#just the two of them but lore time

[castawavy]

quiet harvestfest (oh and dallas fucked up with the rice cooker)

before (tw: alcohol, smoking) / next

[tiniest-hands-in-all-the-land]

Carry me home

[cherryfennec]

Summer Times

Hi! I'm finally back from my two week abroad trip!

[puppppppppy]

these two are so interesting to me

characters belong to @canisalbus

[noxious-muck]

ok im obsessed. admittedly.

[qu0rky]

will i ever watch/read that? no, probably not.

but do i still go on ao3 to search up its most popular homoerotic ship and get infodumped all the necessary lore in order to enjoy the fics? yes, give me 14 more of that.

[demaparbat-hp]

Almost

[hemlock-dreams]

I love MJ. Peter must have really been devastated by her being affected when he was outed as Spider-Man. I have a few questions! You mentioned in the original universe she had a relapse — was it just the same universe changes that made Peter a criminal that caused there to be an MJ that was an addict? Would the venom have caused her to die in a while like most people, or no because Peter became her supplier and had presumably good control? Wouldn’t she have known the reasons he had hesitated to kiss long eventually, since he had to tell her everything to help with the venom thing? And does his venom just… come out automatically after a bit with anything, or is it possible for him to have situations where it’s not involved at all for a time? I’m sure he misses her and usually MJ and Peter are friends before they get together in many canons, so I’m really happy that he’s able to be her friend in the new universe and didn’t lose her entirely 🥺 even if he basically had to reform the relationship from scratch. (Also if Peter and Marko were such good friends, why was he willing to put him and his loved ones in danger by telling everyone?) all of this is very cool and fun ty for sharing.

So OG-MJ was an addict before she ever knew Peter(and before everything with the knock off venom.) She had been sober for two years at that point, and continued to stay sober for a few years after she and Peter officially got together.

However, Peter was always gone, flaking on all their special dates/anniversaries etc. He'd make plans and then never show up, or cancel at the last minute. And despite being super affectionate with his words, was always really physically distant. All of this left MJ feeling really alone and angry, as she was dealing with her own abandonment issues (foster care).

Eventually, everything was just a perfect storm of frustration (struggling with her boss, Peter flaking on another date, a new job opportunity not coming through) that she ended up reconnecting with some old friends who convinced her to try 'this sick new upper'.

The issue with manufactured venom (gonna call it Aurora) is that in it's impurity, it had extremely degenerative effects at lower doses. Peter's venom, while just as bad, was 'cleaner'. He can secrete it at will, but his body starts automatically pumping it when he gets excited (not to mention his fangs do not retract!!!) (They are very sharp!!!)

As for Marko, he'd been Sandman for a while before he revealed Spiderman's identity. Not only was he mentally very unstable, but he'd been very bitter over Peter going 'straight'. They were supposed to be ride or die, but Peter kept drifting away and eventually cut ties with him when it was obvious that Marko was never going to leave the lifestyle.

Then one day, during a fight with Spiderman Marko just...recognized the body language, the words, just...something clicked, then broke. Because not only did Peter leave Marko, the guy who had his back all those years in prison, his supposed 'ride or die' was also fucking Spiderman. The guy who had been actively fucking up Marko's life for years. The enemy.

Payback was an easy decision for a guy who held tight to grudges.

And for the kicker, he didn't even sell the information, just gave it to JJ for free-- that's how much he wanted to hurt Peter. Later, he would really regret it, but it would be too late at that point.

After Marko threw Peter's life into the fire, he and MJ had a blowout fight. At the height of it, MJ told Peter to 'prove he loved her' and used her own addiction as a way to control his time and attention after being starved for so long (kind of holding herself hostage).

Yeah...it all kind of went to real shit after Lmaoo

Once again, thank you SO much for the support and all these amazing asks!! <3 <3

[suntails]

7.3

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[luigisgreenoveralls]

thinking always about Mario and luigi's first adventure after landing in the mushroom kingdom

[triglycercule]

can the mtt commit more crimes that just murder please i know theyre the MURDER time trio but ppppleasse,,,, please,,,,,,

they'd be terrible to be next to on the highway. horror's going 160 mph amd has long past gone over the speed limit. dust's out for BLOOD and by blood i mean your tires. he's somehow sniping those round rubber wheels from the high moving vehicle with the precision of a master fruit ninja player. if your car explodes or flips over in the process that's not his fault. and then to make matters worse for everyone on the highway killer's in the backseat scratching up the doors and windows of your car with a knife everytime horror gets close to another car and oops he accidentally just disfigured your face also did i mention theyre all drunk during this

ok so theyve all got the classic face WHY DONT THEY ABUSE IT!!!! horror gets to do a little paper mache to cover up his head hole and then wearing glasses. killer i dont know what the FUCK he can do to get rid of his perpetual tears but let's just pretend that theyre conveniently gone for now. and then all dust has to do is put down his hood! anyways identity theft is cool. imagine how much they could totally fuck up classic's reputation with this. set up fake tinder profiles and then scam people for their credit card info/free dates (while ordering every expensive thing) and stealing wallets. walking into various grillby's's around the multiverse and telling terrible jokes. like ACTUALLY bad jokes. and then of course just being a huge piece of shit at the bar. god theres so many things they could do pretending to be classic. which one of us is hikaru looking ahh except the only difference between the three is the color of the stains on their clothes (either gray (dust) black (killer) or red. well faded red (horror))

ROBBERY!!!! ROBBERIES PLURAL!!!??? train robbery gas station robbery bank robbery GOVERNMENT robbery (what would you rob the government for?? documents??? idk) anyways. mtt robbing a train except its just a really shitty plan and they dont know jackshit about what theyre doing. killer's taken over the conductor's cabin and now he is booking it. how fast are trains allowed to go idk but the maximum. anyways meanwhile horror's on the tracks fucking up the rails with his strength or whatever (listen i know he's weak but picking and choosing what hcs i believe in is my art) and dust is there to teleport him away before the train crashes into him and turns him into a trolley problem victim. and then of course that shit doesnt fucking work and the train just ends up flipping over and catching on fire or something (killer survives because of course he does he's killer). and then in the end dust just has to flip the entire train over and they just stroll into the part that actually HAS the money

and then they go out and get ice cream. sometimes the murderers need to take a break from murdering and just do NORMAL crime yk???

[resvarie]

this is my hsr oc amihan, or ami for short! she’s a space pirate and a galaxy ranger!!

[souenkun]

Judging from these panels, would it mean that there's no other yorishima exorcist that's still alive (since natori said that the yorishima family "was once" a big name, past tense) in the canon timeline, and that the yorishima we know probably ended his family's exorcism business for good by retiring himself? If so, was the reason tied to the youkai living in his left arm, or is there another cause? And when exactly did he retire— was it before or during seiji and shuuichi's high school days, which was why his left arm appeared with the thick bandages when he gave them the loquats in the anime, but he still lived in the estate during that time, or was it after the two became legal adults, which lined up somewhat with him moving into his forest home, abandoning his family estate in favor of living in isolation?

And, speaking of retirement, I wonder if we'll ever know why midorikawa told us that the takis were "famous" (which presumedly meant they were strong enough to be well-known) as occult diviners, since tooru herself only ever mentioned what their previous family business entails, and never about their status in the exorcism community? We don't really need this extra bit if she wanted to further establish how tooru has an aptitude for spell-casting, either. Again, there's another "strong" family (whose members are still alive in canon) that went into retirement, but did the taki family lost their power because the ability to see (if they were needed for diviners) disappeared for at least the last three generations (if we assumed that tooru and isamu's parents couldn't see youkai too), or was it due to another reason? How close was shinichiro (tooru and isamu's grandpa) to the matobas that even the current clan head came to pay his respects during his sixth death anniversary; was his relationship with seiji's father strictly resolved around exorcism business, or was anything else involved? Does tooru herself doesn't fully understand the prowess her family once had, hence why seiji was the one who told takashi (and us readers) about it? What would this tiny bit of lore mean for tooru with it revealed this late into the manga, when tooru herself only talked sparsely about her ancestors in previous chapters?

[lightningzbolt]

Pony St*rfucker and Soulsucker

I was feeling inspired by a post I saw reblogged earlier, along with seeing more fanart lately, so I did pony St*rfucker and Soulsucker after not knowing what to do with them for a long time. Then something just, clicked.

I couldn't figure out what outfits I wanted, well, I knew what I wanted Soul to have right away, children's earmuffs and cut off Home Depot gloves and all, but St*r was harder. I ended up choosing contrasting options of sunglasses and feather rings, as ponies don't have fingers. He also gets the collar as he's a little bitch.

[canisalbus]

I say this in the best way, but your characters feel like they're from an obscure but really good piece of media, and you feel like the artist who always draws the two main characters as ghay lovers

.