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tarysande · 4 years ago

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A tale of dissecting the chronology of a trailer (in which chronology is made up and the voiceover definitely matters—but doesn’t always align).

LUCIFER SEASON 5 TRAILER SPOILERS AHOY.

Me: I avoid spoilers!! Don’t spoil me!!

Also Me: Hark! Is that a trailer I see before me?? Better analyze it frame by frame!

So, the truth is, I don’t know most of the other BTS stuff and I really don’t want to. I haven't seen the episode titles. I do know Neil Gaiman’s not ... reprising his role. I’m going on ONLY what’s in the trailer, so some of this speculation may already be wrong.

First: a moment of AWWWWWWW YEAAAAAHHHHH because I’ve wanted Twin!Michael for years.

Okay. Moving on.

Trailers are not chronological. They are magic tricks, designed to manipulate their audience.

Now, chronologically, the crime scene with Ella is at (or very near) the beginning because I’m preeetty sure the victim is Mr. Said Out Bitch (RIP; obviously they did not think they were getting a S6!). It’s hard to make out exactly what Chloe is wearing. Dark jacket, dark shirt with a t-shirt-like collar.

Okay, we know this is Lucifer; we know this is what he was wearing when he went to Hell. Very, very, glowing in the black light white shirt. This could be at the beginning? We assume it is because of how it’s placed right after the goodbye from s4, anyway.

Look how haggard he looks. Like, Lucifer. You need some sleep, buddy. Those dark circles have dark circles. My heart hurts.

Okay wtf, my heart hurts here, too. We assume that Chloe’s pajama(?) stakeout and drinking/dancing and her looking up (and looking super sad on what I think is Lucifer’s balcony) are part of the “since you’ve been gone (everything sucks)” montage.

I will say it’s very possible that “shots at the bar” happens after “crime scene with Ella.” Chloe’s wearing a black jacket and Maze’s arm is bare. Perhaps this night of drowning sorrows (again) is what leads to the conversation (the next day, I think) between Chloe and Maze (“We don’t need him”). In that scene with Maze, Chloe’s wearing a pinstripe blazer and grey t-shirt. Which is important, because that’s the outfit she’s wearing here (in what I would guess is Mr. Said Out Bitch’s home):

I know the assumption is that this is Michael. Although, I wonder how Michael knows the crime-solving Devil song, and the mannerisms (tugging on the sleeves, “Hello, bad guys” as he strolls in) are definitely Lucifer’s. As is the outfit, which is a perfect mirror of the one Lucifer wears in Hell: black suit, white shirt with texture, red pocket square. (Also, no evidence of Michael’s injury.)

Other questions: If he’s so good at playing Lucifer here, why isn’t anyone taken in by him when the grey sateen shirt (hold that thought) appears? Where has Michael been? Why is he here now?

So, I think it’s the combination of his non(?)-reaction to Chloe kissing him and the expression on his face that Michael this up, right? That it’s shown while Michael is voiceover monologuing is also an indicator (but could just as easily be a misdirect because Michael’s not speaking in the image in front of us, and it’s not like we’ve never seen Lucifer make this kind of face before).

(Incidentally, the non-reaction to the kiss could also be seen as in-character for Lucifer; he can’t be sure of his reception, which also plays well with his hello-bad-guys/cocky-to-cover-insecure entrance.)

If it is Michael in the shooting/hug scene, he may START by playing Lucifer perfectly, but that degenerates.

We know this is Michael. There’s some evidence of Michael’s injury in the unevenness of the shoulders. It is NOT a white shirt. It is a grey shirt with a bit of shine; sateen, if you will. We’re going to see a lot of this shirt.

Michael: grey sateen shirt. Also, Chloe’s wearing the white and black striped (VERY FUNNY, COSTUMING DEPT.) shirt she’s wearing when she tells Linda that Lucifer is acting different—so we assume this is the day(?) after Michael shows up. (There’s also a slight possibility that his Lucifer 2.0 bit is his introduction.)

Michael. Black wings. TINY STRIP OF GREY SHIRT at the wrist. So, we assume this happens right after the previous Chloe-with-Gun moment. Michael might want to mess with his brother, but he doesn’t want Chloe to die—there’s even some protective head cradling. So. There’s that.

Michael. Lux. Still the grey sateen shirt. Important: Amenadiel is wearing a shirt and tie.

In the bit where he’s (presumably) talking to Lucifer in Hell (“He’s stronger than you think.”), he’s wearing the same Lux-grey-sateen-shirt-Michael suit and tie. I’m guessing Amenadiel was like “Do not pass Go, do not collect $200″ and pops down to Hell ASAP.

The “He is stronger than you think” line also makes me wonder if Lucifer hasn’t worried—or even thought—about Michael because he believed his twin was broken beyond the possibility of being a threat (presumably by Lucifer; I think there’s a Rebellion-related, bad-blood, mutually-assured-destruction story behind Michael’s injuries). That hubris/pride is pretty much what gets Lucifer into 925% of his problems, after all, so it would be in character.

Oh, Luci. Why do you assume you’re the smartest in the room? Soon that attitude may be your doom.

Michael is ALSO wearing the grey sateen shirt when Maze shows up and he admits he’s not Lucifer. A lot happens on the day of the grey sateen shirt. To me, this means everyone’s onto him right from the beginning. Also, it means the trailer is pulling pretty heavily from just this one out of the eight episodes. The first episode, unless I miss my guess.

Now, going by wardrobe, we enter a very jumbled section. We’ll call this the Dark Days of the Turtleneck.

During the Dark Days of the Turtleneck, we see Michael fight with Amenadiel in the time-stopped precinct. One assumes Michael’s not even pretending to be Lucifer anymore because ... turtleneck? Bloody hell, might as well be board shorts and Crocs. Note: Michael is NOT wearing (Lucifer’s) ring, here.

Again, the voiceover is misleading because suit-and-tie Amenadiel in Lux and Hell wouldn’t have had a chance to fight (wearing a red jacket) with Turtleneck Michael yet.

At yet another point, we see grey-knit Amenadiel fight with zip-up-halter Maze. Whatever’s going on, Amenadiel is getting around (on different days). And apparently everyone is mad at him.

Okay, so this happens after Michael’s had time to “make a mess.” Of what sort, though? I mean, the penthouse looks fine, so ... what haven’t we seen? What has happened between grey sateen shirt Michael and brown blazer turtleneck Michael? Note: Michael’s also not wearing (Lucifer’s) ring, here. I think Michael’s true lack of fashion sense is turtlenecks and roomy blazers. Yikes.

Well, we assume it’s a mess of Lucifer’s life on earth ... but is that possible? All the evidence points to pretty much everyone knowing sateen-shirt Michael isn’t Lucifer right away, so how could he have had the time or the leverage to make a mess that involves them?

And if Michael doesn’t mean he made a mess of Lucifer’s life on earth, does he mean a more far-reaching mess? A much older mess? Something celestial? Something involving Hell? Something involving the Rebellion (have they seen each other since?)? Something involving God? Something involving whatever or whoever the REAL Big Bad of the season is (because I really doubt it’s Michael)?

How long has Michael been ... watching? stalking? Lucifer? Has he been involved in any of the other stuff that’s happened over the years? Was he the one who let Mum out of her cell?

But MOST IMPORTANT: How does he know the crime-fighting-devil song????

Well, whatever that mess is, Lucifer’s pretty pissed off about it.

White shirt, white wings is Lucifer (he was also wearing his black jacket, but not a red pocket square. Note: he has had time to remove his jacket and put his wings away before throwing a punch!). TRAGIC turtleneck under a blazer (with different-colored trousers) and the obvious injury is Michael. But it’s not grey-turtleneck Michael—more than one turtleneck, how dare—so we’re at a different time, chronologically speaking. Could be before Michael’s precinct-fight with Amenadiel, even; we don’t know the chronology of those turtlenecks. We just know Michael, for some unknown reason, chooses them.

Later:

Okay, I think these two scenes happen in the same episode; Chloe’s outfit is the same. And I think that episode happens a bit later in the chronology. Why?

‘Cause Chloe doesn’t have bangs, yo. And anyone who’s tried to grow out bangs can tell you IT DOESN’T HAPPEN OVERNIGHT.

Head-scratching brown suit aside, that’s Lucifer and not Michael. Because this has to be after Michael has shown his true turtleneck colors. Lucifer also seems to have trimmed down his post-hell angst-beard.

Chloe’s hand-injury is probably from that explosion. Her heart-wrenching anguish, though? I don’t know what caused it, but my hurt/comfort-loving little heart wants it now.

We have no idea what Michael’s doing at this point: we don’t see Michael with no-bangs Chloe.

Which leaves the scenes that have had Twitter freaking out for most of the day:

This might be after black-shirt-Chloe-anguish-explosion. I know it looks like bangs, but I think it could also be hair-pushed-behind ears; in the shot where you see her standing in front of the elevator, her “bangs” look long enough to be tamed into a no-bang ponytail. But then ... no hand injury.

It could also be a dream (looking at you “Love Handles”) or a Hell-torment.

In any case, it is 1000% Lucifer and not Michael. Every single moment of every single micro-expression is entirely That Look Lucifer Only Gives To Chloe Decker (I wrote a thread about this on Twitter today), and Michael is just NOT that good an actor.

I actually find this shot more baffling. It’s Lucifer’s shirt; it has men’s-shirt buttons. Is it a morning after? (But not the morning after the wall scene, because Lucifer was wearing a black shirt there.)

Is this a dream?? A HELL TORMENT?? Look, I just do not trust anything that looks like something the fans have wanted so badly. We were all there for elevator dream sex and Lucifer wing dream reveal. We know how these people work!

(Granted, they also sometimes give us axe scenes and beach kisses, but...)

I have about 32634 things to say about LIGHT AND DARK TWIN BROTHERS IS EVERYTHING and also FURTHER EVIDENCE OF QUESTIONABLE CREATION/PARENTING, but I’ve already been working on this for hours, and that screaming is, I think, best reserved for another post.

In conclusion, ahh the sweet, sweet song of hyperfixation. I missed you, buddy. You and your neurotransmitters. Welcome back.

For now, I’m just gonna tricycle off to hell in anticipation of August 21st.

Guys, seriously, how the hell does Michael know the crime-solving-devil song???????

#lucifer on netflix #lucifer morningstar #chloe decker #deckerstar #lucifer s5 #lucifer s5 spoilers #lucifer spoilers #lucifer speculation #lucifer meta #lucifer thoughts #lucifer s5 trailer #long post #lotsa text #LOTSA PICS

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atlasishere · 4 years ago

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I Bake Sins Not Tragedies pt. 1

Characters: Logan, Virgil, Patton, Roman, Remus, Janus, Remy, Emile

Relationships: Analogical(eventually), Royality (in progress), Dukeceit(background), Remile(background)

Word Count: 7568

A/N: I wrote most of this before the newest Sanders Sides video, so if Janus’ name is incorrect, sorry, let me know if it is.

Taglist: @normallyaspen @watchoutforthefanfics @superwholocked-for-life (if you wanna tagged when the next part is uploaded or whenever I write, let me know)

Virgil “woke up” at 6:00, meaning that he snoozed his 6:00 alarm until 6:30 when he had to get up for work. He got up, put on his black jeans, purple shirt with long sleeves that would end up getting rolled up, and grabbed his hoodie. He walked into his kitchen and grabbed the pizza from about two nights ago and ate it cold. He put on his converse and walked to his bakery, arriving at 6:45 with just enough time to set up before his first customers walked in. He went through his day, making his baked goods, jamming to his emo music, eternally grateful to his brother, Patton, willingly helped him run his bakery.

Logan woke up at 6:00 sharp, got dressed in jeans and a black short-sleeved polo, gelled his hair back, and ate a simple breakfast of cereal and eggs. He read a book until 7:30 when he left to go open the tattoo parlor he worked at.

These two men lived their lives separately until one fateful day. Virgil had decided he wanted to get a new tattoo, something simple. He had considered getting something in remembrance of MCR but he already had one. He already had a flower for his dad, a Starbucks cup with sunglasses for his ren, and a blue heart with glasses for his brother. Along with that, he had some lyrics from “Na Na Na” by MCR. So Virgil went through the things that are important to him and decided to look up symbols for them. He had found a couple of ideas and sketched them. As he was doing this, he looked at his copy of Coraline on the bookshelf across from him, and inspiration hit. He sketched two black buttons and a spool of thread and called his brother out, “Yo, Patton. Come look at this tattoo idea.”

Patton walked out, looked at it, said, “I like it, what’s the inspiration?”

“Coraline, the buttons were supposed to take her to this life of ‘happiness’ but it would have led to more pain and she discovered that her own life wasn’t as bad as she thought. It was all about her perspective,” Virgil shared, having clearly thought this through as he sketched it.

“I like it. Where would you put it, dear sibling?” Patton asked.

“Well, somewhere I would see it daily. Also, I use ‘they and he’ pronouns so no need to use sibling,” Virgil answered, “Heck if you wanted to use ‘she’ I wouldn’t complain. When I came out, I said I am indifferent to pronouns.”

“I know sib, but I like using the more neutral pronouns, a habit I picked up from Remy for a parental unit,” Patton countered.

“Fair point, but with my fluctuating gender, it’s kinda pointless,” Virgil argued.

“Oh freaking well, deal with it,” Patton said, ending the argument, knowing that Virgil wasn’t irritated.

Virgil decided that he needed to put his stuff away and get back behind the counter and help his brother.

A full day of baking, serving teens and college students, and cleaning up, Virgil walked home. As he did so, he was paying close attention to his surroundings, looking for tattoo parlors that he could look into. As he was walking, Virgil saw a sign for a tattoo parlor and decided to check it out.

Logan heard the bell above the door of the tattoo parlor where he worked ring and looked up to see a man dressed in black jeans, a light purple top, and a patched hoodie. As the man approached, Logan decided to partake in his favorite activity, at least while at work, guessing their tattoo, he guessed it was probably song lyrics from one of those emo bands. It turns out that Logan would be pleasantly surprised.

“Hi, I am new in town and looking for parlors to get this tattoo that I want. I was curious if you had any examples of some of the work that you guys do,” the man asked, with a deep, smooth voice that caught Logan off guard.

“We have several artists with different specialties, so it depends on what you want. Do you have a picture or sketch of what you want?” Logan asked, keeping it professional but giddy to figure out if he was right.

The man pulled out a square piece of paper and said, “It’s not super complex,” Logan stared at the spool of thread and black buttons as the man continued, “It’s based on the book “Coraline” by Neil Gaiman.”

So, Logan was wrong, “I mean most of us could do that but I like to think I am the most qualified.”

“Got any examples of your work?” the man asked cheekily.

Logan decided to get his best friend up here who happened to let Logan do all of his tattoos, “Roman get your lazy ass up here!”

“Lose again specs?” Roman asked as he got up.

The man looked confused and Logan decided to change the subject quickly and said, “Show this customer some of my work please.”

“If you wanted me shirtless, all you had to do was ask,” Roman countered as he removed his shirt to show the tattoos. There weren’t many but the ones appeared to be sentimental and detailed.

“I may be pansexual, but I am not desperate,” Logan said, continuing the banter.

“Wow, rude, and in front of this fine young person too,” Roman said, pretending to be hurt.

“Well, they probably didn’t want to see your chest either, but you refuse to get them anywhere but your back and chest,” Logan countered, clearly noticing the way Roman had glanced at the bracelet on the customer’s wrist that said he/they. They looked surprised that someone had noticed that.

“Well, maybe I don’t want to ruin my wonderful arms or legs, Mr. Andy Hurley,” Roman said, attempting to defend his honor.

“I’ll take that as a compliment since Andy Harley is a very attractive man and I do enjoy a good amount of Fall Out Boy,” Logan countered.

Roman scoffed as Logan turned to the customer and said, “I guess I should introduce myself, formally. I am Logan Croft.”

The man smiled and shook Logan’s outstretched hand firmly as he replied, “I am Virgil.”

“I would like to apologize for my fiend, I mean friend, he gets quite excitable at times,” Logan said as he glared at his friend.

“Actually, I like your work and wouldn’t mind getting my tattoo here. May I make an appointment?” Virgil asked.

Logan looked astonished as he said, “Sure, when would you like to?”

“I don’t work until later on Saturday, would that work?” Virgil asked.

“Yes it will,” Logan answered.

Virgil nodded then gave a quick wave goodbye as he left. Logan watched the door close and turned his head to see Roman with that impish look he got.

“You like him!” Roman shrieked.

“No, too soon to tell,” Logan said, “Also what happened to ‘they’?”

“His bracelet said, ‘He/They’. Also, if not yet, soon. I mean he’s cute so I understand but not my style,” Roman said, “I mean his brother’s pretty cute and comes to my pharmacy and I’ve had my eye on him for a bit.”

“You know his brother?” Logan asked.

“Well, they own that emo themed bakery up the street from the pharmacy where I work,” Roman shared.

Logan took Roman’s statement as food for thought as he left the parlor, waving at his coworker goodbye. He walked home and thought about the customer who had come in so close to the end of his shift. Logan didn’t necessarily believe in soulmates, fate, or chance since there was no scientific proof but he also had an emotional side and hope. Soon after he thought this, Logan’s logical side won over and said that there was no reason other than the obvious convenient coincidence. He entered his simple apartment, grateful that his roommates weren’t home. He started cooking dinner, which was almost finished as his roommates, Roman and his twin brother Remus, walked in. Roman had gone to get Remus since Roman had used their car to get to work so he had to drop off and pick up Remus. Roman’s job was farther out than Logan’s and Remus’ who couldn’t walk to work either. It was a weird set up but they shared a car since neither of them had the money for a second car. Logan didn’t have a car either, he was saving up his money to pay off his loans and hopefully to find a good job somewhere science-related. As the twins dropped their stuff off at the door, Remus was talking about his job at the zoo and the newest animal exhibit there. Logan looked at the very chaotic person who enjoyed handling the animals. His brother, however, was clearly ready to tell his own work story. To prevent a fight, Logan said, “Hey, set the table boys.”

“Okay mom,” Roman said, chuckling. Logan had learned that Roman and Remus thought of him as a motherly figure.

They sat down for dinner as Roman talked about how his day at the pharmacy went, “Someone who was a regular, came in for their antidepressants and had said, please remember I am paraphrasing, ‘Do you have the potion that shall help me, O’ wise mage’ to which I said a simple yes. They responded with, ‘I thank thee, no curse shall leave my lips that will torment you’. They left the Walgreen’s and I realized that was fairly normal for me. Anyway, Logan, got any good stories besides that cute emo coming in?”

Logan would never admit this to anyone, but some blood rose to his neck as he responded, “No my day was normal, including the man from the bakery. However, I seem to remember something about a cute brother that works with him from you Roman.”

Remus snickered as he watched his two roommates who were definitely crushing pretty hard. He was glad that he was behind those days, having a boyfriend and all.

That night, Virgil walked home to his apartment that he shared with his old college roommate, Janus, who was making spaghetti for their dinner that night. Virgil set the box on the table that held some “Hey Youngblood” thumbprint cookies from their bakery. Janus looked at the box, pointed a spatula at it as if to ask the contents. Virgil answered the unasked question, “Thumbprint cookies, made with Crofters. And no, I am not calling the cookies by their name because I say it enough at work.”

Janus smiled as he responded, “Well maybe you should reevaluate your decisions then.”

“How about no. I like my bakery as it is, I just kinda regret letting Pat choose the names for the baked goods. By the way, he hasn’t named everything on the menu,” Virgil confessed.

“Should you talk to him? Is it that big of a problem?” Janus asked, genuinely concerned for his friend.

“No, it’s not that. It’s just that it gets a little annoying at times. His puns are super clever though so it’s honestly all good,” Virgil answered, truthfully, recognizing the look on their roommate’s face.

Janus nodded, believing his roommate, as he served the spaghetti. The two sat down to eat when they heard a knock at the door. Virgil got up and checked to see who it was, it was his brother Patton. Virgil opened the door to let him in and as soon as he crossed the threshold Patton exclaimed, “I fucked up real bad. I mean really bad.”

Virgil sighed, probably had to do with the cute pharmacist that stopped by their bakery. Not that Virgil could complain since he usually did the same with Patton but if it was the same person, Virgil thought he might scream. But before he could, Patton continued with his story.

“So you know the pharmacist who comes in on occasion, well I was at the drugstore where he works and I was unaware that I was speaking with him. So I said, ‘I seek the cure to the darkness in my brain’ and he went through the normal stuff and I had to continue being normal so I responded with, ‘I thank thee, no curse of mine shall harm you’ and now I definitely ruined any chances with him.”

“Patton, I am sure that if he would’ve dated you, he would have been exposed to you and you’re, sometimes, eccentric qualities. I am sure everything will end up being okay,” Virgil said, attempting to comfort their brother.

“And if it is necessary, I can and will murder,” Janus chimed in, unwelcomely.

“Says the lawyer who prosecutes murder cases,” Virgil quips while making the universal sign for shut the fuck up, the middle finger.

Janus stayed quiet while Virgil worked on reassuring his brother. Eventually, Patton nodded and appeared to have calmed down. When Virgil invited him to stay for dinner, Patton had turned down the offer since he needed to head upstairs to talk to his roommate since he hadn’t been home.

Virgil sat down at the table with his roommate as Janus’ phone received a notification. Virgil could tell from the look on his friend’s face that it was Janus’ boyfriend texting him.

“Share the news, Janus, I know you are dying to,” Virgil said as he looked at his plate of spaghetti.

The lawyer smiled as he said, “Well, Roman, the brother of Remus, has started an incorrect quotes blog that is just Remus quotes and conversations.”

Virgil laughed and said, “Can you get the URL, I need to know what this man you are dating is like because you never seem to bring him around.”

Janus texted Remus and got a response fairly quickly. After being told what it was, Virgil grabbed his laptop and looked it up. As he read through the posts and showed Janus a few, he asked, “Is this what he is always like?”

“Yeah, he has his moments of being calm or more chaotic, but this is his usual act,” Janus responded.

The two laughed for a bit at the quotes when Virgil said, “I think the guy that Patton is infatuated with is named Roman.”

“Oh yeah, it is. That is, in fact, the same Roman, and yes, he is also very infatuated with Patton apparently,” Janus responded as he put his phone away and began to eat.

Virgil pondered this new information for a bit and eventually, he began to think about the Roman he met in the tattoo parlor, which in turn, led to him thinking about the guy, Logan. Logically, Virgil knew that he wouldn’t see him after he got his tattoo but part of him was drawn to the man.

Virgil remained lost in his thoughts until, being the absolute angel that he is, Janus smacked Virgil on the back of the head. Virgil was still jolting as he got out of his chair, ready to fight Janus, and like two siblings fighting over the remote, they both ended up on the ground wrestling.

After a few minutes of fighting, Janus finally asks, “So what was on your mind?”

“Nothing, I was just thinking,” Virgil said.

“Uh-huh, sure, I think it’s because you have a crush,” Janus teased as he watched his friend attempt to stutter out a response.

Finally able to speak clearly, Virgil said, "Actually, it's not. I was thinking about that tattoo I wanted to get." Virgil hoped that Janus would buy his half-lie and not see the nervous tapping or blood flowing up to his neck.

Janus knew Virgil wasn’t being completely honest, he ate the lies of criminals for breakfast, but he could also read the room and knew this was not the time, so he dropped it. Finally, at ease, Virgil continued their conversation and the two talked until it was close to 10:00.

On Saturday morning, Virgil made sure that their brother had someone to work with him during the day until Virgil was done at the parlor. Since it was confirmed, Virgil got up and dressed in a tank top and open flannel, aware that he would need a looser item of clothing on top of his tattoo. Virgil ate breakfast, left his house, and started towards the tattoo parlor.

Once they entered, Logan looked up to see who was at the door. His heart was hoping for Virgil and his head was telling him that it shouldn't matter. But it was Virgil and a war started inside of him. His head won, which was smart since Logan would be doing permanent needlepoint on their skin.

Logan took them back and prepped the needle and Virgil's skin.

As the needle was buzzing, Virgil appeared to be scrolling Tumblr on their phone as Logan did his job. He tried to refrain from paying attention to Virgil's muscle mass and focused on the project.

After several hours, Logan finished the tattoo and gave Virgil the care instructions. They waved as they left the parlor and headed to their bakery.

Virgil walked into his bakery and was bombarded with questions from their brother. "How did it go? Do you like it? Are you feeling okay?"

Virgil held up their hand and said, "It went well considering I got needlepoint on my skin, I haven't looked since it's on my shoulder, and yes I am okay."

Suddenly Virgil was being dragged to a bathroom by his brother so he could see it as well as Patton.

Once inside, the light was turned on and Virgil slipped the flannel off of his shoulder. The tattoo looked really good and Virgil was impressed. They walked out of the bathroom, brother in tow, put his uniform on, and washed his hands.

Throughout the day, the bakery had a steady stream of customers who enjoyed the food, puns, and music. Near the end of the day, Virgil was surprised to see Logan, the tattoo artist, walk through the door. He walked up to the counter as he appeared to scan the menu. As he arrived at the counter, Virgil gave his standard, “Hello, Welcome to I Bake Sins, not Tragedies, How can I help you today?”

Logan smirked and asked, “What are the ‘Hey Youngblood’ cookies?”

“Well, they are a jam thumbprint cookie filled with Crofter’s jam, we have strawberry and blackberry jam,” Virgil answered, trying to use his customer voice he had picked up over the years of working in the real world.

Logan nodded then said, “Could I please have a ‘Hey Youngblood’ cookie then and a coffee.”

Virgil nodded, took Logan’s money, made his change, and began preparing his order. It wasn’t complex, the cookies had been baked recently and coffee was in a pot, so it took but five minutes to complete. As he brought it out to Logan, he gestured to where the cream and sugar were kept for their customers to use on their own. They had found it to be more convenient and easier. Virgil watched as Logan found a seat at a table and pulled a book from the shelf behind him. Virgil continued to work and serve customers for a while when he noticed that Logan had left, it wasn’t a problem since he had figured where the mugs needed to be returned, but part of Virgil was upset nonetheless.

Logan walked out of the bakery and walked back to the parlor. The bakery was very nice, the music was loud enough to be heard but wasn’t disruptive, their food was very good and Logan desired to find this Crofter’s jam, there was a good selection of books for the customers to read as they sat down, and the aesthetic was less dark but still held to the inspiration. Logan found himself enjoying the Fall Out Boy and Panic! At the Disco puns on the food. He definitely was adding the place to his list of good places to eat at. He conveniently was skipping over the cute enby at the register. That can of worms was not going to be opened. He entered the parlor and saw that Roman was there. “Hey, Eliot, can you take out the trash?” Logan said, gesturing to Roman.

The man at the front desk, Eliot, smiled, and said, “Sorry, I thought that was your job.”

Logan smirked and responded, “Oh yeah, It is.”

As Logan started to meander towards Roman, the pharmacist definitely looked a little fearful as Logan chuckled, "I was joking with you Roman."

"I am well aware, Specs but it wasn't very nice. Just thought that you confused me for Remus," Roman responded, trying to save his dignity.

"What a vibe check Roman," Logan said, aware the slang was incorrect but also had stopped trying with slang. Roman's face made it worth the lack of education Logan had.

"A what now?!?!? That is so wrong. I really can't believe you just said that " Roman exclaimed, continuing to rant about how Logan doesn't know slang.

Logan chuckled as he watched his friend continue to passionately rant about something as trivial as slang.

The next week went by fairly routinely for the group. Logan worked at the parlor and occasionally stopped by the bakery with the attractive emo worker, Virgil would work and occasionally see the cute tattoo artist, Patton worked with brother and would attempt and fail to keep it together when a certain pharmacist would come in every day, and Roman would continue his daily routine of stopping in to get breakfast and see the adorable baker. Somewhere in the course of the week, Roman had slipped Patton his phone number, platonically, of course, and that sparked a conversation and eventually friendship between the two.

Virgil and Logan did not interact that much but were slowly becoming comfortable with each other’s presence. They would have a casual conversation when Logan would come in and on occasion, Logan would happen to ask about books that Virgil had. They kinda wanted to talk to Logan more, but it’s kinda hard when a guy comes in right at the time that high school students get out of school.

But that week was done and the weekend was bringing a special surprise, the arrival of Virgil and Patton’s parents.

It was Friday night, a mere twenty minutes before closing and the bakery was empty. Virgil and Patton had a little bit of extra bread dough from the day. It was only about the size of a fist and well, Virgil had technically started it. He had tossed it and ended up throwing it at his brother. Patton received the dough splat on the back of his head and turned to see his sheepish sibling looking incredibly nervous. Patton smiled and tossed it back to him. Virgil caught it and chuckled. The game slowly got bigger as Virgil and Patton ended up outside the kitchen and in the main area. They continued for a few more minutes when suddenly the doors opened and in walked Emile and Remy, the parents of the two bakers.

And like children caught with their hands in the cookie jar, they froze and went to finger-pointing. Emile chuckled and held his hands up and Patton tossed the ball to his dad.

“Think fast dear,” Emile told his partner as he threw the dough to Remy.

Remy caught the dough and smiled. They tossed it to their child and the game continued for a few more minutes until some late-night closer customers came in.

“C’mon, I need to see Patton and you wouldn’t mind seeing Virgil. Their bakery doesn’t close for a whole 15 minutes,” Roman whined.

“I am aware and no I wouldn’t mind but it is late. One of us needs to be the voice of reason here,” Logan said, not wanting to admit how much he kind of wanted to see a particular baker.

“There is no reason not to,” Roman argued.

Logan would blame it on the fact that he was tired and not because he was giving in to the want to see someone who may not even be attracted to men as he acquiesced to Roman’s request, “Fine, Roman. Let me grab my jacket and we can walk there since Remus took the car when he dropped you off.”

The two walked to the bakery. When they arrived, they saw four people tossing something and smiling. Logan assumed they were laughing. As he looked, he saw Virgil and from the look on Roman’s face, could assume that Patton was in there as well. However, Logan felt a little preoccupied with Virgil and their existence. Their face was a little flushed and they were smiling as they threw what appeared to be bread dough.

Eventually, Logan snapped out of his trance and realized that he was definitely gay for this nonbinary emo baker. He also made the snap decision that the other two, older, adults were likely family. Logan was going to tap Roman on the shoulder and tell him that they should just head home, but, Roman’s hand was on the doorknob and was opening the door.

Well, Logan would argue that he had to join his friend and walked in. He was greeted with what was becoming a familiar scent of baked bread and an earthy scent that was likely from an air freshener. He felt bad for interrupting the family time that was happening, but the look of surprise and happiness on Virgil’s face almost, keyword almost, took away his anxiety. Virgil hopped behind the counter and asked what they wanted.

“Could I have a ‘Hey Youngblood’ cookie and a loaf of bread?” Logan asked and gestured for Roman to step up and order.

“Could I have some ‘Pretty Odd Macarons’?” Roman asked.

Virgil nodded, rang up the order, and began to get the food. While Virgil was doing that, Patton had approached Roman and the two began talking.

Virgil handed him the bag and Logan just had to open his mouth and ask, “So, uh, who are these lovely people?” He was nervous and apparently he cannot control his mouth around cute people.

Virgil looked at Remy, who nodded, before responding. “Well, my ren would probably appreciate that you didn’t say men as they are nonbinary and their name is Remy,” Virgil said as he gestured to the person with a leather jacket and sunglasses, “And the other man is my dad, Emile,” Virgil answered as he gestured to the man in a suit with a cardigan and glasses.

Then Virgil gestured to Logan and said, “This is my friend Logan. Just so everyone knows everyone.”

Logan could feel the blood rushing to his neck and shuffled his feet as he waved.

Roman smiled and introduced himself, looked at the clock and realized that it was pretty late, and turned to Patton to say goodbye.

Logan turned to Virgil and said, “We need to get back to our apartment and make sure that Remus hasn’t burned it down. He has been at the house alone for around three hours and is pretty chaotic. It was nice seeing you, goodbye.’

Virgil chuckled and said, “It was nice seeing you, Logan. Feel free to drop by anytime.”

Logan looked down at the floor to hide the red that was creeping up his neck and towards his face and grabbed his friend to drag him home.

Logan was at the front door of his apartment and Roman was still whining like a child. The two walked in and were greeted with Remus and his questioning looks. Logan began to share the story.

Virgil waved to Logan and Roman as they left and looked at his watch to see that it was closing time. They waved Patton over to help finish tidying up and gather the baked goods off the shelf and put them in a box.

As the siblings were working, Remy was holding the dough ball and tossing it between their hands. They could tell their husband was proud of their sons but also incredibly curious, like Remy, about the two men who had come in at closing. Their husband looked at them and Remy knew they were the bolder of the two so he asked, “Who were those two?”

Virgil happened to be at the counter at the moment so he said, “Well Roman is Patton’s admirer and Logan is a new friend as well as the guy who did my newest tattoo.”

Patton happened to hear from the kitchen so he piped up and said, “Actually, Roman doesn’t like me but I think Logan likes Virgil.”

This led to an argument. Emile looked at his spouse and moved to stand next to him. “How much do you wanna bet that both of our children are in love and their respective man also loves them?”

Remy chuckled and said, “While I normally don’t condone on gambling, I can make an exception for our oblivious children. I say it takes the rest of the month.” It was, conveniently, at the beginning of the month.

Emile smiled and said, “I think I will go with the month after.” The two lovers shook hands and looked at the children they had raised.

Virgil and Patton had stopped their bickering and were deciding who would take what was left from the day to the homeless shelter.

When Virgil and Patton decided to buy I Bake Sins, not Tragedies, the two decided that they should donate what food was left from the day to a local homeless shelter that was LGBTQ+ friendly and nonprofit. They had found one thanks to the size of the city they lived in.

Patton decided to take that day and texted his roommate, Thomas, that he would be home later.

Virgil asked his parents who they wanted to stay with that night since Patton and Virgil both had a space prepared for them when they had heard their parents say they wanted to visit.

The two looked at each other and Remy said, “Mind if we stay with you? I haven’t talked to Janus in a while and Emile looks so tired that walking up more stairs than necessary may cause him to pass out.” Remy chuckled as their husband smacked them.

Virgil nodded and texted their roommate that they would have two guests tonight.

After the siblings finished cleaning and closing up, Virgil walked out to their parent’s car and asked if he could ride to the apartment complex with them.

Remy appeared to consider it before letting him in. The three drove to Virgil’s apartment and decided to not stay up too late.

The next morning was one of chaos. Janus had a big trial at noon that day, Remy and Emile were going to spend their morning walking around the city and the afternoon in the bakery. Virgil’s anxiety was skyrocketing at the thought of something bad happening and was ready to punch something.

Having woken up earlier than usual, Virgil had the chance to run around the block before getting ready to work. So, he ran. They knew they needed to run to get the nerves under control and they would have the chance to work with dough all day which helps with the aggression aspect of his anxiety.

After Virgil’s quick run, he went to his apartment, showered off, and put his standard dark clothing and hoodie on. Virgil walked to the bakery in record time and had enough time to put his apron on and help his brother pull the tray out of the oven. Patton had come in early to bake since he was a morning person but Virgil and Patton often alternated each week for who would come in earlier to get the first round in the ovens.

Patton decided to man the register while Virgil took over baking for the morning shift.

The brothers worked nonstop until 11:30, which was standard for Saturdays and enjoyed the break they would receive until the late lunch rush. During this time, Janus stopped in to grab a Danger Days Donut and coffee.

The rest of the morning passed without event and Virgil had decided to take a 10-minute break to go and get their anxiety medication from the pharmacy. Waving to Patton, Virgil walked down the street to the nearest Walgreens and back to the pharmacy. When he arrived, he saw a familiar face, the face of Roman. Roman looked up and saw Virgil as he was about to ask for a name. “Hey, Virgil, I am afraid I will need a last name, for protocol, of course.”

Virgil chuckled and said, “Picani, also I was not expecting you to know it. I was not expecting you to work here, in fact.”

Roman chuckled and said, “I’ve served your brother but I am surprised he hasn’t spoken of me.” Roman pulled Virgil’s medicine off the shelf and handed it to him.

Virgil took the medicine as he made an offhand comment about thinking that his brother was speaking of another Roman, despite the fact that Virgil was fully aware his brother was very taken by Roman.

The two bantered for another minute before Virgil left and headed back to his bakery.

Virgil walked back in and saw Logan at a table near the bookshelves in the back.

Patton saw them walk in and gave him a thumbs up so Virgil set their prescription in the back and went out to the bookshelves to talk to Logan. Virgil wasn’t sure why he wanted to talk to the tattoo artist, all he knew was there was something drawing him to Logan.

Logan felt something tap his shoulder and tensed up a bit, startled but when he turned around, he was pleasantly surprised. Logan did not expect to see Virgil out of the back.

“Looking for a book to read?” Virgil asked.

Logan wasn’t but he wanted to hear Virgil talk about something he liked so he said, “I am actually.”

Maybe Virgil knew Logan was lying but if they did, they humored Logan, “Well, I don’t know if you have read ‘Coraline’ but that is a good one, I mean I based a tattoo off of it. But if you want something less creepy, ‘Good Omens’ by Neil Gaiman is also very good. Want out of the fantasy realm and more science fiction, we have many Douglass Adams novels.”

Logan nodded and decided to find Coraline to read. He had not read the story but had heard good things about it.

Virgil continued to work for the next hour, making his supply for the evening and later night coffee dates, occasionally checking on Logan. Once or twice Virgil would catch themself staring and have to shake themself from their trance. Virgil was realistic, they weren't in a super-wealthy occupation and weren't the most attractive person out there, heck they had heterochromia. The left eye is green and his right is brown, he just wears a colored contact so they both look brown. Virgil was okay with their appearance but wore the contact because he preferred to assuage the questions and because he used to get bullied for it. They also were aware that it was likely an infatuation and would fade quickly.

At some point in the day, Virgil's parents had also snuck into the store and appeared to be snacking on the rejects near the back. Those two were watching their child's potential future boyfriend with interest.

And for an hour, it was a blissful quiet. Soon after Logan settled with his book, Virgil traded with Patton to start preparing for the evening and post date bakery visitors. It was mostly making the dough and letting it rise. At one point, Virgil went out to sit with their parents and catch up. After a bit, Virgil relieved Patton of register duty and sat on the stool, sketching.

Virgil wasn’t really a great drawer but he liked to do it nonetheless, it was a relaxing activity. So, with quieter Fall Out Boy playing, Virgil drew, Logan read, Emile and Remy gossiped with Patton, and all was right with the world. Sadly, Logan’s phone decided to disrupt the peace to remind Logan that he had a job. Logan sighed and decided to go to the front counter. Virgil was sketching what appeared to be a beach and Logan hated to disrupt them but he was on a time crunch. “Hey, Virgil,” Logan started, with a softer tone as to not startle the quieter goth, “I was wondering if you could hold onto this book for me to come back in and finish. I am really enjoying it but I have to get to work.”

Virgil looked up, not startled but surprised. He heard Logan’s request and kinda wanted to chuckle because Logan hadn’t thought to ask if he could borrow the book, but Virgil could respect his wish and said, “Absolutely my dude, it is not a problem.” Virgil took the book from Logan and their hands brushed against each other briefly and Virgil was fighting the urge to blush. Logan nodded and fumbled out a goodbye as he backed out, subsequently running into a table, on his way out. Virgil chuckled and tried to convince himself that he didn’t offer to let Logan borrow the book because Virgil wanted Logan to visit again. It took the rest of the day to convince himself of this fact.

Near the end of the day, around what is normally dinner time, Roman busted through the doors and startled Patton. Virgil had left with Remy to grab dinner for the rest of his family and Patton and Emile were left to watch over the bakery. Well, Emile was sitting in his back corner while Patton watched the register and decided if there needed to be more sale goods made or if Virgil should mix dough to bake tomorrow. It was quiet and Patton was a little restless. So Roman’s impromptu entrance was actually appreciated by Patton while Virgil would have scowled. Roman walked up to the front register and put on his blindingly charming smile and Patton couldn’t help but giggle like a girl whose crush just shared that they like someone.

Roman continued walking in and walked to the back where Emile was sitting, which confused Patton. Roman cleared his throat and said, “Hello, my name is Roman. I believe we met last night.”

Emile was a little charmed and smiled as he responded, “Why yes we did.” Emile could also tell the boy was nervous, he kept shuffling his feet and wiping his hands on his pants.

Roman took a second to try to calm down and ask his question. “I was wondering if I could have your permission to take your son, Patton, on a date.” Now Patton was listening by this point and had to keep from gasping in surprise.

Emile smiled and said, “Well, Patton is an adult so you really don’t have to ask me, but if he is fine with it, so am I. I am close to certain my spouse will agree with me and I admire that you asked me but I think the one you really need to ask is by the kitchen door.”

Roman smiled and turned to see Patton peeping and eavesdropping. “Well, Patton, would you like to go on a date with me Friday night?”

Like a deer in headlights, Patton froze before finding his voice to say, “Yes I will.”

Roman smiled and went to hug Patton when the bell above the entrance rang out. Patton rushed out to the front to see if it was a customer, but instead, it was the rest of his family.

Virgil went behind the counter and handed Patton the food they had gotten him and when he finally looked at his brother, Virgil saw his brother’s face lit up with joy, and Virgil knew he was going to be in for a gossip session.

The family ate dinner, with the brothers behind the counter and the parents at a close table. The night finished routinely, with Virgil and Patton cleaning up and Virgil gathering the leftovers for the local shelter. Remy and Emile were staying with Patton that night and Virgil was going to head home afterward.

Virgil was walking back home after visiting the shelter. He was deep in thought when he ran into someone, quite literally. That, someone, happened to be very fit. Logan was that someone. Virgil was quite surprised since he didn’t see Logan outside of the tattoo shop and bakery, but Virgil was not able to form a sentence because the gay part of his brain just went berserk. As previously mentioned, Logan is fit and has a good deal of muscle mass. Virgil also literally ran into him and fell on the ground. So, the anxious, disaster gay was looking for an escape, because flight was his activated instinct. As his eyes scanned the paths of escape, Logan began to speak, “Hey, Virgil. I was not expecting to see you out tonight.”

Somewhere in the anxious fog of his brain, Virgil knew he needed to respond, so he did, “Uh, yeah. Same here. I was dropping some food donations off to the homeless shelter that specifies in helping queer people.”

Logan looked surprised. Then Virgil realized that not everyone uses queer in a friendly sense so he began to explain. “Oh, yeah, I say queer because I believe that some terms need reclaiming and it is a valid label. I, myself, identify as queer.”

Virgil continued to ramble when Logan interrupted, “Virgil, breathe. I was not offended by the use of queer, I like that some are reclaiming it. I didn’t know you donated food to the local homeless shelter, that’s why I looked surprised.”

Virgil breathed, counting so they could calm down. As they calmed down, Logan realized that Virgil was definitely on the verge of a panic attack. So once Virgil had calmed down, Logan offered to walk Virgil to their apartment. Virgil was still a little shaky and agreed.

The two walked to Virgil's apartment complex and talked. Virgil learned that Logan was a big science nerd and that he liked to misuse slang specifically to annoy Roman. Logan learned that Virgil had always been passionate about baking and that he hadn’t actually found emo music until he was a college student. Those were simple facts and only broad details, however, it brought new depth to their relationship.

Logan walked Virgil to his front door and waved goodbye as Virgil walked inside. Virgil walked into their apartment, gave a two-fingered salute to Logan (who gave a small wave goodbye), and watched Logan walk away as he closed the door.

“What was that?” Janus asked accusingly.

“Oh, I ran into Logan on my walk home and he offered to walk me home.” Virgil divulged.

“You mean The Logan Croft? The Logan Croft with eyes that are like golden brown honey? With hair that looks like a dark chocolate mousse? By the way, why do you describe him using bakery type foods?” Janus asked, teasing Virgil.

“Yeah, we had a nice conversation on the way home,” Virgil said, baiting Janus with a fishhook of information.

“I think that we need to have a gossip night again, so I will be making the popcorn, you get the drinks,” Janus said, bluntly and full of curiosity.

Virgil chuckled, glad Janus caught the bait. He got up and started to make the hot cocoa, ready to share every detail of the night.

Logan continued walking, tired and happy, indescribably happy. He could definitely try, he knew words, but Virgil elicited a special kind of reaction that he could never begin to decipher. Logan was happy and if he thought about it, maybe he was falling in love.

Logan was able to make it home safely in his dazed state, and when he got home, he walked into his apartment. He closed the front door and just leaned against the back of the door. Remus happened to hear the door close and looked to see where Logan was. He saw Logan in his starstruck state and felt the need to hopelessly tease rise up in him. “Logan’s got a boyfriend, Logan’s got a boyfriend. Gonna finally get f-,” Remus singsonged until he got cut off.

“Alright, that’s enough. Firstly, I am pan, could easily be a girl or a nonbinary person. Secondly, if you are referring to Virgil, they use they/them and may not want to be referred to as a boyfriend. Thirdly, They likely don’t feel the same,” Logan said, sobering up.

Remus realized that Logan was definitely sensitive about the subject. So, he called Roman into the living room, grabbed some blankets, set a movie up, and went to make cocoa. Tonight was going to be a comfortable gossip night. He texted Janus, saying he may be a bit slow on responding because Logan needed to be listened to.

Both groups had a gossip night, though one was more lighthearted and the other was more of a rant session, both parties ended up feeling more satisfied with how they felt and hopeful that their feelings were reciprocated.

To Be Continued

Hi. This is my birthday gift to myself because I'm now an adult legally and I can do what I want.

#Nic writes #nicfics #Janus Sanders #virgil sanders #logan sanders #patton sanders #remus sanders #roman sanders #Analogical #royality #remile #dukeceit #reblogs help a lot #not gonna beg though #sanders sides

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televinita · 4 years ago

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Books Read In 2020: The Why

In a tradition I accidentally started for myself in 2016 and now quite enjoy, at the end of the year I look back at my reading list and answer the question, why did you read this particular book?

Below, my 100 reads of 2020 are split into groups by target readership age, plus nonfiction at the end, now with a bonus note about how I heard of it. Which I probably won’t continue to do next year, but it was fun to try.

ADULT FICTION

I read each of these books because...

A Glitter of Gold - Liz Johnson. 2019. It had me at "her pirate tour business," but between the shipwreck & the museum-director love interest it was like BLOOD & TREASURE ROMANCE AU LET'S GOOO.

How I heard of it: a book blog

The Last Woman in the Forest - Diane Les Becquets. 2019. Recommended by a dog lover; I'm down for a thriller about a woman who has a dream dog-inclusive job like this.

How I heard of it: a book blog

Good Omens - Terry Pratchett & Neil Gaiman. 1990. I really enjoyed the miniseries and wanted to see if the book everyone loved so much was as good (for the record: it was not. at least not if you’ve seen the miniseries first; otherwise they are probably equal).

This Is Home - Lisa Duffy. 2019. Attractive cover + I flipped it open to a random page and just liked the writing style.

How I heard of it: library

Dear Mr. Knightley - Katherine Reay. 2013. I'd had this on the back burner for a while because the MC sounded like me, and one day I got sick of not being able to find any fluffy contemporary romances with beta male heroes and decided Matthew Gray Gubler was gonna star in this one. (spoiler alert: it is a good book but that did not work)

How I heard of it: a book blog

Rubbernecker - Belinda Bauer. 2013. Criminal Minds sent me into a tailspin so I went hunting for books to cast Spencer Reid in again; the Asperger's/case-solving/difficult relationship with mother combo sounded promising. (spoiler alert: the med-student element + his social cluelessness proved too strong and I was only able to picture the kid from The Good Doctor)

How I heard of it: Googling keywords

The Swiss Affair - Emylia Hall. 2013. I got a random hankering for a student/teacher novel, and after scrutinizing the library catalog this was the only one that fit my parameters for gender, lack of adultery, and focus on romance over sex.

How I heard of it: library

Love At First Bark - Debbie Burns. 2019. I was trying to cast Wes/Jules [Dollface] in a romance novel, so I browsed through a Goodreads friend's "dog-romance" shelf and accidentally landed in a Jeid AU [Criminal Minds]. Which may or may not have been a large part of what turned me into a Jeid shipper (outside canon only).

The Mermaids Singing - Val McDermid. 1995. One final attempt to cast Reid in a novel -- a user in a Reddit post asking for this very thing suggested this, and "profiler with idiosyncracies" certainly fit.

The Wire in the Blood [and 9 subsequent novels] - Val McDermid, spanning 1997-2019. Turns out aside from being British, Reid paints onto Tony Hill EXCEPTIONALLY well, and I accidentally found myself with a little Jeid AU in the process, so obviously I read the entire series. Good crime-solving fun and all that.

Horse - Talley English. 2018. Random library pull because I connected with the writing style and it appeared to actually focus on horses.

How I heard of it: library

A Sparkle of Silver - Liz Johnson. 2018. I liked the author's other book and this was pretty much a remix of the same story, but now with a cool mansion/estate setting.

How I heard of it: looking up other books by this author

Everyone Is Beautiful - Katherine Center. 2009. Went looking for stories about strong marriages, found this on a Goodreads list of "second chance marriage" books, tripped into something like a season 9 Jim/Pam scenario. How I heard of it: Googling keywords

The Lost Husband - Katherine Center. 2013. Loved the previous book of hers I read, and the "starting life over on a goat farm" angle sounded like an ideal life to try on.

How I heard of it: looking up more from this author

The Shadow Year - Hannah Richell. 2013. Fixing up an old house?? I am THERE. Doing this in two timelines, one of which involves off-the-grid homesteading, is even better.

How I heard of it: used book sale

Mandrake Root - Janet Diebold. 1946. I needed a non-library book to bring on vacation, and after spinning in circles over what I thought would appeal to my mood in that setting, my brain randomly said "reread this one."

How I heard of it: estate sale

Path of the Jaguar - Vickie Britton & Loretta Jackson. 1989. Bought cheap for cheap thrills: a Yucatan adventure/mystery. Read now so I could get rid of it. How I heard of it: library sale

Burying Water - K.A. Tucker. 2014. The library didn't have The Simple Wild, but they DID have a book w/ an equally pretty cover that talked about a badly beaten young amnesiac (!) recovering on a horse farm (!!). What is: my top romance trope (hurt/comfort, bonus points for animals and rural setting).

How I heard of it: library

Happiness for Beginners - Katherine Center. Established quality author + summertime hiking inspiration.

How I heard of it: looking up more from this author

The Visitors - Simon Sylvester. Cool cover + setting, and a teenage protagonist usually makes adult fiction more accessible. How I heard of it: Goodreads

Becoming Rain - K.A. Tucker. 2014. I was in this companion novel solely for mentions of Alex and any people by the last name of Wells, but figured I might as well read all of it to ensure I didn't miss any. How I heard of it: looking up more from this author

The Guest List - Lucy Foley. 2020. Honestly, it just sounded like a cool thriller (and cool setting). How I heard of it: a book blog

You Deserve Nothing - Alexander Maksik. 2011. Fell down a Will/Rachel [Glee] rabbit hole and ravaged the student/teacher keyword in my library catalog again to scratch the itch.

The Haunting of Hill House - Shirley Jackson. 1959. Mom's been trying to get me to read this for years, and this time when it came up in conversation it was the right time of year, so I randomly decided to give it a shot. How I heard of it: Mom

The Walker in Shadows - Barbara Michaels. 1979. Gothic ghost story + beautiful architectural details in a historic house = yeah!

How I heard of it: Goodwill

YOUNG ADULT

People Like Us - Dane Mele. 2018. Needed an audiobook; a girls' boarding school murder mystery seemed most likely to hold my attention of the limited options. How I heard of it: Library

The Possibility of Now - Kim Culbertson. 2016. I will read anything by this author, and girl having a meltdown over a test = me. How I heard of it: looking up other books by this author

Rob&Sara.com - P.J. Petersen & Ivy Ruckman. 2004. Mostly I wanted to go back to my high school days and enjoy the format of a novel written in emails, but also, I like Ruckman. How I heard of it: used book sale

For Real - Alison Cherry. 2014. Fictional Amazing Race!! + awesome summery cover + sisters How I heard of it: library sale

The Summer After You + Me - Jennifer Salvato Doktorski. 2015. The awesome summery cover, mostly. How I heard of it: a book blog

You'd Be Mine - Erin Hahn. 2019. Gorgeous cover + the chance to vicariously follow a budding young country music star on tour for the summer.

How I heard of it: a book blog

Juniors - Kaui Hart Hemmings. 2015. The neat setting(s): a live-in guest on a wealthy estate in Hawaii. How I heard of it: Dollar store

Lion Boy's White Brother - Alden G. Stevens. 1951. Bought cheap because vintage juvenile book in a unique setting. Read now to see if I could get rid of it (NOPE).

How I heard of it: used bookstore

The O.C.: Spring Break - Aury Wallington. 2005. I keep meaning to finish this short series, and it was an easy title to count for my Mount TBR challenge.

How I heard of it: used book sale

Echo Island - Edward Karlow. 2017. Bought cheap because of the beautiful summery cover; easy read for Mount TBR so I could get rid of it. How I heard of it: library sale

Confessions of a High School Disaster - Emma Chastain. 2017. Read because of THE SUPER CUTE SUMMERY COVER (and diary format).

How I heard of it: Dollar store

Kentucky Daughter - Carol J. Scott. 1985. Working my way down the “Inappropriate Student/Teacher Relationships in YA" list because I'm in that kind of mood this year; chose this because 80s books tend to deliver the subject best*, the character reminded me of the girl in Send No Blessings, and Open Library had it. *this one was just blatant sexual harassment, though, and belonged very literally on that list

How I heard of it: Goodreads

What They Always Tell Us - Martin Wilson. 2008. I sorted the library catalog to see the oldest contemporary YA novels they still have before they get weeded, and "loner being taken under the wing of his older brother's (male) friend and falling in love with him" hit a couple of good tropes. How I heard of it: library

Bobby's Watching - Ted Pickford. 1993. Browsing around on OpenLibrary and saw they FINALLY had a copy of this book that scared me too much to finish as a kid, and which I've wanted to revisit ever since I remembered what it's called (Interlibrary Loan doesn't have it and it's Not Cheap to buy).

How I heard of it: library

Powwow Summer - Nahanni Shingoose. 2019. Always interested in modern-day Indigenous girls connecting w/ their heritage, especially if they're from my home state's tribe.

How I heard of it: a book blog

The Princesses of Iowa - M. Molly Backes. 2012. Appealing cover + heft suggesting a solid Midwestern contemporary, plus I liked the student teacher element (without a slash this time, as in "college student who is almost a teacher")

How I heard of it: library

The Sisterhood of the Traveling Pants - Ann Brashares. 2001. The Second Summer of the Sisterhood - Ann Brashares. 2003.

Long-intended reread of a college fave because I wanted see Mike Vogel in the movie, and it was summer so the stars aligned. Continued because the first book was as good as I remembered. (I would have kept going but Life distracted me for a bit and by the time I was back on track, it was no longer summer) How I heard of it: I...can't remember. Am the worst!

The Distance From Me To You - Marina Gessner a.k.a. Nina de Gramont. 2015. Hiking inspiration + an appealing-sounding romance. How I heard of it: Goodreads

Where Have All the Tigers Gone? - Lynn Hall. 1989. Will read any of her books, but specifically read this one because it seemed fairly autobiographical, and I read it NOW because it seemed durable enough to take on vacation. How I heard of it: looking up books by this author

And Both Were Young - Madeline L'Engle. 1949 (text of 1983 edition w/ material from original manuscript added back). Something reminded me of its existence and I requested it because it was the only non-animal-focused vintage teen novel I could physically get my hands on before Interlibrary Loan opened back up, and I had a craving for just that.

How I heard of it: library

The Other Side of Lost - Jessi Kirby. 2018. Established quality author + throw me ALL the thru-hike novels!

How I heard of it: Goodreads

The Vow - Jessica Martinez. 2013. Perfect scenario to run an Abed/Annie [Community] AU!

How I heard of it: I want to say...an article on a book website (not personal blog this time) back in 2013.

Moon and Me - Hadley Irwin. 1981. Was just in the mood to read an 80s teen novel and this one helped me knock off a title for the Mount TBR challenge. From an author I like, w/ bonus horse content.

How I heard of it: used book sale.

Suicide Notes From Beautiful Girls - Lynn Weingarten. 2015. I bought a blind bag at the library sale and this was one of the only contemporary YA novels in it; figured I might as well read it since I'd liked a previous book of hers.

How I heard of it: Library

History Is All You Left Me - Adam Silvera. 2016.

With the Glee rabbit hole came a Klaine spiral; this was my season 4 Tragic AU dream for them and I've been saving it for a Klainey day ever since it was published. (No I am not sorry for that horrid pun.)

How I heard of it: googling keywords

The Museum of Heartbreak - Meg Leder. 2016. The cool cover/concept of a "museum" of items reeled me in; I bought a copy a while ago 'cause the library didn't have it. Read now to see if I could get rid of it (NOPE).

How I heard of it: Goodreads

Me & Mr. J - Rachel McIntyre. 2015. Student/teacher novel that looked especially appealingly tame so I'd been saving it, but then Open Library notified me it was now only available in 1-hour increments, and I got paranoid it would disappear altogether (it's not cheap to buy or available via ILL), so I wanted it in my brain.

How I heard of it: Goodreads

Dear Evan Hansen - Val Emmich w/ Steven Levenson, Benj Pasek & Justin Paul. 2018. Fell in love with the DEH soundtrack. Play's summary sounded good -- getting to experience it in YA novel form?? Amazing.

How I heard of it: Wikipedia

Saddle a Thunderbolt - Jo Sykes. 1967

Bought a while ago because vintage horse story. Read now specifically to alleviate my pre-homesickness about moving by imagining living in an even more beautiful place than home.

How I heard of it: either a used book sale or a used bookstore...

Learning to Breathe - Janice Lynn Mather. 2018. This was mentioned on a lost-book forum and "girl with unplanned pregnancy supports herself by getting a job cleaning" piqued my interest; the setting (Bahamas) and cover made it better.

How I heard of it: Reddit

Everglades Adventure - James Ralph Johnson. 1970. Standard vintage boys' adventure-in-nature story; I like those.

How I heard of it: Goodwill

CHILDREN’S/MIDDLE GRADE

Little Women - Louisa May Alcott. 1868. Seeing the new movie and falling head over heels was what it took to FINALLY convince me to reread this childhood fave.

How I heard of it: can't remember; I was a kid

A Little Princess - Frances Hodgson Burnett. 1905. I was perusing a lot of books about classic children's books and it started to bug me that I had skipped this appealing-sounding one as a kid.

How I heard of it: can't remember; I was a kid

Little Men - Louisa May Alcott. 1871. LW sparked a fandom revival and I wanted more detail about the Marches' adult lives (esp. Jo & Bhaer), even on the fringes.

How I heard of it: library

Lady and the Tramp - Ward Greene. I saw a quote from the new movie under a gifset on Tumblr that sounded like it came from a book, and upon Googling out that one existed, I obviously could not allow the book version of a beloved childhood animal-movie fave to go unread. Especially after finding out it was super rare so reading it would be a privilege.

The Secret Garden - Frances Hodgson Burnett. 1910. Read for the same reason as A Little Princess. Can’t have one without the other, you know.

How I heard of it: was a kid; can't remember

The Mother-Daughter Book Club - Heather Vogel Fredericks. 2007. Much Ado About Anne - Heather Vogel Fredericks. 2008.

Always thought the series looked cute/reminded me of The Teashop Girls, but the fact that the first book they read is Little Women gave me the impetus to finally read this one. First book was darling so I continued to the next (but failed to continue beyond because COVID shut the library down until I was out of the mood).

How I heard of it: library

Nature Girl - Jane Kelley. 2010. I wanted walking inspiration.

How I heard of it: Goodreads

From You to Me - K.A. Holt. 2018. Mistook it for a similar-looking book I'd seen at the same time (See You On A Starry Night), but figured I'd give the 8th grade bucket list idea a shot once I had it. How I heard of it: Goodreads

Semiprecious - D. Anne Love. 2006. Cute cover + I'm starting to be a big fan of what I call "contemporary historical," for stories set mid-20th century.

How I heard of it: library

Dandy's Mountain - Thomas Fall. 1967. Vintage horse-inclusive children's book in a rural setting, I'm sold. Not to mention, love reading a summer setting in summer.

How I heard of it: used book sale

Littler Women: A Modern Retelling - Laura Schaefer. 2017. The only way to make the Little Women MORE magical is to make them younger, modern, and written by a proven quality author.

How I heard of it: a book blog

Behind The Attic Wall - Sylvia Cassedy. 315 pg/1983.

A Goodreads friend strongly recommended it as similar to but better than Mandy, and reading about it in 100 Best Books For Children sealed the deal. Read now for the Mount TBR challenge.

How I heard of it: Goodreads

The Jigsaw Jungle - Kristin Levine. 2018. I am a COMPLETE sucker for books told in non-traditional/scrapbook-esque format.

How I heard of it: Goodreads

Runt - Marion Dane Bauer. 2002. Wolf story by a quality author. Read now after owning it for a decade to see if I could get rid of it.

How I heard of it: used book sale

The King of the Cats - Rene Guillot. 1959. Bought cheap for a quick read because vintage animal story. Read now so I could get rid of it.

How I heard of it: used book sale

Just The Beginning - Betty Miles. 1976. Found cheap; always down to read a vintage book about an average girl (and I wanted to know how she'd cope with her mom being "a cleaning lady in a town full of classmates who HAVE cleaning ladies").

How I heard of it: used book sale

Harry Potter and the Sorcerer's Stone - J.K. Rowling. 1997. Been meaning to reread the series for a while now; finally got motivation to check out the illustrated edition 'cause Christmastime.

How I heard of it: originally Mom; a book blog for this edition

Echo Mountain - Lauren Wolk. 2020. Almost entirely because of the incredible clipart cover, promising me nature and a dog (and because I could get it as an e-audiobook from the library).

How I heard of it: a book blog

Knock Three Times - Cressida Cowell. 2019. I needed another audiobook for bedtime/walks and I know that David Tennant will provide.

How I heard of it: more by this author (more accurately, narrator)

NONFICTION

The Red Leather Diary: Reclaiming A Life Through The Pages Of A Lost Journal - Lily Koppel. 2008. I'm kind of obsessed with the concept of historical 5-year diaries -- and finding one like this is The Dream.

How I heard of it: Goodreads

I'd Rather Be Reading: The Delights and Dilemmas of the Reading Life - Anne Bogel. 2018. Attractive and compact book about the pleasures of being a reader? A headspace I want to be in.

How I heard of it: library

100 Best Books for Children - Anita Silvey. 2004. I'm big on looking at lists of books for children this year. These are the kind of books I know, love, and want to hear people talk about, now that I know books about these books exist.

How I heard of it: library

The Coming of Saska - Doreen Tovey Originally bought because it was cheap and featured animals, I needed a non-library book to bring on vacation, and this one is a durable ex-library copy in plastic wrap that featured a similar setting to where I was going, so: thematic.

Cats in the Belfry - Doreen Tovey. 1957. Wanted more of her books, and lo and behold the library had the first one.

How I heard of it: more by this author

Sorry Not Sorry - Naya Rivera. 2016. I'll read anything the Glee kids write, and this doubled as an easy number for the Mount TBR challenge.

How I heard of it: entertainment news websites

Living Large in Our Little House - Kerri Fivecoat-Campbell. 2016. I love tiny houses. And this one specifically mentioned living with dogs. And had color photographs.

How I heard of it: used bookstore

I'm Your Biggest Fan: Awkward Encounters and Assorted Misadventures in Celebrity Journalism. - Kate Coyne. 2016. Found cheap at a library sale -- loved the chapter headings and the fact that they were all about celebrities I knew.

Adrift - Tami Oldham Ashcraft w/ Suesea McGearheart. 1998/2018 edition. The movie was so awesome that I couldn't wait for more details about the real story in her own words.

I'll Be Gone In The Dark [NF] - Michelle McNamara. 2018. Been reading a lot of true crime write-ups on Reddit lately; decided it was time to pick up this well-received one.

How I heard of it: Goodreads

Dear Evan Hansen: Waving Through A Window - Steven Levenson. 2017. Much like The Grimmerie for Wicked, once I fell in love with the DEH soundtrack and looked up the plot summary, I wanted to read the musical's detailed background/behind the scenes story + libretto before I watched it.

How I heard of it: Wikipedia

Empty Mansions: The Mysterious Life of Huguette Clark and the Spending of a Great American Fortune - Bill Dedman & Paul Clark Newell. 2013. Love me a story about a mansion (or three). Or the reclusive and insanely wealth heiress who owns them, that works too.

How I heard of it: Goodreads

JUVENILE NONFICTION Mascots: Military Mascots from Ancient Egypt to Modern Korea - Fairfax Downey. 1954. Animal book from an author I like; read now to see if I could get rid of it (yes).

How I heard of it: secondhand bookstore

Come on, Seabiscuit - Ralph Moody. 1963. Bought because vintage kids' horse book; read now to see if I could get rid of it (and to count it towards my Mount TBR challenge 'cause it was short).

How I heard of it: secondhand bookstore

#why i read

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esonetwork · 3 years ago

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No One Wants to Read Your Crappy Book

New Post has been published on https://esonetwork.com/no-one-wants-to-read-your-crappy-book/

No One Wants to Read Your Crappy Book

Hey, M. D. Jackson here. I’ll be back next month with more art related content. This month I’m giving over my post to my good friend Jack Mackenzie. Jack’s an author and he’s going to talk to you about writing.

Hey. Get in. We’re going for a ride.

No, don’t worry. We’re not going far. I’ll have you back before dinner.

So, I hear you’re writing a book? What’s it about? No, wait… don’t tell me… No. Really. Don’t tell me. Don’t care. I got my own books to write.

What I want to do is give you some straight talk about writing a book in this day and age. You’re probably not going to like it but you need to know it.

The first thing that you have to know is that no one wants to read your crappy book.

Mean? You think I’m being mean? I’m trying to help you. Sit back and listen for a minute, will you?

First off, here are the cold hard facts. It’s estimated that fewer than 1000 fiction writers in North America make a living from their writing. And I’m being generous at 1000. I’ve read some estimates that put that number at only 300. That’s out of around 45,000 writers and authors working in the United States alone. That’s .6 percent… not six percent but POINT six percent… less than 1 percent… of all writers.

Ahh, what the heck! I’m feeling generous. If the number actually is 1000 writers making a living at writing, that’s 2%.

Well, Okay, you have a better chance of making a living as a writer than winning the lottery or getting struck by lightning, true, but, those are still some slim odds.

Yes, I know, there was a time when writers who churned out short novels on a regular basis could make a living Not a great living, to be sure, and, yes, they would occasionally have to churn out some cheap porn novels under a pseudonym to make ends meet.

You think I’m joking? Have you ever heard of Loren Beauchamp? She was the author of such sleazy paperbacks as Campus Sex Club, Unwilling Sinner, and Strange Delights. She was also the pseudonym of science fiction author Robert Silverberg. I kid you not! Look it up.

My point is that it has never been easy making a living as a writer. Few authors could do it, even in the so called “Golden Age” of the paperbacks after the death of the pulp magazines. They needed day jobs or, like Mr. Silverberg, they needed to wear a mask and turn to the dark side.

How did this situation come about? Let me digress for a bit.

Back in the 1960’s the typical science fiction novel ran to about 60,000 words. These were slim volumes of about 130 to 150 pages. Mass market paperbacks in the US were sold mostly at grocery stores or neighbourhood pharmacies. They were displayed in wire racks that rotated. That’s where the thinner books were more desirable. The thinner the book, the more you could stack. You used to be able to fit about six paperbacks in a three inch rack.

So what happened? Why did these compact volumes grow to such monstrous size?

There are a few reasons, but chiefly it comes down to inflation. In the 70’s and 80’s the price of just about everything rose. That included paper and printing costs. Publishers found that they needed to increase the prices of their books to compensate.

But according to grocery store logic if you want to charge more for a product then it has to weigh more. You can’t just start using bigger typeface or thicker paper to do that so you start looking for longer novels.

And there was also this massively big book that came out in paperback, a little story about elves and stuff, called The Lord of the Rings. At 473,000 words it was a massive book that had to be broken down into three parts. But, oddly enough, that little book sold an amazing number of copies.

So, given that consumers would buy longer books and pay more for them if they were thicker, well, the writing was on the wall and there was a whole lot of it.

At the same time distribution channels dried up. The wire racks were gone. Publishers were charging more and more for thicker books, but the places that were left to sell these books couldn’t sell massive hardbacks unless they were bestsellers. Those pesky midlist volumes weren’t moving off the shelves fast enough. Stop sending us midlist books, the big bookstores told the publishers. Only send us bestsellers.

What’s that? Oh… you plan to self publish? Ahh, well, that’s different, then.

You see, according to a survey by Guardian in 2015, the average self-published author makes less than $1,000 per year. In fact, a third of them make less than $500 per year. And there’s over a million self published authors with more joining the ranks all the time.

I know, I know, I read those stories all the time too, about how a self published author sold a million copies of his book and got rich. I also see lots of stories on the news about the guys who won big on the lottery, or got struck by lightning. The fact is that most people, the vast majority of the population… don’t.

Think of it like this: You’re at a concert… an open-air, rock festival-type concert… You’re on the ground several meters distant from the stage. The stage is 100 feet high and the approach to it slopes up. 1000 people are standing on the slope. The headliners… say, Stephen King, J. K. Rowling, James Patterson and Neil Gaiman… are 100 feet in the air.

You’re on the flat ground. You’re trying to get closer to the stage. But you just can’t seem to push past all the others surrounding you… and there are a lot! They’re all waving their books in the air. Occasionally some author with a toothy grin and the right connections blows past you. Or one of the concert promoters escorts a cute red-head to the front simply because she’s a cute red-head.

You’ve been on the ground, pounding away at the ground for years on end and these fortunate few keep slipping by you and the grounds just keep getting more and more crowded.

That’s what the publishing industry is today for most authors.

So what does that mean for you and your book? Well, like I said, no one wants to read your crappy book. But… you can change that. Or at least make it more likely that someone will want to read it.

Here’s the thing: don’t focus on the stage 100 feet in the air. Focus on those around you. Be interested in their work. Talk to them. Make friends. Don’t moan and whine that you haven’t sold any of your books. Talk about your books if others are interested. If they’re not (and believe me, most people aren’t) talk about something else. What do you like? Comic books? Movies? Stamp collecting? Cookie recipes. Talk about that. Be genuine. Be present.

Have a website. Have a Twitter feed. Have a Facebook page. Talk about things you are interested in. People will find you. If this seems like a waste of time, just remember that those 1000 writers up there near the stage? They’re doing it too. So is Steve, J.K, James and Neil. They’re always out there, always talking. People like them. They like them and they read their books.

No one cares about your book. But if you are out there online or (post Covid, of course) in person at conventions or other gatherings… heck, even house parties… just be yourself. Be the best version of yourself. Be friendly. Be interested in others. If people like you they might read your book.

Look… maybe your book will resonate with a lot of people. Maybe some weird confluence of events will thrust you into the spotlight. Strange things happen. But you can’t control that. The only thing you can control is yourself. Be yourself. Be the best version of yourself. Don’t brood. Don’t moan. Don’t whine.

That’s all I got for you. I’m sorry it’s not more encouraging, but that’s life, right? And, hey! Look. This is where we started. I told you I’d have you back in time for dinner.

Take care now. Good luck with your book. Honestly. You seem like a nice person. I’m rooting for you.

jackmackenziewriter.wordpress.com

#ESO Network #J.K. Rowling #J.R.R. Tolkein #Jack Mackenzie #Loren Beauchamp #Neil Gaiman #Publishing #Robert Silverberg #Self Publishing #Stephen King #The Lord of the Rings

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kimyoonmiauthor · 4 years ago

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Why Your Books Will Get Banned (Old Nanowrimo Post)

I used to post this game on Nanowrimo. I saved the text before Nanowrimo declared that the N-word spelled out was OK and this wasn’t a democracy (2010, in the archives, at the bottom). I figure it’s OK to post that unless they didn’t change their policy since then, because they want prejudice (though that wasn’t the worst of what they wouldn’t mod). Writing forums need to be run at the top by diverse people, and not just white women. Separate post though. BTW, I have witnesses who still remember this incident, so it isn’t slander. I was working on diversity in the writing forums before WeNeedDiverseBooks was a thing and squandered the opportunity by making it only YA. And I’ll still call them out for that. It got challenged, this thread once, much to the laughter of everyone. (for being anti-Christian lol) If the writer is out there that challenged the thread and somehow got published. Thumbs up, good for you. Maybe you revised since then? The thing I didn’t post with this post every year from 2005-2010 I did this post was I posted it because I wanted people to think hard on Free Speech and what it meant. So I’ll hardball it this time. As you read the list, think hard on who is gate keeping. And who has the right to gate keep. Is gate keeping a tool to oppress and do the power minorities have a right to use the same tool back? How many books don’t even get a chance to be published? I’d also add that chasing after individual authors for the last 10 years has done nothing to change the system. The percentages are the exact same. And how that affects what people in the future will think of us now. Can you write a book that won’t be challenged on these fronts at all? And if you’re going to say, “You’re anti-cancel culture” This was posted before “cancel culture” was a thing. This is more like an examination of the system of censorship itself. (Because look, I like examining systems.) If you want to take this list, BTW, this is years and years of my work reading through ALA who never compiled this list. I’d been following the list since High School when I did a banned book class (which was a fad of the time, I think). So... maybe, give me credit? I feel sad I have to say that. And thanks to Jakob Nielsen and my Typography prof for teaching me the way to format text.

This thread was originally started in honor of ALA Banned Book Week. I've started this several years in a row. Disclaimers for this thread: ('cause I've done this for a few years) 1. We do not support the idea of banning/challenging books.  2. We are doing this for fun and it should not be taken seriously.  3. If you are seriously offended by the fact that we would write these scenes into books please consider the following: a. It is out of context. b. You probably unwittingly own a banned book without knowing it. Please check the list: <a href="http://www.ala.org/bbooks/frequentlychallengedbooks">http://www.ala.org/bbooks/frequentlychallengedbooks</a> c. We are not popular enough to get our books banned, and by hoping in a weird way that they will get banned, you are helping our egos. ^.~ d. If you are religious, the Qu'ran, the (I think Ramayana), the Torah, the Bible all have been challenged or banned. (KJV of the Bible if you plan to be snooty, by even more ironically Jews once, and Atheists the second time). (The Art of War, I also believe was challenged/banned.) (And also, the Bible probably contains more than half of the issues that Christians ban other books for. Christians banned Moll Flanders. All the issues the banned Moll Flanders for is in the Old Testament. Particularly Genesis)  4. This is not a thread for hot debate on the moralities of book banning. It is for listing why you think your book will get banned. If you would like to do so--please start a separate thread. You don't have to stick to Nanowrimo for this thread either.

General Notes: ('cause I like to point out the humor) - This thread was challenged and asked to be banned before. (Because someone was offended by the contents.) The challenge failed, BTW, just in case you'd like to challenge it again. - You probably have to write Young Adult and under to get banned *most* of the time. - Asterisks indicate new ones for the year. (BTW, most of it is about Islam, this year... sex and violence of course)

Want to avoid getting banned/challenged? (Categorized by how the banners see it for maximum head desk based on real book challenges and bannings.)

RELIGION You can't talk about religion. -- No taking the Lord's name in vain. -- You can't have anyone question the will of God or curse them when they lose faith after losing their best friend. (Bridge to Terabithia) -- Anything from Islam --- Cannot include Islam, even as a text book, because it will "indoctrinate the students into the Islamic religion." even if you are only covering it as a chapter. * (World History by Ellis, Elisabeth Gaynor and Anthony Esler.) *

-- Anything (fill in your religion here.) because some people are (fill in your exclusionary term here) -- Atheism (though not a religion, still argued by the theists as one. =P) -- You can't swear, including the word "damn." -- A boy and a girl can't live together if not related, because it's obviously living in sin. -- Can't be detrimental to Christian values.* (The Handmaids Tale, which is BTW, based on a Biblical story...) (The Bible, Torah, Qu'ran and many other religious books have been banned. Yes, if you have a religious book, it has most likely been banned or challenged.)

SOCIAL INEQUALITY You can't talk about class or classism.

You can't talk about race. -- You can't use racial slurs. -- You can't talk about racism. -- You can't have a black bunny marry a white bunny because that's supporting interracial marriage. (The Rabbit's Wedding, though Once Upon a Time in Wonderland also does this explicitly... must have enraged the challenger.) -- The book can't be deemed racist in any fashion. -- You can't talk about Mexican-American issues or history. (Apparently it's a lie that Mexican Americans get racism. *cough*) (Arizona Governor, though it was overturned later). -- You cannot have a Person of Color explicitly on the cover of the book. (Barnes and Nobles pulled that off with Cindy Pon's Silver Pheonix--not to mention all the other publishers.)

No talking about over eating, bad eating habits. No talking about disabilities including cerebral palsy. Can't be sympathetic to Armenians or for portraying Azerbaijans as "savages" [book burner's words] (because apparently you will get a $12,700 price on your head to *cut your ear off* for being historically accurate.) (Stone dreams by Aylisli) *

QUILTBAG Issues: -- You can't talk about sexuality. (As in the willingness to have sex). -- You can't talk about sexual orientation. (As in Straight LGB) -- You can't talk about gender identity issues unless it is cis and not crime investigation kind either. - Main character cannot have two fathers. (The Popularity Papers by Amy Ignatow)

Magic Issues: You can't have talking animals. (Peter Rabbit.) Oh, no magic, no mention of witches, and no fantasy (That promotes Satanism and teaches them to do evil satanic spells). (Harry Potter)

VIOLENCE Children can't do violence, especially to adults or to each other. Especially school violence. You can't have kids doing stunts or possibly hurting themselves. No realistic depictions of the Vietnam War. Can't be Graphic.* (The House of the Spirits) - Cannot have violent illustrations.* (The Librarian of Basra by Jeanette Winter and Nasteen's Secret School by Jeaenette Winter)

No dysfunctional families. -- You can't talk about child abuse.

No characters may ever die. -- No dead parents. -- No dead siblings. -- No dead best friends (Even if you are a Christian author, other Christians will come after you). (Bridge to Terabithia) -- No dying adults. -- You may not mention anyone dead (already) or dying (currently). -- No young infants dying. -- No talk of euthanasia.

You can't have any mention of cannibalism. (Alive, etc)

DRUGS You can't mention any drugs, including alcohol, especially with teenagers drinking it. (The Perks of Being a Wallflower--though there are many others) --- Children can't carry alcoholic beverages.

GENERAL MORAL OBJECTIONS You can't have it be morally corrupt. -- You can't have monsters of any kind. (Where the Wild Things Are) It can't be a "Downer" (Anne Frank) And by all means it can't be "icky." "gross" or "scary" (Goosebumps) Can't be perceived as Anti-feminist.* You can't be a PoC and write something negative about being a PoC.* (The Absolutely True Diary of a Part-Time Indian) - Cannot have "inappropriate content" (Neverwhere by Neil Gaiman [Welcome to the banned books club, Mr. Gaiman.])* - You cannot have a single mother. (The popularity papers by Amy Ignatow.)* - Cannot be a "Bad book" that "one shouldn't be associated with."* (Bluest Eye by Toni Morrison) - Cannot have "an underlying socialist-communist agenda."*(Bluest Eye by Toni Morrison--note it was challenged in her own home state for this....) - Cannot have a book that goes on about "developmental preparedness" (i.e about children developing?) and "student readiness." (The Story of a Childhood by Marjane Satrapi)*

No children defying authority figures. -- No cursing at parents. -- No disobeying parents. -- You can't have kids breaking dishes (especially to avoid washing them). (A Light in the Attic)

No toilet humor. You can't have characters eating worms, because that's unsanitary. (How to Eat Fried Worms)

SEX Your book can't mention any private parts. You can't mention body parts (this was how it was phrased. --;;) -- Even if you have drawings of lots of people on the beach, not even one of them, even when drawn at 2cm x 2cm can be topless, even as a joke. (Where is Waldo) -- No talk or showing of nudity. (even when private parts aren't shown) -- You cannot teach sexual issues in your book to middle school students. * (The Middle School Survival Guide)

You can't have masturbation or any mention of sex. -- No beastiality -- No showing of safe sex. (Apparently Teen pregnancy is still A-OK, but safe sex isn't! --;;) -- And you can't use any words with "tit" in them. (Title will now be called tidle just not to offend anyone.) (Harry Potter)

Rape may be seen by banners as a type of porn. (I see it as violence, but the banner saw it as titilating sex. --;; *gags*) (Speak)

AUTHOR CAN'T BE... -- LGBT (Asexuality, apparently, is still safe.) -- You can't have the same name as anyone connected to "Socialism" or "Marxism." (Texas School board)

Good luck getting it published.

So yes, this was started as satire. If you have any further questions about said history of said thread, you are welcome to PM me. Do not start it in the thread.

And please reply using the "reply" button at the bottom of the page, not this post.

Banned books for this year PDF: http://www.ila.org/BannedBooks/ALA016%20Short%20List%20L3c_low%20%281%29.pdf

#american library association

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notyetneedcoffee · 5 years ago

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The Letter

Answer to Eliza’s challenge

Prompt: The Ludlows

No warnings

The rain pelted against the storefront windows, blown sideways by the heavy wind. Being late afternoon in the middle of the week, there were only a few people in your little Brooklyn shop. A college kid who came in a couple times a week looked for another edition of the old seventies pulp scifi he liked for some reason. An older woman sat at one of the little tables, drinking a pot of tea and filling out the handmade cards she’d purchased. Your favorite regular sat in the old leather wingback chair in the corner. He took his coffee black and read for hours.

You poured yourself a cup of coffee, preparing to dig through the boxes you’d bought at an estate auction upstate the day before. Only a little remained in the pot so you took it over Mr. Blue Eyes. His longish dark hair fell over his face as his slumped in the chair with a beat-up copy of Gaiman’s Stardust. He glanced up when you approached.

“Refill? I want to start a new pot.”

“Yeah, thanks.” He held out his cup. Even though it was plenty warm in the book shop, he always kept on his coat or sweatshirt. He always wore well used, but expensive looking leather gloves. You did ask why.

“What do you think?”

In the last year you discovered his taste ran the gambit from non-fiction history to modern scifi and everything in between. He’d come in today needing a new read. When you asked what he was in the mood for, he’d said something light and fun, with some adventure. Something to make him feel better. You knew he didn’t shy away from a romantic tale, so you pulled Stardust off the shelf.

“It’s good.” He smiled. His face lit up when he smiled. “Your recommendations are always good.”

“Not bad considering I don’t even know your name.” You teased as you turned back to the counter. He always changed the subject when you asked, so you gave up ages ago.

You got about three steps when he called your name. Looking back, he granted you with a soft smile. “It’s Bucky.”

Smiling you returned to the counter, hoping you weren’t blushing. Your face felt warm, so you probably were. It was so simple, but it felt sweet and satisfying. There were plenty of long term customers you didn’t know by name. Somehow, though, this made you happy.

As you sat down on the stool and sipped your own coffee, you caught Bucky watching you over the top of his book for moment more before he began to read again. Content with the little step, you pulled one of the giant boxes of books closer.

The boxes were auctioned as a lot. You did not get to look through them. Still, the house had been grand and the library large, so it was a good gamble. The only thing you knew of the owner was she was in her nineties and died without any family.

Several old medical books were on top. A beautiful leather bound edition of Kipling’s poetry lay below. You flipped through the pages, just the smell of old print hitting your nose. No musty mildew or foul odor meant they were likely well tended.

Towards the bottom of the first box lay a book with loose pages sticking out. It was A Tree Grows In Brooklyn. Unlike the expensive leather-bound and hard cover books in the collection, this faded old paperback was held together with ties of ribbon.

Laying it carefully on the counter, you untied the buddle. An old photo of a woman in wool pants and a military jacket smiled at the camera as she leaned against an old WWII era jeep. Letters lay nestled between the pages. “Wow,” you breathed quietly as you opened the first one. The creases cut through the paper deep, as if some read the letter again and again.

14 August, 1943

Dear Rose,

I ship out with Steve in the morning and I don’t know if I will have the chance to give you a proper farewell.

This last week has been heaven. My body may have been beaten. I may have been starving and sick. But, having your beautiful face smiling down at me every day was like the sun shining after the storm. It made me feel washed clean and eager to grow under such a shining light.

I can’t thank you enough for the way you would read to me after the nightmares had me screaming and sweating like a kid. You never let me feel embarrassed or looked at me like I was weak. You just calmed me down with your lovely voice until I could rest again.

You listened to all the horrors without flinching. You just held my hand and touched my face, like cool balm, bringing me more relief than the breaking of my fever. Your care did more to heal me than anything the doctors tried.

Every day I just wanted to make you laugh because it chased away all darkness. I know I wasn’t all the funny, but you laughed anyway. Thank you for humoring me.

I wish the situation was different. I wish we weren’t stuck in a ratty tent hospital close enough to the front to have the artillery keep us up at night. I wish we could get spiffed up and I’d take you on the town. I wish I could take you dancing just for the chance to hold you close for a bit.

If you don’t get this until after I go, just know that you will forever be my special Rose. I’m certain there’s a lot of fellas you take care of that fall hard for your kindness and beauty. Still, for a little while I got to have you at my side. I got to have you smiling at me.

All my love,

James

“You okay?” A rich deep voice pulled your attention from your musings over the letter. When you looked up into Bucky’s face, you realized your eyes were wet.

“Um, yeah.” You smiled. “I just found this old letter in the lot off books I got from this lady’s estate.” You passed it over. “Looks like she was a war nurse. Look I think this is her.”

Bucky’s hand covered his mouth. You watched his eyes grow wide and glassy. The paper quivered in his hand. He seemed to be reading the letter again and again.

“Lovely, isn’t it?” You smiled.

“How much do you want for it?” His voice was thick.

“What?”

“Can I buy it? I don’t care how much.” His eyes never left the page or the picture. You could see the intensity in his eyes, like it reminded him of something important or triggered an old memory.

“You know what.” You smiled. “You just keep it.”

“Really?” Bucky’s breathed, looking up at you in total surprise. When you nodded, a bright smile crossed his face. He gingerly folded the letter and tucked into his book with the picture. They all went into the inner pocket of his jacket. His hand covered the place where they rested. “Thank you. Thank you so much.”

“Sure. See you later?” He nodded and left. That confirmed it. You knew Bucky was a romantic.

TAGS

@rainbowkisses31 / @dsakita / @geeksareunique / @lbouvet / @buckybarneshairpullingkink / @theneuropsychwriter / @vanillabunn21 / @sammghgecko / @beautifullungs / @badassbaker / @the-omni-princess / @sebbysstangirl / @jesseswartzwelder / @unadulteratedwizardlove / @the-reading-octopus / @bangtan-serendipity / @kiki5283 / @mindtravelsx / @josie605 / @ladifreakingda / @dawnlaufeyson / @wildmoonflower / @rynabarnesrogers / @notyourtypicalrose / @sllooney / @wwe-fanfiction-queen /@wwe-fanfiction-queen / @thorfanficwriter / @scarlettsoldier / @morganhoran1671 / @michelehansel / @sexyvixen7 / @readermia

#Eliza’s 15k Challenge #bucky barnes fic #bucky barnes fanfic #bucky barnes #bucky fic #bucky barnes fanfiction #mcu

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house-of-nevs · 5 years ago

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LAUGH, they nearly SUED.

On the whole, we're inclined to leave the majority of new comics alone. Any clown can pluck the latest offerings from the shelf, say '$7!! For this?!' and be done with it but Joker 10 is something of an anomaly that deserves greater inspection, to say the least.

In the 70's, The Joker was granted his own title as he was extremely popular due to a number of still influential Batman stories of the time. In theory 'What does The Joker get up to in his spare time?' ought to write itself.

Problem was, The Comics Code and it's judgements still carried weight back then, and both writers and editors had to be cautious about the content of their comics, because The Code ruling against you could mean the majority of newsstands just wouldn't carry your book. Presumably newsstand vendors just kept an eye out for that little white square and that was the end of gauging whether this month's Batman Family wouldn't turn little Johnny into a foaming, homicidal pervert or whatever.

So, DC were in a bit of a fix. There's no way The Joker could ever be perceived as any kind of hero or even a sympathetic protagonist, therefore he had to be shown paying the price for his activities and securely locked up at the end of each issue. Which really just underscores how inefficient the security of Arkham Asylum had to be.

'The Joker' ran 9 issues and was..alright? Certainly readable but nothing to bother paying more than cover price for. No Neal Adams, Michael Golden or Marshall Rogers art to turn them into classics. Even Mike Gold qualified the reprinting of Joker 3 in 'The Greatest Joker Stories Ever Told' as something of a necessary chronological inclusion rather than being regarded as any kind of greatest story.

Joker 9 was the final issue for decades, although confirmation existed that a tenth issue had been completed and just wasn't published due to the book's cancellation. An entirely reasonable and believable until, well, you read the thing but trust us, we'll get to that.

So, for quite a few years, we have this lost Joker comic. In retrospect it seems a bit odd that DC never find a place to publish it given how many times The Joker has been in vogue, and they're certainly not averse to putting out other lost works, such as the Legends Of The DC Universe title kicking off with a previously unseen Crisis On Infinite Earths story, The JFK/Teen Titans annual and a Neil Gaiman Green Lantern book.

So then, FINALLY, as part of the never ending wave of omnibus books that DC insist on abusing bookshelves with, they announce 'Joker:The Bronze Age. To include Joker 10.

The obvious response from the average reader who doesn't want to plonk down $100 for one new comic is 'Any chance of knocking this out as a separate comic?' Given both the DC Dollar and Facsimile Editions are doing a bit better than new comics at the moment, Joker 10 would probably have blown away any other new comic in pre-orders for any given week in 2019.

As of this writing, Joker 10 isn't being offered as a single hard copy comic any time soon, but imagine our surprise when flipping through the Joker promotional sales on Comixology to see...

Joker 10. No hype, no fanfare. Just 'Oh by the way this is in our library now.' An odd way to promote the first monetised publication of a lost comic featuring one of pop culture's most significant icons.

Again, until you READ it.

Joker issue 10 is mental.

Not in a 'well, it features a lunatic so of course there's going to be a twinge of insanity going on.' way. Look. We're old. We've seen The Joker shoot and potentially physically assault a young woman, play poker with Mr MxyStupidnamex for the right to control reality, kill Jim Gordon's wife dead in the street, continue an abusive relationship with Harley Quinn, become the U.S. Ambassador fot Not Iran, batter Jason Todd to death with a crowbar, slice his own face off because reasons and even break his own neck just to frame Batman for murder.

Still, though, this is The Joker at his most literally insane and murderous. If we have this correct, The Joker kidnaps a doctor and explains to him the story of being coerced into destroying a serum that would literally stop death. By Satan. Who looks an awfully lot like Elton John with the word 'POOF' signifying John's arrival at a time where Elton was still very much in the closet.

Joker recants his gleeful, methodical murder of each member of The Justice League, including hanging Wonder Woman by her own lasso from a Jokerised Statue Of Liberty, sending The Flash insane by shooting him up with some kind of..Super Amphetamine that burns his system out and leaving Green Arrow to die in a Hyena cage in the zoo. He also possesses superhuman powers never seen before, including the ability to be at several places at once!

At the end of the issue, we see Joker in possession of The Justice League's bodies, 99/100 ths dead but not dead. Just what in Chief O'Hara's name is going ON here? What happened to the serum? Or Elton John? Why can The Joker do all these new dastardly deeds?

Guess what?

We'll NEVER KNOW.

Joker 10 finishes on a cliffhanger. This is part 1 of 3. Are there at least scripts knocking around the DC offices that could be drawn up, because this is truly the Twin Peaks:The Return of comics. An answer to a long awaited question that only creates question upon question with it's existence.

Was this really going to be submitted to The Comics Code, because The Joker is working with Satanic Figures, enjoying the fruits of his evil deeds, happily murdering superheroes (that whole '99/100ths' thing reads less like a plot point and more like a 'covering that whole killing women Code violation' addition.) and somehow we're seeing, well, issues with this issue.

So we have to turn this over to you; there has to be more to this story. Are there scripts for 11 & 12? Latest rumours as we write this is that The Joker Bronze Age Omnibus may not even make the shelves (although the preview book is out this week at all good comic shops.) UPDATE: The book is out in good comic shops now. We looked in a bad one.

We hope to see you with more on this on The Funnyiest Of Page's!

#joker #dc #comics #1979 #batman #flash #superman

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neil-gaiman · 1 year ago

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Hi Mr Gaiman, I was wondering if you’d by any chance watched the film A Matter of Life and Death. I watched it with my mum the other day, see, and there was a character in it who reminded me a bit of Aziraphale - or, I guess, Crowley as Aziraphale. I also thought the depiction of heaven as very modernistic was similar. I don’t know, it just reminded me a bit of good omens and me and mum had a laugh (and then cry because of the ending) about that.

Of course I could be totally off the mark, there’s a common depiction in the media of heaven as incredibly futuristic. Just thought it was cool. Thank you for season 2 of good omens, I loved it so much. Whatever happens next with season 3 if there’s gonna be one I know it’s gonna be great.

The American title of the movie was Stairway to Heaven.

There's a lovely article about the links between it and Good Omens here:

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douxreviews · 6 years ago

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American Gods - ‘Treasure of the Sun’ Review

"That’s what the world does. It changes."

I wasn't ready for that.

Should have been. But wasn't.

Let's not dance around the issue in any way and get the sort-of-spoiler out in the open right up front. Last chance to turn away.

So, Mad Sweeney appears to die at the end of this week's episode.

This shouldn't really count as a spoiler, as the episode itself did everything it could possibly do to make us all aware that it was going to happen. They laid the funeral atmosphere on this one with a trowel. The presence of banshees that only Sweeney could hear was just the cherry on top of the great big farewell sundae.

Last season they devoted the entire penultimate episode to telling us the story of Essie MacGowan, which tangentially also told us the story of Mad Sweeney. As a mystical being, Sweeney's background was left very much vague there, and he was really only seen through the frame of reference that Essie saw him through. And it was one of the best episodes of anything, ever, so if you haven't watched it lately you should totally go do that as soon as you finish reading this review. This approach worked very well for Sweeney, since being unsure about his backstory and all the contradictory possible pasts that he possesses are kind of the point of the character.

He's a very quantum god, only being able to be seen through a vague mist of probabilities and attitude.

This week promised in advance to finally fill in the backstory of Mad Sweeney, and I confess that I was a little disappointed that they were going there, since any concrete backstory that we get will never be as good as the possible stories we have in our heads. Imagine, then, my surprise when they doubled down on the whole 'contradictory pasts' thing and made that the whole point of the character.

We've had unreliable narrators before. Here we get what might be described as an unreliable protagonist. Any of the stories we're told about him may or may not be true. Even he, we're told many times over the course of the episode, doesn't really remember.

So we're told about a Sweeney that had sex with a girl who predicted that Laura Moon would one day be his downfall. And of a Sweeney who was a king, and abandoned his allies on the battlefield after being cursed by a bishop and was destined to die from a spear. And a Sweeney from even earlier who was a god king, destined to kill his grandfather in one of those 'you brought about the future you were trying to prevent from happening' kind of stories. Except the grandfather might have been Wednesday. Possibly.

Sweeney is full to the brim of contradictory pasts, and they're all presented to us as true. The little narrative games of inserting the wrong character's voice in the flashback voiceover, or having the wrong voice come from the wrong mouth as the story is being told just underscore this fluidity. What we do seem to know for sure is that he's in Mr. Wednesday's debt for some reason, possibly connected with having fled that battlefield. Odin is a war god. Did fleeing the battlefield cause the debt directly, or was there more to it than that? Somehow tied up with this, Wednesday owes Sweeney a battle, which would make sense if the initial sin was skipping out on the other battle. How that squares with the earlier god king or the later prophesy and boobies story I couldn't begin to say.

It's a rare trick, appearing to devote an entire episode to a character's backstory, only to leave the viewer feeling like they know less afterwards than they did before.

The season's recurring theme of how gods change and evolve to survive over time continues this week. Bilquis is now apparently an evangelical preacher, focusing primarily on the erotic poetry portions of the Bible, of which there are a surprising number, actually. I still can't figure out what she needs from Ruby Goodchild, but I don't think they intend us to understand that part yet. I think it's deliberate that the episode shows all of the changes that Sweeney goes through being done to him by outside forces, such as Mother Church rebranding him as small.

The cleverest move of the week, however, goes to the choice to begin the episode with Sweeney's body under the bridge. That, if you haven't read it, is how Sweeney dies in the book, and it's much less dramatic than what we get here. Changing the narrative so that Shadow is an active participant in Sweeney's death is a much richer story. In the book he basically dies from a tragic case of the plot not requiring him anymore. By starting the episode with the fakeout of him not being dead under the bridge, they're preparing the viewer for his eventual death at the end. Hell, they might as well have put a 'Sweeney Death Countdown Clock' in the bottom corner of the screen.

Farewell, Mad Sweeney. You were arguably the character that benefited most from the book-to-screen translation. I don't expect that we've really seen the last of you. For one thing, it would be just perverse if there was never some sort of resolution with your relationship with Laura after the way things ended last week. For another, even in the book you stopped back by to attend your own wake. I didn't entirely understand what was going on in that section of the book, to be honest.

Wednesday made a point of telling us that every death brought about by the spear was a tribute to him, which means Shadow just made a tribute to Odin of Sweeney's death. That has to be important, right?

Quotes:

Sweeney: "Oh, I can smell the whiskey on your breathe already, Ben Franklin."

Laura: "You know that I can literally rip peoples' limbs off, right?"

Kali: "Goddamn Voudon. Always so dramatic."

Wednesday: "Oh, I know that smell. That smells like a hot bottle of whiskey and sex in an alleyway. With a top note of failure. Eau du F**kup."

Eorann: "Remember, the boundaries of your father’s mind have grown thin since he left us."

Sweeney: "You’ve got 80 years on your dial, You’re going to give 'em up for somebody who’s gonna live forever?" Salim: "That’s how love works."

Wednesday: "F**k the fairies." Sweeney: (To Salim) "You gonna let him talk about us like that?"

Been meaning to mention - I really love Wednesday's vest

Bits and Pieces:

-- Do people really bring food to funeral parlors? I know that they do to the grieving, but I've never heard of them bringing it directly to the funeral home. Maybe it's a southern thing.

-- Ibis mentions that Jaquel will come when Wednesday calls him to war. Does that mean that Chris Obi has just been busy with Star Trek: Discovery and we'll have him back later when he has the time? I hope so.

-- The discussion of Sweeney being a troll or a leprechaun nicely set up the theme of incompatible but equally valid pasts.

-- How has it not come up at all for Shadow that Sweeney caused the car accident that killed Laura? Laura found out about that in last season's finale.

-- Sweeney's final act, other than flipping the bird, was to send Wednesday's spear to 'the hoard,' the realm where all the treasure is that he and Laura took a shortcut through a few episodes back. That was clever. Can't wait to see how Wednesday responds to that one.

-- I feel like it's still OK to 'ship Sweeney and Laura, since she's also dead. Just let me have this one.

-- Pablo Schreiber had a lot of scenes to film in the woods while wearing very little clothing. That just had to be unbearably uncomfortable. I mean, just the bug bites alone...

-- Speaking of Pablo, it was announced shortly before this episode that he'd been cast as the Master Chief in the Halo series. That wasn't a good omen for Sweeney, no Neil Gaiman pun intended.

-- The Jinn mentioned other Ifrits in Chicago, answering my longstanding question about whether Ifrit was his name or his species. I guess we're back to calling him the Jinn. They should really give him a name.

-- Sweeney, despite his best efforts to resist the urge, was really going out of his way to be kind to Salim.

-- I've never considered the erotic subtext of the eucharist before, but what with Bilquis deep diving into the whole 'take my flesh deep into your mouth' aspect of it I'll probably never be able to look at the pope without blushing again.

-- The treasure of the sun was both the coins in the hoard and the love Sweeney and his wife shared, as highlighted by her yellow wedding dress. She'd lost that dress by the time Sweeney had gone mad.

It's hard to make Ricky Whittle look small...

This episode had a lot to really dig into, but it felt a little incomplete to me in a way that "Prayer for Mad Sweeney" didn't. On the tiniest level it feels like an exercise in setting pieces up for the finale rather than a story in its own.

Three out of four tubs of potato salad.

Mikey Heinrich is, among other things, a freelance writer, volunteer firefighter, and roughly 78% water.

#American Gods #Shadow Moon #Mr Wednesday #Laura Moon #Mad Sweeney #American Gods Reviews #Doux Reviews #TV Reviews

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vaguely-concerned · 5 years ago

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SO I DID GET TO SEE GOOD OMENS AND TL;DR IT WAS EXCELLENT, I AM EUPHORIC

more thoughts and spoilers under the cut!

the FUCK YEEEEEEEAAAAAHs:

- mr gaiman you did it you made it even gayer I never even believed it was possible what is this 6000 years pining slowburn nonsense

*ahem* to be more serious about it I loved that the show takes the emotional throughlines from the book and somehow both heightens and deepens them.

- it really is phenomenally faithful to the book and the stuff it adds is mostly a m a z i n g. it kept me perfectly engaged despite me knowing what like 75% of the dialogue was going to be

- david tennant doesn’t quite go for the same energy as how I imagine crowley in the book -- in my head he’s more... idk how to explain it but the vibe is more someone grinning a bright fixed ‘this is totally my suave face’ grin while clearly continually going ‘oh fuck oh fuck oh fuck’ internally haha, to me he’s slightly less... mercurial? trying to play his cards closer to the chest? but you know what show!crowley is fucking hilarious too and I do like what they’ve done with him being less of an optimist at the core and more enjoying the world through his connection with aziraphale -- the sense of underlying loneliness you get in some places in the book has really been dialed up, he just wants a friend :( (which incidentally seems to be part of the reason he fe -- sauntered vaguely downwards too; he mostly wanted to hang out with someone, and today he still doesn’t really fit in with either the angels or the demons)

- I can’t believe they managed to capture the feeling of ‘Under the ash and soot that flaked his face, he looked very tired, and very pale, and very scared’ on screen; it’s one of the moments of the book that really stuck with me and it worked so well here too, especially since the fallout of the situation stays with him longer

- this version of aziraphale is just. so lovely. so so good, literal precious angel who almost got his head cut off for crepes, I totally see why crowley persevered through the ages and his own intimacy issues, good call my friend. thank you michael sheen, every time this character showed up on screen I was filled with joy and delight

- I’m completely undone by how incredibly mutual their friendship is in this -- despite crowley being the more active in asking for connection it’s obvious all the way through how much aziraphale genuinely adores him and enjoys his company (even though he knows he shouldn’t and so continually needs to give himself some plausible deniability)

when aziraphale’s voice breaks as he’s like ‘don’t go’ after they’ve argued in the park and he’s just tried to pretend they’re not even friends? hahahahahahaha ouch my fucking heart

- sister mary loquacious was the most endearing thing I’ve ever seen in my entire life, give that actress all the roles she’s got the charisma of the gods

- “not only a southern pansy, sergeant -- the southern pansy” got through and it was glorious (ditto shadwell’s naming schemes, I for sure thought that wouldn’t be mentioned but it’s so incredibly funny)

- crowley repeatedly and openly just... begging aziraphale to go off to the stars with him what the fick-freckedy-fuck

- Of the horsemen Pollution was my absolute fave (so cool and unsettling and nonbinary rep!!!!!!! also they feel like the youngest horseman in such a deep way, every credit to the actress that was great) and I really enjoyed the twist on Famine, making him seem more intense and hungry himself as part of his nature as opposed to in the book where he’s basically like... diet vetinari lol

- G A B R I E L he was so perfectly awful... absolutely no redeeming features whatsoever he’s just a piece of shit all the way through and John Hamm was clearly having the time of his life with it and I too was living

- crowley crying in the bar because he lost his best friend and there’s no point to even try to run away anymore if he’s alone, he’s just waiting for the end of the world ;____________________________________________________; what an addition, such a thoughtful way to steer his character arc, wonderful, spectacular

in the book it’s more about him finding his way through the fear and desperation and having lost everything back to his core ‘actually... fuck this there’s no situation I can’t snake my way out of let’s goooooooooo’ self, which is admittedly really cool and satisfying, but it feels like a shallower thing than finally reaching a point where he can no longer pretend he doesn’t care or doesn’t want things. (also... the way his will to live reignites the moment aziraphale needs him fjskadlfhaskdhfksldhfslkahdf “I’ll come find you” INDEED fjksdafhsdlfhsdalfh)

- also a nice tiny change: the implication that reason he can drive the bentley through the flames is that he loves that car so fucking much, he’s invested so much of himself and his emotions in it over many years, like a sort of microcosm of how he feels about the actual world (and specifically humanity’s presence in it) that produced it

- the child actors were uniformly precious, and the kid who played adam got me right in the feelings. the sort of comedic sociopathy of kids thing going on in the book is downplayed, which means I was feeling all the more protective of this sweet sweet kid who just loves his dog and his friends and fjsdfklasjkh

- *sigh* my embarrassing crush on david tennant has been lying dormant these last few years, simply waiting for its chance to rise from the depths like a kraken yet again, and I am slightly unsettled that what really made it surface this time was him dressed up as evil Mary Poppins + the bathing suit, socks included. ah well the heart uh wants what it wants I guess

- crowley is awfully quick to suggest child murder for someone who’s blatantly not willing to harm a hair on a kid’s head himself lawl the two of them just juggling the ‘but maybe you could like... quickly murder him so we could avoid all this???’ ball back and forth before madame tracy finally knocks some sense into them

- the actress for madame tracy did such an amazing job that I literally forgot aziraphale wasn’t actually possessing her, ART

- fellas... is it gay to blow up a bunch of nazis for your ~*best friend*~ and save his books while actualfax romantic music swells in the background... asking for a friend

- “anywhere you want to go” :):):):) oh no

- to be Sad at you for a second here... why the fuck did aziraphale immediately assume crowley wanted the holy water to use it on himself? is there like. a story here we don’t know. is this the fallout of going to check wtf the spanish inquisition was all about. I’m almost afraid to ask

- to be even Sadder: that ‘For Terry’ made me cry and I’m not ashamed to admit it

the awwww... okay I guess you can’t have EVERYTHINGs:

- the scene where crowley and aziraphale get wasted together after the antichrist is delivered is not quite as funny as it is in my head, but then I don’t think anything in the physical world could be as funny as the way I imagine them just like somberly leaning over the table at each other with little regard for personal space and drunkenly expounding on dolphins, so I’ll forgive it

- CGI satan was completely unnecessary and not even very well designed *shrug emoji* the whole point of that scene is that we never get to see him, just the mounting dread as he’s getting closer, and then the wordless reveal of who Adam considers to be his dad and that’s all that matters and even the devil is powerless against it... loved the ~*godfathers*~ giving a little literal angel/devil on my shoulder pep talk, tho, that was incredibly sweet

- ...the maggots huh neil. couldn’t leave them out huh. what a world it would be if we didn’t get to see a bunch of people get eaten by a writhing roomful of maggots huh.

- ETA: actually one more: I refuse to accept this version of DEATH, hashtag not my reaper

#good omens #good omens spoilers #*sigh* my brain is tired from being excited but that's kind of fine #I'm sure this is not very coherent but well I don't feel all that coherent haha

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sabbathism · 6 years ago

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People don’t like season 2, and here’s what they have to say :

tl;dr: I answer the web’s most vehement complaints about season 2 of American Gods. If you happen to recognize yourself in one of those, then I suggest thinking about it really really hard and, perhaps, giving the show another chance. If you recognize yourself in several of those, please drop the show. It’s not worth wasting your time and especially not ours. (I put a list of helpful cast and production related facts at the end.)

Hi, Nelle here, I’m but a humble fan who wishes to have fun seeing gods bicker and argue among mortals, complete with the craziest of situations, stellar cast and great visuals. And yet I can’t help but hear things when I start browsing this hellsite in quest of juicy fanworks.

Although I’m no Joan Of Arc, I hear voices from above and here’s what I have to shout back (lest I get burned at the stake) :

“The pacing is all over the place ! It’s too slow !”

Is it tho ? Pacing has been “all over the place” (really meaning: different from what we avid show-viewers are accustomed to) since season 1, we’ve never gotten straight answers out of anything unless we started listening and paying attention to details.

The book (you know, the source material) has four parts, the fourth serving as an epilogue to the whole story, season 2 is most definitely meant to close part 1 which, allegedly, had the slowest of pace to begin with. And it doesn’t even have half the new narratives the show has been creating. So no, it’s not slow. I promise you things are happening.

“It needs to follow the actual book more !!”

What’s a good adaptation ? Is it something that is 100% truthful to the source, down to every word ? Is it something that should offer something for people who don’t know the source ? Or, on the contrary, be something inseparable from it ?

American Gods as a TV show offers new things for people who have read the book and for those who haven’t, while keeping the beloved moments and aspects from the original material.

Why add or change stuff ? Well because, if you’re a book reader, you get welcomed into the state of existential dread that comes with not knowing what happen next, I promise it’s part of the fun. But also because author Neil Gaiman believes that he can do more, do better, with something that was written 20 years ago and needed the changes in a lot of places. He’s aware that he has, in fact, a show to make, and not a carbon copy of the book, as well as a fanbase that deserves to be challenged and entertained.

“Why taking the focus off Shadow ? He’s barely the protagonist anymore !”

Because there are..... characters ? who are also part of the story ? Like, actual stories need characters ? But alright, I know it can get confusing when you have a lot of those, here’s how you can still tell Shadow is the protagonist : months of advertising and the entirety of season 1 which was spent following Shadow with only minor breaks allowing other characters to breathe. Trust me they need the development too, or then we’ll really have reasons to complain.

You want a narrative focusing solely on staying in Shadow’s head ? Alright. Try the book. But here’s my take on its narrating choice, as a graduate in english literature : it’s boring. To the point where Neil Gaiman himself got sad that he couldn’t follow other characters.

“They’re not giving the POCs enough space ! Where are the coming to america segments ? At least they gave actual insights.”

Out of every piece of fiction, I truly don’t think you want to get angry at American Gods for how much room it’s giving POCs... (a 20% white cast ensemble, POCs and especially WOCs writers and directors on production, ethnically accurate casting and writing, diversity positive messages, etc) Really I’m sure there are many other places in the fictional industry were the question of diversity is more than legitimate. American Gods has yet to be one of them, by far.

As for the Coming To America stuff, well, there’s not that many in the book to begin with. There are a whole bunch for sure, but we’ve got over quite a few of them in season 1. If there’s more believers you want, we’re served with the latest episode 4, with humans worshiping both Old and New, and interacting with gods. I’m sure we can review that point again once the season is over.

“Those white directors don’t even know how to read or write POC characters !”

*cough*

here’s a list of the POC directors and writers on episodes 2 to 5 of season 2 only :

Deborah Chow (director)

Aditi Kapil (writer)

Salli Richardson (director)

Rodney Barnes (writer)

Orlando Jones (writer)

That’s half the entire director-writer team for these episodes, with Neil Gaiman being involved. You’ll have to point out to me exactly what you mean by “not writing right”.

“New Media ? 1. she’s a bitch, 2. her actress is just plain bad, 3. she’s a hurtful stereotype.”

And here comes perhaps the trickiest one of all... I’m gonna have to bear with you, as much as you’re gonna have to bear with me :

1. Yes. 2. No. 3. Yes, and it’s a problem, but not for the reasons you think.

First of all, and let’s get it out of the way : actor =/= character nor writing. You think the writing is bad and/or that the character is annoying ? Well, it’s certainly not on the actor. You wanna know the actual level of Kahyun Kim’s acting ? Starring in an Alan Cummings play alongside him. We’ve got a lot to discuss but please keep her out of this.

Second, New Media is an absolute bitch of a character. She’s mocking, manipulative, and too ambitious for anyone’s good. A lot of people seem to love her tho and to that I say good ??? I mean, great if you like her, because she’s got as much potential as the rest of these crazy characters, I’m not here to tell you who you should hate and who you should love.

But there’s a problem you shouldn’t ignore, and that its so far she’s not well written. It’s a terrible thing to say in such a show but she’s really not : because we barely see her talking, because we barely got any scene with her (remember what I said about letting character breathe ?), and because what we’ve seen of her so far is the stereotype of the hypersexualized naive asian girl. Complete with tentacle porn scene. (Whether you felt weirded out, amused or utterly disgusted by this is your own valid opinion.)

The character has been officially described as “the goddess of global content”, “a cyberspace chameleon” and “a master of manipulation.” In recent addition to that, actor Bruce Langley (Technical Boy) has said : “New Media’s willing to be perceived as naive because if she’s being underestimated, when she does make her move, you’d never see it coming, but she knows way more than she lets on.” He then goes on to compare her to Gillian Anderson’s Media.

This proves that the way New Media comes off isn’t a problem of intent (the naive part is calculated and they want the character to be duplicitous, falsely seductive), but of handling, and it’s just as bad. Sure, Gillian’s Media also knew more than she let on for about as much screen time -I’m sure New Media will get to her four scenes in one season-, but she had been grounded in the narrative as her own character, she’s had her exposition speech and time. (See her meeting with Shadow in S01E02) We’ve yet to see that much of Kahyun’s New Media.

Because they do not give her what she needs to be more than a two dimensional character, we find ourselves with a shallow character who doesn’t give too many signs of the thought process everyone seemed to have put into crafting her beforehand, including Kahyun’s acting. This is a serious issue that needs to be handled before the season ends, or she will just stand out like a nasty spot in an overall incredible piece of fiction. Hell even Laura (another very unlikable character) manages to be a great addition to the narrative. Come on people.

You can of course argue that they could have gone for another type or personality for her, other than naive and sex-oriented, for a korean actress to play. You’re right, there’s a lot of aspect of social media that could have been put to work, but not only are we gonna need more than two scenes (at least the tentacles aren’t a regular occurrence so far), but it’s just like they could have not made the Technical Boy hang Shadow.

The New Gods appear as the ‘general bad idea’ we promote through and associate with their element. Mr. World is gonna be the creepy looking government dude, Tech is gonna be the lanky rude geek, they’re gonna be cold, insensitive and selfish. They’re gonna be the things we don’t like. Throughout season 1, Tech Boy was in the same place we find ourselves in with New Media : he was the loud white racist teenager hating on anon on the net, he was unlikable from start to finish, and it’s only once we got inputs from his actor, the writers, and then now that they’re showing more of his story and personality well after season 1 that we see him as the fully complex and interesting character he is.

Let’s all keep our wits about us, not engulf ourselves in blind hate or love, and encourage the writers to prove us all that this character is worth the while like her actress says.

(I still won’t forgive the bitch, but at least she won’t stick out like a sore thumb.)

(if you want Kahyun’s input on her character and experience, here’s a lengthy interview)

"They don't even know how to write their own character, period !"

By all means, tell me your basis of characterization to declare that characters who didn’t even have enough screentime to have much substance in season 1 (except Shadow, but strangely no one complains about him) aren’t written right when their creator is literally hovering over the writers and actors shoulders, because he wants them to be developed and written right.

It’s not Harry Potter, Neil isn’t making up facts about them to make himself look better, maybe accept that the vision you had in your mind wasn’t entirely accurate to the truth of the characters and that’s okay ? You can still write them yourself however you want, tell the stories you want to tell, Neil has made it very clear that he doesn’t consider fan ideas less valuable than his.

“Bryan has such as specific, unique vision ! They’re just trying to copy it and they’re failing.”

Definitely. No really, you’re right, I’m a big fan of Bryan’s work, I lost my mind like everyone else when he said he wasn’t giving up on Hannibal season 4.

But you know who else has a unique vision ? The seven directors who took over (four of those are women) and the show-runner who had already worked with him beforehand. They’re not trying to copy his style, they’re trying to make a smooth transition so fans like you don’t have a hard time mourning the terrible loss of Bryan and Michael. And for every person who noticed the changes, there were just as many who haven’t even paid attention to it.

Concept : some people may watch shows/movies for the story and the characters, not just for who’s behind the camera. (As far as I’m concerned, I actually like the image better. Everything was killer in season 1, and I think it’s even nicer in season 2.)

“Bryan gave us Salim and the Jinn, and now they’re just gonna be cast aside because those directors lack the LGBT+ sensibility Bryan has !”

Alright, yup, sure. As a member of the community myself, I totally recognize that someone who’s also part of it will know firsthand of the subtleties and details to give the best representation possible on screen. The example of Salim and the Jinn is perfectly fine, since the entire segment was indeed beautifully made. But if we cannot allow people from outside to ponder and think about our lives through writing (which is probably the best way for them to start understanding and broadening their mindset), how can we expect wide representation to improve in any meaningful way ? Especially considering that the show has been casting LGBT+ actors, in an environment where the cast is listened to and solicited on their opinions.

And especially when Bryan was not the one who gave you Salim and the Jinn. (Because I’ve seen people genuinely believe it.) Neil Gaiman did. He wrote a gay muslim couple in his book 20 years ago, way before it was considered a political statement. He’s also the one who gave strict and specific directions as to how these very characters should be handled. Because if he expanded Salim and his fire boyfriend Jinn’s story from a one-shot to a full story integrated into his entire narration, then it’s certainly not to pull a “bury your gays” or make them miserable. No need to be LGBT+ to be a decent writer and human being.

“Production was a mess anyway, I knew it’d turn out like this. It sucks without Bryan.”

Define “mess”. Because all the incendiary reports we got throughout early production had been utter bullshit.

Showrunners being “fired” ? Bullshit. “Disastrous” organization ? Bullshit. “Screaming matches” between directors and actors ? Bullshit. Actors “refusing” to come back ? Bullshit.

Every report that wasn’t made through direct input of the cast or production team was not only wildly exaggerated, but also fake ? But please, hear it from Neil himself :

It was weirder for me to read some of the stuff online that said, “Oh, my god, American Gods, behind the scenes, is all falling apart.” I was going, “But they just shot four episodes, and everything is fine. They’re doing some re-shoots, but they’re doing less re-shoots than they did in Season 1.” [...]

I was reading Steven Bochco’s biography on the tube, going into work on Good Omens, every morning, and learning about what went down on Hill Street Blues, and then on NYPD Blue. That was worse, by a factor of thousands, than anything that happened on American Gods. A showrunner came, and a showrunner left. That’s not even an unusual thing. [...] The weirdest thing for me was putting out a thing on Twitter on Season 2, and having a bunch of people go, “We thought this was canceled.” No, it’s not canceled. In its own mad way, it’s on schedule.

(Source)

The show was never in any danger, much less in jeopardy. It's overreactions to false rumors and dramatic assumptions that can kill a show faster than a showrunner leaving. You want to be critical of a production ? Go ahead, and check your sources and facts. Please. I promise most of the time it’s not worth the worry, much less losing all hope.

“Bryan cared, they’re just ruining what he’s built.”

I dare you to watch any cast interview and tell me these people don’t care about the show, and that they do not value the work everyone else (from hair department to makeup artists, producers, writers, directors and costume team) puts into it as well.

I’ve watched my fair share of shows, I’m curious about production and behind-the-scenes material in general, and I’ve never seen a group of people being so genuinely happy and passionate about what they do and create together.

Neil took time out of preparing Good Omens (which he was showrunning himself) to be more active because he knew things would be different between season 1 and 2. Ricky Whittle (Shadow) had his contract reviewed to better accommodate shooting and planning. Orlando Jones (Nancy) contributed to writing episodes (especially regarding Black history and representation) and brought inputs on characterization. Ian Mcshane (Mr. Wednesday) participated in directing when he explicitly said during season 1 that he wasn’t interested in working as a director on this kind of show.

And that’s for the well-known names only. Go on the American Gods hashtag on instagram, you’ll find all the various artists who participated in crafting all the details found in new episodes. They’re out there talking about how excited they were to work on it all, how they did it, the love they have for the show and crew. They’re active and positive in every way you can be, please tell me how much they don’t care.

Production made the choice of taking its time making this season rather than rushing it when it’s been very clear that delaying can cause massive loss of viewers, because they care more about how the show comes out than what people actually think. They took in stride whatever problem a show of this magnitude could naturally encounter (again guys, no disaster happened) and worked to solve it the best way they could because they were perfectly aware that we fans care. And somehow that’s what made some of yall disappointed ??

If you seriously think Bryan (and Michael, some people forget about him smh) cared more about American Gods than these people -when he, in fact, cared just as much-, then by all means, leave right with him.

(Also uhm, idk if you noticed, but they’re both still credited in the fucking opening. Because, you know, they’re going by the bases they’ve settled.)

Some (hopefully) helpful facts :

+ Bryan and Michael weren’t fired, they walked out of the show after mutual understanding with the rest of the production that they weren’t agreeing on budget and realization. They concluded that pushing it would just be harmful to the show.

+ Likewise, Jesse Alexander (second showrunner) wasn’t evicted but stepped out once disagreements rose as to how to handle the end of the season. Again, they found a solution fairly quickly.

+ Gillian Anderson had only signed for season 1. Whether her character will ever be seen again (probably in flashbacks) is entirely up in the air. No promises, no impossibilities.

+ Both Kristin Chenoweth (Ostara) and Chris Obi (Anubis) have not been able to contribute to season 2 due to conflicts in their schedules.

+ Neil Gaiman has been much more involved in the production of season 2 as he had finished shooting Good Omens, something which took up most of his time when season 1 was produced.

+ Taking time producing a show =/= production being a disaster.

+ Always go for the reports/articles involving interviews and/or inputs of the persons actually working on the project (cast members, producers, writers, directors). Those are the most reliable sources you can fight. (Just remember that there’s always a possibility for fake news/drama online !)

#please do message me if you want clarification/to discuss #summary + facts in the tl;dr and at the very end #american gods #starz #freemantle media #american gods season 2 #neil gaiman #bryan fuller #michael green #ricky whittle #new media #gillian anderson #kahyun kim #rant #my writing #bitch this is so long

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desertbroad · 5 years ago

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kaj + (inverted) tropes: part two! * * i don’t know all the actual Official TM names for these tropes, so most are made up. also, you might notice the regular trope list (part 1 of this headcanon) is significantly longer. this is because kaj has a few main inverted tropes but tons more regular ones, since tropes are like atoms: they make up everything. i just wanted to focus on the few inversions that created her character and let the rest come naturally! under a read more for length. ** also as of 7/6/19 part one isn’t done yet. yes i know please don’t shame me ok IM GETTING TO IT

fridged woman (aka back from the dead)—

for this one i took inspiration from laura moon from american gods, with a few tweaks (love neil gaiman, but some of the things about her character are...a bit squicky). unlike a good number of women in media, kaj isn’t shoved over gently and pronounced dead so that a man can grow from her pain. in fact, she’s shot in the head twice, pronounced dead, & buried. while her “death” means more pain and character development for the characters surrounding her, it means pain and character development for her, too. truth be told, she survives a hell of a lot more than any average person should, especially one with her low luck stat. half of this is the fun and wacky way new vegas’ world works (obviously, no real person could survive all this), but also because of her good ol’ courier determination. things that should’ve fridged kaj but haven’t include: two shots to the head, numerous combat scrapes, being stabbed, having her brain/heart/spine removed, having a bomb collar attached to her neck, killing an entire fortification of trained legionnaires, stepping on landmines, etc etc. the courier is pretty much the bruce willis of fallout.

world ending vengeance—

specifically applies to certain characters. while most others who piss kaj off get the full brunt of her wrath (see: caesar, mr. house, elijah, general oliver, ulysses), benny, along with dr. mobius & the think tank & mcnamara*, get a pass. in fact, she lets him go not once or twice, but on three separate occasions, even knowing he’s likely to betray her again. the reason why? not even kaj knows. some people speculate it’s because she likes him / slept with him (incorrect; she liked house to a degree, and slept with caesar); others speculate it’s because they’re so similar (also incorrect; she shared an alarming number of similarities with ulysses & elijah). the theory that comes closest to the truth is that she pities him. it fits in line her past behavior with mobius & the think tank, who were physically unable to see the effects of their actions and thus were spared a horrible fate. likewise, kaj seems to have judged benny to be innocent in her own personal court, and though he continues to be a thorn in her side again and again, she refuses to “sentence” him for anything. it helps his cause that his plan helped her take over vegas, and he created yes man, one of the only living beings she’s ever fully trusted. also a slight inversion of kaj’s maneater / black widow trope; the one person she truly should seduce and kill, she doesn’t.

that said, benny doesn’t get away from their encounters without any punishment—after narrowly escaping being crucified, both kaj and benny have matching rope burns around their wrists. it’s her morbid idea of a joke.

*mcnamara doesn’t fit within this trope, but kaj spares the bos for veronica & christine’s sake, despite yes man’s warnings. also for the off chance that they might convert to being her allies (they don’t, and this choice helps lend itself to more BOS trouble all over the wasteland).

white man cowboy—

kind of a simple inversion that’s been done before, but an important one and one that i like a lot. for starters, the “john wayne” cowboy is a bastardization of a history that was made up of ethnic minorities and whitewashed for hollywood aesthetic (also fuck you john wayne). while none of my research has come up with anything about women of color or nonbinary people in the western scene, only moc (whether this is intentional or not, i’m not sure), i still wanted to write kaj as non-male. frankly, this is because i wanted her to be an inversion of tired tropes, and that included being a debonair, byronic woman / non gender conforming hero (think gentleman jack) instead of a debonair, byronic white dude. we’ve got 20 of those for every fleshed out woman/enby on screen, lbr. kaj is also a femme fatale, but only by coincidence; she’s more of a wandering heart breaker than a necessarily dangerous woman, much like many of the heroes on screen.

i also find that non-men of color are one of the most underrepresented minorities in fiction—even media that celebrates diversity simplifies them down (hamilton), or centers their narrative and entire purpose around a man (hamilton, again). nevermind nonbinary people / trans folk. for that reason, i wanted kaj’s story to be about a woman of color / someone who doesn’t conform to expectations and doesn’t allow herself to be put in the sidelines for a white person or a male to lead her life. and regardless of whether a woman filling this swaggering, womanizing cowboy role is accurate to history or not, fallout’s setting lends itself an air of exaggeration, so i felt it was appropriate to include her here, instead of arguing with people over whether someone like her existed in actual history (my suspicions say yes, and that these people have simply been erased from the narrative for the convenience of certain people’s feelings, but still).

smarter than you look / deadly doctor (this one actually has a tvtropes page! look it up!)—

from the deadly doctor page : ‘ surely the ultimate example of the morally ambiguous doctorate. one reason for this is due to all his/her training : while having advanced knowledge on the human body can be used to save people, it also gives all the knowledge on how to injure and kill people with minimal effort by knowing all the body's weak points. some more sympathetic examples equate to the medical version of a well-intentioned extremist, who may certainly have good (or at least sympathetic/understandable) intentions but ruthless medical ethics. ’

one of the most important things kaj took from her thorough education is medical training—unable to depend on anyone after being traumatized, trusting any doctor who happened along to treat her illnesses was out of the question. she was also smart enough to know the original kaj wouldn’t be around to heal her up forever. thus, she began her training as a self preservation instinct; but over time, as she grew and relearned how to be compassionate and empathetic, she decided to use healing for good, too. trained as a young girl by the original kaj, and then later trained officially as a combat medic by the ncr, kaj has spent a countless amount of hours inside army tents, healing wounds and assisting doctors with tough cases. she even keeps a medical bag on her person for exactly that sort of situation (especially since supplies in the mojave aren’t exactly easy to dig up). though she’s a big scientist in general (the big mt saw to that), medicine is her specialty. she’s even stitched up her own wounds, though it’s not something she particularly enjoys (it takes a lot of whiskey and something for her to bite down on).

for reference, consider this scene of anton from no country for old men (TW: he’s performing self surgery, so it’s pretty gruesome). though both anton and kaj’s lifestyles are rough and even sadistic at times, they both still have medical training—if not to protect others, then to at least protect themselves. and like anton, it shows kaj’s inability to trust anyone with her most important commodity: herself. this makes her surgery in the big empty doubly as horrifying, given she took specific pains for something like this to not happen. it’s why she refuses to leave without all of her organs (also, stubbornness). all of this is just one of the ways kaj is way more ... well, everything than she looks. which leads into...

underestimate me if you dare, aka femme fatale (sort of?)—

though fallout prides itself on being a soft reset on the world, people’s perceptions of minorities are still ... iffy, due to real world influences by the creators. thus, the people around kaj often jump to assumptions about her based on her identity—mostly, that she’s weak. once, it offended her, but now it’s a perception that she encourages. after all, she’s not flat out strong like your usual hero, but is more of a hamlet-type; smart, perceptive, fast, and willing to strike from the shadows. it’s hard to do any of that if you’re putting on a big performance about your power (though admittedly, she’s been known to go big or go home if she’s planning on killing everyone; if she’s not faking nice and telling you what you wanna hear, trouble’s ahead).

of course, the reality is that kaj is a powerhouse. but these perceptions about her supposed weakness are why posing as a legion member is so easy—those who think she’s weak underestimate her or keep their distance, which gives her leave to do what she wants. she’s viewed more like a pet than a person by most, and though it frustrates her at times to pretend, it also gives her leave to do more, than if she were to simply pose as a man.

all that said, kaj doesn’t exactly qualify as a femme fatale. most of her lovers are just information givers, and they escape from their interaction unharmed. kaj killing her bed mates is actually less likely than her just sparing them and letting them go, none the wiser. of course, you kill one tyrant (maybe two or three) and suddenly you’re a black widow—

#headcanon.#long post //#sb: if you love benny so much why dont you make a blog for him #me: THAT OPENS THE DOOR................#if i make one for benny i will make one for every one of my fnv faves and it will just be a MESS !!!#anyway hi heres the basis of kaj's character in a neat post !#i think i got everything

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