#just wow @ all of this

[littlemut]

[jicklet]

This is the little Ekko/Jinx moment that's been sticking with me:

Because on first watch, I expected this was going to be something negative. Ekko trying to defend why he'd been so hostile to Powder. 'You're not the kind of person who helps... because you destroy things,' or something to that effect.

But no.

oh

What a way to look at Jinx?? Even with everything she's done... He looks at this well-adjusted, 'ideal' Powder, and still thinks she's missing something that his Jinx has. The Powder that he knew was so determined to make something that mattered... it's a Powder who's content to play second-fiddle to the people around her, a Powder that settles that feels off to him.

And that ties into why he can't stay here. Our Ekko isn't the kind of person who settles either.

[prlssprfctn]

Jason Todd arrives to the Gotham after being brought back alive for the first time, and while building up his career as Red Hood, visits Harvey Dent in the Arkham. They talk in a surprising peace, discuss this and this, and Jason even shares some of his insane ass lore, because, honestly, who is going to believe Harvey Dent?

And no one doesn't.

But there is a problem. The next time Bruce Wayne visits Harvey, Harvey randomly drops a bomb on him by saying that he is so, so glad that their Jaylad is back, and he grew up so much, looks so much like Bruce now! He even tries to assure him that, you see, yeah, Jason was dead, but he crawled out of his grave, and then, the Lazarus Pit fixed him!

Bruce thinks Harvey finally had reached the end of his line. Like, low-key, the last stage of insanity.

Harvey: God, he is still so well-mannered. I feel so pleased that he came to visit old me first, though. I always thought I was his favourite over you.

Bruce, laughing awkwardly, while asking the medics to add some new medicine to Harvey: Ahaha, yeah, that sounds like our Jaylad.

Harvey: Super happy for him, seriously. I mean, look at him, getting himself a new career as a Red Hood. That's our son. Feel a little bit bitter that he is into Al Ghuls family now, but that's fine.

Bruce, frowning, because Harvey isn't supposed to know about Al Ghuls and their connection to Lazarus Pit or about Red Hood: Uh, had J-Jason said something else to you?

Harvey: Oh, damn, we spoke for the whole night. He was pissed at you, though. Like, for the Tim guy, whoever he is.

Bruce, turning to the doctors: ...Maybe, uh, give me the same pills you gave him. I feel like I need it, too.

[poorly-drawn-mdzs]

Happy one year anniversary to In Stars and Time!

[lotus-pear]

charm stat at debonair ‼️‼️

[chloesimaginationthings]

In every FNAF universe William Afton can't count

[fanaticalthings]

POV: You're on Gothamtwt

just gothamite things

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[parisoonic]

Demo has had many careers - tattoo artist isn't one of them.

[atissi]

kras mazov lookin ass

[curapicas]

This whole scene is so mind-blowing that I missed the obvious shape of Laios' speech bubbles here. At first I thought it was a cheerful roundness laughing at the absurdity of what he's saying, but looking closer; it's wobbly. It's fake cheeriness, passive aggressive even. He just heard he was lied to for reasons he doesn't understand, and now this man is trying to sell an even more outrageous, sweeter lie?? Laios is SO hurt, and while he wasn't understanding what Kabru was saying, he was trying to be patient. Now he's not even trying to hide it.

So it's on Kabru to double down and convince he means it, which he does by /punching/ him and screaming "actually I DO want to be your friend, dumbass!!! I've been looking from afar and think you're interesting, you idiot!!! There’s things I find weird about you but that just made me invested enough to even eat harpy eggs!!!!!" and I just have to cry. I HAVE to

[possamble]

Needlessly close reading and long commentary on chapter 57 and how the audience actually has an extremely limited view on what Marcille has been like over the course of her life.

I am once again thinking about how pre-dungeon Marcille is so quiet and stoic that she seems like a completely different person. How jarring chapter 57 is for the audience. Like you have Marcille, who has been just the most blindingly expressive person with resting baby face

And then the chapter drops a title page of Marcille hearing from Falin for the first time in four years and it's like.

Who is that. Genuinely. Would you even realize that's Marcille without the context clues?

And then the chapter just keeps coming in with the sucker punches.

We have SEEN Marcille meet strangers. It was never with this understated of a smile.

literally who the hell is this. the few times the audience gets to see some Signature Marcille Faces that they're used to is when she finally gets to see Falin again

when she's testing out her new spells

(and when Laios and Falin are fantasizing about her being their damsel in distress, funnily enough)

And then finally. Finally you get to a fully recognizable Marcille when she fucking DIES and comes back to life to geek out about necromancy.

We know she loves magic. We know she loves Falin. So it's not so surprising that she wouldn't be able to keep a mask up when thinking or talking about the things she loves. But why the mask in the first place? Where does it come from? It's tempting to think that, maybe, Falin's departure just hurt her so much that it turned her into a quiet person.

But that's only half true. If you go back, the first instance you see of this incredibly mild personality is actually introduced much earlier, in chapter 17.

What if she was always like that. What if her default after her father died was to hold people at arm's length, to never really emote past being polite and friendly. What if Falin was the first person who was able to bring her out of her shell, and when she left, Marcille just went back to how she was.

And when comparing her detached demeanour with someone else...

It's not exact, but wouldn't you say there's a resemblance? Wouldn't you think she might be trying her best to imitate what she saw of her own mother working as an accomplished mage?

It would certainly explain why she's hiding behind her portrait in her nightmare, at least.

We aren't told that Marcille has been distancing herself from everyone around her using a mature and dignified personality she modelled off her mother. But we sure as hell are shown it, I think.

[kathaynesart]

REPLICA PLAYLIST

MUSIC UNDER CUT

I have been receiving requests for any songs that inspired Replica, so here, have my personal playlist. Sorry it’s not Spotify/Soundcloud but they don’t have some of these songs available so uh… guess you’re stuck with YouTube vids. For fun I'll include my personal titles for them (which might give a few hints of what to expect in the future/end).

Replica Main Theme - “Die for You” by Grabbitz Like Father Like Son Like Brother (Omega and Shelldon) - "As Above So Below" by Alistair Lindsay Mikey's Theme / The 1st Vision - "Suzume no Tojimari" by Nanoka Hara Military (Mad) Dogs / Central Park Colony - "Imperium" by Madeon Shanghai - "Icarus" by Madeon Boom Goes the Donnie-mite (Mikey/Donnie vs the Sweeper) - "The Red Zone" by Mitsuoto Suzuki The Day the Sky Bled Red - "7 Seconds Till the End" by Nobuo Uematsu Going Out Like a Boss (Raph and Leo) - "Agape" by Nicholas Britell Remembering the Right Way (Mikey and Leo) - "The Souls of Many" - by Alistair Lindsay Mystic Hands / The 2nd Vision - "Am I Dreaming" by Metro Boomin x A$AP Book 2 Trailer - "Sea Dragon" by Covet 7 Years Later - "Iron" by Woodkid Leo's Theme / Attack on the Labor Camp - "Ego Death" by Polyphia Omega's Theme - "Touch" by Daft Punk Flat Lines (Omega Alone) - "Die Toteninsel Emptiness" by 1000 Eyes Spear - "Monsters" by Tommee Profitt Final Protocol - "The Kraken" by Katie Dey Rise / Epilogue - "Close in the Distance" by Masayoshi Soken & Tom Mills

I will admit, it's a little embarrassing since you can easily see the patterns of what I've been listening to for the past year or two. I swear I listen to more than just videogame OSTs, these songs just jive well with the story and I often find lyrics distracting when brainstorming scenes. Regardless, the music I listen to is such an important part of my creative process and some of these songs really defined the scenes I now have locked in my head. So I figured it was only fair to give them the credit they're due.

I will continue to add to this playlist, and will note in comic updates when one of these songs is applicable!

[tippenfunkaport]

You know, it would be amazing if Hollywood learned the right lesson from the success of Nimona. Something like "Hey, maybe don't throw out a nearly done movie as a tax write off" or "people want queer stories" or even "don't be afraid to take some storytelling risks and be original" but you just know they're going to come away with some absolutely batshit takeaway like, "next time delete all the evidence and burn it to the ground so the gays can't make us look bad!"

[separatist-apologist]

Genuinely, and I mean this kindly, but learning to recognize bait and not engaging with it will change your fandom experience.

[rendevok]

Moon dance 🌕✨

[seventh-district]

Making Incorrect H:SR Quotes Until I Run Out of (hopefully) Original Ideas - Pt. 2

[Pt. 1] [Pt. 3] [Pt. 4] [Pt. 5] [Pt. 6]