#just tagging to see if any of u can help me !!!

[mvrdermeharder]

Kaiser-goal analysis Part 3: Magnus

This is the final part of my analysis that started out with me trying to make sense of the Kaiser’s goal celebrations, and why they differ from other strikers’. I highly recommend you to read part 1 and part 2 before reading this. Or, at least checking out part 1, if you don’t have that much time

[Tagging u again @pixie05love and @fyeahkainess]

The leadup:

I had left it off with how Kaiser is utterly irrational now, emotions clouding his judgement. This has never occurred to this extreme before, even though he’s been fixating on Isagi for a while now. What I find interesting is that Ness actually comments on Kaiser’s strange and irrational play, and how it doesn’t benefit him. I think this is the first time that Ness has dared to propose an idea or tried to take control in any way.

Kaiser does not give a shit about Ness’ suggestions however: because of his miskick, his offer from real is on the line too. He is feeling it more than ever, the threat of having nothing to his name, of becoming inhuman again. So then he throws it all away, and accepts that he is a “piece of shit”. Discovers his one true ego, his one true desire: to be loved.

(I’m sorry, I’m aware this was me re-narrating the story and what everyone already knows, but it’s very important to be on the same page for the continuation)

Another small thing that I just can’t fit anywhere else: now that Kaiser is playing with cool rationality again, it’s Ness who makes emotional, and desperate plays. But Kaiser now sees that unless the conditions are met for his weapon, it is not worth risking another failure.

Symbolism for love: the moon, the ball, the goal

There is a strong visual connection between Kaiser’s confession to the moon about how he wishes to be loved, and the ball, which will help him accomplish this desire. Look at the placement of the moon and the ball: they are in the same place in their respective panels, and they are (almost) of the same size as well.

And in the panel above, it looks like the ball in motion doesn’t have any details. It resembles the moon. The thing that Kaiser reaches up to, as if it could help him accomplish his desire to be loved. It looks like the “moon” is the ball, but it is not stationary anymore, it’s moving towards the goal, helping Kaiser accomplish his wish.

The act of scoring a goal is aiming for love and receiving it. For now, it’s the only way Kaiser thinks he can be loved, as it is said out loud later in ch 279.

Celebration

There is an astronomical difference here: directly contrasting the first goal celebration, instead of Kaiser leaning down into the shadows, he is engulfed by light. This light comes from upwards, and ONLY illuminates Kaiser, the background is black otherwise -> darkness ~ night, light ~ moonlight.

He is reaching up for the moon again. Just like in his childhood, he’s reaching up for love.

And he has acquired it for now with this goal. He closes his fist here, he has gotten a grab of the moon, of the love, all thanks to this goal. He looks much more uncomposed in this pose than he ever has so far. It’s cathartic, full of satisfaction and self-fulfillment as he’d acquired his one true wish in that moment.

He’s also not looking for the other players’ reaction. Causing pain and taking pleasure in it doesn’t matter anymore, it’s not the root of his ego. He does not celebrate with sadism any longer, instead he is totally focused on himself, head tipped towards the ground, standing in a pose that is simultaneously solitary and beautiful.

And he doesn’t even face us, the readers either. Nomura and Kaneshiro are indicating that the celebration is solely for Kaiser to have: no one else can get close to observe his celebration, his expressions, and his emotions.

Vines and Ego

Another thing that solidifies how he has found his true ego are the vines. Prior to this, they had been colored white (or green or whatever) … the point is that they are now darker. They look solid, unbreakable. Before - just like his glass chain on the cover for volume 19 – the white vines appear snappable, like you could cut right through them if you tried hard enough: visually indicating his fragile ego. Now they look thornier than ever, stronger, more resistant. Like no one could break his desire to aim for love, his newfound ego.

But what I find interesting is that the black vines do not appear when he’s first changing his playstyle and throwing himself into restriction. They are still white, which clearly indicate that this new mentality is not the right one either: him perceiving himself as a piece of shit who can only live in restriction, is just as a fragile of a mentality is as the one he’d had before (his desire live on as a scar inside others). Even when he prepares to shoot the ball the vines stay white.

They only turn black AS he kicks the ball and as he remembers what he longs for the most = love. After the flashback we can literally see the vines turn gradually darker and stronger.

After his goal, he revels in “attaining a bit of love”, so the vines stay black for a while.

However, in ch 279, as Kaiser gets the foundation of his existence wrong again (“I can only live by hurting others”) the vines are white as he’s aiming to shoot. They are only dark when the ball is not in his control anymore: when it’s on its own way to the goal = on its way to fulfill Kaiser’s wish for love.

And in ch 283 they are white again… and I’ll be honest, it’s quite difficult to figure out what it could mean. Maybe that after ch 279 Kaiser is pushing himself into the wrong mentality again…? This masochistic view of himself, about how he’s a piece of shit who can never be loved and can only hurt others… how he always SHOULD yearn for love when trying to score a goal, but he can never gain love outside of football.

(At least this is how I personally interpret the inconsistent coloring of the vines…)

Also, a sidenote: as I’ve tried to analyze how the moon symbolizes stuff and how it holds so much importance regarding Kaiser’s story… plus how he wants to gain love through scoring but doesn’t view himself as someone deserving of it outside the pitch… yk what this reminded me of? MICK MOON’S STORY

Yeah…

If you follow me, you will never escape the “Kaiser might end up like Mick Moon” theory.

Interactions with Ness

So, Ness did not assist for the Magnus goal, however he is still happy for Kaiser (“at some point his dreams became mine” + kaiser’s manipulative love-bombing after the goals). So he approaches him, even though Kaiser is keeping his back to him again, instead of being affectionate.

So when Kaiser turns to him over his shoulder we can get a brief look at his eyes: and to me, they look full of pity and sadness…

After that though, he directly turns to Ness to acknowledge him but ultimately breaks things off. And this is important: Ness has a clear view of his face, of his eyes, emotions, all of that. But we readers do not. We can’t see his expressions because it doesn’t matter what Kaiser is feeling while speaking and cutting Ness off. It doesn’t matter whether his face is emotionless, sad, pitying, full of regret…

Because it doesn’t fucking matter FOR NESS. Only the outcome, the words, the results of Kaiser’s words does: that Ness is not needed anymore.

Which implies that this scene's protagonist is NOT Kaiser. It’s Ness. So, it’s fair to assume that he’s going to get a lot of development eventually, because of how this scene’s been constructed specifically around him.

And later on, we’re still seeing Ness chasing after the affection that Kaiser usually gives him as a reward, really just confirming my theory about Kaiser love-bombing him intentionally. Ness has been treated this way FOR YEARS, his only connection is Kaiser, his dreams literally depend on him… of course he isn’t just going to give up all that. Of course he still tries to stick to Kaiser, as he does not know how to play football otherwise (and how to exist otherwise…)

(I’ve always found it a bit strange that some ppl were just expecting Ness to immediately side with Isagi, get revenge on Kaiser, or to just get over him during this match… Ness had been manipulated to stay by Kaiser’s side for a looooong while, there is no way he can realistically find himself again that quickly)

Interactions with Isagi

Directly contrasting his break-up with Ness, we see Kaiser’s face more clearly than ever: it is not covered by his hair, as he’s intentionally pushing it out of the way to FULLY face Isagi, and his eyes are totally open here instead of his usual half-lidded look (I’m referring to the panel to the right).

And this scene not only contrasts with how he interacts with Ness, but it’s also a 180 when we consider his past interactions with Isagi. In my first part, I’ve mentioned how he has either kept his back to him (only turning to belittle), or how after the bicycle kick goal, he looks at Isagi from afar, not bothering to talk to him. He looks at him from underneath his fringe, as he’s trying to cover his frustrations and expressions with his hair.

But now he acknowledges, respects and understands Isagi’s strengths. After all, it is the thing that has catapulted his evolution to score the Magnus.

This respect shows in the way that he doesn’t actually touch Isagi during this new confrontation. They are finally standing eye to eye, challenging each other without trying to belittle through physical contact.

And on a larger scheme, this indicates how he’s able to face a challenge head on now: with respect for his opponents, and the will to aim higher than he is now.

. . .

Whew okay, i'm finally done.

First of all, I'm very sorry that I'm posting this so much later than I had promised. Truth is, I was kind of afraid to start writing this, bc there are already a lot of great posts analyzing this goal specifically...

But if you've read down this far, i truly love you in the least parasocial way possible. Honestly.

[utilitycaster]

#reblogging for the “see: girlfailure” tag#caus I have opinions on the insular fandom memeification of characters but I don't - as this post highlights - have the words for it#but I keep those to dms caus anytime I or a friend has challenged it in a public space it gets shot down#it reeks of my troubles with the general fear of using the word woman these days and how it's girldinner this girlmath that#also what do you call as intentional character traits vs a flopped dice roll

(via @distant--shadow)

so I agree and this is interesting to me because what always frustrated me about "girlfailure" outside the more general issue of "um, coquette/bimbo/girl dinner/uwu soft divine feminine cottagecore domesticity don't you mean u want to braid her hair is actually TRUER feminism than being the surly woman who loves math and sword fights and hates sewing" and the fact that, as you said, it mostly came from bungled dice rolls and no real intent, is that the same people who call her a girlfailure insist that Imogen is the main character. And like, she kind of is! And yet - and I've said this about Imogen and Laudna in the context of their relationship but I'm going to not include that because I actually don't think that's even relevant, it's about them as individual characters as well - people want them to simultaneously be The Main Character or at least heavily in focus and also never, ever have any agency. Like, they want "capable" to mean that everyone likes you, and not that you are a person who makes hard choices for the better.

Maybe it's because I'm playing Baby's First RPG right now, but the deal with RPGs and I think(?) especially this one, is you must make every choice and it is laden with consequences (not that I as a D&D player, or, you know, a human woman, am unfamiliar with that already) but what drives me nuts about the just a silly guy! girlfailure! she chooses to be good and therefore is good narrative for Imogen, and the "stripped of choice" (another highly repeated turn of phrase) for both her and Laudna is that it's untrue and it means nothing. For all my criticism of What Doesn't Break, Laudna makes choices. I frequently dislike them and wish they had more gravity, but she does make them. She doesn't make every choice - notably, her death and Delilah's presence are huge things that happen to her without her input - but even while barely herself she frequently brushes off Delilah. You can imagine the dialogue trees and the paths she takes, to intervene or not. She decides to renew her pact; she decides to run into the desert. Imogen decides to attack the villagers with lightning to defend Laudna. She decides to leave, she decides to keep burning their rivals in the Twilight Mirror Museum, she decides to tell her mother that she won't join her, she decides not to help assassinate her mother.

Fearne has a wonderful line when she's talking with Chetney after shardgate, in which she explains that she's terrified of making bad choices. Not of being a bad person, but of making the bad choices. And that's the thing. You cannot choose to be good. You cannot choose to be bad. At least not in any general sense. You can, however, make choices that harm people or help them. You constantly must do this. You can stray, or change the type of choices you've made, but they do accumulate to a point, eventually, where it becomes harder and harder to stray. However, the premise of D&D is very much that your character hasn't become locked in, yet. Is Imogen making choices that will be better for other people? If the world rests on her shoulders, is she making better choices for the world?

This is perhaps the core theme of this campaign, dating as far back as Downfall. Aeor made their choice - many, many choices. The gods made theirs. Ludinus kept making his, over, and over. It's particularly resonant among the women of the campaign. Obviously there's Fearne, and I've covered Imogen and Laudna, but going over to the Crown Keepers, Morrigan becomes a paladin in a few short weeks - an immense choice. Fy'ra advises others on what they are going to do. And Opal is where she is now because in one moment she put the crown on her head - and in doing so, ceded further choice in the long run. The deities of both fate and free will in this world are given considerable presence in this story, and both use female pronouns.

Maybe I'm making a mountain of a molehill, but I don't think I am. I really do think people cling to "girlfailure" and act like we're just being meanie haters who don't believe Imogen is good because she can be the central character who has power to change the world and the narrative; or she can be pure and innocent of all wrongdoing. she cannot be both. No one can. And deep down I think the "girlfailure" proponents prefer a useless innocent girl to a powerful woman who sometimes makes choices or does things that hurt other people. So I don't think that one's just harmless meme-ing, and if you want to see Imogen as an exceptionally important part of this narrative I think you have to reject the girlfailure, and anyone saying "oh it's just a joke" is either unthinkingly repeating or is pushing a story where Imogen is just a MacGuffin without agency, and neither is worth, in my opinion, listening to. Someone "stripped of choice" in real life is worth our pity and deserves our assistance but they make for a pretty terrible fantasy protagonist, and it's maddening to see a woman in the center of the story and then to be attacked if you want her to be treated like a person who, as a result of being a key protagonist, holds particular power and isn't just a girlfailure.

[meamiiikiii]

silly comic based on a time i struggled to read live on stream :thumbsup:

context clip compilation below ASDASDFASA

(cw for brief mention of hospitals/strokes)

[cherrirui-official]

I hope u guys don't mind me posting these au doodles while I work on things ahaha

I also gave JD slightly longer hair in these doodles as a funny haha but I don't think it's funny anymore he looks genuinely good with his hair like that ahahaha I hope you're not mad at me for changing his au design a bit

[luck-of-the-drawings]

"I think this is the most inhuman; and human, that I've ever felt.." MUCH CAN HAPPEN IN A YEAR. IN FIVE YEARS. A DECADE. imagine how much can happen in a century. just ONE (1). How will you grow? what phases do you find? even in 5 years, you will find patterns.

[felassan]

.

[bunnyboy-juice]

spent the first hour and change at work deleting some old files and am having a grand ol time laughing at myself for not realizing i was a lesbian sooner

[dandyshucks]

blinks tiredly. i decide "hm maybe i should try to expand my circle and step outside of it a little, lets go look at the main community tags" and im just greeted with a bunch of edgelords who think saying "fiction doesn't affect reality, don't like don't read" is peak activism and "fighting censorship". head in my hands. this is partially why i do not ever go into the community tags, my nervous system cannot handle blocking fifty weirdos every single day just so i can have a normal experience in the community tags hfdsjkl

[pizza-feverdream]

i do love me some experimenting with colors and shading techniques while also playing dress up with your oc's with funny poses and outfits you found on pinterest

(refs i used) (plus the color palette)(if the colors look different it's because when i upload my art to google photos it wildly messes them up)(and i do my best to correct them but they still may be different)

[gibbearish]

so like i want to talk more abt what suicidal means but the problem is "suicidal ideation presents in two general forms, active and passive. the thing most people think of as suicidal is the active version, where the person *actively* desires to be dead and/or is making a plan to get there. the passive form however gets almost no attention in media so many people experiencing it are unaware they are even depressed, much less passively suicidal. some examples: not wanting to experience death but feeling like you wouldn't mind if you didn't wake up tomorrow or just stopped existing; feeling deeply exhausted with just the entire concept of being alive; even feeling like you want to run away, change your name, and start a whole new life; none of these look like suicidal ideation to most people because they don't involve actively doing anything to get from point a to point b, especially the more abstract ones like the start a new life thing - but remember that in order to truly start a whole new life, you have to destroy your current one. it's not suicidal as in wanting to actually DIE die, it's just. wanting something close enough to scratch the itch. but just because you haven't booked the ticket doesn't mean you don't still revisit the 'vacation activities at point b' tab occasionally to daydream, yknow?" is i think very informative and specific, but its also quite long and run on-y so people are v likely to tap out like a third of the way through it, whereas "suicidal doesnt necessarily mean wanting to die" is way shorter and therefore catchier, but is also the kind of nonspecific phrasing that gets you a thousand angry anons about how you said all suicidal people are just pretending they actually want to die or some dumb shit. so it's a fun line to toe

[bibleofficial]

i dream of being able to go get a couples massage but instead of w the love of my life it’s w my colon & she finally gets what the FUCK has been WRONG w her WORKED out 😭🙄

[izzy-b-hands]

Putting on last year's trans rigs stream from Drawfee before i have to get ready to go out with my mum and her bf today (bc i have the worst feeling in my gut he's gonna make that An Thing for me if given the chance today, aka whenever i eventually need the restroom while we're at Mystic)

[luck-of-the-drawings]

[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]

saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.

[pinkopalina]

as a huge batjokes shipper i want batman and joker to hate each other in the sense they dont really hate each other, they just have really different goals and see their own version of potential in the other and right now hate is the best word for their situationship. they both love the other for what they could be but neither of them wants to be what the other one wants, and that's equally as frustrating as it is necessary for them to keep existing in their current roles. they're deadlocked and that fate surrounding each other is kind of the point -- we both have to be like this, the opposite of what the other wants, for us to keep existing at all, and for giving me that gift i both love and hate you. it's an agreement. i think the hate that's there now is born from an intense underlying love.

i think batman "hates" joker for being so amazing and smart and cunning, for being able to create grand gestures and schemes, to pull people together under his charisma and make them all believe in something, for being as extraordinary as he is but batman hates that he uses it to hurt people. he hates that joker can't channel his energy into doing something good for the world, that he hurts himself and others just because he wants to be batman's greatest enemy. i think batman wants to help joker but also hates him at this point for joker exhausting him, constantly getting hurt both emotionally and physically by him, joker never trying to improve his situation, throwing away other people's lives, showing batman he loves him by lashing out and hurting him. batman hates joker because he loves his rogues, he wants to help them, and he knows they can do better. he wants to live in a gotham that doesn't need batman but he still needs to be needed, because when there's no batman, what is bruce going to be? without joker, he will continue being batman, but it's an empty crusade. some of my favorite interactions between harvey and bruce are the ones where harvey thanks bruce for "always being there for me, never giving up on me, my very best friend." even with someone like harvey, bruce can still hold onto that hope for his rogues, never give up on them, keep going for them, even if it puts them through the cycle one more time.

i think joker hates batman in the most toxic way possible, but it's still love. i just think he's selfish and doesn't want batman to think about anyone else but him, the same way he operates for batman, but if he must think about other people then joker will make it as amazing as possible! i think he hates batman for wasting his time on ordinary people, people who are so boring that batman claims he has to protect and serve and love them but joker thinks it's all surface-level. batman won't kill joker but he'll leave room for people dying in his crusade. it's a choice he allows, and even if joker knows that's a morally fucked up way to put someone in a box, he doesn't care. batman is the type of person to train himself mentally and physically for decades and dress up in a half-silly-half-menacing costume so that everyone can have an idea about him. batman himself is not normal, and joker knows that and loves that! why is he wasting his time trying to save people that use him, abuse him, don't want him to be the best he can be? i think joker's motivations for loving batman and lashing out as if he hates him lie somewhere in between extreme admiration -- like i truly believe in your cause and that you're the right person to do it, but i'm so angry at you for wasting your time on other people and i'm so hurt and jealous that you choose them over me, just so you can be a hypocrite and let them die if i want them to anyways -- and anger at his hypocrisy -- like it's easy for joker to dedicate himself to chaos and just being in batman's life by putting batman in situations that force him to be a better and better hero, but how can batman sit there and choose and pick what morals he'll uphold and who gets to live and who gets to die?

i want to be your greatest enemy because you are the greatest hero ever, and the only way you and i can keep being the best at what we do is if we do it together, because of what we both believe in.

[turtle-seance]

... the other good thing about my family not following this blog is i can also uh. say things that are not terrible jokes

[princekirijo]

I've been thinking about Riku's Pokemon team again (because when am I not thinking about Riku but also I've been playing a lot of Pokemon go lmao) and like it hit me. Tyrunt is such a good pokemon for him. The royal heir pokemon.