#just we could talk about those things

[hundredacressys]

mmm the urge to make a side blog just for me and the other isat introjects grows the more we see others pop up….

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[fluentisonus]

working in a factory has you thinking so much about the insane chain of labor & transport that goes into making literally anything

[the---hermit]

Shout out specifically to the kind girls who i have met before exams in my academic life so far. Complete strangers i have met once for a couple of hours who have made the wait for the exam lighter. Talking to me like we had known each other for years. This includes, but is not limited to, the girl who saw me nervously waiting before my medieval history exam om my first year, and decided she was going to adopt me in her small friend's group for the morning to review things together and who kindly stood up for me when the professor ignored me while i was trying to get his attention to ask for something before the exam. The girl who randomly complained to me about a broken door in the bathrooms and who then saw me in line waiting to get in the exam room and chatted with me for over an hour while the professor was late, because being annoyed at things being broken/not working as they should is the best bonding excuse on the planet. The girl who i asked directions to yesterday and ended up waiting for my same exam who acted with me, a random stranger, like an old friend. I am collecting these people like pressed flowers. I have no idea of half of their names but i will forever be grateful to then for being there and being kind. As an extremly anxious person who becomes a nervous wreck before exams and who has terrible social skills people like this are such a gift and I wish them all the best.

[vaguely-concerned]

every so often, varric will write a black fox story. not anything fancy or for publication or anything, just for fun and because he knows hawke has a soft spot for them. ("an intrepid hero getting into and out of all kinds of trouble and the merry band of misfits following inseparably in his wake? can't imagine why".) some of them are experimental, some of them are straightforward retellings; they're generally pretty short and quick to do, so he allows himself to play around with form and genre and language more than he does in his professional work. stretching over the span of almost twenty years as they do, they contain some of his favourite pieces of his own writing, and some of the most '...was I huffing lyrium fumes or drunk or both for this one, hawke? what the actual hell is this' pieces. hawke keeps every single one of them. varric speculates that this is either because they're just that sentimental, or possibly that it's for future blackmailing purposes. he usually has one ready for their birthday. they have so much blackmail material on him anyway by this point, he figures, what's one more piece of ammunition going to do one way or the other.

varric finishes one of these black fox tales a couple of nights before he brings rook with him to minrathous — the last one. it's about the very last black fox story, the one where the black fox and his friends all disappear together into the depths of arlathan forest, where those in the know say you can find them to this very day, if you know where to look, or if you ever find yourself in trouble and in need of a helping hand. they'll turn up to aid a traveller in need, and disappear back between the shaded trees again once the day is saved, squabbling all the way, seeking treasures and unlikely quests yet unfound and unimagined.

they say on some days, you can hear them as laughter and friendly bickering on the wind from a couple of clearings over. it's not the end, it's just other adventures, some other place. that's the thing about stories. they're funny that way.

(once he wrote a book for his mother on her deathbed and read it to her through the comfortless and drawn-out hours of the troubled nights, and he burned the book the day she died and never spoke of it again.)

after he finishes the manuscript, he sits with it for a long time in the quiet and the candlelight before he wraps it up properly and sends it off back home to kirkwall. he attaches a note -- a story, to the best of all my stories, the one I'd tell forever if I could. take care of each other while I'm gone. first one to arrive saves seats at the bar, right? happy birthday, and send all my lack of love to the merchant's guild, as always. —Varric

he sends that to hawke. just in case. and then he gets up and he goes to find rook — it's time to get going.

[what-aboutno]

An analysis on c!Owen and his behaviour throughout the Outsiders SMP series!

Some disclaimers before I go into this. There will be spoilers up ahead! I would like to warn anyone reading that this post will mention some blacklisted members from the smp because their characters play a role in showing us about cOwen.

For convenience, all the members mentioned are the characters, not the actual ccs themself. Some of this might seem all over the place, but when the characters learn random parts of themselves at different points it's bound to happen.

Owen has changed a lot as the series has progressed and many find his personality to have changed entirely towards the end, however, this isn’t really the case. When we go over his character, we can see his core values have stuck with him throughout the series, so in this post, I will go over how exactly he has changed over time and his character in general.

To make it easier, I’m gonna split it into 3 parts. Early maze days, the introduction of clearing 2, and post memories.

During the early maze days Owen establishes his character very early on. Right from the beginning, Owen arrives with the demon Rasbi. They are notably one of the three pairs that come up, with most coming up the elevator alone. The first time we see him, Owen immediately takes up a role as a protector, asking if Rasbi knows how to fight in case there is danger up ahead.

In this first section, we can also see that he acts a lot more childish and naive. He’s very emotional and easily upset by his past. He can be seen jumping on rocks with Mohwee and the others and crying on his first night over his loss of memories. The overwhelmingness of the clearing gets to him. This isn’t to say he is some weak, stupid or soft character though. 

Owen may be naive in believing things should be played in certain ways according to his rules but there are many instances where we can see he’s not stupid. First episode he can immediately recognise what knife Oeca is holding “Hey that’s a throwing knife right? No that’s a dagger” 

After getting more settled in the maze he asks about the maze’s agriculture, he mentions everyone is unarmed despite fearing the dangers in the maze. He starts asking about protection, armour, shields and notably, “So this place is safe on the inside? It's safe to walk at night?” He’s already worried for everyone’s safety here, he knows the maze is dangerous so is there anywhere that’s safe? 

Very early on his past also becomes a very important aspect of his personality. He is probably one of the first to remember anything significant about his past. By episode 2 he is getting flashbacks about how to make a bow. But he makes a javelin first, noting “I think I was a hunter. No, I was an archer. I was a hunter. I was a soldier? I was good at this.” He then proceeds to aim the javelin at Oeca’s name, because at this point he can’t fully trust Ocea. He is very quick to violence, although he doesn't want Oeca dead, he certainly can’t trust in him. 

Another important note is that Mohwee is one of the people in the clearing he respected and saw as someone with the ability to act. Which is why we get this interaction where Mohwee calls out “Owen.” and Owen replies with “yes sir”. His past even without his memories is important and ingrained enough he still acts like this, and this only continues as we go through this section.

The first time they go in the maze as a group is when Apo arrives. This is a very important moment for Owen because their first trip in the maze solidifies his personality throughout this section and maybe even the series. Oeca is shot because Mohwee was careless and brought anyone in. When the group comes back, Owen asks Graecie, “How many entrances are there to this maze?” After finding out this is the only one that opens, he refuses to let anyone get hurt again and starts blocking it off.

Trust and promises are very important to Owen here too because it's one of the key reasons he blocks off the entrance. It’s not just Oeca getting hurt, it’s the fact he promised Graecie he wouldn't go in. “I broke my promise.” He also takes Apo’s word very seriously in the mine when he tells Owen he didn’t pull the lever. Also because of this he only trusts himself to go in the maze.

When the entrance is blocked off Owen is quick to violence and threatens people if they try to get past him. After finding the old battle axe he starts using it to threaten and intimidate people. “Anyone who goes past this (the gate) i will attack”

“Anyone else that will, I will just cut down” are some of the things he says. He punches Mohwee for trying to get past him. When Oeca comes back after Mohwee’s disappearance, Owen follows him with that battle axe trying to talk.

Owen then goes on to say “I’m not looking for violence” and “I'm not collecting weapons this was instinctual (points at bow)” he doesn't want people to think he’s dangerous and he knows people are scared of him.

Even if he seems aggressive he still wants to protect others. Owen goes back in the maze to look for Mohwee after he randomly disappears on their way back. “My job is to protect people and I will do that to the best of my abilities. At every possible stage”

When Mohwee disappears Owen takes a massive risk to stay in the maze overnight to see if the gates would open. “The only thing I remember about my life Graecie, is that I was raised to protect people. That's all I remember. And I know it was dumb and stupid to go in the maze but if it got us a step closer to finding Mohwee. I was willing to make that risk”

So we’ve established that Owen cares about the people in the clearing even if he doesn't trust all of them, he wants to protect them and he will do it no matter what. It's the purpose he has given himself in order to be useful.

He knows it doesn’t work how he wants it to. People are scared and wary of Owen’s protection. There are multiple instances where he tells his voices, “They don’t get it,” because he knows people don’t trust his methods. His method of control is disliked by a lot of people. 

Ori is one of the main characters to go against Owen. Owen hates this because not only does it risk the safety of others but it goes against his main purpose he gave himself. He takes this job very seriously. So when Ori goes in the maze it’s no wonder Owen becomes very violent.

“Ori I'm seriously sorry I will break your legs and I'm very close to it. Are you gonna make me. “

He doesn’t see himself to be super aggressive though “People think I'm being really aggressive when I talk like ‘oh hey if you come near me I'm gonna break your legs’ but I'm saying it in the most friendly way I can, you understand that right? I'm not trying to be aggressive with that”

“I'm saying like if you do step in here I will have to break your legs. In like a very gentle and I'm very sorry I hate to inconvenience you but I do have to break your legs.”

When Ori sneaks into the maze, Owen talks a lot about his purpose. Things like “Don't, I'll fail them. They'll kill me. My entire purpose here is to stay by this door and stop you from coming in.”

Owen hates to know he is failing the purpose he has given to himself “When I discovered I was a soldier that's what I set myself to (protecting others) but what do I have to show for myself? I have tried my hardest to protect these people. And get they look at me and tell me I'm a tyrant” “you're not in control, who are you to say what happens?”

He would do anything, even if it meant sacrificing himself. As shown before when Mohwee disappears but also as he protects the gate after the second lever gets pulled he says “I'm going to protect them if I die in the process so be it”  

Another note before this section ends is that it’s not just Ori who opposes Owen. Sillvia also talks about Owen’s method of leadership.

Sillvia about Owen: Owen I think you would be great. If not for the fact that you have a militaristic mindset. I don't want to see your leadership spiral into a place where Apo wants. Owen I fear you and I want you to know that. I actually fear you and I don't say that about many people. And ruling should not be through fear. You are a terrifying individual and to see you be in a position of power would be a slope we cannot afford or gamble slipping down. We've seen you tussle with Ori. I know you're a strong individual. You could lead us quite well but it's the risk that comes with your leadership that I am not willing to risk. 

The perception Owen has of himself differs from how he comes off. It becomes more of an issue later but we can already see this happen. 

So as clearing 2 is introduced this is what we know about Owen. He was a soldier once, he wanted to protect people in the clearing even if it meant sacrificing himself. He’s nice to others but his methods are still aggressive and violent, ready to hold a weapon to someone if needed and Owen cares a lot about trust. 

With the introduction of clearing 2 we can see how Owen changes and develops. He’s very cautious of clearing 2 members because for all he knows they could have led the creature that destroyed half their clearing in on purpose. 

Owen also faces betrayal from Apo. We know trust is something Owen values a lot. It’s mentioned in the early days, and it’s a major part of why he feels so strongly about Apo lying. During the scene where Owen faces Apo after finding he pulled the lever that killed the second clearing, his main issue with Apo isn’t the fact that he killed people. It was the fact he lied to him.

“You lied to me. Why did you do it? No no no I don't care about the lever. Apo why did you lie to me? You're my friend I trusted you. I stayed there. I held your back when oeca said it was you. I put my name on the line. Because we stood together in the mine and I asked you to swear to my face that you didn't do it. And you lied to me. Im meant to be your friend and you lied.” 

You can also see what Owen values in a person when they discuss Apo’s punishment and Owen says there's 3 main things he did

- went into maze without group consent

- pulled the lever

- he lied

Owen only adds on at the end that he left Squidney.

With all of this too we see Owen for the first time back away from the job he gave himself. He backs away from leadership, we start to see how tired Owen is from the stress of it all. His reasoning has to do with his trust being broken.

“What's the point they're all liars. This entire place is filled with filthy liars. Every single person. All I've ever done is tried to protect them”

“Forget it. I'm done. I'm don't helping people. No I'm not villain, I'm not a hero I'm nothing.

From now on there is no leader of the maze. They put me in charge. My word means nothing to them I'm done.”

“How am I meant to protect them when I try and stop them with physical force im made out to be some kind of monster. When I try to reason with them I'm made out to be soft.”  

Owen being viewed as soft has always been something he’s aware of. People tend to think because he’s kind that they can do whatever they want (sneak into the maze etc) and this perception Owen is a soft person develops. Even if he’s emotional and kind we’ve seen before in early maze days he is not soft. 

Owen tries to ignore all his problems but with it he grows more aggressive than before. His tone changes when he speaks about other people to his voices.

“To visit him would be to acknowledge he exists. And right now the last thing I want to do is consider the fact that this thing lives and breathes and eats and sleeps under my feet. The sooner he wastes away and fades into nothingness the better. I don't see a life going forward with him in it” - Owen about Apo

“The more I look around these stupid 4 walls the more I'm reminded that he that. That I trusted him.”

"he's everywhere. It's like a disease. Like it festers. The outside looks fine and you look just below the surface and it's rotting vile and it's him”

Apo: Just give me a chance.

Owen: why should I? So you can have another tick to the long list of times Owen has naively believed there is some good in the people that infests this clearing? Oeca, mohwee, Bekyamon, Magic, Graecie, Ori, you, liars. All of you.

I’m not just putting quotes here just for you to see oh trust is important! But more so for you to see that Owen changes when his trust has been broken or when he sees someone as a threat. Some of these things sound very similar to what Owen would say when he gets his memories back. Because to Owen trust and protection are 2 very important values. When that is broken he can’t be certain someone isn’t a threat. 

With this change Owen does become more aware he isn’t the most approachable person due to his methods. I do want to bring up this quote first though 

"Can I kill someone? Ive been thinking about this recently I say I'm a soldier. But I've never actually killed anyone. All my life in these 4 walls I've spoken about security and fighting and I can't remember a time I've actually taken someone's life. What if I have to. What if it comes to that I don't think I could stomach it either. I doesn't feel like me. It's not me it's not who I am. No I can't. I'll only attack this person if they do something first. And even then I'll just aim to incapacitate" - Owen about Ash

This is an interesting quote from Owen knowing his later actions but it’s not that out of character. If we look at every flashback he’s had so far we can see the life of a soldier is not one he’s always wanted.

Owen to his dad: What if I'm not ready to be your protector? No It's what you've always wanted! What if I wanted to do something else? What if I don't want to be a soldier what about me when do I get to look out for myself.

However he is always ready to attack if he needs to, if it comes to it he would do anything to protect someone. I think that means to kill even if Owen doesn’t think so at this point. 

His notebook btw

Another note about his behavior is that because of how others view him he almost dies from the creature’s venom. Ayngel even said before Owen is more angry. Other people even though it sounds jokingly say Owen gets grumpy when people disrupt him, leading to no one but Soup to check up on him when he gets stung.

When Bek comes back he doesn’t hesitate to do the things he did before. He does what he thinks is right and protects Magic by aiming a javelin at Bek. He says he’s not violent but anytime he feels like he’s in danger he pulls out a weapon. He did it when he was in Soup’s basement, he does it anytime he hears about someone potetially harming Rasbi, and he did it when he heard Oeca attacked Graecie. 

Owen in general is a fighter at heart. Even if he says he doesn’t want to kill anyone he is still ready to attack. 

Owen: this isn't you Ori. You fight. That's what you do.

Ori: what are you talking about?

Owen: you fight people. When you don't get your way you fight. You and I are the same

At the end of this section, the group decides not to go back in the maze. They had lost Squidney, Oeca, Mohwee, with the presumption that Red, Apo and Graecie were either dead or dying. Owen is tired of it all “Every Time I've tried to protect someone they've ended dead Kyle” he tries to hope but he is so tired. This tiredness also explains some things that happen when he gets his memory back. 

So to summarise before looking at Owen when he gets his memories back, this is what we know about Owen. He wants to protect his friends, he believes in trust a lot, he is both seen as more aggressive and angry these days and soft at the same time, he wants to be a good leader but other people don’t listen. Not much has changed since the early maze days, but it’s a more solid character now. 

When the reunion comes around Owen in the story has finally had a moment to think about everything that happened between him and Apo. His main regret in the series was how he treated him even if he broke his trust. 

Owen loves to contradict himself a lot but it’s a very human trait he has. He has complex feelings about Apo, and Beks and a lot of people. Yet he’ll still offer his protection to them. It’s because of this the ‘sudden’ shift in personality he has becomes very shocking to the audience. 

Since right before he sees Apo, Owen is very emotional here. Very similar to how he was in the early maze days. It’s out of his character to hope for something like seeing Apo because he knows it’s very unlikely he’ll see him again. However he gives himself this hope, one more chance. 

When Owen regains his memories the tone shift is obvious. He acts less emotional, he seems more mature. But we do need to consider this is someone who just had a lifetime of memories shoved back in his head and his core values are so strong that Owen doesn’t hesitate to act the way he used to. 

There’s lots of similarities to Owen here to the one we’ve known. Like his purpose. He sets one for himself immediately after arriving in the clearing. Even as he talks to Apo about his past he talks about his purpose

“I had a purpose once. I was useful, vital, adored. And suddenly everything changed. The world grew tired of blood shed. When all you're good for is violence, when you've been breed into a killing machine, a nation of peace will toss you aside like a spent torch”

There’s an obvious difference here right? The man we’ve watched in the maze who wanted to protect his friends just killed his best friend. This is definitely a different person right? Yes and no. Owen hasn’t changed that much, and I'll explain why after we go through some more things. But it’s important to note that this isn’t a completely new person, this isn’t something that is unexpected when we go through the information we already have about Owen. 

“I know what you are, you are everything wrong in the world has to offer. You are the amalgamation of all the gluttony and lust of humans with the evil and cunning of demons. You stand as a testament to everything vile. You are a disease on the face of this earth and I am it's curse” 

Apo: this isn't you you've changed 

Owen: incorrect, this is me. The man you manipulated and lied was nothing more than a puppet driven by the instinct to survive. 

Owen wants protection for his friends. He goes to extreme lengths to keep people safe, so when he remembers demons as this evil creature that will hurt people for their own gain he wasn’t going to stand around and do nothing right? 

Surprising or not this is very in character for Owen if we look at everything else we have from the series. To him, he is still doing his job, the one he’s done since day 1 in the clearing. Just now the threat isn’t just the maze and the occasional person, it’s demons. 

The way Owen became a demon hunter is essential too. He used to live in comfort, and based on past flashbacks he was training to be a soldier even if he didn’t fully enjoy it. His mother was a poet and his father was a general. He had grown up hearing all about how terrible demons are, and he didn’t understand until his village had been burned down.

One negative interaction with demons had put this deep hatred in his heart for them. Before his memories returned he was ready to forgive Apo, he knew he wasn’t as dangerous as he made him out to be. But when the sudden influx of memory comes, he has this past knowledge that Apo is a threat. 

Since Apo had hurt Owen before this only adds to it. Remember Owen really values trust. Apo has broken that trust in the past, so everything combined and letting go of the final restriction it’s no wonder he kills Apo. 

Despite this ‘massive personality change’ Owen has, when he returns to the clearing he still makes sure Magic is safe. He doesn't tell people about the lava rising so he wouldn’t cause panic. He still cares about these people. 

But Owen starts to view all the demons as a threat, every demon in the clearing has done something to suggest they could be dangerous. The reason Owen kills Guts is because they poisoned the food at the feast, which led to Magic being poisoned. He carries out this duty for protection

I think another thing people tend to forget about Owen is that he's been slowly breaking apart trying to fit what others want from him as seen in the last section. And it took a major toll on him. His outburst at Magic is one of the ways shown to us how much stress he’s been under. Perhaps even guilt he’s been feeling.

Magic: if you don't you're just putting everyone danger by not leading us… in there…

Owen: danger? You want to talk about putting others in danger? All of this coming from who exactly? The woman who's clearing burnt down under her leadership? The woman who lied about that previous position of leadership as she lacked the spine to correct her friend when she lied? The woman who was tied up and left for dead by that same friend? The woman who swore to protect a stranger only to them shot down in front of her? What the woman who stood still as her friend was ripped apart beside her? Oh yeah the magnitude of your failures Magic is deafening. Do you hear it? When you fall asleep at night, do you hear the screams of the dead who's blood stain your hands? How do you cope? When you find out be a good friend and let me know would you? Been looking for a way to shut them up. 

Owen does try to justify his actions to his voices even if they don’t listen. He knows people here aren’t good. He’s known this since clearing 2 was introduced, but with his memories back he feels like he has to carry on this duty by killing the threat. That’s the only way to keep people in the clearing safe right?

Owen to voices: have you stopped to think why I'm doing this? You seem so attached to these creatures, why? What good have they done? These people aren't good people. None of us good people. We're all in here for a reason. Just because you haven't taken your rose tinted glasses off to see that doesn't mean the rest of us haven't. 

Like before he won’t let anything stop him, even if it means hurting a few people. He doesn't hesitate to pull out a weapon when he hears Ayngel might know him. He can’t risk anything ruining his plans because he can’t afford to. He’s so tired. I think at this point anyone that was a major threat to him he would kill. 

Ayngel: I feel like I recognise you. You and your face from somewhere 

Owen: oh? (Starts to pull out knife from his bag)

Ayngel: I've been having this thought and it's got me thinking (Owen pulls out a knife in case)

Ayngel: actually, honestly forget it. It's all a dream and I'm overthinking

The only exception to his thinking is Rasbi. Rasbi actually hasn’t done anything wrong to him personally. She’s one of the few people that didn’t break his trust but he still kills her. Why? 

First off he doesn’t see her as the friend he wanted to protect but instead as something he protected only to kill in the end to fulfil his duty. Her sister is the reason why he ended up in the maze, so even without Rasbi directly harming Owen in any way it’s enough for Owen to kill her. I’m sure any small mistake or detail would have led Owen to killing any demon, because it only proves his thinking. 

Owen barely survives after Rasbi attacks him. So as Owen starts planning how to kill Krow he starts going a bit insane. His room is a mess, his mind is a mess and he can barely stand it anymore. We really start to see him fall apart here

Owen: this yolk is a burden is a burden I can't carry for much longer. I'm tired. I want to rest. But I took a pact, I made a promise. A glorious death is his for who his country falls and either I or they thing will have to die before I stop. 

Something that’s brought up when discussing the idea of ‘Maze Owen’ is the fact that we can see ‘glimpses’ of him in different interactions. For example when Owen and Krow go out into the maze and Owen spots Puddy he makes sure Puddy doesn’t die by keeping him away. Even if he’s aggressive in the scene the fandom interpretation is the care he has for Puddy as ‘Maze Owen’ slipped through. But It’s not out of character for him to still show care for people after his memories are returned based on everything we’ve seen.

Before ‘killing’ off Krow, Owen does say this “There's no escaping who you are” Which is really interesting since most characters he’s interacted with will tell him in the maze you can escape who you used to be. Owen knows for a fact no matter what he does in life now he will never have anything outside the maze. Because the world doesn’t need him anymore. He kills the demons as his final act of service to the world because he has nothing else to offer. 

When Krow finally comes back and Owen gets hit in the head he says to the rest of the group “I was protecting you all.” and “You don't know what they're like! You haven't seen the outside world.”

Looking at his final moments we see that everyone that Owen has cared about doesn’t trust him anymore. They don’t believe his protection was needed. He’s told that he will not get out of this cell. He’s left alone in the silence of the cell. Finally with the time to think. He starts experiencing multiple flashbacks and it makes it hard for him to think. 

We’ve seen in the past how Owen deals with multiple flashbacks. It gives him a headache or causes him pain in some cases. He also becomes really emotional afterwards. This follows the same case. Except he starts to realize some things.

Krow: I know those eyes. That glint of desperation for approval but knowing it's never coming. We're more similar than you let yourself believe you and I

(Flash back ‘i was an archer.?’ ‘i was a hunter?’ I was a soldier)

“I was a tool. Used.”

He knows he’s going to die soon and he starts to panic. The most important line he says is 

“So what now? This is it!? I deserve to die in battle. I killed them. It was what I. Its just what I was meant to do. I was trained. Should i have? I should have. I should have. I can't think inside my head, it's split in two” 

“So what voices? What was I before then huh? Was that me? Is that who people trust? People trust that one. Old Owen. Yes? It wasn't me. That wasn't me” flashback about Apo first coming up

“I can't think. I can't. They trusted him. They trusted him but not me? My head…”

After this he pleads with Magic to let him out. Owen claims “I hurt them, I hurt my friends. Rasbi, Guts. And Apo, Krow I don't know why I did those things” He pleads and cries. And he's desperate

Owen: “No magic it's me please.” 

Magic: “You kill people owen”

Owen: “It wasn't me I'm sorry. I just wanted to keep people safe.” 

Owen: “Magic please don't go… no… magic. You can't do this.”

Magic: “I can and I am” 

I think when we look at these final clips there’s a very important thing happening. Owen is separating himself from the past. He can’t understand why his friends don’t trust him. Even though nothing has changed. To him his eyes have been opened to the dangers of demons and he fulfilled his purpose. 

Why does this separation even happen? This is where we move to the final part of this long analysis and look at theories. There’s no way I can say for sure this is right or this is wrong. I can only tell you what I think based on the material already there. 

So before I go into this I have to emphasize I am not saying you can't refer to earlier Owen as maze Owen to explain Owen at different periods of his life. I'm saying when we really look at it, maze Owen doesn't exist since they're the same person. 

So what am I talking about? The concept of ‘maze’ Owen has been around for a long time. Even ccOwen talks about his character like that. The idea that just because Owen didn’t have his memories that he was some sweet, soft guy that needs to be babied is something that affects a lot on how you view him as a character. 

'maze' Owen doesn't actually exist because it's a way that Owen has come up with to justify to himself how he could have cared for demons without shattering his ideals. This is confused with Owen have distinct personalities and missing how he hasn't strayed from his ideals since the start with his idea of protecting everyone.

To separate that period of Owen's life in the maze ignores the fact that the characteristics you see in Owen post reunion are the same from before but taken to the extreme.

He's always been capable of ‘evil’'. It's the same as every other character in the series. We don't separate them like we do with Owen. Every character in the series is inherently morally gray, they do things out of desperation to survive. You can never say someone is 100% good or bad. 

Owen’s same mindset of 'I need to protect the people I care about because they're in danger now' carries through. After the reunion in his head demons are no longer part of that group he wants to protect. 

The separation of 'maze' and post reunion Owen forgets even in the post memory phase he had the ability to love like 'maze' Owen had. He released Puddy, he started a small farm, he started to relax. It's all part of him.

In his final moments he says a few important things to note. The first being "I was a tool. I was trained. Should I have... I should have." And then right after "I can't think in my head it's split in two"

It seems some take this as 'maze' Owen coming back and fighting with Owen on should he have killed Apo and the others. However rather than 'maze' Owen coming back i think it's this internal conflict he has with himself and his ideals.

Before he says this he's getting flashbacks to the early maze days where he showed kindness to demons. Something he would never let himself do in the past outside the maze. And something he would never do after he remembers it all.

Then he says to the voices "Is that who people trust? Old Owen" while those memories are playing. The voices respond saying they miss that Owen and he replies "Yes? That wasn't me" this is possibly where it further adds to the whole 'maze' Owen is a different person thing.

Rather than facing the fact that his thinking doesn’t make sense anymore he separates himself from those memories. As soon as Owen accepts that demons are not these creatures that betray and kill you at any moment, his life has no purpose.

Owen’s thinking comes from the manipulation and propaganda he's been fed. In his final episode we get these quotes which show just how much his thinking revolves around protection and also showing what years of training did to him.

He understands he was a tool that was used. He's well aware everything he is doing may not have a purpose and yet he still plays this part. He can't break away from that thinking because if he lets himself, Owen has to face the fact that his whole life had no true meaning.

That is a terrifying thing to do. He has been in this environment for so long you can’t just take him out of it. 

Going over everything you can access in Owen’s pov, we know that before gaining his memories Owen is a person that cares deeply about his friends, he risks himself to protect them, he won’t hesitate to hold a weapon against someone he sees as a threat. Owen thinks trust is an important value to have, he takes it very seriously. But we also know that not everyone likes Owen and his leadership. He’s seen with a military mindset, people don’t want to upset him and it nearly costs his life.

Now let’s compare that with the Owen we get to know after his memories return. He wants to protect the people he deeply cares about, he risks himself to protect them, he doesn’t hesitate to hold a weapon against someone that he sees as a threat, only now the threat is demons. When we start looking at these differences, yes, Owen when he regains his memories is different, his tone changes, he murders people. But those core values we’ve seen throughout the series stay with him.

It’s one of the reasons why Owen can’t understand why no one in the clearing is on his side. He protected them against the threat they didn't know about. That is his purpose, and that’s what he’s good for. Remember right at the beginning of the series Owen sets his purpose to protect these people, now this is still the same. He views demons as a threat because he hasn’t had good experiences with them. Even if Apo became his friend in the clearing, Apo ends up lying to Owen, and betraying his trust. Guts became his friend but Guts tried to poison Magic. Owen has never fully trusted Krow and that distrust only furthers once he knows what Krow is capable of based on his experiences with demons.

So let’s go back to the previous question: who was it there? You’re probably thinking well how do you explain maze Owen and the chips. ccOwen has mentioned before that it's a possibility for the chips to alter memories. Maybe Starr suppressed those memories and maze Owen was there again. Or he was hit hard on the head right? Maybe his chip was damaged and it altered his emotions and memory.

There is too little known information to us as an audience about the chips in their head. We know they can supposedly make the outsiders lose track of time, alter their memories, their emotions and change how they act. But if the chips in their head is the explanation for everything then why does Owen remember killing his friends when he talks to Magic? He says it like he wasn't the one doing it, like he watched someone else do it. How do you explain his behaviour then? If the damaged chip really made him act like that then why do flashbacks still occur when he's in prison? He seems to have no control over those, so the chip must still work fine?

I think when we look at his character the maze has already changed him whether he likes it or not. There’s more doubt in him than before. He lets Apo go with extra time. He hesitated before he ran after him. No matter how small, he has changed.

But when Owen talks about himself in the past he makes this separation. The voices in his head won't stop calling for the guy they used to know, even though he's right here. I think Owen doesn't even want to acknowledge at one point he was friends with the demons he hated so much. 

In that prison cell all his ideals and values are facing him. Everything he's done and he's known has been a lie. I think he knows this but can't bring himself to acknowledge that. Would you admit what you thought for your entire life was wrong? That you killed countless for nothing?

When faced with death Owen becomes desperate. Which I think explains his behaviour with Magic. That is his last hope and he knows people like the older version of him. I don't think he's fully lying though when he says i don't know why I did those things. Not because maze Owen came back or anything but because in the maze he no longer has this duty but he still carries it out. He's so tired from it all and he wants to leave it behind but he can't.

So let's go over his death scene one more time. “My head it's split in two” I think the explanation for this is that he was just hit with a bunch of flashbacks of his first days. Right before this he also says ‘I was a tool. Used’ I believe in his final moments where he has a moment to think he starts to fight himself. Should he have done all this for a country that throws him away the second he's useless? He was trained to do this. But should he have really? That's what I think is making him say my head it's split in two. He's fighting his own views and alongside these positive memories it makes him confused. And overwhelmed.

It's important to note Owen doesn't have a single bad flashback about Apo and Rasbi. He doesn't think about the levers, he thinks about his friends that he met. That he protected.

The more flashbacks he gets the more defensive he becomes. “I'm right here you can't convince me otherwise” He doesn't understand why the Owen in his memories is trusted so much, even though they're the same person. In his mind he's doing what he's always done. protect.

“It wasn't me I'm sorry I just wanted to keep people safe” everything he says to Magic is half genuine and half lie. I don't think even Owen knows which parts are which. It's easier if he separates himself into the nice trusted Owen and who he is now.

No matter what in the end, that was Owen. Not Maze Owen but Owen who is desperate to live. He's tired of it all. He's finished his mission and he won't even get to see what he thinks will be an honorable ending for him.

Remember what Owen says to Apo? "The man you manipulated and lied was nothing more than a puppet driven by the instinct to survive."

So of course he'll do anything to survive even if it means playing up the truth.

It's hard to separate Owen into these neat boxes and say for sure that was Maze Owen at the end or that was full manipulation. Because like Owen everything is a bit grey here. Maze Owen wasn't the best person, he hurt his friends, people were scared of him. And post memories Owen isn't some misunderstood guy that needs babying either. 

My final thoughts on this debate is that in the end the one that pleads for his life is just Owen. To separate him and say it was Maze Owen doesn't allow you to understand how complex Owen is as a character. And continues to let you believe that Owen can't do anything wrong. Not understanding sometimes a good person is capable of this evil. To the end Owen still believed he was doing what was right and that was protecting the ones he cared about. So has anything really changed since the start?

[libraryofgage]

Saw the Barbie movie the other day and Billie Eilish's "What Was I Made For" (click the song title to listen to it lol) hit so fuckin different good lord. Anyway, it's perfect for Steve angst with a dash of platonic Stobin and romantic Steddie fluff so ;)

---

Steve is five when he learns that he was made to keep his parents together. At least, that's why his mother made him.

He learns it one night when his father is staying late at the company (before his mother started accompanying him all the time, leaving an empty house and Steve behind; Steve can confidently say his presence did, in fact, fix their relationship: it gave them something to unite against). His mother is three large glasses of red wine in, draped inelegantly on the couch and slurring her words with a glassy film covering her eyes.

"Steven, you were supposed...supposed to make him stay," she says, her fourth glass of wine dangerously close to spilling across the white rug. "An-and he's still gone! What did we do wrong?"

Despite the use of "we," Steve knows very well (even at the age of five) that his mother means "What did you do wrong?" He doesn't have an answer for her--he never will--and that seems to be just one more thing she holds against him.

Steve is seven when he learns that he was made to keep the family name strong and respected. At least, that's why his father made him.

He learns it when his father brings him to work, his stern expression and tense shoulders telling Steve to behave himself, to be seen and not heard the entire day (he did, and it worked a little too well; after falling asleep on the couch, his father had forgotten him at work, leaving him to spend the night in the locked office). His father is sitting at his desk, expensive pen in hand and phone just hung up after a tense conversation that ended with the most genuine smile Steve has ever seen from him.

"Steven, I hope you've been paying attention today," he says, placing the pen on the desk and fixing him with a suffocating gaze. "You'll be working here one day, and I expect you to make something of yourself when you do. You're to be a model man, someone I can proudly introduce to others."

When his father says proudly, Steve knows he means that he can't do that now because Steve has yet to make something of himself. Steve nods once, says a firm but not too loud, "Yes, sir," and his father goes back to work.

Steve is sixteen when he learns Nancy made him her boyfriend for...for a distraction? Because it's what was expected of her? Because she was curious? At least, that's what Nancy seems to be saying.

Honestly, Steve isn't sure she knows, either. But she definitely knows that he wasn't what she wanted, that he wasn't what she expected, that he couldn't live up to the expectations she had made for him.

Either way, he learned it over the course of their relationship, but it all hit him at the very end, when fights and names (idiot, asshole, and dick, to list a few) compounded into a breakup that left him aching, angry, empty, hurt, and desperate to know what he did wrong.

Maybe then he'd be able to save himself from making the same mistake over and over. Because it must be him, right? It must be something he's doing; if only he could figure out what that is.

Steve is seventeen when he learns that maybe he was made to be a shield. At least, that's how he understands the plan Dustin comes up with wherein he calls Steve their tank.

He learns it when they're huddled together at some point, readying to face demodogs and whatever else the Upside Down has decided to throw at them. Dustin is explaining the plan, his eyes bright as he throws around terms Steve can't recognize. "And Steve is going to be our tank," he says.

"What's a tank?" Steve asks, at least certain they don't mean the military kind of tank.

"Like a meatshield, duh," Mike tells him, the explanation short and quick and then disregarded in favor of the rest of the plan.

Maybe Steve should have felt hurt, but part of him is more excited by the fact that he could do well as a tank, a meatshield. He could, in fact, be made for that role. He's great at taking a punch, great at jumping back to his feet, great at putting himself between the kids and whatever wants to kill them.

The only way he could possibly fail at being a shield is by dying, and he doesn't plan to die just yet.

Steve is eighteen when he wonders if maybe he's made to love. At least, that's a realization he has after befriending Robin, getting tortured together, and learning he doesn't need romance to love someone. It's a realization he throws himself into wholeheartedly one day when he looks at Robin and sees her trying to drink a slushie with a Twizzler.

"I think I love you," he blurts out, unable to hold the words in and feeling bad for it when Robin subsequently chokes on Twizzler and Cherry slush.

She spits out the slushie, tosses her Twizzler into the cup, and spins around to look at Steve. "We've definitely talked about this, dingus," she says, narrowing her eyes in suspicion. "You got amnesia or something?"

Steve rolls his eyes and pushes her. "Not like that. I mean, like, a friend. I love you, Robin. You mean a lot to me, and I hope we're still friends when we're 80 so we can make fun of other people in our nursing home."

Robin breaks out into a grin that she quickly suppresses. "Ugh, affection," she sneers, turning her nose up. It lasts all of three seconds before she glances at Steve from the corner of her eye and adds, "I love you, too, dingus."

Steve is nineteen when he decides that he's made for love, to give and receive and bask in its warmth. At least, that's what he decides when he's with Eddie, sprawled across his bed and listening to the mixtape he made for Steve.

They've been dancing around each other for a while up to that point: obnoxiously obvious flirtations, finding any excuse to brush against each other or share space or lean together, creating reasons to hang out with some as simple as "I'm just bored." Steve has been enjoying it; they both seem to understand what's inevitable, and they're just taking their time getting there.

And right now, listening to Eddie sing along to Metallica, Steve thinks that he wants to stop dancing around each other and dance together, instead. So, he turns onto his side, places a hand on Eddie's arm, waits until Eddie is looking at him with a bright smile and curious eyes, and says, "I was made for loving you."

Instead of the joy Steve was expecting, Eddie just looks confused. "How'd you know that was the next song?" he asks.

"What?"

"On the mix tape. I Was Made for Loving You by KISS. That's the next song," Eddie explains.

Steve blinks and frowns. He sits up, throws a leg over Eddie's hips, and settles on top of him. Eddie doesn't look surprised, since it's not the first time Steve has done this. Usually, it just means Steve wants him to pay close attention. "I didn't know it was the next song, Eds."

It takes a few moments for Eddie to fully understand what he means. And Steve gets a front-row seat to the confusion that morphs into understanding that morphs into amazement. "Oh," Eddie breathes, pushing himself up to rest on his elbows. "Could you say it again? I don't think I heard you the first time, Stevie."

Steve snorts but humors Eddie anyway. "I was made for loving you," he says, softer this time and leaning closer.

"Yeah, much clearer that time." Eddie's grin is wide and blinding before he closes the distance between them. "I was made for loving you, too, sweetheart," he whispers back, his words pressed against Steve's lips and searing into his heart.

[hulloitsdani]

What do u think Kiran is

How do u think the order sees kiran

*slowly sits up in my chair*

I think Kiran is a very normal person. This is someone you and I have met before. Be that from the other side of grocery store cashier, waiting in the same elevator, or walking by on a crosswalk. Kiran is a civilian from our world trying to roll with the punches of being warped somewhere completely alien. And you can see it in how they conduct themselves.

I always have a lot of fun writing Kiran’s dialogue because their casual modern speech almost feels like a dialect in comparison to the more formal fantasy tone everyone else speaks with. An “ain’t” will never exit Alfonse’s mouth, you know? And there’s a difference in “Do you have gold?” vs “You got gold?” To me, this gives Kiran an air of unfamiliarity to anyone they interact with. Let’s use Grima as an example, because it doesn’t sound like this grammatical change would make much of difference until Kiran has the audacity to hit Grima with a bro mid sentence. But that’s just how they talk. And as sweet and friendly as they are, there’s always moments like that to remind that no one has the cultural context to fully understand Kiran. Except for the audience, who can realize that Kiran let the customer service voice drop to talk to Grima like he’s an actual person.

And that’s just about how they talk! This view is only emphasized by every other thing about them! They’re a lovable goof, which is normal chill person behavior in the audience’s eyes but feels REALLY ODD to the characters of FE’s medieval fantasy war setting. There is this air of unknown about them that the more socially perceptive will pick up on and will try to come to a conclusion about. Example, I imagine Soren would interpret a lot of this as a dangerous and deeply annoying lack of intelligence from someone he has the displeasure of sharing a tactics table with. Or looping back to the Grima example, he would totally think Kiran has greedy ulterior motives behind that pleasant facade. It takes a lot of work for those types to realize that the discrepancy present isn’t really any of those things. But I also wouldn’t be too surprised if Kiran doesn’t try to directly prove any of those assumptions wrong unless they have to.

Why? Well now it’s time for the implications! Oh how we love the implications.

Because the Summoner is a different story. No one has any fucking clue what that is.

I can tell you what Kiran has pieced together so far. Summoning people from across time and space is apparently not easy. It’s not some school of magical study that some mage could pull off with enough time and research. Trust, Eitri tried. It’s a lot of complex moving parts. For example, the contracts. The contracts Kiran automatically binds their summoned to don’t even compare to the ones Veronica used in book 1. They are far more intense and infinitely harder to break. The only way out of them is if Kiran wills it so. Not even death is an option, because Kiran can come in for the revive. If they had to guess, it’s an older, more completed version of the art. Something lost to time. But no matter the case, Kiran has the ability to take full control of whoever they manage to summon. From a lowly farmer to the divine. And their power only grows.

In a similar vein, if there was any character to canonically see the hud, I think it would be Kiran. It’s genuinely part of their power set. I have previously described Kiran as the party mage until Veronica shows up to be the actual mage, but it would be way more accurate to call them a mystic/seer. They see the map, everyone’s stats, and is doing a fast amount of math to give the combat forecast. Then, upon processing all this information their enemies couldn’t dream of having at their disposal, Kiran can telepathically communicate any change in plans to anyone under contract. Kiran is not inherently some great tactician the moment they touch ground in Askr; they simply can do things no one else can. They’re learning the actual tactics part on the fly. This makes them simultaneously the largest ace up the Order’s sleeve and potentially its biggest liability. If they fall, it could cause a whole system cascade. By that same token, some of the biggest threats the Order has faced are the ones who do their research and rightfully target Kiran.

Now. Thinking critically about all that. That’s downright terrifying. A ridiculous amount of power has been dropped callously into Kiran’s lap and they have to work extremely hard to be moral with it. It’s terrifyingly easy not to be. It would actively take less effort to ‘take the reins’ as it were. But in order to be able to sleep at night ever again, they go the extra mile to not invalidate the will of their summoned. To take over like that. To make a colony of worker bees out of people. Because oh dear god they just summoned a child and the fact that they could easily force them to fight and die for them, only to be revived and do it all over again, is HAUNTING. No. No the Order has an in house orphanage now. This kid is getting adopted and cared for god damnit or Kiran might just pop a blood vessel. And sure that child is going to be a child and there will never be a world where they get along with everyone else, but that’s just going to need be a problem they address when they get there and not an excuse to use Hubris; the power set. Now replace the word child with everyone they ever summoned and you have the wider philosophy they apply to the entire Order.

They’re hyper aware of the power imbalance. They hate it with every bone in their body. They work really hard to correct it in whatever way they can.

So Kiran might not jump on the opportunity to correct those who think lesser of them. It’s… oddly comforting to know someone is keeping a critical eye on them. Holding them accountable. Especially since so much of the order just thinks of them as this quirky yet well meaning host. And, really, what can they even do about that? They have gone over the contract with every hero they summon and despite that they still choose to stay. So, what, do they try to inspire more mistrust? The problem with that they would have to actually do acts that intentionally inspire mistrust. And even if that was successful they can’t just waste the extra man power because every other month there’s some new divine asshole who wants them all dead. And if they fail that means they have to start their life from square one and god they can’t do that again so—

Just breathe Kiran.

It’s fine. You’re fine. Just breathe.

You have work to do.

[wickmitz]

I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule

Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?

for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.

one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.

obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.

all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.

source : q&a with tracy .

which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.

however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.

though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.

once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.

[usedtobeathrowaway]

how much do you think it weighed on Eggman's mind learning his grandfather, whom he based some of his life and ideology on, in the end wanted to destroy all humans, destroy the earth... that, Eggman, his own grandson was on?

[heliomanteia]

People talked about how delightful the active lore delivery is in VG but there's one aspect of that conversation that I don't see pointed out much: it's not just more engaging to get lore drops "on the go", it also makes sense from the point of plot relevance.

My first "well done!" is that companion missions come in slowly. You recruit them in the order that they are needed and it's a logical one. You're urged to look for newer and newer sources of help as you encounter newer aspects of the problem you're dealing with. You're literally on a trail -> find a detective. Something needs killing -> get an assassin. You're dealing with ancient elven magic -> look for a Dalish artifact expert. There's some new fucked up blight -> recruit a Grey Warden. Dragons are an active danger -> find a dragon hunter. Your entire mission has to deal with the Veil and the Fade -> hire a Fade expert. They make sense.

If you ignore your companions and their missions, you lose a lot of important (personally or overall) lore drops and you risk losing all of your companions and your MC in the final battle. You come into the plot blind and run through it in a hasty way -> you are not going to get a ton of perspective and you are going to end up with less than you could have. And those perspectives matter because each companion is a side of a multi-facet prism that is the game's conflict.

This is an aspect of companion importance to the plot that I don't feel is appreciated enough: they aren't just narratively tied into a lovely tapestry. They all offer perspectives and value that will affect your degree of familiarity with the lore if you choose to ignore it; and have a consequence of you potentially losing that companion or more.

[chittychittyyangyang]

Between waiting for V10 news, my own personal stuff, and the US now being on fire (partially) literally, I know I've been pretty quiet here. Even before all of this I was pretty shut down emotionally, and I am just very absent as a person right now. I feel like many are struggling, and I wanted to share something that has helped me some:

What I find myself thinking about the most is like that she was out there and brave and looking for love at a time when her existence was criminalized. It's hard to remember that there was all of this light in the dark ages, but there was still these brazen romances. And I don't know that love was still stronger than fear, at least at times.

You're Wrong About - Kitty Genovese and “Bystander Apathy”

Stories about existing and loving in a world that wants you gone. It's not that horrible things didn't happen or won't happen, but that we will make do. Loving who you love, and being you matters. All of us matter. Our stories and lives, big and small matter.

Take care of those close to you. Find little moments of joy. Disconnect when you can. Read, create, and rest when you can. If you feel like nothing you do can change anything, volunteer. Sure, you can't fix a broken system right now by yourself, but you can help people have a hot meal they might not otherwise get.

As for the RW/BY stuff here, that's not going to change, other than maybe less in part because I just use this as an archive between volumes. I've been here for so long it would feel weird not to at this point. I know some people have found some level of comfort that I'm still here keeping up this blog, and I hope I continue to provide that for people (and, of course, bees).

[bloggingboutburgers]

Tbh I feel like going to the US while the Nazis are in power is suicidal. So of course I don't understand your choice of going instead of your SO coming to Europe. But while I don't understand, I wish and pray for you to be safe. Whatever you choose, I hope you guys will be okay

You might be right. I have no idea what the future has in store or if I'll come to regret it. But I've already stated my reasons. As it stands, with the year-long process we've already started and that we can't just flip on a dime overnight, my partner can't come and stay in Europe legally just like that. Legal immigration is not that easy in one way or the other. Also... Yeah, I've stated that before, but one shouldn't underestimate how shitty things have been getting in Europe for the past few years as well, and how the influence of the US (which is huge) is likely to make things worse. So again I'm not 100% sure whether that'd have been better anyway.

Also also... Ima be real, I've shared that before, but the time where I was separated from my partner due to the travel ban was the only time in my life where I had actual suicidal ideation. I don't want this to happen again. That's why I'm making moves so it doesn't, first and foremost.

[spotforme]

i've been wondering about that big board ontop of their mirror for who knows how long now and they finally blessed me with a readable frame, i have the first piece of the puzzle. the big text reads "HOLOGRAMS CAN HAVE HEART ATTACKS TOO!" of course he would put up something like that. i'm assuming the pictures on top are some examples of preventative measures one can take, or maybe they're what to do in the event of an emergency. i'd know if only i'd get a better close-up.

then there are those pink slips Arnie puts up, there are multiple, but the one in his bunk reads, and i'm filling in everything i can't see here "YOU DON'T HAVE TO HAVE A DRY SENSE OF HUMOUR TO LIVE HERE BUT IT CERTANLY HELPS!" Rimmer and his weid positive reminders, they must keep him going on some level.

also the letters, are they from his mother? from someone else? doesn't matter much, because the difference between Lister's bunk having a bunch of colourful photographs of a bunch of people with him and Rimmer's bunk only having two worn letters from an unknown sender really shows well the differences in their characters and their approach to other people (i love that kindof set dressing)

btw they did not change any of Rimmer's stuff for Paraller Universe. all of her certificates and 'achievements' (those newspaper clipping on the wall) still read Arnold for some reason. oh what could be the canon explanation for this? this changes the Arlene lore for sure

bet they didn't count on someone obsessing over the set 30 years after this aired did they!?!? could they own up and tell me why Arlene has the swimming certificate of some rando named Arnold

[dykedvonte]

I think the most baffling thing about the Tulpar as a vessel to me is the fact that the ship really did only have a one way communication system.

I know it was cheap but even the most basic of vessels regarding major transport would have some way, shape or form for outside communication. Not only that but there was absolutely no form of innate emergency signal to show they may have been offline or in trouble despite clearly having a system to dock credits if they went off course. It's another factor that really shows that bad situations are made to get worse by design. One person who is required to relay all information to the crew and make all the choices without feedback. No way to update or call for help in case of a dire situation. No way to inform of inner personal conflicts and acquire procedures accordingly.

It really is like they are all in some sort of fucked up solitary confinement. They have their own world with strict roles that are meaningless in the end, as long as the cargo makes it, it doesn't matter what happens on that ship to the company. They don't want to hear anything and will come to conclusions on what happened based on how much pay they can withhold from the workers. Even what they do send is short, sterile and corporate to the extent it was likely written and sent out with a command by some random unmanned computer in an office.

There's something to be said about how unfair it is to force absolute power and control onto one person when you as an entity could do so much more to offload it but I've said it many times before so I won't again.