#just so I have so original content/fanwork here

[medicasino]

Oh god this is going to be a nightmare to figure out (i'm drawing Mikan because I just really... wanted to fsr? And i do not know if i'm going to maintag it as dr since on one hand. The dr fandom terrifies the shit out of me because i have been there and it was scary . but also i dont want people who dont want to see dr content to see my dr fan? art)

[echoekhi]

I’m Declaring War Against “What If” Videos: Project Copy-Knight

What Are “What If” Videos?

These videos follow a common recipe: A narrator, given a fandom (usually anime ones like My Hero Academia and Naruto), explores an alternative timeline where something is different. Maybe the main character has extra powers, maybe a key plot point goes differently. They then go on and make up a whole new story, detailing the conflicts and romance between characters, much like an ordinary fanfic.

Except, they are fanfics. Actual fanfics, pulled off AO3, FFN and Wattpad, given a different title, with random thumbnail and background images added to them, narrated by computer text-to-speech synthesizers.

They are very easy to make: pick a fanfic, copy all the text into a text-to-speech generator, mix the resulting audio file with some generic art from the fandom as the background, give it a snappy title like “What if Deku had the Power of Ten Rings”, photoshop an attention-grabbing thumbnail, dump it onto YouTube and get thousands of views.

In fact, the process is so straightforward and requires so little effort, it’s pretty clear some of these channels have automated pipelines to pump these out en-masse. They don’t bother with asking the fic authors for permission. Sometimes they don’t even bother with putting the fic’s link in the description or crediting the author. These content-farms then monetise these videos, so they get a cut from YouTube’s ads.

In short, an industry has emerged from the systematic copyright theft of fanfiction, for profit.

Project Copy-Knight

Since the adversaries almost certainly have automated systems set up for this, the only realistic countermeasure is with another automated system. Identifying fanfics manually by listening to the videos and searching them up with tags is just too slow and impractical.

And so, I came up with a simple automated pipeline to identify the original authors of “What If” videos.

It would go download these videos, run speech recognition on it, search the text through a database full of AO3 fics, and identify which work it came from. After manual confirmation, the original authors will be notified that their works have been subject to copyright theft, and instructions provided on how to DMCA-strike the channel out of existence.

I built a prototype over the weekend, and it works surprisingly well:

On a randomly-selected YouTube channel (in this case Infinite Paradox Fanfic), the toolchain was able to identify the origin of half of the content. The raw output, after manual verification, turned out to be extremely accurate. The time taken to identify the source of a video was about 5 minutes, most of those were spent running Whisper, and the actual full-text-search query and Levenshtein analysis was less than 5 seconds.

The other videos probably came from fanfiction websites other than AO3, like fanfiction.net or Wattpad. As I do not have access to archives of those websites, I cannot identify the other ones, but they are almost certainly not original.

Armed with this fantastic proof-of-concept, I’m officially declaring war against “What If” videos. The mission statement of Project Copy-Knight will be the elimination of “What If” videos based on the theft of AO3 content on YouTube.

I Need Your Help

I am acutely aware that I cannot accomplish this on my own. There are many moving parts in this system that simply cannot be completely automated – like the selection of YouTube channels to feed into the toolchain, the manual verification step to prevent false-positives being sent to authors, the reaching-out to authors who have comments disabled, etc, etc.

So, if you are interested in helping to defend fanworks, or just want to have a chat or ask about the technical details of the toolchain, please consider joining my Discord server. I could really use your help.

------

See full blog article and acknowledgements here: https://echoekhi.com/2023/11/25/project-copy-knight/

[ekingston]

Hello! So sorry to bother, but have you had any updates on the Word-Stream/Speechify situation?

Just one: like I posted on Xitter and Bluesky last night, as of yesterday afternoon, the links to individual works as they were listed on WordStream are gone from both Google and Bing. Hurray, right? Surely we’re all sick of this whole debacle and there’s far more important things to worry about. If all is well that ends well, surely there’s no need to still be angry.

Well, I am. Here’s why:

When I checked on Wednesday, the links to my own work on WordStream were still listed. So rather than it taking a week after Cliff Weitzman first hid the fanwork from view, it took a little over a week from the moment he first promised privately that they would be deleted. Which, fine. Perhaps Cliff didn’t really know what he was talking about when he gave that timeframe. Or maybe he told a little white lie to create the impression that he always intended to do the right thing. It seems more likely to me, though, that Cliff still believed—even after the backlash he received—that he would get away with honoring only individual takedown requests. Or worse, that he needed just a little bit more time with the stolen material to figure out an alternative way to profit off it—preferably without us noticing, this time.

But who knows? I certainly don’t! All we can do is speculate, because publicly, Cliff Weitzman has remained completely silent on his copyright infringements. All we got was the initial justifications he and his sockpuppet accounts used in comments on the original Reddit and Tumblr posts. After those were so understandably ill-received, Cliff only ever communicated with a few individual authors who contacted him directly and repeatedly, blocking people who addressed the issue on Twitter and quietly distancing himself from WordStream by deleting a blog he’d posted to Speechify.com dated December 20th—where Cliff promoted WordStream’s platform specifically to fanfiction readers. (See my enormous timeline post for details and screenshots of said posts before they were taken down.)

And this is why I’m still angry: As long as Cliff Weitzman faces no real consequences for his actions, he won’t see a need to own up to his mistake; and as long as he’s able to delay taking responsibility, this isn’t over. This didn’t end well.

After all, wasn’t this the next-best scenario for Cliff, second only to him turning WordStream into a (for him) effortless, infinite money-making machine? He took something we provided for free and fed it to AI so he could more easily put it behind a paywall; we found out and protested; Cliff quietly erased all evidence of his crime; and we went—almost equally quietly—away.

I want to make sure you know that I continue to be genuinely amazed and intensely grateful for how quickly the news about WordStream’s copyright infringement was shared—and continues to be shared—throughout fandom, on tumblr in particular. If it hadn’t been for our collective outcry here and on Reddit, WordStream would very likely still be up in its original form, and Weitzman would be reaping the benefits (those subscription prices were steep) today.

But it’s been frustrating to see that, with the exception of mentions in articles on Substack and Fansplaining (the latter of which is a particularly awesome and thorough read on fandom’s decontextualization) and a Fanlore listing, our outrage never really spilled out beyond the safely insulated, out-of-the-way spaces that are tumblr, a handful of subreddits and bluesky. And I believe that—unfortunately—we are collectively responsible for that part, as well.

Most of us seemed content to only spread the word by circulating the same two posts on tumblr. (Have we all given up completely on every other social media platform? Am I the only remaining straggler?) And soon after Cliff Weitzman hid WordStream’s fanfiction category from view, our interest in the issue took a sharp dive even there. Are we genuinely deceived into believing the issue has been fully resolved? Do we truly fail to realize that Weitzman’s refusal to admit that what he did was wrong left the door wide open for the next greed-driven tech bro to wander through? Or is the true naivety in thinking that, as a community, we can keep this kind of attack on fandom from happening again? Has our disillusionment already gotten that bad?

However the situation spins out from here, Cliff’s actions will set a precedent. If we fail to show Cliff and his ilk that attempts to profit off fandom’s unpaid labor have consequences, their tech companies will keep trying until something eventually sticks. They might be a little smarter about it next time; obscure their sources a bit better, maybe leave the titles and the authors’ names off. Or maybe they’ll go a bolder route: maybe next time they cross the line they’ll do it boldly enough for IP holders to take notice and stop tolerating fanwork entirely.

Doesn’t that make you angry, too?

There’s this whole other mess of thoughts I would love to be able to untangle about how commercial influence is contributing to the steady erosion of fandom’s foundations, but I’m tired, and other people have said it all much more eloquently than I ever could. Seriously, go read that article on Fansplaining. Or listen to the podcast version of it. Better yet, as long as you’re wearing your noise-canceling headphones, go listen to a podfic of one of your favorite fandoms’ works, and enjoy the collaborative joy and creativity of the people who Cliff Weitzman refuses to believe exist. (In one of Speechify’s other blogs, Cliff claims there are only 272 podfics on AO3. Would you like to run that ChatGPT prompt again, Cliff?). Honestly, much like Cliff Weitzman’s infuriating denial of the fact that fandom fucking has this covered, thank you very much, there’s so. Many. More. Things for us to talk about. There’s the connotations of WordStream’s dubious ‘upload’ button, for instance, or the fact that the app scraped (and in some cases, allegedly, still lists) copyright-protected original fiction as well, or WordStream’s complete lack of contact information, which is illegal for an internationally operating app. And oh! Has anyone reported more thoroughly on Cliff’s app’s options to ‘simplify’ or ‘modernize’ uploaded works, or—my own very favorite abomination—to translate them into something Cliff calls ‘Gen-Z Language’? Much like his atrocious AI book covers, it would be hilarious, if it didn’t make steam come out of my ears.

Anyway, there it is. I highly recommend you do all of that. And then, if you aren’t familiar with it already, go do some research re: fair use and your rights as the copyright owner of your works. A good number of people commenting on this controversy expressed stunned surprise or fearful hesitation about claiming any sort of ownership of their fanfiction. The more informed we are about our rights, the more willing we will be to defend them.

Please don’t stop writing or sharing your work. If you can’t bring yourself to work on your WIPs today (trust me, I get it), post about this situation instead. Tweets, skeets, whateverthefucks—about WordStream’s theft, about how this reflects on Speechify’s already shady business practices, about how Cliff’s actions and justifications have personally affected you. You’re welcome to share or copy my posts on these platforms, but since Cliff already blocked me, I very much prefer you post your own. If you do, call Cliff Weitzman by his full name and tag or include both WordStream and Speechify to ensure Weitzman will recognize he has both a personal as well as a professional stake in handling the situation with integrity. Leave your concerns in reviews on the Speechify app. (We weren’t provided with a more appropriate place to put them, after all!) Consider calling for a Speechify boycott until Cliff accepts accountability for his actions.

Do avoid making exaggerated claims, and don’t call for physical retaliation against Cliff’s person or his property. We don’t want to give him or Speechify even the weakest of grounds to claim defamation or threats of violence. Focus on the facts: they’re incriminating enough by themselves. Show Cliff that we’re determined to keep bringing up his company’s wrongdoings in public spaces until he demonstrates that he understands why taking these freely shared fanworks and monetizing them was wrong, and takes steps to ensure it won’t happen again.

One last thing—and this is really more of a general reminder—please stop suggesting I handle this situation for you. People have come to me asking for action items. The resulting flashbacks to my days as an office assistant were extremely upsetting. In all seriousness, casting me as some sort of coordinator or driving force behind this backlash actively hurts the cause. Not only does it downplay fandom’s collective efforts, it also makes our message extremely vulnerable. It would be all too easy for Cliff to silence one singular source. Wikipedia will not maintain mentions of this controversy as long as it leads only to Easter Kingston’s attempt to summarize what happened as it was happening. You only know my name because I stumbled upon WordStream’s theft and decided to get my friends involved. I am not more knowledgeable, more skilled or more angrily invested in this issue than you are (or can, or should, be). I draw pictures and I write stories and I worry about the shift I’m seeing in fandom after having been on this ride for even a few pre-livejournal rounds.

I’m not going to stop doing any of those things. But I am going to allow myself to step away for a bit, make my wife dinner, and catch up on our shows.

I trust you’ve got it from here.

[cr-aspec-fest]

CR Aspec Fest - Info & FAQs!

The Critical Role Aspec Fest is a month-long fanwork fest (with a prompt for each week) celebrating aromantic-spectrum and asexual-spectrum experiences!

Schedule and Prompts

WEEK 1 (Feb 1st-7th): Aro-spec

WEEK 2 (Feb 8th-14th): Ace-spec

WEEK 3 (Feb 15th-21st): Unconventional relationships

WEEK 4 (Feb 22nd-28th): Free week! Whatever your heart desires.

FAQs

(if something isn't answered here, please feel free to send an ask or message!)

Can I make something about a character being demisexual or demiromantic or (insert other label)? Can I make something about a character who's straight?

Absolutely - please do! Aspec is a very broad umbrella term, and this event is all about celebrating a variety of experiences that aren't well-represented in media. If it feels right to you, go for it. I'm not going to exclude any works from the fest just because they aren't relatable to me.

What types of fanworks can I make for the fest?

Anything! Be that fanfiction, fanart, meta, gifsets, edits etc. - everything is welcome! If you're writing fanfiction, you're encouraged to post to the AO3 collection here.

Which Critical Role characters can I make fanworks about?

Do I have to make a fanwork for every week to take part?

Nope! The more the merrier, but we're doing this for fun, not to stress!

Anyone in anything they've streamed - so the main campaigns, EXUs, Candela Obscura, Daggerheart or other oneshots!

Do I need to be aspec to join?

Definitely not, as long as you're coming in with the mindset of being respectful of our experiences. For one, I'm aromantic but not ace-spec - so making works about ace-spec experiences is naturally going to be more difficult for me, but entirely doable with a little bit of research! I think it's a great way to learn about others.

Why February? Why a whole month?

Yes, there are plenty of aspec weeks hosted in other fandoms, which are great and the inspiration for this event! But personally, I am both slow and busy, so making just one thing per week is much more achievable for me. I chose February because Aromantic Awareness Week is the week after Valentine's day, and this fest was originally going to take place during that time. I'm also unaware of any other fandom events happening in February (although please let me know otherwise, just for my own interest!). The fact that February splits so nicely into 4 whole weeks is an added bonus!

Edit: There is another CR fandom event this month - @vexlethuary!

Would you like people to share around the existence of this fest?

(Okay, maybe this one's a bit of a cheat.) Yes please! Even if you don't plan on taking part, getting eyes on the existence of this event would be wonderful. This is the first fandom event I've ever hosted, and I don't have a huge platform among fic writers, who are likely the largest contingent of nerds (lovingly) who'd be interested in taking part in an event like this.

Other Rules

Please don't bash any ships or headcanons you don't like! Part of the fun of fandom is seeing the broad range of possible interpretations, and I'd always rather foster a sense of community rather than opposition.

Suggestive, NSFW and whump content is fully allowed, but must be tagged correctly for whatever platform you're posting on. When reblogging suggestive or NSFW content, I'll use the tag #CRAspecFestNSFW, so filter that if you'd like.

Fanworks should be focused on aspec experiences or characters, but other topics or characters can totally be included, and these experiences don't have to be super clear or well-labelled in-text (gods know that real-life experiences are often opaque and confusing) - it's your intention that matters. This is up to your discretion, really. As with the rule of thumb for AO3 tagging - if someone was viewing this for aspec content, would they be disappointed? If so, you can always rework it, or post it outside of this fest.

Please consider adding alt text to any images you post - here's a useful guide if you're not sure what to write.

This account will be reblogging every fanwork made for the fest - just remember to tag us, and use the #CRAspecFest tag! If you don't have a tumblr account and want a post about your work to be included, send a message.

There'll be more posts on this account with ideas for how to approach the prompts, plus reminders at the start of each week, tagged #CRAspecFestPosts. All submission reblogs will be tagged #CRAspecFestWorks (and #CRAspecFestNSFW if applicable).

[outsidersweek]

Outsiders Week 2024

Hi all! This blog will be dedicated to Outsiders Week, which is taking place November 3-9, 2024!

What is Outsiders Week?

A week celebrating the creators and fans of the classic book, The Outsiders by SE Hinton! To participate, you create a new, never-before-seen fanwork and post it during the week of November 3rd-9th. You must tag this blog or tag the post "outsiders week 2024". The work must contain characters or locations from The Outsiders or any of S.E. Hinton's adjacent work, including the Outsiders movie and musical. Original characters are allowed, but ideally the focus would be on existing characters.

What types of fanworks will be allowed?

Any! Fic, art, moodboards, playlists, meta, anything you can think of! I just ask that it is new or at least has not been shared publically before.

I don't have any ideas, help!

Don't worry, there's a prompt for that! Each day of the week will have a general prompt and a character assigned to it. You do not have to follow the prompts if you don't want to, they're just to get your creativity going!

Prompts can be found here.

Edit: if you are posting art, please add alt text to the image. This helps make it more accessible to people who use screen readers. If you are posting fic, you can link to AO3 or post it on tumblr, but if it's on tumblr please put it under a readmore.

Is shipping allowed?

Yes! Both shipping (romantic) works and gen (platonic) works are allowed! However, we will not be posting work containing incest ships or adult/minor ships (unless it's a canon pairing or within 1-2 years of each other. Ex: Randy/Bob where Randy is 17 and Bob is 18.). Aged-up ships is fine.

Is NSFW or mature work allowed?

No. Well, sort of. Since The Outsiders deals with "mature" topics already, the type of content found in the book is allowed, (eg, rumbles, drug use, implied sex) but not more explicit than that. The work shared for Outsiders Week should have a "PG-13" rating, so no explicit smut or graphic violence. Use the book as reference. If you have any questions about if your work will be allowed, please ask!

[dervampireprince]

ASMR | Castlevania - Alucard x Listener SFW Comforting Alucard After A Nightmare

[M4A] [Set soon after the finale of Castlevania Season 4 (there are no Nocturne spoilers here)] [Established romantic relationship] [Reverse nightmare comfort] [TW mentions of death, murder, very brief mention of Alucard's sexual assault that happens in season 3, death of parents and grieving]

Didn't realise season 2 of Nocturne was releasing so soon and I wasn't sure if I'd get around to watching it, saw one picture of Olrox, and whoops watched the entire season in one evening. This audio was requested before season 2 came out and was scheduled for later but I brought it forwards since hopefully there will be some want for Alucard right now. I got too inot this one and how much I need Vlad and Lisa to have told Adrian that they're still alive that while pretending to cry in this audio I actually started crying oops. It's a shame the Castlevania shows aren't more popular. I always see such a lack of fanworks compared to other shows like Arcane. I know there is more horror and violence in Castlevania than Arcane, but Castlevania and Nocturne are such wonderful shows, well-written, beautifully animated, and nice representation on top of all of that.

A non-spoilery thing that got me with season 2 is how often Mizrak was allowed to cry, not just a little welling of tears in his eyes, this big stereotypically macho masculine man was allowed to just sob over and over, in front of other men, and he was never shamed for it, never embarrassed by doing it. And that shouldn't be so groundbreaking to me in 2024, but sadly I think there still isn't enough of male characters being allowed to show intense emotions that aren't anger. I've also loved in the Castlevania shows how gay/queer relationships are normalised. Striga and Morana, Alucard being bisexual, Olrox and Mizrak... there's never any homophobia thrown at them by other characters. Mizrak might have internalise-homophobia, but his inner conflict seems to more be because Olrox is a vampire not that he's a man. And I don't care whether that's historically accurate, I personally like seeing historical and fantasy settings where they just decide homophobia/transphobia don't exist. I don't think that's erasure, I think it can be an enjoyable fantasy for queer people to enjoy a period drama where queer people can exist in the open with the understanding that this is a fantasy piece and not a historical documentary. I don't know, maybe that's just me who loves historical settings who would love to see and read stories about gay and trans characters being able to be out in the 1800s and what that would look like, what a 1700s binder could have looked like, what 1920s advertisements for shaving razors aimed at trans fems could have looked like, things like that. I don't know, maybe that's just me, I just think it's fun to think about. Sorry that this ramble ended up in an audio description.

Anyway I'm glad I got an Alucard request, I love him very much. And I love his Nocturne design. I've seen some complain about it but they frankly sound like borderline transphobia when they're complaining that he 'looks to feminine'. I think he looks beautiful, and it's definitely giving the same aesthetics as Ayami Kojima's original illustrations and concept for Castlevania where frankly most of the men she draws look more androgynous than typically 'masculine'.

.

Old public spicy audios on sound gasm (link in pinned post). 2 Exclusive spicy audios on Patreon every month. I also stream on Twitch every week @ dervampireprince . [minors + ageless blogs dni. this blog is for 18+ only.] [do not repost/reupload/edit any of my content]

[rqbossman]

I couldn't find this answer in your blog so I hope this is okay to ask. How do you feel about artists selling fanart and merch of TMA? I saw somewhere that this show was copyrighted, but I know they're a lot of artists in this fandom who make a lot of cool art and with many different character designs. And if it is copyrighted and no one should sell anything related to tma, is there a specific design that is copyrighted, or just anything that draws inspiration from the show?

Hey so I get this question a LOT and so will give an answer here but it will be the same as previous. 1) Questions like this should be addressed to mail@rustyquill.com as they will give better answers. My socials are NOT official company anything. 2) Our Podcasts are distributed under a Creative Commons Attribution Non-Commercial Sharealike 4.0 International license which means People can duplicate, modify copies, sample it and generate fanworks on condition that: a) NO money changes hands. A lot of people interpret this to mean they can't make profit but it actually means money isn't allowed to be involved in anyway, even to cover costs. (it's just too easy to exploit loopholes if that isn't the case) b) Anything based on our work must ALSO be shared with the same licensing. c) Full credit needs to be given to the original work including links on where to find it etc. d) People do not claim we endorse their work

3) We can choose to allow certain extra stuff on a case-by-case e.g. we have granted certain permissions for charity or educational use etc. In my experience our fandom is pretty respectful (and creative!) but there are a few known bad actors who keep trying to flood online stores with copycat merch and spam duplicate Youtube and podcast content for a quick buck. To be clear though this is a personal social media channel not a business correspondence so this post is NOT an official edict or anything.

TLDR: As a gross over simplification, if the fanwork is distributed with the same licensing, with no money exchange and the original content is credited properly, it's fine. Otherwise they are open to legal consequences. As always just consume responsibly I guess and any questions on this stuff are better sent to mail@rustyquill.com

[wipbigbang]

2025 International Fanworks Day Mini Bang Schedule & FAQ

Schedule

All times are by 11:59pm PST. Convert time zones.

Writing Begins- January 1st Earliest Posting Of Fic To Platform Of Your Choice- February 1st Regular Posting Of Fic To Platform Of Your Choice- February 7t Bragging Rights Posting Starts- February 15th Bragging Rights Posting Endss- February 22nd

FAQ

What is the WIP Big Bang International Fanworks Day Mini Bang? Good question! This is a Mini Bang with one goal in mind: to clean out your fanfic drafts folder for the fics that were too short to be completed during the main Big Bang (ie, finished works are 7.5K words and under).

Do I need a Livejournal/Dreamwidth/AO3/etc. account to participate? No! You don’t have to have an account on anything to participate, though you will need to have somewhere to post your finished work. Having one or more accounts will help for you to follow what is going on with the bang (we crosspost to Dreamwidth and Tumblr and heavily use our Discord server at the moment), but they are not required to participate. You can always leave comments anonymously or with an opensource ID.

How many fics can I write? We absolutely don’t mind multiple fics! There are no sign-ups for this, as it’s an informal Mini Bang, so as long as it stays under he max word count, you can finish as many fics as you want between January 1st and February 15th.

Will I get emails about the bang? We do not send out any emails for the Mini Bang, as we currently do not keep an updated email list of participants, so we only send individual emails as needed rather than mass emails.

However, email is the fastest way to communicate with the mods. If you have any questions, please do email us! We will do our best to respond quickly.

What do you mean by maximum word count? You don’t have to have a set minimum of your fic to start, so an outlined fic is fine, but it must be under 7,500 words when it’s finished.

Are multi-chapter fics allowed? Yes, multi-chapter fics are allowed, as long as they stay under the maximum word count.

What about fics that are already posted on ao3 in part? Do those qualify for the bang? It's okay if you have posted some of your fic already (you never know when the muse deserts you, after all), we just require you to refrain from posting more until posting begins here. All we ask is that you not post any public updates to the fic until February 7th (a week before posting your bragging rights to Dreamwidth and/or Tumblr starts). We don’t want you to lose kudos and comments so don’t worry about pulling the fic down, just hold off on updates for now.

I see that the fic maximum is 7500 words and that published WIPs are acceptable - but what if the WIP I’m considering is already more than 7500 words? If your WIP is already over 7,500 words it is ineligble for the Mini Bang. Hoever, you can submit it for the regualr WIPBB.

What happens if an author finishes the fic they signed up with but it’s more than 7,500 words? Do they have to drop out at that point? By all means, we want your stories to feel as natural as possible, and if it’s over 7,500 words when you finish it, that’s great because you finished the fic! But you can’t submit it for the International Fanworks Day WIPBB Mini Bang because it’s over the maximum word count. But be proud of yourself for finishing the fic!

Is there anything not allowed? As long as you wrote it and you want to finish it, you're welcome to participate. Original fiction is fine. RPS/RPF is fine. Incest pairings are fine. Things like that I know have been hinted at in questions asked and as long as you tag for them, we’ll allow it. Also, canon settings with mostly OCs is allowed. We just ask that it be tagged properly with any content warnings you would deem fit and be given the appropriate rating for the level of sex/violence there is in the fic.

What's the etiquette around OC-centric stories? Ones that are set in a well known fandom and use several characters, but still lean a lot on original characters? Are they discouraged, or fine? As there is no art claims for this Mini Bang, having mostly OC-centric stories is more than fine.

What is, and do I need, a beta? A beta is basically a person who goes over your work to make sure that there are no spelling/grammatical errors and they can even be of assistance in helping you with story lines, etc. It is highly recommended that a beta looks over your work before posting. If you are having trouble finding a beta, try the Discord community.

Where can I post my fic/art? Stories and art can be posted to your own personal journal, Tumblr, ff-net, AO3, or wherever you like. For those of you with AO3 accounts, we will set up a collection that will go live on the first day of the posting. If you don’t currently have an AO3 account but would like one, you can contact the mods for an invitation code to see if they have any available. You can also add yourself to the AO3 Invites Request queue.

What does posting look like? Do we have to post the whole thing on the day, or can we stretch it out between when posting starts and our date? I’ve had a few longfics get killed by big bangs forcing posting to happen on a given day, and would prefer to avoid that if possible. For most fics, posting to AO3/FF.net/other places will be allowed to start on February 7th and you can stretch it out as many posts as you want as long as the complete fic is up by the posting dates (February 15th to Febrary 22nd). However, if you need to post earlier you can start posting February 1st. we want to work with writers to give them ample time to post the story up to their posting date.

Now, as for posting to the communities, you can post at any time between February 15th and February 22nd, without picking a posting date. You’ll post bragging rights similar to those used during the full length WIPBB to Tumblr and/or Dreamwidth with a link to your fic an your bragging, if you choose to include that portion.

How come there aren’t 'art claims'? The quick turnaround in time and the length of time set to write doesn’t leave a lot of time for artists to make art, so the only art allowed to be posted during this event is unfinished art from the 2024 round that has been finished.

Can I get an extension? Community extensions may be given in the event that the majority of the authors/artists need one. They may also be given individually under certain circumstances, but this must be discussed with the mods and will only be a short extension for posting.

Can I swap out a fic if my muse abandons it again? Since you’re not signing up with specific works, you are more than free to swap fics out with other ones.

Can I drop out? Absolutely! This is a lo pressure event so since you aren’t signing up to finish any particuar fic, you can drop out of the event without telling the mods as well.

Are we allowed to participate without joining the Discord? Absolutely! The Discord server is optional, as just another way to interact with your fellow writers and get updates on important dates. It’s not mandatory you join, however.

I was just wondering if there’s any way to enter the bang anonymously? Like would it be okay to put our work in an anonymous collection on ao3 or something? Unfortunately, I can’t think of a way for that to work. The collection that we use is moderated but it’s not anonymous, and there are the bragging posts that you post to Tumblr and/or Dreamwidth, which you would have your username on whichever platform you use. If you don’t want to use a Tumblr or Dreamwidth account for posting your bragging rights, however, you can always send them to the mod account and we can post them on your behalf.

I was just wondering whether I'm sworn to secrecy on which fics I'll be finishing up, or if I can shout it out to the world? No one is sworn to secrecy once they’ve picked a fic to write (aside from posting new parts to fic that’s already up somewhere…we ask that you refrain from doing that until at least February 1st)! If you want to share snippets of your fic as you make progress, that’s fine, just don’t share the whole thing until posting time starts.

I have a question/concern that’s not mentioned here. If you need help, you can always contact a mod and we will do our best to make sure that you get your story/art finished. The best and fastest method of contact is through our email, wipbigbang@gmail.com.

[ask-train-trio]

~.~.~𝐀𝐒𝐊 𝐓𝐇𝐄 𝐓𝐑𝐀𝐈𝐍 𝐓𝐑𝐈𝐎 ~.~.~

INTRODUCTION MASTERPOST!!!!!

(ᴛʜᴇʀᴇ ɪs ɴᴏ ᴀᴜᴅɪᴏ ɪɴ ᴛʜᴇ ᴠɪᴅᴇᴏ, ɪᴛ ᴡᴀs sᴜᴘᴘᴏsᴇᴅ ᴛᴏ ʙᴇ ᴀ ɢɪꜰ ʙᴜᴛ ᴛʜᴇ ꜰɪʟᴇ ᴡᴀs ᴛᴏᴏ ʙɪɢ ᴏᴏᴘs)

This is an askblog for @lunozapp 's Indigo Park OCs! This post contains everything you need to know about this ask blog/AU and its characters! Context, boundaries, references etc. Asks are contextualised a little differently here, so check the blog description for the tl;dr on the context.

Check out issue 1 here!

CONTEXT:

This is DappleTilez24, also known as Tilez. He's a relatively small streamer in his universe's indigo park community, and is known for tirelessly completeing run after run, trying to beat his personal records (with.... varying sucess).

One day, he tries to speedrun a build of the game that he's never seen before...

...and stumbles across 2 MORE Rambleys than usual, much to the surprise - and confusion - of the Rambley we know and love!

Naturally, our hero Tilez is pretty damn confuddled... so he (mistakenly) asks his live chat for an explaination.

This is where YOU fantastic askers come in!

You act as Tilez's live chat. This means you don't even have to answer his queries, just say whatever you want to this interdimentional triplet of trash pandas, just like a REAL insufferable livechat would!

...within reason, of course (jokes aside, please read the boundaries)

[updated as of 04/07/24] CHARACTER REFERENCES: (in the animation i forgot twimbly's GT badges lol)

CHARACTER BOUNDARIES:

I want to make it entirely clear that i see the raccoon trio as brothers, especially with their very similar origins.

This is to say that I would not feel comfortable with any of them being shipped with eachother and I forbid the public sharing of that kind of content. If you see that kind of stuff around, please just mention this to the OP and block them if they refuse to respect it.

FURTHERMORE, please keep in mind that I ( @lunozapp ) am a MINOR. SO DON'T PUBLICLY POST NSFW/FETISH ART OF MY CHARACTERS, PLEASE AND THANK YOU.

However, shipping Twimbly, Ranglore, Rambley and Tilez with other characters that aren't related to them is fine by me (e.g. any of the original indigo characters x any of them, since they're not related)!

Again, please just keep it sfw.

ASK BOUNDARIES:

Pretty basic criteria, really. Just please don't spam the same ask over and over, I will guaranteed see them all unless this thing gets an explosion of attention out of nowhere lol

if i don't answer, its probably because either the question doesn't really fit the kind of story i have in mind for these characters or i just don't feel comfortable answering it. please respect that.

If you have a question for me specifically, start your ask with '[OOC]' (Out Of Character) or just ask me directly: @lunozapp

FURTHER INFO:

Asks are moreso used here as a prompt for conversation rather than the basis of an entire issue. More often than not there will be more than 1 ask in an issue, so going forward I'll make sure to tag everyone who asks without annonymity.

Also, please TRY to keep them as actual questions and not goofy 1-word sentences, the asks help me actually formulate a coherent premise for an issue

I don't OWN the concept of making ocs based off lore.mp4 and the GT thumbnail. if u see someone doing the same, try not to be all like 'OMG TWIMBLY/RANGLORE!!!! THEY ALREADY EXIST THIS IS PLAGARISM YOU CAN'T DO THAT!!!!!11!!11' unless it is blatant plagarism. Just use ur common sense ig

In terms of fanart/other fanworks, A MILLION THANKS IF YOU FEEL CALLED TO MAKE THAT!! The stuff i've gotten so far is genuinely so awesome, make it all you want if you feel called to do so. I'll try to reblog any fanart I find on here. If you want to go straight to asks, just click on the tag '#train trio asks'

alright, that's everything. Now what are you still doing here? Throw 'em a question! Or a compliment!! Or an insult.

or don't idrc just have fun here haha

fun fact!! putting everything together for this took a WEEK

[raven-at-the-writing-desk]

One massive difference between the western vs JP TWST fandoms that I haven't seen anyone else talk about is that the Japanese fandom seems to dwell in "grimdark" territory while the western one tries to see the best in these characters. From my glimpses into the Japanese fandom, they seem to see these character's darkness as the main appeal. That's reflected in their fanworks, since yandere works or things that dive into their dark sides are more popular there. While there is plenty of yandere content in the west, it seems more like a niche than the most popular way to portray the characters in fics where as in Japan that seems to be the norm on Pixiv. The JP seem to LOVE their grim dark fan theories WAY more than the western one. The western fandom seems like the opposite. Works seeing their humanity, them being decent partners, etc is the norm. Thought?

“I can fix him” vs “I can make him worse”—

Mmm, I have many thoughts on this but before I get into them I want to clarify some things. This is so everyone reading is running with the same definitions and thus can better understand (and perhaps contribute to) the discussion.

Firstly, “grimdark” can refer to any and all materials which people may find disturbing, amoral, and/or violent. Grimdark is NOT just yandere content. Although yandere content is an example of grimdark, not all grimdark is yandere.

Secondly, I want to dispel the notion that “grimdark” and “seeing the best in the characters” are opposites. They are actually not mutually exclusive; it is entirely possible to have the two overlap. For example, it is common for assassins to be after Kalim’s life (which is dark). However, Kalim himself is very cheery despite being cognizant of this (which is not dark, he is able to see the nest of this situation and is often praised for being a spot of sunshine in the cast). There are also much darker takes while staying true to Kalim’s caring nature, such as fandom works which portray his big heart (a strength) as a detriment, causing him to fall into deep paranoia and/or guilt. For the purposes of this discussion, I will still refer back to those two original viewpoints, just be aware that they are not truly “opposites”.

Lastly, the ask is phrased such that it suggests that dark content is “the norm” in Japanese circles. In actuality, the content you see is dependent on personal biases and what the algorithms feed you based on your likes and communities. While it’s true that perhaps Japanese fandoms have more dark content than the western fandoms, that doesn’t necessarily mean it is “the norm”. It is still considered niche, it is just that the fandom culture of Japan is more open-minded about these depictions, as well as fans’ choices to filter out dark content if they do not wish to encounter it. Western fandoms are very different in this regard. Rather than ignoring content they dislike or find disturbing, western fans tend to adopt an attitude of openly renouncing that which they dislike and, at times, calling out those that do enjoy that kind of thing. It is this social stigma and pressure within western fandoms which creates a less welcoming space for dark content to exist and to be publicly shared. Rather than saying one type of content is “the norm”, I think it’s more accurate to say certain types of content are deemed as being “acceptable” or “unacceptable” depending on the fandom culture.

Now then, as to why the western fandom in particular tends to favor works that show the TWST characters in a favorable light rather than focus on their darker aspects? There are many possible explanations for this:

Cultural differences in fandom spaces. I already mentioned this in the opening paragraphs, but it warrants repeating here. Japanese fans are much more reserved in how they express themselves and tend to keep quiet relating to content they dislike or don’t care for. Western fans are more outspoken and may actively “call out” what they dislike. This is typically observed in collectivist vs individualist countries, as conformity with the group/not causing disruptions to the group harmony and standing out and being one’s own individual are opposing ideologies and values.

Japan’s culture is one that stresses the importance of politeness and being proper. The country has strict social expectations of people and especially women (which makes up the majority of TWST’s fanbase). It is only in the realm of fiction where Japanese women are able to freely express themselves and to explore subject matter deemed socially inappropriate, however dark it may be. Fandom is their creative outlet. Meanwhile in the west, it’s the opposite. Overt uniqueness is more acceptable overall, but there is also a present effort of policing online content, often in the name of social activism and inclusion. This makes sense for western countries, many of which sport much more diverse populations than Japan.

Going in with the certain expectations of the game. Many western fans mistook Twisted Wonderland for a dating sim when its marketing materials first released, maybe due to a language barrier. This set them up for the wrong expectations about romancing and potentially “fixing” a villain, even when the game finally came out (due to residual feelings; I know for a fact there are still a handful of fans who want TWST to have a dating sim spinoff or wish the game had been a dating sim from the start).

Changes made in the localization.

I’m not sure what the ratio of westerners playing EN to JP, but the official localization made several changes which “blunted” some details or changed the context of some characters’ stories. For example, Jamil is no longer a “servant” but an “employee”, Kalim is his “employer”, not “master”, and Jamil complains that his parents will be “so mad at him” when he is asked why he doesn’t rebel against the Asims whole the consequences are made much more explicit in JP (his family will be thrown out onto the streets). Cater, Floyd, and Idia have also notably gotten a lot more memey dialogue that was not there in the original. These softened versions the characters may make western fans more likely to see the a less severe backstory or have goofier interpretation of certain characters.

Popular western media’s interpretations of villains. A lot of western media nowadays tries to redeem the bad guys. For example, in many young adult and adult romance fantasy novels, the love interest is often presented as a misunderstood bad boy that has a change of heart because of the protagonist. Disney themselves is also guilty of “softening” many of their more recent villains and giving new backstories to older villains to make them more sympathetic (Maleficent, Cruella, etc). Compare this to “classic” era Disney villains, who are just evil for the sake of being evil. These will naturally inform the general public’s views on villains. (It is also to be noted that Disney villains and specifically their evilness are extremely popular in Japan. They are adored for being fun characters, not necessarily admired for being bad.)

Disney’s reputation, especially in the west. The company is closely associated with fairy tales —and, more importantly, with magic and happy endings. This, too, may contribute to western fans wanting to look on the “bright side” of things and wish for happy endings for characters that are, in fact, part of the Disney brand. The Disney message is perhaps strongest in the west due to having its origins there:

The age differences between the Japanese and the western fandoms. The western TWST fandom skews young overall whereas the Japanese TWST fandom is older (which is why a lot of TWST merch you’ll see is expensive household goods and fashion; this is to appeal to working Japanese women). As I mentioned in the previous point, this means younger audiences in the west may mostly encounter media which presents villains in a more sympathetic light, or at least much earlier (which leaves a stronger impression). This makes them more inclined to view other media in a way which is more flattering for the villains even when they are dark or morally ambiguous in canon.

Younger fans may also be not as informed and thus lack some perspective, which means they may have more limited views. A 15 year old wouldn’t have as much life experience as a 20 year old—that’s not a bad thing, it’s an objective truth that has an impact on their perspective. They may see things more simplistically or see easier solutions to complex problems. Younger fans may, for example, be able to identify circumstances as being traumatic or unfair (such as the case with Jamil’s past and Leona’s desire to introduce new technologies to his home country) but may not understand the full ramifications (ie why Jamil cannot just leave or have Kalim to speak with his dad about it, how difficult Leona’s plans would be to implement as well as the social pushback due to the harm the advances could pose to the environment). This leads to more of a lean to positive content, as dark content would inherently mean problems are much more difficult to resolve and have more factors to them than what was originally considered.

I want to also point out that younger fans are especially concerned with what their peers may think of them, and so they may feel too embarrassed to dabble in darker content. Some dark content may also not be perceived as appropriate depending on the fan’s age. Alternatively, some fans may just not feel comfortable exploring those ideas (and that’s totally fine!).

Western fans project onto/relate to the characters they love. I’m not saying that Japanese fans don’t do this, but I feel like western fans tend to do this to a VERY strong and sometimes parasocial degree (which has its roots in comfort character and kinning culture, things which largely do not exist in east Asian fandoms). Like… western fans can relate to a character so deeply that any criticism of that character can feel like a personal attack on them, the fan. Likewise, if that character is presented as having flaws or doing questionable things (even if it is canon), the fans that are strongly projecting onto the character may feel that they themselves are flawed or somehow “bad” too. This can lead into trying to defend or justify the character’s flaws or actions. Maybe a fan that has shared trauma with a character sees them as a proxy and want to see the character (and thus, themselves) in a positive way or in good situations. In eastern fandoms, it is more appropriate to consider the character a separate entity rather than relating to or projecting onto them.

The western rise in moral justification for the content one consumes. This is a big one, and it has been alluded to in some of the other points. There is this belief circulating in western fandom spaces that “the content you consume reflects your real world values and morals”. So… if you believe that (or are in a social space where it is believed) and happen to like evil or morally grey characters, what does that imply about your own character? Does that mean you are morally bankrupt or that you condone bad things? Personally, I don’t think so but I understand why this way of thinking could make people feel ashamed. They may avoid looking at “dark” interpretations of a character and instead focus on wholesome feel-good content so that the content they consume reflects “well” on themselves. In other cases, fans may try to twist the bad points of a character to make it “morally okay” to like them.

That’s everything I could come up with off the top of my head!! I hope this was interesting to read and maybe helped you see the international TWST fandom from a new perspective. With that, I’ll leave you with this relevant Wreck-It Ralph quote: “I’m bad, and that’s good. I will never be good, and that’s not bad. There’s no one I’d rather be than me.”

[otomiyaa]

nice.png

(literally how I named the image, couldn't think of something else)

Hi guys :') To my followers and tumblr friends, I'm really sorry if my sudden disappearance scared or upset you. It wasn't quite... planned. And today was a busy day and I needed some time to consider what I wanted to do.

Short version of the story:

My tumblr account got terminated for copyright infringement. A certain Mr. Green got me in unlucky trouble (ref 1, 2).

I won't get it back, or try to get it back. It's gone.

Needed a moment to consider 2 options: ask Mia to extend my dramatic farewell letter and stay gone, or make a new blog.

Not planning to post new writing here. I won't be using words like 'never' or 'forever' because I'm a known clown with things like this, but the intention is to no longer post fics. I will finish Tickletober on AO3 and then take a break from writing. So yes, I cancel the swiftscribbles event too, sorry!

When I opened my laptop, I could see my old blog in its final hour lmao (I found out about the loss on my phone). So that's what the snap is from on a fitting grave. It was fun while it lasted!

Long version of the story:

Losing my blog(s): My Tumblr account with main blog + sideblogs got terminated overnight, it was quite the surprise! I've either been reported or tracked by bots. The posts are a bunch of numbered URLs I can't open, but the message is clear: for including anime content, genshin impact or media from other sources (whether it's videos, screenshots, official art, gifs or even fanwork) you technically can get a strike. Upon googling the claimer I quickly found this first, and knew it was a lost cause. Although it feels shitty and unlucky, I am in no place to appeal. It's like when I used to make AMVs in the past, you never knew whether a song or even anime footage was going to give your YT account a copyright strike or even a ban, it was a gamble. I have lost YT accounts before, and now I lost the Tumblr one. With 7+ years of tickle trash content and a bunch of sideblogs. But oh well, moving on!

Starting a new blog: It was a serious consideration whether this was my ultimate chance to do what I've always said I wanted to do eventually - quit my blog. My first thought was to ask Mia to share my explanation and literal goodbye with you guys, and stick to my chaos of a Twitter account to indulge in fandom stuff. But then I thought of how happy Tumblr made me, even without the fic writing, but just.. reblogging things, getting random asks, shouting about life and of course, about tickles. I decided to make a new blog after all, but also decided the following:

The 7K+ milestone swiftscribbles event is cancelled, for which I apologize! The follower milestone, together with the motivation to write the fics, and even the asks with the requests I got, all died with my former blog.

I will see how long I can survive without posting a new fic or drabble. A loose headcanon or two might fly around sometime. And if necessary, a link to a new fic on AO3.

Tickletober? Hell yes I'll finish it, I would cringe in bed for 49 days at least if I would stop. I just won't post the fics here, but on AO3.

Reposting/reblogging my old works? Undecided at the moment but I'm tired and lazy. I don't feel too upset since most of my fics are still on AO3 at least and not completely gone.

Anyways, I'll see what happens and how long I can enjoy this nerfed version of blogging.

Surprisingly I'm not upset about losing my other blog, there were a lot of memories but it was also very cringe. I'm gonna be just as cringe here, but at least I feel cleansed.

For those who choose to follow me again, thank you, but please know that there won't be much original content coming from me, for now!:)

[blackbird-brewster]

Meta: Jemily Queerbaiting

With the huge influx of posts saying 'Jemily is gonna be canon', I really appreciated seeing this post because OP was completely correct. I didn't want to write an entire dissertation as a reply, so I'm making my own post with my personal opinion on this. (All sources are noted in footnotes)

Before I began this rant, for anyone who thinks this is anti-Jemily. It is not. I have shipped Jemily for 18 friggin years and that's never going to change. This post is specifically my thoughts about queer baiting.

First off, I need to note that the showrunners (and the cast members who use social media) KNOW what a huge queer following this show has and that's why we got pansexual Tara Lewis in S16 [1]. Which, in itself, was SOOOOOOO important!!! Our first canonically queer main in SIXTEEN seasons was a middle-aged Black woman!!! That's phenomenal. (The fact it was horrible rep, because they instantly ruined her relationships once her queerness served it's plot point is a whole other post entirely)

In my opinion, the 'big Jemily moment' Paget posted about on Twitter [2] (and AJ hinted at during a recent IG live) is simply queerbaiting to get people to watch S17. I know a lot of you are newer to the fandom and I love your enthusiasm, I really do, ship and let ship, but listen, let's be real, Jemily is not going to be made canon. The showrunners aren't going to suddenly say (after 17 seasons) 'Surprise, Jemily is endgame'. This show has never cared about queer rep and now that CBS/Paramount have already ticked their queer rep box with Tara, they won't be in any rush to add any other characters to it.

Please buckle in, I've got a lot of thoughts on this matter --

What is Queerbaiting?

If you aren't aware of what queerbaiting is, here's a good definition:

Historically, queerbaiting has carried two meanings: the first is an act of aggressive heterosexuality to shut down queer subtext on screen while still teasing and catering to the queer audience in advertising, public relations, and fan engagement strategies; the second is an existing homoerotic tension between two characters played up on screen while met with derision by the professionals behind the scenes. [3]

The Medium article quoted here is from 2017, a time when parasocial relationships were really starting to take over social media. In 2024, actors are now only a mention or tag away online, they have direct conversations with fans, and this process has allowed for an even deeper form of queerbaiting.

Oftentimes online, actors are asked directly about certain ships and while some ignore these questions (usually to avoid breaking their contracts or other repercussions), others (looking at you, Paget) choose to instead tease fans about queer ships. She's done this for years upon years and if I've learned anything in the past twenty-years of existing in fandom spaces it's this -- don't hold your breath. In it's original meaning, for something to be deemed as queerbaiting there had to be malicious, or at least, purposeful intent to string queer fans along by teasing them with suggestive content about the ship in question, while knowing this ship will never come to fruition in canon.

The thing to remember is, Paget and AJ aren't the only ones who know about Jemily shippers -- the network and showrunners are well aware of this ship too. When networks/showrunners figure out they have a strong sapphic fanbase, they love to use that to their advantage to get more viewers and higher ratings. Queerbaiting is a goldmine to keep fans watching long running shows, look at Rizzoli and Isles, Supergirl, and OUAT for examples of this.

Jemily and Queerbaiting:

Ever since Emily joined the BAU in S2 (2006), there have always been fans who ship JJ/Emily (shoutout to the old LJ forums!). Way before celebs were just a tweet away from fans, back when all our fics began with disclaimers so we wouldn't get sued by networks, we went to great lengths to keep our fanworks far removed from actors/showrunners attention.

As far as Jemily goes, this reply from Paget in a 2009 interview with TVGuide.com [4] (which has now been deleted from their site unfortunately, but there are quotes on Tumblr still [4.a]) confirmed some fans' worst fear -- the actors had found our fanworks online.

TVGuide.com: Of course, a band of fans want her to hook up with Hotch.

Brewster: I know! I didn't realize that fans make these videos on YouTube? A.J. Cook sent me a hilarious one that made it look like Prentiss and J.J. were having a secret lesbian affair. You know, when Hotch was blown up in the SUV, we shot this scene where he's in the hospital and I'm standing next to him, looking at his bleeding ear. Our director came in and said, "Paget, you're looking at Hotch like you're in love with him. It looks really weird." So now, every day, Thomas [Gibson] and I flutter our eyelids at each other.

This was the first time I recall anyone acknowledging Jemily shippers publicly and at the time (Jan 2009), the show was still in Season Four (just before CBS fired both AJ and Paget [5]). Paget genuinely said it's 'hilarious' that fans shipped JJ/Emily. Even now, I'll see people say 'We know Paget and AJ have seen Jemily fanvids, so they obviously ship it too' -- but those same people rarely acknowledge the full context of the original answer. Paget not only thought JJ/Emily were 'hilarious', but then she doubled down and turned her reply back to how she and Thomas liked to play up the chemistry between Emily/Hotch.

While no one can say for sure which video it was that AJ sent Paget, just knowing they were watching JJ/Emily fanvids sent a bit of a shockwave through the femslash side of the fandom. To some it felt like an invasion of privacy, fanworks are by fans for fans -- knowing the cast were poking around in fandom spaces added an extra layer of worry around what we fans were posting online. Fifteen years ago, it used to be quite taboo for actors to outwardly discuss shipping or other fanon for whatever show they were in, and we fans were usually comfortably removed from the actors altogether.

Of course, now it's the norm for fans and actors/showrunners to co-exist online and interact with one another. This connection has opened new ways for shows to queerbait their fans. Pretty much every show has some form of social media account now and there is no doubt that the people running those accounts keep up with the most popular ships and hashtags. Not to mention that actors are constantly barraged with questions about whether they ship their character with x,y,z, or whether they think a ship should be made canon, etc. These interactions only serve to benefit the shows themselves, because whether the conversation is for or against a certain ship, it's all just free publicity (Why do you think CM now has a TikTok account?)

Every time AJ or Paget say anything about Jemily, the queer side of the fandom loses their minds. But this has been going on for YEARS now and every single time, it turns out to be nothing but social media hype and queerbaiting. Remember this AJ post? [6] Or what about the notorious reply by Paget to a fan, where she talks about how she and AJ held hands under the table 'for the shippers' [7] I've seen this cycle over and over again, so perhaps I am cynical, but I'm not getting my hopes up that Jemily will ever seriously be canon.

It's widely known now, after both Kirsten [8] and Paget [9] have talked about it, that there was an early idea where Prentiss was supposed to be queer, but that was ultimately scraped before it ever made it on screen. For context, please remember, this show has been airing for nearly twenty years. It began in 2005, during the highly conservative Bush administration. Queer people didn't have rights in the US, we couldn't get married, we were rarely protected under discrimination laws, and we could even be fired for simply being queer (in some states). Diverse queer representation on screen was extremely limited to things like 'The L Word' and 'Queer as Folk' (both aired on Showtime, so they were behind a paywall. And as far as tLw goes, that show was extremely male-gaze focused and is horrible in nearly all regards if you try to rewatch it now). As far as prime time shows went, queer rep was even more rare. Which is why Emily wasn't queer from the get-go.

Yes, things have changed since 2006 in terms of queer rep on TV. We have a myriad of queer identities represented in TV and film nowadays, which is why I think it's so easy for newer fans to say 'lf she was supposed to be gay anyway, they should just make Emily queer in canon!' I know this is what fuels most fans' demands for Emily being confirmed queer, and I get it, I DO. I would be all for it! However, I do not, in one hundred years, actually believe that is going to happen after they already canonically queer confirmed Tara in S16. The fact we even got ONE queer character is ground-breaking for this show.

It's also worth noting, that in the time between Paget's departure in 2012 and her return in 2016, she became very active on Twitter. This was when more and more fans began asking her about Jemily and after Kirsten's AfterEllen interview, fans also pushed for Paget to address the possibility of Emily being gay. 'Pushed' is actually an understatement for some of the outright harassment she would receive. (AJ received some of this harassment too, but less so because she doesn't use social media ass often) Back then, neither of them replied to these things directly. Yet, no matter what either woman posted, the replies were full of Jemily stans begging for her acknowledgement. (Did you know 'stan' is literally a term coined for stalker fans?) I remember one time AJ's friend was missing and she posted info on her IG about it, you know what the replies were? People asking her about Jemily. It was genuinely sickening.

Within this context, it was no surprise to fans when Emily came back in S12 , she and JJ's friendship was seemingly erased. The two women were rarely on screen together in the late seasons, plus the writers saw fit to even give Emily not only one (Mark in London, but two, on-screen boyfriends for the first time in the entire series. I personally do not think these changes to Emily's character were coincidence, I saw the hellscape of what people would say to AJ and Paget online and I fully believe that upon Paget's return to the show, the showrunners purposely tried to distance JJ and Emily to dissuade the more abusive side of the fanbase.

Can I prove that, no. But it is the only reason I can think of as to why Emily S12+ seemingly didn't care about JJ anymore, despite their deep and meaningful friendship. I mean, they both CROSSED THE WORLD to go rescue each other in prior canon -- but when Emily comes back, they acted like they barely knew each other. This was even more prevalent in S16, when JJ's main storylines all revolved around Will, and Emily barely looked at JJ in the entirety of ten episodes. (Remember how Prentiss didn't even hug JJ after bomb, but she did go hug Luke?)

So, do Paget and AJ earnestly ship Jemily, or are they continuing the long tradition of queerbaiting us? Who fucking knows, not me. But based on the history of this fandom, I think I can make a safe bet. (Interestingly, if you search all of Paget's twitter for the word 'Jemily' [10] she only has 3 direct tweets mentioning the ship. I don't think it's a coincidence that two are within the past few months since they started filming S17 (the other one was a RT of Kirsten (who tagged something Jemily)

This is all to say --

Just because Paget and AJ have publicly talked about Jemily,, this doesn't mean it's ever going to happen on screen. And you know what, THAT'S OKAY!! There has been this constant outcry (after Tara became queer confirmed) of 'Do Emily next' or 'Why wasn't it Emily with a girlfriend!?' and 'Jemily needs to be canon in S17!' -- as if people believe their ships aren't worth anything unless they are canon.

That couldn't be further from the truth! Fandom is built on headcanons and fan interpretations and rare pairs and all types of shippers. Your ship does NOT need to be canon for you to enjoy it. I will ship Jemily forever, no matter what. I don't think there will be some magical queer plot in S17, at best, we might actually get to see Emily/JJ on screen together again and after the train wreck that was S16 -- I'll take whatever I can get.

And hey -- if I am completely wrong, if Erica Messer pulls a Korrasami out of her hat, I will be ecstatic. I will be happy to be proved wrong, but at the same time, I'm not going to lose sleep over it and I'm DEFINITELY not going to go hound the actors about it on social media.

Sources:

[1] 2022 Digital Spy article about the importance of Tara's coming out

[2] 04/18/24 Paget Tweet

[3] 2017 Queerbaiting article from medium.com

[4] 2009 Broken TVGuide link

[4.a] Tumblr quote from the above TVGuide Interview

[5] 2010 Kirsten interview screenrant.com

[6] 2019 AJ Instagram Post

[7] 2020 Paget video on Twitter (via @karasluthqr)

[8] 2015 Kirsten interview AfterEllen.com

[9] 2016 Paget Interview CriminalMindsFans.com

[10] @PagetPaget search 'Jemily'

[holybasementdweller]

wanted to add my two cents because shipping discourse is just all over recently. Forgive me rambling a bit here. I have a lot of thoughts on this topic and would like to get them out there in some form.

Stop harassing CC's about their boundaries.

Would you go up to a random person whom you've never met before in your life, who has never met you either, and likely has no idea who you are, purely to ask them if you can draw/write/ship them with one of their co-workers?

No! It's a wildly uncomfortable question to a lot of people, it puts them on the spot, and some CC's may not care as long as they never see it. Now that the concept has been shoved in their face, they're forced to view the idea.

I feel like a large part of the issue is the divide between younger, newer fandom members and older, traditional ones. Primarily the concept that fan content is not intended for CCs, but for fans specifically. Most 'traditional' and older fandom participants follow this view because that's what fandom is. You get to make cool things, and ramble about different head cannons and ideas with your friends and maybe find other fans who become your friends along the way. Maybe you want to throw these characters you really like into this elaborate superhero AU, or draw them in costume, or explore relationship dynamics because it's fun and you get to ramble with fellow fans. It's called a fandom for a reason!

I'd like to clarify here that this post is not meant to target anyone in particular; it's going off a general trend I've noticed.

There's been an influx of people who create fan works or fanart that seems to be aimed more to gain clout or to be noticed by CCs. It's something they wanted to make, but is leaving the realm of "by fans, for fans," in a sense that it seems to have lost more of that "for fans." The work is then shoved at the CC more aggressively than if it was just for friends.

There's a reason that spaces like AO3 and Tumblr exist with such large fan communities- because the communities are meant for fans. It's all well and good when CC's decide to take a peek or participate in said fan spaces of their own volition. They're the ones making the choice to engage. It's NOT all well and good when someone, as a fan, is trying to make that choice FOR them by shoving fanworks at the CC begging for clarification on what is okay with them. You're not going to help anyone in that way. Fan spaces exist separately from the CC spaces for a reason. The CC is a person behind the screen who you don't know. The character or role they play in the series you watch? You might know just about everything there is to know about them!

If a CC has laid out a boundary that they aren't comfortable with X Y Z, then there's a really, really simple solution here. Don't show it to them.

Don't put it in main tags, don't tag them in the post, hell, block the CC so you know they won't be able to view something that makes them uncomfortable.

There's a lot of what comes across as almost puritanical virtue signaling I've seen lately, where people are talking about CC boundaries everywhere and trying to police fanwork. I will again refer you to the point above. The fanwork is not made for the CC. It is made for fans, and if it is something the CC isn't comfortable with, then don't go posting it where they might regularly look at things (such as main fanart/fanwork tags.)

Yes, there are CCs who are over here. Yes, they look through fan works. This app is primarily a fan-oriented space and it has tags that CC's (or anyone else!!) can block to avoid things they are uncomfortable with. Though at this point the few that are over here either were already gay dot com natives or have basically become one.

I may have gone a bit off my original topic but TL;DR:

KEEP FAN WORKS TO FAN SPACES, AND STOP HARASSING THE CC'S PLEASE. LET THEM EXIST IN PEACE.

[silvermoon424]

Useful links to help you navigate my blog!

I'm Silvermoon424 (but you can call me Katy!) and I do a lot of work in the realm of fandom archival, scanning, scanlating, etc. I also write analysis posts for my fandoms. I've had this blog since 2011, so there's a lot of content to dig through. I thought I'd finally make a post to make the backlog easier to navigate!

This post is a work in progress and I will be updating it as I remember things I should add.

𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍

Useful tags:

In general, I am a meticulous tagger so if you want to look up a particular series or character you can just search them up. Other tags I use are:

#My projects: Where I post links of all my artbook scans, scanlations, etc.

#My scans: High-quality scans of various manga, doujinshi, promotional materials, etc.

#My collection: Where I post pictures of my awesome anime collection!

#1k: All (or rather most, as I miss a few) of my posts that have gotten more than 1k notes. I also have tags for 2k, 5k, and 10k; anything over 10k gets tagged as "most popular."

#Original vs Reprint (PMMM): Comparing the original Madoka Magica manga and the 10th anniversary reprint manga.

#Guide: Posts where I write guides on how to do things, or have reblogged guide posts.

#Recommendation: Where I post recommendations for everything from manga to computer programs to movies.

𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍

Silver Moon Scanlations:

My scanlation group, consisting of me as the scanner/typesetter/editor and whatever translator I enlist (I usually hire translators on Fiverr). I primarily focus on doujinshi (fan comics) and other fanworks, but I've also done a couple of series and official works.

I have a huge backlog of works that need to be uploaded (not to mention everything that needs to be tyepset lol) so please be patient! For now, you can find my works here:

My scanlations tag on Tumblr

Mangadex group profile

Mangadex user profile (includes materials not under Silver Moon Scanlations group name)

MangaUpdates group profile

JoJo's Bizarre Adventure doujinshi on My Reading Manga:

I didn't tag all of these under my group name, so here they all are as of December 2024. These are all Jonathan x Dio works, so if you don't like that shipping you can ignore this.

You're My Medicine

Lantern & Candybox

Love Somebody Dearly

Fraternity Halation (Jonathan x Speedwagon)

Tag

Professor Joestar is Sly

Vampires Rest in Peace

Antipeace Part 1

Antipeace Part 2

RE birthday

JOJO VS DIO

Jonathan the Great Log

I Hate Sex

Never Let Me Go

About the Night

Stars, Hide Your Fires

Good Well Soon

𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍

Analysis Posts

#Analysis: The general tag for both my analysis and others'. I've started using the tag "My analysis," but only recent posts are included.

Analysis Series:

Princess Couture (analyzing the Senshi's Princess gowns)

Item Analysis

Sailor Moon Symbolism

Sailor Moon Mythology

Sailor Moon Astrology

Character Design Analysis

𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍𑁍

Miscellaneous

My ebay account where I sell magical girl merchandise. I am also going to start selling items directly on Tumblr and will include a link when I make the sale post.

[godbirdart]

You don’t have to answer this question as it’s probably dumb to ask…but do you know what platform(s) would be a good starting point? Particularly for original content rather then fanart? I heard deviantart is a good place where alot of ppl got there start on but there’s lots of art thrives and such.

don't even worry, it's not dumb at all! it's hard to gauge where to Begin in the vast hellscape that is the online world. i do get this question [and some adjacent questions] often so please allow me to use your ask as an excuse to post a few of my site rankings for various art things!!

for reference, these are the sites I'll be addressing because i have used them at some point within the last year. please note: my information on Cohost and Itaku specifically may be out of date as I haven't used them in a long while. naturally, this is all solely my perspective. i run both a furry/original content account and an anime/fanart account on most of these sites and run them reasonably independently from one another. these rankings are based on how well each account fares on each site.

I will be talking about Patreon and Ko-Fi as if people will only be posting paywalled content there. you Can publicly post on both sites, but for the sake of this post i'm only going to treat them as paywalled sites since well, that's kind of their purpose.

POSTING ART IN GENERAL

the A-tier list sites here are the ones that are most practical, with a decent member presence and little to no algorithms impairing your reach. the only sites here with any sort of algorithm are tumblr and deviantart, but i feel they don't ruin your reach that much.

B-tier list is mostly centered around popularity. there are massive audiences on both masto and twitter. twitter can be really good if you're posting certain content. mastodon has countless instances [read: servers / subdomains, however you want to call them] that can help narrow down an audience and like-minded people. for example, i use mastodon.art whereas many furries may use meow.social. you Can be discovered by people on other servers than yours.

C-tier has been sorted in accordance to audience. this is solely in my experience, but not a lot of new people are flocking to cohost and itaku. we also just hate facebook in this house and i will never give a facebook products a high rating.

F-tier: if you are a new or growing artist, putting your art behind a paywall or making it a chat platform exclusive thing can really hinder your growth. you can still do this of course, but you won't get as many eyes on your work as you would on a public gallery. threads is there solely due to privacy issues that Cannot be overlooked. i will not recommend it.

POSTING ORIGINAL CONTENT / CHARACTERS / NON-FANWORKS

here's how i'd grade these sites for posting Original content, characters, stories, etc. your best sites will likely be furaffinity, deviantart, and tumblr. i've put these three here for their tag use, discoverability, and audience presence. tumblr can be a little glitchy with its tags, but they DO function.

A-tier is entirely centered around audience presence. these sites are great for showing off your work, but they don't have the same population as the S-tier. mastodon can be good as the quieter instances give you more discoverability. bluesky has been THRIVING when it comes to the furry community as of late [i'm personally on there daily] - the only reason i don't put it as S-tier is because it's invite-only AND you need to rely on your work being found through the Feeds feature if you aren't an already established artist.

B-tier: useful, but population may hinder your growth. toyhouse is GREAT for posting your original characters and stories, but it is invite-only and not necessarily gallery-focused [it can be USED for a gallery, but it's not the main purpose]. you can also post stories and lore to toyhouse. discord and telegram are Good, but again it can be hard to gain an audience through sites that require invites.

C-tier: it is DIFFICULT to grow on paywalled sites with original content. cohost [to my knowledge] has been stagnating with the release of bluesky.

F-tier: threads sucks, the end.

POSTING FANWORK, FANFIC, FANDOM CONTENT IN GENERAL

S-tier here is sorted because of audience presence. while twitter does suck, i'm finding a LOT of success there with fanart. tumblr is The fandom site of course. furaffinity is great for a surprising range of fanart that isn't exclusive to furry, and deviantart's Groups feature is still going strong which can give you that extra exposure.

A-tier is: fans Go here, but the population or algorithm can make things tricky. instagram is good for fanwork but the algorithm and the speed that things are posted there can make discoverability an uphill battle. patreon; if you make comics or art with fan characters [especially 18+ content lmao] you can grow pretty rapidly there. patreon, like any other paywalled site, should be a secondary site and not your Primary posting location. artfol and pillowfort are still growing. pillowfort has a Communities feature - sort of like deviantart groups - that you can submit your art to which gives you that extra exposure. artfol is just a nice gallery site and the tagging system is,, decent enough. a little confusing because the tag system looks up keywords in posts and titles First, you have to tab over to hashtag searching specifically.

B-tier: invite only and audience reach. again, bluesky relies on your art to be picked up in Feeds, as there's currently no tag search. inkblot is growing but has a decent audience. ko-fi isn't as known as patreon for exclusive content but it's still a good site. mastodon has tagging that makes discoverability easier, but mastodon and its many servers can make things confusing for some people. itaku's not as commonly used so it may be harder to gain new eyes there once you establish yourself.

C-tier: posting fanart to these sites Can Work. toyhouse focuses on posting and sorting original characters, so treating it as a gallery site won't get your far fast. it isn't impossible to grow as an artist there, but the site isn't intended for fanart posting. i cannot say much on cohost here. telegram and discord, again, it's harder for people to discover you out of the blue unless you mention your server / channel on another site.

F-tier: fuck threads.

lastly, to address thieves,

thieves are gonna be everywhere. i'm sorry to say, but there will always be shitty people. i recommend the following:

watermark your art. not in the corner, don't just sign in one spot, place a Huge translucent watermark over the WHOLE art. i recommend making it a colour gradient too instead of one solid colour or greyscale.

also: sign your goddamned art! put your username on there!

post a low resolution when sharing online. less than 1200px wide or tall. 72dpi. JPEG format. keep the high res privately for yourself.

add a subtle noise filter over your art. it doesn't have to be high opacity, and it'll make your art a little grainy, but it's good for fucking with AI bots and ruining any print quality potential.

i hope this offers some insight! if you have a different experience on these sites, please feel free to add your testimonial in the replies or reblogs! not every artist is going to have the same experience and growth rate.

[femslashfortnight]

Hatchetfield Femslash Fortnight 2025 FAQs:

Below we'll be answering some frequently asked questions for upcoming Hatchetfield Femflash Fortnight event in 2025. You can find our prompt list pinned on our blog! If you have any other questions not answered below, feel free to send in a message or an ask

Q:  What are alternates?

A: Prompts you can slot in to any day instead of that day's official prompt in case you don’t like it or don’t know what to do! You can use all of them, some, or none! Hell you can even use both official prompts and alternates, go crazy!

Q: Do I have to do all fourteen days?

A: Only do as much as you want to! The rules are pretty open here, you can make as much or as little for any prompt. You can even post multiple works for one prompt, or use all the main prompts and all the alts! The sky is your limit.

Q: What can I make?

A: Whatever you want! Fan art, fan fic, edits, gifs, or anything else fandom related you can think of. As long as it's inspired by the prompt, is a femslash Hatchetfield fanwork, and sticks to our established rules, anything goes.

Q: How do I post?

A: Anything posted to tumblr will be reblogged here on the femslashfortnight blog, but you can post it anywhere. If you want us to see it for sure then be sure to tag this blog! Otherwise we’ll be browsing the #HFFF25 and #Hatchetfield Femslash Fortnight 25 tag all the time and be enjoying all your stuff!

However, we do ask you to only submit posts from a single blog—as we know some people have art/fic only blogs, as well as personal blogs. This doesn’t mean you can’t crosspost, but only tag one of your posts as a submission by @-ing our blog so we can reblog it for the event!

Q: Can I submit OCs/OC (Original Character) centric fanworks to the event?

A: We won’t be accepting submissions for OCs or OC-only ships, as this event is about pre-existing Hatchetfield content and fanon works based on that. However, if you have a canon Hatchetfield character/OC ship, that can totally be submitted! If you’re unsure about your submission, you can always send a message or an ask and we’ll give you some guidance as to whether your work qualifies!

Q: Can my submitted works include trans headcanon characters or nonbinary/genderqueer characters?

A: Absolutely! In fact, we very much encourage it!! As long as your works/ships focus on non-men, they’re fine to be submitted. This would include, for example, transfem!Paul Matthews or Ziggs. Again, if you’re unsure, send in an ask or a message!

Q: Do you allow crossover works?

A: Currently, no we don't! We want to focus this event on Hatchetfield, and we'd be unequipped to moderate large crossovers with over works we're not familiar with as a mod team or navigating f/f ships in other fandoms.

Q: I’m not sure if my work fits one of the prompts, what can I do?

A: The prompts are supposed to be inspiration rather than limiting, so as long as your fic is inspired by a prompt you should be totally fine! Though, if you’re still worried about it feel free to contact the blog directly via asks, or send a message and we’ll do our best to clear it up for you.

Q: Should I include Trigger Warnings / Content Warnings?

A: Yes! Regarding explicit content or potentially triggering content, we ask you to add any triggers for visual submissions, such as fan art, edits and gifs. 

Usual AO3 tagging rules also apply. When posting a link from AO3 (or another location) to Tumblr, add content/trigger warnings at the top of your post—and also place your mature (e.g. smut, mature themes) submissions beneath a read more along with the #HFFFAfterdark25 and/or #HatchetfieldFemslashFortnight Afterdark 25 tags.

Q: Can I post to other places (Ao3, Wattpad, TikTok, etc)?

A: Of course! Just make sure if you want us to see your submissions and reblog it, that you post it to tumblr (even as a link) also!

Q: Do you have an AO3 collection?

A: We do! This year’s event will have a subcollection under Hatchetfield Femslash Fortnight, and once it’s ready for submissions we’ll share the link on the blog!

Q: I was late, can I still post?

A: Go for it! We will be accepting submissions to the blog and AO3 Collection for a week after, as well as actively reblogging them. So anything shared with us until the 3rd of May is good to go.

Q: Can I post an already existing piece if it fits a prompt?

A: As long as it’s not been already posted before then sure, just make sure it complies with our guidelines and is correctly tagged and TW/CW are applied if necessary. 

We’re very excited as the event grows closer, and hope everyone else is too. If you have any more questions feel free to ask away!