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ursaminortarot · 3 years ago

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I’m really fixated on romance right now for some reason, so here we are with a soulmate reading. I’m of the belief that we don’t just have romantic soulmates but platonic and familial ones as well. However, for this reading, I am choosing to focus solely on romance.

I’m experimenting with a new format. I linked each of the readings to a google doc, this is mostly because they ended up being way longer than I’d anticipated (story of my life). I also thought that it might be more organized to do it this way. I’d appreciate feedback on whether or not I should keep doing it.

Piles to choose from:

Pile 1 - Cobra

Pile 2 - Fish

Pile 3 - Cheetah

Pile 4 - Zebra

Pile 5 - Hawk

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[Decks Used: Modern Witch Tarot, Wild Unknown Tarot, Wild Unknown Animal Spirit oracle, Tarot Cats, standard playing cards, and a homemade oracle deck]

This took me 10-11 hours to do, spread out across 3 days. So, if you can support my shop or donate I’d be grateful. Also, please excuse any grammar/spelling mistakes and small incoherencies, by the time I got around to editing the readings I was kind of over it.

My Shop: https://www.etsy.com/shop/UrsaMinorTarot

CashApp: @UrsaMinorTarot

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Pile 1: Cobra

Who They Are:

Queen of Wands, 9 of Wands, 8 of Pentacles, King of Clubs

10 of Cups, 7 of Cups r, Justice r, 5 of Hearts

7 of Cups r, 9 of Pentacles r, 6 of Wands, 9 of Diamonds

Death r, 7 of Wands r, 8 of Wands r, Ace of Spades

The High Priestess, The Fool, The Hanged Man r, Ace of Hearts

Mother of Cups r

Winter+New Love

I’m getting some self-made energy here, they are likely a very hard worker who puts in a lot of time and energy. Their success, while appreciated, makes them feel very alone. There’s a lot of wands energy here, so they are generous with their money and it’s possible that other people take advantage of that. The Mother of Cups reversed reinforces this idea as she brings the message: “you give too much of yourself to others”.

The High Priestess, Fool, and Hanged Man being pulled together makes me think they function in two very different ways. Either, they overthink literally everything to the point of never making a decision, or they just do things very impulsively without a second thought.

They want a big, happy family, whatever that means to them. It could involve having children or just having a lot of pets. However, due to past relationships, they no longer feel as though they could trust anyone enough to live out that dream.

They feel disillusioned with love, which gives them a lot of conflicting emotions. Because, again, there’s a lot of wands energy, so they’re a very passionate person. Their current belief that love isn’t real is a direct contradiction to who they are at their core. Winter and new love could be taken literally, like you’ll meet and fall in love with them in the winter. Or, if you wanted to look deeper at it, it could mean that you help them get out of this place of being unable to consider love.

How You Can Recognize Them:

8 of Cups r, Son of Wands, 7 of Wands r, King of Diamonds

5 of Pentacles, Father of Cups, 3 of Swords, Jack of Hearts

The Devil r, The Fool, The Devil, 2 of Spades

10 of Pentacles, The High Priestess r, Queen of Hearts

The Hermit, 7 of Pentacles r, 10 of Cups r, 7 of Diamonds

Hanged man, 4 of Cups r, 10 of Diamonds r

“You’re having trouble getting in touch with your emotions”

“You’re not seeing clearly”

This person has an unmistakable light about them. Being with them is like sitting outside on a nice day soaking up the sun. However, they are still holding on to the past, and this is to their detriment. When you meet them, if you haven’t already, they will be extremely hung up on their ex. They are going to be obsessing over what went wrong and whether or not they can fix it. I can’t tell if they want to fix it to get back together with their ex, because they think it will give them closure, or because they think it will help them avoid making the same mistakes in their next relationship. But, they also don’t actually want to fix anything because that would mean confronting their emotions and they would really rather not. They will likely seem to be existing outside of reality, they are going to be so distracted by this internal conflict that they aren’t going to notice the world around them.

In all honesty, they will be very difficult for you to recognize. You’ll probably notice them because of their light, but you won’t (and shouldn’t) consider them a potential partner - at least not until they’ve dealt with their issues and moved on. I want to stress that while they are so focused on their past relationship(s), that’s not all they have going on. They are a 3 dimensional human being like the rest of us, but this is just the information I was able to get.

I also want to mention that their family is very important to them, they’re the type of person to call or text each member of their immediate family every day. I also get the impression that you two will be friends for a while before getting into a relationship.

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Pile 2: Fish

Who They Are:

Queen of Swords, 9 of Wands, 9 of Cups r, The Tower r, Jack of Spades

King of Swords, Daughter of Wands, 3 of Pentacles, 8 of Diamonds

Judgment r, 2 of Cups r, Daughter of Swords r, The Chariot r, 3 of Spades

5 of Pentacles, Temperance, 7 of Wands, Jack of Hearts

The Emperor, 8 of Pentacles, The Magician r, Ace of Wands, 4 of Spades

“I’m sorry”

Best friends

Between the Emperor and having all of the court cards of the Swords suit, this person has a very powerful presence. They’re almost the kind of person that makes people stop and stare, I say almost because they’re intimidating and people don’t want to be caught staring. Not intimidating in a scary way, they just - and I can’t stress this enough - exude power. They are also very ambitious and highly intelligent. So when they put their mind to something, they will execute it perfectly. Or, at least, they want people to think it was done perfectly. They have a very “everything’s under control” look to them, but they’re barely hanging on by a thread. I feel like one bad day would send them into an existential spiral, because they don’t know who they are if they’re not perfect.

Nothing’s ever come easily to them and they’ve had to fight their whole life to get the things that they have now. They’ve never had the option of giving up. If they gave up, they were worthless, they were nothing - that’s how they’ve always seen it. I imagine there’s a lot of parental pressure at play here. It’s turned them into a workaholic, there’s no work-life balance to be found. I’m getting the impression that the “I’m sorry” card has to do with this aspect of their life.

The “best friends” card speaks for itself. With the Jack of Hearts and Daughter of Wands, there’s a playful energy to them. But these are the only cards pointing this out, which tells me that they restrain this part of themself. I think that you being their friend, as well as their partner, will show them that they don’t need to be so serious all the time. This is something buried so deep it’ll need some time and energy to be coaxed out of them.

This is pretty obvious, but this person’s biggest fear is failure.

How You Can Recognize Them:

Knight of Wands r, 4 of Wands r, 8 of Cups, 9 of Swords

King of Pentacles, The Moon r, 7 of Swords r, Queen of Spades

5 of Pentacles, Mother of Swords, Queen of Wands, 4 of Hearts

Queen of Cups, Daughter of Swords r, Knight of Wands

7 of Cups r, Son of Swords, 4 of Pentacle, 5 of Diamonds

The World r, 9 of Wands r, 8 of Hearts r

You feel as if you aren’t getting the recognition you deserve

Seperation

We’re definitely seeing their more sensitive, playful aspects. However, these are still vastly overpowered by their Swords energy as, once again, all the court cards are out - the Queen’s out twice. Seriously, this person has such powerful energy that it’s the first thing you notice.

I feel like you’ll meet either at work or at school, somewhere where you’re working on a group project together. The people you’re working with aren’t going to take your contributions seriously. But, once they realize you’re right, they’ll claim they were their ideas all along. The Swords family is very fair-minded, so I think this person’s going to have a problem with that.

They have this very detached, uninterested persona and once you’ve spent time around your soulmate, you’re going to pick up on the fact that they are deeper than they want people to think they are. When they’re more comfortable with you, which will take some time, you might catch glimpses of them being competitive/hot-headed or they’ll start making jokes around you. If you’re patient enough, they’ll eventually be vulnerable with you.

They have a fear of the unknown and love is foreign to them, so this is definitely a slow-burn.

In both of these readings I got a wave of pretty interesting energy. It wasn’t anxiety or dizziness, but felt similar to both. I felt like I lost my balance, that’s probably how you'll make this person feel. They have a lot of plans for life and you’re not one of them, so they’ll be thrown for a loop.

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Pile 3: Cheetah:

Who They Are:

Page of Swords r, Son of Cups, The Hierophant, 9 of Clubs

Page of Wands, Mother of Wands r, Page of Cups r, 4 of Hearts

9 of Cups, The Tower, 2 of Swords, 2 of Cups, Ace of Clubs

Queen of Wands r, The Chariot r, Queen of Pentacles, 4 of Spades

Knight of Pentacles, Ace of Wands, Emperor r, 6 of Clubs

8 of Cups, King of Wands

You can’t help everyone

Over-investment in work

Aries

The first thing that I’m seeing is that this person will probably have some self-esteem issues. It seems to be tied to their abilities more so than appearance.

They have a lot of ideas for projects that they want to work on, but they never seem to start anything, let alone finish. I think this is because they try to be everything to everyone and don’t prioritize themself. They find contentment in the idea that everybody likes them, but this can make them a people pleaser. This can lead to them taking on long hours at work to make their boss happy. It’s also unrealistic because there’s not a person on Earth that’s universally liked. I think this is something they’ll come to realize in their own time.

They may come across as indecisive at times, they aren’t. They always know exactly what they want, but can have a hard time asserting themself.

There’s a fire that burns bright here, this person has a lot of drive and ambition. This is where that aries energy comes in, they don’t have to have aries placements so please don’t get fixated on that. But, like I said before, they hold themself back by prioritizing other people and neglecting their own needs. They have the potential to be really successful, however they need to start putting themself first.

This seems like a very sensitive individual, just the thought of doing something under-handed stresses them out. Which is a good thing for other people, because your soulmate’s very charming and could probably talk themself out of anything.

For some reason I get the impression that they have a bit of a sweet tooth.

How You Can Recognize Them:

2 of Swords r, The Empress, Queen of Cups, 3 of Hearts

9 of Pentacles r, Judgment r, The Moon, 10 of Spades

The Fool, Mother of Wands r, Hierophant r, Jack of Diamonds

The Chariot r, The Hermit, 4 of Wands, Joker B&W r

3 of Pentacles, 4 of Wands r, Knight of Wands, 4 of Spades

King of Cups r, The Magician r

You’re having trouble getting in touch with your emotions

September

Think before you speak

Let’s start with the reinforcements of their self-esteem issues, as well as their people pleasing tendencies. It’s exhausting for them, emotionally and physically. They are well and truly holding themself back, and I think that by the time you meet them they’ll be starting to examine these aspects of themself. This will be something they struggle with for a while and there may be a period of time where they withdraw to think things through.

The joker in black and white in standard decks is my fool reversed card, but it’s reversed so its the fool reversed reversed. The fool upright, I feel like there could have been a simpler way for my cards to get that message to me. But I also feel like it represents the way your person talks to themself, they make everything just a little bit more complicated than it needs to be. They think in circles, eventually getting to the point but it may take them a while. This may be a contributing factor to their perceived indecisiveness.

They want to make a home with you. I get the impression that when talking about it with you, they’ll appear to be cool and collected. Like it’s not a big deal to them. But then they’ll turn around and shout it from the rooftops. It won’t be possible for people to not know you’re together, they’ll just be so loud about it.

Outside of the need to make everybody like them, they’re a pretty care-free individual. It will be important to them that you have fun together. I think this playfulness is their most defining feature and probably the first thing people notice about them.

In the first two piles, it looked like they’d be friends for a while before getting into a relationship with their person. That’s not the case here, like I said before, when this person knows, they know. They’re not going to waste time with you.

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Pile 4: Zebra

Who They Are:

The Fool, The Hanged Man, Queen of Swords, Ace of Clubs

6 of Swords r, 2 of Wands, The Hanged Man, Ace of Hearts

Ace of Cups, Mother of Pentacles r, 4 of Wands, Jack of Spades,

3 of Swords r, The Magician, 10 of Pentacles, Queen of Cups r, Jack of Diamonds

3 of Cups, The High Priestess, Strength, The Fool r, King of Spades

Soulmate

Hostile

May

The first thing I’m picking up on is that your soulmate is someone who is very carefree. They also have a lot of romantic energy to them, so they are definitely a hopeless romantic.

The amount of Major Arcana here tells me that this person is likely very spiritually gifted, they might not be consciously aware of this.

This person is kind of a go-getter. Once they decide they want something, nothing’s getting in their way.

There are some conflicting energies here because as happy and carefree as they are, there’s an equal amount of pain and hardship. This is someone who’s faced a lot of hostility, so at first will be fairly guarded. They love the idea of being in love, but have difficulties opening themself up to the reality of love. It’s not all bad, they are making an active effort to heal and not let past heartbreak hold them back.

With the Magician and High Priestess facing each other, this is someone who is likely very in touch with their spirituality. Not only are they able to trust their intuition, but they also have everything that they need to follow it. Once they have a gut feeling about something, whatever it is, they will trust it more than they’ll trust you, and be right 90% of the time.

They are very compassionate and probably are used to giving more than they take, which gets them taken advantage of. Part of their growth is going to be finding a balance in this aspect of their life.

This is someone who values family and most likely wants some kind of family unit, whether that be having children or pets.

The month of May might be important, it could be when you meet or one of you could be a Taurus or a Gemini.

How You Can Recognize Them:

Ace of Cups, 3 of Pentacles r, 8 of Wands, 2 of Swords

Page of Cups, Justice r, 5 of Cups, 7 of Clubs

King of Pentacles, 10 of Cups, Strength r, 2 of Diamonds

2 of Pentacles r, 9 of Cups r, Queen of Wands, King of Diamonds

Death, The Hierophant, Page of Wands, 9 of Spades

Sensitive

Peaceful

There’s still time to change your mind.

One of their prominent characteristics is their sensitivity. This doesn’t mean that they’re crybabies, they are just very mindful of everybody's feelings. This paired with what we learned about the painful parts of their past probably makes them a little insecure. This insecurity is only a problem when it comes to relationships. They may come across as very confident and flirty, but as soon as it moves past that they start clamming up and getting nervous. It could be bad enough that they have a hard time believing that you actually want to be with them.

They invest a lot of time into their projects, whether work related or personal. It’s likely that they struggle with finding a work-life balance. This is someone who needs to feel productive at every moment of the day. They keep themself busy so that they don’t need to be alone with their thoughts. This isn’t someone that knows peace. It is something they’d like to experience, but they don’t know how to. They have too many thoughts and can’t quiet their mind, their inner-demons get the best of them at times. This isn’t something they express outwardly though, everyone around them probably sees them as someone who, while busy, is fairly laid back. They need a lot of guidance here so if you’re someone who meditates, this could be something you help them with.

It’ll be easiest for you to recognize them based on their sensitivity and active lifestyle. They will be extremely helpful to their friends and family, and would drop everything to be there if needed. They are also, surprisingly down-to-earth.

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Pile 5: Hawk

Who They Are:

5 of Cups, Judgment, Queen of Wands, Queen of Spades

Knight of Wands r, 10 of Wands r, 5 of Pentacles r, 3 of Diamonds

7 of Cups r, The Fool r, 10 of Pentacles, King of Spades

2 of Swords r, 9 of Cups, 3 of Cups r, 3 of Spades

The High Priestess r, 3 of Pentacles, Magician r, 9 of Diamonds

“You’re my everything.”

You need to hold yourself to more reasonable standards.

This is someone with a lot of pain, they are overwhelmed and feel defeated. I’m getting the impression that it has to do primarily with work/co-workers. It could be that they put a lot of themself into their work and seem to always get passed up for promotions, or they could have even been recently laid off. They’re very ambitious and intelligent, so if they did get laid off, it would be a big hit to their ego. Alternatively, they could have almost reached a long-standing dream, only for it to fall apart at the last second.

Your soulmate has a lot of fiery passion that they don’t always know what to do with, so they turn everything into a competition. The thing is, they’re only competing with themself. They’re always trying to be better than they were yesterday, even when it’s unrealistic.

As passionate as they are, they can be very patient when it comes to getting what they want. They know that not everything can be rushed, even if that’s frustrating to them. They try to avoid making reckless mistakes, but sometimes this can lead to them not making decisions in a timely manner.

They value family and friends greatly, this could be the most important part of their life to them. They’ll test you to see if you can gain the approval of their loved ones. If you don’t, they may begin to have second thoughts. This is a soulmate though, so you’ll likely be very compatible and win everyone over with relative ease.

How You Can Recognize Them:

5 of Pentacles, The Moon, 4 of Swords, 5 of Clubs

King of Pentacles, Judgment, 5 of Swords r, King of Wands r, 7 of Diamonds

2 of Swords r, Daughter of Pentacles, 5 of Pentacles r, 3 of Clubs

Temperance r, Son of Wands r, High Priestess r, 7 of Swords r, Jack of Clubs

6 of Swords r, The Tower r, Page of Pentacles r, 5 of Hearts

You are not seeing clearly

Hesitant

When You meet this person, they will be coming out of a very rough period of their life. They are going to be at the start of their healing journey and they won’t have a lot of time or energy for romance. They’re likely very hard on themself, they don’t want to be seen as weak so they don’t express negative emotions. This is something they have to confront in order to heal.

They are going to be in a complicated headspace, there’s going to be difficulty separating the past from the present, and there’s not a lot of balance between their spiritual and physical lives. They either reject the spiritual to embrace the material world, or neglect their physical well-being and focus solely on their spiritual self.

You know how some people use their trauma as an excuse to inflict pain on others? This person’s the opposite of that, everything they’ve gone through has made them a patient, compassionate person. This will probably be one of the first things you notice about them, how kind they are. They are also very dependable, they’ve experienced going through hard times alone and don’t want anyone else to feel like they have to.

Overall, they come across as a very good human being, but there’s an underlying tiredness to them. They might be dealing with a little bit of brain fog, so at times they’re slow to process the world around them.

#tarot #tarot reader #tarot reading #tarot pick a card #tarot decks #tarot cards #tarotblr #oracle decks #oracle cards

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hanii-rose · 4 years ago

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•Hello again, I’m the anon who requested gender neutral s/o! Thank you so much for writing such beautifully-written story between Garou and them. I’ve ended up loving it very much it was very good read, aww big kudos for you! ❤❤

And for the next request, as the fandom still hyped about part-timer Garou, how about of the continuation of the previous story:

The s/o has a stable job already, right? And Garou realized that currently being a freeloader in s/o’s house makes him a bit guilty. So he decided to lessen the s/o’s burden by taking a part-time job.

The s/o actually don’t mind of Garou being a freeloader, but seeing Garou becomes so determinated about it the s/o can’t help but feel very proud and happy for him.

Lots of fluffy moments after both of them finished working, like cooking a simple dinner together at home, resting their tired bodies on the couch while cuddling lovingly, Garou and the s/o sharing a lot of soft kisses during it while the s/o praising Garou’s hardworking, etc.

And as it’s the continuation of “Reunited’, of course the s/o is still a gender neutral.

Thank you so much and have nice days! 💖•

I’m so happy that I finally got to this one. There were a few requests before it so I had to complete those and I also had to write for the story on AO3 (-_-;) Sorry if I made you wait too long hehe I’m glad you enjoyed the first one tho

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Reunited Part 2

Garou x GenderNeutral!Reader

You stepped through your door after returning from your 9-5 job. Your muscles and joints ached and you stretched your body in an effort to wake yourself up, the plastic bag full of groceries crinkling with every move.

"I’m home…” you softly called, unable to produce a louder noise.

You took your work shoes off along with your coat and scarf, discarding them carelessly by the door, too tired to put them away.

You heard footsteps approaching and smiled when the Garou came towards you. You walked up to him and fell into his arms. Loosely wrapping your arms around his neck, you spoke softly.

“I am so tired today. I can’t even walk straight…”

He quirked a brow. His arms slithered around your waist and he picked you up, taking the bag of groceries from you and putting it on the kitchen counter on the way the bathroom down the hall.

“Another rough day, huh?”

Garou questioned softly and you nodded yawning.

“You have no idea…”

Garou set you down onto the stable counter of your bathroom and helped you out of your office pants, sliding then down your legs. You were left in your white shirt and socks.

Garou left after fixing you a warm bath. Undressing completely, you sat yourself down in your tub, the water temperature hot enough to soothe the undeniable ache in your bones from such a hard day of deskwork.

After washing yourself and sitting in the relaxing steam for an hour, you opted to get up and leave. Garou brought you your pajamas and you slipped them on, stretching and walking out of the tiled room with a towel in your hands.

“Ya finally done…?”

Garou asked deeply, sitting on the black couch of your apartment. You sighed and plopped down beside him, resting your head on his shoulder. His fingers came up to massage your sides and you leaned in closer, the two of you now laying on the couch, Garou’s head on the armrest and your body on top of his.

“Mm, this feels good…” you said, slightly drowsy.

“Yeah.”

The two of you laid in silence, the only sound coming from the T.V. opposite from the couch. Garou turned the volume down, setting the mood perfectly. His hands circled your waist, exclusively close to your derrière. His hot breath fanned your ear and you found yourself nuzzling into him even more.

Your eyes slowly shut themselves and you curled up into a comfortable position. Oh boy, this felt so…cozy.

“C'mon, why are you fallin’ asleep on me?”

Garou’s voice rang out and you instantly awoke from your drowsy state.

“Oh, um…sorry. I’m just very sleepy today.”

“Too much work these days…”

You leaned towards his cheek, connecting your lips with it. And with that you wearily stood up and spoke, “I’m just gonna go take a nap. Too tired to function…”

Garou nodded, reluctantly, and let you go. He watched you tiredly carry yourself to your bedroom and fall flat on top of the mattress, immediately falling asleep.

Garou sighed to himself and leaned back onto the armrest of the couch. This had been going on for a number of days. You come home from work, he bathes you and takes care of you, he tries to fuck you and love you but you blow him off for sleep.

It was starting to get infuriating. But why was this happening to you? Things weren’t like this the first month he was here…

In fact, a lot of things had changed since the end of the month. Your fridge used to be stacked with food, you used to have a lot more things around and most importantly, you were livelier.

It was like he turned everything around for you….

Oh, shit.

He did, didn’t he? Fuck!

You were only so tired because you worked harder to support the two of you, you bought the groceries all by yourself, you cooked for him, man he was just taking and taking.

Garou exhaled harshly on the couch, rubbing his face with his hands in a frustrated manner. He’s such an idiot…

Ok ok, think. What do you do when someone lets you freeload in their house, eat their food, lie around all day and be the laziest bum you can be?

Oh, that’s right! You get a job.

He’s made up his mind. He is going to get a job, but there’s no way in hell he’s gonna tell you that. He doesn’t need you gushing over how sweet and cute he is, not wanting to re-experience the time you teased him for trying to make a pancake. He just wanted to be nice without being called a sweetheart, c'mon!

Now, back to the matter at hand. What job can he actually get that doesn’t require any form of experience or education?

You grab a packet of sweetener from the coffee drawer, tearing open the little paper on top and pouring it into the foam cup that held your recently brewed coffee. You silently stirred with the swizzle stick, observing the boring people of your office from the small break room you stood in.

Leaning against the white counter, you sipped the hot substance and sighed in contentment when it travelled down your throat. You slipped your phone out of your pocket and leisurely scrolled through the recent news articles which lined the screen, stopping to read anything important.

And so you spent the next 10 minutes of your 20 minute break just dawdling around on your phone. You threw away the small cup of coffee that had become too cold and bitter for your liking and trekked back to your office, pushing open the pristine glass doors.

Putting your phone away back into your pocket, you took a seat in your office chair, booting up your computer to get back to making spreadsheets and going over the accounts drafted for last month.

You sighed in boredom, correcting some errors made by your ex-deskmates. It feels so good to have your own office, feels so good to get away from those vermin and feels so good being their boss. Yep, getting a promotion was the best. The only down side was that you had way more work now, your underlings tend to make too many mistakes when it comes to balance sheets. You hadn’t told Garou the news yet, you wanted to do it over a cute dinner. It would be way more impactful that way.

Ah, Garou. He always made you feel better after a long day. Just seeing his cute big head relieved you of all the stress that you carried home. Not to mention the amazing feeling of his unexpectedly soft hair between your fingers as you tug and weave or the overwhelming feeling of his strong arms wrapping around your waist, pulling you close and holding your sore body. The touch of his warm mouth on your lips, kissing and worshipping it, invading every intimate part of your form. And the way his tongue felt on your

DING!

Oh, an email from your boss? What’s this about? The she-devil up there never emailed her employees for anything good…

Subject: Executive meeting

Dear D-Wing Employee,

Good Morning. Our company, as you are aware, will be merging with a larger firm, hopefully bringing us larger and more profitable trades.

It has been brought to my attention that many of our business partners and executive directors will be hosting a meeting in the D-Wing of our establishment. It would be most appreciated if all of our D-Wing employees would be willing to postpone their work for a day to enable our higher ups and VIPs to perform the necessary actions in completing this fortunate exchange between two efficient companies, striving to bring better service to the people.

The delay of work shall last from today 10:00 A.M. to tomorrow 12:00 P.M. Thank you for your cooperation. If you have any concerns about this matter, please submit a written letter to the E-Wing, describing your issues.

Best Regards,

Senior Director, Akari Hina

Woah, so you’re basically getting the rest of the day off? And no work at all tomorrow? Hm, maybe your boss isn’t so bad after all.

Packing up and grabbing your coat, you turned off your computer and headed straight for the door, running past all of the other D-Wing employees readying themselves to leave.

Garou sat in the office of a delivery firm, arms crossed and leg bouncing up and down, antsy. He eyed the man in front of him, clad in a suit and tie and looking through the 5 minute resume that Garou printed up.

“So, you’re an expert in ‘being strong’ and 'being cool’. You don’t have much experience, you’re only 18 and you created this resume by yourself?”

Garou nodded, fiddling with the edge of the gray scarf you had gifted him. Ah, another reason to get a job, give you a gift.

“So, did you pass highschool or…? Sorry, I’m confused.”

The man took off his glasses, wiping it with a little cloth that was left on his desk, waiting for an answer.

“Yeah, I left after my third year…”

Garou confirmed, and the man put his glasses back on, and intertwined his fingers on the desk between them.

“That’s good enough. It’ll do. Which department are you looking to work in? We have filing, storage, delivery and cleaning. But you look like a strong kid, storage would be perfect for you.”

Garou thought for a moment, face twisting in confusion. Filing…ugh reading. Storage, hmm not bad. Delivery isn’t hard. He refuses to clean after the slobs here.

“I’m up for anything that has heavy work, no reading or cleaning, thanks.”

He curtly informed his soon to be boss. The suited man huffed and opened up his desk drawer for a notepad.

“Sign these and we’ll get you started. Deliveries should be fine, no?”

Garou picked up a pen and signed away, paper after paper. Who knew FedEx had so many policies?

After providing enough details on the notepad and filling up all of the consent forms, Garou stood up, pushing his chair back slightly. He went to turn the knob of the little office door but was halted by the voice of the man, or should he say, his new boss.

“I’ll have my assistant bring you your uniform, also get rid of the hair. It won’t fit in the hat…”

Garou turned the knob exiting the office and strode out into the garage. A small man walked up to him with a transparent bag of clothes, hiding his face behind it. The only thing he could completely discern about the boy was his name written on the tag near his breast pocket, Ibiki.

“Here is your uniform. When you come back tomorrow, we’ll make a name tag for you.”

The cheery, blushing boy spoke, informing Garou of what he needs to do next. Taking the packet from his hands, Garou asked for a bag to put his new clothes in.

Ibiki scurried off to find a bag and retrieved an empty white one, filling it with the plastic packet.

“Thanks.”

Garou was about to walk out when he heard the kid call out to him.

“Hey Mister! You forgot to take our card. You’ll need the bosses number. See, right here. And this one’s mine!”

Ibiki pointed out the two separate cell numbers and Garou nodded. Ibiki placed a shaky hand on Garou’s shoulder and patted the spot, saying something along the lines of 'you’ll love working with us!’. Whatever, he doesn’t care, all he wanted to do was make your life a little bit easier.

You had arrived home an hour ago, Garou nowhere in sight. You decided to shower and read a book while you waited for him to come home. You had already purchased lunch for the two of you on your way back, deciding that the contents in your fridge weren’t good enough to work with.

After Garou had shown up, things had turned for the better. It seemed like he brought you good luck wherever you went. You could recall the time when Garou wasn’t with you, and frankly, they weren’t the best. He made your life a lot more interesting than what it was before.

Standing up and stretching, you trailed towards your bedroom with your book in hand, opting to lay down comfortably and read. An hour and a half had passed and there was still no sign of Garou. But you had forgotten all about that. You munched on some chips in bed, flipping through the pages of your book, so immersed in it that your ears hadn’t caught the sound of your front door opening.

Garou walked into your shared home, taking off the jacket and scarf and hanging it behind the door. The bag which held his new uniform was hung in the wall closet in the living room. He washed himself up and looked around, expecting you to not be here as usual, but something caught his eye. Your work shoes! Weren’t you wearing these today?

Wait were you home…?

He looked around the house, checking each each and every room when he finally decided to check your bedroom.

Opening the door, he waltzed in, his eyes perceived you on your bed, laying on your stomach with your eyes glued to the book in your hand, potato chip hanging from your lips.

You still hadn’t noticed him in the room and he fully took advantage of that. Creeping around the edge of the bed, he stopped momentarily behind you. He licked his lips at the sight of your butt, clad in tight, black trousers. Without warning, he jumped onto you, his hips landing right on top of your ample behind, rough, trained hands gripping your hips to keep you in place.

You yelped in surprise, book flying across the bed as you jumped, or tried to, out of the way.

“W-where did you come from?!”

Your face twisted in annoyance as you asked.

“I should be asking you that. What are you doing home?”

Garou laid himself on top of you, his sharp chin resting on your head and fingers tightly grasping the mattress under you.

“I have the whole day off today! Now, will you please get off?”

Garou chuckled in excitement at your words, arms coming around to flip you over onto his chest as he turned himself over on his back.

“Never.”

You rolled your eyes and sighed, relaxing down onto him.

“So, where were you this fine morning?”

Your question had not been answered for several seconds and you asked him again.

“Garou, where did you go?”

You turned around, still obove him, your chest to his. You gave him a questioning look, gesturing him to speak.

“Out.”

You quirked a brow, expression unamused.

“I know that!”

He sat up and hugged you, his sharp nose buried between you shoulder and neck, kissing the skin.

“With a friend.”

Garou said, eyes coming up to look at you, waiting for a response.

“Oh really? You have friends?”

He nodded hesitantly, avoiding direct eye contact.

Ok then, he was being weird… But you didn’t want to pry. What he does while he’s out is his business, there’s probably nothing to worry about. Its not like he’s cheating on you or anything, no, he would never do that, he’s not that kind of man.

HE’S THAT KIND OF MAN!

How could he? I-, You- How?! You were just coming home early from work. Turns out your new position didn’t require you to stay for long hours like before, so you just opted to come home. You had to take the long way around this time, passing by all of the urban workshops and postal firms because your normal road was being repaired. You passed by a FedEx warehouse and you could’ve sworn you saw silver hair and a gorgeous body, belonging to none other than Garou.

That was him for sure! Oh, when you get your hands on him…

You stomped your foot in anger at the scene unfolding before you. Garou, undressing in the wide open garage, taking off the clothes you had bought for him, to put on some drab brown and black shirt and pants. A small man hanging off from his shoulder as Garou walked to the desk to…collect something? What is that…?

The fragile looking boy next to him stopped in front of his chest and took what seemed to be a small card and clipped it to the front of Garou’s shirt. He beamed at Garou and your boyfriend turned to pick up the boxes that were strewn around the warehouse and pack them into individual trucks.

Wait a second. Was he working? Garou was working! Ohhh, of course! Yeah, you never doubted him for a second…

You strolled towards them, unknown to the two inside the dark garage, hiding behind the tall stack of boxes. Playfully walking up behind him, the small man gently tapped Garou on the shoulder. He turned around, large boxes still in hand, obscuring his vision.

“What do ya’ want now, Ibiki?!”

Garou’s sudden outburst scared the young man accompanying him, making him jump back frightened.

“The uh… b-boss wanted to umm… know if you could work overtime. Y-you’ll be payed…”

Answered the trembling voice of 'Ibiki’.

“No, I got better things waiting for me at home…”

Garou’s soft answer made you tear up somewhat, and you smiled very gently. Turning your heel, you trecked back home to wait for him. Oh, you might as well set up a surprise for him!

And so, you sneaked away, racing home to start setting up decorations for your hard working man.

It was around 2:00 in the afternoon when Garou had finally walked through the front door of your shared home. He let out a relaxed sigh and carefully hung his hat behind the wooden door rack and stretched. His shows had already been discarded near the doormat as he made his way over to the bathroom, passing by the living room decorated with fairy lights and a blanket fort.

Wait a second, fairy lights and a fort?! Did he walk into the wrong house?

He came closer to the blankets sprawled across the floor, getting on his knees and picking one up to inspect it, not expecting you to be under it waiting for him.

“SURPRISE!”

You jumped out from under all of the pillows and wrapped your arms around his neck, pressing kisses to his cheeks.

“What’s all this? Yer’ home early again?”

Garou questioned, a confused expression on his handsome face.

“A surprise for you, duh…”

He smirked and coyly slid his arms under your legs, picking you up and setting you down onto his lap.

“No, really? What’s the occasion?”

You gave him a look as if saying, 'seriously?’

“Well, I was walking home from work and I couldn’t take my usual route. I walked past a few shops and I saw you…working. I was so surprised…”

Your voice got quieter as it neared the end and you awkwardly twiddled your thumbs, eyes casted downwards.

“Garou, why…why didn’t you just tell me you got a job?”

Garou let out a huff and ran his fingers through your hair. He looked deep into your eyes and cast you a cute little blush.

“W-well, I know how ya’ kinda freak out when I do…anything so I didn’t say nothin’. I just wanted to help out, ya’ get so tired after comin’ home. I ain’t gonna sit around and watch ya’ work yer’ ass off for me…”

Your fingers gently caressed his face, bringing it closer to yours.

“Garou, the reason I’m so tired after coming home is because I’m still adjusting to my new post at the office. I got promoted and I promise, once I get the hang of it, I won’t be tired at all.”

Garou’s mouth enveloped yours in a sweet exchange, hands roaming your hips.

“I’m really proud of you though…”

Garou broke into a genuine smile, no teasing smirk or smug grin. A genuine stretch of his lips.

“And what do you mean I kind of freak out? I do not!”

You pouted on his lap, crossing your arms and looking to the side.

“Ya’ just planned a surprise for me…”

You blushed and pulled his cheeks.

“Hey, this doesn’t count!”

He chuckled and smirked as you climbed off of his lap and onto the ground below.

“Now take off your clothes and get in here!”

The rest of the afternoon was spent in bliss under a large warm blanket. The two of you lovingly cuddling together, watching movies and talking about Garou’s new workmates.

“So, this Ibiki kid follows me around everywhere, it’s kinda annoying to be honest.”

You laughed at his statement and pointed a finger at his chest.

“Well, he probably likes you. You are very handsome…”

He smirked and gave you a suggestive look, pulling your body closer to his under the blanket.

“Too bad I’m not available, right?”

You giggled at his response, snuggling into his warmth.

“Yes, too bad indeed…”

Giving you one last loving look, Garou kissed you passionately, his fingers caressing your cheek. Your own hand laid gently on his cheek, lips tightly locked with his.

Separating, the two of you breathed heavily and smiled.

“I love you…”

Garou softly admitted, giving you another one of his glorious genuine grins.

You happily blushed, hugging him close and whispered.

“I love you too. So much…”

And with that Garou kissed you again, feverishly, pulling the blanket above your heads, ready to take you to heaven.

It really couldn’t get better than this…

_________________________________________

#garou #garou x reader #garouonepunchman #opm garou #garou headcanons #gender neutral s/o #gender neutral reader #no specific pronouns #i love yous #fluff #opm fluff #garou fluff #submission

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soyouareandrewdobson · 5 years ago

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Charles Schulz vs Andrew Dobson: What a Blockhead!

There are certain things about Dobson’s behavior and particularly his approach at being a nerd and presenting himself as someone who enjoys the art of storytelling that I have issues with. Issues I want to tackle on in more detail within later entries quite a bit.

One such tendency is, that he mocks directly or indirectly the work and accomplishments of others.

See, if Dobson doesn’t like you as a content creator because he does not like something you work on, he will try to show it. He will make stupid assumptions of you (like how he accused Kojima of being a sexist creep because of Quiet and how he deals with “male gaze” in MGS compared to Death Stranding), half heartedly mock you (look at anything he makes about Ethan Van Sciver) or he will call a piece of work boring and dull based on a minor element instead of overarching problems (calling Batman the character a white supremacist based on the dumb work of only one author).

By doing that he also tries indirectly to insinuate that he is better in some manner, though most of the time it really just shows his own ego and that his pet peeves are rather petty compared to the overall quality of the work he criticizes as well as its flaws.

One such sight of ego boosting while mocking the work of his better is in my opinion to be found in this comic he uploaded sometimes around 2016/17 randomly online.

This comic in my opinion is both laughable and insulting. Why? I will explain soon.

First however I want to clarify that I get that this comic is supposed to be a joke mostly. The old “What others expect, what I expect” thing, where the punchline is supposed to be the discrepancy between the two fractions and what they expect, mostly by making one of the expectations come off as worse than the other. However, I find the punchline to be Charlie Brown (and as such what Dobson seems to see as something he does not want to be favorable compared too) quite insulting. Why, as I said, will be elaborated on sooner.

First, let me just get on the part I find laughable: The fact that Dobson in his own head seems to believe he can be even remotely compared to people like Paul Dinni, Bruce Timm, Greg Weismann, Justin Roiland, Miyazaki, Shigeru Miyamoto and all the other character creators and animators whose creations we see in the first panel.

Dobson, don’t make me laugh. Putting aside the fact that those people are animators more than cartoonists, what makes you even believe in your wildest dreams you are on the same level as them? The fact you too are an animator, seeing how you graduated from an art school with a degree in that field? I have seen your contributions to the field and honestly, I would expect a bit more. https://www.youtube.com/watch?v=v0tdWNCrIxo

https://www.youtube.com/watch?v=Ps6PfiUCxHQ

https://www.youtube.com/watch?v=4PyonOqClf8

I give you credit, you can animate. Which is more than I can say for myself when it comes to the arts. But when you look what other freelance animators can do online, some of them younger than you and NOT with a degree in animation…

https://www.youtube.com/watch?time_continue=64&v=FmkAcGz1BJk&feature=emb_title

https://www.youtube.com/watch?v=97IfPfjSaDg

https://www.youtube.com/watch?v=eEUoxQ4qSfs

Viviepop’s demo reels alone are just gorgeous to look at and more fluid than what I have seen of you. https://www.youtube.com/watch?v=gFlha-KOKCc

And it is not just the technical quality, Dobson. It is also just the overall “originality” of your work. Cause this is the thing with those animators hinted on in the first pic and even many, many freelancers/fanartists as well as webcomic creators online: They have a spark of originality in presentation and storytelling that you lack. I will one day go more into detail for that, but here is the most brutal thing I can say at the moment: I know shitty porn fanfictions, that have more plot development and character growth than all of Alex ze Pirate.

Your characters and stories tend to be derivative and you barely take any risks in telling a story. Neither in your fanbased work (like the Miraculous comics) nor your original content (mostly because you take comfort in four panel strips anyway) and when you have an idea for something on which the basis idea actually sounds good, you screw it up by a lackluster execution. One example I want to give for that, would be this fanart of yours in regard to Steven Universe.

(I apologize for not getting one in better quality) This pic was something Dobson created around 2015 for Steven Universe. The picture is supposed to show Lapis, trapped under the ocean following the events of the season 1 finale of the show. A very emotional situation if you are aware of why Lapis sacrificed herself and was “banned” to the ocean floor. Short explanation: Fused with Jasper and then took primarily control of the fused being they became (Malachite) by using her water powers to bond it with heavy water chains on the ocean floor, so that Jasper would not hurt Steven anymore.

How much of that was even an emotional strain on her and her psyche was in one episode of season 2 even a theme, as seen here.

https://www.youtube.com/watch?v=SK3l8mGNhMg

I am not even a fan of the show and I get the emotional weight and impact of Lapis actions.

So… why is that not conveyed in the artwork? If you are so talented Dobson, why is none of the strain and despair on the character? The idea of a pic showing Lapis under water, longingly looking up, even in despair is a good basis for a fanart. But the execution lacks any emotional detail. You want to know how I would execute the thing if I had the artistic talent? Make the picture a huge horizontal pic, where we slowly decent from water surface down the ocean. The light getting dimmer. Blue turning into dark. The silhouette of a hand and an arm similar to Malachite’s in the background, trying to travel up, the fingertips barely touching the surface. Heavy chains around the flesh. Symbolic of the fusion trying to break free and cause havoc. And down on the dark bottom, beaten and exhausted Lapis with tears in her eyes and chains all over her body like she is Jacob Marley, desperately trying to keep Malachite at bay for the sake of the only being on earth who ever showed just a little bit of kindness towards her.

Why can’t we have something like this here, Dobson? If you were even remotely as original as the creators you want to be compared with, I think you could come up with something like that and perhaps even draw it.

But you know, his delusions of being as good as them is one thing. It is even funny.

Pissing over the Peanuts is another. Dobson, what are you trying to hint at?

That people comparing you to Charles Schulz and his creation is in your eyes automatically a sort of insult? That it is something that should at best only be a mockable punchline in a comparison?

Just to clarify a few things: I am NOT much of a fan of Charlie Brown and the Peanuts as a property. As a child, I was just not very entertained by them. Yes, I saw animated movies, episodes and specials of them here and there and my grandparents gave me volumes of them to read, but as a whole I never thought them quite as entertaining than other comics or cartoons I watched. Some parts of Peanuts animation felt to me often times like just dead air (especially parts of Snooby dancing with Woodstuck, as they had no function to move the plots forward) and I really could not stand how some characters treat Charles on a regular basis. I mean, we all agree that Lucy is one of the worst female characters in fiction and that even while we hate Family Guy, this clip likely gave some of us some sort of satisfaction, right?

https://www.youtube.com/watch?v=mZkJAx8FycI

But before the Peanuts fan out there go and want my head on a silver platter, let me make one thing clear: I may not like the Peanuts franchise… but I respect it and the man behind it.

Charles Schulz drew the comic strip from October 1950 till late 1999 (the final strip being finished months before it would be published on February 13 of 2000, one day after he died of colon cancer) , creating a total amount of 17,897 Peanuts’ strips. His work marks a major impact in the nature of newspaper comic strips and inspired many people out there, including Bill Watterson, to create comics or be in the field of animation. His achievements include among other things, that he created what many people consider the first animated Christmas special ever. The names of his creations became nicknames for the Apollo 10 command module and its’ lunar modul. Four of the five Peanuts movies in existence (animated made for tv specials not withstanding now) were written by him. And the fifth was only not by him, because that one came out in 2015, a decade and a half after he died.

And speaking of things Schulz wrote for the Peanuts, let me mention two things. Two things that though I am not a fan of the Peanuts, I have mad respect for existing in the realm of animation. Two animated specials that stuck with me ever since I was eight.

“What have we learnt, Charlie Brown?” from 1983 and “Why, Charlie Brown, Why?” from 1990.

In the first special, which functions as a semi sequel to the fourth Peanuts’ movie “Bon Voyage, Charlie Brown”, the characters actually travel across France and after ending up on Omaha Beach and Ypres the special turns into a tribute to the soldiers who fought in World War 1 and 2, elaborating on the sacrifices made during the war by showing actual footage of fights, recordings of Eisenhower and reciting the poem “In Flanders Fields” among other things. Do you know how impactful it is to learn about the world wars as a small kid, by being reminded of the actual sacrifices others made in order for your own grandparents to survive?

And speaking of grandparents, I lost my grandmother as a child by cancer. So when I saw the second special I mentioned, you can bet it stuck with me. After all, of all the things in the world, the Peanuts addressing the seriousness of cancer by having a story where a friend of Linus is diagnosed with leukemia and we follow the emotional impact it has on Linus and the girl? Again, I may not like the franchise, but I am not ashamed to admit I think the special treats the subject with a lot of respect and dignity while telling a good story. You bet your ass I get a bit teary eyed when the little girl survives her leukemia treatment and finally gets on that swing again. Those two specials alone are more mature than ¾ of the shit Dobson likes to gosh about, including his oh so precious gay space rocks. And just for those things existing I have respect for Schulz, his creation and the impact it had on so many people. As such, Dobson “belittling” the Peanuts, at least for me, is a freaking insult. The only way Dobson could have been even more insulting is if he called Schulz something derogative. Dobson should be glad if his life’s work in total could even amount to 10% of what Schulz has done and achieved.

Cause Dobson, you are NOT a Charles Schulz. Schulz served during the second world war on the front, fighting actual Nazis instead of calling idiots on the internet fascists for not liking Star Wars. He had integrity and work ethics that drove him to draw and write over 17.000 strips, while you can not even finish one FREAKING story. He knew how to tackle a mature subject, while you make shitty shipping jokes involving Ladybug and Cat Noir and claim Steven Universe knows how to be about psychological trauma, when it just romanticizes abuse. He may have drawn simplistically, but at least he could tell a joke instead of constantly berating others for not sharing his opinion. He did all of that and more without having graduated from college.

And what have you done, Andrew Dobson?

If Dobson reads this, there is one thing in my opinion he should take away from more than anything else: That if people compare him to Charles Schulz’s work, that it means a) he should not be ashamed of it and b) they overestimate him.

#adobsonartworks #andrew dobson #so you are a cartoonist #syac #sjw #peanuts #charles chulz #charlie brown #snoopy #fuck you #animation #steven universe #disney #cartoons #cartoonist #adobsonartwork

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realchemistry · 4 years ago

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Jamie Johnson BAFTA Q&A Full transcript

14:02:35 >> Alex Kay-Jelski: Good evening, everyone and welcome to this special BAFTA event as part of Pride Month. I'm Alex Kay-Jelski. I'm the editor in chief of the athletic and I'm going to be moderating a discussion of Jamie Johnson, Tackling Issues Head On.

14:03:09 I'm sure you have seen the incredible episodes that have been airing recently and before we have a great discussion with your panelists. I have bits of housekeeping. Live captioning is available if needed on this, click the option at the bottom of your Zoom panel. Also, we will be taking questions later, because we want to answer your big queries, but to do that, use the Q&A button at the bottom. We will not see you on the chat function.

14:03:44 I will give you a five minute warning to get the questions in and we will get in as many as we can in the next hour. So here we are, Jamie Johnson, what an incredible, incredible few episodes as we saw Dillon comes to terms or start to terms with his sexuality and being gay and coming out in a time of him being a starring footballer and how difficult that was for hill.

14:04:17 I think in a world where a lot of people feel comfortable going to football grounds, not like anyone is allowed at football grounds right now, unfortunately. With people coming to terms with who they are, trying to speak to their family about it, trying to speak to their friends about it. Really moving, fantastic drama.

14:04:39 We're going to talk to the key people and try to explain why it is so important and what effect it had and will continue to have. So I will stop prattling on because you are probably bored of hearing from me because there are far more interesting people to hear from.

14:04:58 We have Shaun Duggan the lead writer on Jamie Johnson. He has been BAFTA nominated alongside of Jimmy from the accused and he is famous for righting the lesbian kiss in brook side. I'm old enough to remember that.

14:05:33 Next, we have actors Laquarn Lewis and Patrick Ward, so hello to you two. We have Cheryl Taylor. Cheryl is the head of content of BBC Children and she commissioned Jamie Johnson and all of the BBC content, that is hard to say when you say it quickly for television and online.

14:06:03 For now, we have Hugo Scheckter who is the head of Player Care of West Ham United. Later, we have an extra because we're going to be joined by the executive producer Anita Burgess who produces Jamie Johnson for BBC. Lots of people with lots of things to say. We should get started, shouldn't we?

14:06:32 I'm going to talk to Shaun first, because I think you're the best persons to answer this question. Jamie Johnson has always been a huge success, we're in series five now, great ratings, lots of interest, telling really, really important stories that reflect sort of the lives of children and teenagers. Why do you think the show has been so popular and why does it engage this audience so well?

14:07:07 >> Shaun Duggan: I think for what you have said and from the outset, we wanted to tell a show that felt very real and reflect the lives of our young audience and not patronize or condescend them. My background is working on soap operas and other stuff and this was rarely the first big show I worked on in children's drama.

14:07:40 I have to say, I didn't approach it any differently. I approached it in the same way as I would an adult drama. Obviously, there are things you have to be careful of in terms of language, but in terms of thinking of challenge in story, thinking about what reflects the young audience as lives, what is important to them and just in terms and I'm sure we'll talk more later about how the whole Dillon story came about.

14:08:08 If I could say from a personal experience, when I was younger, I could I've with the show because I'm football mad, working-class background, I remember my dad carrying me over the turnstiles and slipping the man some cash and all I wanted to do was play football in the street and that is why I was obsessed with going to every game I could.

14:08:39 Then I got to about 11 and things changed because suddenly all I play football with didn't want to be my friend anymore and people started saying I was gay, queer, in the 80'S, I did not know what these things were. It I just knew I was something bad and something to be ashamed of and things got worse where I was not welcome to play football anymore.

14:09:14 People turned their backs on me and all through senior school, for me personally, I had a hellish experience. I left school without any qualifications and not just talking verbal bullying, I'm talking getting beaten up most days, so school became about survival. I couldn't turn to the teachers. You were not allowed to talk about gay issue, I couldn't go home and tell my own family.

14:10:04 They were homophobic, not homophobic in a bad way, but we didn't know and I know firsthand how isolating and lonely, you know that is to be a young, gay person. I know things have changed to a degree, but in terms of education these things aren't talked enough within school, so to get this opportunity to tell a story like this in children's drama, I have to say a massive thank you to Cheryl and everyone at CBBC. If they don't support it and go along with it, then it wouldn't happen.

14:10:31 I have to say I found it very emotional seeing these stories going out on screen last week, not only that but everything around it, the support on news, the presenters after they talked to the audience and it is OK to be yourself and it made me proud to be a part of it and how far we have come.

14:10:46 >> Alex Kay-Jelski: Do you think producing a show like this plays a role a little bit, a small role in helping the next generation of kids who are growing up, teenagers who are coming to terms with who they are, they don't have to go through what you have gone through.

14:11:24 >> Shaun Duggan: Absolutely, it is all cliche really, but if people say, if we telling this story, we can help one person not to feel -- let them know they are not on their own it is really worth doing. You mentioned at the intro, I did the lesbian kiss, which is almost 30 years ago now, but to this day, people who are in their 50s or whatever will approach me and when I meet them and you can tell people are in isolated communities with a traditional family.

14:11:34 The impact of seeing that story line on screen and making it feel less alone and that is so powerful.

14:11:54 >> Alex Kay-Jelski: Cheryl, does the BBC have a role to play in that sense in trying to reassure people like this program does and let them know they are not alone? How important is it when you're choosing which programs to put on air does that come into play?

14:12:31 >> Cheryl Taylor: Thanks, Alex. It is really important to us. Obviously, as a public service board, we are there to inform and to entertain and I think we want the children who are watching our shows to feel good about themselves and feel informed. I think it is key. It sets us apart from other broadcasters and listening to Shaun there, such a powerful story that he has told, not just on Jamie Johnson, but to us here this evening.

14:13:02 I think, I don't know how old Shaun is, but he looks younger than someone who wrote brookside 30 years ago. When I was the age of Patrick and Laquarn, I would not have had any role models and it is fantastic that people are able to write these important stories and we very much want to reflect them.

14:13:31 I have to point out it takes a special kind of writer and special performer to achieve what Jamie Johnson has achieved and the whole production team as well. A lot of people have talked about authenticity at the moment and to hear Shaun talk about the story that has woven into a football series.

14:14:06 Jamie Johnson has been around for a long time and to artfully weave that story, in a sense, I don't think any of the fans or viewers would have felt in a sense they were being preached at or lectured, which I think is amazing. I think Patrick has taken us through Dillon's journey in a way that Shaun has given us the story, a coming of age story, someone finding his identity and that is something all kids will be going through. They will all be looking for signals and for help.

14:14:42 It is hard being a kid and hard growing up, so you know, absolutely, I think the BBC is the platform for this type of story, but fair play to these guys. They told it beautifully. I was seeing the comments on Patrick and Laquarn's Insta and there are people saying this is amazing and this is great to seeing this happen. People have written, what an amazing episode of Jamie Johnson. It is such a valuable series.

14:14:49 I'm grateful to Shaun and all of the team for telling the story so beautifully.

14:15:12 >> Alex Kay-Jelski: Shaun, how do you write for a teenage and child audience? How do you get insides of the heads of teenagers and people of that age and make it relevant to them? As been mentioned in this call already, you are not a teenager anymore.

14:15:44 >> Shaun Duggan: No, but I thank Cheryl for the comments they am older than you might realize. I have lots of nieces, nephew, firstly, we have all been teenagers so I have been there. But I have nieces and nephews and so many of my friends' children love Jamie Johnson. In the past, for example, I tried to incorporate stories being relevant.

14:15:58 We had Dillon being diabetic in an earlier series because my friend's daughter was diagnosed with type I diabetes and that is where the idea came from, so you draw from all of those experiences.

14:16:10 >> Alex Kay-Jelski: Patrick, do you remember the day they came to you with the idea of this story line and how did that feel? It is quite a responsibility, I guess.

14:16:41 >> Patrick Ward: Sure, I do remember the day, actually, before every series, I would meet with Shaun and Anita and talk about the next year and this idea was brought forward. To be honest, while a lot of people may see it as being a surprise, when you look back over Dillon's journey, it made a lot of sense and as playing Dillon, it felt organic and needed in society as well.

14:16:56 Yeah, definitely, I think that is really important as well, I have younger brothers and sisters who fancy the star and to see their response and other people, it has been brilliant.

14:17:20 >> Alex Kay-Jelski: How many barriers do you think there are to breakdown? For example, hopefully, this makes a lot of people feel more comfortable and better about themselves, but realistically, when you went and told your friends about this twist in Dillon's character, were you nervous about the response that you would get? Has that been positive?

14:17:42 >> Patrick Ward: I suppose you are nervous, for me especially with negative feedback, it is more kind of, like what Shaun was talk about earlier, it shows that it is perform that we're doing this story line. When you see negative feedback, which is not a lot of it to be fair, most of it is positive, but I think it is important.

14:18:03 People around me responded very well and my family was very supportive and is very forward thinking. I was proud to be doing it and I didn't care what other people had to say about it negative thinking, because I'm honored to be a part of it.

14:18:13 >> Alex Kay-Jelski: Laquarn, how did you feel that? Do you think Jamie Johnson has a unique way of telling a story like this?

14:18:45 >> Laquarn Lewis: Yeah, I think it is unique in terms of the way he told the story, because any story can educate people on coming out and finding your own sexuality, but Jamie Johnson has done this through an industry which seems to be gay in football, especially and they tackled this on one of their main characters and followed the journey of his homophobic past with himself, his younger brother and dad.

14:19:16 He was only sharing the homophobic because that is what he was used to around his family and maybe his football team, you know, so the fact he had to hold it in for so long and hide who he is because of his passion for football. Jamie Johnson told an amazing story and did an amazing job of getting it across and you can be who you want to be no matter what your dreams are.

14:19:49 >> Alex Kay-Jelski: I think it is great that he was not playing into people's stereotypes as well. Some people like to think what they know what a gay person looks like, talks like, walks like, right, Dillon did not fit the stereotypes. Hugo, I don't know if you had the same thing, but when I came out, a lot of people were like, oh, we didn't see that coming necessarily, which is fine but you wish they had known it was coming because it was less of a surprise.

14:20:06 I think the fact that Dillon was not what some people would expect is a great thing for the audience because it makes them think about their own assumptions and prejudices, if you don't mind.

14:20:31 >> Shaun Duggan: I hope you don't mind me jumping, in but it made the story more interesting. The audience had these expectations of Dillon that someone like him wouldn't be gay, so therefore, that makes it more challenging.

14:20:48 >> Alex Kay-Jelski: Yeah, absolutely. Did you, Patrick, Laquarn get involved in the story line or were you good boys and did what you were told?

14:21:07 >> Patrick Ward: Well, we rehearsed beforehand, actually in this house, in the next room. Laquarn came with someone we have known for a long time and rehearsed this kind of thing. I think it is very important as well.

14:21:42 >> Laquarn Lewis: He made us do games where we had to get to know each other really well before we shoot the scenes, so the story that we were telling was truthful. We had to do this one task and we had to look at each other and we couldn't smile and we had to keep pushing each other. He did so many games to get us on to a level where our relationship outside of acting could really like grow for our onset acting and I think that helped a lot.

14:22:10 >> Patrick Ward: I was going to say it is interesting because if you look at Dillon when he meets Elliot, it is like when he first sees him. It is like there is something that goes on insides of his brain. He doesn't understand what it is, but there is something and it is new and it happens very quickly, so I think it is important that me and Laquarn were able to understand each other as people and actors beforehand, definitely.

14:22:28 >> Alex Kay-Jelski: Absolutely. We touched on this is a little, Cheryl, but outside of this show, generally, do you feel the BBC has a responsibility to put forward stories that represent underrepresented parts of audiences?

14:23:08 >> Cheryl Taylor: Yes, I was just thinking there when Shaun was talking about Patrick having diabetes just using Jamie Johnson as an example and this is one example of one of many, many dramas that we do. The different storylines that people judge as mainly football drama. We covered Jamie's family and kids looking after sick parents, so young carers, we had the homophobia, we had bullying. Just in that one series, you have a set of writers and producers and commissioners

14:23:50 Who intend to broaden the scope to be as inclusive and relevant as many kids as possible. Someone was talking about we know a lot of girls watch Jamie Johnson as well, so across the piece, it is important that all of our brands have a broad appeal. I think, I know I sound like I'm heaping praise on these wonderful creators but because I think they deserve it in this one drama. Secret life of boys, all of these shows on the surface, you can say this is a comedy, this is a drama.

14:24:19 Under beneath of that, every episode addresses these issues and reflects many of the audience's lives as many as possible and giving them tools and strategies to manage their own lives. I do think suggest a scale and a specialty skill and I don't think anyone watching the show would argue that they have done it incredibly well. It is very important.

14:24:44 >> Alex Kay-Jelski: That is it, isn't it? We can talk about sport and football and LBGTQ relationships in a minute, but Jamie Johnson, this story line is a show about football largely, but the story line is not about football. You can be any young more than or older person who doesn't have the courage to come out or the opportunity to come out and see that.

14:24:59 Hopefully, be confident and inspired by it. This is not about football, right, either of you, this is show to reach out to a much, much wider audience.

14:25:27 >> Cheryl Taylor: As I say it is about identities, rites of passage, coming of age and the journey that Dillon goes on, especially the extraordinary scene with his dad, for any kid, you know who is thinking about a difficult conversation that they might want to have, that would have been key. That would have been crucial and the fact that he goes to speak to Jamie. He reaches out to his friends and gets advice.

14:25:51 That is where the beauty of having Elliot there who has gone through this before, who has to some degree come to terms with his identity and that gives lots of information, lots of hope, useful take out for kids who are watching and feeling uncertainty about their own identity.

14:26:23 >> Shaun Duggan: I think that is, if you don't mind me jumping in again, really important because we established in the story that Dillon's family is homophobic. We ran a story where his little brother was kicked out of the club about making homophobic comments about Ruby's foster parents. We have time to establish that, but it felt important when we brought in Elliot's character that he was coming in from a different place.

14:26:37 He was comfortable in who he was. He says on screen that he had been brought up with gay people, so they had different experiences, but learned from each other's experiences.

14:27:03 >> Alex Kay-Jelski: Also for parents, too, right? This is not an easy conversation and not always an expected conversation for parents as well. I think is very hard to know sometimes how to react and how not to react and everyone wants to say they want to be understanding with their children, but some parents may get shocked and surprised and don't react in the most helpful ways.

14:27:13 With that scene in particular with Dillon and his dad is a good thing to pin up on the wall, and go, whatever you do, don't do that.

14:27:39 >> Shaun Duggan: Again, in terms of that is such a powerful scene, very difficult to watch and all of the actors played it so brilliant, but there is quite a pit of the series to go, so although Dillon's dad reacted veried badly, he will have his own journey to go on through the rest of the series.

14:28:18 >> Alex Kay-Jelski: Hugo, you sat there patiently and calmly and nodding in the right places, so now you get to talk. Hugo works in west ham. He is in the dressing room with players. He is helping them out. He used to work at Southampton, so he works at various football clubs. He understands football. He is a gay man in football. What did you think watching this and do you think football is a different place than other parts of society?

14:28:56 >> Hugo Scheckter: First of all, it struck me how powerful it was and it was jarring from a kids' TV show. I'm not someone who watched Jamie Johnson on a regular basis before, I don't know if I'm supposed to say that. This was my first expectation of the show, watching cartoons with my nephew. Did not know what to expect, but I thought, wow, this is hard hitting and I was jarred by the whole Dillon and his father's scene.

14:29:24 I think it was absolutely fantastic to highlight that. In terms of football, I think it's a different environment in a lot of ways, but negative and positive. I think a lot of people see football as this horrible, you know, macho, alpha-male environment. The changing room is one of the most diverse groups of people you can meet.

14:30:08 We've got on the team, for example, a guy from the republic of Congress go who is friends with a Scottish guy and a Hawaiian guy and you probably don't see that in society on a general basis. I think seeing the role molls come -- models coming out, but you're seeing it in the lockdown, but allies and I think people have spoken openly and eloquently about the importance of the rainbow campaign or openly gay players or role models.

14:30:42 For me, I was in the closet and I came out about two or three years into Southampton. My job is to look after players and the families and I was trying to get the players to trust me without sharing all of myself. Once I did, the relationship was so much closer and even today at lunch, I had a player ask me about my coming out and how I realized and he talked about how he would react if his kids came out.

14:31:14 That is a conversation that you would not expect to be in a changing room or a club and the amount of discussions we had about LBGTQ issues or trans issues, I'm not shaggymane expert, but I'm a resource and I think it is hugely encouraging and it means they are inquisitive people. I think they get a bad rap and I'm 100% sure who came out would be fully accepted in the change room.

14:31:44 Players want you to be a good person and a good player and if you can 10 us stay in the league or other teams' cases, higher up in the league, that is all that matters. It does not matter who you are or what you do in your free time, what religion you are or sexual orientation, it does not matter as long as you're a good person or a good player. I think football gets a worse rap than it deserves at times.

14:32:22 >> Alex Kay-Jelski: I would counter it to be the awkward person to say going to football is the only place I would not hold my husband's hand in public. It is one thing to know what it is like in the dressing room and that is fascinating, it is another thing to walk into a football stadium and the atmosphere and the words that you hear there, whether it is racist stuff, homophobic stuff, football as a sport has a long, long way to go percent. Sports has a long way to go. There are not out

14:32:59 Is not a great place. You say it was Dillon's line in the episode, there is no out -- no out footballer in this country, how can I sort of come out and be successful and that is the crux of that is a big part of the episode, isn't it? It is a really complex question because the worst thing that can happen people endlessly talking about it and the witchhunt of we need gay footballs. Who is the gay footballer?

14:33:14 I think the narrative needs to be a welcoming environment so people feel comfortable and that may take another generation's time.

14:33:53 >> Hugo Scheckter: There are gay women footballers in the west ham. You know what, yeah, I can talk to my experience in the changing room. To be honest, I go to every game we play and I don't hear the negativity. I think there is a lot of discussion in football about this banter and from an outsider's point of view, especially in the change room, it can be seen as negative. The way I felt was the players did not joke about anything, whether it was my sexuality or whatever else,

14:34:20 My hair, my weight, or whatever it is, that means they accept me. If it is like, don't talk about gay stuff that is like they don't accept me. I had players saying can I make a gay joke to you and I say as long as you make it to my face and prepare for me to come back at you and I think that is a little bit of a difference in football environment where other industries it would not be acceptable.

14:34:46 At the end of the day, we are focused of doing one thing, which is winning matches and we have a match tomorrow. We're all focused on that we're not worried about what everyone is doing around that. We're worried about everything is doing everything they can to beat Chelsea or get a point at this point, but it is important that we work together for that one goal.

14:35:06 >> Alex Kay-Jelski: Just a quick, not warning as such, advisory, that we will probably start the questions in a few minutes. I can see there are few in there. If you want to ask these lovely, almost interesting people questions, make sure you get them so we can make you as happy as possible.

14:35:18 What is acting like in comparison, Laquarn, Patrick, do you feel that is a welcoming environment for people to be themselves?

14:35:54 >> Laquarn Lewis: Well, I feel like it. Yeah, there is, but there is a lot of discrimination in the acting industry, it is not just football. I feel like, especially with type casting that is very hard in the industry, because if you act or look a certain way then it is most likely you're going to get put for this same character over and over again. It is good to just play something different to yourself and get that opportunity.

14:36:07 It is getting better in the industry, but like I said, I'm happy to play whatever, especially this role right here, because I'm helping so many people, so I'm -- thank you, yeah.

14:36:13 >> Alex Kay-Jelski: Have you had people get in touch with you to say it has helped?

14:36:17 >> Laquarn Lewis: You can do this one, Patrick.

14:36:49 >> Patrick Ward: Yeah, yeah, definitely, it has been mostly positive and that is the benefit thing for me is seeing people with a message saying this has helped me come to terms with this or this helped me speak about this and that is all we're trying to achieve and just I'm proud watching the episode because everyone did such a good job. It has been fantastic and see how people have responded in a good way.

14:36:57 There has been some negativity, but a lot of people have taken it positive.

14:37:18 >> Alex Kay-Jelski: One person who is in a great position to explain a little bit more about the reception that this story line has got is Anita. So Anita Burgess, for those who were not here at the beginning of the conversation, Anita. Hello, Anita. Good evening. Nice to see you.

14:37:21 >> Anita Burgess: Hello. Nice to see you, too.

14:37:35 >> Alex Kay-Jelski: Anita is the executive producer of the show. You must be absolutely fantastic the repping you have had, I would love to hear from your perspective.

14:38:11 >> Anita Burgess: It has been amazing actually. I'm known as someone who cries a lot and the reception has made me cry a lot even for me. It has been overwhelming. I think as Patrick was saying largely positive. I mean almost entirely positive, the 1% have their other views and that is there and that has to be acknowledged, but I found, I think as what was said, the most moving ones are the positive ones.

14:38:39 People feel for the first time there is something on screen that they recognize themselves in and it helps them and the complements about how the story has been handled and us not talking down to people, that sense of what we're trying to do is empower and educate and get the word out there to help people who are already in this position.

14:38:53 >> Alex Kay-Jelski: How would you not talk down to people? What are things that you can do so it does not come across as patronizing? What are things in your head as a producer to say don't do this?

14:39:30 >> Anita Burgess: We are mindful of the audience and the age they are, so you explain things and make it clear to not -- what you're trying to do is use language that they would understand, but not treat them kind of too young. I think the simplicity of the story comes from truth. It comes from Shaun's experiences.

14:39:44 Making sure the research is as thorough as possible, so we are representing the truth as much as we can, I think it is about that, so don't talk down is just be honest and clear as best we can.

14:40:10 >> Alex Kay-Jelski: That is brilliant. I think it is time we put you to the sharks and answer some questions, really. There are quite a few of them. I'm going to try to do something if I press a button, they might come up on the screen. I'm going to apologize in advance if I get that wrong and someone will tell me if I'm doing this wrong.

14:40:42 So Dillon's storyline has been gripping, someone says. Beautifully written and amazingly active. Lots of compliments. This is best directed to you, Cheryl, of CBC producing a series with younger audiences where being LBGTQ plus being the center of the show? Can you, not target, but get this message to a younger audience?

14:41:13 >> Cheryl Taylor: Thank you for the question. As I was saying earlier, obviously CBC is the preschool channel and we have 6-12, to some degree we're limited to the type of lens we can put on sexuality, obviously, and as I mentioned earlier, a lot around your identity is something that we can explore. It has to be done in a certain way, because we have quite a wide age group.

14:41:47 I think the way this story is played out from 9-12 and above has been perfect, so depending on how someone wrote a story and type of character that they highlighted, I think anything is possible. Our central messages are about tolerance and inclusion and that people should feel OK about being themselves and I think you can get those messages across in many, many different ways, as to say for preschool age.

14:41:54 It would depend on the type of character and how they were portrayed, but essentially, yes, absolutely.

14:41:59 >> Alex Kay-Jelski: Since you're talking, you can answer the next question.

14:42:00 >> Cheryl Taylor: Go.

14:42:22 >> Alex Kay-Jelski: Shaun might have an opinion as well. How long did it take to develop the idea and were you nervous about it? The person here, he says he produced when Andrew Hayden Smith came out and people were nervous that people like parents would complain. Were you aware of that or, no, we're doing the right thing?

14:42:51 >> Cheryl Taylor: I wasn't nervous, actually, that is partly to do with the team. Again as I mentioned this there are a lot of tricky storylines in Jamie Johnson and our other dramas. Anita, Shaun, everyone is very, very experienced and I knew they would handle it really well and similarly, the commissioning editor, Amy and her team would have explained the storylines with Anita.

14:43:25 That is one part of it and going back to Patrick, Patrick is such a key, key character in Jamie Johnson and he has taken on so many different things, so right from the beginning. I remember Anita telling me Patrick embraced the idea because he felt it was so important. Genuinely, we knew the team, there might have been a few more question marks, but with this team we did not have any anxiety.

14:44:06 Anita and Amy in presentation and talked to the press and introducing it and Patrick introduced it and pushing to news rounds and also on social media kind of making sure there were links there to child life or the other kids that might be watching who were worried and going through new experiences. Across the piece, everyone was so empathetic that it might be a troublesome story line, and they did brilliant work to make sure it was embedded in the right way.

14:44:23 >> Alex Kay-Jelski: Brilliant. Shaun, this one is for you. This person is called anonymous attendee, who I don't think is their real name, how important is it for LBGTQ stories to have a happy ending?

14:44:46 >> Shaun Duggan: Incredibly important, as far as I'm concerned. In the past, we have seen so many examples, you know, where there is a tragic ending and to be honest because that is reflected reality, because it has been in the past incredibly hard to be gay in this country. It was only in the 1960's, it was legal to be gay.

14:45:11 In the 80'S, we had the AIDS epidemic and you couldn't discuss being gay in school, so it is only in the past 20 or so years, we have been on this incredible journey and we are in a position now where we can tell these positive stories that reflect real people's lives.

14:45:31 >> Alex Kay-Jelski: I think when you grow up a gay teenager there is a lot of feeling that you won't have all of the things that people laid out for other people. I grew up thinking I'm not going to get married and not have kids and I'm going to be unhappy. Having hope.

14:46:11 >> Shaun Duggan: For me being able to tell it, I talked about being bullied at school. I was 21 before I came out. That ad less scents that most people have, I didn't have. It was stolen from me. It gives me so much hope that young people have the confidence to talk sexuality and build on those.

14:46:45 >> Alex Kay-Jelski: I'm being asked by Christopher, how have your peers responded to you playing this role? Obviously, Laquarn, you mentioned discrimination in industry. Have actors been supportive in what you have done? Lincoln people around me like my friends and family and people who watch have really supported me and and there is nothing far from like myself. Elliot is just like myself.

14:47:19 >> Laquarn Lewis: I -- so my friends have always been supportive, but I chose to wait until I left secondary school to tell them what my sexuality was, because I knew in secondary schools, if you are different in any way shape or form whether that is sexuality, disability, you will be brutalized and it is a horrible thing. I already knew I was going to wait until then. I was worried about my friends and what they would think as well.

14:47:46 When I told them, I have never seen such amazing support of people and doing this right now in the show, they have picked me up so much. They said the bravery it takes to be able to be open about your sexuality and then do this and silt just amazing and I thank everyone around me really.

14:47:51 >> Alex Kay-Jelski: Patrick, anything to add or is that an impossible act to follow?

14:48:22 >> Patrick Ward: That is summed up perfectly. A different thing for me, this story line, but everybody around me has been very supportive. There are people I know, to be fair, from school or who you see out who haven't -- made comments, but as a reality, for me, you have conversations about this and able to express and I think it has been already.

14:48:43 >> Alex Kay-Jelski: Someone sells asking, when you're doing a story line like this, are you given any help or claiming in terms or warnings about how to deal with the response afterwards on social media? It is hard to know what things are going to be like, right?

14:49:12 >> Laquarn Lewis: Yeah, we have had Zoom sessions with Anita and Shaun and BBC, everyone involved in making Jamie Johnson and particularly, this storyline, they have given us guidelines and a draft response to people who are giving us hate and BBC says we don't respond to this. We have been helped really well.

14:49:50 >> Patrick Ward: I think that is spot on that it has been interesting that I have been doing this for quite a while and I remember being 12 and in a room and talking about social media before I had ever been on TV and people saying, this is -- you're going to have this kind of response and this kind of thing and I remember being mind blown. It now a part of reality on how to respond with these things. I have a strict code of conduct with my social media and mostly what we have had ha fantast

14:50:26 >> Alex Kay-Jelski: There is one question that has been asked more than anything else, so we're going to save it to the end. We're going to go to a tough one and Shaun and Anita, you are probably best place to ask this. Someone said a line that jumped out to me, I think this is in the scene with Dillon and his dad, you are gay or you're not. Should we be telling people that identities aren't binary?

14:50:52 >> Shaun Duggan: I think with that line, you're writing truthfully from Dillon's dad's perspective. He hasn't got this great understand on of the subject and it is the kind of thing that he might say and not everyone is 100% gay. A lot of people are, a lot of people aren't, a lot of people in the middle.

14:51:32 Dillon is actually trying to tell his dad the truth and his dad is making it as difficult as possible for him, so I think I would rather focus on the positive message and the scenes that we have between Dillon and Elliot, where there was so much positive materials spoken about rather than focusing on Dillon's dad, who at this stage is homophobic and ignorant and a bigot, really.

14:52:05 >> Alex Kay-Jelski: This question is from a teacher and she says if she teaches things about homophobia or transgender issues, she gets parents saying she is trying to make them that way and we hear this quite a lot, right? If you tell people about transgender people, you're going to make them transgender. She is asking, have you had any of that or generally people been a lot lovier?

14:52:38 >> Shaun Duggan: If I could just say from my perspective on that, again, talking about what I was saying earlier, from being born to 12-13, I did not see any gay representation on TV I did not know what gay people were. I still became gay. If you go on that lodge you can, I should be an heterosexual, because I should have been inspired by boys and girls, but I wasn't. I still became gay.

14:52:54 You have to be careful when you have the debates, don't you of just having an open mind. At the end of the day, you know instinctively what you are from an a young age.

14:53:23 >> Alex Kay-Jelski: Begs the question, if I watch enough "Game of Thrones" will by a weird person and run around with a spear in my hand? Not sure how that works. This question is for Cheryl from Miriam. She says in children's media, it can be hard to get certain things to air. With this story line, you had to tweak it or limit it in order for it to get to that stage or were you allowed to be fairly free with it?

14:53:57 >> Cheryl Taylor: Thanks for your question, Miriam. I think that goes back to the one we answered earlier, which was, I think the teams, s Anita and Amy and Shaun were looking at getting the story across in an age appropriate way. We is 6-12, so we need to make sure it is age appropriate.

14:54:38 Generally, there are some things I get exercised about, along with Katherine McAllister and I think pat and Laquarn was mentioning and we talked to her if we worried about a story line. Because this one, series five, coming from Shaun's personal experience and a specialty team, I didn't have any concerns about that.

14:55:12 >> Anita Burgess: Can I jump in as well, because I think it is important that people can understand how the producer coming to the BBC with this story, it wasn't something that we thought oh, we're not going to be able to do that. We knew the team would be very willing to talk to us and they did and we had a very in-depth discussion all the way along the line, they were incrediblably supportive of making sure this is age appropriate and the clarity was there, but the truth was there.

14:55:31 I think all credit it to the BBC if there is a perception that there is something you can't do there, that is not the case. There is always a conversation to be had there and they have been enormously supported right from the start.

14:55:50 >> Alex Kay-Jelski: Hugo, young footballers coming through as teenagers, do they get a good education in being open minded? I can't remember how much they are in school and how much they are not at school. How do young sports people get taught how to be open minder?

14:56:17 >> Hugo Scheckter: I don't think we teach them to be open minded, I think we teach them a variety of life skills that leads them to being open minds, which was the idea. They are meeting people that they would not have met through their normal lives and I think that is a positive experience, but we also make sure everything we are doing that is appropriate and talk about the social media guidelines that the actors go through.

14:56:43 We go through the same thing, not only in the things they put out, but what they receive and we have had a number of issues with various comments getting to our players and having to deal with that. I think you can't maybe teach -- you can teach open mindness, but that is not our goal. Our goal is to make well-rounded people who are also excellent footballers.

14:57:06 We haven't seen issues in the any of the clubs I worked with where players are not accepting each other or having problems with each other it. Tends to be they competed on a position, where two goalkeepers competing for one position, but not the personality of the major clashes that happens at younger ages.

14:57:25 >> Alex Kay-Jelski: I reckon apart from the one person who is asking if they can play football with Patrick, we have time for two more questions. Laquarn, Patrick, what have you learned from filming these scenes?

14:57:49 >> Patrick Ward: I think a lot. These are the scenes I was looking forward to the most. When you get the scripts, especially the ones, obviously we rehearsed a lot, but I learned a lot as an actor and I am not able to prescription it very well because it is an organic process and try to embed yourself into it.

14:58:01 I like to think of it being modern and I think you learn a lot from this kind of thing, especially as a new actor.

14:58:04 >> Alex Kay-Jelski: Laquarn, over to you.

14:58:40 >> Laquarn Lewis: I think it is -- it shows a way of how somebody can cope with coming out and how they deal with telling people and stuff and what I have learned from filming this and getting out there to people is, it doesn't have to be someone on the screen. You can be the person in real life to support your friend. All it takes you to ask them if they are OK and they might all of a sudden tell you that or anything.

14:58:55 If you just support people around you then you know it is something to help them that little bit more to be themselves.

14:59:11 >> Alex Kay-Jelski: So the last question of the night, the question that everyone is asking in this Q&A and we have to ask wow getting in trouble, is Elliot coming back? Who is answering that question?

14:59:28 >> Anita Burgess: I guess that is me, isn't it? We're hopeful. Things are in the process at the moment. Things aren't completely finished yet, but we're hopeful to find a way of continuing it somehow.

14:59:33 >> Alex Kay-Jelski: Laquarn, you're in luck. It is a night to celebrate.

14:59:35 >> Anita Burgess: He might not want to.

14:59:37 >> Laquarn Lewis: I would. I would.

15:00:14 >> Alex Kay-Jelski: There you go. It is a job acceptance live on air. Thank you so much all of you for your time, your questions, your excellent answers. I have enjoyed it and I hope you have as well. There are a lot of people struggling out there, as well, if you know them, I recommend the charities, it takes so much work to help people in relation to storylines like this, absolutely massive.

#Jamie Johnson #Patrick Ward #Laquarn Lewis #Dillon Simmonds #Elliot #Anita Burgess #Shaun Duggan #BAFTA #transcript #they'll probably upload the whole thing but just in case #this is the official transcript and it has some mistakes #I fixed some I caught but...

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mamawelp · 4 years ago

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It’s been awhile since I’ve been back on tumblr, but my shits gotten so bad lately that I need something, some kind of outlet. I feel so goddamn alone and my mind feels so stretched thin that if it doesn’t just completely snap, it surely will never fully recover. I thought I was getting better for a while, but the stress of the last three years has taken a toll. My daughter is everything to me, and I feel like I started out with so much joy and energy. Little by little my energy has run down and I have no way of resting to recuperate it. I have no friends, my family is toxic, and my fiancé is in a word, awful. He’s manipulative, a gas lighter, liar, he blames, critiques, always angry, so fucking angry all of the time. He uses my limitations against me and I’m stuck with him. I’m disabled, I have zero money to my name, zero support system, and I’m afraid if I tried to leave him, I wouldn’t be able to bring my daughter with me, or more to the point, he would fight for custody and win. I can’t even trust him to watch our daughter for half an hour. He falls asleep and she gets hurt or makes just the most epic messes of all time. My executive function has gone out the window almost entirely because I am severely disabled and the only one caring for our daughter 24/7. I’m the only one worrying for her, planning for her, teaching her, dressing her, feeding her, changing her. I can’t do for myself anymore because every drop of energy goes to her and there is never a break. And yet he holds it over my head that I’m not doing enough. I am so lost in this depression and loneliness and it’s not fair to her, and meanwhile this man doesn’t even care about his daughter enough to let me have a break. If he does miraculously take her out of the house, he takes her to his moms house, so someone else will watch her. Still, it’s the only way he can be trusted with her.

I hadn’t left the house in a while. It’s hard for me to get out when there isn’t a pandemic, and the longer I stay in the worse it gets. There were more months in the year than times I went inside a public place in 2020. I went outside a few times, but it’s hard for me to even step out on my front porch, or go into my back yard. Sometimes I forget there’s a pandemic going on out there because I have simply not experienced the masks, hand sanitizers, temperature checks, and empty toilet paper aisles. If I need something, I order it or he goes out to get it. Yesterday I felt cabin fever kicking in again. I always have a low grade cabin fever, it’s been like this for 12 years, but the cabin fever has to be greater than the anxiety and mixed with a touch of mania for me to be like, “must leave now.” So I said let’s go get something to eat. I meant a drive through. When I get out of the house, I stay in the car the whole time, even before the pandemic. We were pulling away from Taco Bell and I mentioned that I thought the nacho fries were loaded because of a picture. He started asking me what loaded fries were. I know that he knows what loaded fries are. So I said loaded, like loaded fries. And he kept insisting I explain what was loaded. At that point I had no idea what he wanted from me so I had no answer that was acceptable for him and we ended up getting in a ridiculous argument over goddamn loaded fries. Turns out he wanted the precise toppings I thought were on the loaded fries, that evidently doesn’t even exist. I misinterpreted a picture. All because I misinterpreted a picture and he felt I should have memorized the menu in anticipation of him asking me what loaded fries were. It was awful and so fucking stupid. All I wanted was to leave the house for 20 minutes. We ended up arguing the whole way home and in the kitchen. By the time I started trying to calm myself down I realized that I had been completely triggered in an episode. By which I mean that time felt different. My episodic memory was skewed. There were blank spots in my memory when I had become the most frustrated and confused. Everything was coming back to me in flashes or pictures and feelings. Which screws me, because if he can trigger me to lose pieces of time, then he can control the narrative. He said that I was demeaning him and making him feel stupid for asking. That was never my intention, I legitimately didn’t understand what he was asking me. It wasn’t until I calmed down that I remembered his crack at the window when we got our food. He made sure the window was open and the lady was there to chide me on being indecisive and worrying about what other people were ordering. Like I was a child. (We always get the 12 taco box, but I got a meal this time and wanted to know if he was going to get the party box, because if he was, then I shouldn’t get the combo meal. Like not a big deal, but an important distinction if you’re not trying to waste food or money.) It was a ridiculous argument and I feel a little silly trying to go into every minutiae detail of trying to order our food, but I don’t feel like I did anything wrong and got ridiculed and then grilled over the Taco Bell menu. Anyway...

It’s hard for me to leave by myself, that requires a whole other recipe of confidence and mania. I usually feel like I need another adult as a life line. I just don’t know why I keep feeling like I can use him as a life line. He does this every time we go somewhere. In fact I stopped going to the grocery in large part because he was the only one left who would go with me and he ends up disappearing the second we’re in the door, or he criticizes me for being so slow or browsing, or not taking the most military like detailed path through the store. Because no matter what you are doing, he could do it better, and he’s going to tell you all about it. I use to shop with his brother, or my best friend, but his brother isn’t around as much anymore and my best friend/sister since kindergarten is severely disabled now as well. I have told him a million times that my senses get overloaded in the store and that I have to take it slow, that I have to stay calm and collected, or I won’t be able to continue shopping, but he doesn’t care. I think he wants me to fail.

I stopped driving us places because he constantly criticizes me. He tells me which parking place I should have taken as I pass it which always sort of deletes my brain a little and then he uses that second of confusion in me to jump in full force about what I “always do” wrong and “why don’t you” ever and when I finally get parked it “took me long enough” and what’s the difference between that spot and the spot he said. Usually the spot is closeness to the door. He will park at the very edge of the parking lot knowing I won’t want to go in if he does, while I look for a closer spot so I can easily exit the store. My entire body is exhausted by the time I leave, so I know I will need to park closer. I’ve told him this, he knows this. The parking is just an example. He uses the entire drive to somewhere to poke at me until I am a mess of anxiety and then I no longer have the energy for whatever we’re doing. I do just fine when I drive by myself or someone else. Just to be clear, there’s nothing wrong with my driving, I don’t speed, I don’t follow anyone too closely, I don’t run red lights, slam on breaks just to piss someone off, I don’t swerve through heavy traffic, I don’t roll my window down to yell at people, I don’t cut people off and yell at them for it, I don’t act like I own the road, but he does. He does all of those things. He gets so angry in the car and it makes you feel so uncomfortable and anxious you’ll melt into the seat. It’s awful. He’s awful.

When our daughter was born, I had a renewed since of confidence. I stopped saying sorry and I started just getting pissed. In a way it has backfired though, because now I’m pissed and bitter and he acts like I’m the one abusing him for calling him out on his shitty behavior. Basically he’ll pull some asshole move, I say hey that was wrong of you and he acts completely dejected and will sarcastically say, “you’re right, I’m the asshole.” He makes it impossible to argue with him. He will make shit up, twist my words to fit his narrative, describe to me MY intentions (which is never correct), he will change his story and say it’s been his story all along, he will switch sides of the argument in the middle and tell you your argument was his and his was yours the whole time so that he feels he’s come out on top, and mostly, when you prove him wrong, he will simply deny anything happened directly to my face when we both witnessed it and he will expect it to end there. If I try to say any more about something that he decides didn’t happen he will yell at me to shut up and he will put a hole in the wall or in a door to punish me.

When I try to talk about a health issue that has been plaguing me, he often will make a stupid joke, change the subject, or just interrupt me and bulldoze right over, but it doesn’t fail, within 2 weeks he will be complaining about the EXACT same thing, and if I don’t take him seriously, I am the asshole who doesn’t care and only ever wants to talk about my health.

He ruins every holiday. Without fail. The night before a party with my family, he will purposefully sabotage his sleep, get a few hours and then wake up as the grumpiest person ever. He has on multiple occasions said that if I remind him that we need to be to bed early he will have to stay up. Making it my fault that he stayed up because I presented an opportunity to rebel against someone and he has to take it. Seriously. He doesn’t do this with the same frequency or intensity for his own family parties of course. He acts completely embarrassing in front of my family. He will talk down to me, or get drunk and start lying poorly to family members trying to seem interesting.

So anyway. That’s life in a nutshell right now. And if anything, I’ve got my feelings out so I could easily recall them if I needed to for anything more ... official. It’s hard for me to compile all of my thoughts on all of the things. My memory is shot to hell and it’s easy to get caught up in “well maybe he’s right” when I can’t see the whole picture. My grammar and structure is not the greatest, but my daughter will be waking up from her nap soon, so it will have to do.

#mental illness #momlife #living with an asshole #schizoaffective #depression #loneliness

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jeminy3 · 5 years ago

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Blind Roy - Office Woes

This was meant to be part of a series of more Blind Roy drabbles, titled and focused on things like being back in the office, conversations with each individual team member, talking grimly of the future with Grumman, etc. But all my writing juice went into other stories (like the Elicia story, The Things We Carry), so they never really came together. This is just leftovers.

Features: Blind Character PoV, insecurities, workarounds for disabilities, Team Mustang being supportive like a good team should.

Read on Google Docs

Read on AO3

Twitter Post

Disclaimers:

- Realistically, Roy would be forced to retire from the military because of his blindness, but I didn't double-check that until I'd written out most of this because I'm PRETTY sure that in Brotherhood, he says something about continuing to pursue his goals despite his blindness. But whatever, it's an AU.

- I know Braille wouldn't exist in the FMA verse, or would go under a different name, but whatever.

Also, here’s another Roy doodle.

Roy's first day back in the office was difficult - much more difficult than he imagined.

He spent the majority of the day shuffling slowly around rooms with arms outstretched, running into walls, knocking things over, feeling his way around doorways and chairs and tables, much like - well, a blind man. He would've laughed at himself, if not for the quiet shame and anger that gripped him.

And a strange sort of denial did, too. Years from now, he'd look back on these days and realize that his biggest mistake was thinking he could somehow function exactly like he used to and therefore not become a burden to those around him. Because the worst parts of it all were his constant, stubborn refusals to accept help, even from his own squadron.

It takes him almost two weeks before he finally relents to using a cane at everyone's suggestion, after growing incredibly tired of crushing his nose, bumping his head, stubbing his fingers and toes, and wounding his pride in front of other officials while navigating their offices.

The sounds of people snickering softly behind his back hurt more than all his bumps and bruises combined. He expects them to multiply upon starting use of his cane, but to his surprise, they don't, and eventually stop altogether.

He gets a reason why when he offhandedly comments on it one day, as he's getting ready to head home for the evening.

"Another day done, I suppose. Almost surprised I'm still in one piece."

He hears a questioning sound from Riza. "How do you mean, sir?"

"Well, besides surviving the day without hurting myself for once-" He gestures with his cane. " -I haven't heard any, shall we say, disrespectful sounds from anyone in my vicinity. Maybe they're finally wise enough to hold their snickering for when I leave the room."

Riza makes an odd sound, as if holding back a laugh herself. "Well I wouldn't say that, sir..."

"...Hm?"

There's a shifting of fabric from Riza's uniform, as if she were lifting an arm to adjust her collar.

"Just between us, sir, if it eases you... myself and the others may be responsible for that. I've done my best to shut down any potential disrespect towards you during our meetings, and Fuery's encouraged us to take problem folk aside and give them, as he says, 'a good talking-to' about your condition."

There's a lightening in her voice, as if she's smiling. "And it looks like our efforts have paid off."

Roy was silent for a good few seconds, gaping a bit. He was... shocked, a little, that his squadron would go so out of their way for his comfort, even his pride.

Eventually, he'd learn to stop being so surprised.

Progress on paperwork nearly came to a complete halt during his first few days.

Unable to read, Roy had asked Riza to read the forms aloud to him before he signed them, but that method quickly proved to be inefficient. Not only was listening to Riza's droning voice a battle to stay conscious by the end of the day, but the strain on her soon proved to be too much.

"-and so, as per the order of Colonel Roy Musta- Agh. Ack." Riza chokes, then breaks down into a coughing fit.

"...Lieutenant? Are you alright?" Roy asks, snapping out of his boredom.

It takes a few seconds before she's recovered enough to respond, and when she does, her voice is still noticeably rough. "I'm- Urgh- I'm sorry sir, but I don't think this will work. I'm losing my voice," she says hoarsely.

Roy does his best to stave off a surge of panic. These forms need to get done. "Er- Well... Then uh, bring Falman in to take over until you recover, Lieutenant."

He hears her sigh softly. "Apologies again, but I have to disagree, sir. Falman has his own duties and can't spend all his time reading to you. Same for the others."

"...Besides, he's not even here today," she adds. "He's out on reconnaissance, remember?"

Roy sighs deeply, sinking into his desk and rubbing his temples. "...I'd forgotten. Sorry, Lieutenant. It's just- the meetings, the forms- it all blends together sometimes. You know."

Riza makes a "hm" noise in agreement, but nothing else. An awkward silence falls, and Roy can imagine her staring him down accusingly, since she'd already suggested a better alternative earlier today, but Roy had refused it, as usual.

At this point he was just delaying the inevitable. He lets out a long, loud groan of defeat. "Fine, fine. I'll stop putting it off. I'll try to learn that 'brell' language you told me about."

"It's called Braille, sir."

He waves a hand dismissively. "Yes, yes... And we'll have to reprint everything with that special paper... Ugh, the print department's going to moan at me, I just know it."

"I should hope not. Not when their Colonel has a disability that needs accommodation."

Disability. Roy flinches a little at the word, associating it with years of well-meaning but nonetheless other-ing societal norms. Nursing homes, therapy wards, parking spaces and public seating set aside and marked with garishly-colored signs.

"Er- Can you... not call it that, Lieutenant? It's not disabling, just ah- challenging, that's all," he says.

He hears her sigh again, and the sound of her uniform shifting, then feels her hand on his shoulder. Her voice is soft, perhaps softer than intended from her hoarseness, but there's something undeniably sincere in it.

"Roy, please... it's alright."

Her voice is closer to him now, and Roy can imagine her leaning down with a small, gentle smile near his face, offering tender support against his bull-headed stubbornness that masked a deep, all-consuming shame inside him. It eases him, a little.

Roy breathes out slowly, relieving a tension in his shoulders he hadn't noticed was there.

"I... I'll try, Riza. Thank you."

Luckily for everyone, the Braille system works out better than expected.

Frustrated with the amount of time it took to reprint everything traditionally, Roy, in his usual manner, came up with the brilliant idea of using Alchemy to convert them instead.

It takes some time and convincing to the higher-ups, but eventually, with the help of Major Armstrong and a few other alchemists, Roy creates a new and fairly simple system. All one has to do is place a stack of documents, along with a small amount of extra wood chips, in an array that instantly thickens the paper and raises the correct pattern of bumps, both for letters and lines to write into.

Then it's arranged for a specialized alchemist to be tasked with learning braille, translating documents, then recreating them using this process.

It turns out to be quite a bit faster and more efficient than traditional printing methods, since mistakes happened rarely compared to the sometimes-unwieldy machines, and in turn, this significantly cuts down on costs from maintenance and wasted paper.

East Headquarters’ Treasurer and Senior Accountants commend him for the idea and its execution, and begin sharing the idea with the officials at every other military office. Soon there’s talk about installing a similar system in every printing facility throughout Central City, even the country beyond, potentially opening up a significant breakthrough in readership for the similarly-disabled.

Roy was just happy he could finally fill out his paperwork by himself with little issue, but he’s certainly not above claiming it as another of his many impressive achievements.

As for writing out new documents himself, the solution was more simple. He has Riza bring in a typewriter to type his words as he says them aloud to her, and uses a ruler to keep his signatures straight on the plain, non-textured paper. Then the proofs are brought to the printers to reproduce as proper forms.

It took time - a long time - but eventually, Roy forms a mental map of not only his office, but of his personal apartment, the surrounding hallways and rooms of the apartment building, the whole interior of East Headquarters, and everywhere else he frequented on his daily routine, largely helped by his memory of what they looked like before he lost his sight - and by his squadron, of course.

Eventually, he also learns to stave off the irrational fear that things could be switched around without him knowing, that doorways and furniture would change position for no reason, and he didn't have to feel and re-feel everything every other day just to make sure. Slowly, he learns to trust himself and his connection to this dark world that was familiar, but at the same time strange and terrifying.

And of course, his squadron would never be so discourteous as to move something in his office without telling him.

#roy mustang #fma #blind!roy #riza hawkeye #team mustang #jeminy3 art #jeminy writes

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meta-squash · 4 years ago

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Your ADHD procrastination post has really stroke a nerve with me. I've had the same issue for years, but thought it's normal for everyone. Since about a year or so, I've been wondering if I may have an undiagnosed ADHD along diagnosed conditions. If it's not too personal, how else ADHD manifests in you? I hope it's okay to ask. I love hearing women's stories about ADHD because they are much different than the stereotypical image of it...

It’s not too personal! (FYI I go by they/them pronouns, but I am afab; it’s all good though!) Also, this got VERY long, I’m sorry! I’m verbose and have a lot to say, apparently.

So I personally have a weird relationship with ADHD. I was diagnosed with it (or some sort of attention deficit thing) when I was in like 3rd or 4th grade. I was briefly medicated but I think I was on Ritalin (I forget) and my child body couldn’t handle it; I was a zombie during the day and then when it wore off at night I was Evil and freaked out and wanted to fight everything. So I went off it pretty quick and didn’t get medicated after, presumably because my parents thought my ADHD wasn’t bad enough.

The reason they probably thought that is because my brother has Really Bad ADHD. Like, all the classic stereotypical symptoms and characteristics to the extreme: never shuts the fuck up, really damn loud all the time, extremely high energy, can learn pretty much anything in about 5 seconds but can’t actually hang on to an interest really (now that he’s an adult he can, but not as a kid), can’t sit still or pay attention in class, doesn’t finish homework, etc etc. I was able to mask mine and function enough to get through school just riding pretty much on my humanities grades alone. It sucked a lot but I somehow did it. I had an IEP (Individual Education Plan, which is a US school thing for kids with learning disabilities and such that allows for accommodations and assistance in school) but it didn’t do much except I think give me extra time on math tests because of my dyscalculia (I was in Special Ed Math my whole grade school career). My mother is an OT but I also think that (as you said) ADHD in afab people often manifests differently than in amab people, so I guess my parents just didn’t know what to look for and that’s why I never really got the same help as my brother.

I like to jokingly categorize ADHD into two distinct but overlapping types: Fast ADHD and Mush Brain ADHD. Fast ADHD (in my opinion; this may vary from person to person) is the classic stereotype symptoms. Fast ADHD’s focus problem is too much happening all at once. Lots of thoughts and ideas flying by and you get distracted mid-thought with another thought, or your train of thought gets really crazy but is super fast so your reply to someone’s comment might not make much sense to anyone else because they weren’t privy to your brain’s journey, or you go down a focus worm-hole and sit and do One Thing all day and forget to surface for things like food/water/bathroom. Fast ADHD has more energy (though when paired with depression that usually manifests as restlessness or anxiety) and is quicker to pick up new things. Mush Brain ADHD is kind of the opposite. Thoughts take longer, or you think of something and then it almost immediately disappears (for example, scrolling a website, seeing something that you want to google, you scroll for like 5 more seconds and think “wait, I completely forget what I was going to look up”). With Mush Brain ADHD it’s harder to have conversations because thought-to-mouth time is slower, rather than (with Fast Brain) lots of stuff is going on up there. Mush Brain often feels like, well, mush and like you can’t really form thoughts very well if you want to do stuff. It’s like you’re trying to focus on thinking a thought but it just slides away. Another way I’d describe it is having thoughts but it’s like they’re on a blackboard and they’re being erased as you think them, so they end up mostly smears. Obviously, this is just based on my own experiences as a Mush Brain ADHD person while my brother has Fast Brain ADHD, so this might be different for other people.

Both have lots of overlaps: executive dysfunction (that’s the big one), insomnia, auditory processing problems, hyperfixation (which is not a bad thing! I love my hyperfixations! They’re fun!), absolutely crap organizational skills, constantly losing things, really bad perception of time, detachment from the world (like you drift off into your own daydream, or things feel distant, but not quite the same as depersonalization/dissociating), difficulty making choices, sensory processing disorder, crap abilities with money, rejection sensitive dysphoria, and often comorbid mental illnesses like depression, OCD, anxiety, dyscalculia/dyslexia, etc.

Oh, and a lot of ADHD characteristics also overlap with depression characteristics (and a lot of people with ADHD have comorbid depression, so it really doesn’t help).

But I can tell you about my own experiences with some of these.

The Big One which is basically what that schrodingers motivation post is about, is executive dysfunction. People also call it procrastination (it only kind of is) or inertia. Basically, executive dysfunction is where the difficulty lies in starting the task. You want to do something, but you just can’t get going to do it. You get sort of paralyzed. It even happens with things you like. For example, when I made that post, there was a short (just over 100 pgs) book I wanted to read before the end of the day. It’s a good book! It’s on my reading list! I want to read it! But I just sat on my computer and watched dumb youtube videos because that’s what I was already doing and executive dysfunction makes starting tasks really hard. This happens to me a lot. It can happen with reading a book, or getting up to go to the store and buy groceries, or making a meal, or watching a movie. The movie-watching one happens to me a lot. Basically it’s the brain struggling to switch tasks; you’re scrolling tumblr, and that’s what your brain is focused on, and it doesn’t know how to switch from doing that to doing your bio homework or folding the laundry or whatever the task may be. This happens with “bigger” or more complex tasks too, like starting an art project or starting a new book, because your brain has to figure out all the components of that task (I need these items for my project and this amount of time and I need to use them in this order) which is overwhelming, or it needs to comprehend how “big” the task is (how much time/concentration should I try and commit to in order to read this book) which is sometimes hard to gauge. Oh, also this can happen if you’re interrupted in the middle of a task, whether it’s to do another thing or just to answer a question or something; it’s hard to get back to it because it’s another kind of switching tasks. Aside from the blackboard-being-wiped-thoughts, this is my biggest ADHD problem. I can go more into how I dealt with executive dysfunction in college and now if you want!

Auditory processing issues is another thing that I deal with, although to a lesser extent than some people. It just means it’s harder for your brain to process sounds/talking. Part of this, for me, is because if someone is talking to me but there’s other noises (music, other conversations, general loudish ambiance) going on around us, my brain treats them all as equally important and I can’t focus in on the person talking. Another part for me is in my experience I seem to process conversation different from explanation. If I’m talking back and forth with someone about something and it’s not terribly important, I’m fine. If they’re trying to explain something to me, give me instructions, or read a passage of text to me, it just does not stick in my brain. If I’m helping my best friend with her grad school applications, I have to read the sentence she’s asking me check, I can’t have her read it to me. If she does read it to me, I’ve realized that I try to imagine the words as text in my head so I comprehend it better (it doesn’t always work). Auditory processing issues means that a lot of my conversations in public with people who are not my close friends (and therefore easier to pick out from the noise because familiar and/or easier to predict because familiar) are filled with a lot of me going “what?” Retail conversations with customers are slightly easier because there’s at least a mild “script” that they’ll stick to, usually.

Another one I experience is organizational problems. This one was bad enough that I actually went to a tutor-like thing to help me with it for most of grade school. Basically, I had no ability to organize tasks like doing homework or other activities, so things would get forgotten/lost/never even written in the calendar/etc. I couldn’t do projects because I couldn’t (and still kinda can’t) organize far enough into the future. I didn’t know how to break the project down across multiple days or weeks and make it manageable without totally forgetting pieces of it. I’d forget to write down homework when the teacher wrote it on the board, or I’d write it down but forget to do it. Or I’d do it but misplace it or leave it at home. My perception of time was also really crap; I couldn’t read an analogue clock until I was in maybe 6th grade? Even now I sometimes have trouble. It was hard to know how much time I had to allot to certain projects because I didn’t really have good perception of how hours fit in the day and how much time until homework is due and stuff. (Which meant lots of finishing things in class minutes before I had to turn it in and stuff. Once in uni I completely forgot to do an Entire Essay; luckily it wasn’t a class I needed to graduate.)

Along with this is losing EVERYTHING. I misplace things CONSTANTLY. I’ll put something that’s in my hand down to get a cup of tea or something, or even just to like, move a blanket, and I’ll forget where I put it. I’ve solved this problem with Important Things (wallet, phone, and keys always go next to my bed, for example, and rarely move from there if they’re not in my pocket. All important papers go in my Important Papers Folder as soon as soon as possible) but I lose regular stuff all the time. I’ll be working on an art project, I’ll put my glue stick down to reach for a piece of paper, and lose the glue stick in the time it takes to pull the paper towards me. The other day I was brushing my teeth and I put the toothbrush cover down to say hello to the cat and forgot where I had put it down once I had followed her to the next room. When things have a Place it’s easier, but I’ve learned to live with going “Where the FUCK did I put this thing? I had it a second ago!” at least once a day.

The “Mush” in “Mush Brain” is another big one for me. I don’t know if this has, like, a name? Or anything? It’s just what I call it. The best description for it would either be that blackboard description from above, or like you’re struggling to get to a thought through a lot of mud. Oftentimes I’ll have a sort of concept of a thought but not something full, and I know it’s there, but I can’t get to it. This is really apparent when I’m trying to remember a synonym for something, or trying to elaborate on certain concepts or pull ideas from texts. It doesn’t happen all the time. I was an English lit major in uni, so this affected me a lot back then. It’s sort of a similar feeling to reading the same sentence over and over and not registering the words, except it’s in your own brain instead. This kind of goes away for me when I’m writing/typing. Writing this out is easy (minus me forgetting the word executive dysfunction for like 5 minutes) but if you were asking me to explain this aloud I would struggle, probably. This is probably because I can stare at what I’ve written to see what’s missing or edit my thoughts, which I can’t do while I’m speaking, and also can’t do to other people’s interactions with me.

Just a general inability to focus is also one I struggle with. It goes with the “mush brain” to an extent but I think it’s different. It’s more like my brain doesn’t want to, well, focus on anything. If I’m just messing around on my laptop, that means I end up clicking back and forth between tabs endlessly because nothing is holding my interest. If I’m trying to read or do anything “intellectual” or “academic” it means I just can’t get myself to read or I can’t keep my thoughts on what I’m trying to write no matter how hard I try. Nothing holds my interest for long enough, it’s like brain restlessness. I try and concentrate on doing something, watching something, reading something, and my brain just slides away from it.

Rejection sensitive dysphoria is something I experience on a more minor level. It’s something that also overlaps with anxiety and depression. Basically, it’s a really intense emotional reaction to (perceived) rejection. For example, if my best friend says something to me with a certain tone or gets mad at me for doing something minor, my brain just goes “She hates you! She doesn’t want to be friends with you! You should isolate in your room and never speak to anyone again because you’re so annoying and terrible!” I know that’s mostly incorrect (although I also know I’m quite annoying and that’s another ADHD characteristic; knowing you’re annoying someone in some way and having no idea how to stop) so I can fight it but sometimes I do end up holing up in my room for a little bit. Things like criticism (whether towards you or towards, like, an essay or something) can also trigger this reaction. So can things like having an expectation that you’ll be good at something, and then failing at it or just not being as good as you’d hoped. (I developed a sort of defense mechanism for this one of never expecting to be good at things and never expect higher than a C in a class.) It also can come with a sense of feeling inferior around people doing similar things. It happens to me a lot here on tumblr, actually, because I’ll write a meta about something, and then read someone else’s good meta on the same thing, and feel like I’m an idiot and they’re really smart and nothing that I wrote was insightful or good. It happened to me in uni a lot too. It also happens to me kind of...secondhand, now. What I mean is, my best friend/roommate is extremely smart. Like genuinely one of the smartest people I know and an incredible thinker, straight A’s at uni in a degree she created, etc. She still gets imposter syndrome herself and feels like she’s not smart, and when she says she’s not smart, I feel bad for her but I also feel really terrible about myself, because if she thinks she’s stupid, then what am I? But again, it’s an overreaction to perceived rejection. It still sucks though.

There’s some evidence that ADHD comes with a whacked out sleep schedule. And not just insomnia (although that too, I know this because it’s 7am and I haven’t slept yet lol), but also Delayed Sleep Phase Disorder. Which basically means that most people’s circadian rhythms start slowing down so they’ll go to sleep around like 11pm-1am-ish, give or take. ADHD circadian rhythms are shifted so often we start getting tired around 3am or even 4 or 5am. (This is different from insomnia, btw, with DSPD you can fall asleep fairly easily, you just get tired later in the night; with insomnia it’s an inability to or difficulty in falling asleep quickly.) I always thought I’d just gotten my dad’s night owl genes, but it’s more likely that it’s the ADHD. I also have at least mild insomnia and it takes me a million years to fall asleep a lot of the time.

Hyperfixations are the Fun part of having ADHD (in my opinion). They can get in the way sometimes but they’re also really comforting and nice. Hyperfixations happen when you find an interest and it’s basically all you want to think or talk about, and you relate to the world through it, and you want to learn everything about it. It’s also a characteristic of autism. I’m not autistic, so I don’t know if there are major differences between ADHD hyperfixation experiences and autism ones. Anyway, often hyperfixations stick with you for a good amount of time, depending on the strength, and then you might find something else to focus on. Some of my hyperfixations have lasted a few months, some up to 4 years. A lot of ADHD people rotate through the same or similar ones. For example, a hyperfixation I had back in 2011-2014/15ish was Les Miserables. I then found a different thing to hyperfixate on. This past year I have returned to Les Mis. Hyperfixations are usually pretty cool, because it’s usually something you really like and enjoy learning about or doing and it’s kind of like the thing your brain would rather be doing/focusing on.

Personally, I’ve lived so long without ADHD medication that I’m fairly functional without it just due to coming up with personal adaptations and stuff. The thing that I have the hardest time with/that upsets me the most is the Mush Brain part, which also gets worse when my depression gets worse. I really would love to have clear, quick thoughts whenever I want. It’s frustrating to hold a conversation or try to write creatively and quickly when it takes forever for thoughts to fully crystallize in my brain and then come out my mouth or fingers. Right now I don’t have very good health insurance (all blame to covid layoffs) so I can’t really do the meds thing but I often wish I could. My ADHD is definitely not as intense or severe as some people’s. I have friends, and also my brother, who struggle a lot more than I do, and with different things

Holy hell this was so long. Feel free to message me if you have any questions! Or if you want me to elaborate on some of the things I do to deal with stuff.

#asks #squash rambles #wow i'm so sorry #as an adhd person i know that is a lot of text to read #i'm too verbose for my own disorder lol #seronility #adhd

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crystalninjaphoenix · 5 years ago

Text

Encounters & Events

A JSE Fanfic

Usually I don’t write two parts of the same story so close together (since I have...so many stories I need to work on) but my muse for this has been going crazy. And people really seem to like this! So I decided to go ahead and, you know, write some of the more important events, including a huge reveal right at the end. This turned out a bit longer than usual, but it’s mostly dialogue, so it should go fast. Let’s check in on all the boys—and I do mean all the boys—shall we? :3c

You can find the other stories under the pw timeline tag!

“Luna, no, stop bothering your brother.” Marvin, carefully balancing a bowl in one hand, reached forward and tried scooting the small black cat away from the terrarium with the other. Said cat looked up at him with big yellow eyes. “Don’t give me that look. He’s probably trying to sleep. You’re annoying him. Go.”

After a few more careful nudges, the cat, Luna stood up and jumped off the table. She stalked to the open doorway, where she proceeded to flop down on her side and stare at him, not moving at all.

Marvin scowled at her. “I will step over you. You are tiny.” He turned back to the room at whole. It looked kind of bare, despite being back home for almost a week. He had yet to take all his knickknacks and posters out of the boxes and put them back up around the room. But the furniture—sofa, armchair, coffee table, table for the terrarium, and television—was all where he’d left them. The room hadn’t changed. The walls and furniture were still shades of blue, his gold stars still painted on the ceiling. And he could still eat his pasta while sitting on the sofa like he wanted to.

He set his bowl down on the coffee table and proceeded to flop down on the sofa before remembering he left his drink back in the kitchen. He sighed, and stood back up. And then the doorbell rang. Well. At least he was already standing up. He walked over to the front door, glanced through the peephole, and then opened it. “Hi JJ.”

Hello. JJ was standing on the doorstep, bouncing awkwardly. I hope I’m not bothering you.

“No, it’s fine, I was just about to have lunch.” Marvin shrugged. “You want to come inside?”

Please.

Marvin stepped aside to let JJ walk in. Before he entered, JJ bent over and picked up a gift bag he must have set down earlier. Once he was inside, JJ held the bag out for Marvin to take. Happy late birthday.

“Oh!” Marvin took the gift bag, looping his arm through the handles. “I thought you forgot.”

No, I’ve just been busy, JJ signed, looking sheepish. Sorry, I know I said I was going to help you unpack and such a few days ago.

“It’s fine. I mean, I don’t think I can ever say anything about people leaving now that I’ve gone and...you know.” Marvin laughed. It came out a little forced.

JJ glanced around the living room, noting the boxes still sitting around with stuff inside. Do you still need help?

“Yeah. How’d you tell?” Marvin kicked the nearest box. “How’s it feel to be the only one in the group with executive function that actually works?”

JJ chuckled. By the way, I think your cat is trying to steal your noodles.

“Wha...?” Marvin spun around. “Luna Void! Get away from there!” He quickly crossed the room, picking up the black cat just before her paw dipped into the bowl. “That’s human food, not cat food. And I just filled your bowl, you’re doing this on purpose, aren’t you?”

Luna meowed.

Marvin shook his head, glancing around the room. He noticed a big ball of white and brown fluff sitting on the armchair. “Here, play with Ragamuffin.” He set Luna on top of the fluff ball, which meowed and lifted its head, revealing itself to be a ragdoll cat, mostly off-white with a brown tail, face, and ears. “Shush, you love her, Muffin.” Ragamuffin meowed again as Luna flopped across him. Marvin looked back at JJ. “Sorry ‘bout that.”

I love them, JJ signed happily, eyes locked on the two cats.

Marvin laughed. “You can come by to see them any time. Your building still have the rules about pets?”

Yes, sadly. JJ sighed. Not even Mr. Purple Snake is allowed.

“Hey, Salazar isn’t purple, he’s lavender,” Marvin corrected. “Purple makes it sound like he’s the same shade as that thing from McDonald’s, while lavender is the actual name of the morph.”

And he has stripes.

“Exactly, he’s a striped lavender snake,” Marvin said, nodding.

Fits you perfectly, JJ commented. Anyway, are you going to open your present now or later?

“I can do it now,” Marvin said, grabbing the gift bag off his arm. He sat down on the sofa, searching through the tissue paper. JJ took a seat next to him. After pulling out all the paper, Marvin reached into the bag and pulled out a golden heart-shaped locket. His eyes widened. “No way.” He turned the locket over, noticing a small key, which he wound a few times. The chimes of a music box started playing. Marvin looked up at JJ. “Oh my god. Oh my god. I thought this was a collector’s item, how did you find one?”

Someone was selling it online, JJ explained. I know you really like the game, so I thought you’d like it. He looked hopeful. Well...do you?

“Fuck, of course I do.” Marvin lifted the locket to his ear, listening to the familiar melody. “Oh my god. Oh my god, JJ. Thank you so much.” Words weren’t enough to describe what he was feeling, so Marvin grabbed JJ’s hand and squeezed it tight, swinging it a little. He let go sooner than he would’ve liked to, so JJ could respond if he wanted.

I’m glad, JJ signed, beaming. I wanted to get you something that meant a lot, since it’s been a while since I’ve seen you.

“Yeah...yeah, it has, hasn’t it?” Marvin rewound the music box as it slowed down. He suddenly felt his eyes well with tears. He turned away from JJ, rubbing his eyes.

JJ picked up on it, of course. Are you okay? he asked, concern lining his face.

“Fine.” Marvin’s voice cracked on the single syllable. “I-It just...fine. I’m just...a lot of things have happened.”

Jameson scooted closer. Do you want to talk about it?

“No,” Marvin said, perhaps a little too fast. “I’m good.” He didn’t want to explain this to any of them. He wasn’t sure what they’d think of him if they knew. It might just be better if he kept silent about it. Part of him whispered that they’d want to know why he left eventually, but he...he didn’t think he was brave enough to listen to that part.

JJ looked at him oddly. You sure?

Well...there was a smaller thing that he thought was safe to talk about. “Well...” he said slowly. “You know, Schneep and I really liked this game.” He squeezed the locket under his hand. “It was kind of our thing. He joked that it was his birthday gift, since it, y’know, came out the same day. The two of us were the only ones who liked it for a long time, and we kept fucking badgering Jack to play it on the channel.” Marvin smiled. “No joke, we one time spent two hours straight just talking about it.” The smile faded. “I just...I miss him, I guess.”

Jameson didn’t say anything for some time. Then: I see, he signed. But he’s back now, isn’t he? You can go visit.

“Yeah, I know that, like intellectually,” Marvin explained. “But I-I don’t know, I guess I’m nervous. That something will go wrong. Y’know, Chase told me what happened at the last visit.”

JJ bit his lip. Well. That might’ve been because of me. I think that he just freaked out because...he thought I was someone else.

Was that what happened? Chase had said that JJ somehow caused Schneep to freak out, but he hadn’t mentioned it was because Schneep thought he was someone else. “Still,” Marvin said, and then fell silent.

You can go with Chase, if you want, for support, JJ suggested.

“Maybe,” Marvin said slowly. “Maybe I should just go today, just jump in impulsively.” He...he did really want to see him. “Maybe Chase can come too, he can drive me.”

I think Chase has something to do today, JJ said.

“Really? What?”

I don’t know. JJ shrugged.

“Maybe he’s filming or something,” Marvin wondered out loud. “Would you want to come, if I went to see Schneep today?”

Jameson immediately paled. I don’t think that’s a good idea, given how he reacted.

“He could’ve forgotten,” Marvin suggested.

In a few days?

“I don’t know, it’s possible. He used to complain a lot about how he didn’t have a strong sense of...time.”

Well, I’m still not sure it’s a good idea, JJ signed slowly. Besides, I have work this evening.

“Oh yeah,” Marvin recalled. “You still working for, uhhh what’s-his-face? Mr. Paddington, or something?”

JJ smiled. Mr. Patterson, he signed, spelling it out. And yes. Are you still working at the boutique?

Marvin’s face fell. “No.” He paused, then continued in sign. I got fired. About a month before I left.

Jameson’s mouth formed a small O shape. I’m sorry.

It’s fine, I hated retail anyway, Marvin signed dismissively.

For a moment more, they just sat there. I think your cats are fighting, JJ signed after a while.

Marvin looked over at the armchair and watched as Ragamuffin shoved Luna off the seat. “They’re fine, Muffin’s just grumpy.”

Ah. Jameson hesitated, then signed his next string of words super-fast, as if shoving out his idea before he started to regret it. You know, if you ever want to talk to someone, but not one of us, like, someone more serious about things that are...difficult, then I can give you my therapist’s number.

Marvin looked vaguely surprised. “Wait, you go to an actual talking therapist? Like for issues and stuff? I thought when you mentioned therapy it was, like, speech therapy.”

I tried speech therapy, it’s never worked, JJ said dryly. And at this point I don’t think it will. But I’m fine, not willing to try any sort of operation to fix the damage.

“Hey, I didn’t say anything. Wasn’t even thinking it,” Marvin assured him.

Some people do, JJ signed, a bit bitterly. But yes, an “actual” therapist. I suggested it to Chase, too.

“Oh, that’s good. He could use that.” Marvin fell silent. “I-I don’t know. I’ll think about it.” He wasn’t sure he would go through with it. He wasn’t sure how to explain to anyone about...all of this. Especially a therapist. He wasn’t sure he could trust them to not call the police.

JJ smiled. That’s enough. Now, are you ready to actually have me help you unpack?

“Oh shit I completely forgot about that,” Marvin said, sitting up straight.

Maybe I could come back after you’re done with lunch, JJ suggested.

“No, you’re here, let’s do it now.” Marvin hadn’t forgotten about the lunch, at least. Though he did realize his pasta was getting cold. He pulled the bowl towards him. “We can eat together first. I made too much spaghetti, there’s still some in the kitchen.”

Oh. Thank you.

“No problem. Let’s both go there, I don’t trust the cats to leave us alone anymore.” Marvin shot a look at the two cats, Ragamuffin sitting, satisfied, in the armchair while Luna zoomed around the floor.

Good idea. JJ stood up. He paused. I’m not sure if I’ve said this yet, but...it truly is good to see you again.

Marvin smiled; he hoped it wasn’t strained. He looped the locket’s chain around his neck, the gold heart settling against his blue shirt. Thanks, he signed. Good to be back.

——————

Chase had something to do. Something he’d been neglecting for...god, it must’ve been three months now. The thought made guilt curdle in his stomach. It’s been far too long. A lot had happened, but that wasn’t an excuse.

It was another hospital. Not like the one Schneep was in, more of what you would usually expect when you heard the word “hospital.” Still, the check-in procedure was basically the same. Though this one didn’t have a visitors’ room. You were allowed to see the patients in their rooms here.

Even though it had been a while, Chase still remembered what room number it was—309—and what section it was in—ICU. He pushed open the door, and saw nothing had changed in the months since he’d been there. He walked inside, taking a seat in the one chair in the room, next to the bed. He took a deep breath. “Hi, Jack.”

As usual, there was no response except for the beeping from the heart monitor. Jack looked pretty much exactly the same. Eyes closed, oxygen mask strapped to his face. Chase couldn’t remember what was actually wrong with him, just that the doctors said Jack would either come out of it in time, or not at all.

“I know it’s been a while. Things have been...kind of tough lately,” Chase said slowly. “Um, they found Schneep. I-I don’t know how you’d feel about that, given...you know...” He waved vaguely at the bed. “Him and this whole situation. I-I still don’t think he meant to. I think he might’ve just been a bit...confused. You know how he gets. Maybe he was off his meds that day. Anyway, he’s in Silver Hills now. You know that place. I think it’s good that he’s there, it could really help. Apparently they also think he killed some people? Which I was surprised to hear, I never would’ve thought...” Chase trailed off. “I-I don’t think it’s his fault, really.”

He paused there for a moment, eyes tracing the line on the heart monitor. Steady. That’s good.

“Also, Marvin’s back. I don’t know where he went, he said he went to live with his grandma for a while. Probably true, but I just know there’s something else. Anyway, I’m not gonna ask him too much if he doesn’t want to talk about it. I don’t want him to...you know, shut down or anything.”

Another pause. Breathing was steady, too. It always was.

“And Stacy called me, too. I thought she was mad at me, or something, but, uh, turns out she’s not. Which is great. She just was having some work troubles and was kinda stressed, and I guess she was just too busy. But she’s doing okay, now. She quit working at the school, now she’s somewhere else, uh, I don’t remember the name but it apparently pays better. She does something with graphic design, which you know, she’s always wanted to. And Sophie and Nick are great, too. They’ve started this thing called reception this year, which I guess is like preschool for England. I dunno, I’m some dumb American. They sound like they’re doing okay. Everything’s...everything’s doing okay...”

Chase blinked back tears. Why was he crying? He wasn’t sad. He wasn’t...anything, really. He felt kind of...gray. But there was one thing he could feel that wasn’t just...gray. “I miss you,” he choked out. “I...I miss you a lot, Jack. I’m sure a lot of people miss you. I’m still trying to keep your community alive, but...well, I’m not you. It’s not the same thing, watching someone else run it.” He rubbed his eyes. “God, this is stupid. I’m stupid. I was just telling you how everything’s okay. And it should be. It should be. Everything’s getting better, just a little bit. Maybe that’s why the things that aren’t...they just seem worse. I miss you. I miss Jackie. I’m...I’m tired, Jack. I’m always tired, I-I can’t do this.” He didn’t know what ‘this’ was.

Someone knocked on the door to the room.

Chase sat up straight, furiously swiping away tear tracks. He stood up and walked over to the door. He opened it to see Marvin standing there.

“Oh. Hi, you are here,” he said. “I thought, ‘cause the door was closed...are you busy?”

“No, no, come in, it’s fine,” Chase hurried to say. He stepped aside. “Um, is that a new shirt? I didn’t think you liked to wear green.”

Marvin looked down at his T-shirt. “Yeah, it’s new. Not one of my favorites, but whatever.” He walked inside, stopping by the side of the bed. He looked down at Jack with an unreadable expression. “He looks so...small.”

“It’s been a while, hasn’t it?” Chase said. Marvin hadn’t been one to visit often before he left. But he supposed his time away changed a lot of things.

Marvin nodded. “Yeah.” He looked up at Chase. “Were you...doing something, or...?”

“No, I-I was just—it’s fine,” Chase stuttered.

“Cause I...I kind of wanted to talk to him.”

“Yeah, of course, I-I’ll wait outside.” Chase hurried out of the room, closing the door behind him. He took a deep breath.

He really needed to get back into practice with these visits. Maybe then he wouldn’t start crying every time. But...well, maybe a different set of visits had taken up space in his mind.

Waiting outside the hospital room, Chase turned his thoughts to Schneep. He wondered how he was doing.

——————

The answer to Chase’s wondering was “not so good,” as proven by the interaction that took place across town, a little over two hours after Chase ended his visit.

Oliver hadn’t been prepared for anything like this in all his years working this job. He hadn’t been prepared for this entire case. The past few months had been a roller coaster that threw all his expectations out the window. He might’ve been inclined to reexamine those expectations, if he wasn’t too busy at the moment trying to keep peace in...well, in what was starting to look more like an argument than a therapy session.

Which was how most of these sessions were, now that Dr. Newson had taken over for Dr. Laurens. Oliver wasn’t sure what Newson had against Schneep, but there must’ve been something, because this was definitely not normal. In just a few days, Oliver had gone from standing in the corner of the room during these sessions, to standing right by Newson and Schneep in the center, looking back and forth between them so that he didn’t miss anything...potentially dangerous to either of them.

“You are asking too many questions!” Schneep growled. “Why should any of this matter to you?!”

“I would appreciate it if you didn’t tell me how to do my job,” Newson retorted. “You’re not that kind of doctor. In fact, you might not even be that at all.”

Schneep bristled. “Excuse me? You insult me enough, do you have to bring something completely untrue into this?!”

“All I’m saying is that delusions are a common symptom of your condition,” Newson said with a sickly sweet smile. “Maybe you just thought you were—”

“Fick dich und deine Vorfahren! You do not come into here and dismiss years of my work and study like this!”

“I can come in here whenever I want! I’m in charge!”

Schneep burst into laughter. “And you are doing such a wonderful job of it! Do you have nothing better to do than yell at me for an hour?!” His head tilted to the side. His hand shot to his neck, fingers starting to claw at skin. Oliver reacted immediately, grabbing his wrist and pulling his hand back. Schneep didn’t even notice. “Because that is really all you are doing!”

“Alright, fine.” Newson took a step back, straightening her jacket. “Let’s do something else, then. We can work on uncovering the inner motivation for you killing thirteen people.”

“I did not k—!”

“Yeah, I know, you think something made you do it,” Newson dismissed. “Well, the fingerprints on the murder weapons would tell a different story. Do you think you needed some sort of control? After all, things hadn’t been going so well in your personal life, with your job and your wife.”

“Shut up about Mina,” Schneep growled. “We were doing fine.”

“Hmm, yet I haven’t seen her in the visitors’ room yet. Or even heard from her.” Newson flashed a smile.

Oliver thought that was a bit too far. “Um, Dr. Newson, do you really think—”

“That is none of your business!” Schneep suddenly screamed.

“Of course it’s my business! How am I supposed to do my job without getting into your life?”

“That is not what you are doing! You are needling me for no reason! Why?! Is this fun for you?! I am tired of being fucked with by people and their sick games!” Schneep’s other hand darted forward, reaching for Newson. Oliver grabbed that one, too.

“Well, that’s the pot calling the kettle—” Newson suddenly stopped, being interrupted by a beeping noise. She looked down, and grabbed the pager off her belt. She quickly read the message, and sighed. “We’re going to have to cut this short today.”

“Good,” Schneep snarled. “I was about to tear your tongue out.”

“Now, you don’t want to be doing things like that, or you could spend the night in the quiet room again,” Newson said, folding her arms.

Schneep suddenly paled. He pulled his hands out of Oliver’s grasp and backed up, into the bed. He grabbed the pillow and hugged it to his chest, burying his face in it.

Oliver wasn’t sure why Schneep had such a strong reaction to the quiet room. Well, there was the stigma about having a room with padded walls, that was pretty much empty except for a bed. Oliver wasn’t about to pretend that popular culture hadn’t put its mark on that. But for some reason, even mentioning it made Schneep shut down entirely.

“Oliver, follow me,” Newson said. She turned on her heel, leaving the room. Oliver stood there for a moment more, then hurried to catch up.

“What is it, Dr. Newson?” he asked as they walked down the halls.

“What is what? The incident I’ve been paged about, or the reason why I asked you to come with me?”

“Um. Both, I guess.”

Dr. Newson sighed. “Lily just paged to tell me there’s some sort of commotion at the front desk. She’s new there, I guess she’s never had to deal with this before, so she appealed to the highest authority. Anyway, I wanted you to walk with me so we could talk about Henrik’s medication.”

“...alright,” Oliver said, confused. “Well, Dr. Laurens gave him a new one two weeks ago, since the other one apparently wasn’t effective.”

“I know that,” Newson nodded. “But it’s still not up to a full dosage.”

“Well...no,” Oliver admitted. “Laurens wanted to get him off the old one first, then get him used to this new one.”

“Well, I think he should be used to it by now,” Newson said dismissively. “We can up it to full. And we should give him a stronger tranquilizing agent, as well, I don’t think this one’s working too well.”

“...I see,” Oliver said slowly. He had to admit, he wasn’t an expert on this sort of stuff. It was why he was an orderly and not a doctor—well, that and the obvious lack of an actual doctorate. But he knew a bit about the medications, and... “Dr. Newson, aren’t there side effects for the current medication? Isn’t that why he has to get used to it in the first place? Are you—I don’t mean this the wrong way, but, are you sure he’s ready?”

“Of course I am.” Newson nodded once, firmly. Her eyes were burning. “I’m letting you know so you won’t think anything’s out of the ordinary when you pick it up tomorrow.”

“...alright.” Oliver didn’t want to say anything bad; he didn’t want to lose his job, and to be honest, Dr. Newson was a little intimidating. But he wasn’t sure her motives were entirely pure. Still, he kept silent. With Laurens gone, Schneep needed an ally.

“Here we are, the front desk,” Newson said, pushing open the door. Oliver hung back, watching the scene. Lily Travels, a relatively new doctor, was manning the desk, trying to calm down a clearly upset man, who...looked familiar. If it hadn’t been for the long wavy hair held back in a ponytail, Oliver could’ve sworn that he was—

“Hello, is there a problem here?” Newson asked pleasantly.

“I want to see someone,” the man said. “I looked up your hours on your website! But she keeps saying that he’s not available!” The man’s voice was loud and distressed. He kept touching the cup full of pens on top of the desk, playing with it.

“Sir, please put that down,” Dr. Travels said weakly, in the tone of someone who’s been asking the same thing for a while.

The man sharply withdrew his hand. And then immediately took five pens out of the cup and started chewing on the end of one of them. Dr. Travels sighed.

Newson looked the man up and down. Recognition flared in her eyes. “Sir, what’s your name?”

“Marvin. Marvin Maher, I wrote it on the clipboard,” the man said, still chewing on the pen.

“Mr. Maher, put down that pen, or you’ll have to pay for it.” Marvin immediately dropped the pen. “Who are you here to see?”

“His name’s Henrik von Schneeplestein.”

Newson nodded, her suspicions confirmed. “Well, Dr. Travels is right, he’s not available.”

“What?!” Marvin gasped. “Then—then why the fuck does your website say I can visit him now?!”

“Visiting hours for residents on the first floor are only on Fridays,” Newson said calmly.

Marvin paused, pulling at the collar of his blue shirt. “Well, why couldn’t you put that on the website?”

“It is on the website, Mr. Maher.”

“I didn’t see it,” Marvin grumbled. “Maybe your website layout fucking sucks. And how do you know where Schneep’s room is?”

“Well, I am his doctor,” Newson said pointedly. “And even if I wasn’t, we have a database where that information could easily be found.”

“You’re his...?” Marvin paused. “Sorry, what’s your name, again?”

“My name is Dr. Newson.”

“Oh.” Marvin’s face scrunched in confusion. “But I thought Dr. Laurens—no, wait. I remember now, Chase said she...oh, that sucks.” He paused. “Newson? Really?”

“Yes, really.”

“Is that, like, a common name...?”

“I suppose not,” Newson mused. “But if that’ll be all you wanted...” She gestured towards the front door.

Marvin stared at her. “Um...‘if that’ll be all I wanted’ what?”

A flicker of annoyance temporarily broke Newson’s professional facade. “If that’ll be all, could you please exit now? Dr. Travels has more to do.”

“Oh! Yeah, sure.” Marvin turned around, took a few steps towards the entrance, then stopped and turned back. “So, are you, like, famous or something?”

The annoyance was replaced by surprise. “I don’t think so.”

“Not even locally?”

“Well, I suppose that depends. Why?”

“I think I read the name Newson somewhere,” Marvin muttered. “Something, like...it had something to do with Christmas, I think.”

For a brief, very brief moment, Newson’s face cracked in two, her expression falling to the ground, replaced by something of loss. She quickly recovered. “I wouldn’t know about that. Now if you’ll please.” She gestured towards the entrance again.

“Yeah, yeah. Bye, I guess.” And with that, Marvin left.

Newson straightened her jacket again, and without another word, spun around and walked past Oliver, deeper into the building.

Something was up here, and Oliver had no idea what. He was sure Laurens would’ve known something, but she wasn’t here.

With a sigh, Oliver also backed deeper into the building. He had more to do today.

——————

Her head was pounding. It felt like her brain had solidified into rock, and was being thrown against her temples.

“Hello?”

She felt like a pile of noodles. Limp and weak. All her bones were gone.

“Hey lady. A-are you alive?”

Where was she? The thought passed through her head like it was swimming through fog. The last thing she could remember...the last thing she could remember...

“I mean, you’re breathing. But I...I don’t know how awake you are. Been there for a while.”

She was at her car and...and there was that man. She thought he was Chase, but...maybe he just looked like him...

Something hit the back of her head.

Laurens opened her eyes, immediately squeezing them shut again. God, her head was pounding. Not because of the thing that hit her, that felt small and light. What was it? She cracked open her eyes again, just enough to see that she was staring at a vaguely gray wall...plaster, but unpainted. She was lying on her side, the floor cold beneath her. She groaned.

“Oh good, you’re awake. Are you okay?”

That voice...it sounded kind of familiar. But from where? Laurens didn’t answer, just groaned again.

“I’m gonna take that as a no. Who are you? How did you get here?”

Laurens squeezed her eyes shut, tears starting to rise as a blinding pain shot through her temple. She moved her arm, but found something yanked her wrist back. So she raised her other one, waving it in the direction the voice was coming from.

“Oh.” The voice was whisper-shouting now. “Should I shut up?”

She gave the voice a thumbs-up.

“Alright. Sorry.”

Laurens wasn’t sure how long it took for the hammer to stop pounding an anvil into her head. It felt like a long time. If she was forced to guess, it was fifteen minutes until it was manageable and she could open her eyes. And it felt like another half an hour before she was able to roll over and face the room at large.

She immediately recognized it as a basement—an unfinished one, with rafters overhead, dangling lightbulbs, and pillars holding up the ceiling. There were random squares of carpet on the concrete floor, but none near where she was lying. There was a door in one wall, and a small, rectangular window high on the opposite wall, with no light coming through it. A short folding table was pressed against another wall, and nearby a boxy television sat on top of a wooden pallet crate. Overall, the room was about the size of an average living room.

“Are you okay now?”

Her eyes rolled towards the voice. There was a man sitting against a support pillar on the other side of the room and—and she immediately realized why his voice was familiar. Slightly higher, and a different accent, but she understood now. The man had shoulder-length brown hair, a beard, and wide blue eyes. He wore a dirty red hoodie. This whole group...they all looked and sounded alike, didn’t they?

“Should I stop talking again?” He asked.

Laurens blinked. “No, you’re good.” Her voice rasped.

“Okay. Alright.” The man visibly relaxed. “Are you, uh...I mean, you’re probably not doing okay, but how do you feel?”

She considered this. “My head hurts,” she finally said. It sounded inadequate.

“Hm. Yeah, I think it would.” The man pursed his lips. “You, uh. Don’t look good.”

“Thanks.” She pressed a hand to her temple. The other one was still caught on something. “Who’re you?”

“My name’s Jackie.”

“Jackie Donovan?”

His eyes widened. “How do you know my name?”

Laurens tried to sit up. The pain in her head spiked, but she was able to prop her head on her hand. “My name’s Dr. Rya Laurens. I know your friend Schneep.”

“You do?!” Jackie sat up straight, but then hesitated. “Like, do you work with him? Have...you seen him recently?”

“Yes,” Laurens confirmed.

Jackie’s eyes lit up. He leaned forward. “How is he? Is he good? What happened?”

“I’m not sure ‘good’ is the right word for it,” Laurens mumbled. “You’re probably thinking right now that...that I work with Schneep at his hospital, the one where he was a surgeon. I don’t. I work at Silver Hills.”

“Oh.” Jackie leaned back again. He bit his lip, thinking. “That’s the, uh, psych ward, isn’t it?”

“No, it’s a mental hospital, it’s not the same thing,” Laurens said.

Jackie seemed to cringe. “Sorry.”

“It’s fine.”

“So, uh...” Jackie shifted where he was sitting. “H-how is he? Are they taking care of him?”

“I mean, I suppose so,” Laurens said. “I’m his therapist. I’m certainly trying to help, but I can’t speak for everyone. And I don’t know what’s happened since I...” She frowned. “What day is it?”

“Um...” Jackie glanced over at a nearby section of wall, one within arm’s length of where he was sitting. Laurens suddenly noticed the marks on the plaster, done in what looked like blue marker. Tally marks, divided into roughly eight groups. “I think it’s the twenty-first? Of August.”

Last she checked it was the fifteenth. “It...it’s been a week,” she realized. “I don’t remember any of it.”

Jackie nodded. “That happens sometimes. Let me guess, it’s all a blur? You sort of remember being, like, aware but not thinking anything?”

“...that...yeah.” Laurens shook her head, then immediately stopped; it was making her headache worse. “What am I doing here? What are you doing here?”

Jackie laughed hysterically. “I mean, your guess is as good as mine! If it’s been a week, he probably wants you alive! Unless he just hasn’t gotten around to it yet! By the way, can I have my Sharpie back?”

Laurens was confused, until she looked around the nearby area and saw a blue Sharpie on the ground. She picked it up and threw it in Jackie’s direction. The throw went wide. By a lot.

“Fuck,” Jackie swore. “Hang on.” He reached out to the Sharpie, leaning forward, but wasn’t quite there. With another muffled curse, Jackie crawled towards it. And it was then when Laurens noticed the cuff around his ankle, connected to the nearby pillar by a very short length of chain. Realizing this, Laurens looked back at her other hand, the one that kept being yanked back. And no wonder. She was handcuffed to a pipe.

“Got it!” Jackie grabbed the Sharpie by his fingertips, retreating back to his spot by the pillar. “Sorry. I just don’t want to lose this.”

“It’s okay,” Laurens said softly. “I get it.”

Jackie pulled at the sleeves of his hoodie. “So...I know you said you haven’t seen Schneep for a while, but how was he the last time you saw him?”

Laurens thought about that. “He was getting better. He’d just gone through a bad episode, though, so not 100% good.”

“He recovering?”

“Yes, as far as I could tell. I got him new medication, but hopefully it would decrease his symptoms.”

“Symptoms?” Jackie frowned. “Oh. Yeah, I guess he has been unmedicated for some time. Best to take care of that, before dealing with everything else.”

Now Laurens frowned. “Wait, everything else?”

“Yeah? I stopped seeing him in—” Jackie glanced at the tally marks again, counting. “—May, and you’re a therapist, so. You know. Everything else.” He waited, but Laurens still looked confused. “Um...you know. Being kidnapped isn’t going to leave someone okay—”

“Wait, he was kidnapped?!” Laurens repeated.

“Yes! Why do you think—look around at this place!” Jackie gestured at the room. “Do you think either of us are here because we want to be?! The hell did you think happened to Schneep?”

“I don’t know, he wouldn’t say anything about it, but the police assumed he left of his own—”

“Wait wait wait,” Jackie held up a hand. “So...the police don’t know about him?”

“Of course they know about Schneep. How could they not, after all...” Laurens hesitated. “You know. The things that happened.”

“No, I wasn’t talking about Schneep.” Jackie insisted. “I was talking about...him.”

The way he emphasized the him...it reminded Laurens of the way Schneep would talk. “Do you mean...the thing Schneep’s been hallucinating about?”

Jackie looked shocked. “So. They don’t know, then? Wait, do they think Hen did it all by himself?!”

Laurens looked at Jackie, puzzled. “He...didn’t?”

Jackie buried his face in his hands. He didn’t say anything for a while. “Oh my god,” he finally said, words muffled. They sounded almost like a sob. “You don’t know. No one knows, do they?”

Laurens sat up. She was beginning to figure out that things were a lot more complicated than she thought. But maybe now she could get some answers for everything. “Know what. Who...who is this he?”

Jackie looked up at her. His eyes were red, like he was about to cry. Like he’d realized something. Maybe he realized that, if the police didn’t know what was going on, there wasn’t a good chance of either of them ever being found.

“He calls himself Anti.”

#jacksepticeye #jacksepticegos #jacksepticeye fanfiction #septic egos #marvin the magnificent #jameson jackson #chase brody #dr schneeplestein #jackieboy man #brigid writes fanfiction #pwtimeline

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olympus-summit · 4 years ago

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Please Stop Playing Devil's Advocate This Isn't Philosophy 101 | Nemesis | Re: Shinobu, Mina, Izar, Mitsu

"Transferring some files to his iRis shouldn't be a problem." Nemesis nods to Shinobu. He hasn't seen the personal photos but he can at least venture a guess as to why Shinobu's asking, and the iRises already had a camera function and a place to store photos on them, along with the capability to download and store ebooks, so that was practically a non-issue. And he also nods, after a moment of thought, to the suggestion regarding Pan's Grove. The animals at least don't deserve to suffer just because their people did a lot of shitty things.

Part of Nemesis wants to suggest that the Doctor should probably pick her battles, but he knows her too well. She has picked her battles, she has picked all the battles, and she is not going to put any back, and it's not like he can even blame her.

"I wouldn't mind helping with the footage too. Sorting through surveillance footage was actually part of my... well, Evren's job back in Silicon, so I have some experience with it. I didn't want to offer outright since I doubt I'd be a popular choice, but if it helps take some of the burden off then like, just let me know, I guess." He addresses that bit towards Mina, mainly, though presumably if there's going to be a team that'd have to be ratified by the majority as well.

"As for the cyberattack - maybe? I'd need to get a good idea of their operations but yeah, generally speaking the two big things would be taking out their communications and taking out their weaponry. If we can do that, we've bought ourselves enough time to hit them where it really hurts - their wallet. Figuratively speaking. Take away their access to their finances and that's it, game over, they're done. Communications, weapons, money." Nemesis ticks the three items off on his fingers. "It sounds simpler than it is, but a properly staged cyberattack can do that, especially since it sounds like they rely heavily on their tech. Everything afterwards will just be mopping up."

And that's how you stage a coup! At least in a dystopian cyberpunk universe. Nemesis is starting to feel pretty decent about how this discussion is going. They've made progress, they're actually on productive topics, he's more or less accepted that Team Prometheus isn't being ushered out, despite how every time he catches sight of one of them it makes his stomach clench and his head throb again. All he can think of when he looks at them now are the worst moments of the last two months.

But he can bear it for a while longer, and just try not to look in their direction too often, so this is going well...

Until Izar just has to speak up again. Nemesis feels his headache worsen immediately and intensely, as if someone had turned a dial, and he groans, pressing the hand not still holding Shinobu's to his forehead and hoping the pressure can alleviate some tension.

"You're not the moral authority, Izar," Nemesis says in dully exasperated tones, "And you really need to stop telling people what they would or wouldn't do, or how we're supposed to feel. No matter what you or they say, at the end of the day, him and his little team hurt us. They fucking hurt us, badly, over and over, for months. You can have whatever reaction you like to that, if you want to play the benevolent forgiver, go ahead, but don't you dare tell me that I "must accept" their bullshit justification, don't you dare tell me what they did wasn't heinous. I had to relive one of the most traumatic moments of my life. I had to witness grotesque theatrical executions. I had to see the dead bodies of people I consider friends. I had to face my worst goddamn fears. I had to discover everyone I care about is dead, and that these people desecrated my sister's memory by making a copy of her just to torment me with. You don't get to decide that's okay, you don't get to tell me or any of the rest of us how to react to that. You see them however the hell you want, but it is my fucking right to be pissed at them, and to call them what they are. Stop acting like this is a moral debate. It's not. They're guilty. They did this. They did evil shit they did not have to do, even by their own fucked up standards. Period. The end. Discussion over. Move on."

Bold of Izar to take the stance that running a killing game and creating life for the sole purpose of torture isn't insidious and villainous even when some of the people he's defending have already admitted it was. Nemesis doesn't even know what point he's trying to make anymore, but Izar seems to have a habit of changing his tune whenever he's getting a bad reaction or to make himself sound better, and he also has a habit of repeating what other people have said as if it was his idea or something he conveniently came up with at the same time and just hadn't mentioned yet.

As far as Nemesis is concerned, Izar is just a Wildly Unlikeable Guy.

"Anyway, if we can stay on the like, actually helpful topics. I... can agree to Mitsu assisting with the footage. With or without me, whatever Mina and the majority are comfortable with."

He's not super thrilled about it, but he's still more comfortable with Mitsu than with Elliott. Honestly all the bullshit disagreements he'd had with Mitsu before seem totally inconsequential now, after everything else that's happened.

#chapter 6 #trial 6 #evren #submission

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boukenboy · 4 years ago

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#15: 幕末降臨伝ONI / Bakumatsu Kourinden ONI

Bakumatsu Kourinden ONI is a direct sequel to Kishin Kourinden ONI, released around 2 years after the latter. Bakumatsu is an upgrade to its predecessor in many respects, and is definitely the stronger game of the two, but some baffling design decisions are present, including ones it shares its with predecessor. Set in the Bakumatsu period of Japan, an era where the shogun's influence over the rulings of the country would come to an end, we play as a group of monster-hunters working for the Shadow Shinsengumi - a secret police dedicated to protecting the country from all sorts of beasties. Our main man is Yamatomaru - originally from a small village, he would attract the Shinsengumi's attention after saving some of the village children from winding up as monster-food. Brash, foul-mouthed, and good-hearted, he is essence of a typical shounen-style hero.

After being soundly defeated by a monster seeking revenge for his slain friend in his hometown, our hero is saved by the enigmatic Jurouta, who invites the young boy into the shogun's service, stating that he has the proper qualities of a monster hunter. Initially reluctant, Yamatomaru, determined to become a strong warrior like his deceased father, meets up with the handsome man and accepts the offer. As more and more monster related incidents occur. it becomes clear that certain hot-spots of spiritual energy, what the came calls "spirit pits", are going haywire, giving rise to all sorts of calamities within Japan. Furthermore, a mysterious foreigner with dubious intentions, Riche, is also seeking out the spirit pits, and is willing to do anything to obtain control of them.

Our heroic twosome is soon blessed with the addition of the Saigami siblings: Natsume and Touya. The Saigami clan is reknowned for their spiritual prowess - including the ability to seal away the raging pits. Natsume is deeply insecure in her own power, however, and for the first half of the game, the party heavily leans on Touya to do what is needed. We are later in the game joined by Squanto - the former leader of a ruined nation due to Riche's machinations. A man of few words, he is a solid tank of a character, dedicated to defeating the colonizers that ruined his way of life.

As charming as this cast is, I felt that, outside of their initial introductions, the game doesn't bother to develop the cast much. Yamatomaru begins the game as a hot-headed himbo, and shows little growth throughout the story. Jurouta is the same, save for the revelation that he is actually a she, causing Natsume to question her tastes when it comes to her love-life, as she is enamored with the stoic warrior. Touya is the typical over-protective brother to a T, but subverts this trope at the same time in an interesting way: instead of coddling his sister whenever she expresses insecurity about her abilities, he empowers her. He encourages her. It's very progressive, especially for a game of this age.

As one can see, the scope of Bakumatsu is much larger than the previous game, and overall, has a much darker tone. The story, at times, is relentlessly tragic: in one instance, you are forced to battle a former colleague of the Shadow Shinsengumi after he willingly transforms himself into a monster in order to prove himself - in another, you watch helplessly as an entire civilization is genocided off-screen. While Kishin wasn't afraid to showcase the occasional tragedy, it never goes as far as Bakumatsu. This is a dramatic game, and I commend the writers for going where others would not.

The narrative is focused: unlike the vignette-heavy style of Kishin, Bakumatsu is fast-paced and dynamic - allegiances shift at a breakneck pace, and as soon as one threat is vanquished, another rises to take its place. It feels exciting to play. The dungeons are, for the most part, short and snappy. I remember the dungeons in Kishin being an absolute chore at times, as the game would frequently chain multiple locations together with little plot to entice the player to continue on. While Bakumatsu does feature the occasional marathon sequence, the player is always provided with plenty of cut-scenes and opportunities to save and recover.

That being said, the game lacks in dungeon variety. Almost all of the dangerous places you'll visit in Bakumatsu are mountains, with only a color palette to differentiate them. It's boring. I found myself rushing through these levels, mashing the fast-forward button and avoiding thorough exploration. I understand the memory limits of the Super Famicom, but it still feels lazy. And while they are a definite disappointment, the rest of the graphic design in Bakumatsu excels. Your characters are superbly well-animated, full of personality and character. During the latter half of the game, your party travels across the sea to the New World - and it truly feels like a different continent! The level of detail in the map of a game this age managed to really surprise me, and I loved seeing my home country portrayed through the eyes of a different culture than my own.

Bakumatsu features an upgraded combat system. Each character has a variety of sword-techniques that use their own MP gauge which is restored by walking. They're are all super well-animated, flashy, and just plain cool. Even the most basic moves are stronger than your standard attack, so even the ones you acquire early on retain their usefulness throughout the entire game. The standard magic spells and summon abilities have been upgraded graphically, too, making the battle sequences, as a whole, feel much more exciting and dynamic.

Which is great, because like its predecessor, the encounter rate in Bakumatsu is disrespectful. Battles occur every couple of steps, and enemies are, due to the expanded combat mechanics in comparison to the previous game, often take a bit longer to defeat, as they tend to have an immunity to either magic or physical attacks. Remembering these characteristics is a matter of memory, as there are no spells available to identify weaknesses. Despite this, the overall difficulty level in Bakumatsu is much more reasonable than in Kishin - there are only two instances in which I had to stop and grind out some levels: once in the very beginning, and another near the very end of the game.

There are two other types of encounters that are worth discussing: the ship battles, and the underwater battles. Once you acquire your ship, you will, at times, run into other sailors that want nothing more than to send you to a watery grave. Your ship functions as a character would - it gains experience and levels up as you defeat enemies, but you must spend a pretty penny at the Yokohama docks for it to be upgraded. These oceanic encounters are novel for their time, and amusing enough, but suffer from balance issues. The first time you embark out onto the sea, you will have no way of knowing which ships you can take on, and which ones you have no chance against. It's a matter of trial-and-error, so frequent saving is recommended.

The underwater battles are similar to regular encounters, but special attacks and spells are disabled, and are instead replaced with a bar that represents how much time you can stay underwater. Should this meter run out, your character dies instantly. Taking damage and attacking foes decreases this meter, but you can choose to surface for air, but doing so will end your character's turn. This presents an interesting "risk and reward" system - the player has to choose whether or not to risk drowning or finishing a battle quickly. I wish spells were available, though. I feel as though it would have been easy enough for the developer's to disable fire and water attacks, leaving the earth and other elements. Some of the monsters you'll find underneath the water's surface are vicious. I've never been more afraid of crabs in my entire life!

Like it's predecessor, there is plenty of side-content to discover throughout the world, including a village-building minigame. Inhabited by friendly monsters you found throughout Japan, you can earn various rewards as it develops into a bustling hamlet. Special summons can also be found, but you'll have to meet special conditions in order for them to lend you their aid. This is where Bakumatsu’s most intriguing aspect comes into the play: the karma system. Depending on your choices throughout the game, you'll be assigned a rank, ranging from "Absolute Villain" to "Godlike" - these can affect whether or not you'll be able to obtain certain allies or spells. Unfortunately, once you reach a certain point in the game, it becomes impossible to influence your rank beyond a certain point. If you're aiming to obtain everything, I'd recommend a guide.

There is a lot to like about Bakumatsu: the game is well-paced, graphically stunning, and I loved how the developers were unafraid to experiment with all sorts of different mechanics. While the execution of these ideas were occasionally lacking, they were novel for their time. Between Bakumatsu and Kishin, if you were to only play one, I'd definitely recommend this title. It's a solid, if occasionally frustrating, experience, dripping with style and visual flair. Definitely recommend!

#retrogaming #retro gaming #super famicom #super nintendo #oni series #bakumatsu kourinden oni #game review #rpg #jrpg #gaymer

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magicalsalamander · 6 years ago

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Sangria Wine

⊸Pairing: BTS Yoongi ⇆ Reader

⊸Summary: When rent is cutting short and you’re at your last resort. Your job has been cutting your hours slowly, and bills were stacking up. You walk into a donation center, blood donating center for the undead to earn some quick cash, but…the thing is…you’re afraid of needles.

⊸Word: 6.1K

⊸Rating: teen; mentions of blood and phobia of needles/blood, fainting, vampiric activity, and mentions of mating.

⊸ A/N: Based on my experience with needles and how I’m a wimp and pass out. This Yoongi is pretty cliche, but I mean who doesn’t love a good angsty Yoongi. Thanks for reading! Gif source unknown, but I don’t take credit for it.

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The nurse takes the earpieces of her stethoscope out of her ears and tilts her head, “Your blood pressure is still high.”

You shy away from her look of concern, this is embarrassing. After waiting ten minutes for it to go down, the results are still the same. It won’t go down from a static 140/80, you know that, “Doctor offices just make me nervous, I’m fine.”

She hums and writes down a note on your chart. Finally she puts two and two together, “White Coat Syndrome,” clicking her pen on her clipboard, “it’s when patients, much like yourself, are anxious because of the people walking around in white coats.”

You halfheartedly chuckle, “Yeah, haha, that’s the one.” You hear it every time you come in to a doctor’s office. You tried explaining it to her earlier, but she put her stethoscope in her ears instead determined it was just a mechanical error.

The hypertension is never because of the doctors, but the needles—bloodwork specifically. Your mind and body are disconnected. You know it isn’t a big deal, it’s a split-second ordeal, boom, bam, done! It’s not even that painful, it’s a mere pinch at most, but for as long as you could remember you’ve had this issue. Although the fainting didn’t start until your teen years, mostly because the nurses offering you candy wasn’t enough to distract you anymore. You even know the symptoms of an oncoming episode by heart now: hearing dulls to a high pitch ring, sudden rise in body temperature, blurry vision then timber you’re out like a light!

Even though you’re aware of the rational side of it, the anxiety is still there.

Your hands feel clammy, as you repeat the words to yourself with a sigh: White Coat Syndrome.

This is your first time at this clinic, so they don’t have that special, little note on record. Which ironically is a good thing, you couldn’t be honest with her and tell her it was because of the needles that perturb you…and that you are likely to faint. You need to be here today.

The nurse wraps her stethoscope around her neck, “Alright, Ms. Y/L/N, everything checks out. I’m going to ready a room and I’ll be back in a moment your receiver should be here soon.”

You nod and she is gone with a click of the door. “He should be here soon,” those words echo in the back of your mind. You busy your mind on something else by reading the posters around the room. They are typical ones the importance of getting the annual flu shot, hygiene and information on human diseases that can affect vampires and other supernatural. You let out a heavy sigh as you read over them three then four times for the sake of not driving yourself crazy. It occurs to you that not only do humans have a huge effect on the environment, but now we’ve effected supernatural beings. Way to go humans.

Three knocks on the door interrupts your reading and the nurse peeks back in, “Are you ready Ms. Y/L/N?”

You wipe your sweaty hands on your jeans and slip off the examination table. You stand still for a few seconds to stabilize your feet. You grab your coat and squeeze it as you respond through a fake smile, “Ready.”

Your feet were leading you down the endless white hallways instead of your overactive mind. The mild ringing in your ears were dulling the noises around you, so you follow the nurse like a lost puppy. Suspiciously this place smells overtly sterile, even to your non-supernatural nose. It’s probably because of all the…blood. You hold your coat tighter to you, “Shut your mind off, shut it off, positive thoughts only.” You could already feel your face flushing from the self-induced anxiety. You keep repeating to yourself like a mantra, “It’s going to be fine. Nothing bad is going to happen, why do you do this to yourself? You know you’re going to be alright.”

You don’t realize you’ve made it to the phlebotomy ward until the nurse you are following opens a room for you. You thank her, and walk into the room rapidly. You take in the new, small room and it was far from what you were expecting. It’s nice…it lacks the same clinical posters from the checkup room and instead it’s replaced with minimal décor. It still smells very sterile though. The nurse speaks from the doorway, “Your receiver will be with you shortly and when the session is over I will come back to check up on you before you leave.”

She closes the door behind her with an eerie click. You heavily sigh as you slump into the first seat you see when your legs give out. Your head is chaotically buzzing, and your heart is beating so hard you could feel your pulse drumming in your ears. This was probably a bad idea—this is a bad idea. You shook your head clearing your thoughts again, no, this was a good idea. You could do this. You could do this! You straighten yourself out and sit near the edge of the seat, tuck your feet together and set your spine rigid. If your receiver will come in here any minute you need to be a bit more put together. If you put it out in the universe it will come true kind of mindset.

The supernatural are apart of normal society, they live amongst humans. They work, live and function alongside humans. You’ve never been nervous about vampires, or any supernatural being, but today those fangs hold a different emotion.

You breathe in slowly and deeply to make sure you are still breathing. If you aren’t actively thinking about it you would probably be turning blue by now. Inhale and exhale. Inhale and exhale. Inhale and exhale. Inha—three, soft knocks rasped against the door. If I hadn’t been so hyperaware of my breathing I probably wouldn’t have caught it. I jump in my seat then stutter out, “C-C-Come in.” Wonderful, just a wonderful first impression.

A tall, lean figure slips into the room with his back turned to me with his head down. He is dressed professionally with a navy-blue button down and black slacks. Your eye follows his silhouette to his hand strangling the handle of his brown leather briefcase. His briefcase isn’t fully close and a few documents are sticking out of it front pockets. Is the vampire nervous or just…really hungry?

When he turns around, lifting his head, his expression is stoic, lips thin like a line giving away no hint of reaction. You hold your breath when he flicks his half-lidded eyes up meeting yours. His deep, brown predatorial eyes watch yours, observing you from head to toe. It is as if he is waiting for you to break contact first. You feel your saliva thicken in the back of your throat as you struggle to say a greeting. Never before had the mere presence of someone take your breath away. His dark eyes convey his prowess as a vampire, establishing his role in this transaction right away. His naturally dominant aura penetrates the room replacing the ethanol out until all you could smell is his earthen cologne.

Even though you feel insecure under his gaze, you couldn’t help but keep your eyes lock with his. There is an unexplainable pull that keeps you in those two orb’s gravities. He is very attractive to say the least. You swallow hard. Did he have to be good looking? It made your phobia infinity more embarrassing. He had a face that would haunt your dreams and nightmares.

Your eyes broke contact when he watched my throat bob and he knew I had swallowed. I turned away from his gaze and tried wiping away at the blush staining my cheeks.

Just your luck.

After four hundred years you would think he’d learn his lesson by now. He should have perfected the way to living, however, he always forgets that there’s a chaotic variable that ruins perfection: humans. They’re creatures that put too many factors into the pot and it spoils the broth. Things should be simple, but they never are. Things always ends up being troublesome on his part.

He’s spent the last few weeks stowed away in the boardrooms and his office working on a big project. Today, he closed the deal with the international broker and will start importing overseas. Everyone wanted to celebrate the billion dollar deal but he ditched the investors and other executives in order to make this appointment. He didn’t care if ditching them only deepened the rumors about him, he owns the company. He knew his reputation, he even knew the vicious nickname the employees whispered. They called him the red shadow. He was infamously known to be cold, calculated, and a perfectionist. When the red shadow walked to and from meeting rooms, the employees would stop what they’re doing and tremble in fright. Not always literally, but he’d hear it in their frantic heartbeat or the sudden pungent smell of ammonia from stress. They worried that they were going to be scrutinized or that they would be the next on his list. His eyes would hauntingly burn crimson when he was stressed. Despite supernaturals being amongst the normal, prejudice still ran deep. A vampire’s reputation ran deep and was naturally synonyms with fear itself.

In the past two weeks he had reaped the nickname dry. He hadn’t feed properly, and the iron pills weren’t keeping the hunger at bay for more than a few hours at a time. Synthetic Blood bags wasn’t able to truly fill that want for fresh blood either. Normally he liked to feed from a live source every two week, but that didn’t fit his schedule.

As soon as he knew the deal was closing, he made his secretary set up an appointment at the clinic for today. He couldn’t have felt more relieved when he got confirmation email a few days ago, and it’s been the only thing he’s looking forward to. He could’ve brought a donator to his office, but he doesn’t eat and work in the same room and well…it was against the law. Congress forty years ago drew up legislation for stricter guidelines on blood donating and receiving. This was all because too many individuals were found dead as a result of careless feeding. This also forced the supernatural to come to light from the underground. Under the law he was required to feed at a clinic or contract a donator through the government. Humans, he mentally scoffs. The idea of contracting someone revolted him. Although his clients were never usually unpleasant, but something was always off with their scents, too talkative, or just…creepy. He’s never wanted to rely on anyone for anything, especially concerning sustaining his life.

He walks up to the front desk and signs in and takes the typical swab test from the nurse. He swabs the inside of his cheeks quickly and tucked the swab back in its sanitary wrap it came in. He hands it back to the lab tech waiting behind the receptionist. His head is pounding furiously. He runs his free hand through his hair trying to feel for a source. It isn’t painful, but an annoying hard and fast thrumming…almost like a heartbeat.

He is brought back to his senses when the receptionist sweetly smiles at him, “Thank you Mr. Min, please wait a moment and we will begin shortly.” He harshly blinks and picks up his blazer and briefcase finding a seat in the empty waiting room without further word. He deduces that it isn’t another supernatural creature influencing him. Why is his head pounding then? He sits back in his chair and laces his hands together in his lap and takes a deep breath. He rolls his neck as he lets the feeling take over.

Throb, throb, throb, throb.

In the silence of the waiting room he hears it. It’s faint but it’s there. He tunes into the erratic heartbeat that’s somewhere in this building. He holds his breath for a moment to see if the delicious rate matches up with his pounding head.

Lub-dub, lub-dub, lub-dub.

He groans under his breath and licks his lips. The animalistic side to his supernatural tendency is creeping up his throat. He’s never felt so connected to a heartbeat before. His body feels like its crawling with jitters for not seeking it out. His leg begins shaking, he slaps a hand on his tight forcing it to stop fidgeting. He suppresses his instincts to follow the pulse to its owner with all his might. The walls are well insulated for the sake of privacy, but he could feel it so viscerally.

He is about to groan under his breath again when he heard his name being called. He takes a deep breath in and lets his expression fall neutral again, except the bags under his eyes gave away that he is a starved man. He gets up as calmly and follows the petite woman who has similar bags under her eyes as much as she tries smiling through it. That’s what happens naturally when humans force switches their biological clock to nocturnal. “Hello, Mr. Min, please follow me over to the oral cleaning station.”

He follows routine, but as he is cleaning his teeth with the sanitation elixir he feels the pulse beating in harshly his fingertips. He nearly spits out his mouth wash as he feels his fingertips tingle like when they go numb, but you try using them again. The thrumming of energy in his veins makes him lowly moan but he wills it away as by gargling the disgusting mouth wash.

He is clean, but he knows this procedure is also a part of the new act. Human to vampire disease is on the rise, but so is vampire to human. Today following routine is agitating him. He wants to feed, no needs, so that he wasn’t hyperaware of a heartbeat. In order to save his pride he concludes that he is just aware of it because he is starved. He was stuck in the office so long that he must be hallucinating. His senses were overreacting because all he’s had was fake plasma and he wants the organic supply. He is in control, not the salacious pulse. He knows himself better.

He spit out the mouthwash into the sink with disgust and rinses his mouth out with water fast. He wants this done and over with as soon as possible. Sleep, sleep would do him so well after this.

“Follow me Mr. Min, your donor is waiting for you,” he grunts then follows the nurse down the familiar hall to one of the many donating room. The white walls he had seen for years now feels unfamiliar, just as new as the sensation running through his veins. It irked his ego that this is throwing off every one of his senses. He isn’t sure he is following the nurse or his instincts anymore. He unexpectedly groans when he feels a strong beat in his own chest. The nurse turns around with an eyebrow raised. He finishes that groan off with a cough, bring a hand up to his mouth to conceal it politely. The nurse smirks thinking the insinuation is for her. He rolls his eyes as she turns back around.

They walk past rooms and the harder the pulse feels in his veins, chest, and fingers. Its engulfed him and its all he can feel. The nurse stands outside a door and slips a chart into the folder. He stares at the door because itself seemed to pulse. He knows whomever the owner is of the bothersome heartbeat is inside this room. The nurse knocks softly and she steps back, “You have fifteen minutes Mr. Min.” He didn’t respond to her and she tried waving a hand in front of his face, but he didn’t blink or acknowledge her. She takes it as he understood and leaves. He grabs the handle and depresses it when he heard a response, “C-Come in.”

The being behind this door was supernatural he was sure of it, only a voice so enchanting voice could belong to a siren. Why else would he feel such a pull? He pushes the door open like any sailor would. When the door cracks open just an inch, the sweet scent from the room floods into the hallway. His eyes fall hooded as the sweet scent fill his frozen lungs. It put him in a catatonic state that fully wakes his instinctual half. It’s oddly addictive yet bothersome to his core. He isn’t weak to his instincts. He wasn’t.

He steps into the room and closes the door behind him. He slowly looks up from the ground and finally gets a look at the siren. He clenches his jaw as his whole body pulses like an earthquake as you make eye contact. The source of the erratic heartbeat is seated in front of him.

You aren’t a siren…but a human. Human. You’re beautiful like a siren though, but you’re trembling like a leaf. He knows he shouldn’t feel primal about a simple donation, but you are like a frightened bunny under the watchful gaze of a hungry wolf. Yet, he wasn’t one of those dogs, he was a prideful vampire.

His earlier irritation mellows out when he senses your distress. The way your eyes are glossy make him choke back, honestly, he can’t help how endearing you are. His starvation subsides and all he wants to do is take me into his arms and rest the tremors. He wants to feel that heartbeat against his chest.

He shouldn’t do that though, this is a simple transaction. He is a receiver you are a donor. He rolls his neck trying to bring himself back to neutral, he isn’t himself today.

He takes in a deep breath that was unnecessary since he doesn’t breathe. He practically glides over to the seat across from you and sits down gracefully. He cautiously takes your hands away from my cheeks. His touch is gentle and…icy cold, his hands are so cold. You didn’t realize you raised your hands to your cheeks in an attempt to cool yourself down. His touch is the instant relief your burning body is looking for.

It’s electrical, he squeezes your hand feeling the shock light up his nerves. It felt like being jolted by a defibrillator. You were so warm. Warmth, it’s amazing, he hasn’t felt warmth for a very long time, it’s always a numb feeling whenever he touches anyone. Four hundred years is a long time to miss something. He gets a new wave of your scent as your breath hitches in your throat. You must’ve felt it as well. He closes his eyes for a moment holding back the red threatening to heavily bleed into his eyes. He didn’t want to scare away the bunny.

He peels his eyes open slowly, but he didn’t realize he is only inches away from your face. You didn’t move away from him though or back down like he expects. Your eyes are staring directly into his pitch-black feline like eyes and he can’t tear his eyes away from the intense gaze. The dilation then contraction of your pupils signal that you were searching for something in his. What is going on?

His voice comes out low and soft, almost like a breathy whisper, “Hey, it’s going to be okay. I’m not going to hurt you.”

He offers me a soft smile and it feels like a different person is in front of you. The stoic individual can actually be…warm. His harsh features suddenly feel more inviting and you can believe his words. You gulp and lick your lips, finally greeted him, “Hello.”

His eyes follow the movement and cracks a bigger smile; his duality takes you back yet again. He whips his eyes back up meeting yours. He releases your hand, all be it reluctantly, but he knows to keep to himself for the sake of professionalism. But God, does it feel almost painful to let go. He is never like this, he’s never felt the need to be close to someone. He needs to keep it together. Why is a mere human having this much of an effect over him? He links his fingers together to keep the urge from holding your hand again, “Hello.”

You feel the need to disclose, “It’s-It’s my first time…doing this.”

He smirks. God, so endearing, “I could tell.”

You want to whine to physically dispel the cringing embarrassment. You had forgotten that they could hear your heart beat and you’re sure much more. Could he smell your sweat too? What else could he sense! Jesus, you’re a mess and nothing has even happened yet.

He licks his lips, he is having a hard time not focusing on the pulse in my neck. It’s like the beckoning call of a mistress at the door of a brothel in the red-light district. And that scent! That sweet scent of fruits with a hint of acidity from stress is drowning him, it’s like fresh sangria wine. Sangria. Sangre. He off handedly wonders if your lips taste like a mix of the two from the way you are biting down on your lower lip hard enough to bleed. He grunts down a groan that was arising in his throat. This siren.

“What’s your name?” He asks in a husky voice, a byproduct from suppressing his noises. He needs to change the subject and loosen the tension in the atmosphere.

You look up, “Y/n, and you?”

“Yoongi, it’s nice to meet you Y/N.” He tests your name on his tongue and it rolls off salaciously. He offers a hand, breaking his self-promise giving him an excuse to touch you again under the disguise of politeness. You took it willingly. He feels how sweaty your hand had become and then he notices a single tear of sweat dripping down your temple. Were you nervous? Was he scaring you that bad? Its kind of expected for a first timer to be nervous, but sweating? He mulls over it for a second, of course you’d be afraid of him, everyone was, he is a vampire. The red shadow.

However, he didn’t want you to be though. It makes the phantom heartbeat in his chest skip a beat at the thought of you disliking him. The rejection hit him viscerally. He didn’t even know you, yet it really matters. He would never hurt the bunny.

He decides to keep the short conversation going. He never usually offers his donors a bit of conversation prior to a transaction, afterall, they’re a meal. This is business, but here he is breaking his own rules for you. “So, Y/N, what brought you here?”

You pull your hands away this time and squint when you believe you hear a whine from Yoongi. You answer honestly, “Work…has been cutting hours and I need the money to make ends meet.”

He raises a brow, a bit surprised at the honesty. A lot of the clients that come in are here for the gimmick or to satisfy some sort of fetish they have. It doesn’t bother Yoongi, as long as he feed at the end of the day he really didn’t care.

He keeps with his curiosity, “Where do you work?”

You habitually lick your chapping lips tasting the minimal Chapstick left, “MYG Technological Corps.”

He licks his lips as you did, he didn’t realize he was copying your demeanor. When he hears the name of the company his eyebrows raise, that was his company. How had he not known about you? Did you know that he was the owner? Was that why you were so shy and nervous?

He fishes for answers nonchalantly, “Really? What kind of work do you do?”

“Marketing,” you relax a bit in your chair. You find yourself rambling, “I enjoy working there. I’ve just started working about two months ago, so I didn’t know much, but it’s a great place. Except…my team manager, he is…a bit of a fuck up. He piles work on everyone else and when he got reprimand for it by his superior he fires people in rage only to realize his mistake when the persons are gone. Then we, meaning me and two other people, have to take on triple the work. “

He’d been gone these past two months on an international business trip to survey the factories that would be dealing with his products. As soon as his flight landed two weeks ago he locked himself in his office, the twentieth floor and top floor. The marketing department was on the third floor; no wonder he never sensed my presence before. Even though he has never sensed me directly, but maybe…that’s why he was more agitated at work. Why he was more sensitive, and why the pills and synthetic blood weren’t working because you were nearby but never near enough to feel that wild pulse.

You heavily sigh realizing you didn’t breathe during that whole venting. “Sorry to vent, you’re just wearing business type of wear, so I assumed you’d relate.”

Ah, so you didn’t know who he was.

He nods in understanding, a bitter smile lifting his lips, “I do, I do understand.” He crosses his legs to hide the fact that anger is boiling in his gut. Someone is working in his company, representing his name and is treating employees, you, like that. He thrums his nails against the arm of his chair as he pictured different ways to punish that manager. The thought of someone mistreating you made the hair on the back of his neck rise. He let his black eyes dye burgundy not caring to conceal it any longer. Maybe next time he feeds it’ll be ruthlessly from that guy.

He ask, squeezing the arm of the chair digging his nails into the plastic, “Then why here of all places, couldn’t you take up another part time?” Why would you let someone feed off you…someone that wasn’t him?

You took in his nails and a hint of interest filtered through your veins. He easily could sink those nails into you, easily sink his fangs into you no problem. Your strength will never compare to his, even a flick of his wrist is surely impressive. Every time he smiles his knifelike canines’ peek through, but they didn’t seem as daunting as a needle because of the being it was attached to. Even the red in his eyes…made me feel safe in his presence. Maybe this time around you won’t faint.

You tilt your head while staring at your clasped hands, “I could have found a job somewhere, but if I took up another job on my already overworked and underpaid budget, would there be a different?” You unclasp your hands, ”I would be doing it all over at some other place. I wouldn’t have time to sleep, eat or let alone breathe if I did. This,” you casually point between the both of you, “lets me do the part time gig but I get all that work done at once and I get free orange juice.”

You slightly laugh, but no humor was behind it. You fiddle with your hangnail on your thumb. You press down on the piece hoping for it to mend by magic, but it just acutely hurt. No matter how comfortable he makes you feel, the pain reminds you that this is very real. You are sitting in front of a vampire, a stranger, and you were here to donate your blood to him in return for a few hundred dollars.

You are here to challenge yourself, “Also…I’m challenging myself.” You whisper out, “I hate needles. I usually pass out when I get my blood drawn. I’m healthy, but it’s just this weird psychological thing that I have to get over. I want to overcome it and getting paid in the meanwhile kills two birds with one stone. I think that the ‘needle’ being a person instead of sharp metal of piece will help me overcome the fear.”

He laughs, fangs on full display, “So I’m just a talking needle?”

You laugh along with him, although not with the same degree of delight, “I didn’t mean to offend, it just makes it easier to think that way.” You wipe your sweaty palms on your jeans again, but it doesn’t seem to clear the moisture.

The nurse knocks on the door and comes in, she bats her eyelashes at Yoongi, “Have you taken the donation yet Mr. Min?”

You feel your fingers beginning to tremble as you picture his fangs puncturing your neck or wrist. I feel the phantom stab and picture blood gushing out into his mouth. Your brutal and sick imaginations continue on in your childish imagination. The edges of your eyes dampen along with the onset feeling stomach cramps from the sudden nausea.

It’s just a pinch. It’ just a pinch, why were you making this a big deal?

He shakes his head, a bit perturbed that his time with you is being disturbed, “Give us more time.”

She looks at him with a simpering smile and looks at her watch, “I can give you twenty more minutes since you’re the last patients for the night.” Yoongi nods curtly and she steps back out of the room.

He turns and looks back to you. He hears it first, the furious heartbeat, then notices your closed off body language. In a split second when he wasn’t looking, you are back to where you had started. You are picking at your nail, but your eyes are glazed over, lost in your thoughts. He stands up then crouches down in front of you so he could get your full attention. He puts both hands on each side of your chair’s arm rest, forget boundaries he needs to be by your side. “Hey, hey, Y/n, it’s okay. We don’t have to do this if you don’t feel comfortable. Y/n? Y/n? Can you hear me?”

The delusions fade as his voice cuts through your thoughts when you hear your name. Your eyes shot up and look directly in his red eyes. You want to do this, no, that’s not true, you need to do this. You need the extra hundred dollars to make rent. You need to do this!

“I know.” You blink away the tears, clear your throat and lift a shaky hand to brush your loose hair away from your shoulder. With pseudoconfidence you expose the unmarred flesh of your neck to Yoongi and tilt your head to the side, “…but let’s do this.” Your hands were shaking as you lower them down waiting patiently for him to act.

“Y/n, we don’t…,” he whispers your name, but he couldn’t help stare at the pulse under your flesh. He could feel the bags under his eyes lifting. In hindsight he know this may be a wrong idea, but he didn’t want to push you away. You were being brave, and he wanted to respect that. He could smell the fear and anxiety tainting your sweet scent, spoiling the sangre wine. It’s been hard to control himself so far, but miraculously he repressed the monster within. He wants a taste of your sweetness. He needs to answer that pull he feels towards you.

He gets up and moves you to the couch, so you are more comfortable. You readjust yourself and offer your neck again without meeting his eyes.

It’s just a pinch, then it’ll be over soon.

He touches your neck as a test, running the back of his knuckles over the soft flesh. He wants to see if you are okay in small steps. He could feel the spike in your heart rate when he touched you. His instincts enjoy that reaction, his primal half wanted to pounce. He wouldn’t do that though, with you he’d treat you right. He declares as his voice drops a few octaves, “I’ll take care of you, I promise.”

“I-I trust you.” You nod, and you scoot closer to him proving your point.

A small smirk took over his lips as you lean into him. His eyes soften as he watches you, “I promise to make it quick and painless. I won’t hurt you but tell me to stop if want this to stop.”

You clutch at his shoulders wrinkling his crisp, white shirt and nod, “Okay.”

He cautiously wraps his hand around the small of your back. He brushes away the lingering pieces of your hair from your neck. He watches the pulse under your skin and he could hear the beautiful melody along with it. He couldn’t ignore it any longer, or pass it off as hunger, he wants you and only you. No one else can do this, no one else could touch you like this, or taste you. That is his song.

He tangles his hand into my hair and the other tightens around your waist, his body shakes with your overwhelming warmth. He pulls you closer to feel it against his chest like he wants. Your pheromones are so enticing, it’s fine dining at his clutches. His mouth is watering and his Adam’s apple bobbing as he swallows hard.He ran his tongue over his centers and pricked his tongue on his sharp fangs and leans into your neck. His soft hair tickles your skin as he inches deeper into the crevice of your neck. He flicks his tongue over the shallow dent of your neck and shoulder. He shivers, eyes half-lidded and crimson red your skin taste more delicious than he imagined.

“Yoongi,” you faintly whisper. You could feel your hearing ring in your ears as your vision was blurring. You know what is coming, so you clutch onto him tighter repeating to yourself: It’s going to be okay, it’s going to be okay. You try fighting it off by focusing on your breathing instead of the ringing, but his breath against your neck was too much to ignore. The fangs, those pearly white fangs that are going to sink into my neck!

He responds with a noncommittal hum waiting for you to say something. He kissed his way up your neck feeling for the strongest pulse and when he found it he licked it, his saliva partially numbing the area temporarily. When you didn’t tell him to stop, he sunk his fangs in to a vein. The next second blood flowed into his mouth in a steady stream. The taste was euphoric answering his primal desires. “Fuck,” he moans to himself. He’s never tasted such a delicacy; no other blood had ever been sweeter or smoother on his tongue.

He hears your whine at the prick and he pulls you closer to him for support. He runs a hand up and down your spine to ease your tension. He sucks blood from the wound tasting the fine sangria wine. He wants to keep tasting, but he knows that would be dangerous for the both of you. He takes his fangs out cleanly, something that came with practice. He twirls his tongue around the wound to clean up the puncture, the enticing red lines running down your neck weren’t going to be wasted. “My mate,” he growls out as he gingerly licks the wound close. He was so lost in his high the words slip past his lips.

When he comes down from his high he quietly asks, “Are you okay?” Affection firmly is anchored in his chest as he cups his palm over the mark. He had not realized that you are clutching at his shirt tightly, but when he fully pulls back your body keeps moving with the momentum. Your eyes roll back and you slump against the couch passed out. “Y/N! Fuck! Y/n!” He was so lost in the euphoric taste he didn’t feel the jump in your pulse or the slumping of your body against his. You are too addicting, too sweet, too delicious. You are the dangerous one.

He wants this to work, he wants you and only you. If it meant he had to help you overcome this fear, he was willing to do it…because you’re his mate. His own words finally hit him as he stares at your paling face, you are his mate.

He turns to the door and screams, “Nurse!”

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