#just think its important for me to add that .

[girljeremystrong]

✨️ best books i read in 2024 in no particular order ✨️

CLASSICS

Les Miserables by Victor Hugo

french epic historical novel following the struggles of ex-convit jean valjean and a lot of other characters at the same time. what to even add! it's great! 1.500 pages and absolutely worth it!

David Copperfield by Charles Dickens

beautiful english novel about the adventures of titular character david copperfield as he grows up and becomes an adult. just a perfect novel and the most wonderful characters you'll ever meet!

The Rainbow by D.H. Lawrence

a novel following three generations of the brangwen family living in nottinghamshire in the nineteenth century. you will not believe how incredible this book is! so unique and so full of humanity! ursula brangwen is the best.

The Catcher in the Rye by J.D. Salinger

the great american novel? might be. the story of teenager holden caulfield during a long weekend before christmas. he's sad, he's grieving and he feels so lonely. re-read it for the third time this autumn. fuck the phonies! read this book!

The Great Gatsby by F. Scott Fitzgerald

the great american novel? might be. tells the story of nick carraway's meeting with jay gatsby and the great mess that follows as he gets to know him better. the very best characters and one incredible story. my second re-read and i loved it.

The Bluest Eye by Toni Morrison

her first novel! all about pecola who has a difficult childhood and through all her painful times wishes for blue eyes so she could finally feel beautiful. honestly it's devastating but unforgettable and necessary. nobody uses words quite like morrison!!!

CONTEMPORARY + LITERARY FIC

Martyr! by Kaveh Akbar

a very special book about a man who feels doomed by his traumatic and violent past and becomes obsessed with the idea of martyrdom which leads him to brooklyn to meet a terminally ill artist at her final exhibition. i really did love this book and trying to find the perplexing answer to what's the meaning of life...

Family Meal by Bryan Washington

wonderful and warm and hopeful story of cam reuniting with his estranged childhood best friend as he tries to deal with his grief for losing the love of his life. cried the whole time i was reading this! but let it be known, it is not tragic whatsoever, it's just beautiful and brilliant! it's about old friends!!!

Henry Henry by Allen Bratton

sorta inspired by shakespeare's henriad, so you already know it's good. the story of the eventful first year out of university of hal lancaster as he tries to avoid his father and spirals and looks for a place to store inside all of that catholic guilt. so fun and heartbreaking and sweet and i really loved it.

Demon Copperhead by Barbara Kingsolver

a transposition of dickens' david copperfield and in many ways just as brilliant. set in the mountains of southern appalachia it's the story of a boy growing up through difficulties and addiction and losing his family and finding love. it was wonderful and i loved demon so much!

NON FICTION

Black AF History by Michael Harriot

"the un-whitewashed history of america. a more accurate versionofamerican history." just a very interesting and very important book that thought me so much. granted i'm not american but it was very cool to read this book and find out how much of what i knew was fundamentally wrong and conditioned by a white pov.

The Greatest Nobodies in History by Adrian Bliss

so well written and wonderful and so funny but also surprisingly moving. i absolutely loved all of the stories told in this book. it's just so good!!

There's Always This Year by Hanif Abdurraqib

"on basketball and ascension." abdurraqib was born and raised in columbus, and this book is sort of about lebron james but also about so much more! life and all its struggles and all its joy!! it's beautiful and poetic and comforting and i can't think of a single person who wouldn't enjoy reading this.

[bengiyo]

Ben's Big BL Blurb 4: I Hope I See Jay Sorathon Again

New year, new blurb. Time to reflect on a few shows finishing, talk about some new shows, and see where we're at in January.

Haunted Hearts Sucked

Final Verdict: 5.5, Not Recommended. Y'all don't need to watch this weird mess of a show. Despite joking about "devirginizing" its lead multiple times, it was so chaste in the end. It also did some weird world shenanigans I was not feeling. The leads are supposed to be in another Oxin Films project soon, so we'll see if they're better there.

Caged Again Flopped

Final Verdict: 6, Recommended Only For Jay Sorathon. This one really hurts me, because I genuinely loved the first half of this show. Jay Sorathon as Junior was one of the most refreshing experiences I've had in a while. This young actor is charming in a way that felt different, and I found myself enjoying every scene he was in because he could deliver what he was asked to do. However, the show generally failed to do much with most of its themes, and I think it was a real waste of Nokia and Jaonine as a pair. There were interesting themes about how Junior and Sun wanted different things out of their relationship that didn't get resolved, so all of their skinship felt disconnected from the big themes they were teasing out.

I am sad that I cannot really recommend this as a complete viewing experience, but I do not want that to detract from how much I enjoyed the entire cast's chemistry. I just cannot pretend that this show didn't peak at the gif used above before floundering completely.

An Apology to City of Stars

Final Verdict: 8, Recommended. I skipped this show originally because I was overloaded and unmoved by the first episode. However, this show was actually one of the most consistent narratives we've had about the consequences of fan culture, sponsorship, and commercialization of queer actors we've had this year. Unlike Only Boo!, this show inflicted real consequences on Feuang for coming out to the point that he essentially had to change careers (which happens to real actors all the time, going back as far or further than William Haines).

The leads also kept having sex after getting together! A novel experience! I loved that Krom had almost no swag, and Feuang fell for him entire on family photos and his mom gushing over him. He really won as a tech worker. Watch this if you're interested in seeing a show with clear ideas about the entertainment industry and are willing to deal with some weak acting.

Our Youth Left Me A Bit Wanting

Final Verdict 8: Recommended With Reservations. I wrote my write up for this already, and will say here that I like parts of this show a lot even though I wasn't fully satisfied by the viewing experience.

See Your Love Got All The Important Things Right

Final Verdict: 8, Recommended for the Mains. I will admit that I didn't much care for the side couple, but I loved Shaopeng and Sean's relationship. I loved that this wasn't a story about fixing someone's hearing so they could be in a romance. I also love that one of our final scenes in Shaopeng's dad telling Sean's dad to go fuck himself. The leads reminded me of Jimmy and Tommy from Why R U and I loved their work together.

Love in the Air Koi Was a Genuine Delight

Final Verdict: 9, Highly Recommended. I liked it a lot. I think new and old fans will be able to enjoy it. I have high hopes about cross-cultural adaptations as a result.

Love is Like a Poison Was Spectacular

Final Verdict: 9.5, Highly Recommended. I had so much fun with this show. I love that this show blended multiple genres together, and I loved that Shiba was always in a legal drama. By blending this together this way, the show supports the idea that the different ways we love and see the world are not incompatible in relationships. Shiba and Haruto are one of the best couples we had this past year, because they each made the other better, and they each add something to their relationship. Also, this show was actively horny the entire time. Run, do not walk, to support this show (if you can) on Netflix.

Fragrance You Inherit Was The One of the Kindest Shows I've Ever Seen

Final Verdict: 9.5, Highly Recommended. Thanks to the constant efforts of @isaksbestpillow we were able to enjoy this incredible show. @twig-tea already wrote a great review. I will be thinking about Sakura and Touki for years. I will just add that I really loved that Hoshii was just a goofy dude that loved the women in his home. He respected both of them, and was just so happy to be included in their shenanigans. I cannot overstate how much the episode where we met him properly kicked this show into overdrive for me. I loved that he was a good dad and husband and that it was clear his wife and daughter felt safe and happy around him. I loved that this show was about kind people doing their best.

Okay, on to the currently airing stuff.

Your Sky is Faltering, but I Still Like It (8/12)

Look, I am just not keen on the Oh redemption arc. I'm also feeling the show dragging its feet at this point. I also am not sure what the relationship between the various sides are contributing to this story. That being said, I continue to enjoy the chemistry between the leads, and I am looking forward to seeing their dating era. This show has been riding the line on the bubble, and I am curious to see where it lands.

Ossan's Love Thailand (1/12)

I've grown to love Ossan's Love over the last year, and so I was cautiously optimistic about this adaptation. I don't think the humor is as tight or zippy as I would expect, and I think the branded pair component is hurting some of the initial setup. I also feel like the shower scene shifted in a way that doesn't entirely work. In addition, making Kongdetch a widower slows down his dramatic development. I'll check in again next month.

Call Me By No Name Started Weird (1/8)

gif by @my-rose-tinted-glasses

This show got off to a moody and somewhat intriguing start. I am looking forward to our little gamer's interactions with this possibly-fey creature for the coming weeks. It's difficult when the show starts coy.

When It Rains It Pours Has an Uphill Battle (1/7)

I am personally interested in the journey this show wants to go on as what will more than likely be a double cheating narrative. I like that the show started with boy guys in relationships they feel a bit frustrated with due to a lack of intimacy that is being actively ignored by their respective partners. I'm also intrigued because both partners seem like they're overall committed to our leads. This one started off in a mild note, so I'm curious how it holds audience attention. Still, both leads had sad masturbation scenes, one explicitly remembering when his partner used to fuck him, so it has my attention.

That's all for now! I'll check back in with one of these in a few weeks and we'll see where we're at.

[fagcrisis]

this is already a super long post and someone else explained why this is completely fucking insane (THIS IS TORTURE THEY DO THIS TO PEOPLE TO TORTURE THEM) but i just wanna add my 2 cents

so i have long covid syndrome right, and so does my sister. what the both of us actually have is (among some other things in my case) is chronic fatigue syndrome. because its not a very well understood illness, there is a lot of grifts and just unhelpful/harmful advice out there about it. even if you turn to people who actually have it and have had it for years, their tips will likely be completely useless.

people sometimes recover, and then they will say its because of X thing they did (if theyre a disability influencer its X thing they bought) but the reality is that nobody really knows why some people recover from cfs and some dont.

researching this stuff for yourself is hard, but these are some things i do, if it helps

- never buy anything and never believe anybody who is selling you anything. if you read a blog post, or watch a video by someone with cfs and they try to sell you a product or god forbid a training course, disregard everything theyve said

- check every source, ask for sources on unsourced claims. google scholar is your friend, inputting some variation of cfs/long covid and the keywords in the claim is bound to bring up something interesting. if nothing else youll learn something new. it sucks that you have to do this. but you gotta

- dont assume you have to do everything people say you do. there is a lot of legit advice out there, by people who have recovered or simply learned to live with cfs. it still wont necessarily work for you. the most important thing is to be patient with yourself

- get mobility aids. seriously a cane was a gamechanger for me and a wheelchair allowed my sister to go outside for the first time in a year. this is the one thing i 100% believe everybody should do, even if you dont have trouble with going places right now, you might in in the future. just remember its an option

- try to keep yourself entertained by doing new things sometimes. on my worst days i get stuck on my phone for hours and it just makes me upset and doesnt help. u may think there isnt a lot to do in bed but you can always try getting into formula 1 or something. just, some kimd of new stimulatiom for your brain to chew on. you could take a pair of pants you were gonna throw out and dismantle it completely. pull out the seams. unravel the fabric thread by thread. ive done this and it helped. yknow. something

anyway absolutely do not solitary confine urself, take care, stay safe, talk to people and ask for help. it sucks. do not solitary confine yourself please

[dyktvideogamesfx]

You've said Ultrakill is one of your favorite games-- I'm curious what your favorite part of it is... the lore's great, the weapon pool is just. mmm, the enemies and level designs. incredible.

the way it does difficulty? has to be my favorite part. i love how i can just. go do something thats a little bit harder. get a slightly better time, get a slightly higher wave, add an additional modifier like radiance or a self-imposed weapon challenge, and p-ranks all make for the perfect difficulty curve that has lasted me over 600 hours

so with that lil infodump, i bring it around to the beginning question-- what's your favorite thing about ultrakill?

There is MANY things I enjoy about ULTRAKILL... but my favourite?

I think generally, it is the lore. I'm gunna go under a read more here just in case. But to add to it- Gameplay is incredbile, even if I'm not very good at it.

The weapons? Hilarious. Looney tunes ass shit that somehow exactly fits the games aesthetic and style. How it merges comedy perfectly with tragedy and serious moments.

But anywho! Under the read more for some ULTRAKILL spoilers.

I am... quite frankly abnormal about how V1 is not the main character. That this is a game about Gabriel, at the end of the day. How every major change, every major importance, comes from his decisions in the end.

I'm already a big lover of playing with religion. One of my TTRPG characters who I have yet to play is a priest going through some real shit. There is so much you can do with religious guilt and the things that bind and ULTRAKILL plays with that like building blocks, it fucks.

The creativity of how each of the layers of hell is depicted is also? MWAH. perfect. PERFECT. seriously, I have never seen a game just play with its concepts like this before. The enemy designs also go hard.

I just really enjoy its lore conceptually. Breaking away from something thats been chaining you is always something I find hard to be invested in- especially if the character, Gabriel in this case, is very much like "No, I can't be feeling this way, there is something wrong with me."

It's just good. ULTRAKILL is good. Fraud WHEN.

[xx-k1tsun3-k1d-xx]

tumblr scemo culture archive project :D

been thinking about the bad myspace server migration in the 2010s that lost so so much of scene/emo history/media and also data preservation in general and how important it is.

SO, ive started archiving old tumblr blogs of scene/emo/crunk etc :3

its interesting because people often dont think of tumblr as being a scene place but after people started leaving myspace there *was* a decent chunk of alt ppl that ended up on here in the late 00s/early 10s. im using tumblthree and starting with all those old blogs i find sometimes + some other interesting ones (fun fact: there *is* an official dropdead tumblr and if you go back far enough its just oli random posting lmao) but im thinking eventually i'll maybe get round to archiving more modern scene culture. i can also see about posting my archives somewhere but i wanna make sure teh copyright monster dosent eat meh first xDD

SO YEAH, if anyones got any suggestions of old/relevant scemo blogs youd like me to archive, pls lmk and i'll add them to the list! :D

currently archived: fuckyeahdropdead-blog scenekidsalltheway-blog sex-hair hotemoscenepeople babycakesclothing dropdeadclothingco

[mossy-aro]

ultimately i think my insistence on aro positivity honestly is as much a political stance as a personal one.

when i say aro positivity is crucial and that i dislike doomer-ist posts that express sentiments like 'I hate being aro so much I wish I was dead instead’ it's not because I don’t think there can and should be a space for negativity and acknowledging self-hate, or the many ways being aromantic can really suck sometimes. i find that to be very important!

that being said. there is smth here about how self-hate posts are sometimes just arophobia that we inflict on ourselves. and when we put that out into the ether it (intentionally or not) can become arophobia that we inflict on other members of the community. i think there absolutely needs to be a place for negativity and the expression of anger and frustration and self loathing even - these are all good things to talk about because these are things that we experience. that being said, it can also be genuinely upsetting and triggering to people to have what is essentially arophobia shown to them and then have that be validated by other aspec people. your personal thoughts can affect your wider community on a level you may not anticipate. and i understand it i truly do! it took me so long to be able to recover from accepting being aroace - it threw my entire world off kilter and made me question everything about my place in the world.

but my insistence on aro joy and positivity is because ultimately i do believe that building is at the core essence of it all. that ultimately discussions and the purpose of community should be about construction, not destruction. and this is both a personal and a political stance. talking about how much you hate yourself and cultivating online discussions/spaces where negativity about aspec identity is the main and only theme is destructive - if that’s where we let the conversation end. these thoughts can and should be used as a vehicle to look for a path forward!

joy and positivity create a space where the focus can become on forging a path forward, on construction, on community building instead of tearing ourselves and others down with negative thoughts. it’s not productive or healthy when it stops at a place of negativity - it becomes actively destructive to the essence of community.

and i do think that this is especially poignant considering the fact that being any kind of queer, but especially aromantic (and/or asexual) means forging a path for yourself and making your own happiness where there is no obvious way forward. our communities exist mostly online (right now, anyway), there is little recognition of our existence in the real world, the effects of amatonormativity are both pervasive and actively dehumanising, and there are legal, economic and social structures in place actively making our lives more difficult. yes that all sucks! it’s good to acknowledge that. we need to in order to change it. but more importantly, that’s not the end. we are still here and our happiness, our future is for us to determine. even if we can’t change the laws or society, loving yourself and understanding aromanticism as a political identity (as well as personal), as a radical worldview, and as a protest against amatonormativity is essential for both community and personal well being. the personal is political.

tldr. i guess my point is that as a community, we should focus on building, improving, and nurturing ourselves and each other (construction) as opposed to destruction. we should recognise aromanticism and asexuality as political identities as well as personal ones and rely on community and self-love in the absence of anything else as a form of protest and political power. destruction (the recognition of everything that is wrong) is essential as a starting point - but where do we go from there? we rebuild.

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[dykedvonte]

Can you talk about trans!Curly a little bit more? I'm curios if you have any headcanons and the like

-💀

It's just such a thing in my mind because it adds a truthful sadness and differing aspect to mouthwashing.

If Curly was trans it adds the horror of the horribly selfish thought he could have easily been in Anya's situation. It could've been him but it wasn't and he so conflicted on the pit it put in his stomach that brings and the shameful relief it wasn't. In this scenario he is friends with Jimmy for a long time still. Jimmy likely knew him pretransition. Maybe he gave Curly weird looks then, maybe they never stopped after, maybe they seemed meaner. They are guys now, bros, both of them are. He doesn't really have to worry what those looks mean anymore, Jimmy just has that face with him sometimes. It's recontextualizing a lot of things for him that he was in denial about or too ashamed to admit. How naive he was being and how he let that get another person hurt.

Specifically with Anya, it's he knows the dread and fear she's feeling. He can understand it because he had to live with it for a good portion of his life, he knows it cause he still does, just in a slightly different way. It makes him think of all the times he's been alone with Jimmy, all the times he's been way more drunk off his ass and not remember the night, Jimmy was always with him the next day. Makes him think of the comments he would laugh off both because that's what guys do but because that part of being a girl says to laugh so Jimmy doesn't do something. It's the selfish realization that he was never safe and he's uncertain now too. Mad at himself for forgeting that feeling, espcially since for a long time he would've been considered the only woman on a crew (with all that implies) for a long time.

He should've taken those blinders off, step back into that position for just a moment and it's so much more painful that Anya likely came to him because he should've gotten it. Those thoughts don't leave his mind after the crash when he's in an even more vulnerable position than she was...

[redrobin-detective]

Something I wonder about Simon and Betty's relationship is how long they were together before the whole crown ordeal. But they were engaged, you say. My aunt (in)famously met my uncle and had a ring on her finger in 8 weeks. We've seen that both Betty and Simon were both weird outcasts, crazy determined and a pinch insane. I would not be surprised if they decided they'd met their one true love and got engaged super quick.

My point being, Betty's shifting to revolve around Simon and Simon's rose colored glasses of their relationship feels very much like New Love. They're people who love each other and love being a couple but still haven't quite figured out how to coexist together, as two people in a partnership. I feel like if they'd known each other longer, lived together longer, some of the issues we're seeing would have probably self resolved.

I don't think their relationship is toxic nor is it totally perfect. It's two lonely, most likely neurodivergent people in a relatively early relationship still figuring out how it works. Everything that happened afterwards: the crown, the seperation, the time travel, the magic/madness/sadness just exemplified issues they had both as individuals and as a couple.

[withthewindinherfootsteps]

Wei Wuxian and Narrative Agency – Part Three

For Xiantober Day Five: Past and Present, in which the author gets very unhinged about what parts of the past are shown and how that’s affected by the present!

(Part One | Part Two | Full version on AO3)

The Power of Agency: Shaping the Narrative

When I've discussed Wei Wuxian's agency previously, I’ve talked about how what’s shown and omitted tells us about a character, and we’ve talked about the character himself. Though this is a niche topic, it’s not necessarily something out of the ordinary to analyse, and we can assume everything up to here has been in some way intentional.

This? Linking structure to a character’s in-universe preferences?

This is where we get unhinged.

Before I start, let’s quickly establish something which will be important later: although Wei Wuxian is the central character, MDZS isn’t strictly from his POV. While omitting events a character doesn’t like to dwell on and concealing things the character wishes to hide is common in books with only one narrator, MDZS has multiple narrators which it switches between relatively quickly. This includes Wei Wuxian, but it also includes nearly every major character that appears in the story, and omniscient narrator as well. As a default, this format doesn’t lead to this deliberate shaping and omission because of one character’s preferences, since we have many other sources of information and events – which is what makes Wei Wuxian’s influence over the narrative and structure so interesting. We could have access to a lot more information, and access to it at different times, than we do (and that’s not an insult, quite the opposite!).

To begin: we’ve established that times such as Wei Wuxian’s time on the streets, his three months in the Burial Mounds and his loss in the Siege aren’t shown because Wei Wuxian has little agency there. But that’s not the only special thing about them. They’re also the three most traumatic times in his life, and so moments Wei Wuxian himself either can’t remember, or doesn’t like to dwell on.

This is why discussing Wei Wuxian’s treatment of tragedy in his life was important. Firstly, it shows he doesn’t focus on the tragedy in his life, so the idea that the narrative not focusing on this tragedy relates to his character has merit; secondly, it affirms that this is not a passive trait, but a choice. Therefore, when the narrative omits events due to this aspect of Wei Wuxian, it’s respecting not only a character detail – which would be cool by itself – but also an active decision. One that shapes the story it’s made in.

In other words, its very structure is respecting Wei Wuxian’s agency!

Now, of course there are flashbacks to other moments of his past he probably wouldn’t like to dwell on, too. But within the structure, they’re only shown when Wei Wuxian is thinking about them (or when he has reason to)!

Wei WuXian hadn’t woken up yet. His eyes were still tightly shut, yet his hand didn’t let go either. He seemed to be dreaming, muttering, “… Don’t… Don’t be angry…” Lan WangJi seemed somewhat surprised. His voice was gentle, “I am not angry.” Wei WuXian, “… Oh.” Hearing this, as though he finally felt assured, his fingers loosened. Lan WangJi sat beside Wei WuXian for a while. Seeing that he was motionless again, he was about to stand up when Wei WuXian grabbed him with his other hand, hugging his arm and refusing to let go. He shouted, “I’ll go with you, quick, take me back to your sect!” Chapter 63, EXR translation

Which, of course, is him dwelling on…

Lan WangJi spoke one word at a time, “Go back to Gusu with me.” Hearing this, both Wei WuXian and Jiang Cheng were surprised. Quickly afterward, Wei WuXian laughed, “Go back to Gusu with you? To the Cloud Recesses? Why go there?” He immediately seemed to realize, “Oh. I forgot. Your uncle Lan QiRen hates crooked people like me. You’re his proudest disciple, so of course you’re the same as him, haha. I refuse.” Chapter 62, EXR translation

…the painful flashback immediately preceding this. The third set of flashbacks (which are also painful) are a similar case. Look at the contex:

He lifted the bottom of his robe, revealing a prosthetic leg made of wood, “This leg of mine was destroyed by you, that night in the Nightless City (…)” (…) “Wei WuXian, I won’t ask you if you remember or not. Both of my parents died by your hands. You owe too many people. You definitely won’t remember them either. But, I, Fang MengChen, will never forget! And never forgive you!” (…) “In the fight at Qiongqi Path, my son was strangled to death by your dog Wen Ning!” “My shixiong died by poison, his entire body festering due to your cruel curse!” Chapter 68 (immediately preceding the flashbacks), EXR translation

And Wei Wuxian’s own thoughts and words:

Wei WuXian looked at the cultivators before the Demon-Slaughtering Cave. Their expressions were the absolute same as those of the cultivators from the night of the pledge conference, pouring their wine on the ground as they took the pledge to scatter the ashes of the Wen Sect’s remnants and him.  (…) Wei WuXian, “Now it’s time to ask just whom it is that treasures it so much. It’s like Wen Ning. Back then, some certain sects or so were scared to death of the Ghost General. They said they’d kill him on the surface, but behind their backs they hid him for over ten years. How strange. Who was the one that said his ashes had been scattered back then?” Chapter 79 (immediately succeeding the flashbacks), EXR translation 

Once again, Wei Wuxian’s own thoughts relate to the flashbacks we’ve just been shown. And, as I previously mentioned, though all the events which are shown are tragic, they’re also events which Wei Wuxian’s own choices and actions shaped – which he has this to say about:

“The things I did, not only do you remember them, I remember them too. You won’t forget them, and they’ll stay even longer in my mind!” Chapter 82, EXR

Admittedly, this applies more to the third set of flashbacks than the second (which is still fitting as the third set was the most recent), as in the second, although he still had agency within and influence over his circumstances, the majority of the pain was caused by others’ actions (excluding, of course, the Golden Core transfer… which is something we know stays for a long time in his mind, albeit with a caveat we’ll soon discuss). But it’s still important to note – especially considering that otherwise, focusing on this very painful time in his life wouldn’t seem like something very in-character for Wei Wuxian to do.

Of course, this can all just be explained by good writing. It is best to insert flashbacks when they’re relevant to the characters and events in the present day! But it is interesting to compare these to the start of the (not painful) Gusu flashbacks, which open this way:

At a later time, Wei WuXian pondered upon the reason why his relationship with Lan WangJi wasn’t good. Getting to the root of the matter, everything started when he was fifteen, coming to the GusuLan Sect with Jiang Cheng to study for three months. Chapter 13, EXR

Again, considering the circumstances around which these flashbacks take place – returning to the Cloud Recesses for the first time since the lectures, and meeting Lan Wangji once more – it makes complete sense for Wei Wuxian to be thinking about these events*. So it does fit the pattern of Wei Wuxian dwelling on something, thus leading to the narrative dwelling on it, too (and being shaped by his thoughts)… but there’s another layer to this. Importantly, it is the only flashback where Wei Wuxian’s present thoughts don’t lead to this happening, with his thoughts at an unspecified future time leading to it, instead. I like to interpret this as the text saying that, since these events aren’t something Wei Wuxian wouldn’t focus on in normal circumstances, he can dwell on them at any time. Therefore, they’re free to come up in the narrative at any time as well, even if he’s not dwelling on them in the present moment!

So, to summarise: Wei Wuxian’s decision not to focus on the painful times in his life directly influences the narrative to not focus on these times. When painful times are brought up and shown to us, it’s in the context of him thinking about them in the present day, and even then, his most painful moments still aren’t shown to us. His agency in this regard is still respected by the narrative structure.

This is the main way his agency influences the structure of the narrative, but I’d like to talk about the revealing and concealing of information, too. For example, I said I’d talk about the Golden Core transfer – though Wei Wuxian does think about this many times, as evidenced by his internal narration in Chapter 103. But unlike everything we’re shown through the flashbacks, this is something Wei Wuxian is actively trying to hide from others. And the narrative respects this choice (Wei Wuxian’s agency, again), never reveals it even when it would be relevant in the flashbacks, and we find out not through narration, but through a character’s dialogue!

And to clarify – I know these aspects may not be in the book for this exact reason. Showing flashbacks in relevant moments is good writing, concealing an important plot point you want to do a reveal for is necessary writing, and MXTX has said she didn’t want to write about Wei Wuxian’s time in the Burial Mounds, due to not liking to write transformation sequences (and also because it would not be pleasant at all, which likely also applies to Wei Wuxian’s death). That doesn’t prevent it from also being intentional – MXTX’s intelligence is shown in many aspects of this book, and there’s nothing disproving it – but there’s no proof for either option, so I won’t pretend there is. I bring this up because I know this feels like I’m overanalysing, as I feel that way as well.

But, whether it’s intentional or not, it exists in the text, and I adore it – so, regardless, it’s something I’ll explore. Because taking this into account… We aren't just told about Wei Wuxian having agency, we aren’t just shown it in the text, we aren’t even just shown it through which parts of his past are shown and hidden in the structure of the text (as I talked about in Part One). The parts of the past that are shown and hidden also have an in-universe reason for being shown and hidden, this reason being the choices he makes! Agency is the ability of a character to influence the story they’re in, but Wei Wuxian’s agency, as a property of a character who only exists in-universe, shapes the out-of-universe structure as well! That’s how we’re shown its importance! How cool is that?

At The End Of The Road: Summary and Final Thoughts

In this essay, we’ve covered how important Wei Wuxian’s agency is not only to the events of the plot, but to the structure of the narrative as well. The narrative omits periods in which Wei Wuxian has little or no agency, in favour of showing us periods in which he does, even when important events happened in the former. This indicates that who Wei Wuxian is without agency isn’t important enough to be shown to the audience, and therefore that his agency is an integral aspect of his character in MDZS. We’ve discussed how both in-universe and out-of-universe, tragedy does not define him – out-of-universe, the tragic events in Wei Wuxian’s life are used not to build sympathy but rather to show his strength of character and who he still is despite going through them; and in-universe, he chooses not to focus on the negativity and resentment caused by his circumstances or others’ actions, instead staying true to his moral compass and enjoying his life in the present day. Finally, we’ve also explored how this choice is another reason for the omission of certain events from the narrative, resulting in his agency shaping the story in a very literal way – it affects the out-of-universe structure, as well.

It’s quite fitting, for a story whose essence is about defying a conventional narrative – that of righteous clans rising up and defeating a great evil – and about a character who defies many conventional narratives on his own – that of status defining how skilled you could be, that for a golden core being necessary for cultivation and other paths being unavailable, that of a tragic but complete story of someone killed for staying true to their moral code (instead, that character returns to life and has a happy ending) – to have its own narrative play a role in such an important and interesting way.

(Or, if an image would be preferable:)

Thank you for reading!

(Part One | Part Two | Full version on AO3)

--

*This strong relation to the present day circumstances is another reason I love the flashback placement so much (and why I think it’s such a loss both screen adaptions altered it so strongly)! 

[ghostofsnails]

so did you guys know theres this character called tristan vik disventure camp and

[wickmitz]

How do you think about Frepper? I'm neutral about this ship, but the fans Frepper attitude towards confuses me, Ivy and Freckle have only been dating for a week and know each other superficially, but everyone already thinks that by the end of the comic they will get married, I think differently, I think that in the end they will break up with each other because they are too different personalities, I literally can't imagine that both of them will be happy with each other in marriage, Ivy is assertive and active, on the other hand Freckle is passive and just agrees with Ivy, this is not a guarantee of a healthy relationship where a partner completely dominates the other, plus to all that, I will not forget how their relationship started, Ivy just decided that they were dating, and without asking Freckle's permission, she just KISSED him, again without his permission, Frepper fans think that it's cute, but when I saw it, I thought "what the hell did I just see?", in general, it's strange for me that Frepper fans are okay with such things, of course later Freckle shows attraction to Ivy, showing that he likes her in some way too, but I still won't forget how their relationship started and how Freckle used to try to escape from Ivy when she squeezed his hand tightly and forced him to her …

I'm not against Frepper, but I don't understand his fans who don't see these issues and who treat other points of view on their relationship (like mine) as … um, as nonconformity? Fans from reddit are just obsessed with Frepper, I don't know about other networks but that's how it is on reddit, I think there are people who have my opinion but are afraid to say it because of fans, of course, I met Frepper fans there who normally accept such an opinion, but still there is a feeling that such a opinion cannot be told

Simply put, Ivy and Freckle are a couple that will eventually break up with each other unless there's an event between them in the comic that changes my opinion of this couple, but that's how I feel about Freckle for now. I didn't plan to express my opinion, but it happened that way, I hope you don't mind it

first and foremost, i don’t mind seeing someone express their opinion in my inbox! you and anyone else are free to do so, even if i may disagree. this blog’s entire existence was made for me to share my opinions ( and love! ) for lackadaisy, as well as engaging with other fans, because what else is the point of a fandom blog? and as far as i’m aware, this is unpopular opinion central! most of my thoughts aren’t exactly the ones with the most voice behind them i’ve found, so i welcome all manner of different views. every fan is entitled to their own perspectives and opinions, and should be allowed to share them as they please! but with that disclaimer out of the way, i’m more than willing to discuss frepper in its entirety.

for me, there’s little confusion i carry where it concerns this ship’s popularity amongst the fandom. freckle and ivy, if we are to strip them down to their bare essentials, are a rather stereotypically ‘cute’ relationship : people enjoy opposites ( see zibwick or vikdecai for example ) and there’s an endearing quality found in puppy love dynamics. seeing ivy wear the pants and drag a shy freckle around by his ankle makes for quality content in a way! think the ‘excuse me, but he asked for no pickles!’ meme … ivy and freckle very much fit that sort of mold, and it helps that most fans are too scared to ship them with other characters in the cast too, due to what they perceive to be a lack of options. thus, frepper is an extremely ‘safe’ ship! you cannot get in trouble for enjoying something that is not only canon, but is relatively adorable ; and so i don’t believe a lot of the fans are actually thinking too deeply about the likely endgame of it all. most don’t! it’s fun to ship, and that’s all they really need i think. it’s also very easy to dismiss ivy’s forwardness as a quirk of being a young girl who’s of her temperament, recklessly boycrazy although still carrying sweet intent. this behavior is easier to hand wave when neither ivy or freckle are experienced at the dating scene as well … freckle due to his extremely religious upbringing and hermit nature, and ivy because of viktor’s constant meddling, which would hold her back more than you’d think. with that said, i don’t think any of this is excessively complicated. some shippers are rather simple minded and do not care for details and characterization all too deeply. enjoying dynamics is, at its core, supposed to be fun -- which makes simple ships like frepper prime targets for a very vocal and tight knit fanbase. there are other things i could speculate about why these two may hit so pleasantly for others, like how there’s an underlying queer theme to it ( what with ivy being the pursuer and freckle the shy, blushing flower ) or that it’s tropey enough to hit the right spots for others … though it all boils back to mere speculation. perhaps they still have time to escape this gangster lifestyle and live happily ever after? and that appeals to the lackadaisy fans who still want some sort of happy ending? it’s all a combination of frepper being easy, i think, and containing two young cats who still haven’t done anything particularly ‘unforgivable’ yet action wise. this is a ship you can root for without an ounce of worry in your heart, and so on and so forth.

but although i understand why others are so vocal about them, i don’t exactly agree with fanon’s views either! while i heavily enjoy frepper, i enjoy them as they are, and that includes their looming flaws and inevitable tragedy. they are bound to break each other’s hearts a lot on their current path ; even if they were entirely perfect for one another, this lifestyle isn’t kind to anyone, meaning if they don’t separate, they could always be forced apart via bullets and such anyway. they are young and woefully inexperienced in a manner of things, the last thing they need is the stress of a rumrunner life driving their every action, you know? i know people see them getting out together, and that is likely on the table! i do see that in many ways, but i’m also of the opinion that ivy and freckle will diverge onto different paths at some point and temporarily call it quits. from where the comic currently stands and given my view on ivy’s arc, i see her growing disillusioned with where she is and the honor and fun she saw within it as a royal spectator will fade ; she will become wary, fearful, and her resilience will die … meanwhile freckle will embrace it, similar to his cousin, fully understanding what it is and what he’s getting into ( like rocky, again ) but being unable to leave his refuge. i know lots of people think freckle will leave the lackadaisy first, but given his old concepts and former title as one of mitzi’s ‘trouble boys’, i think he will become lost in the sauce for a myriad of reasons. frankly i enjoy that twist on their relationship! since i believe ivy’s character development will revolve around maturing, changing as time stretches forward, because her character is ever growing, what with her entire schtick being the fact she’s everything a 1920s girl was during those times. she embodies that unladylike youth and manipulative sweetness, so i’d imagine a lot of her path is falling from such naive thrill seeking and stumbling upon a harsh reality. she will mature, and the very thing that should make their relationship stronger will be what divides them indefinitely. everything they have is founded on this bloody, varnished soaked ground after all … they are young adults who are experiencing what closeness feels like outside of family or platonic friends for the first time, so naturally they will overindulge in their own amateur games ; find respite in the boogie and kiss like couples do on the silver screen, laugh about it, talk about everything and nothing at all … relish in each other’s warmth and stupidly loyal protection. i’m sure frepper will grow closer before any falling out, because as it stands, it’s one of the few things they have in such a scary situation that feels comforting and kind. they will impact each other in the fundamental ways first relationships do and, to move towards your biggest gripe, do things they’ll regret or allow things to happen to them that they’re not entirely okay with.

ivy is very forceful with freckle initially, albeit in her typical saturated way ; and i can see why that would be hard to parse! especially when freckle spends a majority of their first scenes together squirming away and hiding, trying to duck her affections and bolt for it. there is a lot of boundary crossing between them! but not in a necessarily malicious way … like most things with frepper, this circles back to their mutual inexperience and how, in a lot of ways, this is their first ‘serious’ romantic relationship ever. and it’s rather common for such firsts to involve gray areas, since neither party is entirely sure of what their own boundaries are just yet! while freckle did appear frightened by ivy at first, it’s important to note that tracy’s mentioned him having a flight response whenever girls flirt with him … he is prone to run away instinctively, which if you consider his extremely religious upbringing, isn’t exactly a surprise. nina would no doubt look down upon freckle engaging with girls his age due to what most girls his age are currently doing in the roaring 20s they’re living in. sneaking out and engaging in illegal activities, dancing in a way that would disgust most of the more traditional and older generation, casually engaging in any manner of sexual activity before marriage, etc etc. and this isn’t even listing freckle’s cagey nature due to an incident we know was bad enough to send rocky packing for years, and fundamentally changed freckle himself at such a young and impressionable age. he is … very troubled! and rather scared of himself and the world around him … at this stage in life, freckle is perpetually unable to make any progress towards anything he may want, and so i have little problem myself with ivy mostly taking the lead. when left to his own devices and allowed to choose outside of influence, freckle did in fact sneak out of his mother’s house to go to the lackadaisy, surely well aware that ivy’s intention had been romantically inclined. so, to me, he has always liked her ; perhaps found her cute, in a shallow way, saw her eccentric behavior as endearing and frightening in equal measure, and while he’s still wading into this whirlwind pool unsteady and shaken, he -- wouldn’t mind it if ivy pushed a little more, or moved him around to her ( and what she perceives to be, their ) liking. perhaps this dynamic is familiar enough to him that it becomes comforting, since rocky was very much the same way in their adolescence. tugging freckle around and pulling his tail for whatever rocky wanted them to do, with little care for whatever his baby cousin desired at the time, ignoring his protests and chasing him ; nobody’s at fault here either, kids are extremely self absorbed and this is a flaw they’ll usually mature past, and while ivy and freckle are adults during the comic, i don’t think ivy’s outgrown this linear view on things just yet. she is extremely entitled! she is used to being the apple of everyone’s eye at the speakeasy due to her jazz baby status as atlas may’s goddaughter, and this gangster connection excites and awes the ladies she attends classes with at her university too. ivy pepper is used to getting her way and this has only fueled her determined attitude, her ‘pull it up by the bootstraps’ mindset, and in many ways, this is something of a flaw for her. it’s not bad to be confident and headstrong, although when you add that into a dangerous mix of rumrunning and gunslinging, it may become a problem rather quickly. but i digress! point is, ivy and freckle are hardly at fault for the awkward way they handled the start of their relationship, when it’s so new and fresh to them both.

neither of them have boundaries at this moment, as they either have no clue what those are or simply haven’t realized they should set them. so, in turn, there are things that the other may do that could cause their partner discomfort … and it’s mostly done out of obliviousness and good intentions and your classic dose of intense affection. doesn’t mean it isn’t messed up to a degree, but i think it’s rather realistic, and is a hard truth that comes with many first relationships of that sort. sometimes you don’t know how to say ‘no,’ or you agree and regret agreeing later, or perhaps you simply don’t understand there’s certain things you aren’t ready for or genuinely just don’t like. again, it’s a very muddied area, and the two of them are vaguely navigating what is mostly foreign to them. they’re bound to mess up! so i ivy some slack here, and applaud tracy on the realistic writing more than anything usually. young love also happens to be a great device to use for inexperienced characters finding themselves, through the good and bad of their relationship, and frepper is all about that. maybe freckle will inevitably bring up how he feels like he would’ve preferred it had ivy asked him out properly, or gave him time to court her in a traditional fashion … and she will be surprised ( and a little wounded ) by this, since she had never considered it before … too used to her way of things to realize there’s another path they could take. i think this aspect of the relationship is important, and i can understand wishing that more frepper shippers would view it as such, or comment on it's morally gray nature without just calling it ‘cute’ and leaving it at that.

tldr : they will most certainly break up at some point, maybe even multiple times! tracy has said before that they both have some serious maturing to do if their relationship is to be long lasting, and i doubt that maturing will happen to them both at once … since they have different things to work on emotionally. but they will probably strongarm some major personal development within each other, as well as love one another with a fierceless abandon that most kids do. i could see them getting married, i could see them not, but i agree that if they were to be wed happily, they’d have significant hurdles to overcome. but personally, frepper is something i adore mostly due to the impact they’re bound to cause each other, and even if they are to separate and find someone new and more fitting, they’ll always remember one another -- perhaps fondly, and sadly, and with some anger. a time they’d like to forget, but a person they’d like to remember … which is my cup of tea overall! they much more interest me as they presently are anyway, where i can fiddle around with their budding romance and friendship bonding. and as lackadaisy grows in popularity, i do hope there’s more frepper fans who see their complexity and flaws and explore them with all of it in mind.

anyway! i hope this was coherent, and that it was obvious that i agreed with you for the most part. i haven’t really talked about frepper before with anyone so many of these thoughts sort of burst out of me! and i feel like i have more to elaborate upon, but for the sake of simplicity i kept this short. oh well! surely this is enjoyable and informative regardless.

[ganondoodle]

im not lying when i say that i was just finally getting "over" totk, like i hate it still, but the immediate anger and need to rant has died down-

and then the elden ring DLC fucks with me in a very similar way, just even moreso focused on my favorite character in that entire franchise, completely unexpectedly, and the more i learn about it the worse it gets and now i feel even worse bc i dont have the energy anymore to get as angry as i did with totk and its just kinda ... depression and sadness ..

it was like the interest i could fall back to when zelda annoyed me too much or i needed a break from that and i was honestly thinking about doing more with it but now

i know i know i can always draw 'my own stuff' but being a fan of a piece of media or character is just fun and .. furfilling to me in a different way and now i feel so empty again ... and finding new things to obsess about is easier said and done bc i dont 'decide' to stop liking something and neither can just decide to obsess over something so im just kinda left hanging here ... and in a way, i still like it and care about it, frustratingly so, and dont WANT to just stop and find soemthign new ...

[blushft]

also just to be clear! this isnt a "who is the dumbest" poll. this is which gordon has sustained the most amount of brain damage in their life.

(i am a firm believer in. many other gordons existing... but for the sake of simplicity + to not mess with results, i'm only putting the main 4 here... sorry guys!)

[screechingfromthevoid]

I learned how to make gifs for this

[schrijverr]

this fic is kicking my ass, but by god i will win!