#just so I have so original content/fanwork here

[medicasino]

Oh god this is going to be a nightmare to figure out (i'm drawing Mikan because I just really... wanted to fsr? And i do not know if i'm going to maintag it as dr since on one hand. The dr fandom terrifies the shit out of me because i have been there and it was scary . but also i dont want people who dont want to see dr content to see my dr fan? art)

[echoekhi]

I’m Declaring War Against “What If” Videos: Project Copy-Knight

What Are “What If” Videos?

These videos follow a common recipe: A narrator, given a fandom (usually anime ones like My Hero Academia and Naruto), explores an alternative timeline where something is different. Maybe the main character has extra powers, maybe a key plot point goes differently. They then go on and make up a whole new story, detailing the conflicts and romance between characters, much like an ordinary fanfic.

Except, they are fanfics. Actual fanfics, pulled off AO3, FFN and Wattpad, given a different title, with random thumbnail and background images added to them, narrated by computer text-to-speech synthesizers.

They are very easy to make: pick a fanfic, copy all the text into a text-to-speech generator, mix the resulting audio file with some generic art from the fandom as the background, give it a snappy title like “What if Deku had the Power of Ten Rings”, photoshop an attention-grabbing thumbnail, dump it onto YouTube and get thousands of views.

In fact, the process is so straightforward and requires so little effort, it’s pretty clear some of these channels have automated pipelines to pump these out en-masse. They don’t bother with asking the fic authors for permission. Sometimes they don’t even bother with putting the fic’s link in the description or crediting the author. These content-farms then monetise these videos, so they get a cut from YouTube’s ads.

In short, an industry has emerged from the systematic copyright theft of fanfiction, for profit.

Project Copy-Knight

Since the adversaries almost certainly have automated systems set up for this, the only realistic countermeasure is with another automated system. Identifying fanfics manually by listening to the videos and searching them up with tags is just too slow and impractical.

And so, I came up with a simple automated pipeline to identify the original authors of “What If” videos.

It would go download these videos, run speech recognition on it, search the text through a database full of AO3 fics, and identify which work it came from. After manual confirmation, the original authors will be notified that their works have been subject to copyright theft, and instructions provided on how to DMCA-strike the channel out of existence.

I built a prototype over the weekend, and it works surprisingly well:

On a randomly-selected YouTube channel (in this case Infinite Paradox Fanfic), the toolchain was able to identify the origin of half of the content. The raw output, after manual verification, turned out to be extremely accurate. The time taken to identify the source of a video was about 5 minutes, most of those were spent running Whisper, and the actual full-text-search query and Levenshtein analysis was less than 5 seconds.

The other videos probably came from fanfiction websites other than AO3, like fanfiction.net or Wattpad. As I do not have access to archives of those websites, I cannot identify the other ones, but they are almost certainly not original.

Armed with this fantastic proof-of-concept, I’m officially declaring war against “What If” videos. The mission statement of Project Copy-Knight will be the elimination of “What If” videos based on the theft of AO3 content on YouTube.

I Need Your Help

I am acutely aware that I cannot accomplish this on my own. There are many moving parts in this system that simply cannot be completely automated – like the selection of YouTube channels to feed into the toolchain, the manual verification step to prevent false-positives being sent to authors, the reaching-out to authors who have comments disabled, etc, etc.

So, if you are interested in helping to defend fanworks, or just want to have a chat or ask about the technical details of the toolchain, please consider joining my Discord server. I could really use your help.

------

See full blog article and acknowledgements here: https://echoekhi.com/2023/11/25/project-copy-knight/

[outsidersweek]

Outsiders Week 2024

Hi all! This blog will be dedicated to Outsiders Week, which is taking place November 3-9, 2024!

What is Outsiders Week?

A week celebrating the creators and fans of the classic book, The Outsiders by SE Hinton! To participate, you create a new, never-before-seen fanwork and post it during the week of November 3rd-9th. You must tag this blog or tag the post "outsiders week 2024". The work must contain characters or locations from The Outsiders or any of S.E. Hinton's adjacent work, including the Outsiders movie and musical. Original characters are allowed, but ideally the focus would be on existing characters.

What types of fanworks will be allowed?

Any! Fic, art, moodboards, playlists, meta, anything you can think of! I just ask that it is new or at least has not been shared publically before.

I don't have any ideas, help!

Don't worry, there's a prompt for that! Each day of the week will have a general prompt and a character assigned to it. You do not have to follow the prompts if you don't want to, they're just to get your creativity going!

Prompts can be found here.

Edit: if you are posting art, please add alt text to the image. This helps make it more accessible to people who use screen readers. If you are posting fic, you can link to AO3 or post it on tumblr, but if it's on tumblr please put it under a readmore.

Is shipping allowed?

Yes! Both shipping (romantic) works and gen (platonic) works are allowed! However, we will not be posting work containing incest ships or adult/minor ships (unless it's a canon pairing or within 1-2 years of each other. Ex: Randy/Bob where Randy is 17 and Bob is 18.). Aged-up ships is fine.

Is NSFW or mature work allowed?

No. Well, sort of. Since The Outsiders deals with "mature" topics already, the type of content found in the book is allowed, (eg, rumbles, drug use, implied sex) but not more explicit than that. The work shared for Outsiders Week should have a "PG-13" rating, so no explicit smut or graphic violence. Use the book as reference. If you have any questions about if your work will be allowed, please ask!

[svsssfanonarchive]

Exposing SVSSS Fanon: 4/∞

CHRONICALLY/TERMINALLY ILL SHEN YUAN

Rating: FANON - UNSUPPORTED

It isn't an uncommon thing for fans to headcanon their favorite characters as disabled, or queer, or otherwise having experiences that relate to the fan's own identity or promote fandom diversity. This in itself can be a very positive and affirming thing.

I will reiterate, of course, that this blog is not meant to say that anyone's headcanons are bad or invalid-- no matter what canon says, anyone can have whatever headcanon they please.

However, there is a difference between headcanon and incorrect interpretation.

The idea that Shen Yuan, prior to transmigration, was chronically or terminally ill is something that falls more heavily into the latter category. Rather than being known as a headcanon or even acknowledged as fanon, this idea is often taken as canonical fact or "default" in western fandom.

It does not stem from one person's creative interpretation of a character, but instead from an inaccurate TL note on a passage in an earlier fan translation of the novel.

In this early translation, the following passage:

不过沈清秋要求真的不高，在这边混吃等死，颐养天年，他就心满意足了。反正跟他前生过的日子也没啥差别。

was translated as:

However, Shen Qingqiu didn’t have any high requirements. He’d be content to just while away his time here and wait to die. At any rate, it wasn’t much different from his previous life. (CNoveluv/BCNovels Ch. 3)

Attached to this was the following Translator's Note:

Previous life: Bit of a subtle hint that our main character probably had a terminal illness or something that would have taken his life in time.

(many thanks to @furbygoblinxiv for quotes!)

This TL note is where the idea that Shen Yuan was canonically chronically/terminally ill originated.

However, the assumption is wholly incorrect. The phrase "混吃等死" is a saying which translates literally, to "aimlessly eating meals and waiting for death," but refers to a lack of ambition and general listlessness, or someone who just wastes their life away, not making anything of themselves.

This is in line with Shen Yuan's original description of himself:

From early on, he’d known that even if he idled the rest of his life away, he’d never want for food. Perhaps due to this carefree upbringing, devoid of either competition or pressure, he came to believe that ranking in the top ten of a competition was good enough, so long as it had more than ten people. (7S Ch. 1)

In fact, this same phrase 混吃等死 is used here in the original text, where the translation says "idled the rest of his life away."

In fanworks, Shen Yuan has sometimes been referred to as a "pretty boy waiting around to die," specifically in reference to having poor health in his previous life. This comes from another section later on in the novel:

He based this body on the appearance that he, Shen Yuan, originally had in his past life. It wasn’t as good as Shen Qingqiu’s immortal demeanor, but it could still be considered a pretty good body. The only thing was that it gave off a bit of a dispirited feeling like he was a pretty boy sitting around waiting to die. (BCNovels Ch. 44)

Yet again, this is a translation of the same phrase as before, and while not incorrect in terms of a literal translation, the true intention of the phrase does not carry over well to western audiences.

Within the novel itself, there is nothing that directly implies that Shen Yuan was terminally or chronically ill. The headcanon itself is valid as a headcanon, but not if it is taken as a canonical fact.

Of course, it cannot be entirely disproven either-- which is why this post is rated as fanon-unsupported instead of fanon-conflicting. One could argue that his cavalier attitude toward Without-A-Cure could be a result of past experience with chronic illness, or his general disconnect from his past life and body, and that would be a fair enough interpretation-- however, it could also be explained by something like depression (while I am well aware that depression is a chronic illness, the fanon of chronically ill Shen Yuan almost always is referring to specifically physical chronic illness). Either interpretation would be equally arguable, and fans should choose whichever resonates with them personally to use in their works or otherwise for themselves-- or neither, if they would prefer!

However, it should NOT be argued that chronically/terminally ill Shen Yuan is a canonically-proven fact, as it is based on an inaccurate interpretation by a translator, not on the original text itself , and it should not be spoken of as if it is any kind of erasure for Shen Yuan not to be portrayed as chronically ill.

The idea had already circulated throughout western fandom circles by the time the official English TL came out-- so it was deeply entrenched within fanon by then, and many fans likely didn't pay too much attention to the changes because of this. However, the official translation interprets the two passages listed above the following way:

Still, Shen Qingqiu was a man of few needs; he would have been satisfied just idling away to a ripe old age. In that way, it wouldn’t be that different from how his previous life had been going. (7S Ch. 1)

[Shen Yuan's appearance] just had a bit of a certain listlessness—the listlessness of a worthless pretty boy idling his life away. (7S Ch. 9)

This translation, while not word-for-word, is far more accurate in spirit, and much harder to misinterpret.

Because of misunderstandings such as this one, I highly recommend that fans who have not yet read the official translation do so, as many other such inaccuracies and misinterpretations have been clarified in this translation.

[rqbossman]

I couldn't find this answer in your blog so I hope this is okay to ask. How do you feel about artists selling fanart and merch of TMA? I saw somewhere that this show was copyrighted, but I know they're a lot of artists in this fandom who make a lot of cool art and with many different character designs. And if it is copyrighted and no one should sell anything related to tma, is there a specific design that is copyrighted, or just anything that draws inspiration from the show?

Hey so I get this question a LOT and so will give an answer here but it will be the same as previous. 1) Questions like this should be addressed to mail@rustyquill.com as they will give better answers. My socials are NOT official company anything. 2) Our Podcasts are distributed under a Creative Commons Attribution Non-Commercial Sharealike 4.0 International license which means People can duplicate, modify copies, sample it and generate fanworks on condition that: a) NO money changes hands. A lot of people interpret this to mean they can't make profit but it actually means money isn't allowed to be involved in anyway, even to cover costs. (it's just too easy to exploit loopholes if that isn't the case) b) Anything based on our work must ALSO be shared with the same licensing. c) Full credit needs to be given to the original work including links on where to find it etc. d) People do not claim we endorse their work

3) We can choose to allow certain extra stuff on a case-by-case e.g. we have granted certain permissions for charity or educational use etc. In my experience our fandom is pretty respectful (and creative!) but there are a few known bad actors who keep trying to flood online stores with copycat merch and spam duplicate Youtube and podcast content for a quick buck. To be clear though this is a personal social media channel not a business correspondence so this post is NOT an official edict or anything.

TLDR: As a gross over simplification, if the fanwork is distributed with the same licensing, with no money exchange and the original content is credited properly, it's fine. Otherwise they are open to legal consequences. As always just consume responsibly I guess and any questions on this stuff are better sent to mail@rustyquill.com

[ask-train-trio]

~.~.~𝐀𝐒𝐊 𝐓𝐇𝐄 𝐓𝐑𝐀𝐈𝐍 𝐓𝐑𝐈𝐎 ~.~.~

INTRODUCTION MASTERPOST!!!!!

(ᴛʜᴇʀᴇ ɪs ɴᴏ ᴀ��ᴅɪᴏ ɪɴ ᴛʜᴇ ᴠɪᴅᴇᴏ, ɪᴛ ᴡᴀs sᴜᴘᴘᴏsᴇᴅ ᴛᴏ ʙᴇ ᴀ ɢɪꜰ ʙᴜᴛ ᴛʜᴇ ꜰɪʟᴇ ᴡᴀs ᴛᴏᴏ ʙɪɢ ᴏᴏᴘs)

This is an askblog for @lunozapp 's Indigo Park OCs! This post contains everything you need to know about this ask blog/AU and its characters! Context, boundaries, references etc. Asks are contextualised a little differently here, so check the blog description for the tl;dr on the context.

Check out issue 1 here!

CONTEXT:

This is DappleTilez24, also known as Tilez. He's a relatively small streamer in his universe's indigo park community, and is known for tirelessly completeing run after run, trying to beat his personal records (with.... varying sucess).

One day, he tries to speedrun a build of the game that he's never seen before...

...and stumbles across 2 MORE Rambleys than usual, much to the surprise - and confusion - of the Rambley we know and love!

Naturally, our hero Tilez is pretty damn confuddled... so he (mistakenly) asks his live chat for an explaination.

This is where YOU fantastic askers come in!

You act as Tilez's live chat. This means you don't even have to answer his queries, just say whatever you want to this interdimentional triplet of trash pandas, just like a REAL insufferable livechat would!

...within reason, of course (jokes aside, please read the boundaries)

[updated as of 04/07/24] CHARACTER REFERENCES: (in the animation i forgot twimbly's GT badges lol)

CHARACTER BOUNDARIES:

I want to make it entirely clear that i see the raccoon trio as brothers, especially with their very similar origins.

This is to say that I would not feel comfortable with any of them being shipped with eachother and I forbid the public sharing of that kind of content. If you see that kind of stuff around, please just mention this to the OP and block them if they refuse to respect it.

FURTHERMORE, please keep in mind that I ( @lunozapp ) am a MINOR. SO DON'T PUBLICLY POST NSFW/FETISH ART OF MY CHARACTERS, PLEASE AND THANK YOU.

However, shipping Twimbly, Ranglore, Rambley and Tilez with other characters that aren't related to them is fine by me (e.g. any of the original indigo characters x any of them, since they're not related)!

Again, please just keep it sfw.

ASK BOUNDARIES:

Pretty basic criteria, really. Just please don't spam the same ask over and over, I will guaranteed see them all unless this thing gets an explosion of attention out of nowhere lol

if i don't answer, its probably because either the question doesn't really fit the kind of story i have in mind for these characters or i just don't feel comfortable answering it. please respect that.

If you have a question for me specifically, start your ask with '[OOC]' (Out Of Character) or just ask me directly: @lunozapp

FURTHER INFO:

Asks are moreso used here as a prompt for conversation rather than the basis of an entire issue. More often than not there will be more than 1 ask in an issue, so going forward I'll make sure to tag everyone who asks without annonymity.

Also, please TRY to keep them as actual questions and not goofy 1-word sentences, the asks help me actually formulate a coherent premise for an issue

I don't OWN the concept of making ocs based off lore.mp4 and the GT thumbnail. if u see someone doing the same, try not to be all like 'OMG TWIMBLY/RANGLORE!!!! THEY ALREADY EXIST THIS IS PLAGARISM YOU CAN'T DO THAT!!!!!11!!11' unless it is blatant plagarism. Just use ur common sense ig

In terms of fanart/other fanworks, A MILLION THANKS IF YOU FEEL CALLED TO MAKE THAT!! The stuff i've gotten so far is genuinely so awesome, make it all you want if you feel called to do so. I'll try to reblog any fanart I find on here. If you want to go straight to asks, just click on the tag '#train trio asks'

alright, that's everything. Now what are you still doing here? Throw 'em a question! Or a compliment!! Or an insult.

or don't idrc just have fun here haha

fun fact!! putting everything together for this took a WEEK

[raven-at-the-writing-desk]

One massive difference between the western vs JP TWST fandoms that I haven't seen anyone else talk about is that the Japanese fandom seems to dwell in "grimdark" territory while the western one tries to see the best in these characters. From my glimpses into the Japanese fandom, they seem to see these character's darkness as the main appeal. That's reflected in their fanworks, since yandere works or things that dive into their dark sides are more popular there. While there is plenty of yandere content in the west, it seems more like a niche than the most popular way to portray the characters in fics where as in Japan that seems to be the norm on Pixiv. The JP seem to LOVE their grim dark fan theories WAY more than the western one. The western fandom seems like the opposite. Works seeing their humanity, them being decent partners, etc is the norm. Thought?

“I can fix him” vs “I can make him worse”—

Mmm, I have many thoughts on this but before I get into them I want to clarify some things. This is so everyone reading is running with the same definitions and thus can better understand (and perhaps contribute to) the discussion.

Firstly, “grimdark” can refer to any and all materials which people may find disturbing, amoral, and/or violent. Grimdark is NOT just yandere content. Although yandere content is an example of grimdark, not all grimdark is yandere.

Secondly, I want to dispel the notion that “grimdark” and “seeing the best in the characters” are opposites. They are actually not mutually exclusive; it is entirely possible to have the two overlap. For example, it is common for assassins to be after Kalim’s life (which is dark). However, Kalim himself is very cheery despite being cognizant of this (which is not dark, he is able to see the nest of this situation and is often praised for being a spot of sunshine in the cast). There are also much darker takes while staying true to Kalim’s caring nature, such as fandom works which portray his big heart (a strength) as a detriment, causing him to fall into deep paranoia and/or guilt. For the purposes of this discussion, I will still refer back to those two original viewpoints, just be aware that they are not truly “opposites”.

Lastly, the ask is phrased such that it suggests that dark content is “the norm” in Japanese circles. In actuality, the content you see is dependent on personal biases and what the algorithms feed you based on your likes and communities. While it’s true that perhaps Japanese fandoms have more dark content than the western fandoms, that doesn’t necessarily mean it is “the norm”. It is still considered niche, it is just that the fandom culture of Japan is more open-minded about these depictions, as well as fans’ choices to filter out dark content if they do not wish to encounter it. Western fandoms are very different in this regard. Rather than ignoring content they dislike or find disturbing, western fans tend to adopt an attitude of openly renouncing that which they dislike and, at times, calling out those that do enjoy that kind of thing. It is this social stigma and pressure within western fandoms which creates a less welcoming space for dark content to exist and to be publicly shared. Rather than saying one type of content is “the norm”, I think it’s more accurate to say certain types of content are deemed as being “acceptable” or “unacceptable” depending on the fandom culture.

Now then, as to why the western fandom in particular tends to favor works that show the TWST characters in a favorable light rather than focus on their darker aspects? There are many possible explanations for this:

Cultural differences in fandom spaces. I already mentioned this in the opening paragraphs, but it warrants repeating here. Japanese fans are much more reserved in how they express themselves and tend to keep quiet relating to content they dislike or don’t care for. Western fans are more outspoken and may actively “call out” what they dislike. This is typically observed in collectivist vs individualist countries, as conformity with the group/not causing disruptions to the group harmony and standing out and being one’s own individual are opposing ideologies and values.

Japan’s culture is one that stresses the importance of politeness and being proper. The country has strict social expectations of people and especially women (which makes up the majority of TWST’s fanbase). It is only in the realm of fiction where Japanese women are able to freely express themselves and to explore subject matter deemed socially inappropriate, however dark it may be. Fandom is their creative outlet. Meanwhile in the west, it’s the opposite. Overt uniqueness is more acceptable overall, but there is also a present effort of policing online content, often in the name of social activism and inclusion. This makes sense for western countries, many of which sport much more diverse populations than Japan.

Going in with the certain expectations of the game. Many western fans mistook Twisted Wonderland for a dating sim when its marketing materials first released, maybe due to a language barrier. This set them up for the wrong expectations about romancing and potentially “fixing” a villain, even when the game finally came out (due to residual feelings; I know for a fact there are still a handful of fans who want TWST to have a dating sim spinoff or wish the game had been a dating sim from the start).

Changes made in the localization.

I’m not sure what the ratio of westerners playing EN to JP, but the official localization made several changes which “blunted” some details or changed the context of some characters’ stories. For example, Jamil is no longer a “servant” but an “employee”, Kalim is his “employer”, not “master”, and Jamil complains that his parents will be “so mad at him” when he is asked why he doesn’t rebel against the Asims whole the consequences are made much more explicit in JP (his family will be thrown out onto the streets). Cater, Floyd, and Idia have also notably gotten a lot more memey dialogue that was not there in the original. These softened versions the characters may make western fans more likely to see the a less severe backstory or have goofier interpretation of certain characters.

Popular western media’s interpretations of villains. A lot of western media nowadays tries to redeem the bad guys. For example, in many young adult and adult romance fantasy novels, the love interest is often presented as a misunderstood bad boy that has a change of heart because of the protagonist. Disney themselves is also guilty of “softening” many of their more recent villains and giving new backstories to older villains to make them more sympathetic (Maleficent, Cruella, etc). Compare this to “classic” era Disney villains, who are just evil for the sake of being evil. These will naturally inform the general public’s views on villains. (It is also to be noted that Disney villains and specifically their evilness are extremely popular in Japan. They are adored for being fun characters, not necessarily admired for being bad.)

Disney’s reputation, especially in the west. The company is closely associated with fairy tales —and, more importantly, with magic and happy endings. This, too, may contribute to western fans wanting to look on the “bright side” of things and wish for happy endings for characters that are, in fact, part of the Disney brand. The Disney message is perhaps strongest in the west due to having its origins there:

The age differences between the Japanese and the western fandoms. The western TWST fandom skews young overall whereas the Japanese TWST fandom is older (which is why a lot of TWST merch you’ll see is expensive household goods and fashion; this is to appeal to working Japanese women). As I mentioned in the previous point, this means younger audiences in the west may mostly encounter media which presents villains in a more sympathetic light, or at least much earlier (which leaves a stronger impression). This makes them more inclined to view other media in a way which is more flattering for the villains even when they are dark or morally ambiguous in canon.

Younger fans may also be not as informed and thus lack some perspective, which means they may have more limited views. A 15 year old wouldn’t have as much life experience as a 20 year old—that’s not a bad thing, it’s an objective truth that has an impact on their perspective. They may see things more simplistically or see easier solutions to complex problems. Younger fans may, for example, be able to identify circumstances as being traumatic or unfair (such as the case with Jamil’s past and Leona’s desire to introduce new technologies to his home country) but may not understand the full ramifications (ie why Jamil cannot just leave or have Kalim to speak with his dad about it, how difficult Leona’s plans would be to implement as well as the social pushback due to the harm the advances could pose to the environment). This leads to more of a lean to positive content, as dark content would inherently mean problems are much more difficult to resolve and have more factors to them than what was originally considered.

I want to also point out that younger fans are especially concerned with what their peers may think of them, and so they may feel too embarrassed to dabble in darker content. Some dark content may also not be perceived as appropriate depending on the fan’s age. Alternatively, some fans may just not feel comfortable exploring those ideas (and that’s totally fine!).

Western fans project onto/relate to the characters they love. I’m not saying that Japanese fans don’t do this, but I feel like western fans tend to do this to a VERY strong and sometimes parasocial degree (which has its roots in comfort character and kinning culture, things which largely do not exist in east Asian fandoms). Like… western fans can relate to a character so deeply that any criticism of that character can feel like a personal attack on them, the fan. Likewise, if that character is presented as having flaws or doing questionable things (even if it is canon), the fans that are strongly projecting onto the character may feel that they themselves are flawed or somehow “bad” too. This can lead into trying to defend or justify the character’s flaws or actions. Maybe a fan that has shared trauma with a character sees them as a proxy and want to see the character (and thus, themselves) in a positive way or in good situations. In eastern fandoms, it is more appropriate to consider the character a separate entity rather than relating to or projecting onto them.

The western rise in moral justification for the content one consumes. This is a big one, and it has been alluded to in some of the other points. There is this belief circulating in western fandom spaces that “the content you consume reflects your real world values and morals”. So… if you believe that (or are in a social space where it is believed) and happen to like evil or morally grey characters, what does that imply about your own character? Does that mean you are morally bankrupt or that you condone bad things? Personally, I don’t think so but I understand why this way of thinking could make people feel ashamed. They may avoid looking at “dark” interpretations of a character and instead focus on wholesome feel-good content so that the content they consume reflects “well” on themselves. In other cases, fans may try to twist the bad points of a character to make it “morally okay” to like them.

That’s everything I could come up with off the top of my head!! I hope this was interesting to read and maybe helped you see the international TWST fandom from a new perspective. With that, I’ll leave you with this relevant Wreck-It Ralph quote: “I’m bad, and that’s good. I will never be good, and that’s not bad. There’s no one I’d rather be than me.”

[otomiyaa]

nice.png

(literally how I named the image, couldn't think of something else)

Hi guys :') To my followers and tumblr friends, I'm really sorry if my sudden disappearance scared or upset you. It wasn't quite... planned. And today was a busy day and I needed some time to consider what I wanted to do.

Short version of the story:

My tumblr account got terminated for copyright infringement. A certain Mr. Green got me in unlucky trouble (ref 1, 2).

I won't get it back, or try to get it back. It's gone.

Needed a moment to consider 2 options: ask Mia to extend my dramatic farewell letter and stay gone, or make a new blog.

Not planning to post new writing here. I won't be using words like 'never' or 'forever' because I'm a known clown with things like this, but the intention is to no longer post fics. I will finish Tickletober on AO3 and then take a break from writing. So yes, I cancel the swiftscribbles event too, sorry!

When I opened my laptop, I could see my old blog in its final hour lmao (I found out about the loss on my phone). So that's what the snap is from on a fitting grave. It was fun while it lasted!

Long version of the story:

Losing my blog(s): My Tumblr account with main blog + sideblogs got terminated overnight, it was quite the surprise! I've either been reported or tracked by bots. The posts are a bunch of numbered URLs I can't open, but the message is clear: for including anime content, genshin impact or media from other sources (whether it's videos, screenshots, official art, gifs or even fanwork) you technically can get a strike. Upon googling the claimer I quickly found this first, and knew it was a lost cause. Although it feels shitty and unlucky, I am in no place to appeal. It's like when I used to make AMVs in the past, you never knew whether a song or even anime footage was going to give your YT account a copyright strike or even a ban, it was a gamble. I have lost YT accounts before, and now I lost the Tumblr one. With 7+ years of tickle trash content and a bunch of sideblogs. But oh well, moving on!

Starting a new blog: It was a serious consideration whether this was my ultimate chance to do what I've always said I wanted to do eventually - quit my blog. My first thought was to ask Mia to share my explanation and literal goodbye with you guys, and stick to my chaos of a Twitter account to indulge in fandom stuff. But then I thought of how happy Tumblr made me, even without the fic writing, but just.. reblogging things, getting random asks, shouting about life and of course, about tickles. I decided to make a new blog after all, but also decided the following:

The 7K+ milestone swiftscribbles event is cancelled, for which I apologize! The follower milestone, together with the motivation to write the fics, and even the asks with the requests I got, all died with my former blog.

I will see how long I can survive without posting a new fic or drabble. A loose headcanon or two might fly around sometime. And if necessary, a link to a new fic on AO3.

Tickletober? Hell yes I'll finish it, I would cringe in bed for 49 days at least if I would stop. I just won't post the fics here, but on AO3.

Reposting/reblogging my old works? Undecided at the moment but I'm tired and lazy. I don't feel too upset since most of my fics are still on AO3 at least and not completely gone.

Anyways, I'll see what happens and how long I can enjoy this nerfed version of blogging.

Surprisingly I'm not upset about losing my other blog, there were a lot of memories but it was also very cringe. I'm gonna be just as cringe here, but at least I feel cleansed.

For those who choose to follow me again, thank you, but please know that there won't be much original content coming from me, for now!:)

[holybasementdweller]

wanted to add my two cents because shipping discourse is just all over recently. Forgive me rambling a bit here. I have a lot of thoughts on this topic and would like to get them out there in some form.

Stop harassing CC's about their boundaries.

Would you go up to a random person whom you've never met before in your life, who has never met you either, and likely has no idea who you are, purely to ask them if you can draw/write/ship them with one of their co-workers?

No! It's a wildly uncomfortable question to a lot of people, it puts them on the spot, and some CC's may not care as long as they never see it. Now that the concept has been shoved in their face, they're forced to view the idea.

I feel like a large part of the issue is the divide between younger, newer fandom members and older, traditional ones. Primarily the concept that fan content is not intended for CCs, but for fans specifically. Most 'traditional' and older fandom participants follow this view because that's what fandom is. You get to make cool things, and ramble about different head cannons and ideas with your friends and maybe find other fans who become your friends along the way. Maybe you want to throw these characters you really like into this elaborate superhero AU, or draw them in costume, or explore relationship dynamics because it's fun and you get to ramble with fellow fans. It's called a fandom for a reason!

I'd like to clarify here that this post is not meant to target anyone in particular; it's going off a general trend I've noticed.

There's been an influx of people who create fan works or fanart that seems to be aimed more to gain clout or to be noticed by CCs. It's something they wanted to make, but is leaving the realm of "by fans, for fans," in a sense that it seems to have lost more of that "for fans." The work is then shoved at the CC more aggressively than if it was just for friends.

There's a reason that spaces like AO3 and Tumblr exist with such large fan communities- because the communities are meant for fans. It's all well and good when CC's decide to take a peek or participate in said fan spaces of their own volition. They're the ones making the choice to engage. It's NOT all well and good when someone, as a fan, is trying to make that choice FOR them by shoving fanworks at the CC begging for clarification on what is okay with them. You're not going to help anyone in that way. Fan spaces exist separately from the CC spaces for a reason. The CC is a person behind the screen who you don't know. The character or role they play in the series you watch? You might know just about everything there is to know about them!

If a CC has laid out a boundary that they aren't comfortable with X Y Z, then there's a really, really simple solution here. Don't show it to them.

Don't put it in main tags, don't tag them in the post, hell, block the CC so you know they won't be able to view something that makes them uncomfortable.

There's a lot of what comes across as almost puritanical virtue signaling I've seen lately, where people are talking about CC boundaries everywhere and trying to police fanwork. I will again refer you to the point above. The fanwork is not made for the CC. It is made for fans, and if it is something the CC isn't comfortable with, then don't go posting it where they might regularly look at things (such as main fanart/fanwork tags.)

Yes, there are CCs who are over here. Yes, they look through fan works. This app is primarily a fan-oriented space and it has tags that CC's (or anyone else!!) can block to avoid things they are uncomfortable with. Though at this point the few that are over here either were already gay dot com natives or have basically become one.

I may have gone a bit off my original topic but TL;DR:

KEEP FAN WORKS TO FAN SPACES, AND STOP HARASSING THE CC'S PLEASE. LET THEM EXIST IN PEACE.

[blackbird-brewster]

Meta: Jemily Queerbaiting

With the huge influx of posts saying 'Jemily is gonna be canon', I really appreciated seeing this post because OP was completely correct. I didn't want to write an entire dissertation as a reply, so I'm making my own post with my personal opinion on this. (All sources are noted in footnotes)

Before I began this rant, for anyone who thinks this is anti-Jemily. It is not. I have shipped Jemily for 18 friggin years and that's never going to change. This post is specifically my thoughts about queer baiting.

First off, I need to note that the showrunners (and the cast members who use social media) KNOW what a huge queer following this show has and that's why we got pansexual Tara Lewis in S16 [1]. Which, in itself, was SOOOOOOO important!!! Our first canonically queer main in SIXTEEN seasons was a middle-aged Black woman!!! That's phenomenal. (The fact it was horrible rep, because they instantly ruined her relationships once her queerness served it's plot point is a whole other post entirely)

In my opinion, the 'big Jemily moment' Paget posted about on Twitter [2] (and AJ hinted at during a recent IG live) is simply queerbaiting to get people to watch S17. I know a lot of you are newer to the fandom and I love your enthusiasm, I really do, ship and let ship, but listen, let's be real, Jemily is not going to be made canon. The showrunners aren't going to suddenly say (after 17 seasons) 'Surprise, Jemily is endgame'. This show has never cared about queer rep and now that CBS/Paramount have already ticked their queer rep box with Tara, they won't be in any rush to add any other characters to it.

Please buckle in, I've got a lot of thoughts on this matter --

What is Queerbaiting?

If you aren't aware of what queerbaiting is, here's a good definition:

Historically, queerbaiting has carried two meanings: the first is an act of aggressive heterosexuality to shut down queer subtext on screen while still teasing and catering to the queer audience in advertising, public relations, and fan engagement strategies; the second is an existing homoerotic tension between two characters played up on screen while met with derision by the professionals behind the scenes. [3]

The Medium article quoted here is from 2017, a time when parasocial relationships were really starting to take over social media. In 2024, actors are now only a mention or tag away online, they have direct conversations with fans, and this process has allowed for an even deeper form of queerbaiting.

Oftentimes online, actors are asked directly about certain ships and while some ignore these questions (usually to avoid breaking their contracts or other repercussions), others (looking at you, Paget) choose to instead tease fans about queer ships. She's done this for years upon years and if I've learned anything in the past twenty-years of existing in fandom spaces it's this -- don't hold your breath. In it's original meaning, for something to be deemed as queerbaiting there had to be malicious, or at least, purposeful intent to string queer fans along by teasing them with suggestive content about the ship in question, while knowing this ship will never come to fruition in canon.

The thing to remember is, Paget and AJ aren't the only ones who know about Jemily shippers -- the network and showrunners are well aware of this ship too. When networks/showrunners figure out they have a strong sapphic fanbase, they love to use that to their advantage to get more viewers and higher ratings. Queerbaiting is a goldmine to keep fans watching long running shows, look at Rizzoli and Isles, Supergirl, and OUAT for examples of this.

Jemily and Queerbaiting:

Ever since Emily joined the BAU in S2 (2006), there have always been fans who ship JJ/Emily (shoutout to the old LJ forums!). Way before celebs were just a tweet away from fans, back when all our fics began with disclaimers so we wouldn't get sued by networks, we went to great lengths to keep our fanworks far removed from actors/showrunners attention.

As far as Jemily goes, this reply from Paget in a 2009 interview with TVGuide.com [4] (which has now been deleted from their site unfortunately, but there are quotes on Tumblr still [4.a]) confirmed some fans' worst fear -- the actors had found our fanworks online.

TVGuide.com: Of course, a band of fans want her to hook up with Hotch.

Brewster: I know! I didn't realize that fans make these videos on YouTube? A.J. Cook sent me a hilarious one that made it look like Prentiss and J.J. were having a secret lesbian affair. You know, when Hotch was blown up in the SUV, we shot this scene where he's in the hospital and I'm standing next to him, looking at his bleeding ear. Our director came in and said, "Paget, you're looking at Hotch like you're in love with him. It looks really weird." So now, every day, Thomas [Gibson] and I flutter our eyelids at each other.

This was the first time I recall anyone acknowledging Jemily shippers publicly and at the time (Jan 2009), the show was still in Season Four (just before CBS fired both AJ and Paget [5]). Paget genuinely said it's 'hilarious' that fans shipped JJ/Emily. Even now, I'll see people say 'We know Paget and AJ have seen Jemily fanvids, so they obviously ship it too' -- but those same people rarely acknowledge the full context of the original answer. Paget not only thought JJ/Emily were 'hilarious', but then she doubled down and turned her reply back to how she and Thomas liked to play up the chemistry between Emily/Hotch.

While no one can say for sure which video it was that AJ sent Paget, just knowing they were watching JJ/Emily fanvids sent a bit of a shockwave through the femslash side of the fandom. To some it felt like an invasion of privacy, fanworks are by fans for fans -- knowing the cast were poking around in fandom spaces added an extra layer of worry around what we fans were posting online. Fifteen years ago, it used to be quite taboo for actors to outwardly discuss shipping or other fanon for whatever show they were in, and we fans were usually comfortably removed from the actors altogether.

Of course, now it's the norm for fans and actors/showrunners to co-exist online and interact with one another. This connection has opened new ways for shows to queerbait their fans. Pretty much every show has some form of social media account now and there is no doubt that the people running those accounts keep up with the most popular ships and hashtags. Not to mention that actors are constantly barraged with questions about whether they ship their character with x,y,z, or whether they think a ship should be made canon, etc. These interactions only serve to benefit the shows themselves, because whether the conversation is for or against a certain ship, it's all just free publicity (Why do you think CM now has a TikTok account?)

Every time AJ or Paget say anything about Jemily, the queer side of the fandom loses their minds. But this has been going on for YEARS now and every single time, it turns out to be nothing but social media hype and queerbaiting. Remember this AJ post? [6] Or what about the notorious reply by Paget to a fan, where she talks about how she and AJ held hands under the table 'for the shippers' [7] I've seen this cycle over and over again, so perhaps I am cynical, but I'm not getting my hopes up that Jemily will ever seriously be canon.

It's widely known now, after both Kirsten [8] and Paget [9] have talked about it, that there was an early idea where Prentiss was supposed to be queer, but that was ultimately scraped before it ever made it on screen. For context, please remember, this show has been airing for nearly twenty years. It began in 2005, during the highly conservative Bush administration. Queer people didn't have rights in the US, we couldn't get married, we were rarely protected under discrimination laws, and we could even be fired for simply being queer (in some states). Diverse queer representation on screen was extremely limited to things like 'The L Word' and 'Queer as Folk' (both aired on Showtime, so they were behind a paywall. And as far as tLw goes, that show was extremely male-gaze focused and is horrible in nearly all regards if you try to rewatch it now). As far as prime time shows went, queer rep was even more rare. Which is why Emily wasn't queer from the get-go.

Yes, things have changed since 2006 in terms of queer rep on TV. We have a myriad of queer identities represented in TV and film nowadays, which is why I think it's so easy for newer fans to say 'lf she was supposed to be gay anyway, they should just make Emily queer in canon!' I know this is what fuels most fans' demands for Emily being confirmed queer, and I get it, I DO. I would be all for it! However, I do not, in one hundred years, actually believe that is going to happen after they already canonically queer confirmed Tara in S16. The fact we even got ONE queer character is ground-breaking for this show.

It's also worth noting, that in the time between Paget's departure in 2012 and her return in 2016, she became very active on Twitter. This was when more and more fans began asking her about Jemily and after Kirsten's AfterEllen interview, fans also pushed for Paget to address the possibility of Emily being gay. 'Pushed' is actually an understatement for some of the outright harassment she would receive. (AJ received some of this harassment too, but less so because she doesn't use social media ass often) Back then, neither of them replied to these things directly. Yet, no matter what either woman posted, the replies were full of Jemily stans begging for her acknowledgement. (Did you know 'stan' is literally a term coined for stalker fans?) I remember one time AJ's friend was missing and she posted info on her IG about it, you know what the replies were? People asking her about Jemily. It was genuinely sickening.

Within this context, it was no surprise to fans when Emily came back in S12 , she and JJ's friendship was seemingly erased. The two women were rarely on screen together in the late seasons, plus the writers saw fit to even give Emily not only one (Mark in London, but two, on-screen boyfriends for the first time in the entire series. I personally do not think these changes to Emily's character were coincidence, I saw the hellscape of what people would say to AJ and Paget online and I fully believe that upon Paget's return to the show, the showrunners purposely tried to distance JJ and Emily to dissuade the more abusive side of the fanbase.

Can I prove that, no. But it is the only reason I can think of as to why Emily S12+ seemingly didn't care about JJ anymore, despite their deep and meaningful friendship. I mean, they both CROSSED THE WORLD to go rescue each other in prior canon -- but when Emily comes back, they acted like they barely knew each other. This was even more prevalent in S16, when JJ's main storylines all revolved around Will, and Emily barely looked at JJ in the entirety of ten episodes. (Remember how Prentiss didn't even hug JJ after bomb, but she did go hug Luke?)

So, do Paget and AJ earnestly ship Jemily, or are they continuing the long tradition of queerbaiting us? Who fucking knows, not me. But based on the history of this fandom, I think I can make a safe bet. (Interestingly, if you search all of Paget's twitter for the word 'Jemily' [10] she only has 3 direct tweets mentioning the ship. I don't think it's a coincidence that two are within the past few months since they started filming S17 (the other one was a RT of Kirsten (who tagged something Jemily)

This is all to say --

Just because Paget and AJ have publicly talked about Jemily,, this doesn't mean it's ever going to happen on screen. And you know what, THAT'S OKAY!! There has been this constant outcry (after Tara became queer confirmed) of 'Do Emily next' or 'Why wasn't it Emily with a girlfriend!?' and 'Jemily needs to be canon in S17!' -- as if people believe their ships aren't worth anything unless they are canon.

That couldn't be further from the truth! Fandom is built on headcanons and fan interpretations and rare pairs and all types of shippers. Your ship does NOT need to be canon for you to enjoy it. I will ship Jemily forever, no matter what. I don't think there will be some magical queer plot in S17, at best, we might actually get to see Emily/JJ on screen together again and after the train wreck that was S16 -- I'll take whatever I can get.

And hey -- if I am completely wrong, if Erica Messer pulls a Korrasami out of her hat, I will be ecstatic. I will be happy to be proved wrong, but at the same time, I'm not going to lose sleep over it and I'm DEFINITELY not going to go hound the actors about it on social media.

Sources:

[1] 2022 Digital Spy article about the importance of Tara's coming out

[2] 04/18/24 Paget Tweet

[3] 2017 Queerbaiting article from medium.com

[4] 2009 Broken TVGuide link

[4.a] Tumblr quote from the above TVGuide Interview

[5] 2010 Kirsten interview screenrant.com

[6] 2019 AJ Instagram Post

[7] 2020 Paget video on Twitter (via @karasluthqr)

[8] 2015 Kirsten interview AfterEllen.com

[9] 2016 Paget Interview CriminalMindsFans.com

[10] @PagetPaget search 'Jemily'

[bakuhatsufallinlove]

Hello, I hope I can ask you this. I was exploring the Jp side of YouTube and watching review and discussion videos on MHA. I found a couple of popular videos on the potential future relationships of all the characters, and as expected, they were all the default m/f pairs. But the comments took me by surprise. Most of them were about “greentea,” obviously, but I could also see comments on very odd pairs like Eri and Deku, Mahoro and Bakugo, and even Eri and Mirio quite frequently! (Even typing it out is making me cringe)😭😭😭 However, I also saw a couple of comments on Bakugo and Deku, but very few, probably 1 out of 100. I’m really curious about how bkdk is perceived by the general Japanese audience, is it even taken seriously? Maybe I just couldn’t find any review videos that even considered them as a pair, but the ones I saw were kinda popular too; they had plenty of views. So yeah, I’d love to know your thoughts on this, again I hope this is ok to ask🥹

Also I just discovered you and I love all your content!😭 I’ve exhausted them haha, thank you so much for your work! Lots of love! 🩷🩷🩷

First off, I want to mention that I have a hitherto unspoken rule to not comment on ships other than bkdk. I know you are asking about bkdk specifically, but the framework of the question brings other things into the discussion, so I want to say this clearly to discourage follow-up questions from others which may be angled toward different ships or ship discourse in general. Bkdk is what I’m here for, so bkdk is what I’m going to talk about.

In regards to your actual question, I’m gonna answer by giving you some information about how fandom works in Japan.

Bkdk is the most popular mha ship in Japan in terms of fanworks, by a wide margin.

Japanese fandom is, compared to English-speaking fandom, heavily centered on fanart. Japan has frequent doujinshi (independently published comic) events where dozens or even hundreds of artists come to distribute their work, and many of these have been going on for decades. It is not hyperbole to say that some kind of doujinshi event, showcasing brand new work, is going on in at least one major city in Japan every single month, and these events are attended by hundreds and sometimes thousands of people. Sometimes there are two or more events in a single month.

To be clear, doujinshi are not only fanworks, which is why I specified “independently published comic.” Lots of doujin are original works, and many now well-known mangaka got their start, gained connections, and built their early fanbase through participating in doujin circles (collaborative groups of artists who create work under the same independent label). My point is that visual art and comics are so huge in Japan it is hard to overstate their prominence in the culture as a whole, let alone fandom culture.

So, fanart and doujin are huge, and among fans who make fanart/doujin, bkdk is wildly popular.

The thing you have to ask yourself is, does fanwork represent general readership? Drawing fanart is the most common way to show your love for a series in Japan, but that definitely doesn’t mean every reader is drawing fanart. In my opinion, fanfic is prominent in USA-centered fandom, but obviously only a fraction of the people who enjoy a series are going to write fanfic for it.

I don’t think we can really quantify the opinions of general readership this way. I mean, when you scroll through the comment section of the same kind of clickbaity, hot-topic videos about anime/manga that English-speaking audiences watch, do you feel like those comments accurately reflects what most people think? I know I don’t. There is always going to be a selection bias, because “people who comment on youtube videos” also only represent a fraction of “people who read mha.”

Japanese fandom is significantly more segmented and considerate of differing tastes than English-speaking fandom.

Japanese fandom is pretty strict with its rules of engagement. Personal privacy and respect for others are very important factors. Artists don’t want to be recognized at their day-job for their R18 doujin. Shippers don’t want their comments or cutesy fanart to be algorithmically-fed to users who have no interest in it. This is seen as polite and correct; it is respectful of the fact that people have different tastes, and not everyone will share yours.

See, Japanese fandom recognizes that the internet constitutes public view.

So fan language is coded: words are spelled slightly differently; characters, events, or ships get unique euphemistic nicknames; words or names are replaced with emojis. All of this is to prevent their stuff from being seen by someone just casually searching “Bakugou.”

You have to be in the know to know how to find stuff. You have to actively search for like-minded fans and curate your space, expanding your circle typically through word of mouth. And you have to abide by the rules, or else everyone is going to think you’re an overbearing jerk and not wanna be around you.

If you are just using google translate on social media posts or videos visibly labeled under the series title, you aren’t going to find much in regards to active shipping. Frankly, you aren’t going to see the whole scope of Japanese bkdk fan activity in any one place using any one method. This is how Japanese fandom is designed, and people work pretty hard to keep it that way.

Japanese fandom does not generally engage from the perspective that their desires will be validated by canon.

This is one of the biggest differences. In English-speaking fandom, you see people argue left and right about what’s going to be canon, who’s the endgame ship, and so on. People are very preoccupied by the idea that their ship has to be “validated,” and this validation comes from the notion that canon will reflect their personal preferences and fulfill their hopes for how the story will go.

This is just not the atmosphere in the vast majority of Japanese fan spaces. Remember how I said that jpn fandom recognizes that people have different tastes? This means people also tend to think that it is rather arrogant and demanding to think that your wishes are the only ones that should come true. It is also disrespectful of the mangaka’s artistic vision and hard-work to expect them to disregard their own desires to satisfy you personally.

So, when you ask, “are bkdk even taken seriously?” the question is built upon the idea that people who enjoy the series expect an outcome catered to their tastes.

As you said, most of the comments were for heterosexual pairings, which are the most obvious to predict considering the endings of other popular series published in Weekly Shonen Jump. Furthermore, Yashahime—sequel anime to shounen manga Inuyasha—confirmed that a character roughly ten years of age later grew up and had children with a (slowly-aging but adult) supernatural being who served as her caretaker and protector.

Maybe the video commenters were reflecting personal interest in those ships, or maybe they were just spit-balling off stuff they'd seen before. I can tell you I haven't really seen fanart for any of that, but I don't go looking for it, and m/f ship spaces will be separate from m/m ship spaces.

Still, it is important to remember that audience expectation is not directly correlated to outcome. When the online Shonen Jump+ manga Blue Flag was first published, the vast majority of readers did not expect that one of the characters in the love triangle would be gay. Hell, they expected it so little that the reveal went viral!

Audience expectation may be interesting to think about, but it is not a prediction method.

To sum it up:

Bkdk is extremely popular, but jpn fandom is very private and structured differently than English-speaking fandom.

Any metric of measurement for reader opinion will have its flaws, and audience expectation is not a foolproof way to gauge real outcome.

Personally, I think we should all take a cue from jpn fandom and just have fun.

I hope that answers your question and gives you some context, anon. Thank you for the kind comments on my work, I really appreciate it. <3

[godbirdart]

You don’t have to answer this question as it’s probably dumb to ask…but do you know what platform(s) would be a good starting point? Particularly for original content rather then fanart? I heard deviantart is a good place where alot of ppl got there start on but there’s lots of art thrives and such.

don't even worry, it's not dumb at all! it's hard to gauge where to Begin in the vast hellscape that is the online world. i do get this question [and some adjacent questions] often so please allow me to use your ask as an excuse to post a few of my site rankings for various art things!!

for reference, these are the sites I'll be addressing because i have used them at some point within the last year. please note: my information on Cohost and Itaku specifically may be out of date as I haven't used them in a long while. naturally, this is all solely my perspective. i run both a furry/original content account and an anime/fanart account on most of these sites and run them reasonably independently from one another. these rankings are based on how well each account fares on each site.

I will be talking about Patreon and Ko-Fi as if people will only be posting paywalled content there. you Can publicly post on both sites, but for the sake of this post i'm only going to treat them as paywalled sites since well, that's kind of their purpose.

POSTING ART IN GENERAL

the A-tier list sites here are the ones that are most practical, with a decent member presence and little to no algorithms impairing your reach. the only sites here with any sort of algorithm are tumblr and deviantart, but i feel they don't ruin your reach that much.

B-tier list is mostly centered around popularity. there are massive audiences on both masto and twitter. twitter can be really good if you're posting certain content. mastodon has countless instances [read: servers / subdomains, however you want to call them] that can help narrow down an audience and like-minded people. for example, i use mastodon.art whereas many furries may use meow.social. you Can be discovered by people on other servers than yours.

C-tier has been sorted in accordance to audience. this is solely in my experience, but not a lot of new people are flocking to cohost and itaku. we also just hate facebook in this house and i will never give a facebook products a high rating.

F-tier: if you are a new or growing artist, putting your art behind a paywall or making it a chat platform exclusive thing can really hinder your growth. you can still do this of course, but you won't get as many eyes on your work as you would on a public gallery. threads is there solely due to privacy issues that Cannot be overlooked. i will not recommend it.

POSTING ORIGINAL CONTENT / CHARACTERS / NON-FANWORKS

here's how i'd grade these sites for posting Original content, characters, stories, etc. your best sites will likely be furaffinity, deviantart, and tumblr. i've put these three here for their tag use, discoverability, and audience presence. tumblr can be a little glitchy with its tags, but they DO function.

A-tier is entirely centered around audience presence. these sites are great for showing off your work, but they don't have the same population as the S-tier. mastodon can be good as the quieter instances give you more discoverability. bluesky has been THRIVING when it comes to the furry community as of late [i'm personally on there daily] - the only reason i don't put it as S-tier is because it's invite-only AND you need to rely on your work being found through the Feeds feature if you aren't an already established artist.

B-tier: useful, but population may hinder your growth. toyhouse is GREAT for posting your original characters and stories, but it is invite-only and not necessarily gallery-focused [it can be USED for a gallery, but it's not the main purpose]. you can also post stories and lore to toyhouse. discord and telegram are Good, but again it can be hard to gain an audience through sites that require invites.

C-tier: it is DIFFICULT to grow on paywalled sites with original content. cohost [to my knowledge] has been stagnating with the release of bluesky.

F-tier: threads sucks, the end.

POSTING FANWORK, FANFIC, FANDOM CONTENT IN GENERAL

S-tier here is sorted because of audience presence. while twitter does suck, i'm finding a LOT of success there with fanart. tumblr is The fandom site of course. furaffinity is great for a surprising range of fanart that isn't exclusive to furry, and deviantart's Groups feature is still going strong which can give you that extra exposure.

A-tier is: fans Go here, but the population or algorithm can make things tricky. instagram is good for fanwork but the algorithm and the speed that things are posted there can make discoverability an uphill battle. patreon; if you make comics or art with fan characters [especially 18+ content lmao] you can grow pretty rapidly there. patreon, like any other paywalled site, should be a secondary site and not your Primary posting location. artfol and pillowfort are still growing. pillowfort has a Communities feature - sort of like deviantart groups - that you can submit your art to which gives you that extra exposure. artfol is just a nice gallery site and the tagging system is,, decent enough. a little confusing because the tag system looks up keywords in posts and titles First, you have to tab over to hashtag searching specifically.

B-tier: invite only and audience reach. again, bluesky relies on your art to be picked up in Feeds, as there's currently no tag search. inkblot is growing but has a decent audience. ko-fi isn't as known as patreon for exclusive content but it's still a good site. mastodon has tagging that makes discoverability easier, but mastodon and its many servers can make things confusing for some people. itaku's not as commonly used so it may be harder to gain new eyes there once you establish yourself.

C-tier: posting fanart to these sites Can Work. toyhouse focuses on posting and sorting original characters, so treating it as a gallery site won't get your far fast. it isn't impossible to grow as an artist there, but the site isn't intended for fanart posting. i cannot say much on cohost here. telegram and discord, again, it's harder for people to discover you out of the blue unless you mention your server / channel on another site.

F-tier: fuck threads.

lastly, to address thieves,

thieves are gonna be everywhere. i'm sorry to say, but there will always be shitty people. i recommend the following:

watermark your art. not in the corner, don't just sign in one spot, place a Huge translucent watermark over the WHOLE art. i recommend making it a colour gradient too instead of one solid colour or greyscale.

also: sign your goddamned art! put your username on there!

post a low resolution when sharing online. less than 1200px wide or tall. 72dpi. JPEG format. keep the high res privately for yourself.

add a subtle noise filter over your art. it doesn't have to be high opacity, and it'll make your art a little grainy, but it's good for fucking with AI bots and ruining any print quality potential.

i hope this offers some insight! if you have a different experience on these sites, please feel free to add your testimonial in the replies or reblogs! not every artist is going to have the same experience and growth rate.

[mcspirkevents]

The McSpirk Events Gift Exchange is now live!

This exchange will be a bit different from others!

In fact this gift exchange is about Response and Remix works.

What is a response?

Response works that are a fanwork created that were inspired by someone else's creation. (Kind of like how big bangs have art inspired by the fic, and reverse big bangs have fics inspired by art made).

What's a remix?

Remixes which are re-envisoned versions of someone else's fanwork. (As an example maybe you wrote/drew an alternate ending to an episode. Well as a gift to you someone would read that fic and then write, draw, or edit their own ending to that episode.)

Does it have to be Mcspirk?

Nope! While this is a Mcspirk blog, I wanted to host an event that would help everyone in the fandom celebrate each other's amazing talents and skills! So you can request, and share works for any star trek ship, or even non-ship material.

Where will it be hosted?

On Ao3! Just click here.

What are the rules?

Your gift has to meet these minimum requirements:

500 words for fics.

10 songs for playlists

30 seconds for a video edit

A sketch for fanart

A graphic edit

A GIF

2. If you are under 18 do not request an NSFW gift, and do not link any NSFW content you may have made.

3. Do NOT reveal who your making a gift. This is a surprise until reveals happen on August 22nd.

4. Turn in your gift by August 10th!

Are Treats allowed?

Of course! If you want treats please include in your request description that treats are okay.

For those who are unaware, treats are bonus gifts. You are not required to make any treats but you can if you want too.

So how does this work? (Step by step instructions with images to help are below the cut.)

Step 1 - Go to the event page on Ao3 here. (The collection was mistitled. I changed it to Mcspirk Gift Exchange 2024.)

Step 2 - Click Sign Up

Step 3 - You begin filling in your request. Please fill in the follow categories to best summarize the fanwork you want a gift made of. You can make up to 10 requests.

For fandom you'll want to put whatever fandom your piece is of. You'll do the same for characters and relationships.

For additional tags please put what types of gifts you'd like to receive as well as if you want a Response gift, a Remix gift, or you can select both to receive either or.

Please put the ratings that match your original source material and any warnings that apply.

Below is an example of one of my pieces, and how I would link it in the description of a request.

Step 4 - Fill in an offer! Please be sure to list all the ships & characters you'd be willing to make gifts for PLUS what kind of gifts you want to make.

This process works exactly like the requests side of things only instead you'll be putting in all the ships/shows/ratings you'd be willing to create for + what you'll make!

Instead of the description box being used for links to works, you can instead use it for extra information. (Stuff that myself as a mod will consider in case I have to switch any matches around.)

Here is the full schedule:

Sign-ups begin: May 22nd Sign-ups end: May 30th Matches are sent out: May 31st Assignments are due: August 10th Assignments are revealed: August 18th Creators are revealed: August 22nd

[runaeveena]

ao3 is not a fucking library database it's not an actual fucking archive it just has archive in the fucking name and all it has is fanfiction (and other related fanworks, and also very rarely original fiction) holy shit can you guys stop comparing your shitty fanfics to actual important pieces of literature.

Hi! As a masters student in library and archival studies I was introduced to ao3 in my first semester as the, and i quote, "the classification goal of all library systems". It's one of the most advanced databases for digital information searching, a word you would more commonly recognize as "library".

Your statement about it only having fanfiction is very wrong since a lot of art is placed in ao3, I mean the tags are right here for you to look at, I pulled them up in 2 minutes.

I'm curious as to why you claim it's not an archive. For the class, here's the definition of archive from wikipedia in the first sentence: An archive is an accumulation of historical records or materials – in any medium – or the physical facility in which they are located. I'm sitting in an actual physical archive right now at one of the top universities of California. The only difference between this one, the Internet Archive, or ao3, is the content they hold. It is true that there's no literature so to speak, but we don't think there is. There isn't any "literature" on my desk right now, actually. I'm sitting next to a pile of scrap paper from 1825 that held the ramblings of the Governor of Mexico. Why would the archive have this if it isn't literature!? Because someone thought it was important. That's why we archive it.

That's all an archive is. It's just writing that we care about. Even if it is the cringiest, most obscene, self insert production, it's art. Do you not consider fanwork or fan made content to be worth keeping? You prefer you all write our stories in our head and burn our diaries later so we can be miserable on the internet like you? Art like fanfiction has not harmed you in any way and never will affect you, except you are choosing to be mad over it. I want you to ask yourself why.

[eeveearoace-creative]

a speech about goncharov i made for my public speaking class!

note: this is not exactly what will be spoken for my class, as i am not reading my speech word-for-word. however, this is an outline of the speech i will be presenting, and i thought y'all might be interested in seeing it.

Introduction:

The purpose of my speech is to inform my audience of the fake movie “Goncharov” and how it has impacted me. My goal is to inform my audience of how the fake movie “Goncharov” came to be and of the value it has. 

By a quick show of hands, how many of you have seen or heard of Goncharov before? [Quick pause as I wait for no hands – or almost no hands – to go up.] Alright. So, Goncharov was a 1973 mafia movie supported by Martin Scorsese, and has been widely regarded as the greatest mafia movie of all time. It’s about the Russian mafia in Naples, Italy, and follows a variety of characters such as Goncharov himself, Katya, who is Goncharov’s wife, Audrei “The Banker” Daddano, and my personal favorite, Joseph “Ice Pick Joe” Morelli, with actors such as Robert De Niro, Cybill Shepherd, Harvey Keitel, and Lynda Carter. So, why have you never heard of this movie before? Well, everything I just told you? It’s all a lie. It’s all made up. Goncharov? Yeah. It never actually existed. 

I remember being part of the Goncharov fandom as it first blew up on Tumblr in late 2022. It was a great source of joy for me and made a significant impact on Tumblr’s culture. I am going to show my audience how Goncharov came to be, the creativity is spawned, and briefly reflect on how the website it originated on was vital for its growth. 

So, what is Goncharov, and what is going on here?

Origins:

Goncharov was a fake movie created by Tumblr in late 2022. 

Sometime prior to August 22nd, 2020, Tumblr user ZootyCoon posted a photograph of knockoff boots they had bought that advertised a non-existent movie, Goncharov, on them, claiming that Goncharov was “the greatest mafia movie of all time.” In response, on August 22nd, 2020, another Tumblr user, AbandonedAmbition, commented “This idiot hasn’t seen Goncharov”, which was then added to the post itself by Tumblr user LoserMo. 

While ZootyCoon’s original post did receive some attention, it wasn’t until November 18th, 2022 that Goncharov truly hit it off as a cultural phenomenon, thanks to Tumblr user Beelzeebub, who posted a fan-made poster for Goncharov, receiving almost 20,000 likes and over 15,000 reblogs in three days. 

Fandom:

As it turns out, you don't actually need a piece of media to be real in order for a fandom to form around it.

Countless fanworks were created for Goncharov, including fanart, fanfiction, music, scene analysis and analysis of motifs, gif sets, memes, and so much more. As mentioned in a YouTube video by YouTuber ColeyDoesThings, there was even a time where Goncharov had more fanfiction on a popular fanfiction website than James Cameran’s Avatar, the highest grossing movie of all time. 

So much lore was being created for Goncharov in such a short amount of time that efforts had to be made to record it all. Multiple individuals attempted to create a “master copy” of Goncharov’s lore, including what is now a 48-page Google doc that includes a plot summary, brief descriptions of various scenes, and links and sources to various contributors. 

But Goncharov could not be contained just to Tumblr. Various media outlets, such as The New York Times, The Guardian, Forbes, and The Washington Post all posted articles about Goncharov, an internet phenomenon. 

Tumblr:

But, why? Why this fake movie, and why on Tumblr of all places? 

As a social media site, Tumblr has an incredibly weird culture. There are no public follower counts, no verification for users, and a whole array of weird social rules. But one thing that really makes Tumblr special is the interaction between large and small blogs alike. Because anyone can and is encouraged to create their own content and add to others’ content, something like Goncharov could very quickly become a “yes, and” game among Tumblr’s users. 

Tumblr is also very much a “fandom” site. Fanart, fanfiction, and other fanworks dominate the website, and Goncharov in its heyday was no exception. Interactions between fans and fan creators is what really causes fandoms to grow and survive, so it makes sense that Goncharov thrived the way it did considering how easy it was to find fellow fans. With no pressure to reveal your “true” self, there’s a lot less pressure when you share what you’ve created. 

Conclusion:

So, what can we learn here?

The fake movie “Goncharov” was unintentionally created by a tag on a pair of off-brand boots but didn’t truly become popular until Beelzebub’s poster. Fandom quickly grew around it, creating countless fanworks, but Tumblr’s unique culture as a social media site is what truly allowed it to thrive. 

There is joy and creativity in unusual places. Whether or not you believe Goncharov to be a waste of time, the popularity of a fake movie says something about the human fascination with stories. Thank you. 

[tenyearsoftrash]

Ten Years of HTP: A Celebration

Hi all, I (@eatingcroutons) set up this blog with all sorts of intentions about preparation and promotion and then Life Things Happened, but I'm still hoping to go forward with the idea of encouraging some nostalgia and memory-sharing about the last ten years of the HYDRA Trash Party.

The aim here is to be more of a celebration of community rather than your typical prompt fest - if you're looking for prompts for fanworks you might want to check out the @catws-anniversary that has just kicked off and will run until the 4th of April, or of course refer back to the Trash Meme itself!

So for this blog's purposes, feel free to post informal thoughts and musings and ramblings, and to comment on each other's memories - this is all about our shared history and nostalgia, and the idea is for it to be an open dialogue and celebration of community. A few points on logistics:

Anonymous asks and submission are open on this blog if you'd prefer not to participate under a named account. We all know how hostile certain corners of fandom have become to darkfic and adjacent content.

For all the themes below self-recs are also very welcome, if you want a chance to show off something you made years ago that hasn't gotten much attention in a while!

Go ahead and tag this blog at @tenyearsoftrash for a reblog of anything you post about the below themes!

All that said, here are some suggested themes and ideas to get you thinking and reminiscing:

April 4: Rewatch CA:TWS!

Take yourself right back to where it all began! With too many people across too many timezones we're not going to even try to organise a massive synchronised groupwatch, but maybe you could get a few of your old-school HTP buddies together to do a smaller one? In any case: fire up the movie, relive all the feels, and share any HTP-related thoughts that come (back) to mind after all these years!

April 5: Fanwork Recs

Go back and dig up some links to your favourite HTP fanworks - whether big or small, well-known or niche, what are the works that have really rewritten your brain chemistry, and stuck with you all this time? What was it about them that hit just the right spot? Feel free to share your thoughts on Tumblr - and to go back and drop a nostalgic comment on anything on AO3 😉

April 7: Meta Recs

Over the years there's been a lot of meta associated with HTP, from discussions of what CA:TWS and HYDRA represent in a broader social context, to endless back-and-forth about darkfic's place in fandom. Are there any posts that really made you think, or that remain relevant even now? Is there anything that came out of those meta discussions that has turned out to be particularly prescient, in hindsight?

April 8: HTP Fanon

What are your favourite bits of shared or personal fanon around HTP and its related concepts? Are there any Original Characters you're particularly fond of? Any particular tropes regarding characters or events that you will never get tired or bored of? Any ideas that might seem cracky on the surface but which you are totally into regardless?

April 8: Other Media/Fandoms

We've all had those moments where we've come across something in a new canon and immediately been like, "Oh, this is delicious trash bait," right? What other media has had a "Bucky Barnes Obediently Accepts The Bite Block" moment for you? What other characters might your fellow HTP friends enjoy as interesting targets for Trash Party Shenanigans? In what fandoms have you found yourself running into an awful lot of familiar HTP faces?

April 9: WIP Amnesty

Do you have any HTP fanworks that you never finished, or never got around to starting, for whatever reason? Now's your excuse to talk about them! Feel free to ramble about what your plans would have been, lament why they're never going to happen, or share some of those great ideas you never quite had time to plot out. Or, if you're feeling particularly inspired, go back and actually finish something off!

April 10: HTP Community Memories

To finish off the week let's talk about the community itself! What have been the good times, the interesting times, any times that have been personally significant to you, for any reason? What things have you experienced or shared or understood with or through or because of the HTP community? What new friends have you made over the years, and what old friends do you miss?

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Apologies again for taking some time to getting around to making this post, but hopefully people will still be interested in doing some reminiscing!