it's possible to wait here and go back to the bathhouse. I'll answer your question. It's impossible. You can't step into the same river twice. You only have one path and it leads home. I love you. That will never change. That's why I'm selfishly asking you for one last favour. Go through the tunnel. Don't look back. Do every single thing you've ever wanted. I hope that one day we'll be able to meet again. Even if it will be just in our dreams.

Forever yours x͕̪̙͓̟ͯ͒́̕x̵̛̯̭̒̆̿͘x̴̡̬͇̼̙͋̀̂̋ͮx̷̬̙̍̉͊́̕x̷̨̫̹͉ͤ͒̔̓͋͞x̶̫ͦ̇̽̎  

She thought she saw the kanji forming a signature but it seemed to spill and dance before her eyes. Kohaku? No… The correct one would be…  

— Nigihayami Kohakunushi. — The words seemed to escape her lips on their own.  

— [Reader], are you okay? You were completely out of it for a moment. — Yumeka waved her hand in front of her eyes. — How did you know what we named the river? You said it was the first time you’d heard of it.

— It's nothing. I got lost in my thoughts. One of the neighbours probably told me and I just remembered. — She cast a last, lingering look at the river. — Let's go for dinner. I was going to wait a bit longer but I actually came to tell you the good news. If everything goes well, I'll be able to start the adoption process soon. What do you think?

— Really?

— Really. — She smiled, grabbed her hand and together they walked away from the shore. Cherry blossoms were still dancing in the air.  

[fyeahyoshizakimine]

[remosss]

cannot believe i forgot to share this very important christmas drawing for @becauseje-suisbatman

[kohakuriver]

Spirited Away Twitter Q&A Translations

Multiple theories debunked/confirmed and we're given answers on how Haku and Chihiro can meet again! Ghibli finally answered a lot of popular questions!

When the official Ghibli twitter was first active back in 2022, it held a Q&A during a Spirited Away rerun. I don't think anyone's ever posted about it on here so I thought I'd share these translations I found! Most of these answers are completely new information about the movie. Here's a site that archived all the tweets and trivia.

The credit to these translations and notes go to atrociouscheese.

Q: Is it true about the rumors that "Spirited Away" has an subsequent story about a phantom after, and that it was shown only in some movie theaters? Or is it just an urban legend?

A: It's an urban legend. Miyazaki: "At first, I was planning to start from Chihiro's house. Chihiro's room was a path for yokai, and she talked about going to a bathhouse with my mother. But I quit because it felt dull. So it would be interesting if such rumors were circulating!"

Q: Why did you decide on the title "Sen and Chihiro's Spirited Away"? (referring to the Japanese title of Spirited Away which is: Sen to Chihiro Kamikakushi) Were there any other candidates for the title?

A: At the stage of the completed proposal that was drafted on November 2, 1999, it was "Sen's Spirited Away". At some stage, the movie was titled "Sen and Chihiro's Spirited Away" because it was about Chihiro's story.

Q: What is the meaning of the mysterious Daruma-like rock in front of the tunnel?

A: The image board says "Stone person (actually a frog person)"...

Q: Do you have any plans to build that tunnel in Ghibli Park?

A: I asked Goro, who is building the acclaimed Ghibli Park under construction.

Goro said: "I'm making 'that tunnel' in 'that work'~ (laughs)"

Q: The mother feels a little cold to Chihiro. I've always been wondering if there's any reason or if she's a cool person by nature.

A: Animation director, Masashi Ando, said that he wanted to not have the image of father and mother that appear in Miyazaki's work, and he said that he set it with an awareness of "a person who is cool and not in a place where family harmony is disturbed".

Q: How did the main character come to be named Chihiro?

A: Chihiro was modeled on Miyazaki-san's friends who were around 10 years old at the time (including some of their names). After the first preview, Mr. Miyazaki was there before anyone else to hear the children's impressions of the film.

Q: I'd like to know more in detail about the objects and places you used as references in creating this work.

A: There is no specific location "here". Mr. Miyazaki recalls the places he once visited and draws while imagining places he cannot remember. The restaurant district in the mysterious town that appears at the beginning of the film was said to have been drawn with an image of the entertainment districts of Yurakucho and Shinbashi.

Q: Are Kamaji and the working soot sprites (Japanese uses makkuro kurosuke) the same species? Or are they similar but different?

A: The official name of makkuro kurosuke is "Susuwatari". That's what it says on the storyboard, so it's not wrong to say that it's the same species. Initially, there was a plan that rice and sesame were their favorite foods, but now konpeito became their favorite.

Q: Are the characters portrayed in human form like Lin, human? Or are they other creatures?

A: The employees of the bathhouse are frogmen for the men and female slugs for the women. This is symbolic of the fact that to the new employees joining Ghibli, all the uncles look the same. Lin may look human because she is a close senior. Doesn't that happen to you?

Q: I want to know more details about of the chicks who are crammed in the bath!

A: It's a chick god called "Otori-sama." By the way, the one who is also soaking in the hot water is the "Cow Demon." According to Miyazaki, he thought, "Today's Japanese gods must be having a hard time," and that's how the bathhouse was born, where gods and yokai can heal their fatigue. 20 years later, the bathhouse may be even more prosperous now...

Q: Why did Radish spirit (Oshira-sama is used here) follow Chihiro upstairs?

A: The spirit became interested in Chihiro and got on the elevator together with her, but they didn't like Yubaba's room, so they descended immediately (it's written in the storyboard).

Q: How many years ago was the world of the bathhouses set from now?

A: It's modeled on the "pseudo-Western" buildings that were popular from the end of the Edo period to the beginning of the Meiji period, so it can be interpreted as after that.

The actual model is Studio Ghibli. To work for Studio Ghibli, you have to go to Toshio Suzuki on the top floor and say, "Please let me work" (laughs).

Q: I really like the flood-like atmosphere of the flowers in the scene where Chihiro slips through the flowers before eating rice balls. Did you change the expression technique for only that scene?

A: For that scene, the flowers are drawn with paint and are then animated to have depth on the computer.

Q: I felt that the onigiri that Haku gave Chihiro were white rice balls, but did they contain any contents inside?

A: The storyboard says, "3 onigiri (without seaweed)". I'll leave it to your imagination to see whether it contained any ingredients in them (not that there was any wasabi).

Q: How many years has Haku lived approximately?!! He looks like a boy, but...!

A: His appearance is about 12 years old, but his actual age is unknown. He's kind during the daytime when Yubaba is sleeping, but is cold at night. According to Miyazaki, Chihiro is like falling in love with a manager. "What was that about last night?"

Q: Is No Face (Kaonashi is the original Japanese used)'s movement a little cat-like...? I personally think that, but are there any animals that you used as reference?

A: I don't have any "animals" as a reference, but the staff at that time said, "I felt like I was collecting the obsession that everyone had, the parts of people that were sick."

Q: I want to know the rating of the bathhouse bills! I wonder how many kinds there were and what rank of the tag Kasuga-sama was.

A: There are no ratings, but the efficacy of hot water is different for each tag.

Q: Is No Face a god? Is there a reason why they couldn't enter the bathhouse?

A: No Face is not a god, but Miyazaki said at the time that "No Face is inside everyone."

Q: Do many Ghibli staff have special feelings for Chihiro? Were there any celebrations among the staff on the 20th anniversary?

A: The studio does not do so-called "anniversary celebrations". Miyazaki and Suzuki's idea is to do what is in front of them without looking back on the past.

Q: I heard that most of the dishes that appear in the movie are made at least once, but was that big steamed bun (meat bun?) that Chihiro was chewing on also made by hand?

A: We don't cook all the meals that appear in the film. Miyazaki says, "Most of the food that appears in the movies are usually things I made and ate a long time ago."

By the way, the fried egg that appears in Laputa and Howl is said to have been drawn based on his memory of making a fried egg when he was a student, returning home from a long trip without any money and starving.

Q: Why is the name No Face?

A: At the drawing meeting at that time, Miyazaki said that Yubaba, No Face, and Chihiro are all "one aspect of the individual." Everyone has both good and bad points. I think he created a character called No Face as a symbol of human beings that cannot be drawn in a one-sided way (I answered seriously).

Q: When the film was released overseas, I was wondering what kind of responses and impressions people had about the unique concepts of Japan, such as Japanese gods and "spirited away/kamikamushi" had. Also, was it made in consideration of reactions from overseas at the time it was produced?

A: It varies from country to country. In some countries, the appearance of No Face became "silence", and other countries burst into laughter. Miyazaki does not make movies conscious of overseas reactions. Suzuki says, "If Japanese people make something that only Japanese people can do, it will become a global work."

Q: Why is Boh drawn so big?

A: It's a symbol of growing up as a child. It seems that Yubaba can't help but spend money on Bo.

Q: "Spirited Away" is the voice acting debut of Ryunosuke Kamiki, who has done voice acting in numerous anime. I heard that Ryunosuke was called to Ghibli's studio after recording his voice at home and sending in a tape because it was an audition. I would like to ask why you cast Kamiki in the role of Boh.

A: At first, people with big bodies were nominated for the voice of Boh. Miyazaki's face lit up the moment when he heard the voice of Kamiki who was eight years old at the time, he shouted, "This one, Mr. Suzuki!" and he decided.

Q: Please tell me how to distinguish between Yubaba and Zeniba.

A: At the image board stage, there was a clear difference between Zeniba and Yubaba. At the storyboarding stage, they thought it would be better to make them look exactly alike. One staff member said, "Yubaba has one wart on her chest and Zeniba has four warts on her chest." But I can't confirm it (laughs).

Q: Kamaji says that Zeniba is scary, but she is a gentle grandmother in the movie. Why did Kamaji say that Zeniba was scary?

A: People who look kind are the scariest when they get angry.

Q: Why did you make the scene of "I can't forgive you!" Dragon Ball-style? How did Yubaba hit such an orb?

A: The storyboard says "Dragon Ball style" (laughs). It's not clear why she was able to shoot an orb, but Miyazaki said, "Yubaba is an old woman who can swim in the air."

Q: I have a question about trains. Is there a reason why we used to come and return in the old days, but now we can only go one way? I would like to know if there are any settings.

A: During a drawing meeting, Miyazaki remarked, "All the employees of the bathhouse dream of saving money to open a store in the town beyond the bridge. Will they go for leisure? But if you get on the train you’ll never be able to come back and this will be gone.”

Q: Where was the scene that took the most time to draw?

A: If there are a lot of characters, the scene will take a lot of time, though I can't say in general that this cut took the most time. It is unclear what scene took the most time but Miyazaki often fixed Chihiro's small gestures, and in particular, Miyazaki seems to have, with all his effort, corrected the scene where Chihiro received the hair tie from Zeniba and tied her hair.

Q: What was the most difficult dubbing scene?

A: Kamaji, who is played by Bunta Sugawara, speaks a lot slowly, so it was difficult for Sugawara to get it on scale. Rumi Hiiragi was having a hard time with saying "one, OK?" from the line "one, OK? I can't call one flower a bouquet". And Miyu Irino tried many times with "Nigihayamikohakunushi"

(translation note: her line in Japanese, what "one, ok" sounds like is "ippon, ne." Japanese changes numbers when it comes to counting items, so one which is ichi becomes ippon when it comes to counting the bouquet. So instead of saying, "One, okay" she said "one okay") Additionally, I actually know what they're referencing and you can actually see the dubbing behind the scene difficulties they're talking about in this video uploaded on Youtube: video here

Q: How do you write Haku's real name "Nigihayamikohakunushi" in kanji (Chinese characters)? I am wondering if it is the characters for "amber river" (琥珀川) or "small white river" (小白川). I would like to know if there is a meaning to "Nigihayahimi"!

A: Although it is written in katakana in the setting, the name "Nigihayami" is said to be the composite of several gods including Nigihayahi (nigihayami-no-mikoto), the ancestor of the Monobe clan who fought against the Soga clan during the Asuka period, and Hayakitsuhiko, the river god and dragon incarnation.

Q: How did Chihiro find out that her mother and father were not inside the pig pen in the end?

A: I'm not sure of the reason, but please read the children's book called "Krabat", which Miyazaki was greatly influenced by.

Q: Is there any reason why Chihiro's hair tie sparkled brightly at the end?

A: That hair accessory is the only proof that Chihiro worked at the bathhouse. I think it can be said that it is a (choice by) stage direction to give that impression (of the sparkling).

Italics is my inference, but I'm not 100% sure.

Q: How many days did it take for Chihiro to get lost in the mysterious city, work in the bathhouse, and exit the tunnel?

A: Mr. Suzuki advocates the three-day theory. When her father and mother get into the car as if nothing had happened, the inside of the car is covered with dust, so the passage of time may be different here from the tunnel.

Q: Why is going into the tunnel different on the way back?

A: When I asked Noboru Yoshida, an art staff member, he answered, "It depends on the passage of time." Does that means that the "three-day theory" collapses...?

Q: Did Chihiro and Haku meet after that?

A: Haku was the spirit of the river that flows near the house where Chihiro used to live. If Chihiro ever visits the river...

[slyth-princess]

The fact that Jumba from Lilo & Stitch, Governor Ratcliffe AND Wiggins from Pocahontas, the Archdeacon from Hunchback, Cogsworth from Beauty and the Beast, and Kamaji in the English version of Spirited Away are all the same voice actor is fucking WILD!

[thatpinkweirdo]

I decided to try digital art again for the first time in a while and made the best thing ever

[nuclearnerves]

been watching my favorite movie again. this is spider man if he was awesome

[disneydarlin]

Spirited Away: Kamaji —Aesthetic

Kamaji's Character & Personality

Kamaji is a Japanese spirit. Specifically, he's a Tsuchigumo, which is a spider-like yōkai in Japanese folklore. Kamaji appears as an elderly man with six, long arms who operates the boiler room of the Bathhouse. At first, he's unfriendly, cold and uncaring. Kamaji refuses to give anyone work despite the risk on the person's life. He's also not afraid to yell at others. However, after some persuasion, Kamaji is willing to help when they prove themselves to be persistent and determined to work. In fact, he's actually a kind individual. Kamaji is also caring and will give wise advice to those he considers a friend.

[theknucklehead]

Rewatching Spirited Away, I couldn't help but think that the boiler room guy Kamaji looks like Dr. Eggman, so here are some of his quotes I put to him.

[cymraegdragon21]

Trying to have a word with myself about my writing. So many WIPs so little time

[i-mustache-your-opinion]

ROUND 3 - MATCH I

[cyanide-sodapop]

Kamaji is just Dr. Eggman with six arms

the resemblance

[sakuraswordly]

[caprinekindness]

Did you know

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