#just think its important for me to add that .

[rueclfer]

Can I get a gentle reminder smau with Shigaraki? And maybe with a little excerpt of him checking in on us 👉🏻👈🏻 love your writing, but don’t feel inclined to do this request if you don’t want to :)

ily u r sweet yes u can get some of this soft n tender shiggy

gentle reminder // tomura shigaraki

“keep track of your shit.” tomura says once more, tossing your pill bottle onto your bed, right next to your figure hidden beneath the mass of blankets.

“you see a bottle of pills that looks kinda important, that you know i left in your room since last week and you don’t think to at least notify me?” you huff, peaking your head out.

“i dunno.” he shrugs. “you leave shit in my room at the time. think i have half your closet on my floor.” 

you tightly clench the fabric of the blanket up over your nose as heat spikes up to your ears.

tomura doesn’t need an invitation to make himself comfortable in your bed. you feel the shift of the mattress underneath you and hear the rattle of the pills as he shakes it in his hands.

“so this tiny ass pill” he lays on his back, one hand behind his head, the other holding up the small orange bottle to his eyes. “is the one thing that keeps you together?”

“unfortunately.” you sigh, pulling the blanket down under your chin. “can you pass me one?”

you watch him carefully shake out the small pale pill into the palm of his hand. he returns the stare as you swallow the pill dry, returning your head down onto your pillow.

“feel better?” he sets the bottle on the nightstand.

“no.” you laugh at the naivety. “gonna take a little to get used to them again.”

“what do you need then?” he blankly stares at you. “‘cause you can’t do this for another week.”

you two lock into a staring contest while you think for a moment. 

what do i need?

you feel like shit. you haven’t taken a proper shower in a few days. you haven’t really eaten anything. your throat is dry. this migraine is pounding its way out of your skull. this is the most you’ve spoken to someone in a week.

“maybe just stay here.”

it takes him by surprise- you see the shock in his eyes. 

sure you’ve messed around a bit (a lot), but you’ve never asked him for any sort of warmth and comfort. this is new territory for the both of you.

tomura fully turns on his side and inches a bit closer to you. he’s scared to touch you, so he just invades your bubble a little bit more than he usually would. your breaths intertwine in the stuffy air of your bedroom and you see the room slowly grow dimmer as the sun sets.

“is this helping?” he whispers.

“yeah.” you close your eyes, fingers reaching out to rest on top of the back of his hand, lighting tapping over his fingers. “thanks, tomura.”

“just don’t be stupid and forget again.” he sighs, switching your hand positions, his now firmly laying flat over yours.

“maybe it’s all a ruse to get you in my bed.” you tease.

“not that you need a ruse. it’s you. i’m always available.” he scoffs. “idiot.” he quickly adds on.

tomura’s glad the sun was almost set at this point. you wouldn’t be able to see his growing flushed face and chewed bottom lip as he continues to stare at your slight smile, and tousled hair from laying in bed all day.

he’ll make a mental note to make it a habit to stop by your room and remind you to take your meds from now on. he doesn’t realize until now that this piece of solitude in each other’s presence has been something he’s been craving, almost like an insatiable hunger. 

tomura scooches closer now, letting himself in the cocoon of your blankets. you accept him in between your arms, letting him rest his head against the crook of your neck.

“thank you, tomura.” you mutter against his hairline.

“yeah.”

[itwasntimethatdidit40]

A heart that hurts is a heart that works - Something Rotten sequel.

first part can be read here

Pairing: Dark!Joel Miller x afab!reader x Dark!Tess Servopoulos

Words count: 3829

Rating: Mature, absolutely NSFW and again, this shit is triggering. Please, read the tags carefully and if you're a minor don’t interact.

Tags/warning: This happens the morning immediately after the events of Something Rotten, pov second person, no use of y/n, DEAD DOVE DO NOT EAT, heavy degradation, angst, smut, DUB CON/NON CON, reader is barely described, she has breasts and vagina, no mention of her skin tone, she doesn’t blush, she has hair but it’s not described, it is mentioned that Joel's clothes are too big for her (pics are just for aesthetic and don’t represent reader), the only thing is that reader's father died of lung cancer (like mine), depressive thoughts, as said in the first part: reader is held prisoner by Joel and Tess, on her leg is carved the word “pet” (Tess did it), use of a knife, groping, a large amount of bites, mention of wounds, mention of bruises, no kindness whatsoever towards reader, Joel and Tess are both EVIL, fingering (Tess receiving), oral (Tess receiving) spitting, nipples sucking and biting (it's not my ff if there is no attention towards nipples OKAY), unprotected p in v (both f receiving, wrap it up IRL), pussy slapping, cum eating, Joel comes on reader’s face, pissing, a little more scissoring, a little bit of chocking, squirting, brief insert of reader's thoughts in italics… I think it’s all 😅 If I notice I've forgotten something important I'll add it right away.

A/N: Title comes from a Placebo song called Bright Lights. It seemed right to continue with them since "Something Rotten" is also one of their songs. Anyway, I leave you the entire playlist that I listened to while I was writing both this and the first part and again thank you very much to those who recommended songs to me ♥️

There is something of my experience and pain in this so please be particularly kind. English is not my first language and I have no beta, I apologize for any mistakes. I hope you enjoy it, thank you so much to anyone who reads it.

[I started a tag list, if you want to be added let me know, I never tag people because I don't want to impose anything on anyone but if you like it I'm happy too ♥️ ]

Your mind is completely clouded. You open your eyes and for a moment you don’t remember where you are, you rub your eyes, feeling your aching body awaken, the pain of every joint coming back to you. You reach out and press a spot on your stiff neck, a stab of pain shooting up your brain like a gunshot and then sliding down your spine, making you grit your teeth to stifle a moan.

You shut your eyes as images of what happened flash before your eyes, a piercing pain taking over your head.

You don’t know how much time has passed but when you manage to sit up, biting the pain between your lips, you see a bright light coming in through the dirty window, a speck of dust stirring in the beam of light that illuminates the messy bed, the crumpled sheets and the two people lying on it. Tess is on her side, her arms folded, her hands resting on the pillow, near her head. There is always a kind of tension in her, you see it even when she is sleeping, in her huddled body that seems ready to attack and unleash its claws on anyone. She is wearing nothing but panties and Joel’s shirt left open, revealing the outline of her breasts. 

She should disgust you, but instead as soon as you see one of her nipples poking out from under her shirt salive pools into your mouth. You put a hand to your forehead, overwhelmed by yourself, by what you feel and by a shame that creeps up inside you and makes your temples throb.

This is so wrong. Yet you would like to lace your lips on that little button and suck it, if only she would let you do it, if only she would let you lie next to her gently, allowing you to be the good pet she expects you to be.

Shifting your gaze to Joel doesn't help soothe your twisted mind. He’s on the other side, lying on his back, in his boxers, your eyes wander on the defined muscles on his chest, the softness of his belly, and a strip of sunlight hitting his abdomen highlighting hair leading to his groin. 

He seems carved out of a block of marble, skimmed by scars, exuding power and sex, the tips of your fingers graze your swollen lips and you still feel his taste, the weight of his cock on your tongue, his relentless thrusts, his hungry eyes on you. 

They must have fallen asleep, which gave you some respite even if you don’t feel rested at all.

You look at your thigh and it's still there, the pulsing sign that you should leave, just run while you can, sneak out of this place quietly and look for somewhere to hide. But you feel like a mouse in a cage, your body not moving an inch. You’re still untied; it would take nothing to reach the door and close it behind you. But what if they woke up? If they felt the bed lighten with your weight? You know they'd have you back in an instant. 

Your brain, you can't decide whether very stupidly or very wisely, thinks that it is better not to make any risky moves to stay alive. 

Helpless and desperate you lie back on the bed staring at the ceiling, the silence broken only by Joel's soft snoring.

Your arms spread across the bed as you sink into your thoughts and your fingers casually graze the knife abandoned on the sheets. The coldness of the blade sends a chill down your spine.

You have to do something for yourself. At least try. You cannot be so spineless. You move one leg off the bed, your eyes fixed on your captors, seeming not to notice anything so you move the other leg as well, letting yourself slide cautiously along the edge of the bed, finally resting both feet on the floor. You pick up the closest garment you can find on the ground, it's a Joel T-shirt, wide and long enough to cover your butt. You just have to get up, you can do it. Leaning your weight on your legs feeling your knees crack in the effort, you wonder what in your body is not sore. You are on your feet. Joel and Tess are motionless in the same position as before. You walk on the floor resting your toe and then your heel, silent and terrified like a prey trying to evade before falling into the lion's jaws, hoping that the wood will not creak under your gait. You reach for the door. You almost make it. Just rest your hand on the handle and lower it. A moment and you're out of here. As soon as your hand touches the cold metal you hear a voice behind you, “Where do you think you're going?” 

You feel your heart falling out of your chest, freezing where you are, your eyes at the door, your breath getting heavy.

“Turn around”

You do it slowly, praying you don't feel a blow immediately afterward. Joel is standing in front of you. “Please” your voice is a barely audible whisper ”please.”

Joel reaches out, grabs you by the wrist “no fucking way” 

He doesn't add anything more, he takes you back to the bed, forcibly lays you down and lies on top of you. His eyes look at you fiercely, he drops down next to your ear “maybe I was wrong about you, you're not the good pet I thought you were. Let me teach you your priorities straight“ he growls, his voice low, sharp. 

His body weighs down on you, completely overpowering you, his legs blocking yours, his hands resting on the sheets on either side of your face. 

"I give you credit for that. You were brave to think you could sneak away. But also incredibly stupid." His voice vibrates close to your ear, it is eerily calm and controlled, sounding as if it came from the darkest part of him, straight from his gut.

A lump rises from the pit of your stomach to your throat, sickening. "I'm sorry," you stammer, Joel's eyes lighting up with that sinister hue you now know like the back of your hand. 

He retrieves the knife from above the bed and places the blade under the fabric of the T-shirt, cutting through the sleeves and tearing it from the neck to the hem, reducing it to a shred of fabric lying beneath you. You tremble when the icy blade touches your skin.

His boxer-covered erection presses against your thigh, against your wound. 

Again you wonder what substance your mind is now made of because feeling him against you, demanding, claiming your body, makes your pleasure slide down your legs. You can feel it on your skin, a shiver, a wetness, a trickle of you leaving you to become his. You mold under him, relaxing your muscles, ceasing to resist, submitting to his stern eyes nailing you to the bed. 

He takes your hands and intertwines them possessively with his own as his legs push between yours, forcefully spreading them apart.

He crawls on you like a rabid dog, inhaling your scent on your neck, down to your sternum, reaching your breast, licking the skin above your ribcage “You were Robert's, weren't you?” 

His teeth close on one of your nipples, biting it, your back arches pushing against his mouth, demanding more. “This? It's mine now.” he whispers in a rough voice ‘This is mine too.’ he adds, twisting the other nipple, he moves one hand to your mound, grabbing it ”What about this wet pussy? She's mine too. I own you now. Make sure you don’t forget that, you little cock slave”

And you feel it again. The desire coursing down your body, clinging to your nerves, flowing into the middle of your thighs. 

It lingers on you deeply. And you’re pleading at that. Before you sense your own voice saying it, like it doesn’t belong to you, coming out of someone’s else body “Please” you babble “please, more” as he run a single finger through your folds.

Everyone you knew died. Every person you loved is gone, ruined by the spreading epidemic. Except your father, who passed away a few years before the pandemic broke out, obliterated by lung cancer. You still remember his jagged, exhausted breathing getting more and more labored, small and thin, until it died out completely. You still remember the smell of the hospital room, the dimness, your gripped heart, your silent tears. It was something you never wanted to see, the moment when death takes someone.  It stays inside, digs deep into you, rattles in the walls of your brain until one day it subsides and remains a creeping awareness you have to live with. A brick in your pocket that will forever weigh of absence, of pain, of lack.

And when you thought maybe you could make it, one day when the brick seemed lighter, pandemic came and your mother turned into a monster. From a fragile woman, still bent by your father's absence, to a ferocious beast with bloodshot eyes that tried to break your neck.

You had had to tear it down yourself, with your own strength, that thing your mother had turned into. And you couldn't explain it for days, or how you had done it, or what had happened. People were running around terrified, not knowing where to take refuge, not knowing if it would ever end. Until they came and loaded you onto trucks, promising to escort you to a safe area. What you were not told was that there was no solution, for some of you there was not even a place in the QZ. The epidemic took away not only the people you cared about but also your dreams, every hope you had for your future, every plan to become a good teacher, to accompany young minds in creating a better world. There is nothing left to create, only destruction.

You could have offered yourself as a teacher in the Qz but you had decided not to bow to a system that spread only government propaganda, instilling in kids that there was nothing else to believe in but FEDRA. 

And even in the face of desperation the cruelty had not stopped, some soldiers had tried to take you at night, traumatized and without strength, you had been saved only by the good heart of one of your neighbors who had defended you. You had jumped out of the truck, along with him and some other people, looking for an alternative that would never come. They had fallen like skittles, one after another. You were tired of seeing it, the cold hand of death reaching out to everyone around you. 

Your heart still aches horribly, but after all, a heart that hurts is a heart that works. And you're still alive. 

He takes the finger away and shoves it in his mouth, enjoying the taste of you and then he’s close to your ear again grazing you with his beard and graveling “I knew you were a little slut,” Joel's heavy breath warms your skin, driving your being back into your body. “When I'm done with you you'll want nothing more than to be my brainless whore”

You’re bucking your hips against him, mindlessly, while he takes your body with his mouth and hands, furiously licking, biting and groping your flesh, moving impatiently over you on the bed and waking Tess up. She takes a few seconds to focus, abruptly recovered from a deep sleep, but then you hear her dry voice, “oh, are you having fun without me?” 

Joel does not tell her that you tried to escape. which in itself is a miracle for you. He turns to her just a moment, leaving your nipple with a loud pop .

“Come” he tells her, and it's almost sweet. Almost. Tess comes crawling up on the bed like a feline and looks down at you, smiling cruelly. 

“Lie on top of her, make sure this bitch doesn't move” Tess nods, he makes room for her, and she crushes you with all her weight, her scarred back against your tits, as if you were a mat, clinging to your arms as Joel watches the scene smugly "Quite a picture" he growls.

He pulls down Tess's panties, tossing them aside. He does the same with his boxers.  “This is exactly what I want. Two pretty cunts all for me” 

He stoops to observe you both, his eyes roaming your sexes, his thumb touching you first, a creamy river in between your folds, and then Tess. She snorts “will you hurry up?”

“mmm you're not wet enough honey, but we can fix that”

“Honey”, you think he is the only person who can call Tess that. Anyone else would be out of balls in a heartbeat. 

He buries his face in her cunt and you feel Tess stiffen on top of you, her whole body reacting to the first touch of Joel's tongue. You seem to catch a glimpse of submerged fragility behind all that violence and resentment she always displays.

She grips your wrists in a vice as her hips rise toward Joel and a low, deep moan escapes from her throat. 

Joel's fingers run hard and calloused over your folds, collecting what drips from you and spreading it over Tess's pussy, mixing your essences, then returning to lick her. And you can feel her, crumbling on top of you, conceding willingly, every muscle in her asking for more.

Each lapping of Joel's tongue on her vibrates over your body like a wave, Tess's butt sliding over your folds, crawling over your clit, giving you reflex stimulation.

“Mmmm just like that, baby, that’s fucking good” 

She whines so sweetly under his ministration, an undertone so vulnerable and tender in her voice you almost think she turned into another person. And you are in the front row watching this, a silent witness to the other Tess, the one who still has a shred of humanity hidden within her.

It’s unique, you think, how sex with the right person, a person we care about, a person we share a path with, makes us. Defenseless, no mask to wear against the world. Even Tess, perhaps the coldest woman you’ve ever met. 

“Nice and drippy” Joel murmurs, nuzzling at Tess’s cunt “fucking gorgeous” 

He dips his nose in there, moving through her folds up to her clits, brushing the tip over it. “You smell so good, babe, such an nice mess for me to feast on” 

“Fuck” Tess gasps “just fuck me” 

“Yeah baby, I’m going to stretch you both so damn right” 

Tess rolls her eyes in twisted need, impatient like the bossy woman she still is and you whine like the shy mess that you are. 

So different and yet ready for the same cock. 

You noticed the way Joel’s voice soften when he speaks to Tess, the intimacy between them is palpable, in this moment you’re just an appendage. 

You want that desperately, belong to someone, to him, to her, to feel his voice and his whole body going unshielded for you. 

Joel spits into his palm and takes his cock in his fist, pumping it and then tapping the tip on her cunt, once, twice, three times, rubbing it on her folds, lubricating it with her juices, before getting it all the way inside her. Tess's body arches so desperately over yours, merging with Joel's as he begins to thrust inside her.

She thrashes on top of you, clinging to your forearms, pushing you back against the mattress, her hips swaying over yours again giving secondhand attention to your clit, now so swollen and needy that each thrust you emit a moan in sync with her, shyly participating in her pleasure. You bend your neck slightly to one side to look at Joel standing before you, bronze and sculptural, a cruel god who leaves you breathless. His chest glistens in the dim sunlight streaming in through the window, revealing tiny droplets of sweat beading on him, a grin painted on his face, brows furrowed, lost in Tess's wet walls, focused on pounding on her special spot again and again.

“You like that huh? You like this cock splitting you, yeah, I know you do, fuck you’re so drenched I could take a bath in it, all slippery and warm...mmm baby, just like that. Take it.”

He rests a hand on her belly to hold her more firmly, a sense of possession different from that manifested with you, purer and deeper, made up of silent, recurring gestures between them. It's as if you feel it all the way down into your stomach as he sinks into her, the forced closeness making you almost delirious, sensitive and wanting.

Tess is almost at her peak, sliding on you now unceasingly, her back kneading your breasts, up and down, your nipples impossibly hard against her skin, she stammers "there- there- I'm almost there- oh fuck"

"Not yet, baby, hold it back" he challenges her and she growls in disappointment and frustration, as he comes out of her. Joel brushes against you "it's time to put this slut in her place. You want it huh?" he roars as he looks at you "I can see it from here, you're flowing like a fucking river, clenching around nothing like a whore” 

His eyes sparkle with evil. He spits on your cunt, a glob of saliva right on your clit. He spreads it quickly over your entrance and thrusts into you unceremoniously, all the way down, in one breath-breaking stroke. "You're full now huh? Clench around my shaft, bitch” 

You feel your walls strangle his cock, eager to hold him inside, to belong to him, to be broken through. "Yes" you moan, not even sure why you had tried to run away from this anymore. Tess wouldn't even need to hold you with her whole body but you'll never say it, the way she bounces on top of you drives you crazy. You are back on the scene now, eager, drunk with a dark, all-consuming desire burning in your veins.

He grips your hips hard, digging his fingers into your thighs, going out and back in you harder, deeper each time, using your cunt as his personal toy, beating on your cervix as if he were to fill it with bruises. And you don't care, welcoming each thrust as if it were the last thing you will ever receive.

Your mouth proceeds alone, bellowing and wailing each moan like an off-key song you can't stop singing, irrepressible, obscene, feverish.

"You're tight for a whore, pet, but don't worry, I'll take care of it." Joel grunts, Tess echoes you, her harsh voice protesting uselessly to let her finish, her legs wrap around Joel's waist claiming him but he is focused on ruining you now with the cruel and unrelenting force he has not reserved for her.

Her nails sink into the skin of your arms, you feel them barely disconcerted by Joel's stabs but a tiny part of your brain knows they will leave more marks on you. 

There is nothing gentle about it, no attention, no care, just animalistic thrusts that make your body shake like an earthquake. 

You are less, obviously less, but you are still something.

Tess turns on you, looking into your eyes, lowering a hand to your clit, rubbing it furiously and then colliding it with her own, clit against clit, pressed together in sloppy kissing, hips rocking back and forth, sliding up to the point where Joel joins obscenely with you, seeking on her own the finish Joel has not yet given her by using your body.

“Oh fuck, yes,” she screeches, "here we go little slut, give it all to me" biting your skin on the marks Joel left, on your neck, on your tits, sucking your nipples between her lips, unrestrained. She's a wild amazon riding you, untamed, fierce and mean, teeth, tongue and hips demanding no permission and taking from your body what they want. 

And then again her hand descends between you to rub her clit as her knuckles press against yours, squirting letting out a guttural sound, flooding you, Joel's cock and the sheets. 

Joel growls at the vision “oh that’s fucking right, babe, yeah spurt all over me, FUCK, so good”

And you lose yourself, your sanity flying out the window with your attempts to escape, you are caged by Tess's body, hammered by Joel's cock, you feel their eyes on you looking fiercely, them calling you their slut again and again, that's all you can do. 

Tess pulls away from you, Joel holds you firmly by the hips, his face contorts into a grimace, he bites his lower lip as he thrusts himself possessively into you, reaches down and puts a hand around your neck, squeezing your pulse point, smiling cruelly as your air diminishes and your mind becomes rarefied “keep it up slut, milk me” and she scolds him “you can't cum inside her”.

“Fuck” he snorts "you're right". The grip on your neck loosens and you gasp, panting hard, trying to regain oxygen.

Joel slaps your pussy hard with his hand open, ordering: “on your knees, pet.”

You sit complacently on your lap on the bed, uncertain of what he wants to do. Tess is at your side, sneering. 

“Stick out your tongue for me.” He says harshly, Tess's hand bends your back, making you squat, waiting. 

“Good kitten” Joel grunts stroking his cock up and down, the angry red tip aimed at you. You don't realize it in time that long, thick, streaks of cum hit your face, your mouth, slide down your chin. You close your eyes just a moment before you feel his semen hit your eyelashes and run thickly down your cheek.

“Mmm now you look just like a proper slut” Tess giggles wickedly, then pauses "In fact no, we can do better". She grabs you by the arm, drags you naked as a maggot into the bathroom, and gets you on your knees inside the tub. “Hold still” she barks at you. You close your eyes, trembling, not knowing what to expect, until you feel something warm hit your forehead, run down your face, partially wash the cum off. An acrid, pungent smell makes its way into your nostrils. As soon as it reaches your lips you realize. 

You open your eyes, clouded by Tess's piss, her degrading gaze penetrating your bones along with Joel's laughter, standing in the bathroom enjoying the show. 

“Now you're perfect.”

tag list: @aurorawritestoescape , @baronessvonglitter

[swugarbunnyy]

♡ My ultimate anti binge and getting through fasts advice. The order doesnt mean smth is more or less important. Mwah.

1) Water. Even if u hear this a lot, water is what u literally going to need for this. And im talking about actually getting ur water in, through out the day and not randomly remembering to drink it at 10pm. It doesnt have to be a torture, it shouldnt be! Get urself a cute water bottle, add some ice if u like and take small sips.

2) Sleep. And in the best way possible, i mean that u can use sleep literally as a distraction, to pass the time. Whenever u feel like those food thoughts are becoming too much, get under ur covers and sleep it off. Many times i did that and woke up, not feeling hungry anymore. And also, sleep itself does really help with weightloss, u will also feel less tired through out the day if u get nice sleep ໒꒰ྀིっ˕ -｡꒱ྀི১

3) Mints! Chewing zero sugar mint gum is a must. If that becomes too boring for u u can try the zero sugar flavored ones, my fav is raspberry or watermelon. U can also try to brush ur teeth whenever u feel like binging or eating when u shouldnt. Having that mint feeling in ur mouth often makes u want to not ruin it.

4) Distractions. Choose smth to distract urself, smth that actually takes a lot of time and doesnt make u think about food. Theres so many things u could do instead of being so bored u feel like u have to eat. Has to be smth u enjoy doing, for me its usually cleaning/organising, not only my room but around the house, watching movies and shows, saving pins on pinterest, organising my phone, making wishlists, playing games, and my fav one - talking to ppl on the phone or irl, so i dont want to interrupt it and i wouldnt want them to hear/see me eating.

5) Motivation. U wont do it if ur not motivated. Keep urself aware of how u look, try on clothes that u havr and see which ones are too small, and use this to motivate urself to fit in them. Think about how different everything could be for u in a couple of months if u stay strong now, and compare the situations if u fail. Write a list of things ur doing this for. I personally like to also have a hidden th3nsp folder, and i go back to look at the photos everytime i feel unmotivated and weak.

6) Dont jump into a fast too quickly. For example, if u ate a lot one day, and u decide to start a fast right away, it can make u fail pretty fast. Try to slowly make ur body more used to it, eat 100-200 cals less each day and THEN prepare to start a fast. So many times i made that mistake - started a fast out of nowhere, and my body was just too shocked, so i was way more hungry.

7) Wear a lip product. This might not be the most helpful one, but its just a small tip that works for me. Choose a lip product, bonus points if its scented or has a minty, cooling effect, and wear it. It makes me not want to ruin my lips and i usually choose not to eat when i have it on. Best combination is mint gum and this!

8) Zero drinks. We all know this, so i wont write too much, but zero drinks are usually my choice when i feel like i need smth with flavor, but i dont want any calories in. U have many to choose from.

9) Choose volume eating on the days u eat - instead of eating smth very small that has 300 cals, eat more but with less calories. This way u will feel better, and most likely wont eat even more. (Salads and fruits are heaven sent in that situation.) Always look for smth to switch to a less fat version, it isnt as hard as it seems.

10) Be patient. This is hard for me cuz im such an impatient person and if i could, i would want everything the same hour i start. But why did i make this point? Because if it feels pointless, like its not working, working to slow, just wait a month. U would be shocked how much u can change in just a month.

11) Doing lighter exercise while fasting. Ur already doing enough by fasting, so on those days dont torture urself with very long heavy exercise, even tho ik its tempting, i used to do it, but i would just end up feeling super shaky. U can workout more on the days ur restricting.

12) Parents that force dinners on u - I used to struggle a lot with that. Im older now, so no one can rlly tell me what to do. But i say, if ur parents make u sit down and eat dinner with them, try to make it ur omad. Nothing is really ,,ruined", if u dont think it is and dont start eating even more after, of course.

13) Rewards 🎀 Not food! But u can always set a bunch of goals and reward urself for them, it feels way nicer to do when u have to wait for smth and work for it. Choose a gift for urself and get it when u achieve a specific weight. U can have smaller ones for the small goals and choose smth bigger/more expensive when u hit a bigger goal.

14) Buying one piece of clothing thats too small for u. I had one, even a couple, and it was the greatest motivation ever. It was with my own money, and i felt so pathetic for thinking its too much work for me to just push myself and finally fit into that tiny top.

15) Keeping a journal. I usually do that in my phone notes and lock it. It helps u, u can always look back at it, learn from ur past mistakes and prevent urself from making them again. It can also motivate u! For example i wrote i was unhappy on my bday party cuz i felt too big. That motivated me to look way better on the next one, luckily a long time before the event.

16) Keep one thing in ur head, always - Food is not going to run away, it will be here. The cake ur mom bought, is not the last one u will ever see again, same with ur fav snacks someone brought home. The only thing running away from u is the years u spend unhappy, cause u keep giving in.

Good ♡ Luck !

[coolbeesbro]

I still haven't made any sales and time is ticking for me to get paperwork filed to legally change my name and sex on ID's and legal documents. I'm not just desperate to get this done because it would be nice to just have that finalized before I no longer can. I can't get a passport until that's done without getting immediately identified as trans, and I need a passport in case I need to flee the country for safety's sake last case scenario.

If you can't buy anything, commission me, or donate $3 I completely understand. I know there are others out there like me who are in the same boat, or others who really can't afford to do any of those. That's fine and I don't hold it against you, and I don't want you to feel guilty for it either. Ultimately at the end of the day you need to make sure you're ok and safe and have the help you need as well. The only thing I ask is that this gets shared so more people can see it who may be in a position to help financially.

I made a post compiling resources for everyone else in my shoes that should help with name/sex change information in every state, along with legal self defense information, emergency Grab and Go list of things to have, and resources on how to obtain Plan B, its shelf life, as well as side effects and proper storage. If you can, share this one as well so it can reach as many people who may need it as possible.

Here's the link: Important Resources.

I'm compiling more information and resources for those who have pets and how you can keep them with you if you have to leave in an emergency.

I love you guys, and please stay safe. Right now all we can do is come together and form stronger communities of support across the US. My friends in red states, do whatever you need to keep yourself safe. Know your rights, take the steps so you can to defend yourself, and I encourage you to put together an emergency Grab and Go bag.

Stay tuned for more information shortly, and if there's anything you think I should look into and add to the list, leave me a comment, send me a DM, send it to my ask box under anonymous, leave it in the tags, whatever way you can communicate that keeps you safe.

Thank you, I love you, and please stay safe.

The peeping stickers are finally in! (3"-3.5")

Along with them, there are new prints, pins and cards! You can buy these stickers in a 5 piece bundle for a deal, or buy a few individually! I will work with you on packaging all items if you'd like things set up individually or grouped bags to given as gifts!

The first 25 orders will get a free goodie bag with one 1" holographic vinyl Narinder sticker, one 2" temporary Kalamar tattoo, and one 1.75" Narinder heart holographic pin! Help support a trans artist with every order, and all orders are delivered within 3-5 business days!

[mossy-aro]

ultimately i think my insistence on aro positivity honestly is as much a political stance as a personal one.

when i say aro positivity is crucial and that i dislike doomer-ist posts that express sentiments like 'I hate being aro so much I wish I was dead instead’ it's not because I don’t think there can and should be a space for negativity and acknowledging self-hate, or the many ways being aromantic can really suck sometimes. i find that to be very important!

that being said. there is smth here about how self-hate posts are sometimes just arophobia that we inflict on ourselves. and when we put that out into the ether it (intentionally or not) can become arophobia that we inflict on other members of the community. i think there absolutely needs to be a place for negativity and the expression of anger and frustration and self loathing even - these are all good things to talk about because these are things that we experience. that being said, it can also be genuinely upsetting and triggering to people to have what is essentially arophobia shown to them and then have that be validated by other aspec people. your personal thoughts can affect your wider community on a level you may not anticipate. and i understand it i truly do! it took me so long to be able to recover from accepting being aroace - it threw my entire world off kilter and made me question everything about my place in the world.

but my insistence on aro joy and positivity is because ultimately i do believe that building is at the core essence of it all. that ultimately discussions and the purpose of community should be about construction, not destruction. and this is both a personal and a political stance. talking about how much you hate yourself and cultivating online discussions/spaces where negativity about aspec identity is the main and only theme is destructive - if that’s where we let the conversation end. these thoughts can and should be used as a vehicle to look for a path forward!

joy and positivity create a space where the focus can become on forging a path forward, on construction, on community building instead of tearing ourselves and others down with negative thoughts. it’s not productive or healthy when it stops at a place of negativity - it becomes actively destructive to the essence of community.

and i do think that this is especially poignant considering the fact that being any kind of queer, but especially aromantic (and/or asexual) means forging a path for yourself and making your own happiness where there is no obvious way forward. our communities exist mostly online (right now, anyway), there is little recognition of our existence in the real world, the effects of amatonormativity are both pervasive and actively dehumanising, and there are legal, economic and social structures in place actively making our lives more difficult. yes that all sucks! it’s good to acknowledge that. we need to in order to change it. but more importantly, that’s not the end. we are still here and our happiness, our future is for us to determine. even if we can’t change the laws or society, loving yourself and understanding aromanticism as a political identity (as well as personal), as a radical worldview, and as a protest against amatonormativity is essential for both community and personal well being. the personal is political.

tldr. i guess my point is that as a community, we should focus on building, improving, and nurturing ourselves and each other (construction) as opposed to destruction. we should recognise aromanticism and asexuality as political identities as well as personal ones and rely on community and self-love in the absence of anything else as a form of protest and political power. destruction (the recognition of everything that is wrong) is essential as a starting point - but where do we go from there? we rebuild.

[redrobin-detective]

Something I wonder about Simon and Betty's relationship is how long they were together before the whole crown ordeal. But they were engaged, you say. My aunt (in)famously met my uncle and had a ring on her finger in 8 weeks. We've seen that both Betty and Simon were both weird outcasts, crazy determined and a pinch insane. I would not be surprised if they decided they'd met their one true love and got engaged super quick.

My point being, Betty's shifting to revolve around Simon and Simon's rose colored glasses of their relationship feels very much like New Love. They're people who love each other and love being a couple but still haven't quite figured out how to coexist together, as two people in a partnership. I feel like if they'd known each other longer, lived together longer, some of the issues we're seeing would have probably self resolved.

I don't think their relationship is toxic nor is it totally perfect. It's two lonely, most likely neurodivergent people in a relatively early relationship still figuring out how it works. Everything that happened afterwards: the crown, the seperation, the time travel, the magic/madness/sadness just exemplified issues they had both as individuals and as a couple.

[daisy-mooon]

"I want Annabeth to be blonde :(" then pick up a PJO book and read it you dumb fuck

[withthewindinherfootsteps]

Wei Wuxian and Narrative Agency – Part Three

For Xiantober Day Five: Past and Present, in which the author gets very unhinged about what parts of the past are shown and how that’s affected by the present!

(Part One | Part Two | Full version on AO3)

The Power of Agency: Shaping the Narrative

When I've discussed Wei Wuxian's agency previously, I’ve talked about how what’s shown and omitted tells us about a character, and we’ve talked about the character himself. Though this is a niche topic, it’s not necessarily something out of the ordinary to analyse, and we can assume everything up to here has been in some way intentional.

This? Linking structure to a character’s in-universe preferences?

This is where we get unhinged.

Before I start, let’s quickly establish something which will be important later: although Wei Wuxian is the central character, MDZS isn’t strictly from his POV. While omitting events a character doesn’t like to dwell on and concealing things the character wishes to hide is common in books with only one narrator, MDZS has multiple narrators which it switches between relatively quickly. This includes Wei Wuxian, but it also includes nearly every major character that appears in the story, and omniscient narrator as well. As a default, this format doesn’t lead to this deliberate shaping and omission because of one character’s preferences, since we have many other sources of information and events – which is what makes Wei Wuxian’s influence over the narrative and structure so interesting. We could have access to a lot more information, and access to it at different times, than we do (and that’s not an insult, quite the opposite!).

To begin: we’ve established that times such as Wei Wuxian’s time on the streets, his three months in the Burial Mounds and his loss in the Siege aren’t shown because Wei Wuxian has little agency there. But that’s not the only special thing about them. They’re also the three most traumatic times in his life, and so moments Wei Wuxian himself either can’t remember, or doesn’t like to dwell on.

This is why discussing Wei Wuxian’s treatment of tragedy in his life was important. Firstly, it shows he doesn’t focus on the tragedy in his life, so the idea that the narrative not focusing on this tragedy relates to his character has merit; secondly, it affirms that this is not a passive trait, but a choice. Therefore, when the narrative omits events due to this aspect of Wei Wuxian, it’s respecting not only a character detail – which would be cool by itself – but also an active decision. One that shapes the story it’s made in.

In other words, its very structure is respecting Wei Wuxian’s agency!

Now, of course there are flashbacks to other moments of his past he probably wouldn’t like to dwell on, too. But within the structure, they’re only shown when Wei Wuxian is thinking about them (or when he has reason to)!

Wei WuXian hadn’t woken up yet. His eyes were still tightly shut, yet his hand didn’t let go either. He seemed to be dreaming, muttering, “… Don’t… Don’t be angry…” Lan WangJi seemed somewhat surprised. His voice was gentle, “I am not angry.” Wei WuXian, “… Oh.” Hearing this, as though he finally felt assured, his fingers loosened. Lan WangJi sat beside Wei WuXian for a while. Seeing that he was motionless again, he was about to stand up when Wei WuXian grabbed him with his other hand, hugging his arm and refusing to let go. He shouted, “I’ll go with you, quick, take me back to your sect!” Chapter 63, EXR translation

Which, of course, is him dwelling on…

Lan WangJi spoke one word at a time, “Go back to Gusu with me.” Hearing this, both Wei WuXian and Jiang Cheng were surprised. Quickly afterward, Wei WuXian laughed, “Go back to Gusu with you? To the Cloud Recesses? Why go there?” He immediately seemed to realize, “Oh. I forgot. Your uncle Lan QiRen hates crooked people like me. You’re his proudest disciple, so of course you’re the same as him, haha. I refuse.” Chapter 62, EXR translation

…the painful flashback immediately preceding this. The third set of flashbacks (which are also painful) are a similar case. Look at the contex:

He lifted the bottom of his robe, revealing a prosthetic leg made of wood, “This leg of mine was destroyed by you, that night in the Nightless City (…)” (…) “Wei WuXian, I won’t ask you if you remember or not. Both of my parents died by your hands. You owe too many people. You definitely won’t remember them either. But, I, Fang MengChen, will never forget! And never forgive you!” (…) “In the fight at Qiongqi Path, my son was strangled to death by your dog Wen Ning!” “My shixiong died by poison, his entire body festering due to your cruel curse!” Chapter 68 (immediately preceding the flashbacks), EXR translation

And Wei Wuxian’s own thoughts and words:

Wei WuXian looked at the cultivators before the Demon-Slaughtering Cave. Their expressions were the absolute same as those of the cultivators from the night of the pledge conference, pouring their wine on the ground as they took the pledge to scatter the ashes of the Wen Sect’s remnants and him.  (…) Wei WuXian, “Now it’s time to ask just whom it is that treasures it so much. It’s like Wen Ning. Back then, some certain sects or so were scared to death of the Ghost General. They said they’d kill him on the surface, but behind their backs they hid him for over ten years. How strange. Who was the one that said his ashes had been scattered back then?” Chapter 79 (immediately succeeding the flashbacks), EXR translation 

Once again, Wei Wuxian’s own thoughts relate to the flashbacks we’ve just been shown. And, as I previously mentioned, though all the events which are shown are tragic, they’re also events which Wei Wuxian’s own choices and actions shaped – which he has this to say about:

“The things I did, not only do you remember them, I remember them too. You won’t forget them, and they’ll stay even longer in my mind!” Chapter 82, EXR

Admittedly, this applies more to the third set of flashbacks than the second (which is still fitting as the third set was the most recent), as in the second, although he still had agency within and influence over his circumstances, the majority of the pain was caused by others’ actions (excluding, of course, the Golden Core transfer… which is something we know stays for a long time in his mind, albeit with a caveat we’ll soon discuss). But it’s still important to note – especially considering that otherwise, focusing on this very painful time in his life wouldn’t seem like something very in-character for Wei Wuxian to do.

Of course, this can all just be explained by good writing. It is best to insert flashbacks when they’re relevant to the characters and events in the present day! But it is interesting to compare these to the start of the (not painful) Gusu flashbacks, which open this way:

At a later time, Wei WuXian pondered upon the reason why his relationship with Lan WangJi wasn’t good. Getting to the root of the matter, everything started when he was fifteen, coming to the GusuLan Sect with Jiang Cheng to study for three months. Chapter 13, EXR

Again, considering the circumstances around which these flashbacks take place – returning to the Cloud Recesses for the first time since the lectures, and meeting Lan Wangji once more – it makes complete sense for Wei Wuxian to be thinking about these events*. So it does fit the pattern of Wei Wuxian dwelling on something, thus leading to the narrative dwelling on it, too (and being shaped by his thoughts)… but there’s another layer to this. Importantly, it is the only flashback where Wei Wuxian’s present thoughts don’t lead to this happening, with his thoughts at an unspecified future time leading to it, instead. I like to interpret this as the text saying that, since these events aren’t something Wei Wuxian wouldn’t focus on in normal circumstances, he can dwell on them at any time. Therefore, they’re free to come up in the narrative at any time as well, even if he’s not dwelling on them in the present moment!

So, to summarise: Wei Wuxian’s decision not to focus on the painful times in his life directly influences the narrative to not focus on these times. When painful times are brought up and shown to us, it’s in the context of him thinking about them in the present day, and even then, his most painful moments still aren’t shown to us. His agency in this regard is still respected by the narrative structure.

This is the main way his agency influences the structure of the narrative, but I’d like to talk about the revealing and concealing of information, too. For example, I said I’d talk about the Golden Core transfer – though Wei Wuxian does think about this many times, as evidenced by his internal narration in Chapter 103. But unlike everything we’re shown through the flashbacks, this is something Wei Wuxian is actively trying to hide from others. And the narrative respects this choice (Wei Wuxian’s agency, again), never reveals it even when it would be relevant in the flashbacks, and we find out not through narration, but through a character’s dialogue!

And to clarify – I know these aspects may not be in the book for this exact reason. Showing flashbacks in relevant moments is good writing, concealing an important plot point you want to do a reveal for is necessary writing, and MXTX has said she didn’t want to write about Wei Wuxian’s time in the Burial Mounds, due to not liking to write transformation sequences (and also because it would not be pleasant at all, which likely also applies to Wei Wuxian’s death). That doesn’t prevent it from also being intentional – MXTX’s intelligence is shown in many aspects of this book, and there’s nothing disproving it – but there’s no proof for either option, so I won’t pretend there is. I bring this up because I know this feels like I’m overanalysing, as I feel that way as well.

But, whether it’s intentional or not, it exists in the text, and I adore it – so, regardless, it’s something I’ll explore. Because taking this into account… We aren't just told about Wei Wuxian having agency, we aren’t just shown it in the text, we aren’t even just shown it through which parts of his past are shown and hidden in the structure of the text (as I talked about in Part One). The parts of the past that are shown and hidden also have an in-universe reason for being shown and hidden, this reason being the choices he makes! Agency is the ability of a character to influence the story they’re in, but Wei Wuxian’s agency, as a property of a character who only exists in-universe, shapes the out-of-universe structure as well! That’s how we’re shown its importance! How cool is that?

At The End Of The Road: Summary and Final Thoughts

In this essay, we’ve covered how important Wei Wuxian’s agency is not only to the events of the plot, but to the structure of the narrative as well. The narrative omits periods in which Wei Wuxian has little or no agency, in favour of showing us periods in which he does, even when important events happened in the former. This indicates that who Wei Wuxian is without agency isn’t important enough to be shown to the audience, and therefore that his agency is an integral aspect of his character in MDZS. We’ve discussed how both in-universe and out-of-universe, tragedy does not define him – out-of-universe, the tragic events in Wei Wuxian’s life are used not to build sympathy but rather to show his strength of character and who he still is despite going through them; and in-universe, he chooses not to focus on the negativity and resentment caused by his circumstances or others’ actions, instead staying true to his moral compass and enjoying his life in the present day. Finally, we’ve also explored how this choice is another reason for the omission of certain events from the narrative, resulting in his agency shaping the story in a very literal way – it affects the out-of-universe structure, as well.

It’s quite fitting, for a story whose essence is about defying a conventional narrative – that of righteous clans rising up and defeating a great evil – and about a character who defies many conventional narratives on his own – that of status defining how skilled you could be, that for a golden core being necessary for cultivation and other paths being unavailable, that of a tragic but complete story of someone killed for staying true to their moral code (instead, that character returns to life and has a happy ending) – to have its own narrative play a role in such an important and interesting way.

(Or, if an image would be preferable:)

Thank you for reading!

(Part One | Part Two | Full version on AO3)

--

*This strong relation to the present day circumstances is another reason I love the flashback placement so much (and why I think it’s such a loss both screen adaptions altered it so strongly)! 

[dykedvonte]

Can you talk about trans!Curly a little bit more? I'm curios if you have any headcanons and the like

-💀

It's just such a thing in my mind because it adds a truthful sadness and differing aspect to mouthwashing.

If Curly was trans it adds the horror of the horribly selfish thought he could have easily been in Anya's situation. It could've been him but it wasn't and he so conflicted on the pit it put in his stomach that brings and the shameful relief it wasn't. In this scenario he is friends with Jimmy for a long time still. Jimmy likely knew him pretransition. Maybe he gave Curly weird looks then, maybe they never stopped after, maybe they seemed meaner. They are guys now, bros, both of them are. He doesn't really have to worry what those looks mean anymore, Jimmy just has that face with him sometimes. It's recontextualizing a lot of things for him that he was in denial about or too ashamed to admit. How naive he was being and how he let that get another person hurt.

Specifically with Anya, it's he knows the dread and fear she's feeling. He can understand it because he had to live with it for a good portion of his life, he knows it cause he still does, just in a slightly different way. It makes him think of all the times he's been alone with Jimmy, all the times he's been way more drunk off his ass and not remember the night, Jimmy was always with him the next day. Makes him think of the comments he would laugh off both because that's what guys do but because that part of being a girl says to laugh so Jimmy doesn't do something. It's the selfish realization that he was never safe and he's uncertain now too. Mad at himself for forgeting that feeling, espcially since for a long time he would've been considered the only woman on a crew (with all that implies) for a long time.

He should've taken those blinders off, step back into that position for just a moment and it's so much more painful that Anya likely came to him because he should've gotten it. Those thoughts don't leave his mind after the crash when he's in an even more vulnerable position than she was...

[wickmitz]

How do you think about Frepper? I'm neutral about this ship, but the fans Frepper attitude towards confuses me, Ivy and Freckle have only been dating for a week and know each other superficially, but everyone already thinks that by the end of the comic they will get married, I think differently, I think that in the end they will break up with each other because they are too different personalities, I literally can't imagine that both of them will be happy with each other in marriage, Ivy is assertive and active, on the other hand Freckle is passive and just agrees with Ivy, this is not a guarantee of a healthy relationship where a partner completely dominates the other, plus to all that, I will not forget how their relationship started, Ivy just decided that they were dating, and without asking Freckle's permission, she just KISSED him, again without his permission, Frepper fans think that it's cute, but when I saw it, I thought "what the hell did I just see?", in general, it's strange for me that Frepper fans are okay with such things, of course later Freckle shows attraction to Ivy, showing that he likes her in some way too, but I still won't forget how their relationship started and how Freckle used to try to escape from Ivy when she squeezed his hand tightly and forced him to her …

I'm not against Frepper, but I don't understand his fans who don't see these issues and who treat other points of view on their relationship (like mine) as … um, as nonconformity? Fans from reddit are just obsessed with Frepper, I don't know about other networks but that's how it is on reddit, I think there are people who have my opinion but are afraid to say it because of fans, of course, I met Frepper fans there who normally accept such an opinion, but still there is a feeling that such a opinion cannot be told

Simply put, Ivy and Freckle are a couple that will eventually break up with each other unless there's an event between them in the comic that changes my opinion of this couple, but that's how I feel about Freckle for now. I didn't plan to express my opinion, but it happened that way, I hope you don't mind it

first and foremost, i don’t mind seeing someone express their opinion in my inbox! you and anyone else are free to do so, even if i may disagree. this blog’s entire existence was made for me to share my opinions ( and love! ) for lackadaisy, as well as engaging with other fans, because what else is the point of a fandom blog? and as far as i’m aware, this is unpopular opinion central! most of my thoughts aren’t exactly the ones with the most voice behind them i’ve found, so i welcome all manner of different views. every fan is entitled to their own perspectives and opinions, and should be allowed to share them as they please! but with that disclaimer out of the way, i’m more than willing to discuss frepper in its entirety.

for me, there’s little confusion i carry where it concerns this ship’s popularity amongst the fandom. freckle and ivy, if we are to strip them down to their bare essentials, are a rather stereotypically ‘cute’ relationship : people enjoy opposites ( see zibwick or vikdecai for example ) and there’s an endearing quality found in puppy love dynamics. seeing ivy wear the pants and drag a shy freckle around by his ankle makes for quality content in a way! think the ‘excuse me, but he asked for no pickles!’ meme … ivy and freckle very much fit that sort of mold, and it helps that most fans are too scared to ship them with other characters in the cast too, due to what they perceive to be a lack of options. thus, frepper is an extremely ‘safe’ ship! you cannot get in trouble for enjoying something that is not only canon, but is relatively adorable ; and so i don’t believe a lot of the fans are actually thinking too deeply about the likely endgame of it all. most don’t! it’s fun to ship, and that’s all they really need i think. it’s also very easy to dismiss ivy’s forwardness as a quirk of being a young girl who’s of her temperament, recklessly boycrazy although still carrying sweet intent. this behavior is easier to hand wave when neither ivy or freckle are experienced at the dating scene as well … freckle due to his extremely religious upbringing and hermit nature, and ivy because of viktor’s constant meddling, which would hold her back more than you’d think. with that said, i don’t think any of this is excessively complicated. some shippers are rather simple minded and do not care for details and characterization all too deeply. enjoying dynamics is, at its core, supposed to be fun -- which makes simple ships like frepper prime targets for a very vocal and tight knit fanbase. there are other things i could speculate about why these two may hit so pleasantly for others, like how there’s an underlying queer theme to it ( what with ivy being the pursuer and freckle the shy, blushing flower ) or that it’s tropey enough to hit the right spots for others … though it all boils back to mere speculation. perhaps they still have time to escape this gangster lifestyle and live happily ever after? and that appeals to the lackadaisy fans who still want some sort of happy ending? it’s all a combination of frepper being easy, i think, and containing two young cats who still haven’t done anything particularly ‘unforgivable’ yet action wise. this is a ship you can root for without an ounce of worry in your heart, and so on and so forth.

but although i understand why others are so vocal about them, i don’t exactly agree with fanon’s views either! while i heavily enjoy frepper, i enjoy them as they are, and that includes their looming flaws and inevitable tragedy. they are bound to break each other’s hearts a lot on their current path ; even if they were entirely perfect for one another, this lifestyle isn’t kind to anyone, meaning if they don’t separate, they could always be forced apart via bullets and such anyway. they are young and woefully inexperienced in a manner of things, the last thing they need is the stress of a rumrunner life driving their every action, you know? i know people see them getting out together, and that is likely on the table! i do see that in many ways, but i’m also of the opinion that ivy and freckle will diverge onto different paths at some point and temporarily call it quits. from where the comic currently stands and given my view on ivy’s arc, i see her growing disillusioned with where she is and the honor and fun she saw within it as a royal spectator will fade ; she will become wary, fearful, and her resilience will die … meanwhile freckle will embrace it, similar to his cousin, fully understanding what it is and what he’s getting into ( like rocky, again ) but being unable to leave his refuge. i know lots of people think freckle will leave the lackadaisy first, but given his old concepts and former title as one of mitzi’s ‘trouble boys’, i think he will become lost in the sauce for a myriad of reasons. frankly i enjoy that twist on their relationship! since i believe ivy’s character development will revolve around maturing, changing as time stretches forward, because her character is ever growing, what with her entire schtick being the fact she’s everything a 1920s girl was during those times. she embodies that unladylike youth and manipulative sweetness, so i’d imagine a lot of her path is falling from such naive thrill seeking and stumbling upon a harsh reality. she will mature, and the very thing that should make their relationship stronger will be what divides them indefinitely. everything they have is founded on this bloody, varnished soaked ground after all … they are young adults who are experiencing what closeness feels like outside of family or platonic friends for the first time, so naturally they will overindulge in their own amateur games ; find respite in the boogie and kiss like couples do on the silver screen, laugh about it, talk about everything and nothing at all … relish in each other’s warmth and stupidly loyal protection. i’m sure frepper will grow closer before any falling out, because as it stands, it’s one of the few things they have in such a scary situation that feels comforting and kind. they will impact each other in the fundamental ways first relationships do and, to move towards your biggest gripe, do things they’ll regret or allow things to happen to them that they’re not entirely okay with.

ivy is very forceful with freckle initially, albeit in her typical saturated way ; and i can see why that would be hard to parse! especially when freckle spends a majority of their first scenes together squirming away and hiding, trying to duck her affections and bolt for it. there is a lot of boundary crossing between them! but not in a necessarily malicious way … like most things with frepper, this circles back to their mutual inexperience and how, in a lot of ways, this is their first ‘serious’ romantic relationship ever. and it’s rather common for such firsts to involve gray areas, since neither party is entirely sure of what their own boundaries are just yet! while freckle did appear frightened by ivy at first, it’s important to note that tracy’s mentioned him having a flight response whenever girls flirt with him … he is prone to run away instinctively, which if you consider his extremely religious upbringing, isn’t exactly a surprise. nina would no doubt look down upon freckle engaging with girls his age due to what most girls his age are currently doing in the roaring 20s they’re living in. sneaking out and engaging in illegal activities, dancing in a way that would disgust most of the more traditional and older generation, casually engaging in any manner of sexual activity before marriage, etc etc. and this isn’t even listing freckle’s cagey nature due to an incident we know was bad enough to send rocky packing for years, and fundamentally changed freckle himself at such a young and impressionable age. he is … very troubled! and rather scared of himself and the world around him … at this stage in life, freckle is perpetually unable to make any progress towards anything he may want, and so i have little problem myself with ivy mostly taking the lead. when left to his own devices and allowed to choose outside of influence, freckle did in fact sneak out of his mother’s house to go to the lackadaisy, surely well aware that ivy’s intention had been romantically inclined. so, to me, he has always liked her ; perhaps found her cute, in a shallow way, saw her eccentric behavior as endearing and frightening in equal measure, and while he’s still wading into this whirlwind pool unsteady and shaken, he -- wouldn’t mind it if ivy pushed a little more, or moved him around to her ( and what she perceives to be, their ) liking. perhaps this dynamic is familiar enough to him that it becomes comforting, since rocky was very much the same way in their adolescence. tugging freckle around and pulling his tail for whatever rocky wanted them to do, with little care for whatever his baby cousin desired at the time, ignoring his protests and chasing him ; nobody’s at fault here either, kids are extremely self absorbed and this is a flaw they’ll usually mature past, and while ivy and freckle are adults during the comic, i don’t think ivy’s outgrown this linear view on things just yet. she is extremely entitled! she is used to being the apple of everyone’s eye at the speakeasy due to her jazz baby status as atlas may’s goddaughter, and this gangster connection excites and awes the ladies she attends classes with at her university too. ivy pepper is used to getting her way and this has only fueled her determined attitude, her ‘pull it up by the bootstraps’ mindset, and in many ways, this is something of a flaw for her. it’s not bad to be confident and headstrong, although when you add that into a dangerous mix of rumrunning and gunslinging, it may become a problem rather quickly. but i digress! point is, ivy and freckle are hardly at fault for the awkward way they handled the start of their relationship, when it’s so new and fresh to them both.

neither of them have boundaries at this moment, as they either have no clue what those are or simply haven’t realized they should set them. so, in turn, there are things that the other may do that could cause their partner discomfort … and it’s mostly done out of obliviousness and good intentions and your classic dose of intense affection. doesn’t mean it isn’t messed up to a degree, but i think it’s rather realistic, and is a hard truth that comes with many first relationships of that sort. sometimes you don’t know how to say ‘no,’ or you agree and regret agreeing later, or perhaps you simply don’t understand there’s certain things you aren’t ready for or genuinely just don’t like. again, it’s a very muddied area, and the two of them are vaguely navigating what is mostly foreign to them. they’re bound to mess up! so i ivy some slack here, and applaud tracy on the realistic writing more than anything usually. young love also happens to be a great device to use for inexperienced characters finding themselves, through the good and bad of their relationship, and frepper is all about that. maybe freckle will inevitably bring up how he feels like he would’ve preferred it had ivy asked him out properly, or gave him time to court her in a traditional fashion … and she will be surprised ( and a little wounded ) by this, since she had never considered it before … too used to her way of things to realize there’s another path they could take. i think this aspect of the relationship is important, and i can understand wishing that more frepper shippers would view it as such, or comment on it's morally gray nature without just calling it ‘cute’ and leaving it at that.

tldr : they will most certainly break up at some point, maybe even multiple times! tracy has said before that they both have some serious maturing to do if their relationship is to be long lasting, and i doubt that maturing will happen to them both at once … since they have different things to work on emotionally. but they will probably strongarm some major personal development within each other, as well as love one another with a fierceless abandon that most kids do. i could see them getting married, i could see them not, but i agree that if they were to be wed happily, they’d have significant hurdles to overcome. but personally, frepper is something i adore mostly due to the impact they’re bound to cause each other, and even if they are to separate and find someone new and more fitting, they’ll always remember one another -- perhaps fondly, and sadly, and with some anger. a time they’d like to forget, but a person they’d like to remember … which is my cup of tea overall! they much more interest me as they presently are anyway, where i can fiddle around with their budding romance and friendship bonding. and as lackadaisy grows in popularity, i do hope there’s more frepper fans who see their complexity and flaws and explore them with all of it in mind.

anyway! i hope this was coherent, and that it was obvious that i agreed with you for the most part. i haven’t really talked about frepper before with anyone so many of these thoughts sort of burst out of me! and i feel like i have more to elaborate upon, but for the sake of simplicity i kept this short. oh well! surely this is enjoyable and informative regardless.

[ganondoodle]

im not lying when i say that i was just finally getting "over" totk, like i hate it still, but the immediate anger and need to rant has died down-

and then the elden ring DLC fucks with me in a very similar way, just even moreso focused on my favorite character in that entire franchise, completely unexpectedly, and the more i learn about it the worse it gets and now i feel even worse bc i dont have the energy anymore to get as angry as i did with totk and its just kinda ... depression and sadness ..

it was like the interest i could fall back to when zelda annoyed me too much or i needed a break from that and i was honestly thinking about doing more with it but now

i know i know i can always draw 'my own stuff' but being a fan of a piece of media or character is just fun and .. furfilling to me in a different way and now i feel so empty again ... and finding new things to obsess about is easier said and done bc i dont 'decide' to stop liking something and neither can just decide to obsess over something so im just kinda left hanging here ... and in a way, i still like it and care about it, frustratingly so, and dont WANT to just stop and find soemthign new ...

[screechingfromthevoid]

I learned how to make gifs for this

[blushft]

also just to be clear! this isnt a "who is the dumbest" poll. this is which gordon has sustained the most amount of brain damage in their life.

(i am a firm believer in. many other gordons existing... but for the sake of simplicity + to not mess with results, i'm only putting the main 4 here... sorry guys!)

[camelspit]

after a day of contemplation im no longer as much of a hater <3 unraveled you seem.. fascinating

[ratatatastic]

[mrpenguinpants]

Omg you're back again hello 👀 how have you been????

Big mood on the "man I wish this author would finish their fic" LOL I've been rereading my own wiring recently and going wtf. Where's the rest of it?

For a limited time only babyyy

But I've been good. Extremely busy but it's okay, the pto is worth it. That's what I keep telling myself at least :) but how are you??? Is anything interesting happening? New developments perhaps 👀

The funny thing is that I've actually been talking with a few mutuals, and they've all told me that they recently went back to re-read their drafts. Maybe it's something in the air or we're all feeling a bit nostalgic? Or because everyone is on break since it's summer.