#kairi's otherness as it parallel's riku's otherness in analysis

[thehandwixard]

my #truth is that riku realized he was gay from a young age (obvious reasons why) and he had a lloooot of struggle with it on the literal island with no way out he was living on and was in no small part a reason (among the neurodivergency and "childish" behavior for his age) why he was so desperate to leave Because he innately knew of himself as strange and an other, even if no one gave him shit for it

SORA however, realized he could like guys in a way that did not make him feel like an alien through meeting several disney and anime men known for being irl ppl's gay and bi awakenings and was able to feel Pretty Normal about it all things considered however this does mean that as soon as he realized he *could* have feelings for riku everything blew up.

[last-flight-of-fancy]

Started thinking about Riku-Kairi parallels and symbolism wrt the ending of kh2 so please hold while i get needlessly verbose about it-

specifically it started with this gif

and ofc adhd is as adhd does and started going down the rabbit hole of connecting the dots.

The act of reaching out a hand/hand holding is a recurring thing in kh, the vast majority of which is chock full of meaning and symbolism, and this is no exception. This is the culmination of The Hero's Journey part of Sora's tale, the return home, and the heartfelt reunion between long-seperated friends. fun fact the heroine's journey follows the hero's journey for the first third or so before continuing on. kinda like how kh continued on long after things seemed to be 'resolved'. weekly plug to look up Howler's Heroine's Journey essays if you haven't yet

The angle from which I am viewing this scene right now is in regards to ofc Riku, and his own iconic pose that we see the first time in the intro to kh1 (and many, many times since)

And this is where my riku-kairi-are-inverted-parallels-to-each-other brain starts barking like a dog because oughghghghggh same pose opposite side completely different body language- AHG.

And this matches their character arcs (as well as their respective combined arcs with sora) to a T as well. Riku's pose is the first we see, way back in kh1, and his hand is as much a taunt as it is an offer. Very befitting his relationship to sora in that game, which was coloured by a forged rivalry and intense jealousy (to quote the ultimania; Complicated Feelings) of/for sora.

(it is also notable that to date this gesture has yet to be resolved. the closest they've gotten is when sora grasped Riku's hand in kh2 on finding him- albeit in Ansem's visage.

Symbolically this is Sora attempting to accept the gesture, but this time it is Riku who fails to meet him halfway, too deep in guilt and regret to feel worthy of it. his hand is turned downwards, limp and unresisting.

And again in DDD when Riku grabs sora's hand/wrist in an attempt to wake him from his nightmares, but this time sora isn't capable of reciprocating. like two ships passing in the night, always reaching but never quite meeting)

(this one isn't quite as strong in the visual symbolism specific to the Riku Pose, but i did think it bore mentioning)

to return to the first gif however, for Kairi her posture is much less stiff, leaning forward with palpable releif at Sora's return. Honestly the fact that she holds out her left hand (which as far as i know is not her dominant hand) marks this as a very deliberate choice to parallel her as opposite to riku. and much like the rest of kh2's ending, it FEELS like a culmination, a completion of their arcs.... and most certainly isnt.

Which i mean to say, it's a mid-point. And the reason I say this is because of one little thing.

The seashell charm.

There's a sort of irony here in that the charm that was meant to reunite them in this moment is also symbolically like a wedge between them. A heartfelt and meaningful gesture, don't get me wrong! i love this scene and the genuine emotions within, but i do love chewing on the way this gains a slightly different meaning in the greater context of later story beats; specifically that of kh3.

With how pointed and direct the parallel is between kairi and riku in these scenes, it did make me pause for a moment thinking about kh3. i know we've all seen a thousand and one analysis' of the paopu scene at this point, but forgive me as i must do so again under this specific lens.

'how does the paopu scene relate to the hand extended gesture at all?' i hear you ask, and on the visual surface not much. it has more to do with sora and kairi's relationship arc through the games and, of course, the lingering loose thread that was the cave drawing.

The paopu scene is a touching recreation of that cave drawing, one enacted by a pair of kids who didn't know if they would live to see another sunset. It's also probably the most symbollically dense thing in all of kh and that is saying something so I'm going to try and keep my observations limited to just what is relevant to this post- and that would be the way that the paopu scene is a direct continuation of Kairi's 'you're home' gesture in kh2.

shooting stars are also a common recurring symbol in kh, and that's the symbol that ties these two scene's together. if kh1 is two disparate stars each trying to reach the other (the cave drawing, the seashell charm, the way their hands are seperated at the end of kh1), and the end of kh2 is that of the stars finally meeting (the single seashell star charm pressed between their palms), then the paopu scene is that of the stars passing each other by and beginning their own journey's anew (two stars held by crossed arms, each now holding a small piece of the other (bitten fruit) to show that their meeting may have been brief but it was meaningful)

it is in this way that kh3 quietly and tenderly closes out sora and kairi's combined arc, as two unlikely friends who then drift apart again, shining brightly for the shared experiance, Remind mostly serves to support that finality, tying up the last couple loose ends between them, and leaving the two far more comfortable with each other than they ever were while that arc was still ongoing (which i read as them no longer being uncertain as to what their relationship is; that of friends, and not whatever so many others around them had pushed and assumed)

(seriously look at how much more comfortable they are with each other the second the pressure to be something they're not is off. the awkwardness is completely gone i love it)

All of this is ofc still in parallel to Riku, who boasts no such star imagery (instead he has the iconic Heart of KH itself), and in fact while he symbollically continues to reach out to sora, physically he has completely refrained from doing so at all- in fact most examples of the Gesture in kh are deliberately invoked by other characters in order to bring riku to mind in some way (and often more for the players benifit than sora's)

axel in CoM,

(i have given up on tumblr gif search)

YMX in DDD,

which then immidiately cuts to riku in kh1 just to make it as blatant as possible that yes the reference is intentional (i guess CoM was too subtle somehow so they had to make sure this time)

and even Riku himself to Namine at the end of kh3, representing Repliku's final wishes in a funny sort of symbolism oroboros.)

and it's not a coincidence that the completion of that connection provides definitive closure to the arcs in question; that of namine to repliku, but also a little bit to riku himself. namine still has a role to play, but that role (i think) is more or less exclusive to her relationship with sora. namine and riku's relationship arc, background as it is, is complete, and now both are connected primarily through their incomplete arcs with sora.

(which makes the way that sora and kairi's example in kh2 is a complete outlier really interesting tbh. smth smth thinking your relationship is one thing and if it was that thing then yes that would have been the end, but it wasn't that thing and thus it wasn't the end smth smth comphet metaphor smth)

which brings us back to how riku himself hasn't really reached out to sora directly since kh1, the act that set off both of their journey's. The reasons for that are many- guilt, fear, a certainty that sora will not reach back and that he doesn't deserve it anyway- but despite that the Gesture is still subtly affirmed as being Riku's over and over again, never quite letting the audience forget it... because eventually this bit of symbolism so consistently portrayed throughout the series will reach its own conclusion, starting how it began with one deuteragonist reaching out to the other, and this time the other reaching back to complete the gesture.

[yoroshiu]

I adore that KH has characters that parallel each other in multiple ways. It's not just Ventus = Sora = Roxas, Terra = Riku = Axel/Lea, Aqua = Kairi = Xion, but you can mix and match and it'd make sense.

Sora = Terra: Both couldn't overcome the darkness and nearly or fully get Norted. They fail their Mark of Mastery and pretty much go missing. Both tend to be associated with rage in one way or another.

Riku = Aqua: Made to be the Masters in their respective trios, the Responsible One^tm, struggled with darkness and were in the Realm of Darkness for a while

Kairi = Ventus: Pure heart of light, had to go to Sora to recover/hide, struggled with being left behind

Sora = Xion: It's interesting how alike these two can be (though of course, you'd assume so naturally), but sometimes even more so than Sora and Roxas at times, specifically their sacrificial behavior

And I could go on and on, but that's the basic gist of it. It makes for interesting analysis and imagery. On the even more fun end, it makes for potentially fascinating potential team-ups!

[cloudofash]

The Ariel / Riku Parallel and the future of Sora and Riku

This is a parallel I see covered a lot of the time but when it's mentioned the comparison usually involves Naminé in place of Ursula.

The parallel typically follows:

Ariel is Riku. They both wanted to see the outside world.

Sora is Prince Eric.

Naminé is/was Ursula (Vanessa).

Naminé (Ursula) used witch like powers to place Sora (Eric) in a trance and blind him from his true light/the one, Riku (Ariel).

It's a direct parallel that needs little analysis or explanation.

I have also seen fellow Sorikus touch on this parallel with the Final World tunnel scene where Sora notices that the Light is Riku much like Eric notices "the one" who sang to him and saved him in the storm is Ariel.

My theory is that this parallel goes beyond just the tunnel scene. In fact, I believe that Nomura is following the KH2 Atlantica storyline for Sora and Riku's eventual romance later in the games. Walk with me here.

-

The KH2 Atlantica story begins with Ariel saving Eric after a storm. She immediately falls in love, and sings to him. He wakes up just enough to hear her singing, she goes back to Atlantica and her father breaks her statue of him, her heart breaks and Ursula makes her contract with her...you know the tale.

In the KH2 version of this tale however, Ariel falls into a deep depression because she knows she can't be with a human up on land as a mermaid. Not to mention her father's hatred of humans casted fear and doubt into her. When Ariel and Eric defeat Ursula, Ariel reveals to Eric that she is actually a mermaid. However in this scene, Ariel hangs her head in shame and tells him "goodbye" anticipating that he would not accept her as she was. To her surprise, he does accept her.

This scene always struck me because at no point in the original film is Ariel ever ashamed of being a mermaid, she simply knew as a mermaid she couldn't live on land with the one she loved. Why would shame and fear of not being accepted for who you are be added to this tale?

And it doesn't stop there. All throughout the Atlantica storyline, we're told that Ariel and Eric's love is a "forbidden love". A love that shouldn't happen between mermaid and human, sea and land. We're told how a "love struck" mermaid in the sea felt she could only love her human soulmate from afar, that they could never be together despite her wanting them to be.

Who, in the entire Kingdom Hearts cast, does this sound like? Who else, if confirmed that he truly is in love with Sora, would have a forbidden love?

There is no one else other than Riku. Kai*ri, as a cishet female, would not have a forbidden love with Sora. Riku, as a demi/gay male, would have the forbidden love.

Riku has spent a good portion of this series loving and protecting Sora from afar, most often than not, without Sora even being aware.

Who would be more likely to be "ashamed" for loving Sora, and fearful of rejection? Kai*ri, or Riku? In fact, just as Ariel was ashamed that she was originally a mermaid and had to transform into a human, Riku was ashamed that he had to borrow the powers of Ansem and transformed into Ansem.

--

Now why do I say this parallel is going to dictate the future of Sora and Riku's relationship? Because KH3 pretty much follows half of this parallel already.

We already know that Sora discovered that Riku was his true light in the tunnel. He then forgets all of this ever happened and forgets that he ever saved Riku.

And not only that, but Riku's light is blocked out and Sora ends up thinking that the light belongs to another character.

That's right. Sora (Prince Eric) has yet another haze over his eyes. And instead of Naminé, this time Kairi is Ursula.

This is an exact parallel of not only Atlantica, but of what happened in Chain of Memories with Naminé.

Naminé describes herself as a witch who controls the memories of Sora and everyone surrounding him.

Naminé is Ka*iri's Nobody, also described as her "alter ego". Vanessa is in a way Ursula's human alter ego, they're one in the same.

Ka*iri, most likely, has a similar power. She may not use it consciously, but whenever Sora turns his focus on Ka*iri, he forgets all about Riku. This has happened since KH1.

Ursula used her power to make Eric forget about Ariel, the girl who saved him and sang to him. Let's also not forget that Ursula made an appearance in Dream Drop Distance when Sora and Riku were building their dream raft.

We're following the Ariel parallel, just a bit out of order. We're past the point of Ariel's (Riku's) depression. We're past the point of Ariel makes a contract with Ursula to transform into a human / Riku making a contract with Ansem to transform into Ansem. We're at the point where Prince Eric is tricked by Ursula / Sora realized who his light is but forgot and is currently under the false impression that Kai*ri is his true light.

Memory of Melody aside, KH3 is the most recent major title in the series. KH2 happened way back in 2005 and Nomura is STILL referencing it. This tells me this parallel is not concluded nor going away, rather, it's building up. Which means, we will eventually reach the conclusion of this parallel.

Prince Eric finding the one. Sora finding his light.

Every Disney parallel thus far has either reached a conclusion, or is still ongoing (such as the Riku / Hercules and self sacrifice for love). I highly doubt this parallel will be dropped before its conclusion, unless Disney or some Square execs drop the hammer on it and either force Prince Sora to be with Kai*ri instead of Riku or force Sora into some "power of friendship" spiel. Or if Nomura's hands get sweaty and he remembers the pressures of homophobia in society and ends up fearing the anger of the fanbase for pushing an LGBTQ romance. So although I genuinely believe it's Nomura's intention to pair Sora and Riku given the buildup of their relationship over the longevity of this series, and the Disney couple parallels between the two, he may end up cracking and decide against pursuing it.

Given that Riku in the Novels all but confirmed Sora is his light and love and Nomura approved it, I'm hoping that he has the confidence in his tale to propel this love into the mainline titles. Nomura DID say that the series has taken a directional shift, this may be the shift he's referring to all along.

----

So what would a Soriku love look like in future titles? Well let's look at the portion of the Atlantica parallel not explored yet.

Ariel returned Prince Eric's pendant. The Crown Necklace theory and Shooting Star Memory has yet to be addressed. Perhaps at some point in Quadratum Sora loses his crown necklace, Riku finds it and returns it to him triggering the both of them to finally address the Crown Necklace with Sora remembering that Riku is the one who gave it to him in the first place. Sora remembering that Riku was the light in the darkness and not Kai*ri is now a new plot point needing to be addressed. Just as Eric realized Ariel was the one he was looking for all along, he declared his love for her. Sora will eventually realize Riku was the one he's been searching for all his life and will probably apologize for not realizing it sooner.

Not to mention the Hercules parallel of self sacrifice for true love has also yet to be addressed on Sora's end. He's still figuring out what love is and what love means. Both the Ariel-Eric and Hercules-Meg parallels end with a confession of love. That confession may just be how Kingdom Hearts ends.

Additional Note: Do I think there will be a Soriku kiss? Maybe, but it most likely won't happen in-game.

I instead believe that Soriku will be confirmed with a koibito tsunagi - an interlocking hand hold that roughly translates to "lover's connection". Nomura and other Square Enix devs have used this before, especially in FF7 Remake when Aerith takes Cloud's hand and interlocks his fingers with hers (on their date towards the end of the game), further confirming her feelings for him. It's a subtle way of showing a character's affection and I think it will be fitting for both Sora and Riku.

[serenedash]

I'm sure a lot of people have. Feelings. to put it lightly, about Xehanort's role in khuxdr. I absolutely do and there's just this thing that really bugs me about it that just rubs me the wrong way. This is gonna get a little long winded before I make my point-- but call this a Xehanort character analysis

So to ignore khuxdr completely for a moment, here we have Xehanort: the main antagonist, a man who has seemingly worked out every possible scenario and prepared for each and every one because just when you think you've defeated him he comes back like a hydra (idk insert a coliseum joke here but it's very literal with the way he uses other people). And one thing I've always loved about kh as a series is that there's this constant message of "you don't need to be special, you can just be you" because there's Sora-- who's not "the chosen one" and he knows that, he says it, and says he's proud to be apart of the people the keyblade did choose. This nobody kid who for all intents and purposes should've just been the side comic relief character and he's THE hero. And there's Xehanort, the big bad he's fighting who seems to be so all powerful that Sora is nothing against him. But kh does this interesting thing where we learn Xehanort is from Destiny Islands, he's just like Sora, Riku and Kairi. He was just a kid wanting more out of life and got more than what he bargained for.

I really enjoyed dark road giving us more insight into his past and motivations and how that shaped him because I think all of that and especially the final face off with Baldr and meeting MoM, 100% was the turning point for who he became. And I think that's really interesting that this kid form an island became so much more. And I enjoyed the kh3 secret reports greatly when we got to see writings by a younger Xehanort comparing himself to Eraqus and it really hammers in that Xehanort, like Sora, was just some kid thrown into this world that was far larger than he expected. And I think there's a lot of great parallels between Sora/Xehanort and Riku/Eraqus, which is interesting given that I feel like initially these parallels are set up to compare Riku to Xehanort when that really isn't the case at all!!! And kh3 definitely hammers it in more when Xehanort passes the x-blade to Sora; there was a lot of great discussion of that moment when the game released and the comparisons between the two.

But. then we get to khux. And don't get me wrong, I love khux I LOVE khux and I also actually really don't like Xehanort. But he's a really interesting and well written character. And it felt like there was all this development for Xehanort that happened and with the end of kh3 you really just, come to terms with it all I guess? and I think we can all agree that extra scene at the end of khux with baby Xehanort felt like a real slap to the face. It just felt really odd to turn around and say Xehanort isn't actually from Destiny Islands; I mean he basically is literally being raised there almost from birth but he's really not ESPECIALLY when it's added that he's a descendant of Ephemera. It was an odd choice, it really was. And it feels weird to know that and then see the kh3 secret reports where Xehanort shares feeling inferior to Eraqus due to Eraqus being a "blue blood." Like you are too???? And it's like I wish I could say Xehanort just didn't know that but we literally see Player 2 telling him this. Xehanort knows, has known, and he's smart so there's no way he got to Scala and heard all about this amazing Master Ephemera and didn't have all these realizations. Of course, I don't think Xehanort told anyone about his connection to Ephemera, but he knew. and We know. and it just kind of takes the wind out of my sails I think that this interesting character was set up and the context of his actions feels changed by the circumstances of his birth/childhood. Like I don't think he needed to be from Scala, to be related to Ephemera. I really don't think that had to be added in order to explain why he was obsessed with the keyblade war. Like Sora, Riku and Kairi knew nothing about any of that but they still wanted to go out into the world. Why does Xehanort need that justification for leaving?

Like. it's fine I guess and it all still makes sense and it's still interesting to see these characters tied together like this, but it was already set up so perfectly I think in relation to Sora and it feels so much lesser now and it's kind of like. oh okay this is what's happening now. But hey, at least khdr made me actually like xehanort a little lmao

[embraceyourdestiny]

Oh my god I just had a thought about Xion.

It’s never really explained why she has such a fascination with shells and yet it’s such a prominent part of not only her personality but also her relationship with Roxas. And we know not every aspect of her personality belongs to her so the place we have to look back to figure out why she likes shells so much is the source; Kairi. Specifically Sora’s promise to Kairi to bring back her lucky charm.

We all know about the legend of the thalassa shells but a reminder doesn’t hurt.

Kairi tells Sora that with the thalassa shells, her, Sora, and Riku will always be together.

Now to Xion. Xion is a creation from Sora’s memories of Kairi, and so often she is represented by thalassa shells, the shells Kairi said would keep her and the others safe and always let them find each other.

When Roxas faints and sleeps for weeks, Xion gives Roxas a thalassa shell and hopes that he’ll wake up soon and that they’ll be together again.

And Roxas returns the favor to Xion when the same thing happens to her.

Remember Sora and Kairi’s conversation after they return from Hollow Bastion, the one where Kairi gives Sora her lucky charm?

I find it so interesting that despite Roxas and Xion coming from Sora and Kairi and obviously paralleling them, they do so in the complete opposite way. Sora and Kairi tell each other they’ll never forget one another, yet Roxas and Xion are forced to. Sora tells Kairi that she helped pull him out of the darkness, yet in all the time they were together the darkness just kept getting worse and worse in Roxas and Xion. Sora says Kairi can’t help because it’s too dangerous, and Roxas and Xion both fight and in the end they end up fighting each other, to the point that Xion dies. “Finally we’re together, Kairi,” when Roxas and Xion were forcibly ripped from each other. It’s like looking into a mirrored image, altered almost beyond recognition, but the most important parts remain, the parts that make both Sora and Kairi and Roxas and Xion the people they are, even if it is in different ways.

The lucky charm means so much to both Sora and Kairi and that importance gets passed onto Roxas and Xion. They don’t want to lose each other and some part of them remembers a promise that they never made and tries their best to keep that promise despite the fact that they never can (in Days, at least.)

If Sora and his friends represent the light in the deepest darkness, Roxas and his friends serve as a reminder that even in the brightest light there will always be darkness, and Xion and Roxas give each other shells because in all the time after KH1, Sora longed to be with his friend again and that longing made its way to Roxas and Xion. Even if they didn’t know why, some part of them didn’t want to lose the other and the shells seemed like a perfect way to keep that promise, because that’s what Sora was trying to do; keep his promise and return the thing that kept him bonded to Kairi back to her.

Additionally, I always wondered what the purpose of this shot in the opening of KH2 was for.

Kairi sits at a beach by herself, playing with her thalassa shell, and the shell gets washed away by the ocean. This scene could obviously represent a lot of things; Kairi losing her memories of Sora, Sora losing Kairi, etc, but it could also represent the loss of Xion. Days takes place before Kingdom Hearts 2, so it’s entirely plausible that even before we knew about Xion we were already being told from the beginning that we were going to lose her. Just like the memories of her in Roxas and Axel’s heart, the thalassa shell gets washed away by the sea, alone and forgotten.

The more you learn and realize about Xion, Roxas, and everything about Days, the more tragic it gets. It’s almost like by having positive experiences, Sora and those he’s connected to condemned those created from them. The things that happen to Roxas, Xion, and Naminé all directly parallel the things that happened to Sora and his friends but on the opposite end, in darkness instead of light. I feel so hard for those three especially, they really didn’t deserve the things that happened to them and did nothing to even cause those things, but at the same time despite actions beyond they’re control they’re still able to use the things from their Others’ lives to help them, like the thalassa shells and drawings of memories, to keep themselves whole.

I’m not sure how much of this stuff is intentional or not but the fun part of kingdom hearts is theory and analysis and sometimes the pieces line up just perfectly to be so deep and it adds to much more to the universe, I love being able to come up with stuff like this so much it’s so fun.

[drazavonia]

An analysis on Kairi's Fighting Style:

When it comes to learning something new or trying to develop your own style, it's usually best to at least start with what you know for the fundamentals and imitation is probably the best template.

Kairi using Sora's battle stance is her imitating what she's seen from the person she's seen fight the most.

However, after you get the fundamentals down, you polish those skills till you develop muscle memory and can pull them off almost effortlessly. To some extent Kairi has all of the fundamentals (every element, nuke shotlock, teleportation, barrier), but she has yet to develop real technique or confidence in her skills due to lack of real combat experience. When she uses her barrier in midair she closes her legs and leans back while sticking her hand out. Riku, Aqua and Sora all have their legs somewhat spread out and the body is centered, not leaned back. She also clutches on to her keyblade when she jumps or is falling down most like to brace herself during while being airborne. The most obvious (and adorable) example is her aerial recovery. Sora, Riku, Aqua and Roxas all flip back into posture with little effort and much finesse. When Kairi recovers, she flips, but she fumbles and loses her balance very briefly.

When we see her fight against Xion and Saix, her battle quotes reveal how uncertain she is in her first serious fight against another assailant.

"Stay back!" She wants Xion and Saix to stay away because she's not sure she can take them.

This is more than understandable considering she's fighting alongside and against battle hardened, experienced keyblade wielders, compared to Kairi who hasn't really fought in such circumstances before. In KH2, Kairi's will to fight was fueled by her desire to be with Sora so she charged in head first not thinking of her own safety when she jumped off the balcony.

This is repeated in Melody of Memory when Kairi finally confronts Xehanort. She gets really angry at the realization of his meddling in her and everyone else's life, especially after hearing him admitting to using her to further along the inevitable disappearance of Sora. She just starts swinging on him (which is admittedly pretty cool), but each time Xehanort grabs her, Kairi just struggles for a while to break free or just refuses to do so. Frankly, I think she's actually listening to everything Xehanort keeps trying to tell her because that's the whole reason she traveled through her heart and memories in the first place, to find a clue about Sora's whereabouts.

After being defeated by a Memory of Xehanort that her heart produced, due to an immense gap in power and skill, Kairi realized she wasn't ready to go to Quadratum to save Sora. "May your heart be your guiding key." Kairi followed her heart to find a clue about Sora, but was stopped by Xehanort, most likely because her heart was trying to tell her she wasn't ready for the next challenge that was at least the equivalent of Master Xehanort.

The next step for Kairi is to gain experience and a confident sense of self. And what better way to gain all of that then undergoing a number of trials that will test her skills and heart, while under the guidance of one of the strongest keyblade masters of present day, Master Aqua. Kairi needs to take a world tour to learn more about the world, polishing her skills and technique. But most importantly learning more about herself, gaining a sense of self outside of her relationship to Sora, outside of always being the one left behind and outside of being the one who always needs to be rescued.

Hopefully, under the guidance of Aqua, Kairi can become a very capable keyblade master. Hopefully, during her training and meeting the other princesses, she can learn to properly harness and manipulate her Light at her behest (which would be broken af). And hopefully as she grows out of Sora and Riku's shadow, she'll develop her own sense of self and style. Yes, I'm talking about her fighting stance. I hope they give her the stance she was originally going to have as a representation of Kairi's independence. (Also that style was shared by both Cloud Strife and Master Eraqus. Kairi shares many parallels with Cloud, and of course she possesses the strongest light in the world, same as Eraqus's power.)

(Please give it back to her as a sign that she has reached their power level or has become a more than capable Keyblade Master, pretty please.)

[violethowler]

False Start: Analyzing Kairi’s Arc After Melody of Memory

In October 2019, I did an analysis of Kairi’s character arc as of the end of Kingdom Hearts 3 and what I felt was being set up for her going forward.

My major point was that Kairi's fear of change was holding her back from reaching her full potential and catching up to Sora and Riku, but that by the end of Kingdom Hearts III she had overcome that fear and was ready to move forward. 

In hindsight, I jumped the gun in assuming that the end of KH3 marked the definitive point where she got over her change and could truly move forward. While she had some good moments in Re:Mind, Limit Cut promptly put her to sleep for an entire year, trying to search the memories in her heart for a clue to Sora's whereabouts. 

But then Melody of Memory happened. 

When Kairi faces the memory of Xehanort, she says in the original Japanese version that Sora and the others being hurt was the result of her strength not being enough. I'll save the rant about how the English localization consistently removes Kairi's moments of self-reflection throughout the series for another day, but my main point is that this sets the groundwork for her decision to remain behind while Riku goes to Quadratum. When she chose to increase her training under Aqua, I was thrilled because finally this was the sign I was looking for that Kairi was really, truly, ready to move forward. 

A lot of people were disappointed by this decision because they felt like Kairi needing more training was the whole point of her being brought to the Mysterious Tower at the end of Dream Drop Distance. But there are a few things that set this moment apart and explain why her training in Kingdom Hearts 3 did not amount to as much as fans were hoping. 

First, it's that this time Kairi is exerting her own agency and making the choice herself. Her training in Kingdom Hearts 3 was never something we saw her actively choose. So Kairi making that choice on-screen has more weight than Riku bringing her to the Mysterious Tower for training on Yen Sid's orders. 

Second, while the memory of Xehanort notes that she did improve in the brief time she was training, the way she was being trained wasn't suited to her style. The description we get of her training in Kingdom Hearts 3 mostly seems to amount to her and Lea sparring each other repeatedly - which is exactly how Sora and Riku developed their sword fighting skills growing up. And when you look at her battle stance and the way she holds her Keyblade in Kingdom Hearts 3 compared to how she held it in previous games, her stance is an exact copy of Sora's. It's no wonder then why she changed into Sora during the final boss fight in Melody of Memory then when she was clearly trying to imitate him. 

In the 2006 Characters Report Vol. 1 book, Tetsuya Nomura's comments about Kairi in the early games identify the fear of growing apart from Sora and Riku as a major source of anxiety for her. The fact that her training and combat stance in Kingdom Hearts 3 imitate Sora so heavily indicates that Kairi is trying to catch up to Sora and Riku by trying to be exactly like them in that area as much as possible. With how much the series has focused on personal identity with regards to Roxas and Xion being their own people, it makes sense why Kairi doing that failed her in Kingdom Hearts 3. Because Sora and Riku's style isn't suited for her. 

Because she isn't them. 

For Kairi to achieve her goal of catching up to Sora and Riku's level, she needs to step out of their shadow and figure out how to be herself instead of trying to be Sora. And the best way for her to understand herself will be to understand her past. 

The Xehanort that Kairi faces in Melody of Memory is explicitly identified as a construct of her heart. He tells her that the answers she seeks "lie in memories that are long gone," and tells her that there is nothing for her to find in her heart. However, that isn't really true with what previous games have established about how memories work in this universe. Chain of Memories establishes that memories are stored in the heart, and that while the connections between them can be rearranged, they are never gone for good. 

So while Kairi may not consciously remember her childhood before arriving on Destiny Islands, the memories are still there deep in her heart. All she needs is something or someone to help her restore the connections between them. To rebuild the links in her Chain of Memories, so to speak. Kingdom Hearts 3 and Melody of Memory both specifically call attention to Kairi's first meeting with Aqua in Birth by Sleep, as well as the fact that Kairi doesn't remember it. From a narrative standpoint, the series has set up that remembering that first meeting will help Kairi regain the rest of her memories from Radiant Garden. 

But remembering her past is not the only arc the story has set up to help Kairi understand herself better. Training with Aqua also puts her in a position to interact with another teen who has a heart of pure light.

Who was also in a coma for a time while his heart rested in Sora's body. 

It's not a coincidence that Union X first revealed the existence of the entity known as Darkness just a few months after KH3 revealed that being a Princess of Heart was a mantle that could be passed on rather than a permanent state of being. Then Re:Mind revealed that Darkness is still hiding within Ventus' heart in the present day. And following the release of Melody of Memory, the next Union X update revealed that Darkness had killed Streliztia because it saw her death as the best way to grant Ven's desire for strength. The ability for Princesses of Heart to pass on their powers serves as set up for Kairi to do the same, opening herself up to struggling with darkness in her heart for the very first time. 

Kairi wants to become stronger in order to stand alongside Sora and Riku. But she has not struggled with her negative emotions the way that Riku has or that the narrative framework sets up Sora will be in the near future. But her decision to train alongside Aqua puts her in a position that has the potential to force her to go through that struggle herself should Darkness try to grant her desire for strength in ways that she doesn't want. 

I know that I was wrong before about Kairi getting over her fear of change. But this time, I'm confident that Kairi's character arc is finally picking up momentum. What Melody of Memory has that previous games didn't is a clear sense of narrative direction. All Dream Drop Distance did was vaguely establish that she was going to start training. Kingdom Hearts 3 didn't give enough information to form concrete theories about the trajectory of her arc. 

But all the Kingdom Hearts content released in 2020 has set up foreshadowing for a very specific plotline in regards to Kairi's character growth. And not only that, Xehanort's monologue in the flashback to her childhood where he says "if you arrive in a world that is neither light nor darkness, but somewhere on the other side, your task will be far from easy" adds a significant connection between Kairi rediscovering her past and the mysteries of "unreality." Especially because Xehanort acting like it was actually possible for her to end up there instead of Destiny Islands raises the question of whether she truly went straight to Destiny Islands after Xehanort sent her off. 

Kairi's connection to "unreality" makes her the lynchpin of all the major story arcs being set up for the other characters while Sora and Riku are in Quadratum. The parallels between them foreshadow Ventus regaining his memories of the Age of Fairy Tales just as Kairi is set up to regain her memories of Radiant Garden. Ventus regaining his memories of the past logically connects the Birth by Sleep trio to Lauriam and Elrena through his role in Strelitzia's death, as well as to the Twilight Town crew considering that Subject X is heavily implied to be Skuld. Then of course there's Luxu, who is directly responsible for Subject X's disappearance, and the Foretellers, who are still with Luxu last we saw them.  

With Sora and Riku off in Quadratum with Yozora and the Master of Masters, Kairi is narratively set to step up and take charge in dealing with the major unresolved plotlines from Union X and KH3 that need dealing with. By the time Sora and Riku finally make it back, she'll be a whole lot closer to their level.

TL;DR: I was too hasty in 2019 when I declared that Kairi had gotten over hear fear of change. I only had nebulous ideas of what would come next. But now I can pick out all the subtle foreshadowing that illuminates a concrete path forward, and I'm confident that now she's finally on the right track.

[soranort-headcanons]

About the new Dark Road characters

Before we get into each individual character, here is some random thoughts

Disappointed that Yen Sid didn’t make it, but part of me admits that that had a low chance of happening due to him being a Disney character and all.

Part of me is also sad that they added more characters into the mix, because we lose the whole Eraqus and Xehanort growing as the only apprentices (with maybe Yen Sid added in) dynamic. At the same time, the idea that these two spent so much time with each other that no one wanted to be in their general vicinity while they were in a chess match and generally only cared about each other to the point that Xehanort only talks about Eraqus in his reports, is a hilarious idea that really adds fuel to the shipping fire for fans. Fun. 

There is six apprentices in total, just like in UX (Unions plus Luxu). If we add whatever master they have in, its seven. Just like the guardians. Since Eraqus (And maybe the new characters) are part of the “blueblood” line of Keyblade Wielders, this makes a lot of sense, since Keyblade Wielders are defenders of the light and all.

This also adds credibility of why Xehanort was allowed to go on a world tour but Eraqus wasn’t- It’s hard to keep track of so many children, plus while Eraqus wasn’t allowed to go at the moment, their master could simply tell Eraqus to go with someone else in a later date

I swear, if MoM is their master (extremely doubtful, please don’t do this)

Or maybe even Luxu, since we saw No Name hanging in the wall in kh3

I severely expect everyone to give up their keyblade and go into hiding or die. 

If everyone else minus Xehanort is part of a Keyblade lineage minus him, it would add a lot of depth to how he acted the way he did. Just like I brought up in some previous posts, it makes sense that an outsider would break so many rules or use questionable methods/use said methods to try to stand out. If he is the only one out, this makes it worse than if it was just Eraqus, Yen Sid and him. 

To add to my previous bullet point, he is standing on a throne, just like Sora in promotional material. He is the only one sitting and the center of the shot. Just like Sora, Xehanort obtained his Keyblade (If my memory is correct, its been a year since I touched kh after all) due to outside influence, just like Sora did. This would be an excellent time for Sora parallels, Nomura

Ok, now I’ll get to the actual new characters

My first reaction (Posted in my discord) was “Urd reminds me of Aqua. Please do not make her a love interest”

She looks like she is making an OwO face

She does remind of Aqua, but a little bit more mischievous.

I’ve seen people say Bragi could be Luxu but honestly I also have suspicions Urd is up to something. Merely because she has silver hair and yellow eyes.

I always think silver haired people are more important that they turn out to be due to Riku having silver hair. We also don’t know Riku’s parents, unlike Sora and Kairi. We know Sora has a mom and a dad with a boat, and we know who adopted Kairi. But Riku? nothing. I’m curious exactly who introduced the silver hair gene in destiny islands. Is it a common trait? Xehanort has it. Riku has it. I need to see the family trees, please Nomura. How tf do they get their hair color im dying please-

She stands between Eraqus and Xehanort but behind them. Im sure this will be important later on. Until then though, i cannot say much.

She does have the Recusant’s sigil though, which once again reminds me of the fact that Keyblade Wielders have inbuilt trackers in their clothes. Im sure thats very useful for when they get lost in a random world.

My first reaction to Vor: She looks innocent but she would totally stab me in the back in an alleyway if given the opportunity.

Look at her. She looks like a tiny evil gremlin.

As a short people I can attest that short people will not hesitate to set your house on fire in Minecraft if given the chance. The world is too tall for us so we shall burn it until it is at eye level

Look im approximately 5ft tall, im short

I like her color scheme, very eye pleasing

People have pointed out her name is one letter away from Vore. Thanks guys, I so did not need that

People theorize this is Kairi’s grandma. I can see why, but I shall remain neutral on the subject

Probably the youngest

kinda reminds me of Ava

She is in the front, along with our main duo, maybe this will mean something

Will probably be a mix between Aqua and Ventus in term of gameplay. Speedy or magic main.

My first reaction to Bragi was: he looks so smug. He gives me a bastard vibe but that has to be seen. Or he is a troll.

People theorize he is Luxu because his name can be rearranged to Braig. Considering Nomura’s love for anagrams, it makes sense. 

I wanna punch him in the face, he looks like he knows more than me

Reminds me of Axel. Hahahaha the idea of Axel and him having a connexion of some kind would be. Hilarious. Honestly the idea of anyone in this group having a relation to anyone in the present era would be hilarious because Xehanort grew up with these people so it would be like “Oh shit my coworkers had kids?!?!”

Could they be old enough to have kids? I mean, bbs Xehanort was like, 80 years old so it could be a possibility. 

Fire user. I take no criticism.

Or he is a status user. He would spam like, 50 status spells and just kick your ass without having to move. Look, someone in these series has to see the potential of status spells, I can’t be the only one

Imagine that instead of him being luxu, its the master. I would laugh so much at y’all’s reactions.

My first reaction to Hermod: he looks like the oldest and older brother vibes but that might be because he’s tall.

He gives me vibes of trying to be responsible like Aqua but rolls his eyes fondly at everyone else’s shenanigans.

Has a sense of humor

In terms of placement, he stands more or less on the center, which might reflect on his personality. Peacekeeper? Probably tries to be neutral.

Tries to keep Bragi in line.

Tries not to pick favorites.

The idea of him trying to talk to Vor is hilarious. What is he gonna do, stand in his knees? He is just too tall.

Maybe Xehanort is taller than him, and thats the only thing I shall accept

Senior apprentice

In terms of gameplay, he might be like Terra, a heavy hitter.

Gives good hugs

TLDR; at some point I went from analysis to simply listing off random thought, just as all my posts turn out at some point. We do not know enough about them. The fact that the last kh themed new character we had was Strelizia is insane. New blood! I’m excited for yet another mobile game I can lord over my siblings because I know the timeline and they don’t. Posible candidate for the Disney Plus series? doubtful but still a strong possibility. It is 9:08 PM and I have not beta read this. 

[smartzelda]

Okay, so now that that's out of the way, here are all my thoughts on the khmom

So starting out, I know some were hoping this was the big Kairi game, and I'm sad it didn't live up to my hopes in that regard, but we also have to remember that Nomura said in interview before it came out not to expect too much, and then we learned that the story mode is an average of 10 hours.

As a fandom we need to remember that KHMoM was never advertised as "the big Kairi game", so while you can be sad that the game didn't live up to your hopes and dreams, Nomura did not "basically" tell us we were gonna get a big Kairi game and then let us down. With all due respect, this game is only a "Kairi game" in the sense that she's on the front cover and the story cutscenes at the end show her side of searching for Sora. Even the advertisements and interviews about this game were mostly focused on the rhythm game aspect, so besides cutscenes, the only talk about Kairi was the change from Chirithy to her doing narration

Now let's continue on keeping in mind that this is all my opinion and analysis, and there are various opinions out there.

Let's start with Kairi, since most of this game is about her. I haven't played the game myself yet (I watched cutscenes for now), but although it's sad Kairi herself wasn't part of any teams (which honestly makes sense since she wasn't a main character focused on in any of the games as much as those chosen for teams. KH1, CoM, and KH2 really were Sora, Donald, and Goofy, Days really was our sea salt trio, wayfinder trio was obviously the main protagonists for BBS, and even though Sora was in DDD, Sora is already on a team and Riku got a bigger charactsr focus in that game, so why not include the dream eater pals. And then honestly kh3 was Donald and Goofy and Sora again), at least we get her in the end. And her getting a small playable section at the end honestly makes sense considering the cutscene portion is the part of the game about her/following her/focuses on her, and she's been getting better as a keyblade wielder.

Now, this section shows us the pink flower thing from remind, and I'm even more convinced that it isn't her heart. For one, in remind, it was used in kh2 fashion, like an object to create a pathway to the next world or in this case Kairi herself. Then, in this game, while she's sleeping and in the final world, she finds it and it breaks apart. If it was Kairi's heart, would it make sense for it to break apart inside of her and not have an affect on her or her body? And what convinces me more is that after you collect all these pieces of the flower with Kairi, she clutches her head and has a memory moment.

What is the pink flower thing, then, you wonder? Well tbh I wonder too, but I had a thought. It's not essential enough to her state of being to be her heart, but it's definitely a part of her or a representation of part of her. My thought is that it could be a semi-physical representation of her memories or a physical metaphor of her state of being at the time it shows up. For example, in remind, it could have been scattered pices of her memory, because we remember that in kh3 they learned that a person (like Roxas, Xion, etc) couldn't completely come back or wake up from wherever their hearts were until their memories were returned to them too. So if the flower is representative of her memory, it then would make sense why it needed to be gathered, why it made Sora feel Kairi, and why it can also act as an object related to Kairi that can pave a path to her. It could also be a metaphor for her state of being at the same time since just like the flower, Kairi's body is shattered. This also makes sense for KHMoM, because if it's partly a metaphor representation of Kairi's state of being, then her "state of being" in this case refers to her repressed childhood memories and the links in those chains of memories that have broken apart. And so if the flower is representative of her memories, it would make sense that when she gathered all the pieces she remembered these memories because it brought these repressed memories to light and essentially pieced them back together when she gathered the heart pieces. If not because the flower has to do with her memories, at least in this case, why else would she remember repressed memories after gathering the flower pieces?

Continuing on from here, when Kairi holds her head and begins to remember, we get this interesting turn of the camera that flips Kairi and her reflection in the water before transitioning to the memories. I don't know much about camera techniques, but it definitely symbolizes or means something.

So we get the memory of Apprentice Terranort taking young Kairi (I honestly laughed when it showed him reaching for her just because of that "gimme your phone" meme) and it transitions to showing the scene with Kairi in one of the pods. This scene tells us a few things. For one, somehow, Apprentice Terranort knows about "unreality" or what's essentially a parallel universe to the KH universe, you can somehow get there with a strong enough connection to it (like using someone who's from there like Riku did or your heart resonating in some way with someone there. For example, if Kairi's poh heart resonated with a keyblade wielder from the alternate universe instead of Riku on Destiny Islands). It also may tell us that it's possible that Apprentice Xehanort knew the stuff we learned in the kh3 ending with the Luxu reveal would come to pass. Obviously Xehanort knew by doing what he did with Kairi that he would cause Sora's disappearance, but since we know (from Dark Road I think?) that the ancient wielders went to another world and all that, we know the stuff with Kairi was his final plan, and we know Xehanort got his peaceful death, I don't think Xehanorts final plan with Kairi was a ploy for him to do more summon kingdom hearts or a petty go at removing Sora since he might win. More than likely this "final plan" has to do with preventing a possible future and setting things up accordingly. Apprentice Terranort told 4 yr old Kairi her mission as if it's success would affect the future of the universe. And on one hand it makes sense because they needed a keyblade wielder to defeat the heartless and restore the worlds and lock their keyholes, but what if it's double meaning is that making sure the worlds last past that is dependent on making sure "the keyblade wielder" would also be in the position to prevent a future crisis? Because I doubt Quadratum is gonna only be important for getting Sora and coming back. This place is gonna have some significance, and if preventing or battling the crisis also hinges on the Keyblade wielder going to the alternate universe as Xehanort's backup plan to balance the worlds or keep them safe, then the foretellers, Luxu, the box, and that whole thing are more connected to what's happening in the alternate universe as we would've thought. Anyways, to sorta summarize that, I think that Sora had to have ended up in the Alternate universe to give our main crew a chance of dealing with something big, and if Xehanort couldn't make a new world with the keyblade, he at least had to make sure Sora could be in the right place to make sure things happen as they should to save all the worlds.

Then we get Kairi faced with the man in a cloak who's revealed to be Xehanort. This part also honestly made me laugh because we knew it would be Xehanort, but also on behalf of those who insisted it was MoM (no offense to them btw because I get their thought process. It just kinda made me laugh). I liked this sequence in the khmom trailer (especially in og Japanese because what Kairi says there is better put), and I like it because it essentially serves as Kairi facing her fear and the one who changed her fate head on, channeling all those thoughts and feelings and letting them out. So, whether or not this Xehanort is real or fake, Kairi takes him head on.

Now the fight sequence has a variation of thoughts on it, and here are mine. For one, I spent this whole sequence being so excited because she was fighting so good and hard to the best of her ability. Second, this is memory Xehanort created from her heart, so I like the explanation that he too is influenced by her personal fears and doubts, mainly an insecurity and doubt in her own abilities. So the reason Xehanort is so easily able to catch her keyblade and dodge hits from her (the first time he grabbed it I honestly thought he would insult her and snap it like Xemnas did with Lea) is because no matter how much she wants to defeat him, deep down she doesn't believe she's strong enough, and so here leads into when she turns into Sora.

Now, to preface, if the literal explanation of this from Nomura is "Kairi isn't strong enough so Sora's sleeping heart sensed her danger and possessed her to do the boss fight for her", then I think this sequence is 1000% bad, unnecessary, and people have every right to be mad. However, my thoughts on this scene is that it also has to do with her memories and anxieties. Remember that memory Xehanort says that everything in this specific version of the final world was created by Kairi's heart. And so if her doubts are on her own strength, my thoughts are that it was these doubts and feelings of inferiority that had her become Sora (or a memory Sora more specifically) because she doesn't believe she can win or beat Xehanort with out him yet. In other words, she still felt dependent on him, so in that moment her heart responded by temporarily turning her into Sora to reaffirm her fears (like when she was losing against xehanort) and beat Xehanort for her. If this is true, then that gives some depth to Kairi's character in how she currently percieves herself as of khmom, and maybe how she believes others view her. And with Xehanort's comment, I think it may reaffirm that this Sora is a projection. Because if Sora came there through his bond to Kairi, then there's no reason Kairi would've disappeared or there's no reason why he wouldn't have talked or just something. So then, Xehanort's line about Sora being where his voice cannot reach them has a double meaning. The first is that this Sora that fights memory Xehanort does not speak (and also he's fighting like a controlled puppet without a will of it's own like, did you see his soulless face?), which affirms to him that Sora is in the alternate universe, and the second may be that he realized it's a version of him from Kairi's heart (just like he himself is), and he being there instead of the real Sora affirms that Sora's bonds in this world have broken and he couldn't have been there himself, meaning he must've been in the alternate universe (if not dead, which Xehanort knows he isn't because he knows his final plan with Kairi).

Side note, also during the earlier battle with Xehanort, Xehanort told Kairi she wouldn't find Sora in her heart and that the key to him is in memories long gone. And part of my reaction to that is that I felt validated and angry, because we've been saying that Kairi wouldn't find Sora through the search of her heart and dudebros and s/ks and the like said that we were thinking about our ship and being misogynistic in thinking Kairi wouldn't have that role, and then Xehanort himself, created from Kairi's heart said "You won't find anything here". My other reaction was to "memories long gone", and it honestly made me wonder if it meant that Kairi had some of Sora's memories in her heart that he lost and they're not there anymore, or that the key to Sora is memories of his he not only lost, but are literally missing and in someone no one can reach currently (like within Yozora or something)

So anyways, Xehanort gives Kairi a clue about how to find Sora through that line referring to the alternate universe (again it being brought up in the future for a different thing is why I think Apprentice Terranort gave his speech as a double meaning in the past), and she finally wakes up where the whole lab crew work it out

As for AtW and crew assuming the alternate universe is fictional, that may or may not be true. They worked it out by saying "The opposite of our reality is unreality or fiction", but we also know that could be referring to a parallel universe, meaning both universes could very much be real. As for Yozora telling Sora "this isn't the real world", I'm not gonna go far into it as others have, but if Sora is theoretically inside Yozora's heart, hence how he can visit him in his dream, then Sora is technically not in the real world, but the alternate universe is in the real world. And if the alternate universe is a fake world, it's not impossible, but it's still odd to me how Yozora would be self aware that the world he was born in wasn't real.

Forward from here, Riku enters, Kairi and Riku have their leads to Sora (tbh one of my hopes was that Kairi and Riku would have a real talk about the odd status of their friendship and how it's honestly not great, but maybe it'll happen in the future), and Fairy God Mother magics Kairi and Riku and herself into the final world (sorry this is a bit passive aggressive, but no, we knew that Riku wouldn't need to dream dive into Kairi's dreams to make it into the final world so they could get to Sora). FGM then starts talking about the final key, alerts the two teens about the hearts in the final world, and takes them to Nameless star. It was about this point I literally had a moment over how beautiful Kairi and Nameless star's respective voices sounded because they both sounded so pretty. This is also where they learn that shibuya in the other universe is named Quadratum (haha another square reference I see, square😂), and FGM says that you can get to the other universe with the power of waking and Nameless Star's strong dream and will. I honestly can't wait until we get to see Nameless star for real and hear her name. It's honestly so sweet that Riku wanted to make her dream come true (in like a "Riku is so nice and sweet" way, not in a shippy way) and was also willing to help her not just because she could lead him to Sora.

Then, FGM informs the crew that this is as far as she goes, and leaves the rest to Riku. This is another widely opinionated section of MoM's story, because here Kairi expresses her wishes to go and is ultimately rejected. I have seen people rant about how Riku is a misogynist and explain this scene as if Riku literally told Kairi "You're too weak", shoved her aside, and called her useless, but here's an analysis of the scene with some of my pov. That part wasn't nearly as bad as people exaggerated it to be. When Kairi expressed her wish to go, Riku literally stuttered, failing to actually say she can't. He didn't even really say anything before Kairi sighed and was like "I know". So to say Riku is misogynistic for that?😬 Also, this is a completely new universe, one where Yen Sid didn't even let Mickey Mouse follow, and as FGM said you have to have the power of waking to get there. Kairi is strong, as memory Xehanort said, but she's not to master level (or at Sora or Riku's level for that matter), not strong enough to deal with a whole new world, especially since her only real experience was being plunged into war just after some training (like Sora and Riku got this whole experience starting with dealing with low level heartless and getting used to it all, and they had been practicing and self teaching themselves how to fight since they were kids, to which Kairi did not), and she doesn't have the power of waking, so no matter how much Kairi wants to go with Riku, as he was trying to tell her and failing, it's not possible for her right now. It's like how Sora wanted so badly to join Riku and Mickey in the RoD on saving Aqua, but he hadn't regained his strength yet and didn't have the Power of Waking. Example one of the Kingdom Hearts fandom's double standards: Sora being denied access to also go to the RoD to save Aqua because he doesn't have the strength or PoW is fine, but Kairi being denied access to also go to the alternate universe with Riku for the same reasons is Misogyny🙄.

And also on Kairi's rejection to go with Riku to the alternate universe, I felt like this moment was a parallel to kh1 that showed that Kairi is beginning her character development. In kh1, Kairi insisted to go with Sora to save Riku, and Sora outright said she would be in his way so she couldn't go (idk what it says in the jp version), and after being told this, Kairi accepts her situation and resigns to wait on the islands for Sora to return with Riku. During this whole time she also makes no effort to train. However, in this moment in khmom, when Riku fails to stutter out "No", Kairi very visibly and audibly is frustrated when she says "I know". She's been here before, but it says something that her being left like this, waiting to the side, isn't something she wants anymore. She wants to go, and she's frustrated that she still can't. And I know this came off to people as "Nomura is just shafting Kairi again", but in my opinion if he wanted to toss her aside, he wouldn't have done this. He would've had her okay with Riku going by himself from the get-go and had Kairi just kind of go "well, back to training with Merlin again". Heck, if he really wasn't doing anything with her, he would have just left her while FGM and Riku met Nameless star in the Final World. But what he did was present us a Kairi that is strong, but knows she needs to be stronger. He gave us a Kairi that is visibly frustrated in knowing she can't help her best friend. And her response after accepting she can't go currently? She takes the initiative to train under Aqua (a real keyblade master), meaning that she really wants to take the steps to get stronger now, and she tells Riku that one day she'll stand by him and Sora (not just Sora). The girl has resolved to take her own path and take real responsibility for her training so she never has to stay behind again. It's showing Kairi's shift from "Sora and Riku are leaving me behind and I'm struggling to catch up so I try to make sure they come back to me or I do the bare minimum to still be around them" to "I take control of my own destiny, and I'm gonna close this gap myself, by my own efforts, not by waiting for them to do something". I'm fully aware Nomura could still shaft Kairi, but I truly feel like this little we got in khmom is the beginning of her development as a character. And I feel this way because while remind at times arguably came off as pandering to people who wanted K to do something, khmom, taking into account all the things Nomura could have done instead of what he did, felt more genuine, and actually made me hopeful and excited for her character and what she does in the future. Also, example two of the Kingdom Hearts fandom's double standards: Riku struggling to tell Kairi she can't go with him (and him not actually saying it) is considered misogynistic by this fandom, but Sora in kh1 bluntly telling Kairi she would be in his way and therefore couldn't go is "UwU he's protecting his love! So cute!"🙄

Anyways, going forward, I'm so excited to witness some actual development for Kairi amd seeing her interact with the wayfinder trio! Like training with Aqua? Yes!

Also, not to be passive-aggressive, but I know a number of S/Rs who would like an apology for being told that believing that Riku would be the one to save Sora was us reaching and being delusional and thinking Kairi wouldn't go is misogynistic🙂

Anyways, besides that, Soriku endgame actually?! Like Sorikus and Riku stans how you feeling about all this? Like, can you believe we were right when we said Riku would go save Sora? Can you believe in the same week we got confirmation Riku would be the one to go save Sora, we learned that there would be three sets of Soriku Nendoroids? Like we just keep on winning and honestly that makes me so happy. I honestly can't wait to see not only Kairi's training and possible future development, but also Riku's journey! This may have just been a bridge game, but I'm so excited!😊

[i-believe-in-soriku]

Essay Part 2: The Deepest Relationship

Now that I have explained how Riku is a strong character with is OWN development and his OWN personanity, I can talk about his relationship with Sora. Sora is also a developed character, even if his evolution is less spectacular than Riku's. I'm not here to talk about Sora so I'll probably give you links to wonderful analysis I've read.

If I mention that, it's because I want to point at something which is very important in terms of writing. To write a relationship between two characters (or more, but here it's two), the two characters involved must be developed. That's important to understand the dynamics between them, why they like each other, why their relationship exists and why it works. And this rule applies to all kinds of relationships.

Indeed, those conditions are filled with Sora and Riku's relationship.

Actually, the producer himself admits that their relationship is the very heart of the series:

"The fact is that the main focus of the series is Sora and Riku; how their friendship develops, but also how they grow up."

Now, let's see how their relationship works. Because it works. Whether you see it as friendly or romantic doesn't matter, it works the same.

The two of them were childhood friends. It is told in BBS and KH: they used to spend all their time together, inventing stories and dreaming about adventures. They kind of promised to protect each other at the really early age of 4 and 5.

Aqua: Sora, do you like Riku?

Sora: Of course I like him, he's my best friend!

Aqua: Good. So then, if something happens, and Riku is about to get lost--or say, he starts wandering down a dark path alone--you make sure to stay with him and keep him safe. That's your job, Sora, and I'm counting on you to do it, okay?

*Sora nods*

As they grew up, a distance has settled between them. I have already talked about what caused that distance. KH is not the best moment of their friendship but, believe it or not, it is essential to its development. Both guilt and love pushed Riku to seek to make amends with Sora, to protect him:

Sora, on his side, wasn't resentful against Riku at all -all he wanted was to find his friend back and make things the way they were before.

But it soon became clear to them that such a thing was impossible. Too many things had changed due to Riku's actions and the hardships they had to face. They had to stick the pieces back, and tried their best to do so. Sora tried to find back Riku during CoM and KH2.

Sora (beginning of KH2): Well, I'm gonna go look for Riku. Then he and I can go back to the islands together.

Riku tried to help Sora recover his memories and he watched his friend during his sleep.

And it didn't mattered to them that one year has passed, their goal never changed. When Sora woke up, Riku kept on protecting him, Sora kept on searching for him. Both of them wanted to recover something that mattered to them - that is to say, their best friend. Is it forced? No. It follow the events of KH. It is the consequence of what happened before.

When they finally find each other during the events of KH2, the feelings expressed by Sora (happiness, relief) and by Riku (shame, doubt) underline how much they care about each other.

Sora: Why didn't you let me know you were okay?

That's not like Sora's and Kairi's reunions, where all we can see is a promise - something that Sora and Riku also share - and mere relief, joy. I don't say Sora is not happy to be reunited with Kairi and vice-versa. It's just that when they do, the poor development Kairi is given prevents these scenes from being as powerful as Sora's and Riku's reunion(s).

Indeed, when they found each other in KH2, after a rough fight with Xemnas, what is the first thing that happens between them?

A heart-to-heart conversation.

That is sweet, and illustrates that, yes, they share a special bond. But what I like the most with this scene in the Dark Margin, is that it's the undeniable proof of what I've said before.

Those boys are trying to line the scattered pieces of their frienship up - and the way they do it is simple, touching. They are just being honest with each other while talking about their past feelings for each other - and also the one they experience in the present moment:

Riku: What I said back there...about thinking I was better at stuff than you... To tell you the truth, Sora... I was jealous of you.

Sora: What for?

Riku: I wished I could live life the way you do. Just following my heart.

Sora: Yeah, well, I've got my share of problems, too.

Riku: Like what?

Sora: Like...wanting to be like you.

Riku: Well, there is one advantage to being me... Something you could never imitate.

Sora: Really? What's that?

Riku: Having you for a friend.

Sora: Then I guess...I'm okay the way I am. I've got something you could never imitate too.

That is so sincere that I don't get why people keep on saying that their relation is forced.

Their story, however, is not over yet. Dream Drop Distance is the the highlight for the writing of their common story. I have already written a post about their bonds in KH3D, so I'll resume what I said, and add new elements. DDD is pretty smart because it depicts the link between Sora and Riku even though they're separated during almost the whole game.

At the beginning of the game, Riku and Sora are at Master Yen Sid's Tower, and he says that they have to pass the Mark of Mastery Exam. It is really important to Riku, but for Sora, it is quite useless. Still, Sora decides to pass the exam with Riku in order to motivate and support him.

Sora: But that's a formality, right? I already proved myself. Me and the king, and Riku--we can take on anything. Right, Riku?

Riku: I don't know. I think that in my heart, darkness still has a hold. Walking that path changed me. I'm not sure if I'm ready to wield a Keyblade. Maybe I do need to be tested.

Sora: Riku... Then count me in. Put me through the test! Just watch--me and Riku will pass with flying colors!

This element shows that the two of them trust each other. Which is the proof that their conversation on that dark beach has definitely recovered their bonds - their trust in each other, the fact that they can rely on each other no matter what.

That is an evolution, not just a "return to the way it was before". Because the dynamic between them has changed. Sora is the one Riku rely on. Sora is the one "in advance". Sora is the one confident and cool. (at least in Riku's eyes). But Riku is not jealous anymore. That's different.

The game has also a lot of interesting scenes. In Traverse Town, for instance, we """learn""" (in case it wasn't clear until that moment...) that Sora is Riku's most important person.

Beat: I just...wanna protect the one person who matters.

Riku: I know the feeling.

On Sora's side, by his own words, they are always together, even when they are separated:

Sora: Don't worry. He's with me--even when it might seem like he's not.

In La Cité des Cloches, the Quasimodo/Riku parallel shows that Riku his still holding back stuff inside of him.

Quasimodo: Master Frollo--he made me live inside the bell tower, but the real walls were the ones I built around my heart. You helped me see that, Riku.

Riku: I was...speaking from...personal experience.

Given the context, it is clear that it is a reference to Riku's feelings for Sora, especially if we take a look at Quasimodo's feelings for Esmeralda, and Esmeralda's and Phœbus words.

In Monstro, Riku says that Sora is his conscience, and even talks about "his stupid grin", what's.. extremely tender?!

Jiminy: You must have somebody--a friend you can talk to?

Riku: Yeah...actually, I do. That stupid grin he's always wearing--he's the best teacher I could ever have.

The Symphony Of Sorcery is also full of elements, like the fact that Sora considers that Riku is always there for him...

Sora: Don't worry. I've got a friend out there who will help. He's always picking up the slack for me.

...which was actually proved in game:

So yeah, the game does not only say that Riku is here for Sora, it actually shows that. And the fact that they share a "heart song" is purposely here to illustrate how strong their relationship is.

Mickey: It's like each of you is holding on to a little part of the other. Your hearts are always in tune, so they're free to sing.

Mickey even says that, when they're together, their heart are "free to sing". And it is true: they can be their true selves together, they know they can trust each other, they are comfortable with each other.

Riku being Sora's Dream Eater is a major point in his character but ALSO another proof that he cares really much about Sora and that it is instinctive, natural - he doesn't even realize it until someone points out this """detail""".

Another scene that, for me, is important to proove that their relationship is NOT forced is the moment when Riku is named Master. Sora is not upset, he's sincerely happy for Riku:

Sora: I knew you were gonna pass with flying colors. This is just so awesome!

Watching his reactions, it's easy to see that he knew how important it was to Riku:

And finally, KH3 is the consequence of this development. Riku and Sora have achieved a balance together, between trust in each other and independence. In this game, Sora wants to protect Riku, Riku wants to protect Sora - and he actually found the strenght to do it. Riku cheers Sora up, believes in him, the same way Sora did for him before:

In the end, Riku is, once again, the one who's saving Sora. In fact, I would say they constantly save each other - sometimes save and being saved is the same thing.

So, yeah, I don't know if it was clear... but what I meant is that every single KH game where those boys are present - that is to say the large majority of them - shows how they both evolve individualy but also how their relationship evolves to become something better, something greater. The way it is written follows a perfect logic, a dynamic that corresponds to the state of the two characters and the context in which the action takes place.

Once again, regarding the care that is taken to tell their story, it is unfair to say that their relationship is forced. ESPECIALLY if it is compared to Sora's relation to Kairi. It is simply incomparable.

Intro • Part 1

[komoryriku]

Is Kairi Capable of Mind Manipulation?
: Kairi’s Letters and the Power they May Hold

So. I have some personal theories about Kairi that I need to get off my chest. There’s a lot. Above is a scene from the KH3 opening that I will be breaking down later but for now, please keep it in mind as we go…


First of all, I’m so relieved that finally it’s been revealed that Kairi was a pawn in Xehanort’s schemes, now I don’t have to waste time arguing for that. All I will say is that evidence of this has been here since kh1:

Okay, moving on.

What does Kairi do exactly? Not too much on screen, but here’s what we know so far. -She holds the power of a princess of heart… maybe. -She is sent out to Destiny Islands to draw out the key blade bearer (Riku) -She writes letters to Sora. -She is closely connected to Namine, loosely connected to Xion, and figuratively comparable to Aqua. -She claims her memories of home are a little hazy for her. -She loves Sora as a friend. -She becomes Sora’s Chirithy.

If you want to know ahead of time what my ultimate theory is, here you go: Kairi has magic powers of memory or mind manipulation, and her letters, specifically, are manipulating Sora. If you wanna see me break down why I think this, here we go.

Pre-requisites to this theory:

I would very much prefer not to have to regurgitate certain things that are common knowledge to people in the soriku fandom and kh in general. This analyst is subscribed to the idea that Kingdom Hearts is written with queer coding and gay intent, that Riku is the Light, the Sleeping Realm theory is truth, that Sora and Riku will be romantically linked in the end. My reasoning is based on my own two eyes as well as the meta discourse surrounding these readings among like-minds, so if you have time, please read:

-Obligatory Sleeping Realm Theory Link  -The Necklace Theory (Which is just canon but still not explicit in game) -Queer CoM Analysis

Okay, onward!

Parallels:

We do not know much about Kairi as of yet, but what the games do give us is a string of VERY major, obvious Parallels. We are asked over the course of several games to compare Kairi to 3 specific girls: Namine. Xion. Aqua.

Let me break these down. Again, I’m so glad they finally revealed she’s a pawn so this parallel breakdown isn’t even half as long as it would’ve been otherwise hahah.

Namine.

Namine is said to be Kairi’s nobody. There is so much I find suspicious about that but for the sake of staying on topic, I won’t get into it, that’s another theory for another day (though I will flirt with it the speculation section). More importantly, she is objectively, directly associated with Kairi and the plot begs us to draw very close parallels between her and Kairi.

Namine has special powers. She can manipulate Sora’s memories and the memories of those close to him. The characters believe she can do this because she was formed from Kairi’s heart and Sora’s body, and I don’t know if that’s true, but I do take for granted that she is a nobody formed from Sora’s sacrifice and that her powers exist because of her connection with Kairi. Either way, what does she actually do?

Namine spends her days surrounded by white walls, drawing pictures on paper that seemingly have the power to manipulate Sora’s memories. This is a pretty specific skill she has, and if you ask me her art style is pretty advanced for a nobody who wasn’t even formed that long ago. She has the artistic eye to include reflective lighting in her work, which is not only beautiful and colorful but in my experience, it’s something a lot of young artists don’t even think to consider as beginners. If nothing else though, its a very specific style. I will be bringing this back up later for some really fun speculation.

These drawings she does are beautiful but also specifically are tied to her powers to manipulate memories.

What we also know about Namine is that she is being used for her powers against her will. Better analysts have covered this already so I will simply say Namine is a good and caring person who has magical manipulative powers that people were abusing her for. She betrayed her captors by the end of COM by refusing to hurt Sora any longer. All the while being tied back to Kairi. What they were making her do though, was manipulate Sora’s memories to replace all images of Kairi with herself… but also certain memories of Riku. Specifically, the memory of Riku swearing an oath to protect Sora as he gave Sora his crown necklace during the meteor shower (seriously, please read those pre-req theories). And ever since her debut, the games have never allowed us to stray from connecting her back very directly to Kairi. Namine is the most literal of parallels. Please keep all of this in mind for later.

Xion.

Xion, conceptually, is an extremely complicated character. She is tied to Kairi in ways that are not as literal as Namine, but she is still very closely associated with her. Once again, far better analysts can explain her better than I can, but here are the most important notes I will make about her:

-Xion is a puppet containing Sora’s memories. -The memories creating Xion are a complex amalgam of memories related to Sora himself, Kairi, and Riku.

All we really need to note for this Kairi Theory Essay is that Xion is another Kairi parallel that is directly associated with missing/manipulated memories as well. She is inadvertently taking these memories from Roxas, the Sora parallel, whom she is copied from, and these memories specifically belong to Sora. Twice in a row, Nomura has told us Kairi parallels are related to Sora’s memories being affected.

That’s all we really need to know for now, but I will also speculate further on Xion in relation to this theory later.~

Aqua

Aqua is not a literal Kairi parallel the way that Namine and Xion are. Aqua has no direct ties to Kairi the way they do, and her character is entirely original and not related to Kairi. However, Aqua is still figuratively a Kairi parallel, due to the role she plays in her story. I’ve already broken down elsewhere what role she plays that is meant to mirror Kairi, but the tl;dr of that is Aqua was set up as a pawn to observe, draw out her friends, and create a division between them. Like Kairi as well, she is not to be defined by these acts, because she truly loves her friends and dedicated her heart’s power to protecting them and saving them. She protects Ven’s body the way Kairi protected Sora’s bodily form. She also works to keep Ven from breaking by telling him he has always lived here with them and Eraqus, the same way Kairi as a Chirithy works to help Sora by taking his memory of Riku’s sacrifice away. Once again, even with the loosest of Kairi parallels, we see memory manipulation at play with the Sora parallel.

Chirithy

I will keep this short because I hope that you read the Sleeping Realm Theory and I also trust that you have the critical thinking skills to understand this symbolic (and literal) concept easily lol. Kairi is Sora’s chirithy the way Riku is Sora’s dream eater. A Chirithy is a specific kind of dream eater, however. A chirithy is made to follow you as your companion, and they specifically lead you into new timelines, taking away the traumatic memories you gained that caused the timeline to shift. We see this play out in KHUX, and with controversy, as the chirithies themselves discuss whether or not it’s actually morally okay for them to take those memories. Although that is a question, Kairi’s instincts are, in my opinion, purely and sweetly to protect Sora. She promised to keep him safe, (I’ve been supposing at that point in the loop she knew she was a Chirithy, and she most certainly was his chirithy by then either way given the ears on her hood appearing after Sora’s dream drop occurred). She does take Sora’s traumatic memories away, it is her job to do so, and I believe she does this solely because she means well and wants to keep him safe and smiling, as her letter to Sora suggests.

Unfortunately, what this specifically does though, is removes Sora’s memory of Riku’s sacrifice. It is stolen from him in that sense. Not only that, but because Sora’s memory of Riku’s sacrifice was taken, in spite of the event being etched onto his heart, and the pain of it being scarred into it, Sora credits Kairi as the source of the light he is following in the darkness. We know for a fact that that light is Riku’s because we saw the sacrifice, we remember it, we saw Sora call to it as Riku and receive a response, we even see Kairi twirl in front of the light and back away from it to lead Sora into it because it is not her light. Kairi, in a very literal way, has replaced Riku in Sora’s mind regarding who his light is. Kairi herself does not do this, it is Sora who fools himself because his memory was taken, but nevertheless, Kairi has just replaced Riku in Sora’s thoughts regarding this light and erased his memory of Riku’s sacrifice.

I will suggest more Things in the speculation section~

Now that all of that is out of the way, Lets Talk About Kairi’s Letters.

What do they do? Well, objectively, we do not know. That’s why this is a theory lol. But regardless of any magic or manipulation, letters are a means of forging a connection with others. Letters to friends by nature are words from the heart intended for someone you care about.

But literally speaking in the series, Kairi’s letters do something a little more special. In kh2 they forge a literal connection to Sora from Kairi. Sora is “trapped” in the dark realm with Riku, but pretty content to be so. No door opened, and that was the ending they had happily resigned to. It is not until Sora reads Kairi’s letter, emphasized by the camera, that the door to light opens. At the very least, we know for sure that manipulation or not, Kairi’s letters are capable of doing that much… 

Kairi also tells us she writes letters to Sora and doesn’t even send them. For whatever reason, however, she sent the letter in Kh2 as soon as she remembered who Sora was post his reconstruction. And this is pretty much all we know for sure.

If I say “Kairi’s letters are manipulating Sora” thats rather jumping to conclusions, cuz obviously there are missing pieces. All we have is: Kairi—>Letters—> ___ —>Sora.

That’s not enough to make the conclusion. But that’s where those handy dandy parallels come in.

Namine—> Drawings—> Manipulate—>Sora Xion—->Memories—-> Borrowed—> (Roxas—>) Sora Aqua—-> White Lies—> Distract—> Ven Chirithy----> Memories----> Taken----> Keyblade Wielder

So as you can see, the missing piece that fits the puzzle, isn’t so hard to theory-craft. Especially between Namine and Kairi. It is a jump to a conclusion, but it is far from a leap. True or not, this is my working theory.

So it’s time for speculation. 
Things that I have been exploring on the other side of that “leap”.

Kairis letters

Let’s start with the first letter we get to read from Kairi.

Pretty sweet sentiments right? But here is the thing about some of those lines in particular… “Many worlds sharing the same sky” is something Sora has already heard… from Riku.

Not to mention, something about this dark realm scene in Kh2 always bothered me… Sora is seemingly in utter bliss with Riku in the dark realm.

He does wanna get Riku home but if they’re stuck here, they are not complaining. And then the camera lingers for a pretty long time on Riku handing Sora that letter. That usually means  they want me to notice it and consider it… Okay, time to consider it.~

The letter pretty certainly opened the door to light by forging a connection to Sora from the light world with Kairi. Sora was so content that he wasn’t even connecting to home. Not until he read this nice letter from his friend Kairi. There is nothing manipulative about that on its own… but we have been asked by the games to parallel Kairi to Namine so I think it’s fair to suggest Kairi’s creative writing should really be considered thoughtfully the way Namine’s drawings are. The most basic logic is these letters are affecting Sora’s mind in some way. What further leads me to think this? The only thing Sora was even thinking about in this scene before reading that letter was Riku. Riku’s company, Riku’s injury, Riku’s happiness, Riku, Riku, Riku. And then as someone else pointed out here, Sora sees Kairi in the light world after reading this letter and leaves Riku to struggle to shore on his own.

This doesn’t have to mean anything but we know Riku is injured, We know the Sun is Riku’s symbol, and Sora is running from Riku, eclipsing the Sun, and rushing back to shore where Kairi is waiting to welcome him home. It is jarring when you think about it. How did Sora go from thinking about nothing else BUT Riku to leaving him with a probably-broken-hip to struggle to shore on his own? It is no wonder Riku is always left to think he is going to be alone in life and he has no choice but to struggle out of the darkness on his own.

This mirrors something in particular…. 

The scene of Sora losing Riku to the darkness in the KH1 opening…

Followed by shot for shot re-animation of Sora chasing Riku’s Light in the KH3 Dive to the Heart.

And something about the scene in Kh1 always really bothered me… Sora was worried sick about Riku when he lost him to the sea- only to suddenly be happy and appear blissfully ignorant of Riku disappearing the moment he sees Kairi. As if he just suddenly forgot about him upon seeing her.

And I think the parallels speak for themselves. (Don’t forget about that beach scene in the Kh3 op either... we are getting to that.)

I’m not saying Kairi and her letters make Sora forget about Riku, but…

I’m also not saying Kairi’s letters replace memories of Riku with herself, I actually don’t know that there’s enough here to make that statement likely… So I won’t… say that…

(I hope you read those pre-req’s because I’m going to assume you speak the KH language regarding Sora, Riku, and Kairi vs, water, land and air, vs Light/Dark, the Sun, the Moon, Dawn, Sunset, Night… all that good stuff.)

Now let’s talk about her letter in 3.

Oh this is interesting. Repeating motifs. Almost as though the game is trying to tell us something crucial.

Full transcript of Kairi’s KH3 letter to Sora that she has no intention of sending:

I'm sorry I left without saying good-bye. Did Master Yen Sid tell you? I'm training to become a Keyblade wielder like you. 
That's right. No more waiting for you to come back from your adventures. 
I want to get out there and do my part to help. 
Merlin has used his magic to bring us to a place where time doesn't matter. We can take as long as we need to complete our training. He's an amazing wizard. 
Oh, and by "us," I mean me and lea. 
He's really sorry for all the trouble he caused. I told him it's fine, but he won't stop apologizing. 
I'll admit I was a little scared of him at first, but I've gotten to know him better. All he ever wanted was to help his friend. 
Honestly, it's hard not to like him. 
Every now and then, I catch him staring at me. When I ask what's wrong, he says, "I'm not sure. I think I'm forgetting something. Don't know what." 
Sora, I think it may have something to do with you. 
Your journey is all about helping people: some that you've never met before, and some like Lea that you have. They're all counting on you. 
It won't be easy, but I hope you'll remain the happy and cheerful Sora I know. 
There's no heart your smile can't reach.

In particular, this letter goes on and on about Lea and how he has turned over a new leaf and deserves forgiveness. Personally, I took this to mean Kairi is really hoping Sora will forgive her for the part she was forced to play in Xehanort’s plot, perhaps her writing even influencing his mind to do so via urging him to forgive Lea. You may notice that this would imply that Kairi is fully aware of her role in Norty Nort’s plot. And to that I say yes, it sure would. But not as much as her leading Sora around to her various “heart” pieces like a moth to the wrong flame in Re:Mind.

Anyway, this is not a letter she intends to send to Sora, and she makes a note of this to Lea, even when he tells her plainly that Merlin will deliver it for her. If we keep in mind that Namine’s art doesn’t even need to be seen by Sora for the mind tricks to work, then perhaps- Sora really doesn’t even need to receive this letter for its influence to work. This would rather make her frantic attempt to send the letter in Kh2 a little strange, but consider this: Her close connections to Sora are potentially based very heavily on these letters. Especially if some of her connections are based on making him forget Riku at various points. Having forgotten Sora in Kh2 until he was reconstructed, and considering that Sora barely reacts to her reunion hug with him, it rather makes a lot of sense that Kairi needed to forge a new connection with him, via one of her letters. In that case, Sora needed to actually read it.

KH3 OP

Beach Scene

Now, finally, I want to talk about that part of the Kh3 opening I mentioned at the very beginning. We are back. Once again, I trust you speak the language of Kh symbolism.

This section begins with Kairi suddenly appearing against a bright white background. Forgive me if I suggest hey, that reminds me of Namine’s white walls, or some blank pages... Next, Sora appears in the empty white environment, which remains white until, seemingly, their eyes meet. And THEN, after that delay, the world of Destiny Islands starts rendering in like a game slowly loading a world on a slow engine. Once again, the motif of Sora standing in the ocean, and running up to Kairi on the shore takes place. He is happy to see her. Perhaps he thinks he found the Light that Chirithy told him to search for. Hey this time Kairi is even running into the sea to meet him instead of waiting for him, just like she said! good for her~. Anyway. As they run out to meet each other, however, lightning strikes. Sora doesn’t see it, but he clearly senses it in some way and stops, (didn’t someone once tell Sora to mind what he hears and not what he sees?~). The camera then zooms out to reveal Sora and Kairi as pieces on a chess board in Nort and Eraqus’ game. Now, this essayist takes for granted that Riku is the Light cuz the text says so. Because of that, my first instinct is to say the purple lighting that we saw represents Riku. A forgotten, heartbroken, lonely Riku. Lightning being one of the most destructive forms of light after all, and Riku would be particularly hurt to know that Sora has forgotten him.

Where is Riku?

What is really interesting about this opening is the severe, odd, lack of Riku. He is missing throughout most of it but in particular when Sora is fighting Xemnas. In the opening for Dream Drop Distance, Riku is very much there, and the animations of him harmoniously fighting with Sora, as well as protecting Sora, self sacrificially are prominent, are there because they want you to remember exactly what happened in that scene and what Riku did.

Only for that to be absent from Sora’s boss battle review sequence in Kh3’s opening. At first, I found his absence annoying but now I’ve come to realize there is a reason for it. The popular theory is that it relates to Sora’s memories being taken away. Riku’s sacrifice most certainly was one of them, thanks to Kairi as his chirithy, but that’s not the memory missing from the opening sequence. It’s basically Riku in general outside of the fall of Destiny Islands, the cast shot, and the shot of him walking into the light from shadow. There isn’t a review of previous games in which Riku played the crucial role he did, and nothing from Dream Drop Distance. To that I personally say, this is most likely foreshadowing that Sora will lose ALL his memories of Riku- as his entry fee to play the Reaper’s Game in Shibuya… Oh yes, TWEWY is also a pre-requisite for this theory lol but you should also play it in general cuz it’s a great story and if nothing else is obviously crucial to what comes next in Kingdom Hearts. Highly speculative, but my assumption is that once Sora beats the game and Joshua returns all of his memories, he will give Sora EVERYTHING back, including anything Kairi has removed as his chirithy or anything she has manipulated as herself.

Further Parallel Speculation

Remember when I said I’d love to elaborate? Well here we are~ We’re gonna get super gay too.

Namine:

Namine is a figure that represents, to me, a brilliant use of queer coding about a queer struggle known as compulsory heterosexuality (or comp-het for short as I’ll be repeating this term a lot). If you made it this far and aren’t lgbt savvy then I’ll tell you that comp-het means compulsively feeling attraction to someone of the opposite sex based on heteronormative conditioning. As Sora roams through Castle Oblivion, he is constantly finding himself misplacing memories of Kairi onto Namine followed by eventually memories of Riku onto Namine. This is one of the most literal depictions of the comp-het phenomenon I’ve ever seen, and it is BOLDLY placed in a mainstream video game from the year 2003. It’s quite admirable in my opinion. Namine’s abilities grant us a convoluted plot so confusing that most people will not understand right away, but to the queer eye familiar with comp-het, it provides a strong implication that Sora may be even more confused than we think about who it is he is in love with. To illustrate, it means Sora thinks he likes Kairi romantically cuz society told him being straight is the default way we live. In actuality, he is projecting his feelings for Riku onto Kairi, (with Riku doing the same until COM and onward), and in COM, those Riku->Kairi feelings are projected onto Namine. She creates another layer of distance between them. But even without her presence, Kairi is still there between them, a question that begs to be answered, and yet another extremely common parallel.

Namine is extremely uncomfortable taking the necklace memory of Riku and imposing herself on it. But when you consider Kairi may have been manipulating Sora, it makes me also wonder how many of Sora’s Kairi memories are actually Riku memories, and whether or not Namine even CAN fix those memories… Just food for thought. Speaking of comp-het...

Xion Xion is an even more convoluted character creation, designed to confuse you even more than Namine does. In my eyes, Xion is very literally comp-het personified. Xion, as far as we’ve been told, is a puppet, a copy of Roxas but blank slate. A literal nobody. They are only what you project onto them. And what did Xion become?

Xion became a real confusing amalgam of so many things. -Roxas initially projects GirlTM onto her. Literally. This makes sense since he already has Axel, a male friend, and his instincts coming from Sora’s memories casually assume a female friend is needed to complete their trio. This is because Kairi was that female friend to Sora. -Over time, as Xion craves becoming whole, she inadvertently receives more memories from Roxas (Sora), of Kairi and obtains her face (albeit with black hair, and there are numerous theories about why that is but this essay is already really long lol). -The strange thing is though- despite having Kairi’s face, the hints we get are that Riku memories are zapping into her too. Not only that, but her death grants Roxas Oblivion as she enters his heart. -I don’t think I need to explain what that implies, but to keep it short, Oblivion is representative of Riku’s oath to Sora associated with the necklace memory. Namine was correct to tell Ansem the Wise that the missing memories are crucial to Sora. I have an analysis on Oblivion vs Promise Keeper that I keep meaning to post but the tl;dr of it is that Oblivion has nothing whatsoever to do with Kairi and EVERYTHING ENTIRELY to do with Riku and his oath to protect Sora. It should have no association with her whatsoever. She is also Roxas’ forgotten friend once the memories of her go away the way Sora’s memories of Riku will. -The manga also much more clearly shows us that the feelings Xion is thriving on from Sora are feelings associated with Riku: the empowerment he feels when fighting with friends.

So if I may, here is the returning theme of projection, of misplaced affection, of misplaced memories. This theme is SO CONSTANT with every Kairi scene and parallel we get, and I do not think it is a stretch to say they are not just here to discuss queer themes of compulsory heterosexuality, but are integral to the plot of KH in a very literal, physical way. In other words, it comes up with Kairi way too often to make mind manipulation a leap. It’s still a jump, but it is not a leap.

Aqua

Aqua is not a literal Kairi parallel the way Namine and Xion are, so she does not bring any major compulsory heterosexuality themes to the table, and her “mind manipulation”, if my theory on white lies between the BBS trio is correct, is pretty minuscule as far as we can tell. This does not mean there isn’t anything to speculate on regarding Kairi’s powers though.

Aqua is a gifted mage, and places a protective spell on Kairi when they meet. This is such a sweet and sentimental moment and I love it so much. She also literally gives her friends way finder charms based on paopu fruits the way Kairi does for Sora. So there are some literal parallels to be found there, but the ideas that concern me most are these-

Aqua is associated with magic. Given that Aqua, Namine, and Xion, are all associated with water, like Kairi, (again I assume you speak the KH language of symbolism and metaphor), and some form of magic (Namine with mind powers, and Xion wielding the key blade), is it possible that Kairi is also a mage of some kind? Or at least harbors the powers of a mage, the way she harnesses the power of a princess of heart?

Re:Mind menu screen art

This is an analysis I’ve been dying to post but only since Kairi has been outed as a pawn spy for Xehanort have I felt free enough to do so without going through the trouble of proving her association with the dark side. You are welcome to dismiss this analysis for reading too much into it but if you’re as deep into this as I am then here we go~

First of all, I want to call attention to how beautiful this art is, and how wonderfully symbolic I think it is, and what it actually reminds me of. Do you remember my comments earlier about Namine having a specific art style, which incorporates reflective light in her coloring? Look at the oceanic blue in Sora’s grey pants and jacket. Look at the yellow from sunlight in Sora’s hair. Look at the blue and yellow reflecting in Kairi’s pink dress and her red hair. Look at the tinge of blue from the sea reflecting on Sora’s paopu fruit. I am not saying this menu art is supposed to be literally drawn by Namine, I sincerely do not think it is lol, this is a symbolic image. But I do think it is meant to REMIND us of Namine’s art.  

This menu screen, like the blank pages of a sketch book or notebook, like the beach scene in the KH3 opening, begins with a white screen. Slowly fading in, like the beach scene in the KH3 opening, or a game with a slow loading engine, we have a sketch of Sora. Sora’s feet appear already immersed in the water, as he is eating a paopu fruit, continuing his walk out to sea that we have been seeing him take since kh1 with these key arts. Sora is walking out into the ocean alone, and the coloring fades in bringing the scene to life. This is all the menu art is for KH3.

When Re:Mind was released, the menu screen for it evolved. Now, suddenly fading into this pre-existing scene is a drawing of Kairi, inserted into the moment. Kairi is depicted with a paopu fruit of her own, and she enters the scene with her feet standing on top of the water, not immersed like Sora’s the way they should be considering the depth of the water. This could be a mistake and nothing more… except the water has splash animations added around their feet, meaning this is something someone absolutely should have caught because animations are here drawing our attention to it. This would imply that it means something, so- what? Kairi is not immersed in the ocean, (darkness?), the way Sora is. She is walking /on/ water, not in it. I think this may very well be representative of her protecting Sora’s form as he navigates the new timeline in the dream scape, similar to when we see Riku and Sora walking on water in the dark realm. Or it may represent the way she is navigating darkness but is not immersed in darkness. She treads over it, not through it.  

We do not know what this menu screen means. But here is my take on it. Because it is meant to remind us of Namine, we should consider mind manipulation is at play. Because Kairi appears here only after Re:Mind is released, in her Chirithy hood and eating a paopu with Sora, we are to recognize this as the second timeline, in which Kairi has been added to Sora’s journey like a figure in Namine’s art. We should also remember that as Sora’s chirithy, she has removed his traumatic memory of the timeline shift and very specifically removed his memory of Riku dying as he sacrificed himself for Sora. As the title implies, the game wants to remind us of what happened: the timeline being rewritten, as well as Sora’s Memories being rewritten, and in a sense, Sora’s MIND being REwritten. So much to do with mind and memory being affected...  

A couple more theories as food for thought:

Kairi’s Grandmother:

You may have been wondering how Kairi could be so pure of heart, as far as we are aware, and yet capable of morally grey things like manipulation at best, and outright terrible things at worst? Well, here is my theory: Kairi’s grandmother has been held hostage and used as leverage against Kairi. For as often as Kairi has been used as a catalyst to bait Sora into acting for Xehanort’s schemes, we know Norty and the powers he works for, (Master of Masters), are no strangers to keeping hostages as motivation for their pawns. I’m just going to fill in the missing blanks between “Kairi’s missing grandmother” and “Kairi acting for the dark side”. Remember her letter to Sora that she didn’t send where she told Sora that Lea was just acting out evil to save his friend, and he’s actually a very good guy and a lovable friend you can’t help forgiving?

I think this is intending to draw a redemption arc parallel between Kairi and Lea that is even more literal than you think. Axel was acting out harshly because he would do anything to bring Roxas back, even willing to destroy Sora to make that happen. If Kairi’s only family was being kept prisoner and threatened with death unless Kairi did what she was told, how can you blame Kairi for her actions? Especially when she started playing the role of a pawn as a helpless child. We don’t know what she’s been through, but probably a lot of traumatic experiences. There is no reason to consider Kairi evil, and although you can explain her actions any number of ways, this one seems the most likely to me.

Her parallels likewise have had a reasonable motivation for their actions if they were even willful at all.


-Namine herself was being held captive, with the organization forcing her to commit acts of violating mind manipulation. Seeing how genuinely kind Sora was, however, she eventually refused to be their pawn anymore -Xion did not even willfully take Sora’s memories, she was a complete victim of circumstance. Even when wanting to run away, however, Roxas simply was not going to live if she were around to continue absorbing his powers. Thus she chooses to return to Sora. -Aqua is not spying on Terra or trying to drag Ven home because she wants to. She is doing it because Eraqus burdened her with this task. She protects Ven with all she has in the end, and sacrifices herself to give Terra a chance at survival.

Do not assume that Kairi being capable of doing these things, or actually doing them makes her evil. KH has been pretty consistent about showing the ways in which women are often forced by the patriarchy to perform various deeds against their will and there is no reason to hate her for this or think the worst of her when she is more than likely just as much a victim of circumstance as anybody else in her position would be. I think it’s very fair to be mad at someone in her position if you were the one being manipulated by her, but never forget to be fair in your judgement of this fictional character being manipulated by the forces of evil in this fictional world which uses her as a pawn. Kairi can still a good person of good intent even if she had to do bad things. 


Time to reach: Ava

Since I’m already several layers deep in speculation I just thought I’d throw this out there as food for thought. It’s a popular theory that Ava, the missing foreteller, is dwelling within Kairi’s heart, which could possibly mean Namine is Ava’s nobody the way Roxas is likely Ven’s, as they were both dwelling in Kairi’s heart and Sora’s heart respectively when Sora sacrificed himself. Ava is particualrly skilled in the art of Illusions, which is pretty relevant to the idea that Kairi and Namine are directly manipulating Sora’s mind. Namine’s powers involve rearranging memories, and drawing new memories illustration what she is creating. She is literally creating illusions in the mind. If Ava is dwelling in Kairi’s heart, perhaps logically Kairi can use these powers but not directly. She cannot create illusions out of thin air, but can play tricks on the mind with them. Namine forming from Kairi’s heart having meshed with Ava’s heart might thus be able to create mind illusions, using drawn illusions. Is Ava the source of Kairi’s powers? Is Ava the princess of heart which Kairi is using to do her jobs? Well, I don’t know lol. It’s just out there as food for thought. 

In Conclusion.... Nothing, really lol

All we have to go on are consistent parallels and strong guesses. Kairi may or may not be able to manipulate minds, and her letters may or may not influence Sora’s mind. I don’t know. It is worth considering though, I think. However, I ask that you judge Kairi fairly, open mindedly, and do not underestimate how powerful she may very well be. I cannot wait to see what will be revealed about her character in the future.

[fandomoverflow]

Kairi’s Grand Adventure: An Analysis of Kairi’s Character Arc

It’s a common complaint in the Kingdom Hearts fandom that series director Testuya Nomura doesn’t seem to know what to do with Kairi. Despite giving her a Keyblade in Kingdom Hearts II, he hasn’t done anything significant with her in the story since then. We all thought that Kingdom Hearts III was going to be her time to shine, but that ended with her getting captured and apparently killed by the bad guys right after her first time as a party member. Sora and Riku have been growing and evolving over the course of the saga, but Kairi has for the most part stayed the same. 

@blowingoffsteam2 pointed out parallels between Kairi’s scenes with Sora in Kingdom Hearts III and the events of the 100 Acre Wood in the same game. Pooh has sensed that something about his connection to Sora has changed, and tries to hold onto it while Sora is there helping to harvest Rabbit’s garden. Kairi senses that something about her connection with Sora has changed and tries to hold onto it by sharing a paopu fruit with him. While the parallels make sense when you look at them, it also seemed like something certain subsets of fandom would easily twist out of context to argue that people who noticed the parallels were “infantilizing Kairi” or some other BS accusation. Plus, I couldn’t for the life of me understand why Nomura chose Pooh specifically. 

But then I was watching a video on YouTube by Six Degrees of Kylo Ren Podcast analyzing Disney’s live action film Nutcracker and the Four Realms, and they mentioned something that got me thinking. They talked about how in a coming of age narrative, leaving the romantic tension between the two leads unresolved so the protagonist could go home and dance with her father was the storytelling equivalent of cutting her coming of age short to keep her trapped in childhood. That was when it hit me: 

From the very beginning, one of the biggest aspects of Kairi’s character is her fear of change. She expresses concern over Riku having changed the night before Destiny Islands is consumed, and of course we all remember how she tells Sora “don’t ever change.” And when you think about her backstory, it’s no wonder that she’d be afraid of change. 

Her home world was conquered by Maleficent when she was four, and Xehanort proceeded to fling her out into the universe hoping her powers as a Princess of Heart will lead him to a Keyblade Wielder. She then washed up on Destiny Islands with no memories of where she came from. Of course she’s going to be reluctant to do anything to challenge the status quo. Her life on the islands and friendship with Sora and Riku is all she knows. I wouldn’t be surprised if she wasn’t actually on board with the whole “leave on the raft and explore the worlds” plan from Kingdom Hearts 1 and only went along with it because she didn’t want to be left behind. 

So when I started thinking about that “trapped in childhood” comment, it suddenly hit me why Testuya Nomura chose not to give her more to do in the larger narrative of the Dark Seeker saga. While Sora and Riku are out exploring the universe and growing up, Kairi is metaphorically stuck in childhood. Kairi is actively trying to hold on to the past, staying on the islands where everything is comfortable and familiar, sheltered from all the great cosmic battles her friends are fighting out in the wider universe. 

The reason that the games have explored her past so little beyond her cameo in Birth by Sleep is that in contrast to Sora’s willingness to take on the burden of other people’s pain, for most of the Dark Seeker saga Kairi isn’t ready to handle the pain of her own past. And she won’t be ready to handle that burden until she accepts that the idyllic life she has on the islands with Sora and Riku won’t last forever. 

While it may frustrate the fandom that she hasn’t really done much, there’s a reason that Kairi’s arc hasn’t gotten as much spotlight in the games compared to Riku and Sora’s growth, and it has to do with another Disney parallel. 

In Kingdom Hearts 1, her body ends up in Neverland after the destruction of the Destiny Islands and is kept in a cell along with Wendy Darling, who Hook and Riku initially believe is the last Princess of Heart. The central narrative of the film Peter Pan is that Wendy starts out afraid of growing up but comes to accept that it’s not a bad thing. Part of what helps her come to this development is seeing firsthand what the consequences of not growing up are. 

For Wendy, she sees the pettiness and immaturity of Never Land’s residents and realizes that staying young forever isn’t all that it’s cracked up to be. For Kairi, staying behind on the Destiny Islands means that Sora and Riku continue to leave her behind when they go off on their adventures while she stays the same. 

When I thought about the parallels between Pooh and Kairi in Kingdom Hearts III, I realized that those parallels could be accurately described through the lens of a particular Pooh film. In the 1996 Direct-to-Video movie Pooh’s Grand Adventure: The Search for Christopher Robin, Christopher Robin has gone off to school and left a note explaining to Pooh where he is. Thanks to Owl misreading the note, the stuffed animals of the 100 Acre Wood believe that Christopher Robin has been kidnapped by a monster and taken to an ominous cave known as Skull. With a map provided by Owl, Pooh, Piglet, Rabbit, Tigger, and Eeyore set off to rescue their friend. 

While each iteration of the 100 Acre Wood in the Kingdom Hearts franchise includes the iconic locations visible in almost every Pooh film, Pooh’s Grand Adventure is the only specific movie in the Winnie the Pooh franchise to be referenced in a Kingdom Hearts game. The storybook map in the Kingdom Hearts II visits to 100 Acre Wood confirm that the Spooky Cave area is the same Skull cave featured in this movie.  

The film begins with Christopher Robin attempting to break the news to Pooh that he’s going off to school and won’t be able to spend all of his time in the 100 Acre Wood anymore, but Pooh continues to brush over his attempts to bring up the subject. The film’s opening musical number, Forever And Ever, hammers the point home that the idea of things changing and the status quo not being the same forever doesn’t even register as a concept in Pooh’s mind. The rest of the movie centers on Pooh coming to accept that things change but that he and Christopher Robin will always be connected. The words “even if we are apart, I’ll always be with you” are central to the movie’s themes of growing up and accepting change. 

When you think about Kairi’s character arc as a parallel to the plot of Pooh’s Grand Adventure in addition to the Wendy parallels, it solidified that Kairi’s arc over the course of the Xehanort Saga has been about her letting go of her fear of change and accepting that things won’t stay the same forever, and that it’s a normal part of growing up. 

In KH1, we see Kairi trying to stop things from changing, or even deny the possibility of change, when she talks about how Riku has changed and tells Sora not to change. While Riku and Sora were out gathering supplies for the raft, Kairi was making a charm for good luck to ensure that they would return to the islands safely. And when she gives the charm to Sora late in the game, she makes him promise to bring it back to her.  

Kingdom Hearts 2 shows her beginning to acknowledge that things are changing and she can’t stop them. She begins to realize that waiting for Sora and Riku to come isn’t good enough for her, but she doesn’t actively seek out a way to leave the islands until Riku covertly presents her with one in the form of a Dark Corridor to Twilight Town. Once she met up with Hayner, Pence, and Olette, her plan went back to “wait for Sora to come back”. 

By the end of Kingdom Hearts 3, Kairi has finally accepted that things are changing. Regardless of what shippers assume, the context of the game’s themes frame Kairi sharing Sora a paopu fruit as a promise that even though things have changed between them, they will always be friends. One of the major themes of Kingdom Hearts 3 was accepting separation and letting go. While this certainly applies to Kairi saying goodbye to Sora at the end of the game, it also applies on a deeper level to Kairi finally accepting what she’d been trying to deny since the first game: that things are changing and there’s nothing she can do to stop it. 

So despite our frustration at her lack of spotlight, Kingdom Hearts 3 wasn’t Kairi’s true time to shine. Only when she says goodbye to Sora at the end of the game has she finally overcome her fear of change and growing up, and she has a lot of catching up to do. Kairi’s real time to shine will be in the Lost Masters Saga, when she finally starts to confront her past. Kingdom Hearts re:coded involved Data-Namine testing through Data-Sora whether the real Sora was ready to accept the hurt of others into his heart. Kairi’s role in the Dark Seeker Saga was about preparing her to face the hurt in her own heart so that she can move on from her past. 

TL;DR: Kairi has lagged behind Sora and Riku because her fear of change was holding her back from growing up and reaching her full potential, but by the end of Kingdom Hearts III she has finally overcome that obstacle. 

[verumking]

⚔️ *:･ﾟ✧┆HEADCANON : RE/MIND TRAILER ANALYSIS

       I’ve been working on this since the final Re/Mind trailer was LEAKED, but now that it has been officially released I can finally POST IT! This headcanon post encompasses all three Re/Mind teaser trailers and some of the events of KH3. I know this is structured like a THEORY POST, but take it all with a pinch of salt: this is just a LORE DUMP for how I’ll be roleplaying Yozora until the DLC actually comes out. I’m not aiming to be ‘accurate’ or right, just stringing bits of CANON to line up with my portrayal ;v; So, without further ado, let’s jump right in...

       ( Warning, this is a stupidly long post ! ) 

      ONE.  ┆ THE TWO HALVES OF THE SKY - YOZORA VS SORA

Without a doubt, Nomura has been planning this ARC for years. It is my firm belief that he was planning SORA and NOCTIS to eventually meet, the latter being axed from the joining the KH PLOT after Nomura was removed from XV’s development. Here is what Nomura ORIGINALLY SAID in 2013 about Sora and Noctis’s dynamic: 

Do you know the name Sora mean the “sky”, in Japanese and Noctis, his family name is Caelum which mean sky as well so basically, Noctis means “night sky”, so they are kind of complete opposites to each other. There is a reason why I named these characters as opposites.

I don’t believe that Sora and Yozora are the SAME PERSON, nor is Yozora a FUSION of Riku and Sora, but rather, they PARALLEL each other narratively, like what Nomura originally INTENDED for Noctis and Sora. Yozora and Sora are simply OPPOSITES of each other. 

I believe as much as SORA embodies light and hope, YOZORA embodies darkness and despair. SORA, not being TECH SAVVY ( see any interaction he has with a COMPUTER, or the first time he uses a GUMMIPHONE ), and YOZORA, who uses hyper-futuristic weaponry with EASE, and comes from a world where ROBOTICS is commonplace. 

Aside from the obvious VISUAL JUXTAPOSITION between the optimistic keyblade wielder and the austere newcomer, I also believe that they are going to OPPOSE each other in abilities and goals. Much as Sora used the power of waking to BRING BACK LIVES, Yozora has just as much power to TAKE THEM: see the characteristic skull motif upon Yozora’s sleeves, as well as the prominent THEME OF DEATH within Versus XIII lore. 

Which ties in perfectly to my headcanon about the role of REINCARNATION within the KH and Verum Rex worlds respectively. YOZORA is a harbinger of DEATH, and SORA is the harbinger of REBIRTH. Rebirth, of course, being the meaning behind the TITLE of the DLC, as mentioned by Nomura himself: 

“ ... The meaning of what I just mentioned and the double-meaning are the same. It means “remind”, “reconfirmation”, “ reclaim the heart* ”, and so forth. ” 

(*Note: 心 means “heart” and also “mind”, and 再生 can mean “regeneration”, so 心の再生 can also mean “regeneration” or “rebirth” of the “mind”. Also, “Reclaim Your Heart” is a phrase used on the back of the box for Verum Rex in Toy Box)

The TWO SKIES, like day and night, perpetually maintain this SAMSARA of death and rebirth. Both UNAWARE of each other’s existence, and IMPACT upon the wider universe.

UNTIL NOW. Given the description of the DLC mentioning ‘a secret episode and boss battle’ in a separate line, this is most likely alluding to YOZORA. As such, Yozora will play an antagonistic role towards SORA, at least for the events of Re//Mind. Yozora confronts Sora, after he ABUSES the power of waking to bring back all of his FRIENDS from death. The friends YOZORA was intending to REAP. And thus, the boss battle begins.

Whether Yozora CONTINUES to antagonise Sora even after Re//Mind, it can’t be ascertained at this point. But Sora had been REPEATEDLY WARNED that he will have a price to pay for abusing the POWER OF WAKING ( see the section on YMX below for more detail ). I believe YOZORA has come to deliver this retribution. 

      TWO.  ┆ A SEA OF STARS - THE FINAL WORLD

There has been a lot of speculation about the ‘FINAL WORLD’ we see at the end of the Re//Mind trailer, and whether it IS EVEN the Final World, or the SAME 'Final World’ we have been visiting thus far with SORA.

So far, YOZORA’S WORLD has only been depicted at night. This, PAIRED with Yozora’s name meaning ‘night sky’, could imply that YOZORA HIMSELF caused the Final World to shift from DAY to NIGHT. The two ‘Final Worlds’ are one and the same. 

But WHAT IS the Final World exactly? Chirithy describes the FINAL WORLD as a place where “the edges of sleep and death touch”, and that Sora had VISITED the Final World “more than once before on his visits to the Station of Awakening”. Chirithy also mentions that SORA previously came to the Final World “out of his own choice” and can’t just “wander out like his other visits”, when he came to the Final World after PERISHING at the Keyblade Graveyard. The fact that Sora QUESTIONED “What is the Final World?”, despite visiting NUMEROUS TIMES before, implies only one thing: Sora visits the Final World in his DREAMS. And, like most humans upon awakening, he fails to REMEMBER what he dreamt.

The fact that YOZORA is also present in the Final World, in a fully CORPOREAL FORM, implies that he also visits the Final World in his DREAMS, rather than simply arriving there after PERISHING. Their SHARED LINE from the KH1 opening says it all:

“I’ve been having these weird thoughts lately. Like... is any of this for real? Or not?”

The Final World is a realm one visits on the BRINK OF DEATH, and with Yozora and Sora being agents of DEATH and REBIRTH, they visit this realm even in their SLEEP. Yozora’s visits during his sleep are a PREMONITION orchestrated by the Watchmen of Fate, alluding to his destiny to ascend as the VERUM REX: aka the god of death. 

      THREE.  ┆ A STRONG SENSE OF PURPOSE - THE NAMELESS STAR

I joked a lot about the NAMELESS STAR being Yozora’s love interest, but it may be CLOSER TO CANON than I originally thought: especially given Yozora’s appearance in the FINAL WORLD, and how accurate her DIALOGUE is to Stella Nox Fleuret: the infamous LOVE INTEREST from Nomura’s cancelled project, Versus XIII. 

Aside from the obvious indicators ( “They took away my name, everything about me” ), the male she “PINES” for also fits perfectly with MY DEPICTION of Yozora. She mentions that he has been “changed beyond recognition, his heart replaced with another’s”. Aside from the developmental parallels of NOCTIS becoming YOZORA, it’s also accurate to my Yozora’s HEART being replaced with an ASTRAL CORE, with the Gigas experimentation CHANGING HIM beyond recognition ( his hair and eye colour ). 

The NAMELESS STAR also mentioned that “were he to regain his old self again, he would be distressed by my absence”. Whatever HAPPENED to Yozora that made him forget about his LOVE INTEREST, his presence in the Final World alongside SORA gives the impression that he has REMEMBERED his love interest, and has come to rescue her-- much has SORA had returned to the Final World to rescue KAIRI. 

Delving a teeny bit more into my OWN META here. I find it interesting that the NAMELESS STAR gave Sora advice about how to OVERCOME the TASKS before him. What intrigued me the MOST, is how she mentions his ability to RETAIN his PHYSICAL FORM in the Final World, due to his “strong sense of purpose”. The word ‘PURPOSE’ is distinctly emphasised by her voice actress, so I want to BELIEVE that there is importance to it.

MY PORTRAYAL of Yozora and his world encircles the concept of the ‘KARMA’ that lies inside all humans, as per the back of the VERUM REX BOX COVER in Toy Box. To summarise that post, this KARMA is the sum of a person’s grasp of FATE + CONSEQUENCE, and their connection to the SPIRITUAL REALM. The stronger your hold on your DESTINY, aka your karma, the stronger your CONNECTION to the cosmos. It is Sora’s POWERFUL HOLD ON FATE that gave him his corporeal form in the Final World-- much like YOZORA at the end of the Re//Mind trailer.

It thus becomes obvious that the NAME the Nameless Star whispers to Sora is YOZORA. Which not only explains why he looked so SHOCKED after hearing it, but also why Sora RETURNS to the Final World alone in the Re//Mind trailer. He was explicitly LOOKING FOR YOZORA, and was calling out his name-- and expressed the same level of SHOCK upon discovering that Yozora is MORE THAN just a video game character. 

     FOUR.  ┆ AN AGENT IN THE SHADOWS - YOUNG MASTER XEHANORT

Puzzling enough, the Re//Mind trailers also REVEAL that Young Master Xehanort has been WORKING ALONGSIDE the Master of Masters. How is this relevant to Yozora, you ask? Consider the following:

1. YMX was the MAIN VILLAIN in the Toy Box world. He was responsible for introducing SORA to Verum Rex, quite literally, by THROWING HIM into the Verum Rex video game ( which I canon to be the ‘data’ version of YOZORA’S WORLD... but that’s for another post lol ).  2. YMX is WORKING with MoM, who appears along with Yozora in the SECRET ENDING, in the Shibuya district of Yozora’s world.  3. In Dream Drop Distance, YMX made a PROMISE with two characters from The World Ends with You, a game directed by NOMURA encircling the concept of reapers, also based in SHIBUYA. The promise being to bring them back to their world, if they brought Sora and Riku to him. Perhaps YMX did FULFIL that promise, and RETURNED the TWEWY characters to Shibuya. Which implies that HE KNOWS how to reach Shibuya: where MoM was present. 

Nomura mentioned in the KH3 ULTIMANIA, that the Shibuya featured in the SECRET ENDING is in a “different reality” compared to the TWEWY Shibuya. What if the SHIBUYA of Yozora’s world, coexisted with the Shibuya of TWEWY? Much like how the worlds were SPLIT IN TWO, not only in Dream Drop Distance, but in Toy Box as well? 

4. More specific to my META for Yozora, YMX finds it INTRIGUING that “even empty puppets can be given strong hearts”, and that “a heart can be placed in a vessel of our choosing”. My Yozora was essentially moulded into a PUPPET of Gigas Corporation after having his heart replaced with an ASTRAL CORE, with the intention of making him rise as a ‘HIGHER BEING’: an elevated version of humanity. Also note how YMX says ‘OUR’... what if he was not alluding to True Organisation XIII... but HIMSELF AND MoM?

5. YMX also plays a ROLE in Sora abusing the power of waking. Before unleashing the FINAL BOSS of Toy Box on Sora, he whispers “Find the hearts joined to yours”. In the Re//Mind trailer, SORA re-emphasises this: “But, follow my heart? Hearts are all connected. Trace the connection!”. YMX also APPEARS again, after Sora dove into all of the Sleeping Worlds, claiming that he nearly “buried himself in the dark of sleep”, TWICE OVER: once in DDD, and once again in KH3-- instances where YMX was both present. 

Note how also, Nomura chose SAN FRANSOKYO as the final Sleeping World that Sora reaches, before YMX appears. San Fransokyo being very AESTHETICALLY SIMILAR to Yozora’s world ( Both being TOKYO CODED CITIES, with a night time setting ). 

Despite LEADING Sora down this doomed path, YMX WARNS him that there is a “high price to pay” for wielding such power FOOLISHLY, and that he had now “paid (this) price”. The price? HIS OWN LIFE. This is reiterated several times in the GAME and PROMOTIONAL MATERIAL: 

a. On the BACK of the Verum Rex box cover in Toy Box, it mentions ‘A JOURNEY WITHOUT A PLACE TO RETURN’.  b. In the Re//Mind trailer: once by XEHANORT himself: “Seeing that you have also taken the FORBIDDEN PATH, you too must be ready to make the ULTIMATE SACRIFICE”. c. And once again by CHIRITHY, claiming that Sora will “vanish from this world”, and that “without ( his ) powers, ( he ) can’t return to the world ( he ) came from”. Sora has not only LOST the power of waking, but had also SACRIFICED HIS LIFE. 

Stranded in the FINAL WORLD, with no one left to turn to, Sora calls out a NAME. The name of a person he knows is COMING to the Final World... to save his lost star.

SHOUTOUT to Steph ( @kyecupio​​ ) for fuelling the big galaxy brain with XEHANORT and YOZORA’S connection fgjhfg. 

      FIVE.  ┆ THE WATCHMAN OF FATE - MASTER OF MASTERS

We’ve gotten an INSIGHT into YMX’s intentions, but what has the MoM got to do with all of this? Why does he APPEAR in the secret ending? 

We already know that MoM is working alongside YMX from the brief Re//Mind trailer, where it is disclosed that the MoM GIFTED YMX the characteristic black coat that wards off darkness. YMX is also seemingly REPORTING to MoM about a ‘world tour’, which I assume MoM advised him to go on. What is this ‘world tour’? Difficult to tell at this point.

But what I do know is that MoM is OBSESSED on keeping universal order. He created the GAZING EYE to allow himself to see into the future and write the BOOK OF PROPHECIES, and refuses to give LUXU a copy of the book to ‘avoid temporal paradoxes’. Nomura has definitely created an ANTAGONISM between Luxu/Xigbar and Xehanort, especially NOW with it being revealed that YMX is working with MoM. 

WHATEVER Nomura is planning with LUXU vs MoM/YMX, I can’t be certain. But what I do know, is MoM’s MOTIVES are extremely similar to MY META for the Watchmen of Fate, something I have come up with exclusively for MY PORTRAYAL of Yozora and his world. 

The WATCHMEN OF FATE are responsible for maintaining the BALANCE AND ORDER of the universe, and are CHARACTERISED by their dark reaper’s hoods. Note how the MoM never takes his hood off, and this HOOD is strikingly uncanny to a GRIM REAPER. Furthermore, the Watchmen of Fate in my canon are not only NOTED for keeping the order of the universe, but some are also ‘TRICKSTERS’ by nature and occasionally like to manipulate fate. Note how MoM also has a PLAYFUL PERSONALITY despite his wider goal. 

I believe the MoM has a greater power in the UNIVERSE, and has advised YMX to lead SORA to the Realm of the Dead where YOZORA resides. For what purpose? To UNITE the agents of DEATH and REBIRTH under the same sky. To fulfil the cycle of KARMA. To achieve the REINCARNATION of all worlds. 

To reincarnate Kingdom Hearts.

TO CONCLUDE:

1. MoM and YMX are rogue Watchmen of Fate, trying to REBIRTH the universe together via KINGDOM HEARTS. 2. They want to UNITE SORA ( who embodies rebirth ), and YOZORA ( who embodies death ), to achieve the REINCARNATION of the universe ( death + rebirth ) 3. SORA is seeking Yozora because he TALKED to the Nameless Star, YOZORA is seeking Sora because he USED the power of waking to REVERSE DEATH, they both meet at the FINAL WORLD. Yozora initiates the BOSS BATTLE because “ you broke the rules, perish ” 4. YMX ( + MoM? ) possibly SPLIT SHIBUYA into two: one comprising of YOZORA’S REALITY, and one comprising of TWEWY’S REALITY ( not sure of the reasons yet but it’s suss ) 5. ( Specific to my VERUM REX META ) YMX and MoM are potentially connected to GIGAS CORP, given YMX’s intrigue about placing STRONG HEARTS in EMPTY VESSELS, much like Gigas Corp are, thus already serving as ANTAGONISTS to both Yozora and Sora.

[princesskairi]

Potentially minor, nitpicky criticism to a small section of the Sleeping Realm Theory Doc. Note: This criticism has nothing to do with ship wars (at least that’s the intention!) as the doc has nothing to do with ship wars too.

This is referring to the doc’s analysis of the scene where Kairi and Sora reunite in the light tunnel under the section Riku is Light -> Light in the Darkness. Read more underneath.

————————–

My biggest criticism in this analysis is how it presents Kairi and her importance to Sora in conjunction with Riku. This criticism also calls into question some of the claims used to debunk Kairi as being the light in the tunnel.

To start off, it’s not that I dislike the suggestion that Riku is the light in that scene, it’s that to then follow up and say that Kairi is off to the side then moves and “eclipses” that light from Sora’s view is risky framing whether intentional or not. 

While it might not be the writers’ intentions, it’s dangerous to paint that scene that way without further warning/clarification as it can easily fall into the toxic rhetoric that Kairi is in the way of Sora’s realization about Riku (unfortunately, something that is not uncommon in fanon). It takes a scene that is largely meant to display Kairi’s strength and resolve to protect Sora and shifts its focal point to Sora’s thoughts about Riku, which I feel is rather unfair to one of Kairi’s few spotlights in KH3.

The light can very well be Riku’s in that scene (considering the whole “Riku! Answer me!” analysis), but to present Kairi as “eclipsing” that light, leading readers to pick up a double meaning, and then to say that it is never Sora himself that figures she is his light severely downplays Kairi’s real significance to Sora and how he views her. If it is the case that Nomura intended to have double meaning in Kairi eclipsing the light and mislead the audience to think that she is the light by having Sora claim that she is, then of course my anger would be directed towards him alone. 

The part where the writers bring up a screenshot of Namine telling Sora that Kairi’s his light to emphasize that Sora does not figure it out himself is out of fair play. It’s taken out of context. Namine explicitly tells Sora that because she’s been messing with his memories up to that point. She guides and allows Sora to remember for himself that important connection before putting him to sleep to fix his faulty memories. Even if Namine doesn’t tell Sora that, there is no doubt Sora believes it himself. In fact, Sora has already since equated Kairi to light in KH1 (before Namine reinforces it to him) in his speech with Kairi in Traverse Town. He tells Kairi that it was her voice that saved him from the darkness. When Kairi responds that she didn’t want to forget about him, it is Sora that goes “That’s it! Our hearts are connected and the light from our hearts broke through the darkness. I saw that light.” With the prior context, that’s basically Sora figuring out for himself that “that light” was Kairi’s and the same concepts can be applied to reach and save Riku too. Also, Sora does explicitly conclude on his own in KH3 to Kairi that, “The light in the darkness. It is you”. It’s strange why the narrative that Sora is being misled to think Kairi’s his light (i.e. simply told by others) has to be included to further emphasize the idea that Riku is Sora’s light (esp. when there’s plenty of evidence that Riku is Sora’s light without needing to reevaluate Kairi-centric scenes and call to question Sora’s own revelations about her)? 

————————–

Quote from the doc:

“And so ask yourself this, how is Kairi supposed to be following her own light back?”

Following the same logic, in KH1, how does Kairi, who at the time resides in Sora, also follow the light back to her flashback of her grandmother? Not only that, after her heart is restored to her own body, she tells Sora in Traverse Town, “A light at the end of the tunnel” to which he responds “Oh, your grandma's story right?” and she responds back, “That’s right, we were together”. This shows that Kairi too can in essence “follow her own light back” or at the very least experience that light from an outside perspective. But to leave it open, perhaps this ability is due to the weird oddities from her being in Sora’s body? Or a bolder take is that the light is actually Kairi’s grandmother’s light this entire time! lol! (I highly doubt that this was the intent but who knows! Unless past interviews/Ultimanias can shed some light.) In any case, before one can disprove Kairi being the light on this basis, one needs to also explain this contradiction (considering the doc makes a point that this kh1 scene is meant to be Kairi’s light).

Passage from the doc:

“And if this scene were truly meant to be taken at face value, why do we get these specific visions, inexplicably in the middle of it. Sudden visions of self sacrifice, both referred to as True Love and the reviving power it has. Except, neither Kairi or Sora had sacrificed themselves for just each other at this point, Sora tries to shield her (an act that read as surprisingly desperate and hopeless for the first sign of danger she faced, like he—his heart, remembered she was going to die in this battle no matter what) but Goofy blocked the attack and nothing came of it. And most importantly for all the danger she’s in, none of Kairi’s scenes read as self sacrificial, they read as resigned.”

As for the Disney visions, I do believe that the general takeaway was meant for Sora equating feelings of self-sacrifice, love, and care to his own situation. I do not believe it is exclusively meant for Riku and I do not believe that Kairi can not be equated to these scenes just on the merit that there is no direct self-sacrificial parallel of them in KH3 up to that point. One can argue that even if Goofy came to protect them, that doesn’t lessen the impact that Sora was ready to sacrifice his own danger for Kairi.

In any case, if self-sacrifice is a needed component to link these Disney scenes to someone then Kairi and Sora also have their share as do Sora and Riku. In KH1, Sora sacrifices himself to revive Kairi because of his love for her like how Eugene sacrifices himself for Rapunzel and Anna sacrifices herself for Elsa. Elsa and Rapunzel bring Anna and Eugene back due to their love for them. Same thing happens on Kairi’s end. While Kairi is made of pure light and has no immediate danger in getting pummeled by heartless when she hugs heartless Sora, she herself doesn’t know that she wouldn’t be in danger. That scene could be still interpreted as sacrificial to an extent. Kairi sacrifices her own danger to revive Sora with the power of her light and love for him. Same with Riku, he’s sacrificed himself plenty times for Sora out of his love for him throughout the franchise. These actions are still seen as sacrificial in nature despite Riku not actually dying at the end of it. Riku’s sacrifice (i.e. demon tide) is more recent, so these visions may better equate to Riku esp. with Sora remembering Riku when talking to Anna and others, but considering that this scene is about Sora and Kairi reuniting and Sora showing gratitude towards Kairi, it’s not fair to write Kairi off as not a trigger for these Disney scenes as well.

“This light, that Sora assumes is Kairi, but which she never confirms or denies, a light that led him to Riku’s heart originally. This light begins showing him these scenes of self sacrifice, and Sora makes a confused, jerking motion. And in reaction, Kairi is also confused. Which is weird considering if she’s the light, she would be the one showing him these visions in the first place, right?“

This isn’t quite a fair take. It’s impossible for Kairi to show these visions to Sora as she was not present when those scenes occurred. The same logic should apply to Riku. He was not present when those scenes occurred; he would not be able to show these visions either. So what gives? I don’t believe these visions are being shown to Sora rather Sora is literally remembering these scenes himself and equating them to what he feels right now in his own situation. He jerks up, which causes Kairi to be confused bc she simply can’t know what’s up with Sora’s reaction even if she is able to somehow show these visions herself. She checks to see if Sora’s okay and when she sees that he is, she states, “I told you Sora. You’re safe with me”. 

If what was really meant was that “Riku is the light in the tunnel -> Riku’s light embodies Riku’s self sacrifice, which in turn causes Sora to connect it with his own memories in the Disney worlds” then that’s a different thing and totally valid but was not presented that way in the doc. I also feel that Sora isn’t confused rather in a state of realization and coming back to reality after these visions, which explains why he’s a bit shaken up/disoriented at first with his “Ooh”. Regardless of whose light it is, I firmly believe it is Sora making these connections for himself and not the light showing them for him. Bc of this interpretation, the theory that “Kairi is the light” or “Riku is the light” is not necessarily disproven or illogical on the basis that neither one has been there to experience these Disney scenes. This is different from when the light shows Kairi’s Radiant Garden memories to Sora and is not a perfect parallel but does not need to be.

All in all, Riku’s love for Sora is integral to understand the sacrifices made to facilitate the “drops” and bring everyone to a new worldline, but I personally feel that this specific analysis of Kairi and Sora’s scene does not need to be presented in a way that makes Kairi seem like a misleading device for both Sora and the audience to realize Riku’s love/light. There is no need to disregard Kairi and Sora’s potential connection with the Disney scenes rather than simply show that these scenes are strongly attributed to Riku. There is no need to treat Sora as if he cannot or doesn’t accurately conclude what light means for himself.

I hope my criticism for this specific section does not come off as mean-spirited and I do not want this to be a playground to incite s/hipping wars either bc it’s not even about ships. To make it extremely clear, my criticism does not have to do with ships NOR do I think the theory doc is trying to force a ship onto people either. The word “love” can be interpreted however way you want: romantic, platonic, whatever. I do think that the writers were a bit too quick to dismiss Kairi as the light in this scene and that there was an over emphasis towards Riku in a scene meant to establish Kairi’s importance and I wanted to address that. If it is misreading on my part, feel free to discuss! I don’t want to put words into other people’s mouths. I am open to critique too. This one criticism doesn’t negate all the other interesting insights the doc makes. The doc as a whole is an interesting read and I offer nothing but support and thanks to those involved in the process. 

And who knows, maybe Nomura will come out and confirm that this portion of the doc is right! Then jokes on me but until then, I believe this criticism holds fair.

[nadziejastar]

Theory on Subject X and Saïx’s Berserk State

“Rejoice, Naminé. Soon you’ll meet the hero you’ve been longing for.”

Naminé’s shoulders tensed when he said her name. She didn’t look up when she spoke, her voice tiny and faint. “I’m…glad.”

I think the real meaning of “358/2 Days” was supposed to refer to the fact that Axel was reliving his past for the entire year. I’ve written before about how I think Isa originally awakened his berserk state not because he was filled with darkness, but because he wanted to protect Lea. And I want to go into more detail about that. I found it interesting that in the manga, right after Axel disappeared, Saïx felt like tormenting Kairi in her cell. He used a line similar to Marluxia about Naminé waiting for her hero. 

“A heart? I have a heart? No one wants your nonsense!” Saïx raised his sword over Naminé—but Riku was there with Soul Eater to intercept the blow.

“Hmph. I don’t have time for these games.” Darkness welled from a rift behind Saïx. “Run along and help your dear hero.”

During the battle for Destiny Islands, Saïx said that Riku couldn’t protect anything using darkness. Then he said to go help your “dear hero”, referring to Axel.

“Why would caring about something be a weakness?” Xion asked, baffled.

Roxas lowered his head. “I don’t know. I didn’t get it, either.”

I’m not the only one surrounded by things I can’t understand, Xion thought. Axel would explain it, though…

“I hope Axel comes back soon,” said Roxas.

She nodded. They would have so many things to ask him.

I think Isa was used as bait before. And that’s why it was mentioned that Axel would know what it meant to have something you care about be a weakness.

Roxas dallied anyway, peering through the doors again. The rose, the thing he treasures, is his weakness?

Nope, I don’t get it.

I wonder if Axel will know what it all means…?

It’s mentioned more than once, too. On Day 119, and Day 150.

“What are you going to do with us?” she demanded.

Saïx narrowed his eyes. “You are the fire that feeds Sora’s anger.”

That was all he said. And then he vanished again.

“I have to do something…,” Kairi murmured. “Sora’s in danger because of me…”

Saïx seemed to have very personal contempt for Kairi. And here’s a good example of why I just cannot accept that Saïx gets to play on the beach and eat ice cream with everyone in the epilogue, instead of Isa. He tortured Kairi, lol. They really weren’t trying to pull any punches with his characterization. Sora was not even there to witness it, so there really was no reason for him to do this other than to vent his feelings and take his anger out on her.

The Beast had a ferociously strong heart—its strength of will alone had taken him to Hollow Bastion to save one of the princesses, Belle.

“Looks strong,” Axel remarked from behind them.

“Yeah. He is,” Riku said, sinking into thought.

His heart is even stronger than his body. It’s exactly the kind of heart the organization wants…

“But someone that strong won’t just do whatever the organization says,” Naminé murmured.

“Well, this is their chance to show how persuasive they can be,” Axel said with a bitter smirk.

Even in KH2, they implied that Axel knew how “persuasive” the organization could be at getting people to do things they didn’t want to do.

Day 171: The No. i Project

Author: Saïx

Xion failed to complete its mission. If this continues, destroying it and using the next Replica as the Duplicate would undoubtedly yield a higher-grade copy. No. i was among the initial lot, which naturally raises questions about its capabilities. At present, it is nothing short of broken. I cannot fathom why Xemnas would want to keep it.

I think there was a similar situation where Isa was trying to protect Lea who wanted to rescue him. Lea was in danger because of Isa, so Isa was full of conviction, like Kairi. He went berserk, and used up every bit of his strength. I think that the Beast was meant to parallel Isa’s backstory as well as Lea’s. You can see even more clearly in the manga that the Beast went berserk trying to protect Belle. But he felt like he failed.

Saïx sounded vaguely disgusted. “What do you care for a broken, defective failure?”

Isa probably collapsed like Xion and the Beast did. I definitely think that the ordeal caused Isa to be in a state where he lost his sense of self, and he became zombie-like, similar to Roxas during his first week. And that’s when he was Norted. Saïx would have no memory of this happening. Xemnas and Xigbar do, which is why they are amused by his obliviousness.

Day 174: Just a Replica

Author: Saïx

Xion continues to sleep. All analysis on its function suggests no marked change. The copying appears to be working, but a Replica is a Replica. My latest report to Xemnas on this net me no clear answers. He simply stood, smiling. At times I find his thinking impenetrable.

A few days later, Xion was asleep but still functioning and copying. Saïx still thought she was broken and didn’t know why Xemnas wanted to keep her. And Xemnas gave Saïx a creepy smile. Day 174 is called “Action, Reaction”. That is another name for Newton’s third law. “For every action there is an equal and opposite reaction”. Whenever one object exerts a force on a second object, the second object exerts a force back on the first object. The force exerted by the second object is equal in strength and in the opposite direction to the first force.

Roxas: Look, I'm just saying. All I saw in the hole they dug was a wooden chest full of junk.

Axel: And the Heartless were in the chest?

Roxas: I dunno. I think maybe something else is causing them to show up.

Axel: Like?

Roxas: Didn't something seem kind of off to you about the guy in red?

Axel: Off? Off how?

The mission on Day 174 was in Neverland. Roxas learned how to fly because he believed, and Hook was drawing the Heartless to himself due to his greed. The same concept is brought up when Axel came here with Roxas later, too. 

Saïx: So, you really do care for her. In that case...the answer is no.

Sora: You rotten...!

Saïx: Are you angry? Do you hate me? Then take that rage, and direct it at the Heartless.

It’s similar to the relationship between Roxas and Xion. And actually the experiments that Young Xehanort was conducting on Andy’s toys, too. He was “testing the strength of their bond”. I bet there was a similar situation between Lea and Isa’s hearts. In the manga, Axel knew that Hook was drawing the Heartless to him and convinced him to throw away the treasure (to save Peter Pan, surprisingly). And a comparison was made to Axel having something he was afraid to lose. I think the apprentices were using Isa to draw the darkness out of Lea or something. Instead of greed like Hook, it would be rage and hatred.

“Sora or Xion—it matters not. But we need one of them under our control. Bear that in mind.”

Saïx nodded, and a serene smile came to Xemnas’s face.

If that smile meant anything, it was beyond him.

Xemnas gave Saïx a creepy when he was asked about the memory devices. Saïx was wondering what Xemnas’s true agenda was for placing them.

“Sora has a pretty powerful effect on her,” said Xigbar, pensively stroking his chin.

“Both of them have connections to Sora, but we only need one of them under our thumb,” Xemnas replied. “Whether Xion takes from Roxas the rest of what he has to give…or whether he destroys her first and takes back what is his, there is no change to our plans. No matter how, Sora’s power will belong to us.”

“Understood.” Xemnas disappeared nearly before he heard his order acknowledged.

“Don’t let us down now, kiddo. Shouldn’t be too much trouble without a heart,” Xigbar told Saïx.

Same thing here. Xemnas asked if the devices were ready, he reminded Saïx that they only needed one of them, and Xigbar made a weird comment about Saïx being a kid without a heart. Xemnas and Xigbar seemed to take pleasure in reminding Saïx that they only needed one. Lea and Isa apparently had some kind of reciprocal effect on each other, like Roxas and Xion did.

A memory. My first memory. Saïx took me by the hand and brought me out of Castle Oblivion. “This is the last you’ll see of these walls… Xion.” Yes, I remember what he said to me. And I remember where I was. Castle Oblivion.

Day 224 is called “Anomaly”. Both Xion and Naminé are called anomalies. 

Subject's memories have not returned, and our conversations remain less than lucid.

Subject X was also a unique subject who didn’t collapse like all the others. On this day, Xion remembered that she was taken from Castle Oblivion by Saïx. 

Hayner: We can't be together forever... so we'd better make the time we do have something to remember.

Axel suggested going to the beach, which was a sign that he knew something bad was coming.

Secret Report 1: Recollections

Secret Report 1 is obtained after clearing Battlegate 1 at Olympus: Realm of the Gods / Courtyard.

Am I alive? I awoke in a cell, alone until the researchers came with their tests and their prodding to uncover my identity. I had no answer to offer them. Four friends, and a key…that is the sum total of my memory. I could not even recall my name. I was simply called “X” there. My only solace was the time I spent talking with the two boys who would visit from time to time. One day, a man came to take me from the prison. I could not see him for the darkness, save that he wore an eyepatch.

Subject X was taken somewhere by Braig/Xigbar, like Xion was by Saïx. This report is located at Olympus. Perhaps the Realm of the Gods was drawing an allusion to the Final World, which is where people exist between life and death. Isa was sent there after going berserk. 

Ansem's Report 2

The experiments caused the test subject's heart to collapse, including those of the most stalwart. How fragile our hearts are! My treatment produced no signs of recovery. I confined those who had completely lost their hearts beneath the castle. Some time later, I went below and was greeted by the strangest sight. Creatures that seemed born of darkness...What are they? Are they truly sentient beings? Could they be the shadows of those who lost their hearts in my experiments?

Ordinarily the subject’s heart would collapse and they’d become a Heartless. But Lea believed in Isa so he was the only subject whose heart didn’t. It’s “action, reaction” at work. Lea’s heart had an effect on Isa’s heart, and vice versa. Isa was an anomaly and then became a highly valued specimen by Xehanort.

Demyx: Hey, even us Nobodies need our rest, right? Exhaustion kills!

Saïx: I’m sending you with Demyx today. Try to inspire in him a little of your work ethic.  

Demyx: Heartless duty again today? I keep telling them I’m not cut out for this stuff…

The recurring theme at Olympus Coliseum was that Demyx wasn’t cut out for fighting, and that nobody expected much from him. Day 224 was no different. The mission took place at Olympus Coliseum and Saïx wanted Demyx to go with Roxas to make increase his work ethic. Phil said this was the “big day” where Roxas could finally compete in the Games and Demyx slacked off.

Demyx: Right!? And what a shocker to find out Xigbar was the other finalist! What’s up with that… I can’t imagine he was here on a mission. You never can tell what that guy is thinking…

Roxas: Maybe he just wanted an excuse to fight me… To test me.

Demyx: No way, man! I wouldn’t read into it too deep. Besides, the mission’s over, right? All’s well that ends well, man!

Roxas: I…guess so, but…

The most noteworthy part of the mission was that Xigbar was the finalist; he wanted to test Roxas. I think Xigbar was also tasked with testing Isa after he recovered from the initial incident. 

Roxas: So people work you harder when they have expectations? The Organization expects me to do hard missions all the time. Aren't expectations the same thing as orders?

After he went berserk, they probably thought he had much more fighting potential than they originally thought, and pushed him harder. Isa was left in a bad state afterwards. Not long after, Ansem the Wise discovered what was going on. He took Isa, hid him away, and released the remaining subjects.

Secret Report 3: Experiments of the Heart – Notes on Subject X, Excerpt 1

Subject was found in the central square shortly after dawn. Female, approximately fifteen years old. After seven days’ observation, she spoke her first words, but could not provide a name. Subject exhibits signs of profound amnesia, and displays concern for which world this is. Her words suggest that she departed her home world with others, though she cannot recall the names of her erstwhile companions. All efforts to explore those memories have met with a rejection response.

After his initial experiments on me, Ansem the Wise ceased his research into the heart, his hand stayed by some fear I cannot fathom. Yet this new subject is like me: devoid of memories. She is the perfect sample upon which to continue my master's work. She, too, could benefit from it; by traversing the heart, we have a direct path into memory. I myself have begun to reclaim my lost past thanks to these very experiments.Who is she? Whence has she come? These are questions no scientist could ignore.

In the manga, Saïx was in a bad mood after learning that Xion and Demyx had been using his computer. He went into his berserk state and tested Demyx when he was slacking. Roxas was upset that he’d use force on a comrade, but Saïx said anyone who obstructed their goal was expendable, even organization members. Roxas didn’t quite understand what he meant, but it seemed like he was speaking from personal experience. This is the only time Saïx’s berserk state gets featured like this in the Days manga, so I tend to think that it was related to his backstory.

“Get up.”

“Just five more minutes…,” Axel mumbled.

“No. Get up—now.” The voice was distinctly annoyed.

Axel relented and opened his eyes. “What are you even doing in here?”

Saïx was standing next to his bed, as irritated as one might have guessed from his voice. Axel hadn’t been so rudely awakened since before turning into a Nobody.

“Xion ran away.”

In the manga, this whole scene with Saïx at Olympus Coliseum was on Day 255 while Axel was looking for Xion. It was immediately prior to Axel arriving on the clock tower and telling Roxas why the sunset was red. Then lying to him about Xion’s disappearance. The novel seemed to be drawing a connection to Axel’s past on Day 255. He mentioned that he hasn’t been rudely awakened like that since becoming a Nobody. And it just so happens that Subject X was discovered shortly after dawn. 

Every time he tried to wake up, all Axel could think was how badly he wanted to go back to sleep—although he was getting enough rest.

He just wished he could have a day to himself and do nothing but sleep. It was probably some remnant of his human memories.

I’m sure that Lea had sleeping issues ever since he was kidnapped and experimented on, but they probably got even worse when Isa went missing. Axel was thinking this after he took Roxas to Castle Oblivion.

Day 276: Behind the Truth

Author: Axel

Xion is gone. Roxas still doesn’t know anything, but Xion found out. That’s why I need to find her. We don’t have hearts, so we accept the facts we’re given as the truth. But something far more important lies behind that truth. Saïx would laugh at people with no hearts calling one another friends, but that doesn’t make it not so. As the Nobody of the hero of the Keyblade and the Replica of that Nobody, these two are special. Unique in every sense of the word. But that doesn’t change the fact that we’re friends. Nothing will. Got it memorized, Xion?

Day 276 was a pretty important day. This is when Axel reluctantly suggests that they go looking for Xion.

Secret Report 4: Experiments of the Heart – Notes on Subject X, Excerpt 2

My pilot studies used a handful of subjects, but none possessed the fortitude to endure them. Ultimately, all suffered mental collapse. I knew it would be a heavy blow to lose a subject as unique as she. Upon discovering the tests I’ve been conducting, my master demanded that I cease my work immediately and destroy what research I have compiled. Worse still, he ordered the release of my remaining subjects. She is gone. Where is Subject X now? Has “wise” Master Ansem hidden her away?

There really are uncanny similarities between Subject X’s story and the story of 358/2 Days. Xion was gone, Subject X was gone. Roxas and Xion are unique, and Subject X was unique. I think Axel also went to look for Subject X. Because Subject X was Isa.