#just one time chapter 2

[kareofbears]

just one time (just one time) ch.2

“I heard you out and I’m still unsure why you’re even doing this.” Nanami pushes his shades up the bridge of his nose, peering down at the planner in his hand. “Or rather, why you insist on having me involved.”

A training camp for wayward children, Gojo had called it, gesticulating widely with his long arms, white hair bouncing with passion.

—

Or, Gojo and Nanami take it upon themselves to keep an eye on the first years during summer vacation without realizing that the first years are the ones keeping an eye on them.

read on ao3 or below the cut

It’s to be expected, but it still befuddles Nanami that a teacher doesn’t have any method of organization for his students.

“Where’s your desk?” Nanami asks him.

“Desk?” Gojo stares up at the ceiling, genuinely inquisitive. “I’m assuming in my office?”

“Okay.” There’s a pause where Nanami expects him to elaborate. When Gojo doesn’t, “Where’s your office?”

When Gojo stares up at the ceiling again, Nanami leaves, pulling up Principal Yaga’s phone number. A few hours later, Nanami gets the spare key to Gojo’s old office, every surface thick with layers upon layers of dust. Indeed, there's a large desk, clearly one that hasn't been used for much too long, but it's huge and recognizes a mug with a cheery new teacher! printed on the side, filled with various stationery items. He’ll ignore that—he's too picky to use giveaway pens.

Window thrown open, leaving him with a pleasantly bright view of the gardens, he gets to work. Throwing a pair of rubber gloves on, glasses neatly put aside, he spends the rest of the afternoon deep cleaning, phone blessedly turned on silent. One month or not, Nanami refuses to work in an unkempt environment.

With nothing but the sound of a hard brush scrubbing on wooden floors, he does what he always does when he has a fraction of free time. He thinks.

There’s logistics. A lot of it. All of which Gojo decidedly kept from him, stemming from thoughtlessness or simple apathy. Principal Yaga asked him if he’s decided on if he’s taking a room for the duration of the month, to which Nanami had politely and immediately declined. Teachers are offered room and board at Jujutsu Tech, but the school also doesn’t get a lot of teachers. He’s seen what the lodgings look like. There are only a handful of rooms available and given how his luck is going these days, he’ll have to share a wall with Gojo. At this moment, that does sound like his own personal version of hell.

And he’s not a teacher. When he firmly corrected Yaga of the fact, he was waved off.

“You deserve some slack too, Nanami. For old time’s sake.”

Old time’s sake.

The day is too bright and pleasant to go down that line of thinking

So he falls back to thinking about Yuji instead, as usual. He’s pleased to see how happy he is at school and with friends, learning in a safe, school environment. Thinks about how he can improve said school environment—already he has a notebook of ideas, from all the way back when he was the one attending Jujutsu Tech.

The overlap between his time in Jujutsu Tech as a student and as a camp counselor (for lack of a better phrase) is far and in-between. A lot has changed since then, but the one thing that undoubtedly stayed the same—

The wood of the brush creaks in his palm as he suppresses a sigh.

It was to be expected.

He’s known Gojo Satoru since they were teenagers. Gojo was born not with power, but as power. SIngle-handedly, he restructured the jujutsu world down to its atoms, smashed the pre-existing hierarchy and stitched together a new fabric of reality. It's the world's biggest blessing that despite it all, his heart remains undoubtedly good. If he became a curse user…the world would end. Simple as that. Undoubtedly and unquestionably.

But.

With that level of power, that level of confidence, it lets you cut a lot of corners to the point that the paper is a perfect circle. He's grown a little bit since their youth, but he still remains arrogant. Childish. Ultimately immature. And to think that he handles the future of Jujutsu sorcery with that same callous attitude is worrying. He trusts Gojo, has no choice but to trust Gojo like the rest of the society does. But it’s a little different now, trying to trust him as a teacher, when Itadori is on the line.

It feels like everything is different now that Itadori is on the line.

Mulling over it as he gets on his feet, wondering if he can find a duster anywhere on campusHe trusts Gojo. But that doesn’t necessarily mean he has any fondness for him.

It takes a few more hours. As the warm orange glow of the sunset begins to wash over the office, he lets himself collapse into the comfy chair in the corner of the office, freshly fluffed and feeling his joints ache slightly as he sinks into the plush of the seat. He really should get into the habit of stretching more. A cool breeze flows through the curtains as he lets himself relax and enjoy the scent of a clean room and the fruits of his labor.

Reluctantly, he picks up his phone once more. Brows pulling into a frown, he reads the subject of the email:

Mission! Announcement!! Meet tomorrow in class at 8am SHARP! swimsuit MANDATORY

When he clicks on the notification, he finds that the body of the email is completely empty. For a horrifying second, he wonders if Gojo has somehow reached the age of 28 without knowing how to properly send an email. Silently putting his phone down, he lets his eyes close and ponders over feeling regret for agreeing to this.

His phone chimes once, twice more. Picking it up, he sees enthusiastic replies from both Kugisaki and Itadori, with a lukewarm Read. from Fushiguro.

He can’t stop the fond smile that spreads as he settles in to read their responses. At least the chair is comfortable.

—

Nanami didn’t have any expectations, but he’s disappointed in himself for not realizing it sooner.

“Heads up!”

He tilts his head out of the way, feeling the smooth plastic of a beach volleyball graze his ear, grimacing as sand tickles his cheek.

“Sorry, Nanami-san,” Kugisaki calls out apologetically, tone sincere even though she’s grinning wide. She tilts the brim of her bright pink sun hat so that she can properly meet his eye. “My teammate sucks.”

Fushiguro only shrugs in response, expression exactly as stoic on a beach as it normally is in a classroom. “Yeah.”

“More passion!” Kugsaki yells.

“Yeah…?”

Nanami leans backwards and lights rolls the ball towards them as they continue to bicker, and he watches from underneath the shade of the big umbrella that Gojo had propped up for all of them. My kids are too young to have wrinkles.

He digs his heel into the soft sand, his beige slacks rolled up to his knees as he takes in his surroundings. Had he known where they were going, he probably would have opted out of office wear for once.

It turns out the reason why they had to meet up so early in the day was so they could secure a decent spot at the beach, which they got in flying colors. They’re close enough to the water without having to trek too far, but enough distance away from the crowds that it feels semi-private. Sitting on a wide blanket with his shoes neatly tucked away so it wouldn’t get sprayed in sand, Nanami watches Fushiguro, Kugisaki, and Gojo attempt an uncoordinated rally of skirmish volleyball, with Gojo using the slightest hint of cursed energy the ball strays too far from his students.

“Not joining?” he asks. Turning his head, he suppresses a sigh as Itadori idly plays with the sand from the other side of the beach towel, body faced away from Nanami, silent. “Itadori-kun, you know how I feel about the silent treatment.”

Itadori cranes his neck to face him with squinting eyes, body still turned away stubbornly. “No, I’m not joining.”

“And why aren’t you joining?” He has an inkling as to why, but he wants to hear it from him.

Curling tighter in on himself, Itadori’s chin juts out childishly. “You kept a secret from me.”

“It wasn’t a secret, it was a surprise,” he corrects him patiently. He pauses, before adding, “I’m sorry I kept it from you. Like Gojo-san said, I wanted you to be shocked. I didn’t realize you’d be upset by it.”

“And you won’t do it again?”

“If you don’t want me to, then no, I won’t do it again.”

Defrosting immediately, Itadori grins and rolls horizontally until he’s lying next to Nanami, all grumpiness gone, wrinkling the towel along the way. He props his chin up on his palm, feet kicking in the air. “Honestly, it was such a good surprise.”

Nanami gives him a look. “Then why were you in a bad mood?” he asks, reaching over to smooth out the towel. “You weren’t upset about this yesterday.”

“Of course I’d be happy at the moment. You’re in Jujutsu Tech as my teacher!” He almost corrects him before just letting Itadori speak. “But when I thought about it…I don’t know. I didn’t like that.”

“Me keeping secrets from you?”

He rubs the back of his neck, nodding. “Gah, I know I’m being kinda weird about it. it just felt weird not knowing you, Nanamin.”

“But there’s plenty of things you don’t know about me.” He keeps his voice steady, trying to understand where he’s coming from. Itadori gets like this sometimes. Sometimes the stone that is Itadori Yuji is less of a shining diamond and more of a sinking rock that Nanami has to dive for before it hits the ocean bed.

“Not when it’s me related,” Itadori scoffs, like it’s obvious. “You tell me everything, even when it’s kinda rude.”

He doesn’t deny it. “And you’re no longer upset, yes?”

Itadori thinks for a second. “Nah,” he relents, shoving his hand into the sand and Nanami watches the grain trickle from his fingertips. “How can I be mad? I mean—“ yanking his hand back from the sand to gesticulate, Nanami doesn’t find himself minding when grains get all over his dress shirt. He’ll just have to be thorough with laundry later today. “My friends are over there, my teacher is playing beach volleyball with them, of all things. It’s summer.” Elbowing Nanami’s calf, “You’re here. It’s like I’m a normal kid, having a normal summer.” He closes his eyes, and he looks much, much younger like this. “It’s nice.”

The sound of the waves crashing on the shore fills in the peaceful silence between them. “If you’re a normal child, you should consider focusing on your studies more. Go to cram school. Perhaps apply for a part-time job.”

Itadori groans. “Can’t you just let me have fun?”

“Gaining financial stability from a young age is fun. You’d have the option to do whatever you’d like.” The idea fills him with unexpected calm. Itadori, older, more settled in himself, pursuing a career in something he’s passionate about. Or maybe it’s just the idea that he’ll reach an age where he’s old enough to think about his future beyond the next mission.

“I’m a 15 year old who fights curses and only passes algebra if Gojo-sensei is feeling really nice during exam day,” he laughs. “There’s not much I could do.”

Nanami looks at him. “If you believe even for a second that your abilities are limited to punching and kicking, I may have to express my regrets for being an adult who’s failed you.”

Seeming to sense the change, Itadori sits up hurriedly. “That’s not what I’m saying,” he says.

“I know it’s not,” he agrees, still waiting for an explanation. “Because I didn’t teach you to think like that.”

Itadori shifts in his place, picking at the fabric of the towel. “It’s not anything deep,” he says, going for casual and overshooting. “I’m just saying that I’m not that academic or anything. I’m not good at this whole Jujutsu thing yet, but I’m okay when it comes to fighting.” Nanami wants to correct him—the idea that Itadori’s only talent is related to fighting and physical prowess, but he strongly disagrees. It may be part of his talents, but his real gift is his heart. The ability to stay so consistent to his truest self, despite it all. Perhaps, it’s the reason why he can host the King of Curses. “But yeah, I guess it’s hard to imagine what else I could do. I just don’t know how I can translate that into…an adult thing.”

“That is the beauty of youth, Itadori-kun,” he replies. “This is when you find out what else you can do.” At the look of fear and apprehension on Yuji’s face, Nanami almost cracks a smile. This boy fights curses and bleeds without flinching, yet considering his own possible growth is enough to still him. “No need to overcomplicate it. What do you like?”

“What do I like…” Voice trailing off, Yuji looks around, like he’ll find the answer in the ocean waves or the squawking bird that flies by them. Finally, his eyes settle in front of him, where Kugisaki faceplants and falls directly into Fushiguro, Gojo pointing and laughing like the bully that he is. “I like my friends. Can I make money with that?”

Suddenly, Itadori’s eyes widened, and he could almost see the light bulb blink above his head. “I can make money with that.”

Just as he was about to ask for clarification—asking friends for money isn’t a reliable source of income—Gojo’s voice rings out. “Yuji! Join my team or I’ll fail you.”

“Put him on my side!” Kugsaki argues.

“I’ll fail you, too.” Gojo catches Nanami’s eye and winks from above his sunglasses, foregoing the usual blindfold today. “Your Nanami-sensei can back me up on that.”

“No, I will not.” Not a sensei.

“Coming!” Itadori yells back, scrambling on his feet. “See you later, Nanamin. Hey, let me borrow a tie later, okay?”

Itadori joins them without waiting for his response. That’s fine. They both know the answer will always be yes.

—

Money’s never been high on his priority list, but he does like the idea of more than dust motes in his wallet.

Itadori takes a deep breath, trying to calm the jitters in his chest by focusing on the warmth of the morning sun caressing his cheek. He’s sitting in the courtyard in front of a table that he found in an unused classroom on a stool that he had accidentally kicked over on his way there. With a composing nod, he straightens his borrowed tie that he just knotted together clumsily, reaches towards the edge of the table, and flips the sign:

OPEN FOR BUSINESS.

“Wow,” a voice coos behind him immediately, and Itadori doesn’t jump anymore. Gojo’s habit of simply appearing has lost its shock value. “Are you an entrepreneur, Yuji-kun? Should I invest in your company? Where do I sign?”

“Sensei,” he turns his head, craning his neck up to look at Gojo, eyes squinting against the sun’s rays. “Do you want to be my first customer?”

“Of course.” Moving opposite to Itadori, Gojo folds his knees in tightly to sit on the short stool, long limbs neatly folding in on itself. “And what exactly am I purchasing?”

“My advice—” Itadori starts, but Gojo gestures for him to come closer. Obediently, he obliges, and Gojo reaches forward to redo his tie. “My advice. Nanamin said I should get a job that I like, and at first I thought ‘I don’t really like a whole lot of things,’ but then I realized I like talking!”

“That you do,” Gojo placates. “Nanami said that? He doesn’t even like his job. Or the concept of any job.” Smoothing down the expertly-knotted tie, he leans back. “If you need money, I can give you an allowance. Megumi gets one.”

“Yeah, but—” Itadori waves him off. “That’s different.”

My sponsor, Fushiguro tells him once, begrudgingly. It’s one of those topics that have always come up in odd moments but Itadori just found it’s not really his business to ask. Fushiguro is a private guy, and even though Gojo would probably be more than happy to go in-depth about the subject, all Itadori needs to know is that they’ve known each other much longer than an average first-year would know their teacher. If it’s anything like what Itadori has with Nanami, then he knows everything he needs to know.

“You want to make your own way? I support it! Kids these days are so inventive.” Gojo pokes at the empty glass jar on the table. “Give me advice then.”

“Uh,” Itadori stalls, a little flustered under Gojo’s undivided attention when it’s only his first day on the job. For a moment, he feels a little silly. What advice can he give Gojo-sensei? He probably already knows everything in the world. “Advice on what?”

“How about…” Gojo hums, long and inquisitive, and Itadori represses the urge to loosen his tie. “Where should I go for lunch today?”

“Oh!” he exclaims, relaxing. It’s an easy out, the sturdiest of olive branches. Aside from movies, this is probably what he can answer the best. “Do you want something quick, fancy? Nearby, or warpable, maybe? I guess they’re all warpable, but I still don’t really understand how you do that.”

“How about your favorite?”

“My favorite?” Itadori laughs. “I wouldn’t recommend that one to anyone, sensei. It’s sort of run down. But the owner likes me. She gives me toppings for free.”

“Toppings?” Gojo asks. “Ice cream?”

“He’s talking about the hot dog stall down four blocks from here,” a voice from behind Itadori replies, and he feels himself grin. “Unfortunately, Itadori-kun’s taste buds have yet to evolve from when he was seven years old.”

“Good morning,” he greets, craning his neck back.

“Good morning. Is this what you wanted my tie for?” The usual monotone is present, but Itadori catches the way Nanami glances downwards. “You tied it well.”

“Thank you,” Gojo drawls, kicking his feet up so it’s propped up on the table, hands behind his head and lazy grin spreading. “No good morning for me?”

The monotone is immediately replaced with a thin sheen of iciness. “Hello, Gojo-san.”

Itadori doesn’t bother watching his fascination, eyes bouncing back and forth like a tennis match. He looks up to both Gojo and Nanami almost religiously, and takes their words to heart every single time, but for very different reasons. Where he can rely on Gojo to push him to his limits and training, Nanami’s there to make sure he doesn’t get to the point of limping afterwards. Where Gojo can be hidden behind layers of riddles that leave him dizzy and scratching his head, Nanami is so straight-forward that he feels practically winded afterwards. They’re the only reason why he’s improved so much despite being new to the Jujutsu world, and for that, Itadori will be forever grateful.

But despite his reverence towards both of them, the animosity crackles so intensely that he almost has to shield his eyes from it.

He doesn’t let it get to him, though. “So, yeah, I like hot dogs,” he finishes.

“I’ll have to try it sometime,” Gojo says. Straightening up, he pulls out his wallet—bright yellow, decorated with cartoon characters and peeling stickers— and slides a thousand yen bill into the jar. “Thanks, Yuji-kun.”

His eyes widened. “Wait, you can’t give me that—”

“He’s right.” Nanami leans over Itadori’s shoulder. “That’s too low.”

“Nanamin,” he shakes his head. A couple of hundred coins yet. Pocket change. That’s all he was really expecting, if anything at all. “It’s—”

“He just started,” Gojo replies. “I won’t spoil him. When he continues, then it’ll go higher. Like a normal job.”

“He’d have time to have a normal job if he wasn’t stuck in Jujutsu Tech for the summer.”

There’s a sharpness there that Itadori wasn’t expecting, and for a moment, it catches him off guard. A sneaky glance at Gojo, however, doesn’t tell him a thing.

A beat passes.

“Class is starting soon.” Nanami takes out his own wallet—deep brown, worn leather— and slides a five thousand yen note into the jar before turning. “I’ll see you both there.”

When he leaves, Gojo gets up, stretching. “We should get going,” he says cheerfully. Lifting Itadori by the hoodie, he sets him on his feet. “Are we feeling hot dogs for lunch?”

“Sure,” he says belatedly, distracted. Before he follows Gojo up to the classroom, he quickly flips the sign and snags the jar, not quite sure how to interpret his first day at work.

CLOSED FOR BUSINESS.

[newttxt]

apartment shenanigans

from utilities included, ch. 9 (mind the tags and rating!)

masterpost

[accirax]

(Whit did, in fact, gaf, but he wasn't about to let anyone know that.)

[shadowednavi]

it's been awhile since I've worked on this project! I've had this verse finished for months but didn't want to post it on its own, and instead wait until the whole thing is strung together to show the final result all at once. But I'm tired of holding onto it, so here is one section of my deltarune animation! My art tag has other clips if anyone is interested in seeing more~

(song: "The Hymn of Axciom" by Vienna Teng)

[hinamie]

fire nation festival wear aka a blatant excuse for me to push atla clothing design conventions to the absolute Limit

jjk atla!au with @philosophiums

[ruporas]

i’ll find you again in every universe. let us be a little more honest, let us have a little more time.

[skymantle]

what does it all mean.

[bluuscreen]

oh yeah. full drawing of the masters outfit from the first part of my lil fic series since i never actually drew it in full

[buwheal]

Merry (Kris)mas

[buttercupshands]

rewatched Kurogiri's holiday story from ultra impact (not related to sketch at all)

(but it did inspire me)

on another note

finally!!

[sparkdoesart]

News! I beat a game today and i also have a new interest wedged into my brain!

We finished poppy playtime chapter 3 today and i am not okay <33

I lovw them both so much i cant

[accirax]

Danganronpa: Despair Time Chapter 2 Episode 14 Dissection

I can't think of how to introduce this dissection other than just saying "god damn??". This chapter-- especially its second part-- has been a wild ride, and one that it appears we're nearing the end of. However, we still have one important question left to answer, which I'm sure I'll talk about here. So, let's chat.

SPOILERS for Danganronpa: Despair Time Chapter 2 Episode 14.

Also, I will be discussing Ace and Eden as equally likely blackened candidates in this post. If it will upset you to hear about the prospects of either or both of them being the killer, you might want to sit this one out.

Given what happens later in the episode, it's very interesting that the episode began with (more or less) Ace "admitting" that he has no idea how the murder mechanism worked. A truthful method of disqualification, or a masterful play by Ace to ask Teruko to ask him about the murder method only to pretend that he has no idea what it was? Time will have to tell on that one, because I honestly have no leads.

Similarly, is this Eden being genuinely shaken up and not remembering what transpired in the Gym, or trying to play the helpless innocent card to get out of having to help Teruko explain the murder method that she stole? Spoilers for my thoughts later in this dissection, I guess: they're so evenly matched that it's crazy.

I've always thought that Hu is the prettiest DRDT character, and this episode did nothing but prove me right. Hot damn, ma'am.

The insistence that this questioning is "traumatizing [Nico]" makes me think that Hu could be projecting her own experiences on to them. Perhaps she was once an innocent in a situation for which she kept taking the blame? That would be interesting as another connection between Hu and Nico, of both of them having taken the blame for someone else's follies.

This was a hilarious comeback; never change, Ace. Or, maybe you do need to change slightly, to become a less cowardly and impulsive person. Or maybe I should at least be rooting for you to have the chance to change in the sense that you live long enough to have that work out for you.

Yet another instance of J being the one to say that murder is bad. I wonder if this has to do with her character/backstory in some particular way (although given what we know about her past I have no idea what that would be), or if DRDTdev just needed a judgmental and confrontational person who would snap back at anyone to take over these kinds of lines.

(That's not me dunking on J's character btw she's valid for this)

This was a really clever way for Charles to phrase this to make Hu listen and settle down. I appreciate the out-of-the-box yet logical thinking. (Also I missed hearing Charles' voice :,D)

Woah, I was not expecting to get a Closing Argument comic for the Gym murder, but I am obviously delighted that we have one! Also, OH MY GOD, THE CEILING GRATE. How did none of us even think to consider that as part of the murder mechanism?

However, there are still some aspects of the state of the Gym that haven't yet been accounted for with this version of the murder timeline. I don't really think it's anything that would stop Nico from being Ace's would-be killer at this point, but I'll list them out here in case they are or in case they turn out to be relevant to Arei's murder. I'll also be trying to debunk them, though.

Moved Benches: Some of the benches near the pullup bar were knocked over. These probably fell either in some sort of struggle while knocking out Ace, or when Ace's body fell from the fan.

Moved Weight Rack: The weight rack was moved closer to the bench press and flipped on its back. I guess this really was also knocked over in the same fashion, no matter how unrealistically difficult it should have been to move due to its weight? Or it really was "workout preferences"???

Nico's Missing Cowl: When Teruko and Eden found Nico at the scene of the crime, they weren't wearing their typical dark cape thing. I have no clue why. You could say that Nico was trying to look less instantly recognizable, but it's not as if anyone (other than maybe Teruko) who saw a dark-haired 5'5" individual in a blue shirt instead of a gray cowl would think it was anyone other than Nico. There's also ye olde theory that they might have used it to soak up blood somewhere, but 1) Ace seems to have lost less blood than it may have seemed, and 2) the cowl was still not seen anywhere in the crime scene. I think I remember speculating that after Nico hypothetically used it to soak up blood (or, on second thought, maybe used it to gag Ace with the turpentine), they then stuck it in the fridge to hide it for the time being, at which point MonoTV discarded it and Nico got a new cape from their room. Maybe if it was used to apply the turpentine, Nico also could've put it away to prevent themselves from being affected by the fumes? I guess that's what I'm going with.

Lack of Tape on Pullup Bar: So, this one is obviously relevant to the murder already because Rose not being able to do a pullup is part of what tips off Teruko to the fact that something is off with the tape. However, I have no idea why the tape actually got removed from the bar. I still maintain that I don't think anyone could have stolen the tape off of that bar and repurposed it elsewhere-- most online sources seem to agree that kinesiology tape isn't reusable, and the fact that it was already wrapped around the bar in such a tight spiral would make it difficult to conform to any new specific shapes. My best guess is that Nico might have tried to use the bar instead of the light grate at first, determined that the tape was preventing the wire from sliding properly, and then removed the tape before determining the bar still didn't work. Or, Nico could have tried using the bar before settling on the broom, and thinking that it wouldn't work with tape on it... for some reason? Kinda scratching my head here.

I wonder how long ago it was. It's been four days since the Chapter 2 motive was revealed, although Ace was attacked only two days after the motive. Furthermore, Ace had started bullying Nico to some level already by the end of Chapter 1. I'm sure that Nico must have known what their secret was and probably didn't want it to be shared. My guess would be that they probably started cooking on murder pretty shortly after the new motive was released. That would also work with Charles-via-Whit letting everyone know what the custom weapons were in the first Class Trial.

This was the perfect response for Nico's character. They don't understand why an untruthful "sorry" would actually serve as a courtesy for most people, so they try to say what they feel and get ostracized for it.

Gotta say though, Ace, that was a pretty aggressive reaction from someone who said he "didn't need other people to tell him lies just to keep him happy" ;) (/j)

Damn, way to throw Levi under the bus. I can see why, for someone like Nico, they would want to assert themselves as not the most abnormal person here, though. I just want them to be neurodivergent buddies :(

If that's the case, then I'd have to imagine that we won't be seeing Nico as a killer again down the line. However, they could also just mean "getting caught"/"going in without a solid gameplan," so it's still possible we will. There's also the possibility of them doing something more like a sacrifice kill, although it would take a lot of character work to make something like that feel within Nico's nature.

Sorry to keep screenshotting every little thing Nico says but they keep saying really interesting things. The fact that Nico specifically mentions their father as opposed to "parents" or "family" makes me think that we'll hear more about their father specifically sometime in the future. Or, who knows, maybe their other parent left or died.

Nico: I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry.

This was very interesting as an addendum to the above screenshot. What exactly did Nico "ask for" forgiveness for in the past? Was it just more social blunders, as they described in ch2-e2, or did they get into more trouble closer to this level than we realized? It could also be an indication that Nico has spent time with people who believe that being nonbinary is a crime that Nico needs to feel sorry for. Fascinating stuff, indeed.

Points for Ace being the killer. We know that he went into this trial looking to suspect Nico ("[...] I'm pretty sure I know who the murderer is. It's not David, it's Nico"), so if Ace is the killer, it would make sense if he'd want to make the crime scene resemble Nico's to make his bait more credible.

Hey, it's the aforementioned T A P E T I M E, motherfuckers :D (still /j) Personally, it's quite gratifying to hear that it wasn't just a visual malfunction or a minor detail blown way out of proportion.

You're, uh... getting to this point much faster than I expected, queen. I don't think she's now going to go down the exact same distrustful rabbit hole that she was in before, but there's definitely still potential for her hopes to be crushed by the end of this chapter. Or, maybe she will accept some people as genuine friends, and instead in the future have to confront how she feels when she loses a genuine friend, or not blaming herself for the effects of her luck, or something along those lines. I like that Teruko isn't a static edgy protagonist, though. Like, don't get me wrong, I've always known and appreciated that she has depth, but it's refreshing that she isn't someone who's so stubborn about her own way of thinking that she refuses to admit when she's in the wrong. Teruko really wants friends, guys.

TERUROSE REAL??????

(Also Rose's speech was excellent as well I just didn't have anything in particular to say about it other than "wow" at the moment)

Yahoo, lockdown logic strikes again! Also, a quick

Is Teruko Correct In This Assumption?

Personally, I fully think yes, only Ace or Eden could be the culprit at this point. MonoTV confirmed that it tried to restore the Gym to the best of its ability but couldn't return the tape, which means both that there was no tape in the Gym to be taken and that there was never any spare tape in the Storage Room that MonoTV could have used to replace the roll. I guess you could say that there was an extra roll of tape in the Storage Room that someone else took before the murder took place, but that level of coincidence seems implausible at this point in the Trial.

No, for anyone other than Eden or Ace to have acquired the tape, they must have either stolen it from one of those two or asked for it from one of those two. Asking them seems very unlikely-- for starters, if it was Ace who took the tape, I don't think he'd be giving free hand-outs to anyone. And, if Eden isn't the killer herself, that means all of her fright regarding stumbling upon Ace's body was genuine. I don't think she's naive enough to then hand over what was used in Ace's murder to anyone asking... or at least not without bringing it up now. Beyond that, anyone who would ask either of them for the tape would have to know that the tape was used in the murder attempt, knowledge of which was very limited. This episode went to lengths to establish that Nico was the sole culprit behind the attack on Ace, and while it's still possible it could all be an elaborate lie, the explanation Nico gave felt very in character and important for their characterization moving forwards. So, while Nico would obviously know it was used, if Nico asked either of them for the tape, surely neither Eden nor Ace would trust them. Otherwise, I think Rose is the only one who could have found out it was gone, but even so, given that neither Eden nor Ace have tried to argue that Rose asked them for the tape, I don't think that happened.

You could also say the same of neither Eden nor Ace claiming to have had the tape stolen from them-- but I could see either of them feeling like claiming to have taken the tape at all right now would be a death sentence, so I understand why they wouldn't say it. Still, I don't know if the narrative is there to support the tape having been stolen from them. On the day after the Gym murder (Day 7), Eden isn't seen in the daily life at all. If someone stole the tape from Eden on that day, I would think that DRDTdev would at least want to show us who Eden was spending time with on that day (given that he put in the effort to make the tape sprite disappear from the Gym at the time it did), so that we would have any idea who might have done so. Ace is seen once in the Day 7 daily life, arguing with Hu, Nico, Levi, Veronika, and Arei. However, having just been attacked, I imagine he'd be hyper-aware of anyone getting close to him, and therefore would be more likely to notice if someone was rifling around in his pockets (if he has pockets?).

Really, I think the only possible candidates for who could have stolen tape from Ace or Eden would be Levi (mostly just for Ace) and Arei (from either of them). Levi might have had an opportunity to take the tape from Ace on the night he was attacked, the night of Day 6. Eden said last episode that Levi "kept trying to help him" after Ace was attacked, which could imply that Levi was the one to put bandages around Ace's neck. Furthermore, he does have a criminal past, which could make him better at stealing. Similarly, Arei is confirmed to be a good pickpocket, stealing Min's pen without Min noticing at all. I think she's the only one with the proper buildup to have taken the tape from Ace at that breakfast, and would be the most likely to have spent time with Eden when Eden was off-screen. (Although, it would have to have been before lunch, because Eden says the last time she saw Arei was at lunch.)

However, I don't think many people think that Levi is the killer anymore, and if Arei stole the tape from Eden or Ace only for the killer to then steal the tape from Arei, I would start to wonder why DRDTdev even made the tape such a scarce resource in the first place. Remember that, if the killer was purposefully trying to recreate Nico's idea, they likely knew in advance that they would need the tape to pull off their plan. It was used in enough places that seizing the opportunity to take it off of Arei seems unlikely, as it was too fundamental to the plan's inception. Besides, for the killer to replicate Nico's plan in the first place, the killer likely needs to be Nico, Eden, Ace, or Teruko, who are the ones who could have most easily taken the tape on their own.

I've already seen people accuse this Trial of being bloated, and while I strongly disagree (I only think cases are bloated when they're stalling for time and have nothing of interest to discuss, and we've still had PLENTY of interesting stuff to discuss), if we spent a whole 'nother who-knows-how-many episodes reversing all of the progress we just made to say that either Nico wasn't actually the one to kill Ace or that someone who didn't see the crime scene killed Arei, that bloating problem would only seem worse to those people.

I understand if you don't want to believe that Eden or Ace has to be the culprit for whatever reasons-- whether that be that they're your favorites and you don't want them to die or you really like your theory and don't want it to be false-- but I really think that this episode cemented that either Ace or Eden will be voted for as the blackened for all of the reasons above. Therefore, I shall be proceeding accordingly.

She was WILD for this. Hilarious line of reasoning.

What's Up With the Body Discovery Announcement?

The "reveal" of this line of logic was no surprise to me. As someone who's believed that Eden is the culprit for quite a long time, we've had to figure out ways to get around this thing before, and besides perhaps "not witnessing the murder," someone else seeing the body before the BDA rang is the most obvious way to cheese it.

However, in order for this to be a thing, we have to ask ourselves-- who would have actually seen the body first?

David claims to, but he has an alibi starting at 7:30 AM with Veronika and J. Both because Arei theoretically wasn't dead before then and because we've been operating off of the assumption that a meal takes about 30 minutes to eat, I don't think any of the three of them could have stumbled across Arei in the morning. Nico and Hu both have an alibi, which I'm going to consider solid enough to remove them from possibility-- one of them spotting the body would be helpful to make Eden the killer, and I think the only people who believe that Hu and Nico are lying only believe so under the condition that one of them is the killer. Whit is out, because him seeing the body beforehand doesn't actually accomplish anything, and so is Charles, because we can assume that, if he saw the body, he would be out of commission. I'm also going to strike Rose from seeing the body before breakfast, both because she's very likely to have been asleep and because if she had already seen Arei's body in the Playground, she probably wouldn't have refused to draw a diagram. That would leave only Ace, Levi, and Arturo as non-blackeneds who could have helped facilitate culprit!Eden from not being caught by the BDA.

However, we also have to consider that "before 8 AM" isn't the only time someone could have stumbled across Arei's body. They also could have seen it before Teruko, Eden, and Whit did while everyone was looking for Arei. So, what do we know about what happened during the search for Arei? Not much. Hu says that they should split up, while J says she's going to check Arei's room. Teruko says that most people are probably searching the first floor, an assumption that's supported by Teruko, Eden, and Whit not seeing anyone else while they check the second floor. You might think that would eliminate the possibility of anyone else seeing Arei's body during the search, but Teruko did say most people, not all. There's also what MonoTV said when Teruko and Veronika were investigating the Gym.

MonoTV: It's too high! If you stood in the movie screening room on floor one and started punching through the walls, you'd fall into the playground.

This not-yet-addressed piece of evidence got me thinking about the possibility of someone seeing Arei's body from above, standing in the Motive Screening Room. It still probably couldn't be Teruko, Whit, Charles, Rose, or J, but anyone else would theoretically be back on the table if that were the case. That being said, I can't find any visual differences in how the Motive Screening Room looks between the beginning of Chapter 2, when the search for Arei begins, and when Teruko goes to check the motive secrets (other than a curtain being added over the screen in the third case). So, unless there was already a heretofore unmentioned hole to peek through in the room, I wouldn't count on that being the case. The connection between the Motive Screening Room and the Playground will probably just be relevant to a different chapter.

Therefore, that leaves us once again with Ace, Levi, and Arturo. The main problem with believing that any of them could have seen the body beforehand is why they wouldn't have brought that up at this point in the Trial. Here are my best guesses as to why:

Ace: I have genuinely no clue why Ace wouldn't have brought up that he saw the body in the morning (assuming that he actually did) to defend himself at this point. It's not like it would make anyone more suspicious of you.

Levi: Levi does seem to be a bit dense regarding what is and isn't helpful behavior in a Trial, so the most likely possibility to me is that he just didn't realize that confirming he saw her was helpful. Like, "oh, I didn't realize that me confirming that I saw Arei would help us pin down Eden as the killer. I was just trying to figure out how David and I both saw Arei's body this morning and I didn't see him." "Wh-- David was obviously lying!" "He was?" "I already told you he was lying before..." "Levi... we talked about this..." Bonus points for it not being out of character for Levi to be unfazed by seeing a body, though.

Arturo: In Arturo's case, I think it would have to be that he'd still be worried about people seeing him as suspicious for saying he found Arei's body in the case of accusing Eden specifically. They already have a past history of conflict, and I could see someone brashly accusing Arturo of throwing Eden under the bus just to get revenge on her for the secret thing (even if I don't think he would actually do that). He also made an enemy out of Arei, so I don't think he would be particularly fazed by seeing her corpse either-- similarities to Felicity's cause of death notwithstanding. However, I also find it likely that he trailed after J in going to check Arei's room.

So, what's our conclusion here? Does this mean that Eden is basically fully cleared by triggering the BDA? I wouldn't count her out just yet, but the evidence isn't looking great for her. It's quite possible David only brought up this argument to A) hold out suspension of disbelief that it's not just Ace for a little while longer, B) drop this logic as foreshadowing for a future killer's plan, C) characterize the kind of logic he uses in a Class Trial, or D) bring up this argument in canon so that the people who theorized that the BDA might not clear Eden or Whit wouldn't be like, "wait, but what about...?" However, it's also possible that one of the possibilities I listed above, something I might have missed, or the "see no evil" idea (as FF put it) could keep Eden in contention. That dynamism is part of what makes Ace and Eden feel so evenly matched.

See, this is what I assumed David was getting at after Nico reminded me of his early-morning alibi. But then he just kept talking...

I'm not going to delve into what David was thinking here too much, because I already have an anonymous ask about what I think David's rationale was that this will almost certainly come up in. However, as a short version, I imagine that David is trying to get everyone angry at each other in the hopes that it'll incite another murder that he can get the class to fail? Or to cause enough discord in the group that they just fail this one. That would be why he also rags on Rose for not remembering the tape, and insults Arturo's sister-- he wants no one to trust anyone so that the murder-solving process will be as un-streamlined as possible.

The fact that he targets Teruko so specifically is probably because he (accurately) assesses her as the only real threat there. Charles and Rose can help, sure, but their mental struggles make them easy enough to eliminate if you play your cards right. Teruko's main flaw is her lack of trust, so if David wants to weaken her, it makes sense to go right for that jugular. Furthermore, by stating his plans so plainly and publicly, it might incite other people to fight back against him and say that Teruko should trust them. However, that kind of olive branch might make Teruko even less inclined to get close to them, if what Teruko said to Eden at the end of ch2-e03 can tell us anything. Didn't stop Eden from trying at the end of this last episode, though!

After taking some more time to think about what David was up to this chapter, I might change my mind on those being his goals. But, this post does serve as my initial thoughts of sorts, and that's what I initially think about this scene.

I wholeheartedly agree.

Does Ace Have Nothing To Do With Arei?

What Ace has to say is more or less true-- barring the breakfast in which Arei didn't talk at all (AKA, no conversation), Ace has literally never been in a small group event with Arei. However, although they didn't talk to each other, Ace did overhear the conversation between David and Arei, which does give him a connection to Arei. Quite relevantly, Arei did say this to David during their conversation:

Arei: You said that sharing our secrets would help fight against the motive. But when I think about it, not a single good thing has come out of that. Eden was stupidly naive, as usual, and tried to talk to Arturo, so now I have to protect her.

From this, Ace could probably surmise that Eden had Arturo's secret, she talked to him about it, and that Arei stepped in to save her from Arturo. He was one of the few people who could have known that Eden and Arei grew closer before the murder occurred: another connection Ace had to information about Arei.

However, before you use that evidence to call Ace the killer, let me remind you that he still doesn't have enough information to write the note from just eavesdropping on this conversation alone. As I outlined in this theory (same as the one I just linked above), whoever wrote the note had to specifically know that Arturo's secret was about his sister, which Arei doesn't divulge (quite possibly because she didn't even know) to David. Therefore, although Arei mentioning Arturo and Eden in this conversation is interesting, it doesn't actually make Ace any more likely to be the killer, because he still would have needed to find some way to spy on Eden's secret and/or Arturo and Eden's conversation to write that note. (Unless mentioning the sister specifically was an oversight plot hole, but I never want to use that as my reasoning.)

So, do I get what Arturo is getting at? Yeah, Ace and Arei were never particularly involved, and Eden clearly has a greater connection to the victim. However, there is more to the Ace/Arei bond than it might first appear, and it's possible that could come up in the Trial moving forward.

This distinction-- between "Arei was my friend" and "Arei could have been my friend"-- could be very telling down the line. Eden pauses mid-tear-filled rant to distinguish that Arei is not her friend, not because she's dead, but because they hadn't reached that point yet. Arei is not Eden's friend in death. What can that possibly mean other than that Eden killed Arei?

... BUT THEN HOW THE FUCK CAN EDEN GO AND SAY ALL OF THIS, BE THE KILLER, AND THEREFORE PROVE DAVID RIGHT???

AND THE "BECAUSE THAT'S WHAT FRIENDS DO" REFERENCE??? AT THIS HOUR????? I DON'T EVEN KNOW IF THAT MAKES HER SEEM MORE OR LESS SUSPICIOUS!!!!

OUGH AND THE MIN PARALLELS TOOOOOOO

MIN WAS TERUKO'S FRIEND BUT ALSO A KILLER. DOES THAT MEAN EDEN IS GOING TO BREAK THE CYCLE OR DOES IT MEAN THAT WE'RE STUCK IN A DOOMED STORY IN WHICH TERUKO IS THE PROTAGONIST? IT COULD GO EITHER WAY!!!

Jumping back in time for just a moment...

A Piece of Evidence That Lines Up to Them Only

I thought about making this its own separate post, but decided not to. If you guys want me to make this part it's own separate post so it's easier to find/comment on directly, let me know, and I'll set that up.

But before you can make your decision, I suppose I have to explain what I aim to do here. Basically, Teruko has told us that she's still torn between Eden and Ace (mood), and that, while she'll start off attacking Ace, she's looking for any pieces of evidence that could prove that only one of them could have committed the crime. Problem is, we have no indication of what that specific piece of evidence could be, and, trust me, it could be a lot of them. Thus, what I'm going to do in this "mini" theory is list out every piece of evidence that I can think of, and say whether it points to Eden being the culprit, Ace being the culprit, or it can't point to either of them. Perhaps once we're done, you'll see why I'm so conflicted on which of them it would be.

I'm going to tier these pieces of evidence in terms of least likely to be the missing piece to most likely to be the missing piece, starting with all of the aforementioned unexplained gym evidence. The knocked over benches and weight rack were not part of the replicated crime scene, and I have no idea how Ace or Eden would have wound up with any version of Nico's cowl. The missing tape on the pull-up bar has the greatest likelihood to be relevant, but as we're already suspecting both of them for having the tape, I don't think it'd be a decision maker. Any of those pieces of evidence would be likely to come up in proving that Nico wasn't the one behind Ace's murder, but this theory is operating under the assumption that Nico is the one who tried to kill Ace, and either Ace or Eden killed Arei. If you want the answers for your own theory, do your own homework. (/lh)

Ace or Eden will get a point for any evidence that I think would better be used to accuse them as being the culprit. Therefore, winning points is actually a bad thing if you want to be innocent. For convenience of "scoring," Eden will be purple because of her shirt and Ace will be pink because of his "maroon" hair... and because I needed red and orange for the likelihood ranking.

UNLIKELY FINAL PIECES OF EVIDENCE

Arei's Body Swinging: This evidence has already been used to establish that Arei was killed in the morning, not at night. Either Ace or Eden could have killed Arei at 7:30 AM, so point to neither of them.

Ace Trying to Assign Himself to Guard Duty: This one is obviously a point for Ace if it were the final piece, but it's such a minor happenstance that I doubt Teruko would think to bring it up as the main thing against him. Like, she could bring it up in general, but I don't think it'd be her crowning jewel. Still, it's a piece of evidence we haven't discussed yet, so credit where credit is due.

Arei's Bound Wrists: Bound by the grippy tape that either of them could have stolen. Point to no one.

Broken Playground Lights: The lights in the Playground are broken, likely from the mechanism being hung up through the ceiling rafters. You could argue that this is a point for Ace's strength, but I don't think throwing a ball that high requires so much strength that Eden couldn't do it, especially if you might be able to use the see-saw to launch it somehow. Point to no one.

Dried Up Puddles: This has nothing to do with either of them. Point to no one.

Carousel Wrapped in Tape: Again, either could have had the tape, so point to no one.

Two Pieces of Rope: Either of them could have taken the rope from Storage and cut it; point to no one.

Food/Utensils/Napkins in Trash: Probably David's dinner. Possibly evidence of Eden and Arei having breakfast together, but that's a stretch. Point to no one.

Cups/Tissues/Palette in Trash: Rose says these were hers. Point to no one.

Incense in Trash: I know thebadjoe had (has?) theories about this being used to conceal the scent of Arei's body being hidden in the Relaxation Room a day earlier than anyone thought, but I find that to be too much of a stretch to accost Eden for it here. I think it's just filler. Point to no one.

Grippy Tape in Trash: I should just stop writing out tape evidence. Point to no one.

Broken Jugs: The killer used jugs of water to make Arei heavier, which broke when she fell. They probably had the fish water in them, but we're not talking about the fish themselves at the moment. I'll say point for Ace because the jugs are probably from the Gym, and we've seen Ace in the Gym far more times than we've seen Eden.

Needle and Black Thread: This evidence... might have to do with the ball of clothes, which we'll get to later. However, if this is relevant to the murder, it's probably from the Dress-Up Room, in which we've seen Eden but never Ace. Point to Eden.

Construction of the Note: After a bit of internal debate, I'm going to call this a point for no one. Why? Well, it's because Eden would have reason to help construct the note whether she was the killer or not. If she is the killer, she might have wanted to guide the discussion that followed its reconstruction, to urge to Rose and Whit that she's innocent and that someone must have framed her. It would also give her reason to come into the Trial already having a handwriting sample on her. However, if Eden is innocent, she also easily could have just wanted to help out. Most importantly, Eden already brought up the note being constructed in her initial defense, so I doubt Teruko would reuse it as the nail in someone's coffin.

Splashing Arei With Water: Either of them could have thought of this and accomplished this. Point to no one.

SOMEWHAT LIKELY FINAL PIECES OF EVIDENCE

Body Discovery Announcement: While this may very well play an important part in solving the case, I don't think it'll be the final smash, so to speak. That's mostly because we already talked about it a lot in determining whether Eden could have done it. In the end, I think we'll either have to come up with a way to justify Eden having cheated the BDA-- by Levi or Arturo having seen it or via see no evil-- or we'll accuse Ace without the BDA being a problem. I guess I have to call this a point for Eden because if the BDA were to be the damning evidence, I think it'd have to be for her. However, in my heart, this is totally evidence supporting Ace being the killer.

Arei's Broken Neck: I'm using this as a stand-in for the strength of the killer, in the sense of lifting Arei up and being able to stop the carousel. This is a point for Ace, because he's a professional athlete and Eden is generally the weakest person in the cast.

Scratches on the Ground: This evidence certainly seems to indicate that there was a struggle at the Playground, but is there anything more to it than that? I'm more willing to believe that Ace could have beaten Arei in a fight, but does that point to Eden because there would've been more of a struggle, or Ace because Eden wouldn't have wanted to fight Arei at all? Ace also normally wears heels (while Eden and Arei don't), which is what Hu cites will naturally scratch up the floor. This evidence is vague enough that I don't think it'll be used to point to either of them, but if it did, I think it's more likely to be Ace.

Ball of Starched Clothes: For starters, I'll share (I think it's) thebadjoe's theory that the ball was adhered together using starch from the Relaxation Room that's sprayed on the plants at night, because I saw some people questioning how the clothes could have been stuck together. Anyways, the ball of clothes itself is definitely a point for Eden, because we saw her in the Dress-Up Room specifically looking for Teruko's clothes. Although, Ace certainly saw Teruko and Hu's new fits, so he could have figured it out for himself.

Actual Acquisition of the Tape: I don't think this will be used as the final piece just because I feel like the narrative is pointing towards the damning evidence relating to Arei's actual murder as opposed to Nico's. However, it's relevant to discuss, so I'll list it here. Although Teruko says that Ace and Eden had equal odds at the tape, on the surface, it really makes much more sense if Eden was the one to take it. Star explained it well here, but I'll add my own recap: in the moments when the tape must have been taken, in between when Nico leaves and when MonoTV kicks everyone out, Ace is recovering from unconsciousness, covered in blood, full of rage, and has all eyes on him. Meanwhile, Eden is scared, sure, but she had a clear moment to actually examine the scene of the crime and is also knocked to the ground-- potentially right next to the tape-- with all her wits about her. While it's not impossible to believe that Ace sleight-of-handed the tape, Eden had a much clearer path to taking it. Point to Eden.

MOST LIKELY FINAL PIECES OF EVIDENCE

Arei's Missing Glove: To my memory, Arei's glove hasn't been brought up in the Trial at all, which is definitely strange, because it must be missing for a reason. If DRDTdev is crafting so much detail into the BDA that the swinging of the body is plot-relevant, there's no way he would have just missed giving Arei her glove. The question is, what was this used for? Those who are familiar with my theories should know that I've never been a fan of dress-up theories, so I'm going to discount that possibility. The thing I thought was the most likely was that the killer donned the glove so that their hands wouldn't get super scratched up from grabbing the grippy tape-d carousel bars, before gleamingtempest reminded everyone that both Eden and Ace already wear gloves. Still, looking at them, Eden's gloves are probably made of something more like cotton while Ace's gloves likely have some sort of tougher grip on the inside. So, Eden would probably be more likely to need something else to protect her hands. Also, given that both of Arei's wrists have marks on them, the glove was likely taken off before her wrists were tied. I can't figure out why Ace would have taken off Arei's glove before restraining her or how he would have gotten Arei to take it off otherwise, while for Eden, at least, I can imagine her asking Arei to take off her glove. Therefore, I'm going to call this one a point for Eden, while also throwing out that it might just be missing if Arei didn't bother putting on her glove for the early morning meetup.

Fish on the Playground: You've heard it from me before, Eden has an alibi through the entire time the fish could have been taken. With seemingly no accomplices (other than possibly Arei) in sight, I don't know how Eden would have gotten her hands on those fish. Meanwhile, Ace had a great opportunity. Point for Ace.

Pieced-Together Note: This evidence is very confusing, because I don't see how/why either of them would have implemented it. For Ace, I wrote that entire theory (I'm not going to link it a third time) about how, based on the information in the note and the layout of the first floor, it really seemed like eavesdropping was impossible, and the person who wrote the note had to be Arturo or Eden. Then there's what thefandomenchantress pointed out about Ace's pedantry making it seem like he wouldn't misspell "responsible" in the note, and that he just doesn't give me the vibes of someone who writes in cursive. By all accounts, it really seems like Ace can't have written that note. But then again, why would Eden have written that note? Okay, bad phrasing; she wrote it to get Arei to come to the Playground. But still, why would she sign it? Or if she were to sign it, to make sure that Arei knew it was her, why include so much detail about what Arturo's secret was? More importantly, why wouldn't Eden have just stuffed the ripped up note into her belt, or her pockets, or her room if it would serve to incriminate her? Put it wherever she put that glove! Hell, why not eat the note, if it's a life or death situation? There's the "reverse psychology" argument, but similar to what Teruko said this episode, it would have been much simpler for Eden to have pretended that Arei came to the Playground for some other reason without the killer planting some sort of note meant to frame her. And it's not like I think Eden is really the type to misspell "responsible" either. So, I'm kind of at a loss. It's such a major piece of evidence that I feel it has to come into play again somehow, but I'm not sure how. I think I'm going to call this one a point for Ace because at the very least I understand why he would want to leave this evidence here, even if I don't know how he created it. For Eden, I don't get why she'd leave it lying around, even if in pieces. You can call it revenge for Eden getting the point on the BDA, if you wish.

So, what are the results? If you add up all the points together, you wind up with 6 points for Ace and 6 points for Eden. Funny. If you tier the points, however, with 1 point for unlikely pieces, 2 points for somewhat likely pieces, and 3 points for the most likely pieces, you get 12 points for Ace and 10 points for Eden. Of course, that's using my tierlist of which pieces of evidence are most likely and on top of that, assigning the BDA and the Note the way that they are (if you flip them it's 11-11), but still. If you're invested in my findings, these are the results.

Needless to say, I hope you can understand why I'm having such a hard time determining which one of them will turn out to be the killer. Although, I must add...

If we're suspecting Ace first before we've done our Debate Scrum, that's not a good look for Eden never being suspected again in this Trial.

Concluding Thoughts

What? A conclusion? I've never done one of these on a dissection before?!!

Yeah, well, this time, I have stuff to say that I couldn't really correlate to one image in particular! And also I ran out of images, so this is what you get!!!

I spent that whole "A Piece of Evidence" section talking about the physical evidence that could support Ace or Eden being Arei's killer, but in it, I really didn't get to talk about the narrative implications of either of them being the killer at all. I know that Narrative Defenses are typically Venus' thing, but I have my thoughts on this, too. Namely, that both of them are riddled with narrative problems for being the killer at this point.

(Note: I don't mean "problems" in the sense that DRDTdev has written anything poorly. What I mean is, my own perception of how the characters are conveyed has me currently raising red flags about how either of their stories will pan out as a killer or how the rest of the story will pan out without them. At the time the answer comes, I have full faith that I'll be satisfied with the results.)

Let's start by looking at Eden, the spotlight character of the end of this episode. After that whole heartfelt speech with the CGs and the tears and the brilliant voice acting and the everything, how could Eden possibly be the killer?! I'm the one who was trying to defend the possibility of her still being the culprit after her little rant last week, and while I could probably do that again with this speech, it just felt so... I dunno, sincere. You can really feel Teruko's reluctance to put her faith in Eden, but her choice to do it anyways. Teruko already showed signs of growth this episode by admitting that she can't always solve mysteries by herself, so could that be a sign that she might come around on the group faster than we initially anticipated? If Eden was the killer, it would crush Teruko so hard. Is there any recovering from that? Can we really prove David right?

On the other hand, Ace is, quite possibly, one of the most intertwined members of the cast. He's probably Levi and Nico's #1 correspondent, and he's up there for Hu as well-- assuming they both survive the chapter, I'm sure their animosity towards each other will only grow in Chapter 3. With Ace just having given up on Levi, having just been the target of Nico's battery and Hu's verbal lashes, can the story really work without him in it at this point? Eden hardly has connections with anyone other than Teruko-- Hu's probably next, but Eden probably ranks, like, fourth on her list after Nico, Ace, and David-- which should make her more expendable. Is it really Ace's time already?

However, despite my complaints, I also think that both of them could be really good options as the killer here-- the two options I prefer over anybody else.

Eden is the character who's most connected with Arei. She plays into the chapter themes of being a good person beautifully. She's a good person, a tragic figure, that killed not because she wanted anybody dead, but presumably because she had something back at home that she had to get back to at all costs. Killing her off would break Teruko-- would break everyone. With the reveal of everyone's secrets, next chapter is going to be a living hell, so why not make that hell worse by removing the biggest conflict de-escalator here? It would force other people to step up to bat. It would give everyone a chance to change, what Eden wanted for Arei most of all. Eden's development isn't an arc, per say, but a fall-- a reminder that even the "most good" people can do the unspeakable.

Meanwhile, Ace has perhaps the most obvious reason to kill someone: he literally almost fucking died himself. Ace's execution would be a reminder of the physical reality of the killing game. That actions have consequences. Even if the guy who started all those fights is dead and gone, you can still feel his presence lingering in the arguments between the others. The guy you underestimated most of all-- not for being kind, but for being dumb-- can send you into a multi-hour spiral in which you accuse even the sweetest of participants. Ace's development isn't an arc, per say, but a fall-- a reminder that reveling in your own distrust and anger might lead you to do the unspeakable.

For someone who's spent so long believing that Eden is the culprit of the chapter, it's really amazing how down-to-the-wire DRDTdev has made the end of the case, where either option feels so believable that it's like you can picture the rope in their hands. Whether my theories, old or new, were right or wrong, I am highly looking forward to watching next week's episode and discussing it with you all. See you on Friday-- just try not to freak out too much before then, alright? (/aff)

[laugtherhyena]

Genuinely don't remember how long it had been since i last worked on a Cg edit before this

While I don't think it looks on point with the game's ones, I'm super proud of how this turned out! I've been wanting to make a Cg styled chapter art for a while now :]

[ganondoodle]

id probably have more success as an elden ring/fromsoft artist but alas, my heart still belongs to the legend of zeldas most unpopular villain, oh well..

chapter 2 rough draft is approaching 70 pages, im confident i can start painting it this week :3

[ruporas]

can’t talk about it

[ID: Black and white comic of Vash and Wolfwood from Trigun Maximum. The comic starts with the sounds "thud, thud, click". Vash, mid-action of peeling an apple, turns to the sound, noticing who it was that entered, and says, "Oh, Wolfwood, you're back." He resumes back to his apple in the next panel as he speaks, "Where'd you go? You snuck out of bed quickly this morning..." Wolfwood's hand then enters the panel, hovering over Vash's cheek and Vash looks up as Wolfwood asks, "Can I?" Vash responds, "Not going to talk about it?" while using a hand to gently hold Wolfwood's hovering hand and presses a kiss to his inner palm.

Vash then gets up fully, setting down the knife down on the table and the apple onto a plate, He leans into Wolfwood as Wolfwood explains, "Had to meet someone. Nothing interesting to talk about." Vash kisses Wolfwood's left cheek and a hand moves to cup his other cheek while muttering, "You're being vague." Wolfwood says neutrally, "If yer really that curious, keep askin'. We  can talk about that instead of doing this." Vash leans back and responds, "Let's talk after, since... You look so tired."

The panel pans to a close up of Wolfwood's downcast eyes, bags heavy underneath his eyes. He doesn't allow Vash to sit in that moment for long though, then saying, "Yer not helping, Spikey. Being all slow with it... I could fall asleep right now." He moves his hand to start unclasping Vash's coat, starting from his collar. Vash with red cheeks, responds briskly, "Oh, shut up. I'm worried about you. I can't be worried?"

The final shot shows Wolfwood's back to the viewer while Vash's softened expression can be seen as he holds gently onto the side of Wolfwood's face and a hand firm on his waist. Wolfwood responds, "I'm fine, seriously," pausing for a moment before continuing, "Is it okay to still..?" Vash responds, "Yeah, it's okay."

The next image is a shot from later that night after the previous comic. Vash and Wolfwood are now in bed, half naked. Wolfwood's buries his face into Vash's chest, his arms wrapped around him, while Vash is petting at his hair. Vash reminds him, "Hey. You said we'd talk about it." Wolfwood pauses for a moment before piping up, "In the morning? I'm sleepy." Vash says, "Okay..."

The next two pages start from the morning after. Wolfwood is already fully awake, pulling on his outer jacket as he says to Vash, whos' still bundled in his blankets, "Breakfast is on the table. Make sure to eat it. I'm going to grab some things in town and then we're leavin'. Got it?" Vash says, "Mh." Wolfwood responds, "Good. See ya in a bit." The dialogue starts to shift into Vash's inner thoughts now, as he gets up and eats toast, thinking, "Wait. Weren't we supposed to... talk about it?" The next shot then shows him fully up, meeting Wolfwood in town. He carries a half worried expression with him while Wolfwood slides on his glasses for him. A quick panel shows Wolfwood's tired expression from the night before and quickly juxtaposes with Wolfwood in front of him who's smiling gently, the shades covering his eye bags. Wolfwood asks him, "Still not awake yet?" Vash pauses, his thoughts stirring, thinking, "Oh. I guess I was getting ahead of myself... thinking you owe me that kind of honesty." He smiles at Wolfwood and responds, "I'm awake!" His thoughts continue, "Maybe one day, you'd trust me enough to share your burdens."

The final image shows Wolfwood pulling at Vash's cheek and Vash complains, "Owwwww why..." Wolfwood quickly says, "You were thinking something stupid, right? It's all over yer face." Vash mutters, "Nooo, I wasn't..." END ID]

[volivolition]

DAY 4: DRAMA - Put on your prettiest face for the masses!

gonna start adding silly captions actually. [POINTS ACCUSINGLY] MELTY FUCK (AFFECTIONATE)!!