#just of the various discussions we had around potential important topics

[micewithknives]

I'm literally SO excited about this class, I had so much fun helping discuss potential class topics to include!! Reid's honestly done such a good job with the class content so far!

I'm procrastinating actual life tasks, so I will ABSOLUTELY take an excuse to talk.

Lemme get distracted with Australian archaeology for a bit and give you 3 things about Australian archaeology I very excitedly discussed with Reid over the course of class prep (I wont subject you to more than that)

Not archaeology, but Indigenous context and diversity

One of my all-time over-talked topics (not that its ever going to stop me) is the importance of recognising the diversity of Indigenous peoples in Australia, both in terms of the vast array of different Aboriginal nations that exist and their diversity of culture, as well as the inclusion of Torres Strait Islander people, who i feel like always seem to get overlooked on an international scale. (I grew up in the state that the Torres Strait is in as a child, and so went to a school with a number of students from there, and remember being delighted to be taught children's songs when very small). Their all too common lack of recognition when it comes to Australia's Indigenous people devastates me who grew up in a context with both Aboriginal and Torres Strait Islander peoples in equal amounts. Both from the standpoint of being peoples and cultures worthy of respect and recognition, and also for the super important role that the Torres Strait Islands played in Australia's Indigenous land rights legal cases.

2. Tasmanian Aboriginal peoples and archaeology

On with the topic of re-correcting misconceptions, the importance of the recognition of Tasmania's long and enduring Indigenous peoples. Tasmania has a very dark and genocidal colonial history, from which came the rather horrifying claim that Tasmania's Aboriginal peoples had been "made extinct" alongside other native animals. This is an all too common myth, which thus removes a lot of the agency of Aboriginal communities in Tasmania. This statement lumping attempted genocide along with animal extinction is horrifying enough.

But to make matters worse this so called "fact" has continued in public conception of Tasmania and it's Aboriginal peoples for the past 200 years, and is only recently being "corrected" from both public conception, as well as actual legal documents. Reid's included a good public-facing article about the recent removal of this statement from within world heritage list documentation. I highly encourage anyone to go have a look into Tasmania's current Aboriginal culture and past history. It is a place of both amazing culture, diversity and examples of human environmental mitigation, as well as the attempted genocide of (in addition to further very very dark actions) against Aboriginal peoples. I'm super encouraging of everyone getting a better understanding of peoples and histories that have been commonly disinformation-alised.

3. Oral histories in Australia

I will literally never not be excited about oral histories and Songlines in Australia. I 100% recommend people looking into this topic, as well as anthropology research into the history of Songlines (particularly the large ones like the Seven Sisters Songline). I think it does a lot to show the depth of environmental understanding that Aboriginal people had, which is missed a lot in archaeological discussions. While its incredibly infuriating that it is a perspective that needs to be countered, i think the complexity and accurate passing down of oral histories and songlines does a lot to counter the perceptions of Australia’s Indigenous peoples as “primitive”. The further research that has recently gone into various oral histories relating to geographic events such as these does an amazing job at corroborating the thousands of years of Indigenous voices, who are finally being believed and recognised by modern scientific research (x) (x) (x) (x).

Also the necessary inclusion of one of my favourite TED talks relating to the topic

The end. Thats all. I dont want to make people read the pages and pages of discussion topics that i foisted upon Reid so I'll leave it at these! But everyone is always free to ask me about all sorts of archaeology and Australian archaeology (Indigenous or otherwise).

~ Mice

Is there an archaeology thing you wish someone would ask you about because you wanna talk about it and if so would you be willing to talk about it? Here is a picture of my cat in trade but you can look at the picture even if you don’t talk about something

You know what, there IS, and it's all courtesy of @micewithknives!

I'm in charge of teaching my very own class this semester, which means I have full control over the course and I can do pretty much whatever I want. I was given a hand-me-down syllabus and overall I'm not changing much because this is my first time doing something like this and I don't want to get too into the weeds.

But the course is Ancient Civilizations, and we're getting at AUSTRALIA WEEK, babeyyy!!!

I've taken a version of this class and seen examples for a couple more, and I don't think I've ever encountered Australia in a context like this. Ancient Civ classes tend to focus on urban centers and monumental architecture, which is (partially) the result of Western bias for what counts as a "civilization" and means that a lot of cultures get left out.

With Mice's help, I've been learning about early Australian archaeology, and there is SO MUCH TO LEARN! Way too much to fit into a single week, but classes like this are really only capable of giving a very general overview. Anyway, here are some of the readings I'm having my students do:

Mice, I'll turn the stage over to you if you have anything you want to add.

-Reid

[pikahlua]

Winner Stage-Left, or: Did you know any MHA character’s position in the frame is a spoiler?

(Subtitle: Who’s gonna stop me from converting other old Discord conversations into meta? You? YOU? Doubtful.)

Honestly it’s just embarrassing that I haven’t made this post yet.

I’ve talked before about horizontal and vertical design on the faces of MHA characters, but there’s another visual trick that’s ever-so-present in MHA--nay, in all of shounen manga and anime--that deserves at least a cursory discussion. Ever since I was a wee tyke, I noticed an odd tendency in anime to always place the winner of a fight (or...children’s card game) on the right of the screen. I never thought anything of it for a long time, but a few years ago a friend mentioned something about it to me in passing. This friend was very unfamiliar with anime but had somehow heard something about this phenomenon and its potential origins. Naturally, I had to look into it.

The research I did wasn’t as conclusive as I would have liked, but I did discover something about the topic. What I discovered was that in traditional forms of Japanese theater such as kabuki and noh, stage-left is considered a superior position to stage-right. Someone of a superior ranking to the other would stand stage-left. Sometimes this “superiority” would be as simple as social ranking or whatever.

But then you have various anime with confrontation via martial arts or sports or fights where "stage-left" can take on a different meaning.

As we explore this concept as presented in MHA, I would like to start with this back cover of tankoban #33.

For clarity’s sake, note that Izuku is looking towards the right of the page while Katsuki is looking to the left side. Stage-left is determined by looking to the left of an actor when they stand on stage and face the audience (in other words, from the audience’s perspective, stage-left is to the right). Izuku and Katsuki in the above page are facing each other, and so on-screen Izuku would be standing stage-right and Katsuki would be standing stage-left.

But what does it all mean?

(It means Katsuki is the hero in this moment.)

I wrote above that in anime confrontations "stage-left" can take on a new meaning. Specifically, the concept of what "superior ranking" is can be played with. We end up with the story’s hero often being stage-left. Or sometimes this positioning is broadcasting who will be the winner of the match. Go watch an older anime like Dragonball Z or Yugioh and take note of each match-up: who is standing on the left and who is on the right? Then guess who wins the match. The statistics are pretty clear on this: stage-left is most often (if not always) the winner.

But in many of these older anime, the positioning of the characters remains the same for the entire match. That’s not the case with MHA; Horikoshi loves to change up who is standing where throughout a match (or dialogue, if you will), so it’s important to pay attention to what’s happening when positions get swapped around.

With regards to the above image and the events of Deku vs Class 1-A, consider who is positioned where and when. Just think about these images:

Here in chapter 319, Izuku is stage-left. The depiction is supposed to prime us to believe he is stronger than Class 1-A, which technically he is--in a contest of each individual’s strength.

But then if you read chapter 320, you'll find that once the action starts, Class 1-A is almost always standing stage-left of Izuku, specifically when they're trying to talk him down.

The whole ice ramp chase sequence in chapter 321 shows Izuku fleeing towards stage-right while the others are stage-left and chase after him.

And then you have this moment, where Iida passes Izuku just to get more stage-right of him. This is an interesting way to play with the “winner” side of the stage. In order to save Izuku, Iida is elevating him from the self-destructive “Symbol of Peace" back into Izuku Midoriya their classmate. Izuku, their friend and one piece of class 1-A, is meant to be the “hero” they wish to save, not the loner Deku whom Izuku tried to become.

And then we get to think about what this staging means in the apology.

Katsuki stands stage-left, which we’d expect him to do as the forecast "winner." But this is such an interesting take on staging because Katsuki is essentially debasing himself by bowing to Izuku with his apology--but it’s in order to win, in order to get Izuku back, in order to achieve his goal of saving Izuku. It's almost paradoxical, but it's basically broadcasting to us the reading audience whom we should be cheering for: Katsuki.

This isn’t the first time MHA has played with positioning like this. The sports festival is one of my favorite examples. If you look at how the anime depicts the match-ups and who wins each match, the matches can be listed in stage-right vs stage-left format (bold names are the winners):

Midoriya vs Shinsou Todoroki vs Sero Kaminari vs Ibara Iida vs Hatsume Ashido vs Aoyama Yaoyorozu vs Tokoyami Kirishima vs Tetsutetsu (draw) Uraraka vs Bakugou

Tetsutetsu vs Kirishima (arm-wrestle tiebreaker)

Midoriya vs Todoroki Ibara vs Iida Ashido vs Tokoyami Kirishima vs Bakugou

Iida vs Todoroki Tokoyami vs Bakugou

Bakugou vs Todoroki

And if we take a closer look at the anomalous stage-right winners:

Midoriya vs Shinsou ends with Midoriya's victory, but Shinsou is portrayed as the hero we should sympathize with in the end. Thus, he wins the attention of Aizawa and the audience enough to give him a shot at the hero course, which fulfills his original goal in competing.

Todoroki vs Sero ends with Todoroki's victory, but the end is perceived by Midoriya as "sad," and the audience ends up cheering for Sero when it's all over. Todoroki is still a captive of his hatred for his father, and in that sense he is the loser.

Iida vs Hatsume ends with Iida's win on a technicality. Hatsume clearly has control over the entire match and only loses because she wants to, and even then only after she presents all the gadgets she wanted to, which achieves her goal in competing.

Ashido vs Aoyama can be considered an outlier with Ashido's win until we remember Aoyama as the unwitting traitor may have actually wanted to lose? Either that or this fight is meant as a joke to subvert our expectations because of Mineta's call to see Ashido's underwear at the start. Either way, even if Ashido starts on stage-right, she actually swings her way over to stage-left for her surprise victory at the end.

And then we have Bakugou vs Todoroki, which actually becomes Todoroki vs Bakugou as soon as the story makes it clear to us that Torodoki is wavering on whether or not he'll use his fire. Bakugou switches over to stage-left before the end, and the final non-clash keeps him there, even if that's not how he wants things to play out (he certainly would have a hard time considering himself the “winner.”)

Another one worth rewatching while keeping this positioning phenomenon in mind is absolutely “Deku vs Kacchan, Part 2.” Holy shit, they swap places so damn often, and it's always about what they're saying or doing in the moment.

What’s wild is how in the manga, this sequence is played with Katsuki stage-right...

...but in the anime he’s played as stage-left.

And just think about how that affects the portrayal. In the manga version, is Katsuki being portrayed as a victim who needs saving by hero (stage-left) Izuku? Is Katsuki’s despair the trial for the hero to overcome? In the anime version, is Katsuki’s anxiety meant to be relatable and sympathetic for the audience? Is Izuku’s ignorance of Katsuki’s true feelings the obstacle for hero (stage-left) Katsuki to overcome?

Stage-left is even played with when the boys are airing their grievances! Whoever is speaking gets to occupy the hero spot:

And of course there’s my favorite example from this face-off: the ending where stage-right Katsuki, refusing to lose, grabs Izuku's sleeve and forcefully switches them around to pin Izuku from stage-left.

We have a winner!

These examples, of course, are not the entire list. Read the chapters or watch the episode and count how many times they swap places. It puts that whole sequence in the anime where the camera swoops around the boys as they clash in the sky into a whole new perspective (like the story-boarders just gave up on all the position swaps and pulled out the 3-D graphics in protest.)

So give it a shot next time you read/watch MHA and see if you notice these positions. I obviously pay the most attention to the ones with Izuku and Katsuki (their stage positions get played around with a lot). Consider the first anime opening when they're drawn in one positioning as kids but swap when they hit middle school. And the creek flashback scene? Izuku offers his hand to Katsuki from stage-left. And in the PLW arc? Izuku vs Tomura in the sky? Izuku starts out stage-left, but they swap when Izuku goes feral and Katsuki starts panicking. Katsuki saves Izuku by traveling from stage-left. In the final panel of chapter 285, we see Katsuki still positioned stage-left as he’s stabbed, which highlights his heroism.

Oh, and here’s the new part I’m adding that wasn’t in the Discord conversation that spawned this meta: Katsuki vs TomurAFO. I just find it so telling wherever Katsuki is positioned.

Chapter 359: Katsuki is portrayed as stage-left.

Chapter 360: Katsuki is forced stage-right by TomurAFO...

...but the heroes pluck Katsuki back into stage-left...

...where he stays.

Chapter 362: Katsuki attacks from stage-left and continues to circle around TomurAFO to stage-left.

Katsuki is depicted as stage-left as he meets All Might’s vestige...

...but as soon as he expresses his desire for an autograph, he unexpectedly moves to stage-right...

...and takes a fatal blow.

Talk about a visual plot twist!

(I also happen to think Tomura’s positioning throughout this arc is very curious, and I will continue to pay attention to it.)

Have fun with the new lens!

[chrenvs3000w24]

What Do I Bring as an Interpreter?

To start my final blog post, I think it's fitting to reflect on all that has shaped me throughout the semester. In the reading for each week, we have discussed audiences and methods of communication for interpretation, as well as the various realms of interpretation such as music, art, and science. But something that rings true in most people is their own personal ethics. It is something that you build from very young, and doesn't have many changes over time. While there are objective rights and wrongs in the world, ethics can be more ambiguous. So coming into the interpretation scene, it has been important to get a major sense of what's important ethically. With this, I'll begin with the beliefs that I think would be beneficial to be brought.

I am less sturdy in my beliefs compared to most people. I believe it's important to be diligent and accepting of others potential ideas. This can be especially true when considering people have "invisible knapsacks" (Gallavan, 2005). We've considered how other people's experiences shape how they interpret the world, and what better way to start my interpretation of the world with other people at the forefront. Since beliefs are very subjective, the ability to adapt and accept ideas outside your own is my most needed belief. While this adaptability is important, the middle ground is not always the right solution. If two people believe that 2+2=4 and 2+2=5, the right answer doesn't become 4.5. With this, I think its important to hold your ground on certain topics and opinions. But knowing when to do this is difficult. My belief is that this is innate to oneself, and knowing your limit will come automatically. In interpretation, my belief is that everyone will have their own set of opinions, and that is their privilege to do so. A different ethical belief I hold relates back to the middle ground argument, where some people will be better suited to interpret certain environments. As stated in Beck et al., (2018), indigenous individuals have been interpreting their natural environments for thousands of years, and non-locals cannot interpret these environments with the same level of intricacy and nuance. But for me personally, a fresh set of eyes on the environment can perhaps bring back some commonly overlooked things for the experts, so everyone has their own part to play.

This translates into the responsibilities I would have as an interpreter, and for this it really depends on the context. If I were to be interpreting the environment I grew up around to someone outside of it, I would take up the responsibility of sharing. This is in the sense that my opinion is sought after and wanted by someone else, where ethically it is unjust to inject yourself and your insights onto the unwilling. However in this case, assuming other want to hear, it's also my responsibility to make sure that I am catering my insight in a way suitable to my audience. This could be to those of different ages, races, genders, and backgrounds, or it can even be just those with different learning styles (Beck et al., 2018). This is my responsibility because if you do not convey your interpretations in these ways, the message or story you are trying to tell may be lost. We can relate this back to the blog prompt on historical interpretation, where historians and cultural story tellers have had their tales convoluted and misinterpreted maliciously or just by accident. This ruined the accuracy and authenticity of the work, which is something I do not want to do (Beck et al., 2018). Another shared responsibility between myself and all other interpreters out there will be maintenance of their interpretation. This could be your local trails or parks, all the way up to your country and the planet. In the way that one interpreter cares for their specific interpretation, we all must care for the larger group of them that makes up our world. By doing this, we can ensure the future of interpretation for our children and theirs after them. I believe that it is paramount that interpreter give those younger the opportunity to interpret in the future, and that requires our planet to stay healthy. Children are the most capable of interpreting and absorbing the outside world in their first years, and they develop very quickly through different learning styles, as an interpreter to these children I'd be responsible for creating activities that boost their developing abilities (Beck et al., 2018). By doing this I could aid in ensuring a future for interpretation.

This final section is the most difficult for me to convey, as I've just noted that interpretation should be catered for your audience and not yourself. But I feel that the approach I most resonate with tells a story. A picture paints a thousand words, and nature is a million pictures. Guiding people through a natural wonder is the best approach to create wonder and have audiences take charge for something you care about. You would tell this story while moving through nature, to keep them on their toes. The story would have abrupt changes of pace with constant highs and lows. It would be mapped steadily, to keep flow throughout. Their would be puzzles to solve, and give a sense of accomplishment after completion. But most importantly, the stories meaning would be at the forefront. The stories message would be one I personally am passionate about, and I could answer any follow ups with ease. This is my ideal approach, one that goes through all the learning styles in some way, in an attempt to reach the most people.

I have learned a lot through this course, but most the important thing I've learned in my opinion is to not lose yourself. Regardless of how you have to change your interpretation to meet your audiences needs, don't lose the passion you have for your interpretation. Maintaining your passion will allow it to spread to many others, and that has been the goal of the course all along.

Beck, L., Cable, T. T., & Knudson, D. M. (2018). Interpreting cultural and natural heritage: For A Better World. Sagamore Publishing.

Gallavan, N. P. (2005). Helping teachers unpack their "invisible knapsacks". Multicultural Education, 13(1), 36. https://link-gale-com.subzero.lib.uoguelph.ca/apps/doc/A137921591/AONE?u=guel77241&sid=bookmark-AONE&xid=9fe2f151

[miacontextualreview]

13/03 | Research Questions, Keywords & Annotations Feedback

Research Questions

The research questions I presented in this class were:

How can communication design be used to challenge female beauty standards impacting physically disabled women?

How can collage be used change perspectives on female beauty standards and boost self-confidence in physically disabled women?

How can visual explorations of disabled perspectives be used to challenge global beauty standards and societal perspectives?

From talking to Marcos, the bottom two questions are definitely stronger than the first. The bottom two situate my work more into a specific practise and although this will probably change the further I get into my project, it allows me too look at a narrower field. I've also been considering looking at abstract portraiture which both Marcos and my group said I should work into a question.

Marcos also mentioned that the last question is stronger by using the word challenge. It reflects more what I am trying to do and according to Marcos reflects my personality. Based on this feedback I've reworked the question to have two different paths, focusing on collage and abstract portraiture.

How can collage and abstract portraiture be used to challenge global beauty standards and societal perspectives by sharing the experiences of physically disabled women?

Keywords

Developed keywords going into class

Physical Disability

Abstract Portraiture

Collage

Female Beauty Standards

Auto ethnography

Ideal Beauty

Social perceptions

Disability art

Disability Culture

I definitely need to narrow these down, but my group also helped me brainstorm some different words. Non-conforming, conventional beauty, and feminist could be some interesting ones to explore.

While showing these to Marcos we had a pretty interesting conversation around the word disability. Marcos did not feel the word was right to fit in the keywords because of the negative way he had been taught perceived it. As a word, 'Disability' is not inherently negative. It just describes any long-term impairment that may prevent disabled people from equal participation in society due to challenges and barriers that society presents. Society has given the word disability negative connotations. We have been told so many times through various forms of media that being disabled is bad and disability is a thing to look down on. The word itself is not a bad word. I do not think calling myself disabled is a bad thing. It did take me a long time to reverse society's brainwashing and realise that disability isn't a bad thing, it is just different and that is ok.

It is really important to me to keep using this word to describe myself and other disabled people. To remove the word disability to something that feels nicer would feel wrong. It would further perpetuate the stereotype that disability is bad and I want my work to empower disabled people and embrace disability. It is just a word after all.

Annotation

The feedback from my annotation was pretty positive and my group and I had a good discussion around what could be improved. The main point was since my topic is on female beauty standards, something that is rapidly and continuously changing, I need to make sure that my sources are up to date. My source was written in 2003, the year I was born, so it's safe to say that things have changed a lot since then and I need to be careful when selecting sources. Cross-referencing older sources with newer ones could potentially help this.

[communityhn]

Ranjana Lipi: Efforts to revive the ancient script

What is Ranjana Lipi

The diverse culture of Nepal is home to many ethnic groups with over 100 various languages. In Nepal Mandal (the current Kathmandu Valley) from the 14th to 18th century, Nepal Bhasa was the official language but was replaced by Nepali after the Gorkha Kingdom was established. This Sino-Tibetan language is spoken by Newars, indigenous inhabitants of Kathmandu Valley, and has remained alongside Nepali as another prominent language of Nepal. Nepal Bhasa is written in Nepal Lipi, which has nine different variations. An artistic and distinctive script, Ranjana Lipi is one of those widely visible scripts among all the Nepal Lipi. It is commonly used to write the Buddhist Mantra “Om mane padme hum” in Buddhist Prayer Wheel.

Besides, it has been used on stone and copper plate inscriptions, coins, palm-leaf documents, and Hindu and Buddhist manuscripts. Ranjana script has not only been used in the Nepal but also in Tibet, where it is known as Lanydza. Tibetans typically decorate temple walls, prayer wheels, and Mandalas with this script and use it on the title pages of Tibetan texts.

Current situation

Throughout history, Nepal Bhasa and its script have faced many threats. Nepal Lipi has struggled a lot to maintain its existence in the history of Nepal. With the aim of preservation of Ranjana Lipi, Nepal Lipi Guthi came into existence. The institution, founded by Bikash Man Sheshya in 1980, has remarkably helped in spreading awareness about the importance of Nepal Bhasa.

Although organizations have successfully increased visibility among the people in recent decades, there is still much to do. Today, young adults are primarily aware, but few understand it or know how to write it.

However, the current situation among youngsters seems even more worrying, as many have not even heard of it. Younger generations need more opportunities and enticements to study the endangered Ranjana Lipi. Otherwise, it is in danger of vanishing. 

Recently, Community Homestay Network have also acted and organized the event  Ranjana Lipi & Aila in effort to support the endangered script. In addition to giving a wonderful cultural experience for the participants, this event has provided an opportunity for Kirtipur Community Homestay, as two of its representatives, Buddhilal Maharjan and Gyan Maharjan, facilitated as trainers to spread the script to reach more people.

We had an interview with the men, where important topics were discussed. In the conversation, Buddhilal and Gyan talk about their lives and challenges with the endangered Ranjana Lipi. They also discuss current and potential opportunities for its preservation.

Ranjana Lipi & Kirtipur Community Homestay

“It is not just a script, but the heritage and pride of all Nepali people,” Buddhilal Maharjan states. “Ranjana Lipi is the soul of the whole nation, and without the existence of it, the existence of the whole nation is questionable,” Gyan Maharjan continues. The men share an interest in the ancient Newari script and a passion for teaching it to others.

Buddhilal's Encounter: Nepal Lipi Guthi Connection

Retired jobholder, Buddhilal, and Gyan, who works in water supply, both have their roots in the ancient town of Kirtipur on the outskirts of Kathmandu. When discussing how they got involved with Ranjana Lipi, Buddhilal recalls: “I got to know about Ranjana Lipi through an organisation, Nepal Lipi Guthi, which was established for the script in 2036 B.S. (1979 AD).”

During Nepal Sambat (the New Year of the lunisolar calendar), he remembers how he helped the community by writing banners in Ranjana Lipi. Gyan, in turn, says that his first encounter with Ranjana Lipi happened during school days, around 2038 B.S. (1981 AD). “Seeing Ranjana Lipi on temples and banners got me very fascinated about the authenticity of it, and as a result, I used to make tattoos with a ballpoint to my hand when I was a kid,” he recalls with amusement.

After Gyan had learned more about Ranjana Lipi in 2052 B.S. (1995 AD), he started working in a small organisation established in Kirtipur, Nepal Lipi Parishad, through which they ran a month-long workshop to generate awareness. “However, the workshop ended up short when we were halted by Maoist (The Communist Party of Nepal),” Gyan closes the story.

In the interview, both Buddhilal and Gyan often mention the government of Nepal, which has not supported the spread of Ranjana Lipi much but once even limited it. This has served as motivation for them to teach it to others: “Just to go against the government, we started to teach in small communities,” Buddhilal reveals. Gyan mentions that his motivation, besides the government’s ignorance, came from believing the writing style was endangered. To preserve it, he wishes to teach it not just to the Newari community but to other communities and foreigners.

Challenges and preservation of the endangered script

Gyan and Buddhilal consider the biggest challenge in preserving Ranjana Lipi to be the government’s limited efforts. The government is responsible for attracting young people to learn Ranjana Lipi, but there has been no action: “People don’t see any advantage of learning Ranjana Lipi. Neither can they earn from learning the script, nor is there any job guarantee from the script.

That’s why people would rather learn Japanese or Korean because learning those languages can guarantee a job in a foreign country”, Gyan explains. They both believe that the government of Nepal could play a pivotal role in preserving the script.

Government's Role

According to them, to protect Ranjana Lipi, the government could organize workshops and arrange some opportunities to earn income through the script. “Today, people are also very busy and occupied with their own stuff and have limited time to learn new things. Even taking the time to learn Ranjana Lipi is a huge thing”, Gyan ponders other challenges.

Besides that, the men wish the government would take Ranjana Lipi into account in the school curriculum; they believe that it would be helpful if the script was still used in the writings in temples as well as in the products people use in modern days. “To keep it alive, Ranjana Lipi could be incorporated in poems, books, children’s cartoons, and songbooks, and even international short stories could be translated into Ranjana Lipi,” Buddhilal adds.

When asked about other methods for its preservation, the conversation turns to young people and how the nepalese calligraphy could be used in the products aimed at them: “Especially for younger generations, tattoos, posters, keyrings, lockets, and souvenirs would attract them,” Gyan considers. 

Digital opportunities for Ranjana Lipi are also current, and the men see that there are many of them. Buddhilal digs out his cell phone from his pocket and introduces an application called Nepal Lipi – Ranjana Lipi. “People can use the app to convert Devanagari to Ranjana Lipi. I think it is the best platform to promote Ranjana Lipi,” he praises the app.

The Ranjana Lipi & Aila workshop

“We are thankful for the opportunity that Community Homestay Network offers people. Because of the event, we got the chance to reach more people,” Gyan expresses his gratitude. The event Ranjana Lipi & Aila has been held twice now, and there is more to come. It is inspired by the “Paint and sip” type of events, but instead of contemporary paintings, papers are decorated with Ranjana Lipi, while traditional Aila is served as a drink. At the event, the trainers teach participants the basics of the script while offering an opportunity to immerse themselves in Newari culture.

Community-Led Preservation Efforts

Community Homestay Network is not the only organization that have organized such events regarding Ranjana Lipi. As Buddhilal mentioned, there have also been efforts made by Nepal Lipi Guthi; an institution focused on the Newar language and script: “Along with this event, there was this event called Calijatra. It is an open participation event, and people would come and write down their names in Ranjana Lipi and learn the basics of it.” Established in 2015, Calijatra has, until now, organized over 40 workshops all over Nepal (Khadgi, 2020) 

“The Newari community appreciates the efforts to teach Ranjana Lipi from different organisations. As there are not any efforts from the government to teach it, people have taken it upon themselves to preserve the endangered script”, Buddhilal explains.

People’s efforts have borne fruit because these days Ranjana Lipi can be seen more in different places, for example “in letter pads, headings of newspapers and on boards of government offices,” he lists. Gyan thinks that these kinds of events are essential for people interested in cultures and also help young people who nowadays don’t know much about the script get to know it. He notes that Advertising through social media such as Facebook and Instagram could attract youth to learn it. 

Community Impact

The men discuss that the event’s impact on their community would be even more significant if CHN expanded it to different neighbourhoods. This way, more people of different ages and backgrounds would be reached. “If we keep on organising this kind of event, it might inspire other organisations to organise the same kind of events, too,” Buddhilal mentions. Gyan, in turn, brings up the possibility that a package with more time rather than just an event could attract more participants and be more effective.

When asked about their experience as trainers in the two past events, both say they were happy to see the participants enjoying the event. “The enjoyment from participants’ was fuel for us, and we are looking forward to future events with great enthusiasm,” Buddhilal adds in the conversation.

Gyan mentions he found the event very interesting, not only because of teaching but also interesting because of many other Newari cultural components. “I want to highlight the almost endangered culture of the Newari community, like serving Saakha: ti (traditional Newari beverage) while welcoming guests,“ he says. “Not just the script, but I want the culture of the Newari people to be promoted at this event,” Buddhilal agrees.

Conclusion

The historical significance of Ranjana Lipi is not limited regionally only to Nepal. “Talking about the historical importance of Ranjana Lipi, it can be stressed back to many Asian countries, such as Tibet, China, and Japan. It has travelled the world with prayer wheels.” Buddhilal explains.

The men emphasize the importance of Ranjana Lipi as a valuable cultural heritage: “Most of our historical and religious books are written in Ranjana Lipi. They are not just books but heritages, so to preserve this kind of heritage and obtain knowledge from the books, its preservation is required”, Buddhilal states.

As a valuable part of Nepal’s rich cultural heritage, Ranjana Lipi has united the nation’s identity, tying together different generations and groups of people. Like many other ancient scripts, Ranjana Lipi has also faced difficulties and was in danger of disappearing.

Nevertheless, it continues to flourish today, for which we can thank the efforts of the organizations and the strong unified identity of the Newari community, with the power of which they have kept it alive, passing the heritage from generation to generation. An excellent example of how even one event can arouse others and create something bigger is Ranjana Lipi & Aila.

The event has inspired members of the Kirtipur Community Homestay to take the reins of preservation by spreading the script among their community and teaching it to those interested in it, including tourists. We must protect cultural heritage as it is part of the past, part of ourselves, and a source of identity.

Reference: Khadgi, A. 2020. A man with many hats. The Kathmandu

[circlecast]

What I learned From Going On a 7-Day Fast

I just got off of a 7 day fast of no food or sugar. All I allowed myself was Water, Coffee, and salt. And today I wanted to share what I learned from that experience

Why?

What many people think fasting is

What I experienced

My reasons for trying a fast is

I wanted to challenge myself. no diet reason No protest reason. no religious reason. Just wanted to see what it was like to fast for 7 days.

I wanted to see what my thoughts when in that type of hardship was. I didn't focus on food but I noticed fast food signs everywhere.

day 1

just hungry

Day 2-3

Hungry at times But also noticed darker urine and no need to go poo

the internet says that I wasn't getting enough water despite drinking 3 gallons of water in those two days alone

Day 4-5

the hunger is still there from time to time along with the darker urine but it was beginning to lighten up to a bright yellow

Oily stool

Day 6-7

On normal enough days, nothing exciting happened. I was even able to go get my wife some food and not be tempted

But I also went shopping and I could smell the food everywhere. Even the rotisserie chicken from across wal-mart.

Results

I showed myself that I could do hard things and this one didn't do the wear that the 22km walk did back in 2022. I do have worries that I may have slowed my metabolism down a bit but that is my biggest worry

  Summary

In this episode of The Relaxed Male, we delve into the topic of challenging ourselves and the importance of embracing hardships. As the host of the show, I have a deep understanding of the struggles men face in their everyday lives, whether it be divorce, work-related issues, or family troubles. I am committed to helping men find the courage and confidence to relax and enjoy life to the fullest. We begin by discussing the need to push ourselves and do hard things, as our modern lifestyles have made us comfortable. Our ancestors faced regular hardships and challenges, such as the Great Depression, which forced them to adjust to difficult circumstances. It is time for us to adopt the same mindset and embrace challenges. We recognize that our eating habits have shifted from consuming food for sustenance to seeking comfort, which has contributed to the obesity problem we face today.

To challenge this mentality, I recently embarked on a seven-day fast and completed a physically demanding challenge of carrying 22 pounds on my back while walking 22 kilometers. Although I faced difficulties during the journey, pushing my limits has always been something I enjoy. While there have been failures along the way, such as attempting a long bike ride, I have learned to recognize when something is beyond my capabilities. After completing the walking challenge, I realized that I had been neglecting other areas of my life, such as taking care of my house. This lack of fulfillment led me to understand the importance of pushing myself further.

During the seven-day fast, I had to navigate through various physical and mental challenges. Hunger was to be expected, but it was manageable. With increased water consumption and proper electrolyte balance, I was able to sustain myself. As the days progressed, I faced temptations in truck stops and grocery stores, with enticing aromas constantly surrounding me. However, I remained focused on my fasting journey and resisted the urge to give in to these temptations.

Throughout the fast, I became more mindful of my food cravings and worked to change unhealthy eating habits. I introduced healthier snack options and limited my indulgences. On the sixth and seventh days, I allowed myself a reward of cherry vanilla ice cream, acknowledging the need for balance. Beyond the physical challenges, I also focused on my thoughts and mindset during the fast. I realized that many of my thoughts revolved around food cravings and potential moments of self-pity.

Dark humor among friends became a coping mechanism during this time, allowing me to navigate the tough moments. In conclusion, challenging ourselves and embracing hardships is crucial for personal growth and development.

Whether it is a fast, a physically demanding task, or any other challenging activity, stepping out of our comfort zones is essential. I encourage listeners to seek out these opportunities and appreciate the good things in life that come as a result. As a token of gratitude, I offer a free coaching opportunity and provide guidance on how to sign up. Let's all strive to push ourselves and become better versions of ourselves.

00:00:00 Introducing the challenge and its significance 00:02:49 Reflection on the show's progress and personal challenge undertaken 00:04:36 An anecdote about the host's great-grandfather's resilience 00:08:11 The relationship between comfort eating and lack of challenges 00:10:09 Challenging Myself: Adventures and Bike Rides 00:11:40 From Bike Rides to Car Rides: Lessons Learned 00:13:36 The Experience of Fasting for Seven Days 00:19:03 Tempted by the Aromas of a Truck Stop 00:22:27 Grocery Shopping Temptations and Snack Selections 00:27:52 The Importance of Paying Attention to Your Thoughts 00:32:00 Embracing Discomfort and Overcoming Challenges 00:34:48 The Benefits of Taking on Challenges in Life

Newest podcast episode to change your Mindset

[brianrayhack]

Tips for Online Networking

Tips for Online Networking http://brianrayhack.com/tips-for-online-networking/ Due to the rise of online networking, businesses have had to learn how to use it more effectively and efficiently. In-person gatherings are now more common, and there are fewer opportunities for impromptu business discussions at networking events. This has led to an increasing people using virtual coffee chats and LinkedIn. Online and face-to-face networking can be challenging for most people. In spite of that, there are still many benefits to using both forms of networking. They can help boost your brand and connect with potential clients and industry peers. Members of the b2b space must be actively involved in the conversation. They should be showcasing their expertise and brand image to be regarded as a leader in their industry. We must develop our online networking skills. In this article, we will discuss some top tips that will help you improve your skills.   Find Your People There are so many ways to network online. For instance, various groups on LinkedIn and Facebook are designed to discuss topics in a format similar to a forum. Different business networking platforms are designed to allow members to interact with each other. Despite the vast number of options available to us, we must stick to a few simple strategies to improve our online networking skills. Doing so will allow you to avoid feeling overwhelmed and make the most of your opportunities.   Stay focused Try different platforms, groups, and channels. We suggest you refrain from doing so, as it will make you feel exhausted. In addition, you will only be able to do an excellent job if you’re constantly in various places. Before you start using online networking, you must think about its purpose of it. For instance, networking might be a good idea if you’re planning on building a personal brand. Before you start, it’s also important that you identify your goals. For instance, networking might be a good idea if you’re planning on building a personal brand. At Saltoria, our goal is to develop new relationships and brand awareness. We also try to be on various expert panels and showcase our expertise. It’s important to remember that every activity has a purpose. For instance, you can set mini-goals such as arranging a virtual coffee with a single attendee.   Be authentic We often see this phrase thrown around the internet, but it’s a valid concept in today’s world of online networking. For instance, some platforms can be very “salesy,” and people don’t want to feel like they’ve just met a salesman on Zoom. We want you to be sincere, genuine, and friendly. One of the most important factors that you should consider when it comes to building rapport is being able to listen intently and learn as much as possible about the other person. This will allow you to identify what you both have in common and how you can work together. Ideally, you should be able to establish a two-way street and mutually benefit from each other.    Create genuine connections This article will continue to discuss the importance of being authentic and genuine when it comes to online networking. It’s also important to talk to people who you can connect with because this will allow you to build a deeper understanding of them and their needs. One of the most important steps you should take when building a network is to identify who you are interested in and how you can help them.   We all need to do what works for us. For us, having a small group of like-minded individuals who are familiar with each other and have the same goals is very important for us. This will allow us to develop a deeper understanding of each other and get the most out of each other. A genuine connection is also very important for us as it allows us to build long-lasting relationships. The post Tips for Online Networking first appeared on Brian Rayhack | Professional Overview. https://ifttt.com/images/no_image_card.png via Brian Rayhack | Professional Overview http://brianrayhack.com April 09, 2023 at 10:49PM

[28whitepeonies]

What's your hunch on what could be in Louis' documentary? I for one, hope he talks about his improvements in learning music and hopefully about his fans, the good and the bad of it

Hi anon

This was a fun question so thanks! I’m going to split this into things I think are likely topics and then a couple of thoughts on what I hope for! But I’m really very excited about this.

I’m curious about the period of time over which this has been filmed, the description mentions following him from when 1D ended until really very recently, and I’m intrigued by the home footage thing. What I am first curious about is whether the home footage is going to be used to plug a gap between 1D ending and the decision to start filming for a documentary, and potentially over periods of lockdown. Or whether this has been something Louis has been working on for longer than I realised. I do think the title is interesting.

I think both of the things you mention are likely to be included, and I’d love to see more of what we saw in the AFHF doc where Louis was working with Helene, I thought that was a really great aspect. I’d like to see/hear a lot more about the making of LT2 but Louis has had some pretty tight boundaries on what he’ll discuss so far. I would love to hear more from Louis too about fans, because from a fan view his fandom seems like it’s as much a burden as a joy, and I’d expect he has some complicated feelings about it - but I think it’s unlikely we’ll hear too much about it. I think it’s more likely that the fan stuff might focus around fan footage.

Since the description starts from the hiatus, and mentions One Direction, I’m going to guess we’ll get more reflection from Louis on how he navigated that period after the band and before walls, the challenges etc. And probably the bit I’m most interested in is what Louis wants to talk about, how he wants to talk about it and which bits he thinks are important, as well as the things he doesn’t.

I’m also interested in how much of Louis’ personal life this touches on, and how that is going to be framed. No one will be surprised to hear that I’m actually really very interested in how his relationship with Eleanor and his role as a father is navigated, but also how much of his family is included. He obviously had lots of family visit at various points during tour, and it’s clear they’re pretty close.

I think the thing just now that’s a bit harder to guess without seeing the promo is who is the target audience? Who is Louis hoping to reach?

[tiramisiyu]

Thoughts on Xia Yan’s Anniversary/Kiss Date

Not a translation, but rather an unleashing of the many thoughts I had for his date because it made me feel so many emotions and think so many things;;

Wordcount: 2.8k

Date Translation

Preamble

Tears of Themis’ 1st anniversary features one of the most significant in-story events you can view within an otome game - the confession event between MC and respective male leads. The gravity of this confession event, however, is intensified with respect to the ML Xia Yan, as their emotions towards each other is not the only focus of said confession - he must also reveal the heartbreaking truth that his life is likely to end in three years. 

In the below sections, I will discuss the significance of various components that comprise Xia Yan’s anniversary date. My primary focuses will be on Xia Yan’s internal struggles, his care for MC, and the nature of the confession, and I aim to ultimately express why this date had such a major effect on me and whoa if you’re still reading this rambling part, I applaud you. I’m really just doing a fancy thoughtdump here.

The Nature of the Confession Event

From the beginning, XY never intended for the confession to be full of pomp and circumstance - and this was out of concern for MC, fearing that she would be too swept up in emotion to make it. Based on how the other guys’ cards look (them being outside and MC’s all dressed up), I assume that there was some ceremony-like aspect to their respective confessions, and I think that this draws a stark contrast to XY’s (who staunchly refused Yang Xiao’s offer to help make his confession just as ceremonial). In XY’s, MC’s not dressed up the way she is for the others, and both have been drenched in rain and are dissolving into tears of sadness as they speak. In addition, their desires are conflicting (rather than a situation where both parties confess and get together, and thus have coinciding interests) - despite what XY has said before, he does not want MC to be with him, while MC wants the exact opposite. It’s not a beautiful or gorgeous scene by design - instead, it’s very raw, very 狼狈 as the two lay bare their own painful emotions, discuss/cry about heavy topics, and show very vulnerable sides to each other, trying to get through to the other person. 

Speaking of showing vulnerability, the fact that Xia Yan is so anguished by what he has to say that he has to sit down and cry hits particularly hard because he has always, always tried to put on a strong face in front of MC. Whenever his illness strikes and MC sees it, such as in aquarium date or Neruda poem date, he’ll smile and/or joke about it after. When the two were talking about his posthumous letters during the RRG date, he still had a calm smile on his face. Even when he talked about being shoved into a car trunk to be “disposed of”, he was still calmly smiling. As MC noted, his job has taught him to have extreme control over his emotions, so it’s almost overwhelming, trying to imagine how much sadness pushed him to that point.

Pathetic fallacy also plays a part in increasing the impact that the confession event had. In the days leading up to the last part of the date, storms keep striking suddenly, such that it’s even described as “strange”. Storms are, of course, generally associated with less-pleasant things, such as conflict, anger, depression, difficulty, and so on. The meaning behind why they appeared suddenly or frequently is a little harder to understand, but my assumption for the frequency of the storms (rather than an ongoing storm or gloom) reflects how things could not completely “clear up” (despite uplifts in emotion from time to time) until they confronted each other with their feelings. During the confrontation, not only is the storm still going on, but they’re also harshly drenched in the cold rainwater. It is only after the kiss, after their interests finally coincide, that the storm lifts and the beautiful starry sky casts its light on Xia Yan, who was holding the majority of the conflict/sadness/depression between the two of them. (This is also highlighted in how MC notes that Xia Yan feels slightly cold (during the kiss), and she tries to transfer her warmth over to him, trying to alleviate that heavy emotion that’s wrapped itself around him.) 

The Location

The attic of their old home remains an important location for these two, and I pretty much can’t think of a better choice to set the confession. It contains their childhood memories, and it also came into play during Xia Yan’s first birthday after his return (i.e. the idea of continuing to make memories there). It’s also interesting to note that Xia Yan, from his rational mindset, did not intend to see MC… yet he still came to this place - a place that was equally meaningful to both of them, and a place where he’s likely to get lost in emotion. He may be restraining his emotions for MC’s good, yet they still show in small places. (At least, there doesn’t seem to be any logical reason for him to be there, since he wasn’t setting anything up there…)

The Humanizing and Internal Conflict of Xia Yan

I call it “humanizing” because I’ve done some commenting before on how Xia Yan has felt a little superhuman - so many skills everywhere, and rarely a moment of weakness. Now, this date really drives home that he is just human too, with the harsh reality of imminent death hanging over him (especially since we also learn a few more concrete details on exactly what his illness is). This point is brought into attention when he talks about how he’s neither able to be as brave as Schumann (who acted based on emotion) nor as silently strong as Brahms (who acted based on reason). He’s pulled in so many directions for all the things he wants - a desire to stay by MC’s side and do so much with her, whether as family or as something more, versus his rational mindset that tells him to not see her at all, to disappear from her life after, or to push her away even after her confession. There was also his “rationally” created plan in which he would give her the letter and let her decide, yet he still tries to convince her to not be with him. 

The Schumann/Brahms comparison shows how he keeps getting pulled back and forth between reason and emotion. He reveals his feelings to MC (Schumann), but wants her to make the optimal decision, which he believes is to not be with him (Brahms). He then kisses her after hearing her conviction (Schumann) and then gives her the gift that’s linked to Brahms. In realizing that he’s not able to stick to either path, he calls himself a coward - but he doesn’t need to be like either person. As MC says, his restraint is a part of his own background, and his emotional wavering is because of his care for MC - all in all, his motivations are because he is Xia Yan, not Schumann or Brahms. 

Personal Story Chapter 2 Parallels

In Xia Yan’s personal chapter 2, Yang Xiao sets up the story of 零/Zero and 玛丽薇莎/Marivisa to mirror MC and Xia Yan (respectively). The mention of what will bring Zero and MC happiness is starkly similar in these two situations:

⊳ Personal Ch.2-9

Xia Yan: 因为...这样，零会更幸福... 她不是在牺牲，她只是用自己的方式让零能幸福。Because this way, Zero would be happier… She wasn’t sacrificing herself. She was only using her own methods to make Zero happy.

MC: 但零的幸福就是她啊。But Zero’s happiness is her.

Xia Yan: 她已经无法给零幸福了。 It’s already impossible for her to give Zero happiness.

⊳ Date

Xia Yan: 如果你选择别的男人。。。只要他能给你幸福。我只会带给你不幸，我没有时间了。。。If you choose another man… As long as he can make you happy. All I can bring you is unhappiness. I don’t have much time left…

MC: 你怎么可能带给我不幸，你怎么可能做不到给我幸福。你在我身边，你的存在本身，就是我的幸福。How is it possible that you can only bring me unhappiness? How is it impossible for you to bring me happiness? You being by my side – your very existence – is my happiness. 

Yes, the Zero/Marivisa story was intentionally made to parallel these two, so it might feel moot to compare them like this. However, I still really appreciated that they brought this discussion of what brings MC/Zero happiness back, especially since XY’s chapter 2 was very major in developing his character. Back then, MC is vehement in that Zero would have been happier spending all the time he could with Marivisa, as well as even having the choice to spend that time with her. I think that this part was instrumental in Xia Yan eventually deciding to tell her the truth and letting her make her own decision (as he explicitly stated to Yang Xiao in part 1 of the date). However, he still wasn’t fully convinced by what MC said back in chapter 2, so we satisfyingly see this discussion of happiness come full circle by the end of this date, when Xia Yan finally trusts MC to make the best decision for herself. 

Xia Yan’s Considerateness

Xia Yan’s enduring consideration for MC displays itself in nearly every single action within this date. 

The flashback, when he thinks about MC potentially having to go through what the widow is now experiencing, and how his own happiness for three years isn’t worth that

His conviction to give her the right to decide in this matter that involves both of them, because he can’t be the one to decide everything

He insisted on not making it a romantic event, because he wants MC to make the best decision without having a mind clouded by emotion. He’s also made peace with the idea of not being with MC, for the sake of her long-term happiness. All he wants is for her to know the truth of his feelings and illness.

His decision to still make MC a gift to retain some aspect of the romance in the confession (but he only gives the gift after MC has made her decision, again to ensure that her mind isn’t clouded). I think the concept of the gift is particularly beautiful - the little, happy holograms of them inside the glass, as if ensuring that he will always be by her side in some way; the music that brings back their childhood memories and alludes to an enduring, quiet, and protecting love that puts the recipient first (i.e. Brahms to Clara); and the rainbow, which has its childhood memories and treasure implications that are already mentioned in the date, but it also reminded me of the miraculous double rainbow in his Lost Gold date. That double rainbow was the trigger for Xia Yan to proactively seek out a future with MC, when he took the initiative to ask MC if she could be with him to seek out more miracles. Overall, there are a lot of beautiful memories and implications wrapped up in that music box/snowglobe. 

The little comical segment where he worries about the optimal time to deliver the letter, worrying about MC’s sleep or if she’ll be able to eat well.

His stress over what he should’ve done after the letter was delivered, and how he immediately answered MC’s call out of pure worry, despite being so resolute about not answering her calls that he’d turned on airplane mode before. 

Their ensuing discussion in part 3 is just full of Xia Yan’s consideration for MC at its peak - 

Rather than being ecstatic about MC’s confession, his first instinct is to tell her to take a few days to think about it logically. (But really, emotions aren’t logical to begin with, so it’s not like MC would’ve stopped liking you after mulling it over for a few days, haha)

His immediate apology after yelling that he has to mention his death

His worry about how MC will cope after he’s gone, going so far as to saying that she would be better off with another man 

I think that this particular (above) line got a particularly visceral reaction from Xia Yan fans, including myself. Because like MC, our initial thoughts fell along the lines of “How could I ever choose someone else when the only person I like is you? There’s just no way someone else could make me happier…”. Another reaction that I’ve seen among Xia Yan fans (yep, including myself) is how we originally viewed the story in third-person, seeing “MC” in the story, but this date (and this particular scene, where MC says nearly everything that I myself would want to say) dragged us into a first-person position. 

The heartbreaking scene where Xia Yan cries from being unable to give MC the happiness that he wants to give her (or so he thinks). 

He’s just so painfully selfless. I also really like the line during the kiss where MC tries to transmit her warmth to him, trying to balance things out between them and have him feel better, when he had already written himself off by thinking that his happiness is better off sacrificed for hers. 

Jin Xian’s Voice Acting

Jin Xian’s voice acting deserves a whole section to itself, because I think that he did an amazing job of portraying the intense emotions Xia Yan feels during the date. Just going to list some lines that really hit hard - both because of the content, and because of the voice acting that really considered how Xia Yan would be feeling then. 

我可以去追她，我甚至可以和她结婚。我可以把最后的三年过得很好，过的毫无遗憾，但是然后呢？她一个人要怎么办。。。谁陪她走出来，谁来照顾她。。。(“I could pursue her. I could even marry her. I could live my last three years happily, without the slightest of regrets. But what about after? How will she cope on her own… Who will be with her as she handles this? Who will take care of her…”) The ups and downs of this section’s voicing really hit hard.

The gentleness with which he speaks about what he plans to tell MC, especially the line 她从来都是这样 (“She’s always been like that.”)

He’s so cute in Part 2!! The tone’s a lot happier and relaxed and it’s really nice to see and hear. 

In part 3, the vehemence with which he talks about how the risks of MC’s work aren’t comparable to his established time limit, which then softens into something sadder when he talks about how Yang Xiao’s efforts haven’t extended his time by much. 

The intensity when he says 我必须说 ! (“I have to say it!”) (when MC reacts to him using the word “death”), and how he immediately softens his tone after. But then his voice starts to rise again as he worries for how MC will bear his death… and then he takes a break to calm down, and then makes the suggestion of MC finding another man with a near-inflectionless tone that gradually slips into a whisper

His whispering voice makes the impact of 我在乎。。。！(I care…!) hit even harder because it’s suddenly loud, and you can clearly hear the tears in his voice. Once again, he takes a breath to calm himself down and quiet his voice. But even as he keeps talking in a voice that descends into a whisper again, you can tell that he’s still on the verge of crying…

Also the 我也。。。好喜欢，最喜欢你. (I also… like you. I like you the most) line left me screaming with how it was whispered but really strong and adamant-sounding aaaaa

Anyways I could list more but at that point I might as well list Jin Xian’s entire script lmao. He did such a good job!!!!!! 

Sound Effects 

I’m laughing at myself for including this section - if you turn off the music that accompanies Xia Yan’s card, you’ll… hear some very interesting sound effects [狗头]

They’ve got to make the most of their limited time together, after all, and this is the only date out of the set of four that’s indoors… it makes sense…

Other Thoughts 

Two kisses!!

What sort of treatment would leave Xia Yan infected with drugs with prohibited components? What were they even trying to do? 

The date was short relative to the other, super-long Themis dates, but I’m personally alright with that because it places focus on the confession itself. It hit all the points that I personally was expecting for Xia Yan’s confession, including his past struggles with the idea of staying with MC, his confession about both his feelings and his illness, and how resolute MC is about staying with him vs. how hard he tries to get her to understand the implications of being him, considering that he doesn’t have much time left. 

I think now’s a good time for the two of them to get married if they’re well aware that Xia Yan’s time is limited, so Xia Yan, where’s the ruby ring? 

I wonder what implications this will have on the main story - e.g. will the rest of NXX find out about Xia Yan’s illness in Chapter 7.2? Or will they never know? Actually, I wonder if they’ll have MC be aware of his illness in the main story because… that implies his confession happened, which might anger fans of the other boys. 

Conclusion

I love Xia Yan and I love this date. 

[justalads]

this is an essay post that was written in response to an in-depth discussion i was having with another person on a lot of topics. that’s why it’s written like it’s addressing someone. because of that, it is a little confusing on its own (because the things in quotes are responding to things the other person said) but me and the person who runs this blog thought it would be better to make this a separate post, so that people who want to see this response can see it without it being attached to the person i was having the discussion with. we spoke to the person and they said that would be fine. with that being said, this is a very long post. if anyone finds parts of it useful, it will have served its original purpose.

so what i mean about it “making sense” that dream became like that is that it kind of does, you know? i’m saying that the desires were always there. not that he was always willing to go so far for them, or even that they were as strong as they ended up being! after all, there’s a difference between declaring war to reclaim land and people, and making a vault in order to take things that were important to people.

what he always did possess is a sort of “ownership” of the server. and this was probably founded from the fact that it was, you know, his server. he wanted l’manburg back because he didn’t like that people came onto his server and then said he couldn’t have something. and that’s one of his primary points in his conversation with skeppy: the analogy he uses of someone coming into his house and saying he can’t have a table.

and later, in the vault, this is the reason he gives for wanting control: that it is his server. he tells tommy it isn’t supposed to be fair, it doesn’t need to be fair, because fairness implies equality, and he doesn’t see everyone else as having equal claim to the server. so that’s what i mean when i say the signs were always there: his statements match upand paint a path through the story. true, you don’t just “become” a bad person. there’s no reason for him to suddenly get all weird and want ultimate control, if he was completely neutral and peaceful in the beginning. this is why his character is decently written!

and since the potential was there in the first place, that’s what gave him the ability to or put him in danger of doing what he did.

so yeah, it’s true that his spiral was not only his fault, because even someone who thinks they own something is not going to just jump to the lengths that he did. he had other experiences, and saw how other people worked, and then was met by pushback from people when he wanted them all to do what he said. because his house analogy is lacking something: he owns the house, but everyone else lives there too.

it may be “his” server in that he pays upkeep fees, but that doesn’t mean he deserves control over everything that happens on it! if your roommate goes “i want this table and you can’t have it”, even if the house belongs to you, it’s kind of weird to go “no you can’t have it, it’s mine”. especially if all the roommate wants the table for is so they can play monopoly or something with their group. and even more so if the roommate will let you play monopoly if you want to (remember the embassy?), and if you can just buy a new table then what’s the point in getting upset over the one?

i just think you put a lot more of the responsibility on other characters. saying that all they did was villainize him and treat him as pure evil and break his boundaries is wrong because one, no, that’s not all they did, it’s exaggerated, and two, he was also doing things to them! it did not come out of nowhere! and clearly, his mindset didn’t come from nothing, so a personal flaw contributed to it! people who are innocent and care too much about others and are then mistreated do not do what dream did, and we know this because there is a character very similar to that: ranboo.

(i could talk about this for a super long time honestly. it’s very interesting how close they are, and since enderwalk ranboo is just ranboo with all his memories and he helped dream... there’s clearly something that happened that he’s forgotten that’s very important.)

hates conflict, tries to mediate things, cares about the people he loves to a fault. and we don’t see him running around and telling people they can’t build nations because it “divides people”! he has also been hurt and betrayed, but he still recognizes his responsibility to respect others and their agency. the difference between dream and ranboo is that one, dream has a spine, and two, dream thinks of the server as his. dream’s belief is one of the driving causes of his actions.

it’s true that nobody deserves to lose half their friends at once. it’s also true that before he declared war, nobody had any actual negative feelings towards him. they made fun of him for saying his side had more women. he made fun of them for having none. it was playful banter. that’s the thing about the hot dog stream: the tone is incredibly light. wilbur soot, known dramatic idiot, decided he was going to go play capitalism on a minecraft server. both tommy and wilbur at that point had been making various stupid attempts to gain “power”. and none of this was treated seriously, because others were doing the same kinds of things.

you know how many times tommy logged on and got involved in small petty conflicts? pretty much none of them are mentioned in canon again, because at this point, there wasn’t even much of a canon to get involved in. the smp at this point was a place for people to go and do bits. and invoking wilbur’s joke hatred of tommy and those like him seems a little unfair. wilbur’s main bit was calling tommy an annoying child. when wilbur was stealing the blaze rods, it was not an actual attempt to get power because it was not treated as such by anyone, it was treated with the exact seriousness that it deserved: sapnap and tubbo declared themselves the “police”.

what kind of actual control is going to come from taking blaze rods, especially on a server where you can just go get more? and it’s not like theft is really a crime on the server. everyone else chose to play into the bit.

it’s like now, when tommy shows up with a new idea and people who don’t like him start claiming that this is proof that he never learned anything and he was actually bad all along. the church prime thing, l’sandburg, any time he steals something or is rude to jack manifold. because although semi-lore is fun, sometimes people treat it as serious lore when parts of it are not intended to be and then use it to imply things about the characters that don’t line up with canon.

that’s kinda off topic and not really about dream, so i’ll move on

“i’d like to ask you to once again watch the actual stream.”

i mean, yeah. i did watch the stream. i don’t know a lot about george, and i prefaced my thoughts at the start by saying that. obviously attempting to catch up after isn’t as good as knowing the context and plot, (this sounds sarcastic but it is genuine i’m sorry sjhksjs) but i do want to offer this: it’s an opportunity to look at the plot in a different way. you say that you are on dream’s side in this scene, and while having that bias alone isn’t bad, i think it’s a good idea to attempt to see the other side. that’s what i’ve been doing while going back and forth with you; examining my own bias and attempting to look past it, and explain why it’s there.so dream kicks george off the throne. and you say that it’s not bad that dream does it, because george’s monarchy was already a figurehead. you know, i don’t see this as being any better? this means that when dream made george king, he already did it with the fact that george wasn’t really in charge in dream’s mind, meaning that dream was, you know, the ultimate authority. that is a power dynamic. dream has control over who is king of his faction.

when you watch the stream where dream makes george king originally, dream doesn’t really let him know that his power isn’t real. that’s the problem with this situation: the presence of a power dynamic alone is not the issue, it’s the fact that dream was misleading about its presence. dream just tells him “you’re king.” in fact, dream demonstrates more control over eret, by telling them just that they can’t be in charge anymore and george is king now. he tells them to take off their crown, to which they protest because it’s a layer on their skin and it would show their eyes, something they’re uncomfortable with. dream says “i need you to do it. you gotta do it. i mean, i’m not asking you, we have three of us here.”

they physically threaten eret. and by the way, the reason that dream thought eret had “betrayed” the greater smp? eret was attempting to help pogtopia and make things right with the people of l’manburg, something you claim was also dream’s wish during this time (he had switched over to manburg at this point). dream told eret that the king had a duty to remain neutral.

it is only then, when dream tells eret to remain neutral on things, that dream tells eret that the act of being king means nothing. this is where the “what makes you king” quote coms from, by the way. dream has the ultimate control over who is king. but whenever he makes someone king, he doesn’t tell them that. and when dream leaves, eret fully realizes this and admits that dream’s right: they don’t have any power. so what was the point of betraying l’manburg?

if there was no power with being king, why did george accept it? why was there even a king in the first place? the only reason eret agreed to betray l’manburg in the first place was because dream offered them power.

when dream confronts eret about remaining neutral, dream says “my plan is that there’s no manburg, there’s no l’manburg, there’s no pogtopia, there’s just dream smp and there’s dream smp everywhere. and that’s been my plan since the very beginning, i’ve never wavered on that. that’s why i had you betray them, and that’s why i gave you kingship, because i felt like you’d be a good king because you’re neutral.”

ignoring the fact that he’s twisting why he made eret king (they were on the side of l’manburg and he tempted them away), he also claims that his faction only has been his goal since the beginning. this will be important later.

cc!eret confirmed in a twitter thread on their alt that their character was possibly the longest victim of dream’s manipulation.

and finally, watching the stream where dream dethrones george, the thing sticking out to me is how dream is phrasing it. he says that george should step down because people are attacking him, and dream isn’t always going to be able to protect him. and then he says this.

“and i think you’ll just be targeted if you’re the king. and you want to be able to like, get revenge on tommy and stuff, right? so we can work together.”

i kind of wish he didn’t bring up tommy. i kind of wish his main goal at this time wasn’t just going after tommy because he thought tommy was the root of all the problems. and i think this kind of highlights a little bit that when dream built the walls around l’manburg again, it wasn’t just because he was “defending george” or anything, because i don’t think george really cared that much? dream was using the fact that it was george’s house that blew up in order to go after tommy.

after this line, the others all kind of gang up on dream, true. it’s partially for the joke, as evidenced by quackity’s “THE GIRLS ARE FIGHTING!”, but it’s also kind of them being, you know, legitimately angry at his character. and it’s funny that it’s sapnap who leads it. sapnap brings up what dream said, that he doesn’t care about anything except for the disks. dream says that he didn’t mean it, and then george says “then why did you say it?” so dream saying that clearly hurt them, and he can’t just push it off by saying he didn’t mean it once.

and in the end, george doesn’t even agree before dream makes eret king again! george and sapnap are trying to have a conversation with dream about how they feel they’ve been treated, and dream brushes it off with “maybe this isn’t a good time to bring it up,” before ultimately ignoring what they’re both saying because in his mind he has a good enough reason and it doesn’t matter what george thinks.

dream is in the act of passing power over to eret, and george says “i’m still king. i’m literally right here.” dream shushes him. dream also implies that the reason george is getting attacked is because he backs up everything dream says, reducing george down to an extension of his own will or calling him a follower. dream accuses sapnap of trying to divide him and george, and sapnap says this: “i’m not dividing anyone, i stand by george. he’s my king but most importantly he’s my friend.” dream replies that george is his friend but not his king.

i just sort of want to show you the other side here. george and sapnap weren’t just running around instigating conflict any more than dream was. and although george didn’t do anything as king, it meant something to him, because it was a symbol of the trust he thought dream had for him. dream saying he was taking it away for his own good meant he didn’t even trust george to protect himself. he was treating him like a child.

and then when george is silent, listening to everyone debate whether he deserves this or not, dream accuses him of only pretending to be sad. it’s true that he was pretending to cry, but i don’t think that warranted dream telling him he’s “acting like a baby” and that he was a bad king.

sapnap and george had a real point, and dream ignored them. he hadn’t addressed the things he had said that hurt them, and so they raised legitimate grievances with him! dream doesn’t treat their concerns as important, and talks down to george in particular.

ignoring the fact that sapnap and george were also hurting is kind of hypocritical. you’re right, “abandonment hurts you, no matter if the people have good reasons for it or not”. dream said the spirit thing before sapnap did any sort of real leaving him. and dream’s reasons were definitely not good.

i have no idea why you got the idea that george is so awful. he was walking around with his head down. the only one also calling him things like manipulative and a drama queen is, well, dream.

basically: (/hj)

george: :(

dream: you are attempting to emotionally manipulate me

butternut is a master of psychological manipulation

anyway

so sapnap, george and quackity felt betrayed there. they left, and went to mexican l’manburg to try and console george. and then dream shoots quackity and kills him, and tries to attack the others as well. it’s worth noting that quackity also had a reason to be upset at dream: dream’s treatment of l’manburg. dream then shows up and calls george a tyrant. dream never listens to what george says during this, he just continues saying what he already said. dream taking the kingship away from george hurt him more than letting him stay would have.

watching this is painful, because it’s making me realize just how much dream doesn’t actually care what his friends think! he says he cares, and he might think he cares, but then he calls them babies and liars and tyrants. his argument with george here reads like something awful. he’s using the excuse of “caring about him” in order to undermine and insult him, and take the moral high ground. dream essentially tells george that he didn’t make george king out of any respect for him, it was just random. he doesn’t treat his friends well during this scene. i don’t think it’s unreasonable for them to get angry.

when quackity, after sitting in silence for the entire conversation, says he disagrees, dream tells him that he’s just dumb. doesn’t wait to hear his reasons, doesn’t value his opinion, because dream is so sure that he’s right and he knows what’s best for the server, and by extension, everyone.

other interesting things: dream brings tommy into it again by saying he’s what causes all the problems on the server. dream tells quackity to think about what tubbo would think about him picking this fight. dream says that george would probably do anything he told him to do. his entire position is “you guys can think whatever you want, but it won’t change anything.” genuinely, tell me how this is them abandoning him? and when they do drift away later, tell me why they don’t have a reason to? dream doesn’t respect them! he takes their friendship for granted!

“would you consider it justified for all of tommy’s friends (even tubbo who he’s been close with for so long) to abandon him just because he’s said basically the same thing about the discs - like three times?”

thank you for bringing up the disk thing. do you really think that tommy and dream acted the same when saying that an item held more worth than their friends?

think about what the disks symbolize. control over tommy. tommy wants them back because they are a sign of dream having power over him! tommy doesn’t want his abuser having power over him! and yeah! it was a messed up thing for him to say to tubbo that the disks were worth more than him, but he apologized! he understood that what he said hurt tubbo, and he tried to rebuild the relationship! tommy took responsibility for what he said, and tried to be better. notice how afterwards, he was willing to sacrifice anything for the safety of his friends? notice how in the vault he told dream to take the disks and do whatever he wanted with them, when dream switched from threatening the disks to threatening the life of tubbo?

and what do the disks mean to dream? they mean power over tommy. the disks have no power over dream. they are a tool that he can use to hurt and control tommy. and he never apologized for this, because he wasn’t sorry. sapnap told dream that this hurt him, and all dream said was that he didn’t mean it. who is he lying to, then? tommy or sapnap? it was so important to dream that he had ultimate control over the life of someone else that he almost drove them to take their own life. i’m sorry, but this comparison sucks.

people gave dream a chance. people gave him a lot of chances. the disregard he showed for others is disgusting, especially towards his friends, and even more so towards those who he didn’t like. my problem is that though you repeat that you don’t “blame” others for what they did, you still hold them to more responsibility than you’re willing to hold him to, or at least that’s what it seems like. i’ve been investigating the other side through this whole process. and yeah, there are definitely places where i was wrong. but sometimes i do not understand, and maybe that means i should just give up on trying to understand those places. if other people can see things i can’t, maybe we agree to disagree.

i legitimately cannot see dream being the person who was treated the worst here, but let me know if i’m misrepresenting you.

i’m sorry that i sound angry, and i’m not really upset at you, but the comparison of what dream said and what tommy said set me off.

“no one having respect for him as a person”

people did respect dream, man. he was the leader of his faction. he had a lot of power. his friends trusted him to be a good friend to them. but he didn’t feel like he had an obligation to do that, yeah? and you only get respect if you give it, so they stopped respecting them because he hurt them. he didn’t learn any hard lessons about violence being the only way because he never stopped to consider another way. when faced with a problem, his options were for the problem to go away or he would make it go away: surrender or die.

during the stream where he sets up the walls with sapnap, his message is the same throughout: wipe them out. no mercy. burn their land to the ground, leave no survivors. there’s no love in war. children get hurt in war. this is a warning shot, he says, as he fires into their land. as sapnap burns down tubbo’s house and chat spams “no mercy”. they don’t show mercy because mercy is weak, and they are powerful.

one day i’m gonna write a thing that talks about the greater smp like how people talk about early l’manburg because oh boy

i’d like to see evidence of dream learning that violence is the only way, and only being able to protect himself through fighting. i don’t remember this happening, i remember him generally choosing violence as the first option.

“dream didn’t have an arising god complex.”

a god complex means more than just saying “i’m a god.” there was buildup because that’s how characters work. tommy was also trapped in the prison, and he didn’t suddenly get a god complex at the slightest bit of power, did he? the definition of a god complex is “an unshakable belief characterized by consistently inflated feelings of personal ability, privilege, or infallibility.” dream cannot admit when he is wrong. he feels as if he has a right to the control of the server, and that grows into a state of obsession. and when he’s taking tubbo and tommy down into the vault, he mocks them for thinking he was weak or that he didn’t think ahead.

once dream knew he had control over death, the complex reached its peak, and that’s when he actually admits it. characters that antagonize others already possess traits that contribute to their arc.

and hey, i know that cc!dream says his character is blocked off emotionally. i also know that he’s been given a lot of chances to apologize to people, to be sorry, to admit fault, even in small situations. did dream show remorse during exile? did dream sound like he was being “forced” to isolate and control tommy, or did he sound like an abusive parent scolding a kid for something? when dream beat tommy and tubbo and took them down to the vault, did he sound sorry? the thing about subtext is that it has to actually be there, no matter how quiet, at least a little bit. listen to dream arguing with quackity after george was dethroned and tell me he sees himself as anything other than right.

a few one off lines are not enough evidence to wipe out the rest of his character’s development.

he sounds sorry once he is faced with direct consequences, because that is the only time he is held responsible for his actions.

it’s also a weak argument to say that something is happening when, as you said, we don’t see his pov. it is fair to say that i don’t know if it’s not happening, and that’s a good point. cc!dream’s comments about his character being closed off emotionally can mean a lot of things. for instance, they could mean that his character is willing to do this to himself in order to get control. or it could mean something else entirely, i don’t know. basing an entire fact about a character off something we don’t see at all doesn’t tell us anything useful about the character, and i apologize for doing that.

i guess my reason for saying that was that i don’t see evidence of him trying to get better during pogtopia. if we don’t see signs of him being sorry or attempting to treat other people better, why should we assume that he was doing those things?

“yes, and none of c!dream’s “friends” ever did.”

dream’s friends supported him until he abandoned them and disrespected them. his time in the prison is a consequence of his time out of the prison, albeit an unfair one.

“dream didn’t hurt george.”

dream’s disrespect of george is what hurt him. dream didn’t apologize for it, he didn’t attempt to understand what george was feeling, and he didn’t look for a compromise. and yeah, it was beckerson in the vault. he had a space for mars, he just hadn’t collected it yet. so yes, dream did betray sapnap. if you have legitimate evidence of sapnap doing something that made dream actually upset, before the vault, i’d like to see it. (there might be something lol i’m sorry i’m Very Bad on his lore but from what i’ve investigated i didn’t find anything really important.)

i don’t think puffy saying “this person does bad things” is her dismissing their trauma. and the eggpire and her have both hurt each other. puffy isn’t the Trauma Designator of the server. if there’s an instance of her straight up saying that someone doesn’t have trauma then i missed it.

“she’s another one c!dream was attached to and who failed to ever reach out to him”

i don’t see evidence of this? there was the one stream where the relationship was established, but after that he never tried to seek her out. he doesn’t even talk about her. it’s not a failure from her to not reach out to him, if their connection is light at best. i honestly feel like she was more attached to him than he was to her.

“like she’s doing something extra by being a decent person.”

she’s saying he didn’t deserve to see her because he did bad things! she still cares about someone who has done bad things, but she recognizes that those things are bad. she’s saying the punishment for what he’s done should involve not seeing her, personally, and i think she should be able to make that decision? she doesn’t endorse the rest of his punishment, because she doesn’t know what it entails.

she helped him by thinking he was in the right. she helped him by even trying to understand him, when everyone else could not. she gave him the help that she could by being on his side, by being friendly to him, and after she realized he was wrong she could not do that because he was off preparing the vault! and she had other things to worry about! “could have” is useless because it can mean anything! tommy “could have” not burned george’s house down. would it have mattered, when dream already had it out for him? no!

dream took anyone being close to him for granted. he did not give anything back to them once he started going down the path. if he did something bad to them, and they were angry, that was it for him. he did not attempt to fix the bond, like other characters do when they hurt someone they care about.

“i never said anything negative about them other than describing things they did that had a negative effect.”

here’s my main point: we don’t know they had a negative effect.

you criticize the characters for not taking an action that we do not know the implications of. everyone could have been super nice and worried about dream and that could have changed nothing. that’s why i think the criticism is unwarranted.

their crime is inattention to a situation that some of them did not even know was happening. that’s like saying that techno is “responsible” for some of the pain of tommy’s exile, because he did nothing to stop it. that’s like saying that quackity or tommy “should have” removed the tnt from the button room under l’manburg.

i just don’t get the point of the criticism. because it can apply to any character in any situation, you know? we could say that eret taking back the kingship from george enabled dream into taking more control over his friends, and that eret should have stopped him. we could say that skeppy telling dream he was wrong about l’manburg pushed him further into the role of the bad guy. if you aren’t being negative about the characters, then why bring it up in the first place?

“truly believe they did all those things” they didn’t do anything. if you’re talking about the “actual consequences and effect it had on him as a character”, you have to look at what affects his character.

we can say “sapnap should not have said this to dream”. because that is something sapnap actually did, directly to dream’s face, and it is something that visibly affected dream. considering the conditions of the prison, it is an inhumane thing to say. that’s something i would call reasonable to consider when analyzing dream’s character.

but puffy talking to herself, writing her own thoughts and reactions down? that does not impact dream in any way! and i think puffy thinking internally that dream is a bad person (when she has been given adequate reason to think so) has a lot less impact on Real Plot Events than the stuff that dream actually did.

what is her “fault” here? what harm did she do? what am i excusing? what did she do wrong, and how is the effect of her specifically visible in dream’s actions? he hasn’t mentioned her in months, and it’s my perspective that if he cared, we would know.

if a tree falls in the forest when nobody is around, does it make any noise?

(the person i was responding to linked a thread about how the prison isn’t helping dream and how puffy and sapnap saying he deserves it is inhumane)

that thread doesn’t actually seem to be assigning any fault to puffy, it’s just saying that hearing that kind of thing hurts.

(also, the person who wrote the thread saying “i told you so” is going to have nobody to tell it to. we all already know dream is going to be violent when he gets out, because he told tommy he would hunt down and take revenge on the things he loves. but he’s not going to be violent because puffy didn’t visit him.)

“another person he cared about who didn’t prove to care about him enough to stop him from spiralling or try help at all.”

how did puffy not care about him? what did she do before the vault that showed that? how did she specifically abandon him, by actions of her own will and not of consequences of his? for supposedly caring about her, dream did pretty much nothing to show it.

“if “they don’t owe him anything” is your base argument against someone being hurt via being left by people they care about over and over again until they’re utterly alone with no support system and unhealthy mindsets, we might have to agree to disagree”

we would disagree if that was my point, but it’s not. because that’s not what the characters did. they didn’t all abandon him, as i’ve said. he says that he cut ties with them, but if you say he’s lying when he says that you can disregard it, i guess. and five to six people are definitely not responsible for him. again, you’re critical of them for an action they didn’t take, and in some cases it was impossible for them to take like with tommy, who certainly didn’t abandon him, as hard as he tried to.

“his (dream’s) manipulation is the clumsiest thing i’ve ever seen”

i mean i don’t really find it funny that dream was “bad” at manipulation. and clearly it was powerful enough to work on multiple people, and if he was that ineffective at it it wouldn’t have worked. but i understand what you’re saying, although i disagree with your take on wilbur.

it’s true that wilbur’s smart, but this is again saying things about stuff we can’t prove. if you look at the context of wilbur’s actions next to everyone else’s, they seem pretty tame. and he can play a morally grey character without the intent being that the character was seriously manipulative all along. although i guess it’s nice to think that you’ve solved the code, if “solving the code” means “the majority of everyone else is wrong” then you may want to take a step back.

i think the principle of occam’s razor sort of applies here, and especially applies later to the conversion between dream and wilbur. unless there is strong, strong evidence for a theory that sort of goes against stuff, there may be a better explanation. i’ve scrapped like fifty theories because of this dude hskhdksjsthe things i said at the start about tommy and wilbur’s grabs for power not being serious still do apply, and so does the fact that at the start of the roleplay, the cc’s didn’t see their characters as that separate from themselves. i think it would be kind of weird for cc!wilbur’s intent to be genuine manipulation of his actual friends all along, especially when he wasn’t playing it as a bit.

“that’s precisely what he did and how he got them to side with him in the war.”

nope. he didn’t tell anyone they “needed” to to anything. anyone who joined the country joined of their own free will, and nobody joined during the war, just before and after.

wilbur didn’t really “recruit” tommy so much as they were on a team of causing small arguments. wilbur joined and he and tommy went to go scam people together, while tommy told him about the various other little schemes he had been running. and i don’t really think he was intending to do a real takeover, which is why i called it “weak”. the man told people that potions give you diarrhea. does that sound like the work of a mastermind? no, because it’s the self proclaimed “crime boy”. and that “drug empire” got shut down pretty quick for something that was supposed to last a long time.

“just put “revolution” instead of “business” as a guise of what he was actually doing.”

l’manburg was not the drug empire under a different name. l’manburg was about separation from the greater smp, admittedly because they felt that being stopped from selling drugs was a bad thing, but then they pretty much completely dropped the drugs and the empire throughout the wall vod.

so when he was recruiting people like fundy, he was doing it with the intent of getting them to make drugs with him. he says nothing about dream when fundy joins his drug empire. and yeah, he lied to him originally, but it didn’t work. fundy visited the van and saw through wilbur (and tommy)’s story, and then he decided to join, on his own. because he wanted to make drugs.

a quote from the wall vod:

“we’re starting a revolution, not a war.”

there was no targeted hatred towards dream until he approached them. and i would say the most “evidence” that wilbur was trying to go after dream in any way is the infamous “what’s tyrannical mean” moment. the thing about that moment is that taking a single moment and using it to define an entire period is unfair. it’s not like that’s a turning point, and after that they solely go after dream. they don’t. i agree that you have to watch the actions of wilbur, and his actions at the time were geared towards becoming independent and progressing the condition of l’manburg.

wilbur is honest with eret when they join that they are committing crimes. eret joins because “haha americans bad”. meanwhile, dream is in chat telling eret that there are “three defectors from the kingdom”.

“the only reason people disbelieve this is not because it doesn’t align with canon, but because they assume he’s lying for the sole reason that it doesn’t align with the way they see canon.”

if what revivedbur said agreed with canon, people wouldn’t be pointing out that it doesn’t. watch back the hot dog stream, the wall stream, the first war stream, even the stream after that when niki joins. look at how wilbur speaks, and also look at how he acts. it does not match up with all of what revivedbur says.

early wilbur is naive. he thinks he’s doing the right thing, so he therefore concludes the people against him are wrong. the only fighting back that l’manburg does before war is declared is killing alyssa (and this was tommy’s idea, wilbur was discouraging killing her), because they thought she set the fire. once she told them she didn’t, they gave her back the stuff they thought they had. tubbo still had her pickaxe, but didn’t realize. and for this? the people of the greater smp hunted him down, trapped him in a box, and killed him as well as killing tommy, who tried to save tubbo.

wilbur scolded tommy for killing alyssa. wilbur wanted to focus on building the nation, on declaring independence, and actively ignored the other side. he writes the declaration and he believes in everything it stands for! half the things in there are things that the other people of l’manburg yelled out, that he wrote in as they were being fired on by the greater smp. it comes from all the people.

the declaration of war from the greater smp pretty much says “sometimes you just gotta kill some people, you know?”

i am not disagreeing with you that after the first war, wilbur fell into corruption. it’s implied greatly that this is partially a consequence of the first war, and also partially stems from his fierce protectiveness of l’manburg.

also, if you’re saying that you have never and will never believe wilbur, i would urge you to re-examine that. it’s hard to avoid bias when you refuse to take most things that someone says as truth. i am also curious how you came to this conclusion as you began to watch the smp (if you never believed him at all) and who’s perspective you were watching.

“according to his actions and all known laws of logic” according to the streams and vods that very much still exist, and his actions in them, no, he wasn’t lying since the beginning. did he tell lies? yes, everyone did. was he being untruthful about his devotion to l’manburg when he took arrows for it and died for it? no. it’s pretty clear to see when you watch the vod. his actions speak louder than his words.

so no, it doesn’t make sense for him to be lying since the beginning. it doesn’t make sense that revivedbur’s ideals are a switch from how he was even right before he died, so we cannot trust his memory and his morals to remain intact! the man was alone for thirteen years, speaking of torture.

“he thought l'manberg his and no one else’s, a weapon of power for him to use however he pleases. unlike dream who destroyed himself bit by bit trying to take back what he cares about, because it was not power, but people - wilbur saw no more worth in it and destroyed it instead.���

hmm. i’ll come back to this later.

a point- not everything cc!wilbur says about his character is negative.

a lot of his commentary on his character came after his death, so it encompasses his spiral. i will again suggest that you listen to “eight” by sleeping at last. it’s true he can play a morally complex character, because he does, but he does not play an intentional antagonist the entire time, even in “secret”.

“i was just talking about how hypocritical and downright ridiculous his later accusations are, which you didn’t address.”

how are his later accusations hypocritical? wilbur calls him a tyrant in the moment, yeah. wilbur thinks that he should be able to do whatever he wants, and since it’s the dream smp, he assumes dream is the leader. dream never contradicts this, by the way. wilbur writes in the declaration of independence that “in the course of human events it becomes necessary for one to dissolve the bonds which bind us. disregarding of this truth is nothing short of tyranny.” so that’s what he considers tyranny. when he got stopped from selling drugs and tommy got arrested, he didn’t yell “tyranny”.

mistreatment of citizens by authority and denial of independence is tyranny.

dream and the people of the greater smp hurt and attack the people of l’manburg throughout the wall stream. importantly, since they denied l’manburg independence, the people they were firing and attacking were their own citizens in their eyes. mistreatment of citizens is cruel. upon hearing that l’manburg existed, they became even more tyrannical. thus when wilbur writes this in the book, as they are being fired on, he believes this to be true because it is.

“despite there being no evidence” watch the wall vod. think about the definition of tyranny, and even the different definitions of tyranny.

“a capitalistic empire on dream’s land” so wilbur did have reason for thinking dream was the leader, yes? because it was his land? his “house”? how dream said they were taking back the land that was rightfully theirs? how he called them “traitors to the kingdom”? ignoring the fact that once again, wilbur did not say anything negative towards dream until dream showed up and insulted l’manburg.

wilbur’s form of lying and deception for the drug empire was the norm for the server at the time. we don’t see him pulling this sort of exaggerated bit once he gets into l’manburg, because he’s idealistic and he really believes in it. if you watch tommy’s stream where wilbur first proposes the country, he jokingly says the reason he’s making it is because “americans ruin bits”. also during that stream, tommy asks if they’re making a drug empire, and wilbur says that no, they’re making a nation where drugs are legal.

“didn’t even do that much” hmm. no, i’m pretty sure dream and the people of the greater smp did do the stuff wilbur accused them of. one, he wasn’t directly accusing dream, (because. his problem wasn’t with dream specifically.) and two, the things he said in the declaration did happen?

“they have robbed us.”

to be fair everyone on the server did that lol

“imprisoned us.”

tommy was imprisoned for the drugs and for other things he was involved in, and tubbo was trapped and murdered for a thing he didn’t even know he had.

“threatened us.”

they were fired on multiple times when building l’manburg, they were threatened with consequences for the drug stuff, they told them in pretty clear terms that they were prepared to kill them instead of letting them be independent. the day of the war, dream and sapnap burned down all the trees around l’manburg and lavacast walls around it, saying it was a “warning”.

“killed many of our men.”

again, true. tommy and tubbo in particular died a lot during this time.

so since these things really did happen, how is wilbur lying about them?

“the people he was accusing of being tyrannical were very selective”

one, he accused sapnap of being an american, and it was the americans that were going for them. you don’t need to protect people that aren’t being hurt. most of his reasoning for “no americans” during this time was that anti-mask protests were happening in america, and he was making fun of them. two, the others imprisoned tommy, which does not count as “self defense in an anarchist society”. they accepted tubbo because he was european, and because he was willing to work for the nation like the rest of them. sapnap just wanted a drug dealer.

“dream’s “no factions” thing he had going on also included no government by default, showcased by him having problems with people starting countries.”

if there was no government, why did dream never point this out when wilbur said he was seceding? the server is dream’s faction! he doesn’t want “no factions”, he wants only his faction. dream refers to the server multiple times as a nation, and even a kingdom. anarchist societies don’t have prisons. the prison and the police is a system. if you have an anarchist society, but two specific people are going around arresting people, them going “oh but there’s no government” doesn’t take away the fact that they’re creating a hierarchy, using their own power? they also never claimed that there was no government.

everything that dream said later in the conversation with skeppy also lines up with this. ignoring the fact that there was a monarchy established because it “didn’t have any real power” is disregarding the fact that one, it was there, and two, that there was someone around with enough power to establish it in the first place. i don’t know how to say this any clearer. anarchist places do not have kings.

and anarchy is not the only thing that fits. it wasn’t designed to be a geopolitical drama, they just made the mistake of letting wilbur soot onto the server. so they didn’t need to have a name for the system, because the system was “do whatever you want”, including establishing authority.

“dream had all the reasons to believe they were aggressive and was fully justified in declaring war.”

dream didn’t declare war because alyssa was attacked. he had done stuff to them before that happened, and they got back all of her stuff (again, not by asking and trying to work it out, but by kidnapping someone who genuinely believed they were innocent and killing them as they begged for help.) dream started the official conflict because he declared war. he also started the unofficial conflict. he didn’t think they were aggressive, he thought they were weak.

“if he (wilbur) thought he was being mistreated he could just stop trying to mistreat others”

what, because he had any sort of power? he did stop mistreating others. l’manburg legitimately did nothing to intentionally hurt anyone, and tommy killing alyssa doesn’t count because that was his decision and revenge was already paid out for that. so wilbur stopped scamming people, built the walls to contain his country (he said that they needed nothing outside the walls at some point) and then was attacked multiple times. his mistreatment didn’t stop.

“it was supposed to be his l'manberg.”

wilbur didn’t destroy it because it was supposed to be his and it got away from him, that’s why he held the election: to try and restore peace through attempting to rig the election. he destroyed it because “the thing i built this nation for doesn’t exist anymore”, meaning the freedom it originally granted to its citizens was gone under schlatt. meaning the policy of no violence and using words was ruined. if the thing he built this nation for was power, this would make no sense. he could have taken power so easily. he passed off the presidency.

“something worth having power over” is something important. it is something that can be good for lots of people, and the power over it is what makes it safe. it’s worth having power over because when others, like schlatt, take that power, it is no longer safe.

violence and tyranny had become so much a part of l’manburg that wilbur felt the freedom and peace was gone. so when he blows it up, and says “my l’manburg”, he means it can no longer be used for evil. “my unfinished symphony, forever unfinished”. he saves it for himself by destroying it. so yes, he is being selfish, but not to ruin it for other people. he takes it into his own hands to weed out the fighting, and by doing so takes himself with it. his vision was never complete, because the wars had taught him that the only true freedom, the only true victory (“i won.”) for him was in death. (and then that turned out to be wrong.)

there’s a reddit post that cc!wilbur approved

that explains this a little better than i can, and cc!wilbur commented on it “any truers???” so i think it can be counted as reliable.

this full quote from cc!wilbur about his character (from his hey and stuff podcast) is very interesting. i’ll transcribe it here:

“i decided i was going to make a breaking bad style roleplay, where me and tommy would be drug dealers. and uh, one thing lead to another and i’m the president of a nation losing it due to my own insolence and uh, short sighted naivety. basically disregard for my fellow citizens who i claim to love so much. and a, and a dark, twisted understanding of what is possession. and what is, what is my right.”

i like this quote a lot because it highlights the initial traits that caused his spiral. it also places him as kind of similar to dream. the reason he lost the presidency is that he got too cocky. and the reason his spiral was so selfish is that it was all he could see— when his earlier vision of freedom was shattered by the first war, he didn’t know how to adapt and so became attached to power as it now felt like the only way to keep what mattered to him.

this is emphasized in his conversation with quackity during his second lore stream: that there was a drastic change between the person who made l’manburg and the person running for president. this quote matches up very well with the election arc. wilbur’s motives were different before the election, and they were different after.

once he had the freedom that he wanted, he became scared of losing it and that is what pushed him down. “if i can’t have it, no one can” is on the surface about the power, but the lament for what he once had (freedom in a country without tyranny) is there. that’s why he became so power-oriented. if he did not have control of l’manburg, it could be used to go against his original vision and it would be better off gone.

another good piece of information is cc!wilbur’s comment on his dnd alignment post, where he says this:

“wilbur is on the border of chaotic and neutral evil. wilbur, in his chaotic sense, is a crazy man who wants to blow up his old nation and kill his friends. but, more realistically, in his neutral sense, wilbur is the archetype of a man who had great power and who lost it all due to his own poor choices and negligence who sees destruction as his ratification.”

note the “realistically”.

he feels as if he owes it to l’manburg at the end to blow it up, and he didn’t mind taking himself with it as he thought that nobody cared about him anymore and he didn’t have any more to give.

(related to this, in the dnd alignment post, cc!wilbur places season 1 dream as chaotic evil and says his only motive is chaos. firstly, this would only apply to season one, and although cc!wilbur was working with cc!dream and everyone else to write the plot here, i wonder why he says this instead of saying anything else about dream’s motives. this seems to disagree pretty severely with what you think, but it also disagrees with what even i think about dream during this time.)

revivedbur comes back and has plans because he regrets his past. he hates that he gave up that easily. and he could absolutely lie about his past actions! there is no reason to ignore the contents of an entire war because someone who was alone for thirteen years says it!

“shouldn’t have it” doesn’t mean he was lying when he said he wanted it. he was just wrong, which he knew when he blew up l’manburg and that’s part of why he did it.

“they said they “fought with words”, like that doesn’t sound like a peaceful solution, more like a different approach, and it was because that is what they did”

they said the words thing a lot of times, and most of the time it was used as a “tommy don’t attack that person.” and “fighting with words” is arguing, it is replacing the trauma of real battle with talking it out. l’manburg did stick very closely to their motto of words over violence. look at the contents of the first war.

and once war was declared, wilbur was enthusiastic for it. sounds suspicious from someone claiming to not want war, right? he said it was a chance for them to prove themselves, to prove they could rule themselves. he also said that if they could defend themselves it would be proof. he never went “time to attack them”, and when he said he didn’t want a war in the past he meant that he didn’t want to start one. his being enthusiastic about the war ties into his naivety about running a country. it was also an acceptance in a way, no? it meant that the greater smp saw them as something worth declaring war on.

and it’s heartbreaking seeing him so excited to prove himself, because we know that the experience of the war is what lead to his spiral and his cynicism as president. we know that a few weeks later, he’s going to be crying into his pillow every night.

for the clip (the “something worth having power over and then you get killed by your dad” clip), i kind of don’t know what to say. i don’t think this is a clear condemnation of the entirety of l’manburg’s beginnings, but i do think that i was probably reaching a bit with trying to interpret it. there are definitely a lot of ways to see that, though.

no, he showed it in the first war and he clearly said it. i don’t think somebody who wants to mess with dream is going to not even think about him until he shows up, and even after then largely ignore him until he declares war.

“yes, it was worth something to wilbur, and that worth was power.”

question: power over what? power for what purpose? how did he use that power?

if it was only worth having power over, then why did he give it up? why didn’t he just kill schlatt in the first place? again i think the reddit post addresses a lot of this. original l’manburg was worth more to wilbur than power because he was willing to surrender when his life and his friend’s lives were threatened, and he told tommy it was not worth it to enter a duel and sacrifice his own life for it. after the war, he cared about power over it in order to keep peace, and then he realized that his own desire for power caused him to abandon his morals and he attempted to destroy it all.

“the greater smp did represent anarchy and peace.”

i just don’t think the ideals of the early smp line up with anarchy, and especially not dream’s actions later. he believes in forced peace, and unity under his terms although that belief is more gradual.

“see you tell me you didn’t fall for propaganda and then say this.”

it’s not “falling for propaganda” to watch the streams and interpret them. “propaganda” is defined as an attempt to spread information, often of a misleading nature. it’s what wilbur used during his presidential campaign, it’s what everyone used during the election. i do not base my opinion of his character off things that have been said about him after the fact. i watched the content when it happened.

so what about the facts that one, he wanted peace at the start, and two, that he cared about protecting his nation and the people he cared about is propaganda? it is information that i believe to be true based on my own analyzing of his actions during that time.

wilbur never says this as an attempt to lie to anyone. he wanted peace if it meant he could have freedom, but he would not attack anyone for freedom, he would defend it once he had established it. he wasn’t trying to establish an empire after the drug van stream (he says this in the vod where he discusses his plans for l’manburg with tommy) and the actions of the greater smp were tyrannical. what happened is that later, after the first war, he lost faith in peace because people continued to attack him!

“he did create division for his own benefit the way i see it.”

can you explain the “benefit” that division would give him? because like i said, his goal was his own personal freedom. he wasn’t attempting to divide people, he was reacting to mistreatment, whether perceived or real. and more often than not, people asked to join him, he didn’t try to convince them.

“yeah wilbur said it genuinely to tubbo when he first brought him armor”

as i was going through the old vods, i did find the origin of that quote (the quote where wilbur says “we go in with no armor and then stab them in the back” or something along those lines)! there’s something funny about it though. notice how he says it and then never does anything about it? and how nobody from l’manburg acts on it? because you have to look at his actions, something you emphasized that i agree with. they have more weight than his words. he also said “wanna kiss” to dream, so i don’t think this really counts as “proof” of an ulterior motive, because he said a lot of things.

“you see a pattern already?”

the “pattern” i see of his reactions to conflict in his nation is that he didn’t want to assert control in order to oppress people, he wanted to assert control to keep the peace, by rigging the election so that he had “legitimate” authority. was it a hypocritical? yeah! it reminds me of what dream was doing, too: placing his goal of peace over his wish for freedom of everyone.

the difference is that dream didn’t have any reserves about “starting an army and asserting dominance over his own people because they didn’t respect his authority and he was irritated by it”. weird that that can be used to describe dream as well, huh? and before it can be used to describe wilbur?

this is also after the first war, where wilbur learned a very important lesson! and it’s right before he realizes he’d become what he had tried to destroy. the other person who acts like this never realized this, though. it’s because he was never trying to destroy it. just saying.

“the friendships inside of it could’ve existed without, and would’ve probably been better off without being stained by war”

wilbur did not consider making l’manburg as a severing of relationships between the two nations. he even expresses neutrality towards some members of the greater smp. wilbur didn’t “make people think” they needed l’manburg, he saw it as a thing to devote yourself to, an ideology. he did not force others to think this way, although he encouraged it. people ended up sacrificing a lot for that (against their will sometimes), and so they became attached to it.

“the original dream smp was this but actually true instead of just being a front.”

ah yes, the dream smp with absolutely no hierarchies. nothing like mister “my house” at all. no “my land”, no “my server”, no “the king has no power”, no “it’s the dream smp”. /s

“wilbur didn’t fear for anyone’s safety”

hmm, no, wilbur did fear for everyone’s safety. you know, when they were being attacked continuously throughout the war? and when he finally surrendered because they were being threatened and killed?

“the dream smp was already safe”

dream and sapnap need better ways to “keep the server safe” than by blowing up people who wanted to go off and do their own thing and posed no threat to the greater server.

i don’t know how to provide “evidence” that dream and the others attacked l’manburg? the evidence is the fact that they did. again, wilbur’s initial goal was not conflict with the greater smp, it was emancipation. when tubbo was taken hostage and killed, shot at, robbed multiple times of materials it had taken him hours to get, and had his old house burned down simply because he was part of l’manburg, those were the reasons that tubbo ever fired a shot at them in the first place!

when wilbur lead his people out on the first day of the war, it was to negotiate. they dodged the arrows and went to the embassy, where they were then trapped and driven back into tommy’s house. it was then that they fought back. self defense. i don’t know what else to tell you.

“trying to end the war as soon as he could” is kind of misleading, because it implies that dream hated the violence. he just wanted to win as soon as he could. he didn’t care what he had to do to win it. no mercy.

the dream smp was not freedom because when you try to leave freedom, it doesn’t hunt you down and try to destroy you. anarchy doesn’t call you a traitor when you leave. and yeah, dream was real friendly to tommy when he continued the disk war when it first settled. and of course when your friends join a different nation, the most logical course of action is to murder them repeatedly! /s

the definition of anarchy includes personal freedom, the exact thing wilbur wanted. anarchy does not include authority, it is firmly opposed to it. i think i would place the early greater smp as more of a stateless society, if i had to put a name on it (again, i am extremely wary to do that because it wasn’t written as anything with a name. this is also a mediocre take that i don’t really believe because dream had his own faction.). a stateless society is one of the goals of anarchism, but does not encompass the entire belief.

dream’s main motivation was that he didn’t want anyone being independent. it didn’t matter who was leading it.

and i’m sorry, but you can’t just take away evidence by saying “he was lying” when there is no proof he is? if you take this conversation at face value it makes more sense! (this is about the conversation between wilbur and dream right before the “independence or death” scene)

“both sides had their losses and were ready to harm the other” what did the greater smp lose. its people? its land? there was other land, and the people could still remain friends. some of them did. dream even says before this that yeah, l’manburg is losing. and wilbur here is attempting to downplay that loss, claiming they’re on even ground because that’s what he wants to happen. he is trying to appear stronger than he really is. he’s bluffing, but it doesn’t work.

i don’t like saying “nobody’s the victim” here when one side was getting absolutely whaled on by the other. wilbur has the ability to be genuine, and he does. if he was trying to “play” the victim, he would exaggerate the damage his side had suffered. his words and his actions match up, and this is a pretty different circumstance from him doing a bit. he is a victim. that’s just straight up true.

i’m not surprised that you think this way, as you’ve said you were on dream’s side since the start, but i’d like to once again ask you to examine where you got these perceptions.

dream offering them “chances” was just offering them surrender. that’s not merciful, and it’s not fair, either. and he may not have wanted to hurt them, but he sure didn’t mind doing it. wilbur wasn’t sewing some kind of anti-dream propaganda in his nation while the battle was going on, the hatred for dream came from the fact that he was attacking all of them.

“colonize” is a bad word choice for what l’manburg was. nobody was living on that land before they got there. the land should have belonged to nobody, so why did dream get so mad about “his” land being taken? what about that specific area was so important to him, when he did have the ability to visit?

wilbur was pacifist, he was not the instigator, again i have to say i can’t offer up proof if you’re convinced that he was lying. when he fought back later it was in self defense. please watch the vods. and recognize that wilbur’s actions election era are consequences of his experiences revolution era.

i genuinely don’t understand what you mean by comparing this to exile. please rephrase your point. if you’re comparing what dream did to tommy to wilbur trying to stop dream from hurting him and his people more i have to say that’s a... questionable take. it’s probably a bad idea to make exile comparisons if you’re going to use them to victim-blame, as that’s very antithetical to exile as a whole and kid of ironic.

“i mean, what other choice was there?”

no, dream had a lot of choices. he did not offer them a peaceful way out. he declared war and then he attacked. it was then that he told them many times to surrender. and no, wilbur didn’t push them to go and die, evidenced again by the times he used himself as a distraction so that they could run, and that he didn’t want tommy to do the duel but ultimately respected his decision and his freedom.

“dream constantly asked them to give up instead of fighting.”

dream has a responsibility to not attack kids. dream also has a responsibility to attempt any sort of peaceful negotiation. tubbo was boxed and murdered before war was declared, and tubbo personally had done straight up nothing to the people of the greater smp, and he didn’t even know why he died until tommy saw that alyssa’s pickaxe was mixed in with his stuff.

if wilbur claimed to wish to prevent violence, and then he did, or at least attempted to, i don’t know why you think it’s untrue. calling someone a rude name is not equal to murder. “verbally violent” means pretty much nothing and was coming from both sides.

(this next part is about the “let me be your vassal” scene in pogtopia)

“there’s a theory wilbur legitimately thinks dream selfish”

i mean, yeah. i think that kind of sums it up. wilbur was appealing to dream’s personal goals. i don’t see how he was shut down though. he already helped pogtopia, so him being asked to further help someone from pogtopia shows that they trusted him enough to tell him the plan.

i’ve watched the clip a lot of times and i think that the meaning can be ambiguous. i am using dream’s other actions during that time to determine how much of an effect i think it had on him. i don’t think he got “shut down” in any sort of meaningful way here.

“he didn’t seem to hold even that against him as he tried to help get back l’manberg with him.”

if dream didn’t hold the disk thing against tommy then, he sure decided to get mad about it later (he brings it up when arguing with quackity), despite the fact that he had also re-opened the conflict in the past.

“i believe they (dream and tommy) had genuinely been friends once.”

sure, i think they were friends before dream did what he did with the disks, and allies during early pogtopia. dream still decided to switch sides and team with manburg because schlatt offered him the book. this is, ironically, dream abandoning tommy.

“he has a sense of responsibility (not control) over the people on his smp.”

i think it can be responsibility and control. most of the responsibility is misguided, and lots of it is just actual control. i don’t know where you’re getting a lot of this.

and i do not know where you got that his fatal flaw was caring too much? he “cares” in the way of having control! he doesn’t care about the well being of others as long as he thinks he’s right. i’m just saying that he sure could have walked away, because he did just that later when he sided with schlatt. it’s not a speculation about his character when it’s something that he did.

him walking away did not entail complete surrender to wilbur. there were a lot of other things he could have done, but i don’t want to get into “could have”’s as i don’t really think there’s a point. wilbur was attempting to convince him, yeah, but that didn’t mean it was true. we know that wilbur was lying about wanting ambition.

also, i don’t think dream was allied with pogtopia because he liked them or he was trying to be better or anything. he said in “tyrant” that it’s because schlatt was worse, and wilbur didn’t have any ambition to expand.

“maybe you misunderstood something i said, but no, he definitely didn’t.”

okay, so since dream didn’t think wilbur was a villain, wilbur was not “pressuring him” into becoming one by helping him. my point was that dream didn’t think that, and wilbur didn’t care. sorry for not making that clear, i was asking a rhetorical question.

(i said here that “someone calling someone else out for hurting them is not the same thing as villanizing them,” and they responded with this)

“yeah, they are. and dream was villanized.”

oh boy.

vilify: to utter slanderous and abusive statements against, to defame.

(i probably should have been saying vilify instead of villainize because they mean the same thing but i straight up did not know it was a word, sorry lol)

slanderous means false and malicious. abusive means offensive and insulting. defamation is things that are not true.

if somebody says, “this guy punched me.” that would not be vilifying them. it is a true statement with a neutral tone. if they add “he is a bad person”, that could possibly be seen as abusive, as it is insulting, but the point of vilifying someone is that you are making them out to be someone they’re not. it involves the use of lies and continuous exaggerated language. slanderous and abusive. abusive only is not enough to classify something as vilifying.

someone reacting to something dream did by calling him a name is not vilifying him. it is true that he did the thing, and it is also true that the person saying it believes it. it is rare that someone criticizes him without real reason or goes overboard (the person who really does this as far as i can remember is tommy), and when tommy does so it is almost always reciprocated. so we have dream and tommy constantly vilifying each other, and other people saying negative things about dream and sometimes vilifying him, if they lie about it. he sometimes vilifies them.

my point is that vilification is not wilbur telling niki, “dream burnt tubbo’s house down”, despite the fact that he calls dream a bad guy. it’s not slanderous because it is true. dream assisted sapnap with the act. vilification is not tommy explaining to ranboo what was happening during exile, or telling dream that dream makes him worse. “someone calling someone out for hurting them” implies truth, and it doesn’t necessarily imply abusive language, but it doesn’t matter because it’s true.

maybe we were going off different definitions of vilify. but when we’re accusing characters who are victims of abuse and manipulation, we need to be careful with what we accuse them of.

anyway

wilbur saying he wanted to use the tommys of the world was left in the drug van stream. tommy himself was pushing a lot of the “dream bad” stuff because he had more experience with him. when tommy was confused during those two scenes (vassal scene and revivedbur calling dream his hero)it was because he believed that wilbur respected him, and wilbur working with or idolizing someone who had hurt tommy in the past was a contradiction to that belief. wilbur does not question tommy’s anger during the vassal scene because he doesn’t care that dream is bad, and when he is revived he either does not believe it or does not want to acknowledge it. revivedbur cares a whole lot more about power for the sake of power than wilbur ever did.

again, tommy isn’t stupid. he has his own reasons for not liking dream, and the disconnect comes from a place of trusting wilbur.

by the way, wilbur left the vc before saying that tommy didn’t care. he was talking to himself (and chat). and he was more fearful that tommy was leaving than angry. plus, he didn’t actually force tommy to give up his house: there was miscommunication between them and the embassy was the power tower in the end. wilbur just wanted confirmation that tommy would spend time in l’manburg. it’s true that he went about it in a bad way, though.

he didn’t push patriotism onto them, they were also excited about the country. there were other scenes beside the tyrant scene, and the amount of times wilbur had to tell tommy to shut up about how great the country is is a lot higher than the one time he had them call dream a tyrant.

true, that scene (scene where wilbur asserts his authority as president) is before pogtopia. it’s also after the war for independence. i am not saying that wilbur should have said any of that stuff. i’m just pointing out that it wasn’t always like that.

also i do not really see “you’re never gonna be president” as a taunt or manipulation or anything. i think wilbur genuinely believed that having tommy in charge of the country would one, get them into more conflicts, and two, mess up tommy mentally. being the president sucked and wilbur knew that. wilbur was not kind to tommy. but a lot of stuff that’s pointed at as manipulative is pretty clearly wilbur’s own paranoia spilling over in a desire to protect tommy, ie saying that tubbo would betray them. wilbur genuinely thought that and he was trying to warn tommy.

“tommy, when i said you’d never be president, it wasn’t a challenge. it’s true. you’re never going to be president.”

tommy’s life has been hard, that’s true. not disagreeing with you there. but not every adult has been using him the whole time. and if you’re looking for fault, i would personally look at the guy who killed him three times first, just saying. other things had impacts but there’s a clear scale.

“tommy formed an attachment to them as a result of the disc war, not the other way around.”

so yeah, initially it was a shallow trade: the disks for the armor. once that conflict was resolved, and tommy apologized, that should have been the end of it, yeah? especially since tommy now had a stronger connection to the disks? that would have been nice.

the problem is that dream took them back for no reason. because he did, he went back and dug up tommy’s whole front yard and spawned months of conflict after. having “leverage” over someone like that is kinda messed up! it’s not like tommy was going around committing mass murder every tuesday, he got in scraps with other people on the server who also committed petty crimes. so i can’t really blame tommy for wanting them back, even though he stole them.

and if dream didn’t care about the disks, why did he later use it as “proof” that tommy caused all the trouble on the server? if they were so worthless to him that he gave them to skeppy, why did it matter that tommy stole them?

i don’t know what you mean about this being the only way dream could control people. the amount of genuine fear other characters felt when he logged on was there for a long time. he held a lot of power on the server, and a lot of his control was physical, evidenced by exile in particular but also the wars.

when he did ultimately use connections to control people, that was still a bad thing.

“his friend’s house got burnt down and he wanted the person who did it to be held accountable?”

okay, george’s house got burned down. do you remember the initial punishment that dream proposed? probation for tommy until he was eighteen. and when dream was arguing with his friends, he pointed out that the only reason l’manburg was being held hostage for tommy’s crime was that tommy was involved in the government. he said that if tommy hadn’t been involved in the government, he probably would have just hunted him down and killed him.

also, someone responding to this pointed out that dream was trying to frame tommy for things at the time. dream was intentionally creating other conflict in order to get to tommy. dream did not care about the house. he burnt down other people’s houses.

that’s not “holding someone accountable”. that’s not even close.

“he was taught this from experience”

the leather from the horse was used to blackmail him after he had already started doing that to people. you know how tommy mimicks him? that’s what was going on (still bad that he did it but like. come on.) so that may have been the push that caused dream to cut his own connections (so that nobody could ever do that to him again, and he would have no chance of failure), but it didn’t just happen to him for no reason: it was a behavior he taught someone else.

“he did genuinely think he was a villain before the war”

tommy called dream a lot of stuff before the war, and most of it was unprompted by wilbur. a lot of it was also, like you said, two friends joking around. just because wilbur taught him a new word (he didn’t really tell him what it meant though) doesn’t mean he was manipulated into using it all the time or something. and i’m pretty sure tommy got a decent definition of tyranny later, when the greater smp decided to attack l’manburg before anything went down.

“it’s just a character acknowledging what people who looked deeper into the narrative already knew.”

what i’m saying is that narratively, wilbur has an extremely good reason to be biased right now. taking anything he says as truth doesn’t solidify an interpretation as truth. there has to be enough evidence to actually back the entire thing up in the first place, and i’m just not seeing “wilbur was always going for power and division” as solidified by his actions during the first war.

and again, tommy’s not stupid, and the entire time tommy is yelling at him! tommy knows something is off! if people also in the story are saying “this isn’t right”, i feel like they’d know? tommy was also part of l’manburg, he has an opinion too. so when he says “we founded l’manburg because we knew dream was the bad guy”, he’s talking about why he did it. and he brings up a good point: “you say you did it to stick it to the man, but you’re idolizing dream, who is the man”. (paraphrased i don’t know his exact words but this was his point) this shows that wilbur’s motives have changed, even from what revivedbur will say.

(they linked three twitter threads here. i don’t know if relinking them here is a good idea as the whole point of this separate post is to disconnect the two sides, but the threads were by dr3amofagame on twitter, for reference purposes. i’m not going to link the independent threads but i think people can tell which ones i was responding to.

if this is wrong to say who made them please let me know, i do not know how Any of these websites work. if you’ve read this far, please don’t try to like,,, look up who any of these people are (especially the person i was debating with. don’t do that /srs) and send anything bad to them. that’s the whole point of this separate post. if anyone sends negativity directly towards people because of this post i’ll bite you)

that first analysis has some Opinions. oh man.

i don’t know man i’m just going to point some things out:

-the person who wrote the thread pulling the “child” card makes me laugh because tommy had committed more crimes than wilbur at that point. ah yes tommy innit innocent child being horribly dragged into a giant war by evil wilbur /s

-wilbur did not call dream a tyrant before dream showed up and made fun of their land

-wilbur did not legitimately think dream a tyrant when he told tommy and tubbo to call him that. neither, really, did tommy and tubbo. it was a joke. like infinite women. like dream saying “i’m evil” when he was blowing up creepers on their land before the battle. like dream and sapnap being all “down with the british”.

-their attitude on that changed when the greater smp begin exhibiting tyrannical behavior (before war was declared!).

-“having tommy and tubbo fight his battles and build his walls” is just untrue

-the l’manburg anthem was, one, not written by wilbur (he commissioned someone to do it on fiver), and two, was written after the first war. they sing it in the stream where niki joins. so yeah, at that point, they did emancipate from the brutality and tyranny of their rulers! it doesn’t say who the rulers are (therefore it’s. not blaming solely dream.) but pretty much all of them were brutal!

-also oh my god this thread has a lot of things that wilbur just straight up didn’t say (or do).

-“would rather die than submit to your tyrannical rule” is a quote from the speech wilbur gives before dream lights the tnt. dream had done stuff to them at that point. this is out of context.

-i don’t want to seriously critique this thread because a lot of it seems more like something emotional than an attempt to start conversation, and i can’t really go against that.

-the main argument, that dream did nothing before being irreversibly forced into the role of the villain does not really match up with what happened.

-there’s a lot less of people calling dream a villain than people seem to remember.

-and also, dream was lying about wanting l’manburg to be something. he says to eret a few days later the quote that i included a while back, that his goal has always been for there to be one faction: the dream smp. note that at this point he’s officially on manburg’s “side” now. he also says he has never wavered on this from the beginning. so he’s either continuing his manipulation of eret and lying to them, or he’s just saying that he wants l’manburg to be something to wilbur and tommy to try to get them to trust him. and hearing him yell “YES!” after the explosion? i’m inclined to think it’s the latter.

okay, so then looking at the second analysis:

-once again, calling wilbur a colonizer? there is a definition of that word that matches up with his actions, but that definition is something establishing itself in a place. by that definition, everyone on the server is a colonizer. so calling just wilbur that seems... a bit weird, considering that the common definition does not match up with what he did.

-“got his (wilbur’s) entire side killed” ignores the fact that it was Dream And His Friends Who Killed Them hghfnjgnfm

dream: wow wilbur you’re bad at this war thing

wilbur: please stop killing us

dream: how could you do this to your people

wilbur: you??? declared war???

dream: no you don’t understand. i had a really good reas—

sorry sorry i’m just. yeah

-also this thread reminded me that “tyrant” (the book) exists and yeah, i do see your point that dream did care about tommy (a little bit). i just wonder why he turned against him again? and why dream is willing to admit here that l’manburg was peaceful, and also that wilbur was not like schlatt in some key ways?

-and again i don’t see wilbur calling dream a villain during the vassal scene.

-some of this thread is just speculation. i’m not going to consider “wilbur may manipulate dream in the future because they had a conversation in the past”, especially because revivedbur’s mental state right now is godawful, because i don’t think it holds any value to examining the past. the important part is the breakdown of the vassal scene.

-i’ve already said what i think about the vassal scene. dream wasn’t getting tossed around during that. just because he’s quiet doesn’t mean he’s being manipulated? and wilbur isn’t going “you think this”, he’s asking dream what he thinks by paraphrasing what wilbur’s heard from him before, and adjusts it once dream corrects him. i do think this one is more open to interpretation though; this is just my opinion and it doesn’t have a lot of stuff to back it up lol but i’m not convinced either side has much evidence

and the third analysis:

-dream had no idea what kind of government they were setting up there. he didn’t ask, so he wouldn’t know if it was a dictatorship. and again he was allowed on the land, he just never built the embassy. the “no americans” rule was weakly enforced during the first war, and the reason wilbur got so serious about it later is that the americans were the ones who went after him and killed everyone during the war! so he had a reason to want them off. objectively a bad reason? maybe

-it would be cool if dream said “hey don’t do this here’s why” instead of stomping off during negotiations and then coming back to beat them up and declare war. he didn’t though

-the problem people have with greater smp vs. l’manburg is scale. the greater smp was quite literally infinite, and l’manburg was a small space. there wasn’t anything important in l’manburg that other server members needed to get to. people could still leave to visit their friends. they didn’t legitimately hate americans. but nooo, you can’t have the table because it’s my table. what if you do something bad with the table? remember when you tried to sell people “better air” for three dollars and then took someone’s air conditioning? you just want power! i’m going to go bring back rubber bands to pelt you with.

anywAys moving on

no, i do agree with you on the sam stuff. for some reason i was under the impression that cc!sam was uncomfortable with being depicted as torturing dream a while back, but with the stuff happening with quackity now, i’m reasonably sure that doesn’t apply. they don’t retcon stuff that was intentional but there may have been something taken back a few months ago before they planned this.

but yeah, clearly the prison stuff is awful and messed up. that’s why i noted the thing at the start of the reply: i am in no way saying that anything sam or quackity have done to dream since prison hasn’t affected him. these are things that i see as having visible impacts on the character.

(i pointed out that dream originally commissioned the prison)

i understand that it’s frustrating to hear that used as an excuse, but i wasn’t using it that way. i was pointing out that neither of them deserve it. during the vault stream, dream tells tommy that his plan is to put him in the prison. he says that exile was “perfect”, and the only issue was that tommy could get away. putting him in the prison fixes that.

so yeah, what dream was planning to do to tommy is different than what’s happening to him. but the reasons that other people wanted dream in the prison match why he wanted tommy in there: like you said, it’s a vault. it’s so he can store him and use him later, to give attachments and thus power and control over others.

tommy’s original plan was to kill dream. ultimately, he didn’t want him to suffer more, he wanted him gone. nobody on the server knew yet that death was limbo, and tommy probably thought it was mercy for someone like dream. dream was the one who brought up the book, as an attempt to save himself. he will say whatever he needs to say to avoid death, because anyone would (except someone like wilbur who’s. accepted his role. you know?) so he’s the one who reduced himself down the the book, saying if he goes, so does it. that’s when sam suggests the prison.

true, the arc is dark. this is where sam’s actions become corrupted and he loses sight of some of the responsibility he claims to have. it’s also the arc where dream lied to tommy that he had changed, and pressured him into staying by saying he was his friend. it’s the arc where dream kills tommy, and doesn’t allow sam to come get his body for days. it’s the arc where dream gets even worse, whether because of his time in the prison or because of his peaked god complex, probably both.

and again, my problem is that criticizing characters for actions they didn’t take is pointless. it tells you not much about the character, and considering the circumstances of what dream had done it does make sense for none of them to step in! they are looking at the fact that dream had an entire vault dedicated to controlling them. they are seeing that dream was fully prepared to murder tubbo and lock tommy away forever to be used. they are witnessing tommy giving dream exactly what he got.

so “acknowledging” this does nothing useful! we do not see these actions (or lack of) specifically affecting dream. i can tell you what dream told people he was doing, and it matches up with things he had done in the past, and there are moments he denies the narrative that you say drove him to do this. but i can’t really prove anything when you say he’s lying here because it fits how you interpret the story.

it’s what you’re saying people are doing to revivedbur: saying he’s lying without any proof, when with him there is evidence and he has the motive to lie. when revivedbur lies, tommy calls him on it. tommy doesn’t call dream on it. i’ve laid out why i think it’s not true, and i’ve seen stuff in early canon that directly contradicts what revivedbur says. occam’s razor! many pieces of evidence versus a few statements from someone who at that point commonly lied about things like that.

dream standing by while tommy and the other citizens get killed in l’manburg by his own orders isn’t very peaceful or non-tyrannical of him. tommy was enforcing an eye for an eye, and to be honest? i don’t think “kill your abuser” is such a terrible message to send, despite the fact that we know that tommy’s coping mechanisms come from a bad source. and tommy was far from free of what dream did to him, as evidenced by later when he again attempts to mirror what dream had done to him in the past.

yeah, i read your analysis of the interaction (skeppy and dream arguing over l’manburg). that’s not the only interpretation. skeppy doesn’t call him the villain. he is repeating back to dream the actions that dream took, and dream tells him he’s making him sound bad. skeppy wasn’t influenced by any “propaganda” you think l’manburg was putting out while they were getting murdered. skeppy was an outsider who was calling it as he saw it.

and if other people saw what dream was doing as bad, maybe he was... doing bad things? for bad reasons? skeppy was critical of dream for his actions. talking over somebody does not certify it as “twisting words”. skeppy was accusing him of doing the actions, like “so you did this? you started the war?”. dream was defending the logic behind his actions, like “well i did it because.”

basically

skeppy: hey it’s kind of. messed up that you killed a bunch of people. you know? you kind of just attacked them out of nowhere

dream: no no no you don’t understand. i had a really good reason

skeppy: i don’t see a reason?

dream: you’re making it seem like i didn’t have to do this

skeppy: you d i d n ‘ t

and skeppy didn’t finish the conversation with “you’re lying” or “you don’t know what you’re talking about”, he just told him he was wrong! as in his actions were cruel and needless! “people must have hated coming to your house”.

(they asked me to name one person who dream cut off first)

okay, name one? puffy. sam. punz? he did cut them off, he straight up told tommy he did it, and making a place in the vault for fran when sam had done nothing but work with him? and they didn’t “show up ready to kill him”, they showed up to see what he was doing. so he tells tommy he abandoned them, and indirectly tells them with the spirit scene. sapnap and george noticed this, and called him on it, but he just said he didn’t mean it?

if dream “wasn’t as close” with sam/puffy/punz, why are we putting responsibility on them for his actions.

so sapnap and george walked away from him, but because he did something to them. and puffy didn’t abandon him. punz didn’t abandon him, punz got paid off because that’s what punz cares about: money. he’s a mercenary.

using “they left him first” for sapnap and george doesn’t allow for why they left him: because he wasn’t treating them fairly. he isn’t their parent, he’s their friend, and he wasn’t acting like it.

“he was hurt and abandoned to the point” “he ended up hurting people doesn’t negate the fact he was hurt himself first” “the environment they all were a part of pushed him this far, and that’s just what happened”

so you’re saying it’s right that the reason dream did bad things to people is because bad things were done to him first? because dream was definitely the one who got attacked first during l’manburg. because he just cared so much about george that he kicked someone out of society just to defend his honor. /s and then, because his real purpose was protecting george, he went back and tried to make things right with george because it wasn’t about tommy? oh wait, he didn’t. he focused on only tommy. because george’s house was an excuse.

“that’s just what happened” is a bad take on “people got abused”. the fact is that dream started a lot of the conflict. looking at the retaliation and self-defense that people did towards him and saying “he got hurt a bunch that’s why he did the later bad stuff” completely negates that he started it? and his “retribution” was always exponentially worse than the actual crime committed?

dude, i’m just trying to point out that the story says he cut people off. yeah, he was hurt at times, but that is not an explanation for what he did. it’s not even a logical cause, because we do not see it affect his character. the subtext has gotta be there. the fact that he was hurt does not make him any more justified.

“circle of violence” does apply (not all of them, though). but in this situation, it’s a kid stealing someone’s lunch money, and then the other kid breaks their nose. the first kid punches the kid, the second kid puts them in the hospital. when the retribution dream gave was always worse than whatever happened to him, the issue is not “look at the people hurting him”, it’s “stop him from hurting people”!

so clearly dream needs some kind of therapy (not from puffy though i’m not letting him near her /hj), because just killing him would be a permanent solution but it would upset people who like his character. the prison is awful and not going to work. my personal solution for him is to send him out somewhere a long way away, so that nobody he’s hurt has to see him again. maybe people that wanted to go with him could, and it would be like a new smp. but when that idea was proposed, tommy said darkly that he was always going to come back. maybe it’ll be the solution in the future. who knows.

if the mistakes were unintentional, why criticize the characters for them? and what about “the environment” besides the other people changed how dream thought? a lot of it was internal.

we have him exiling tommy as a weird, desperate plea for friends (not really) when he very much could have gone back and spoken to the people who were his friends. we have him continuously saying that tommy causes all the problems, and he needs to be “restrained” or “controlled” or whatever other excuse he came up with for taking away a person’s free will.

we have him obsessing over the disks, and we know it’s not about the disks, it’s about power over tommy and power in general. he says this in the vault. he says this at the community house scene. his progression is towards a twisted sense of possession, same as wilbur, oddly enough. but they are different in that wilbur is possessive over the idea of freedom that he created with l’manburg (and having power over that) and dream is possessive over control over all.

wilbur’s idea is ruined. he tied his sense of self to the nation and when it was used for corruption (kind of by him and mostly by others) he saw himself as corrupted and decided to take them both out so that they couldn’t hurt anyone. he admits his own fault to the point of self destruction.

dream’s idea is threatened. other people live there, other people want to do things, and so he becomes so attached to the idea that it’s his server and he will do anything to control opposition. he cannot admit his fault unless forced to.

wilbur would do anything to control a tool of power, because he wanted to not use it as that tool. wilbur wanted anarchy at the end. he says so in his last presidential speech. his naive views about freedom from the start of the server had worn off, as he saw people use power as a tool in a way that he had never intended or meant to use it.

wilbur created the election so that he would have an actual authority over the land, and he could stop the fighting of its citizens. he thought he knew better, kind of like dream did. this is when his motives get the most twisted and selfish, he wanted peace so bad that he would take away freedom for it (like dream). but when he lost, he accepted it, and that’s the difference. he saw the desire for control in his own actions, and hated himself for it. that’s why he wanted to blow up l’manburg, to take away the tool for power and the person who had been tempted to use it.

wilbur was a good leader in the political sense (dream admits this in “tyrant”) but when he stands before the rubble of l’manburg and calls it his, he’s saying that his rule would only lead to destruction. anyone’s rule would. power corrupts. l’manburg ruined is his l’manburg, it’s his original vision of complete freedom laid out before him, and tracked to its inevitable end.

so then, you would say, dream was right, yeah? he didn’t want l’manburg. but wilbur before he explodes l’manburg doesn’t like dream. he thinks dream’s right in that factions lead to oppression, no matter how good the intentions, but he also knows that dream was a little too willing to hurt them and that dream doesn’t believe this. dream does not want anarchy, he wants chaos but only if it gives him control. he treats the smp like his country, and once again, power corrupts.

went off there, sorry. dream and wilbur are similar but different in some very important ways.

sapnap had been hurt by dream before the vault, and as dream didn’t see himself as in the wrong, he didn’t reach out. sapnap was with pogtopia (wait this might be wrong i do not remember but he was definitely on l’manburg’s side during doomsday) because tommy had shown him more kindness than dream, and that was originally dream’s side. dream just turned on them for the book.

and sapnap also witnessed dream mocking tubbo, making fun of tommy, exposing ranboo. he heard dream going off about how tubbo was so stupid for thinking dream was his friend, for thinking dream cared about him. why would sapnap side with dream if dream was showing no signs of even wanting him?

sapnap accused dream of that, and dream did not listen to him. he could not see the other side: he was so convinced that he was right. we do not know if sapnap went into the vault with the intent of killing dream. i’m pretty sure most of them were there to see if what tommy had said was true. and then, sapnap saw that it was.

nobody abandoned him because of the vault because he had already abandoned them. they just made it mutual. it being a “consequence” of stuff doesn’t make it any less of a messed up, power hungry thing to do, and some of them had done nothing to him before he decided he needed to control them. he was planning to use friend to control ghostbur, who he had already taken advantage of and tried to kill once.

“people do not decide to isolate themselves for no reason.”

true, people don’t cut themselves off for no reason. the reason was power and control. i once again have to emphasize that nobody forced him into this: it was a spiral. other people didn’t do everything “first”. the small taste he got of his own medicine was a poor mimic thrown at him by someone he had done terrible things to. he started spiraling before the spirit scene happened. and if people are telling him he can’t achieve peace, maybe they’re just... right? did he go up to someone and go “i don’t know how to make this server peaceful :(“? because if he did, and if they then pointed at his long list of war crimes and told him not like this, i don’t really see that as anything more than a consequence for things he had already done.

someone can lie about what they want. maybe he did originally want peace, or maybe he was lying to himself that he did. l’manburg did not invite war. he wanted unity above peace, and that “unity” dissolved into “control”.

it was a defense so that nobody could control him the way he was going to control them. cutting himself off was out of fear, yeah. collecting everyone else’s items? power and control. he says this a ton of times, sometimes not even out loud.

i did rewatch the vault vod. that’s how i got all the quotes of him stating his motives. i’m not saying it was a healthy thing to do at all. i never said dream was mentally healthy, i said he had a god complex and he was obsessed with control. someone’s bad mental state can hurt others as well as themself, and they’re still responsible for the others and for trying to be a better and more respectful person. that’s why revivedbur’s “apologies” mean nothing right now.

“he lists his reason for starting the war as them declaring independence, so i don’t think it really matters when the official document was sent.”

it does matter a little bit, actually. they were already attacking l’manburg before official war was declared. they also attacked them during the peace period. wilbur wrote the declaration as he was standing on the roof of the caravan, being shot at by the greater smp.

a country becomes independent when it officially declares itself to be independent. they were still united; it was tyranny.

when dream saw that l’manburg was writing the declaration, he scrambled to declare war. he had reopened and started other conflicts in the past, and involved himself in places he did not need to be. it’s true that a response is a response, but you cannot treat all responses the same way. quackity’s “response” to the things dream had done (killing tommy among those) was to torture him. we do not consider that good, or fair, or “just a response”, we consider it cruel and unusual punishment.

the greater smp fulfilled the words that wilbur had not yet written in the document, and that’s because they weren’t a prophesy, they were a history.

“...would be completely honest about (dream’s motivations in the vault) in front of his biggest enemy. /s”

i don’t see evidence that dream wasn’t being honest. what did he have to lose by it? tommy could do nothing to hurt him. so yep, he would be honest about it. and he’s listed his reasons as power before. he also has the ability to tell the truth about his motives.

dream does not see tommy that way. he sees him as someone whose only positive contribution to the server is attachment. he tells tommy that evil is relative, and to dream, tommy is the evil one. in fact, he says that tommy is evil lots of times. he only says that tommy sees himself as a hero when he’s trying to convince him to let him kill his friend. dream is using tommy’s black and white perception to get him to do what dream wants. he only says tommy sees himself as the hero, not that dream sees him that way. dream does not care about who’s the good guy and who’s the bad guy, because he’s not idealistic like wilbur and he’s not a kid like tommy.

him making a joke about building the prison with a “little bit of evil” doesn’t matter because next line he says that tommy’s evil to him. dream isn’t playing the villain, cc!dream is. cc!dream is playing a character that is antagonistic towards others, and he plays into it and jokes around with it, as other people playing antagonistic roles have in the past. cc!wilbur does this a lot during the election and pogtopia. cc!techno hints at it with his “ah yes, blowing up a country, we must be the good guys”.

it may sound like a character because someone’s playing it, but it’s not dream.

this video matches up with some of my points here, but it’s also framed like an english class. it is an interesting meta argument, and one that i would say i partially agree with, but as we’re not really arguing on terms of meta it does not act as a general opposition to your argument. the intent of the authors does not dictate how you see the story, but it can help with interpretation of it.

dream’s words during the vault scene sure do line up with his actions for the months before that. so yeah, no discredit to cc!dream. he’s playing his character. and it’s not like he’s unwilling to make him sympathetic. he’s done so in the past (and is doing so now) and the fact that he does not do it during the vault, and downplays the tragic part of it (him losing his friends) sure makes it seem like the main point here isn’t “poor dream”, it’s “poor tommy”. they’re telling a story. it has a moral.

dream being reserved about his plans may be shown in the fact that nobody knew about the vault (except punz i think?) until dream was ready to put it into play. he generally is quiet about what he wants, he just cares a lot about it and will do a lot to get it. he’s not one for speeches unless he’s trying to make a point. the point here being that tommy is trapped. dream’s capable of explaining his thoughts. tommy asks him why and invites him to share, so he does.

this isn’t really a “nobody can interpret it like this”, it’s just pointing out that the events of canon are there and should be fully considered. character dream’s perspective of the story is biased, so people can look at it and be correct in how dream sees the situation, but “how dream sees it” and “how the story goes” do not necessarily line up.

conflicts dream has started besides the vault? okay.

-reopening the disk war by digging up the hidden disks

-declaring war on l’manburg the first time

-burning down other buildings in order to frame tommy

-blowing up the community house (or having it done for him)

-attacking l’manburg again with techno and phil

(didn’t start really, but inserted himself into when it wasn’t his business:)

-helped pogtopia

-gave wilbur tnt

-sided with manburg in the fight

-built walls around l’manburg

-demanded tommy be punished

-took personal responsibility for exile and used it as a way to isolate tommy

there’s also this post that describes things dream has done in general. the tone of the post is biased, but the actions were canon. some of these may be “retribution” but they sure were uncalled for.

so when he exiled tommy, that was about “unity”? big happy family except for one guy because “he causes all the problems”? it doesn’t matter whether he believed he was in the right for his motives. the vault does not make sense for peace or unity. it is a twisted, controlled unity. what i’m saying is that he uses peace as an excuse for his actions. he had to exile tommy, tommy would have just gotten worse. he had to declare war on l’manburg, it was a necessary evil. because nothing screams “peace” like declaring war and killing the other side, right?

those may be his actual motives in the early scenes, and he thinks he’s doing the right thing. this changes with the vault. he no longer uses this as an excuse, his “excuse” is that he has a right to it. his self proclaimed motive is power and control, and unity through that. so why not accept that as his motive when he says it there?

“becoming a control freak as a result of feeling the loss of control over your own circumstances isn’t equal to dehumanizing the people you’re trying to control.”

nah dude he absolutely dehumanized them and took away their agency? he describes tommy as a pet and a tool, minutes before he switches and describes himself as the book. this could also be used to make an interesting point on how he sees people as their values, in item form. so he’s using one item to control another. tubbo’s a pawn, tommy’s a tool, techno’s a weapon, he’s the book.

he calls george a baby, and makes decisions for him. by planning to using the items to control the people, he was prepared to take away their freedom and agency by emotionally manipulating them. he did this to tommy. agency is the capacity of someone to act. he takes away that ability in order to have control.

he’s not just a control freak over his own life, the problem is that he does it to others. again, we’re talking true freedom here: the ability to do anything, even things that we would consider morally wrong. he takes away george’s power, which is revealed to be nothing. he then swiftly turns and tells him that if he tries to overthrow eret, he would be a tyrant. not acknowledging that dream just overthrew a king and stated in a new one, he hypocritically calls george the tyrant for planning to do that.

(i didn’t even notice this until now, but it’s actually interesting: dream is extremely hypocritical here, unless, of course, he sees himself as having more claim to who is king. now why would he think that? a hierarchy, perhaps?)

“which is understandable seeing as you’ve said already you never tried to look deeper into him, but it’s incorrect nonetheless.”

i said that before this i had not attempted to examine his character in a sympathetic light. that’s what i’ve been doing. his wish to “fix” his home is really just a wish to control his home, which is pretty evident when you look at right before exile. the smp was peaceful then. tommy had committed petty crimes before, and george didn’t even really care about the house. it was minimal damage. dream jumped at the opportunity to convince everyone else that tommy was the real problem (speaking of propaganda and vilifying).

and “he was getting better until the sixteenth” disregards that he threatened eret, enabled wilbur (however you interpret that, he still enabled him), and sided with schlatt for power reasons even though he said he would help pogtopia. giving pogtopia some stuff doesn’t make him the “good guy” because pogtopia were not the good guys! that’s the point! he sided with them because wilbur had less ambition than schlatt, and therefore posed less of a threat to the greater smp! he wasn’t helping them just purely out of the goodness of his heart. he didn’t think schlatt was right, he abandoned him very quickly, but he could have just taken the book and dipped. he fought in the war. he took the book for personal gain and he placed that above the trust of pogtopia.

“he wasn’t on a power trip at all, he didn’t have a god complex up until the prison stripped him of all his dignity and then threw an opportunity at him, and he wasn’t trying to prove anything to anyone.”

power trip: an activity or way of behaving that makes a person feel powerful

exile and the vault, arguably before that a few times as well. there are a few quotes that emphasize this.

dream’s god complex was already there in the vault. that’s why he was scared enough of being controlled that he shut everyone else away: he wanted to secure himself even more as the sole power.

and exactly. he wasn’t proving anything to anyone else, he was proving it to himself. therefore he also wasn’t trying to “prove” he was big and bad and evil and irredeemable, he was trying to feel confident about his own power!

if he doesn’t care if he’s thought as of evil, why did it supposedly drive him into the spiral? if he stopped caring about it, that would also explain why he was indifferent towards it (because he was indifferent towards it, every time someone called him that, indifferent or angry). he didn’t think he was evil because he thought he had a right to what he was doing. so he pushed himself into wanting more control, after seeing something he identified as a problem: tommy. you’re right that that’s part of what makes him tragic: that he stopped caring about what he owed to anyone else. that’s why he hurt them.

“it’s likely and fits perfectly into his character arc in canon.”

people who are emotionally repressed still show emotions, they just don’t show them as often. dream shows emotions but he does not show the specific emotion that would give evidence to this theory. i’m saying that claiming something is deeply rooted in his character (not the emotional repression, that’s confirmed) when he shows no sign of it doesn’t line up with canon. it’s more of a theory than an analysis.

“it is good storytelling because cc!wilbur pulls it off brilliantly.”

cc!wilbur still played a complex character! his behavior changed significantly after the war, but there is evidence that he was a certain way during the war. his character grew from that point but my argument is that he was not always a liar about important things and that he genuinely believed in the values he formed l’manburg for. if you want to watch wilbur being power hungry and hypocritical, rewatch the election arc.

actions, not words. cc!wilbur pointed out hypocritical things his character said, but that just shows he was playing a flawed character. people using the wall thing as some kind of proof that he was evil is stupid because part of the idea behind the wall was poking fun at america. it was “look, this is what you guys do”.

his early character was passionate and naive. cc!wilbur was aware of this. he was still a chaotic crimeboy, the nation was founded on drugs. but not everything he did was “for chaos” because again, he played a multi-dimensional character. he can make jokes about politics.

“his main support system left by themselves.”

i’ve already explained why i think dream broke most of his own bonds. again, there’s textual evidence to support this and actions as well that line up with it. and lots of people were willing to help dream. he didn’t murder all those people by himself.

“it also seems you’re strongly biased against c!dream, which, to be fair, the majority of the fandom is.”

it’s true my bias is against dream. it’s also true that my reasons for that bias are backed up by moments in the story where he clearly states his intentions, and a lot of the evidence to the contrary is, to me, one-off moments that can be interpreted in many ways. a lot of the bias also comes from the fact that he did pretty bad things and i’ve been watching this for a long time.

this post is pretty much what i’m saying, i guess.

alright @flypaw here it is :]

~ Lad 2

[thatsadbietch]

A War Hero’s Cry (Persona 5/Royal)

Warning for some possible spoilers.  Nothing super important to the main plot but still, here’s the warning!

A/N: This is my very first P5 piece, I’m excited to share it! I love writing and want to get better at it, so I’m very open to suggestions or comments!

Warning for mild cursing.

Ships: None

Word count: 2,455

---

These were the types of mornings that kept him going.  The mornings where he didn’t have to shuttle into a cramped subway, only to arrive at his destination and listen to lectures about various topics on which he’d studied before.  It was also a time between targets, to play it safe and just wait for another shitty adult to show their true colors so their Palace and Treasure can be claimed by the Phantom Thieves.

These mornings, where Ren could enjoy the peace and tranquility that came with a skillfully made cup of coffee, the smell of curry preparation for the day’s customers, and the sound of Sojiro humming while he worked.  These mornings are where he draws that cool and collected mentality required to be the leader of such a talented group of thieves.

He inhaled, taking in all the sensations around him, but was slightly startled by the sound of the bell’s chime, signaling a customer.  Perplexed, as the store hadn’t opened yet, he turned to find Futaba wondering into the café.  He exhaled and grinned, able to tell right away she’d just woken up: her amber-orange hair was still disheveled from sleep and her eyes were still drowsy looking. Not to mention she strolled in with her slippers and a pair of plush-looking pajama pants, black with green stars printed on them.  They suited her.

She slumped up on the stool next to Ren and yawned in place of her usual loud and energetic “Good Morning!” while she rested her head on the bar.

“Well,” Sojiro started, not bothering to hold back a chuckle at the scene, “Look who’s decided to join us among the living.” Though teasing, there was a type of sincerity there that gave away the warmness he felt for his adopted daughter.  She groaned groggily in response, pulling her hood up over her head and face.

“Long night?” Ren asked casually.  He enjoyed Futaba’s company regardless; he’d grown fond of her quirks and eccentric nature, and became something of an older brother figure to her.  But he’d be lying if he said he wasn’t grateful that she was still calm and quiet at the moment.

“Mmmhmm…” she groaned in response.  Ren nodded and took a sip of his coffee, counting down mentally, “Three…two…one…” Sure enough, on “one” Futaba lifted her head, hood still lazily hanging onto the top, and she began to explain.

“Well last night I got bored, so I started browsing the Phan-site and looking around for potential targets and was trying to find out more about the mental shutdowns, but then I got a Discuss app notification from my Herd of Heroes team asking if I wanted to help them in a tournament.  Of course, I couldn’t just leave them, my strategy and expertise are the backbone of the team! So…”

Ren and Sojiro shared a knowing smirk.  Classic Futaba.  Sojiro shook his head in mock exasperation.

“Staying up all night isn’t healthy, you know,” Ren began, “You ought to think about fixing your sleep schedule.  For your sake and for your teammates, both on and offline.  Are you listening?” He asked, poking her side to make sure he had her attention.  But now she had his and Sojiro’s, as neither expected the high-pitched squeak she made.

Ren chuckled and raised an eyebrow.  “What was that?”

Futaba looked a lot more awake, now that her eyes were widened, almost panicked.  “N-Nothing! You just startled me, that’s all.  Don’t you know its rude to pick on people, especially when they’ve just conquered ten different Herds of Heroes? I’m a war hero!”

“You’re also a pain sometimes,” Ren teased, poking at her again and eliciting the same sound.

“Ren, quit it!” Futaba whined, wrapping her arms around her sides for protection.  But she was so preoccupied dealing with Ren’s antics, she didn’t notice Sojiro make his way around the bar and behind her stool, placing his hands threateningly on her sides.  She was already trying to hold back the titters that began bubbling up.

“Futaba, you’ve been kept up in your room so long, I forgot you were ticklish,” Sojiro started, swiftly willing his wiggling fingers up and down her sides. She couldn’t offer much resistance as she immediately burst out in giggles and tried to grab for his wrists.

“NOOHOHO, SOHOHJIROOHOHO!” Futaba whined, not being able to say much else. She helplessly cackled and tried to push his hands away, doing an awful lot of squirming in the process.

“I remember your mom telling me she’d chase you around the house sometimes,” he recalled.  While telling his story he wrapped his arms around her middle and held her back against is chest, both to better trap her in his ticklish hold and to ensure she didn’t fall off the stool.  Using this new leverage, he scurried lightly over her small belly and belly button, causing a shriek, another noise neither had heard from her.  Ren figured his peaceful morning was over at this point and just embraced the silly nature the room had adopted.

“SOHOOHOJIEHEROOHOO DOOHOHON’T!! BWAHAHA!” She continued to cackle and writhe while he nonchalantly continued his story. Ren could tell Sojiro was rather enjoying his position right now.

“You’d ask her to play so many times in a day, and when you wouldn’t let up she’d run around the house with you until she finally caught you. Then… she’d get you!” he finished, adopting a slightly more sinister tone for emphasis as he quickly shot his fingers up to the poor child’s underarms, switching rapidly from fluttering teasingly and vibrating his fingertips there. She jumped and squealed, but was unable to do much else in his hold.

“NOHAHAT THEERAAHEHEHAA! SOJIEHEEHAHA!” Futaba couldn’t even beg properly anymore as she threw her head back onto his shoulder, trying desperately to squirm her way out of his grip. “D’you have a strategy for getting out of this one, war hero?” Sojiro teased, causing a deeper blush on Futaba’s already reddened face.

“SOOOHOHOJEEEOROO, I CAHAHN’T!!” Not long after that did Sojiro let up, but held her still for a beat or two.  Again, to make sure she didn’t fall.  Futaba breathed rapidly and leaned back on Sojiro, who will never admit how much his heart swelled at the act. He chuckled again and released the child, ruffling her already messy hair.

Ren wasn’t quite sure what to do besides sit on the sidelines and watch the commotion unfold.  His own parents, while supportive and caring, were never really physically affectionate toward him. He couldn’t recall if he even was ticklish.  But he chuckled contently.  “So, about being a war hero…”

“YOU! Don’t even say anything! YOU started it and DIDN’T BOTHER TO HELP ME! Some leader you are!” Futaba exclaimed, clearly regaining her energy as she stood quickly and drilled quick and relentless pokes to his sides.  She’d only expected to get her point across but was so much more pleased when Ren sharply inhaled and flailed to keep her hands away from him.  Well, that answered his question.

“Mwehehehe… Perfect!” She snickered evilly.  Ren jumped back from his stool and realized he was cornered: Futaba stood between him and the front door, and the increasingly mischievous glare from Sojiro wasn’t at all comforting—it was clear he had no intention of helping Ren out of this.

Suddenly, the Phantom Thief leader did the unexpected: turned and fled up the stairs.

“HEY! Get back here, coward!” Futaba called after him, but wasn’t as fast, especially since Ren could easily climb two stairs at a time.

“I might be able to maneuver my way back down the stairs and out the door,” he thought, being sure to give himself some space as Futaba reached his room. Though he had the upper hand in skill, Futaba looked determined, almost as much as when she’s in a Palace.

“I’ll show you a war hero!” she declared, and lunged for the teen, who dodged her with relative ease. But it happened quickly: one minute he had a clear path to the stairs, and the next he was turned around with his arms pinned to his back.  Sojiro chuckled.

“I didn’t think the leader would be so predictable, but Futaba read you like a book.  I bet her team would be lost without her,” he commented.  “And don’t look so surprised.  I used to be with the Feds, remember? Catching runners just comes with the territory.” Ren swore there was some giddiness in Sojiro’s voice, he must be having fun with this. But the boy didn’t struggle against him.  In wit and leadership, Ren might have the upper hand. And he was strong, too, from all the training with Ryuji and previous missions. But in pure manpower, and given the position we was in, he hadn’t a chance against Sojiro.

“Hey, you’re being awful quiet for someone who just got captured,” Futaba remarked, getting Ren out of his head and back to the moment; the moment Sojiro lightheartedly pushed the boy onto his couch so Futaba could pounce and begin her ticklish assault, starting strong by pushing up the hem of his shirt and scurrying her fingers on his bare stomach.  Ren gritted his teeth, trying not to let out the giggles that were bubbling up. He went to grab at her wrists, only for Sojiro to grab his first and pin them over his head, allowing the redheaded tech-wiz full access to his torso.

“Damnhihit!” Ren muttered, trying to break Sojiro’s grip.

“Was that a laugh, mighty leader?” Futaba teased, sticking one wiggling finger in his belly button.  Ren inhaled sharply again and arched his back reflexively, ironically giving Futaba better access to the sensitive area.  But he shook his head violently and groaned to cover any indication of escaped giggles.

“Yeah, THAT’S convincing,” Futaba said with an eye roll, changing tactics by pinching along his sides until she reached his ribs.  The moment her fingers swiped along his bottom ribs, he twisted and struggled, trying desperately to throw her off of him.  But with her straddling his thighs and Sojiro holding his arms, that was not going to be an easy feat.  

“Well? Was it a laugh? Is the feared leader of the Phantom Thieves ticklish?”

“Doohoohn’t Futaba!” He muttered, unable to keep his giggling completely at bay anymore while he felt his face heat up in forming a blush.

“Now I think that was a laugh,” Sojiro teased, encouraging Futaba to go in for the kill.

“Dahahamit, let mehehe go, old maahan!”  Ren said.  Out loud. He did not mean to say that out loud.  He was trying so hard not to laugh that he didn’t (or rather, couldn’t) think, and the words just fell out.  Futaba stopped tickling and both children looked to Sojiro.  He just looked blankly at Ren, and took both his wrists into one hand.

“Oh ho, you’re about to get wrecked!” Futaba exclaimed giddily, waiting for Sojiro’s move.

“Sir, I didn’t mean that, I’m sorrEHEHEEHHEE! NOOHOHHOHAAHAHA!!”  With his free hand, Sojiro curled and wriggled his fingers into the teen’s rib cage, and the dam holding back Ren’s giggles burst into a loud, unhindered belly laugh. Neither Futaba nor Sojiro had ever heard their quiet and composed LeBlanc tenant laugh, not like this, and they both chuckled: it seemed it was contagious.

“S-STOOHOHOP LAHAHUGHING AT M-MMEEEHEHE! AHH! HAHAHA!” He begged, and screeched in surprise when he felt Futaba pinch and scratch his bottommost ribs on the side that Sojiro wasn’t absolutely tormenting.  

Sojiro switched up his methods a bit, now vibrating his fingertips in the space between Ren’s ribs and underarms, earning another shriek. “I can’t believe this guy is the one everyone’s fussing over.  He looks pretty harmless to me!” The caregiver taunted.  Ren shook his head, as if fighting the ever-darkening redness from appearing on his cheeks.

“So our fearless leader can be taken down with a couple good tickles, I see. Mwehehe, wait until I tell the others~” Futaba teased, and raked her nails from his ribs down his sides, and scurried them haphazardly all over his bare belly. Ren threw his head back in renewed cackles, his heels digging into the couch behind the sadistic girl.

“NOOHOO, DOHOHOHON’T T-TELL TH-THEEHEHEM! AHAHACK! SOJIHEHERO, I CAAHAHN’T AHAHA!” Ren begged as his guardian released his wrists, only to quickly attack the hollows of his underarms, kneading and vibrating in the region, and making the raven-haired boy go into hysterics, if he wasn’t already. He clamped his arms down quickly, trapping Sojiro’s hands.

“Well now my hands are stuck here.  I guess I’d better make the most of it,” he taunted further, snickering at the continuous stream of boyish laugher he was eliciting from the usually stoic kid.

“DOHOHN’T TEHEHEASE MEEHEEHE, PLEEHEEASE, NOOHOHOHO!”

“Oh, now he’s learned some manners!” Sojiro responded spiritedly. Futaba relented finally, figuring her request for revenge had been satisfied. Plus, Ren looked like he could use a little mercy right now.

“Ya know, you look kinda cute like this! Maybe if I can get a picture, or a video!-”

“DOHON’T YOU DAHAHARE!”

“I know they would enjoy this dirt I’ve got on you!”

“IHEHE’LL EHEHEND YOOHOHOU!”

“Ya know,” Sojiro started, “you aren’t in any place to be making threats. Or to be calling me old, only I can do that.”

“I SAIHEHED I’M SORRYEHEHE!” Ren spat out, his laughter starting to go silent. Sojiro chuckled again and finally released the teen from his grip.  They watched as Ren greedily gasped for air and rubbed his eyes to find he’d been crying mirthful tears.

“I guess I’m sorry too, I think I got carried away there.  You all right?” Sojiro asked, motioning for Futaba to get off of his legs.  He nodded, still breathing heavily, but starting steadying.

“Futaba was right, you are kinda cute like that,” Sojiro teased, and the teen covered his faced and groaned, followed by a muffled “I am NOT.”

“Don’t go pouting, you’re still in a pretty vulnerable position,” Sojiro replied, offering a quick poke to his side, causing a jolt and a lighter giggle. The guardian looked at his watch and sighed.

“Great, Ren, you made me late for opening up shop,” he muttered, but there was no malice behind it.

“Oh yeah, gotta open the doors for your daily swarm of customers,” Futaba commented half-heartedly.

“Hey! I have my morning regulars, young lady.” Sojiro retorted. “You need to watch your tone.  You saw what happened to the last guy that had something smart to say.”  Ren groaned, and finally sat up, looking at the other two people occupying his room.  He watched them continue their argument as he shook his head in exasperation with a grin.

[mellometal]

Hi, everyone.

I have something extremely important to talk about that is NOT fandom related. I really do hope this can reach everyone on here, especially since it's still Autism Acceptance Month.

A few quick questions for anyone who happens to see this before I dive right into this: Have you ever heard of Dhar Mann? If so, have you ever seen his videos? What do you think about them?

If you don't know who Dhar Mann is, he's a content creator whose main platforms are Instagram and YouTube. He makes these videos about various scenarios from a couple on the brink of divorce, to kids bullying one of their peers, even about Autism Spectrum Disorder. All of his videos have some kind of message at the end that really drives the point home. One of his most recent videos is about ASD, which is what I'm going to discuss today.

Personally, I think some of his videos are interesting, despite the concepts being reused and recycled over and over; however, how I feel about the video he made about ASD is the complete opposite. I'll summarize the video he made so you don't have to watch it. (If you really want to watch it to see exactly what I'm talking about, I'm not gonna stop you. Do what you need to do in order to form your own opinion.)

The video Dhar Mann made about ASD is about this boy who excludes his autistic brother from participating in activities with his friends at school. The boy bullies his autistic brother and does pretty much everything to make his brother's life Hell, even going as far as to pretend that he doesn't know his own brother. The boy "instantly regrets his decision" when their mom is called into the school to discipline her son for bullying his autistic brother. What his mother says is what REALLY upsets me. The message of this video in particular is this, WORD FOR FUCKING WORD. I wish I was kidding. But here's the message below:

How the video concludes is the boy reluctantly includes his autistic brother in every single activity, the boy sees his brother's potential, and they live happily ever after. Whoop-dee-fucking-doo.

As an autistic woman who works with disabled people for a living, that message Dhar Mann put in this video specifically is not only extremely ableist, but is also spreading misinformation about ASD.

News flash to all the people who still spread misinformation about ASD: Not every single autistic person is a little white boy in elementary school, nor is every single autistic person a young white man who's a Super Genius™️. (I could go on all day long about how the media stereotypes autistic characters and autistic people in general, but that's a whole other topic.) No autistic person is the same, meaning we all fall on the spectrum in different places and all that jazz. There's no "look" to autistic people either because no autistic person looks the same.

Autistic women exist.

Autistic girls exist.

Autistic nonbinary people exist.

Autistic BIPOC and AAPI exist.

Autistic people who are completely nonverbal exist.

Autistic people who are completely verbal exist.

Autistic people who are in the middle of being nonverbal and verbal exist.

Autistic people who require minimal to no support exist.

Autistic people who require moderate support exist.

Autistic people who require full support exist.

Autistic LGBT people exist. (Reason why I bring this one up is because the media almost always shows cishet autistic men and I don't see autistic LGBT representation very often, if ever.)

Autism isn't something you can "catch". People have this same mentality about ADHD and Tourette's Syndrome too, which, by the way, you can't "catch" either.

Autism doesn't "go away" when you reach adolescence or adulthood. Why? BECAUSE AUTISTIC TEENAGERS AND AUTISTIC ADULTS EXIST. Autistic kids grow into autistic teenagers, then into autistic adults.

You can't "cure" it either. Unless you can build a time machine and a device to go back in time to change how a person's brain develops, there is no cure. ABA therapy is a fucking shit show in itself that does more harm than good.

The title of the video is a real squick for me too. It's mostly because I don't particularly enjoy people using person first language (the "boy with autism" part). I've seen many other autistic people on multiple other platforms sharing that same sentiment and preferring identity first language (autistic person). There are also others who prefer using person first language and those who don't have a preference. That's all perfectly valid. Whatever you prefer people using when referring to you, or whatever you refer to yourself as, in this case, is totally valid and I love you. This goes for disabilities in general, not just Autism Spectrum Disorder.

Regarding the message in this video, here's my response to it! A quick heads-up, my response is VERY long and VERY passionate. I was VERY close to making a response video where I tear that video apart AND tear Dhar Mann a new asshole. Unfortunately, it worked me up so much that I was really struggling with what I wanted to say and I had to stop multiple times because I kept stumbling on my words. That's how angry this message made me. I'll try my best to explain whatever parts you have questions about. I put my response in the nicest way I possibly could, despite me seething with rage, wanting to go OFF on him.

(The first part of my response are the first three screenshots, and the second part are the last three screenshots.)

The first part of my response, I did forget to add that the message is offensive and disrespectful to autistic people as a whole. I apologize. My initial comment got way too long. I pretty much covered that when I told him the message is ableist. I wanted to clear that up before anyone asks about it.

The second part of my response is me opening up about my experience with being diagnosed with ASD, formerly known as As//per//ger's Syn//dro//me, at sixteen years old. I also went into how not calling ASD what it truly is (which is a disability) and calling it a "different ability" instead is extremely harmful and is treating being disabled like it's a bad thing.

By the way, saying that a disabled person is disabled isn't a bad thing. I'm disabled. It is what it is. Does it have its challenges? You bet. Does it help me with certain things? Hell yeah. I can really absorb information about my favorite bands, characters, shows, books, etc., and tell you a lot about those things. For example, I can tell you that Su can't ride a bike or read manga and she's okay with that. I can also tell you she can't tie her shoes very well, which is why her boots don't have laces and are slip-on and/or zip-up. But that doesn't mean my struggles are nonexistent or that I never struggle. I do, and it makes my life Hell at times.

The narrative that autism is a bad thing to have, every autistic person is somehow broken and they all need to be "fixed" is also super fucked up and not true. That's the narrative that I received when I was diagnosed by a therapist I had. I'm gonna be real here, I cried when I was first told that I was diagnosed with ASD. I felt like I was broken. I already felt like a total outcast. Being told about my diagnosis made me feel even more broken than I already felt. I was so ashamed of myself, despite me not doing anything wrong whatsoever, that I masked for SEVEN YEARS of my life. I masked for so long that I forgot I was even diagnosed with ASD in the first place. I wasn't taught how to really put my special interests into good use. I kinda had to figure that out on my own. I was pretty much under the assumption that me being interested in anime, cartoons, music, comics, theatre, writing, etc., to the point of obsession, was somehow weird and hurting people around me. You know, despite those things being harmless. Despite me being able to separate those things from other things that are important (like work, for example). Despite my only surviving parent, other family members, and the woman he was dating at the time completely overreacting and not bothering to see exactly what makes these things so special to me.

(By the way, having a disability does not completely make who a person is. There are a lot more things that make who a person is than that.)

It's kinda shocking that I wasn't able to come to terms with my diagnosis until this year. Considering that I masked for so long due to being ashamed of myself, plus being treated like a burden for being disabled, it's probably not very surprising. I initially thought at the time that it was the worst thing to have, as I was already struggling with enough shit back then, but came to realize it's not a bad thing. It doesn't change who I am. But I'm glad I came to terms with it finally nonetheless.

This is getting way too long, so I'm gonna wrap things up here. If you've read this far, thank you so much. I'm sorry this got so long!

If you watched the video, what are your thoughts on it? If this is your first time hearing about Dhar Mann, how do you feel about him? If you're a Dhar Mann fan, did this change your opinion on him in any way? Feel free to sound off in the comments!

Have a great day, everyone!

[septembersghost]

You may have gotten blocked in the “winc*st-adjacent” craze a few months back. Everyone who has ever reblogged a reblog of a reblog from a winc*st shipper got canceled. I have the tag blocked, and sometimes you post things that were at one point tagged as winc*st.

I absolutely understand that there are some people who need a bullet-proof boundary around things like that. That doesn’t make all the people who don’t need that hard boundary into predators. Purity culture is a mess.

I’m very sorry if those blocks hurt you, because you are the last person on earth to deserve it.

I hope you’re having a day almost as gorgeous as you are, dear one.

one of them blocked me almost from the moment i made this blog, it's more confusing than anything else (that little part of my brain that fears rejection and the larger part that is continually anxiety-ridden goes, but what did I do?! even though consciously i realize it's not a big deal in the scheme of things! it's just jarring when i go to reblog an edit from S1 or something and tumblr says, "no, you can't do that!" me: "i only want to appreciate the nice posts!" ;___;).

as far as i know, i didn't get caught in the great blocklist purge, but a few of my close friends/mutuals did, and that hurt me more than when i'm blocked myself because i love them and know what amazing people they are (mutuals i will be glad to be canceled with, they're burning all the witches even if you aren't one, but i will happily claim my witchery. <3 besides, if one must block me, at least block me for my gothic romanticism soul mate meta and my annoyingly effusive love/dean feelings posts 😌), and that list was nothing but a bizarre/ugly public shamefest (i block people for things i find upsetting, too, hence why half of dean cr*tical/anti fandom is on my list lol, but i have no intention of dragging them in a mass post, we are in completely separate circles and that's fine! the blacklist also exists to help us ignore topics we don't want to see for whatever reason, it's a very helpful feature and doesn't require drama...we all have the prerogative to make our own spaces as comfortable and enjoyable for ourselves as possible, but it doesn't need to be widely disseminated). some of the people on that list didn't even belong there, there was really no care or caution about who that might hurt - not that perceived (judgmental) "guilt" matters on an issue like this, because the puritanical outlook of doing that to people is so oppressive and disturbing in and of itself. self-protection is valid and important and always subjective. purity culture is...not interested in that, it's interested in thought policing and deriding people. it's like new wave mccarthyism, putting people on a list of sinners - "are you now or have you ever been [insert 'offense' here]." and i get that it started from a place of caring about real issues, which is a whole other important discussion, but applying that to transformative FICTIONAL fandom to the point where real people, who may potentially be vulnerable or sorting through difficulties of their own, are put on blast because they were seen dancing in the moonlight is one of my least favorite phenomenons in current fandom culture. (also, people tag things with ship names for various reasons all the time even when it's totally innocuous - there was a post on my dash the other day that was blacklisted, not even spn fandom, and i clicked on it out of curiosity and the post wasn't even about a ship, it was a quote, but someone along the way had probably tagged it for their own interests/blog and that's completely fine too!) there is also the aspect to consider that many corners of fandom are predominately women-created content, and women are chastened and judged so often for exploring and communicating and imagining that all we're doing is fueling more silencing of safe spaces for female expressionism.

tl;dr i'm sorry you didn't ask for an essay, but this has been on my mind SO much lately.

it makes me sad that we do have such stringent dividing lines and that fandom has become a bit of a minefield because i think it's stifling creativity and discussion in some ways since that divisiveness has fueled a lot of unfair bullying. we're supposed to be having fun! i love how passionate so many of us are! i wish we could have that without the toxicity, but i know every fandom has factions like this. this is very rambly, but in sum - purity culture is a mess - you're right.

thank you so much for your kind words and wishes, i hope you are having a beautiful day/evening too! 💕

[81scorp]

21 tips for writing humor

 This was not written by me. It was written and uploaded to deviantart  Jan 13, 2017 by DesdemonaDeBlake.

All credit goes to her. I just copied and pasted it here.

There are many theories as to the nature, science, and reason for humor. It's an element of human behavior that seems objective in the skill that is required to execute it successfully, and yet just as subjective for how unpredictably it can hit every individual audience member. Today, I'm going to talk about the various forms that humor takes, and give you some tips for making your humorous story a success. To start with, lets look at what I will call the “five scales of comedy”. (Please note that the following is not intended as definitive list of the only sources and scales of humor in the world, only the ones that I have been able to identify within my own life, time, limited understanding, and culture. Also note that I will use the word “Humor” instead of the word “Comedy,” simply because I do not want this discussion on genres to be confused for the type of story that is opposite of Tragedy.)

The Five Scales of Comedy

A story or other source of humor can usually be found along the lines of five different scales. These are: High Humor vs Low Humor, Sweet Humor vs Acidic Humor, Distanced Humor vs Close Humor, Predatory Humor vs Reflective Humor, and Clever vs Ridiculous Humor. These scales stand apart from the sub-genres of humor (dark, slapstick, dry, etc...), and have to do with how the humor affects the audience. Note that there is no “best” type of humor; there is only humor that works in different ways and which impacts different sorts of people. So wherever you find your story in the scales, know that there is no need to change it unless you want to. Also, the names of the scales are just that—names. Just because your story falls into the category of “low” humor, doesn't mean that it is any less valuable than “high” humor.

Range 1: High Humor

Within the range of High vs Low humor, what we are discussing is the how large an audience we are trying to reach. High humor involves jokes and comical situations that are only understood by a very select group of people. An example might be a comedy series that focuses its humor on the experience of working in a corporate office (like … The Office), or perhaps political commentary. These are only funny to those people who have shared the experience or the political knowledge of the person generating the humor. Basically, the higher the humor, the more the entire set-up begins to resemble an inside joke. This type of humor is excellent for gaining the interest of select demographics who you may want to address. For example, if you only want to talk to nerds (I say non-insultingly because I am one and am proud of it), you might have lots of references to science fiction and fantasy.

Range 1: Low Humor

On the opposite side of the range, you have Low Humor. Low Humor deals with topics, jokes, and situations that are more universal to the human experience. An easy example of this is a fart joke. Everyone in the world farts, and most people are in touch enough with their inner child to think that it is funny if the joke is skillfully set up. Again, there is nothing wrong with low humor; and in certain situations it is even preferable. The lower your humor, the larger your potential audience can be. Other examples of low humor might be family life, slapstick, and situational comedy based on everyday experience. Shows like Spongebob Squarepants, for example, involve such a low degree of comedy that people of all ages, demographics, and locations across the world are able to find delight in it.  

 Range 2: Sweet Humor

The next range of humor, Sweet vs Acidic, deals with the intensity of the humor itself. Sweet Humor involves jokes, situations, and characters that require less pain and cynicism to appreciate. For example, a story that involves simple characters bumbling around, making mistakes, overcoming, and becoming better people for it would generally fall into the range of Sweet. We don't laugh at their misfortune (or if we do, its lighthearted and with limited consequences, like slipping on a banana peel), we laugh because their situations are joyfully amusing.  

An example of this are the sort of jokes and humor found in Youtube “Lets Plays,” like those of Markiplier and Jacksepticeye. We don't laugh because of anything bad happening to these people (or the characters that they play); we laugh because they are eccentric, silly, and joyful in a way that also makes us feel joyful. This form of humor can be tremendously encouraging and uplifting to the types of readers who enjoy it.

Range 2: Acidic Humor

On the other hand, we have Acidic humor. Much like with food, most people have strong preferences and limits to how acidic (spicy, sour, or bitter) they like their humor. Acidic humor deals with laughing at topics that are increasingly serious or even tragic, such as death, illness, social injustice, etc... A popular example of acidic humor is South Park. Those of us who enjoy acidic humor will find ourselves laughing at topics that would otherwise likely bring us to tears. The power of acidic humor is that it helps its appreciators to cope with the difficult truths of life, and also to acknowledge problems that we are otherwise tempted to ignore because they are too hard to think about.  

An example of an issue addressed in South Park is the elderly, their treatment, and our fear that we will face the same. Sure, when we watch an episode we laugh when the younger characters mistreat and abuse the elderly in the community. However, a conscientious viewer will then begin the chew on the issue, once the episode is over. We'll look at our own actions, and begin to wonder if our treatment of the elderly is just as bad. Because of the acidic humor, these difficult truths come to the forefront of our minds, we gain the courage to actually think about them, and we can even bring them up in discussion with others. This discussion can then lead to people changing the world for the better.

Range 3: Distanced Humor  

This range has to deal with the necessary emotional distance we need in order to be able to appreciate a certain level of humor. Even with lighthearted humor like slapstick, which has very low acidity, the audience needs to be distanced in order to laugh. For example, if I watch Bugs Bunny wallop Elmer Fudd on the head with a mallet, it's generally pretty damn funny. I know that these characters are both flat cartoons with limited depth to their character, and that as non-beings they don't really feel pain. Therefore, I don't have empathy to Elmer's pain (because it is really non-existent), and I can laugh. However, if the show were to show me Elmer's life, how he's been a vegan but famine has caused him to need to find meat to feed his family, and how he struggles to even shoot at a rabbit because it makes him feel like he's betraying himself; then I'm not going to laugh if Bugs hit him with a hammer. I'm too close, and need emotional distance in order for my empathy to not get in the way of my humor.

Range 3: Close Humor

We do not need distance in order to find something funny. With close humor, the jokes and situations actually rely on how well we know the characters and how much we empathize with them. An example of Close Humor is Scrubs. In the show actually find ourselves within the mind of the protagonist, JD, and seeing the entire world through his eyes. He tells us about his insecurities, his genuine pain, his fears, and we actually really care about him as a character. Yet, we find humor in his minor misfortunes and even in his silly victories. The closeness of our perspective amplifies the events that happen in his life in a way that distanced humor cannot achieve. For example, when he stutters and says something embarrassing in front of someone he idolizes, we find ourselves giggling. If Elmer Fudd were to stutter in front of someone he idolized, we wouldn't laugh nearly so hard because we can't possibly understand the stakes of the moment or why meeting this person is so important to him. We need to be close to a character for Close Humor to work.

Range 4: Predatory Humor

With the range of Predatory Humor vs Reflective humor, we are discussing who will be the “butt” or target of the joke. (Note that a joke does not necessarily need a butt, as we will discuss later.) While often used in a negative way, in order to bully and shame others, predatory humor is not a bad thing in and of itself. Predatory humor can be used to tackle and harm negative constructs and ideas in our society. For example, Fairly Odd Parents used to frequently attack neglectful and abusive parenting. Note that the while Timmy's (the protagonist of the show) Parents were frequently the butt of jokes, they were also not the real target (just like parents in general were not the target). The targets were their selfish and non-reflective actions that had damaging effects on their son. We can use predatory humor to attack ideas, and point out the evils that are so often overlooked in society. The trick is to always keep vigilance of your own mind, actions, and motives to makes sure that you do not become a bully who targets the people themselves. Because even if someone acts in an evil way, bullying them will never cause that to change.

Range 4: Reflective Humor

On the other side of this range we have Reflective Humor, which serves to make fun of itself. Again using South Park as an example, the creators would often make their own beliefs and ideals the target of their ridicule. For example, it's fairly clear that the show speaks in favor of LGBT rights and for their being accepted as equals in society. However, they also go as far as to mock people who are so over-enthusiastic and pro-LGBT (to the point of hypocrisy). Another example is when the show begins to teach a moral lesson, the writers will often make fun of themselves through the character of Kyle for being so preachy. The effect of the show making fun of itself is two-fold. First, those of us whose beliefs South Park mocks feel like the show is being fair. Thus, we continue to listen to and respect the views of the creators, even if we don't always agree. Second, we trust the messages of a story more when it has the integrity to point out its own failings. Note that unlike with other scales, Reflective and Predatory Humor can actually be interwoven so that a joke or story makes fun of itself just as much as its target.

Range 5: Clever Humor

The last range of humor that we'll discuss is that of Clever vs Ridiculous. This range is fairly self-explanatory, but the core of its nature is what sort of punchline is delivered at the end of a humorous situation. Clever humor takes the audience expectation and amplifies or twists it to an unexpected place. You can see this in the work of comedians such as Louis CK and Demetri Martin. Martin, for example, has a humorous bit about doorways that say “Exit Only.” The joke then involves his compulsive desire to tell store workers that they underestimate the potential of those doors by about 50%. The delivery of the punchline is true and logical, but it such a way that it humorously exceeds audience expectation.

Range 5: Ridiculous Humor

Opposite of Clever Humor, we have ridiculous humor. This is when the punchline of a humorous situation is so absurd that we can't help but laugh. And example of this is the Spongebob Squarepants episode where he and Squidward get lost while delivering a pizza. They become lost in the wilderness and spend the episode becoming more and more so. Then, right at the end, Spongebob exclaims that they are saved because he's found a big beautiful boulder, the likes of which the pioneers used to ride for miles. And, to make matters even more ridiculous, the boulder works—driving just like a car. We find humor because the punchline is simply so grandiosely absurd that we can't help but enjoy it. Note that both Clever and Ridiculous humor require a great amount of skill and thought to pull off successfully, it's just a matter of your preference and your target audience.  

The Five Sources of Humor

Once we identify what type of humor we are employing by using the scales, the next thing to consider is what makes our stories funny. This is something of a challenge, because we don't generally put much thought into why humor makes us feel the way it does. The humor either hits or misses, and we laugh or we don't. Making matters even more complicated is that there are so many theories as to why and how humor works—with everyone from Aristotle to Freud interjecting an opinion. But if we look at the particular sorts of things that make people laugh, we can improve how we use humor in our stories.

Source 1: Misfortune  

Whether a cartoon character is slipping on a banana peel, or a character in a romantic comedy finds themselves in an embarrassing situation, the misfortune of others seems to be the most popular form of humor. This is why slapstick and funny home videos have been so prevalent in modern humor. Plato and Aristotle seemed to believe that this was because such humor made the audience feel superior to the characters being ridiculed (Superiority Theory). This seems especially true when we see unlikable characters (like the villain in a children's cartoon) experience misfortune in a comical way.  

Though Superiority Theory has its place, I would assert that there is an alternative way that people enjoy misfortune. Perhaps the experience of slipping on a banana peel or being in an embarrassing situation is funny because of our own memories of experiencing the same thing or something similar. Freud and others theorized that humor was a release of energy (Relief Theory). Maybe our camaraderie with the character, mixed with emotional distance from the scene we are watching, creates a safe space to release our own stored feelings of pain or embarrassment. Thus laughter really does become a healing force.

Source 2: Absurdity

In his essay “The Myth of Sisyphus”, Albert Camus defines and explains the absurd.

“It's absurd” means “It's impossible” but also “It's contradictory.” If I see a man armed with only a sword attack a group of machine guns, I shall consider his act to be absurd. But it is so solely by virtue of the disproportion between his interaction and the reality he will encounter. […] Likewise we shall deem a verdict absurd when we contrast it with the verdict the facts apparently dictated. (29)

Though Camus is not talking about humor (rather the existentialist question), I think that the absurd is a source of humor. Audiences are often entertained by the absurdity of a situation. And by looking at Camus' explanation, we can hypothesize that this form of humor comes from the disproportionate contrast of action and situation. An example of this might be one of the last battle-scenes in Braveheart. In this scene, victory looks unlikely, the dramatic tension is high, and it seems to be the most serious moment imaginable. Then, upon being signaled, the protagonist's soldiers pull up their kilts and reveal their bare asses to the enemy. It's so unexpected and so absurd, that many people cannot help but to keel over laughing.

This scene is completely disproportionate to what we would expect to see in this dramatic a moment. The action does not suit the situation, but in a strange way it also kind of does—with the action juxtaposing itself against the situation. Perhaps, just like with misfortune, absurd humor creates a needed release of energy, connected to our own sense of existentialist absurdism. The absurd could then serve to release our feelings of despair in a positive light. The show, Rick and Morty, seems to be built on this connection between absurd humor blended with existentialism and nihilism. Of course, this is just a theory. What you'll want to focus on when writing absurd humor is the relationship of your characters' actions to the situations that they find themselves in. Are they lost in the desert? Have them climb a boulder and ride it home. The stronger the contrast between action and situation, the higher you'll make the potential for absurdity.

Source 3: Wit

Wit is the essence of Clever Humor; its the pithy intelligence that makes us laugh because of all the thought put into a situation. When we hear a witty joke or are part of a witty situation, we find ourselves moving in a forward humorous momentum, instead of the backwards and diagonal momentum of the absurd. But we don't stop at the expected location. For example my mother called me a few months ago, asking me if I was going to wish my brother a happy birthday. The expected response for this sort of set-up/situation is to answer “Yes” or “No”. But I went forward and beyond “No” by asking why she wanted me to congratulate my brother for being one year closer to death (I have an acidic sense of humor sometimes). This reply was much more thoughtful than what my mother expected, and pointlessly taken beyond the realm of reason. Therefore, she found it funny.

Perhaps there is an element of the absurd in any given amount of witty humor. It's as if we are taking extra steps to be as intelligent and rational as possible—ending with us standing somewhere close to the absurd. Using Camus' illustration of absurdity, the soldier with a sword wouldn't necessarily attack the machine guns, but instead go home, refusing to sacrifice his life to be a metaphor. You can see this sort of humor in Youtube series such as How it Should Have Ended. In this series, animators take a closer look at popular movies and then make efforts to enforce logic in worlds and characters that didn't have them. This includes having Severus Snape use his time-travel gizmo to go back in time and kill Voldemort before he became a problem—an action that is so logical that it erases the need for any of the Harry Potter stories to even happen. So when you create witty humor, look to take things beyond the realm of expectation—aiming for the absurdly reasonable.

Source 4: Anti-humor  

Anti-humor is when something is so unfunny that it becomes funny, sort of like puns. As we find delight in the absurd and the unexpected, humor and jokes can begin to feel predictable. We begin to look for the solution in jokes, and we're usually smart enough to begin to be able to predict it. In this case, the expected becomes surprising. An example is the classic: “Why did the chicken cross the road? To get to the other side.” If you haven't heard it before, this anti-humor joke is actually kind of funny. A great example of this are the great collection anti-jokes found online.  

You can take anti-jokes to the next level using extremely acidic humor. This is where you take serious, grievous, or tragic topics and use them as the punchline for your joke. For example, a joke about a fatal illness is not funny because the person making the joke finds that topic amusing (otherwise that person needs some counseling). A joke about fatal illness can be funny to some people for the exact opposite reason—because of how dark and unfunny it is. Again, I believe this ties into a release of negative energy while in a safe space, and the processing of difficult emotions. If you plan to use the extreme form of anti-humor, please note that many people have very legitimate reasons for not enjoying it. So be careful, and give your audience some sort of forewarning so that you do not spring something so emotionally charged on them without their consent.

Source 5: Familiarity and Value

When I was taking university writing classes, I had an extremely eccentric professor who had all sorts of mannerisms that were unique to him. In the moments when he was particularly eccentric and acting out of his true nature (which he was quite comfortable with), I would find myself laughing, even if the situation wasn't funny. I think others can relate to this, as we all love to talk about fun people that we used to know, and find ourselves laughing even when what we are remembering isn't particularly funny. We laugh because those people acting happily out of their own nature gave us joy, and so anything they do creates a laughter that feels akin to humor.  

This mirth through familiarity can be accomplished in stories as well. In Bob's Burgers, for example, we really don't even begin to understand the humor until we develop an attachment and feelings for each individual character. Sure the situations are mildly amusing, but true laughter and humor doesn't begin until we know the characters, their likes, their dislikes, and who they are deep down inside. Once we know that, we laugh as each character acts out of their nature. When we see Louise (one of the protagonists) act with mischievous intent, we laugh even before we know what she's doing because we are happy that she is about to act out of who she really is. Note that this is a rather difficult sort of humor to pull off because you have to create a relationship between the characters and the audience before the humor will be possible.

General Tips for Humor

Tip 1: Create a patterned and uniform blend of humor for your story.

When you choose what sort of humor you plan to use in your story, the best way of maintaining audience enjoyment is to keep it constant. Just like when we watch a stand-up comedian, we begin to develop a taste and sense of expectation for whatever we are watching or reading. Over time, your audience will begin to really appreciate the flavor of your humor, and that appreciation will make your jokes increasingly funny (so long as they are creative and continue to be intelligently crafted). The pattern will also make all of your jokes seem, feel, and become purposeful. Your audience will enjoy this much more than if you seem like you are desperately trying to milk the humor from anything you can get your hands on (you perv).  

I recommend you begin by analyzing the origins of humor in your story's world. Is the world simply absurd, with unseen gods of chaos just dropping coconuts on people's heads for pure amusement? Does the humor come from a specific character? A group of funny people living in a serious world that they must learn to cope with through humor? A funny narrator with a unique perspective on life? Once you figure out the origins, determine where your humor will fit on the scales (it doesn't have to be on any extreme, you can stay in the middle of the scales and still be hilarious); and then figure out the source.

Tip 2: Create a genuine story with genuine characters, in order for humor to gain the most power.

If we value stories in terms of how much people enjoy and remember them, the best humor stories are those with good plots and characters. This may seem counter-intuitive when your intent is to make your audience laugh, but think of it this way. If an audience wants just concentrated jokes, they will read a joke-book. Your audience is choosing to dredge through the murky waters of story in order to find the humor with more difficulty because they want a blend of story and humor.  

An example of this is the movie,“Austin Powers.” Many people, myself included, watched these movies before we ever watched the James Bond movies that they were making fun of. And we enjoyed them greatly, and laughed the entire way through. Why? Because the characters and story, ridiculous as they were, were good enough that we actually invested our interest and emotions into them. As an added bonus, the story has become timeless and respected in its own right. Even if we face a future where nobody knows who James Bond is, the Austin Powers movies will be able to stand on their own merit because they are more than just jokes.  

Tip 3: Be careful about dating yourself.

Speaking of parody and humor losing its ability to be funny, let's talk about references that date our stories. Humor at the expense of popular culture (movies, politicians, celebrities) is a fun ploy of high-humor. It's especially useful for nighttime comedy shows that will be lost to time anyways, within a couple years. When you are writing a novel, however, you are trying to create something that will last a bit longer than that. Additionally, novels take a lot longer to write than an episode of a late night comedy show. This means that by the time you publish and people begin to discover your book, they may not know who the vapid pop star you're making fun of is. Your humor will be lost to time, and your book quite possibly forgotten. Of course, I'm not telling you that you can't use this sort of humor, just that you should be aware of the risks it holds.

Tip 4: Mark every line that is supposed to be funny, and make sure that it is.

Nothing detracts from a story or from a spirit of jovial humor so much as an obvious joke that falls flat. It's like watching an acrobatics show. If the acrobat falls on their face too many times you'll either be embarrassed for them or you'll empathize and start worrying for their safety. Either way, you won't find the situation amusing. In your own personal copy of the manuscript, mark every joke for analysis of whether it actually succeeds and whether it serves to empower the story. Then, ask your editors, test-readers, and writing partner to circle every point that they genuinely found funny. Be sure to pick test-readers who fall into the niche you are writing for, as well as those who do not. If nobody but you marked a specific joke, then you need to either get feedback for how to make it funnier, or else cut it.

Tip 5: Write within your own expertise and authority.

This does not mean that you can't laugh at things, and poke fun at things that are outside your realm of expertise, so long as you have done your research. But consider the power of an insider making a joke about something that you are a part of vs an outsider doing the same. It would be like the difference between me calling most writers narcissists (as I am one, and know that it is pretty true in most instances) and a politician making a joke and calling writers narcissists. I mean, what right does that asshole have to judge us, even if it is true? The point is that your jokes gain power when you can tell them with the confidence of an insider. Not only that, but your audience who is a part of the group at the butt of the joke, will be much more gracious and feel far less attacked when the joke comes from one of their own.  

Tip 6: Humor is personal  

Humor is something that is highly individual to specific groups and people. For example, I do not understand, nor am I really able to appreciate most British or Spanish comedies. This is not because they aren't funny; they are just as valid and hilarious as every form of comedy that I do enjoy. The reason is simply that because of either how I was raised, my life experiences or because of who I am by nature, I can't enjoy them any more than I can enjoy olives on my pizza (seriously, I hate them). It doesn't matter how artfully these types of humor are composed, there is simply no effect akin to joy, amusement, or laughter when I come across them. In other words, the problem is me and not them.  

All this is to make three points. First, it may be more difficult to find test-readers and worthwhile criticism for humorous work. Even if I'm really good at critiquing stories, I will not be able to give you any helpful feedback if your humor doesn't match with mine. And that isn't your fault any more than it's my fault. It's just a difference in taste. Second, humor is as personal and close to the heart as any other story or craft. When you create a joke, you are channeling whatever emotions and mixes of experiences have led you to the type of humor you have. So recognize the emotional bond between yourself and your humor.  

The third piece of advice is for those on the other end of the spectrum, those experiencing the humor of others and perhaps trying to give advice. Please recognize that others' sense of humor is just as valid as yours. Whether their sense of humor is simple, complex, dry, witty, dark, acidic, sweet, or anything in between, it is their sense of humor and not yours. Be careful in how you voice any attempts at criticism, as there are few ways to break your friends' trust and confidence as completely as when you tell them, “That's not funny.” You might as well be telling them that their heart sucks, and they are a sucky person.  

Instead, acknowledge the differences in people's humor, value it even if that humor makes you uncomfortable, and voice your criticisms accordingly. Try: “This joke wasn't successful with me, and might be perceived as racist/bullying/insensitive to some readers; so seek other feedback to see if it's just me.” You will voicing just as honest an opinion, without formulating a direct attack against the person who has trusted you with something so delicate to them.  

Weekly Recommended Watching: Doraleous and Associates by Hank and Jed. (A free animated fantasy Youtube series that manages to successfully mesh several humor types with an over-arching plot. Examine how even there are plot elements that are serious and even sad, the series maintains its humor through well-balanced distance and wit. And if this form of humor does not amuse you, that is perfectly valid and your own unique sense of humor is still a valuable thing.)

[ayamari-no-goshi]

Eidolon 11 | (T)

ff.net | AO3

Fandom: Danny Phantom (DP)

Summary:  AU: What started off as the result of a simple act of rebellion ends up causing his life to spin out of control. How will young Danny cope with the results as well as a past that has a strange habit of coming back to haunt him.

Warnings: rated T for violence, mentions of death, kidnapping, and various other things

Parings: hints of Danny/Sam much later on

Notes: originally uploaded to Ff.net. Cross-posted to AO3 and tumblr

11: Alternative Paths

The police officers told him they needed to ask him a few questions. What they forgot to mention was he would be locked in a small, remarkably bare room for five hours with a police officer who was dead set in viewing him as a suspect. Danny had never been more relieved to get out of a room before in his life. Yeah, he understood family members needed to be questioned due to the statistics surrounding such crimes, but seriously! Did someone as scrawny as him really look like he could have hurt Winston that badly without getting any sort of injury in the process?

However, he couldn't really blame them for being suspicious, especially when it came to his whereabouts the previous night. How do you rationally explain you were chased by a murderous robot-ghost-thing? The obvious answer was to avoid the topic all together. He hoped he was convincing enough when he said he and his friends had taken a walk in the evening and returned to Sam's house to watch some movies. He specifically avoided mentioning the park. There was no telling what the officers would think if they learned he might have been around when it got torn up. He was actually kind of surprised no one in the precinct had mentioned it.

A few times during his interview, he had nervously flattened his bangs a few times, hoping to hide the cut he had suddenly remembered getting at the beginning of his terrifying adventure. The officer interviewing him had noticed the motion, which caused him to leave it alone the rest of the time he was in the room. Surprisingly, Danny wasn't asked about it. A little wary after he was finished and allowed to exit the room, he touched the spot only to find smooth skin. It took a lot of self-control to not dash to a reflective surface and examine his forehead. There was no use in making the officers more suspicious. As weird as a missing cut was he could wait until he got home to check.

Scratch that… he could check after he found a place to stay for a while. As he was about to exit the station, an older officer kindly reminded him of the fact his house was currently considered a crime scene. After apologizing for a lack of effort from the staff for trying to contact his family and promising to personally look into it in the morning, he directed Danny to a nearby phone situated at the front desk.

Danny was a little surprised at the kind attitude of the officer as he had been dealing with a special type of dick for the past several hours, but it was a nice change. Shaking his head a little, he moved to the phone to call Sam, praying she was still awake as it was approaching midnight. Both of his friends told him they wanted an update, but with it being late and he being emotionally, physically, and mentally drained, the only topic he wanted to discuss involved where he would be staying for the night.

As he was dialing her number, the door to the station opened and a tall man strolled in. The newcomer was tall and rather thin. He wore a clean black business suit which appeared to be expertly cared for and rather expensive. Gray hair had been slicked back into a neat ponytail, and calculating cold blue eyes surveyed his surroundings. Danny dropped the phone in surprise as he realized the man in front of him was the one and only Vlad Masters.

The sound from the phone brought him to Masters' attention, causing the man to adopt an unsettling grin. "Why here you are! I've been looking all over for you!" The tone of his voice and his expression adopted a semblance of concern, but it did not reach his eyes. "I was so worried after I found out what happened to Winston. My condolences, but I'm glad you're safe and sound."

"Don't talk about Winston like he's dead!" Danny snapped. "Look, can you just go away? If you haven't realized, it's been a pretty bad day for me, and I don't feel like talking to you right now."

"Of course. How inconsiderate of me. After everything you've been through today, you must be exhausted. Come, I'll make sure you're well taken care of."

It took Danny a moment to grasp the implications of Vlad's statement. "Wait… what? There's no way I'm going with you!"

"Poor boy, you must be more tired than you realize." The businessman pinched the bridge of his nose as he let out a dramatic sigh. "Don't you remember? It was determined that you would be placed into my care if anything were to happen to Winston."

"That's news to me!"

"Excuse me, but what exactly is going on here?" The sound of the officer's voice made him jump. He had forgotten there was another soul in the room. However, he couldn't be more relieved. Being in the room alone with the businessman was an unnerving thought. It was even more relieving when he realized the officer seemed to be equally suspicious.

In a truly professional manner, Vlad introduced himself and explained his relationship to Danny as well as his involvement in the custody battle. Again, he mentioned how he was now to act as a guardian in Winston's stead.

"I already told you, I'm not going anywhere with you!" Danny growled as he glared at the man. Something was very wrong with the picture. Winston didn't trust Vlad, and there was no way he would let him fall into the billionaire's hands.

"You have to forgive the boy. We had a little spat the last time we saw each other, and I'm afraid he hasn't forgiven me," Vlad apologetically explained to the officer.

"Spat? You broke into my house?"

Before Vlad could respond, the officer held up his hand to halt the brewing argument. "Mr. Masters, do you have some sort of proof you can take the boy?" Vlad's expression quickly changed from shocked to insulted as the officer spoke. "Surely a man of your standing can understand our position. With the way Mr. Wolfe was attacked, we cannot rule anyone out as a potential suspect. With you being involved in a custody battle and Danny's status as a minor, we are rather uncomfortable sending him on his way like this. I'm also fairly certain you weren't notified of the situation…" The officer's eyes narrowed as he appraised the man. "Which leads me to wonder how you found out."

"One of my staff members was going to drop off some papers at the house when she saw the police cars and asked what happened" Vlad explained with an impatient air. "But that's not important right now…"

As he watched Vlad begin to argue with the officer, Danny couldn't help but feel a rush of gratitude. For whatever reason, the officer did not seem to believe Vlad's story and generally seemed concerned for his wellbeing.

Everything seemed to be going in his favor when Danny was nearly bowled over by a sudden blast of cold air rushed by him. Startled, he started looking around to find some possible source… and open window, a vent, something to explain it. While he tried to wrack his brains for some other answer when the normal explanations were ruled out, he noticed the officer stumble slightly. He didn't think anything of it until the man rubbed his forehead and excused himself for a moment.

Rather unsettled by the officer's display and being left alone with Vlad, Danny moved back to the phone to attempt to resume his call. Though he was able to reach Sam's house this time, a presumed butler answered and informed him that "Miss Samantha is asleep and no longer taking calls for the night." While Danny was pretty sure it was a lie, he went with it and asked the man to give a message to her when he could.

Displeased by the turn of events, he was about to try calling Tucker when the officer returned to the room. Something did not seem right as he looked at him. The man's posture seemed stiff, and his eyes were unfocused and reddish. Wait… Danny blinked and rubbed his eyes before checking again. The man's eyes were actually red! Weren't they brown before?

"Sorry for the inconvenience." The officer's voice had an unusual mechanical quality to it… almost as if the words he was saying weren't actually his. He held up a document of some sorts as he spoke again. "It seems like someone did verify this earlier, but just forgot to place it somewhere it could be found."

"Does this mean everything's in order?" Vlad asked with a voice filled with hardly concealed delight.

"Yes. You can take the boy. We'll be in touch within the next few days to let you know how Wolfe is doing."

"Splendid! Come on my boy, it's time to go!"

Danny backed away as Vlad beckoned to him, nearly tripping over the desk in the process. His mind was screaming all sorts of warnings at him. The entire situation felt wrong, but he had no idea how to escape it. Vlad was blocking his way to the front door, and he doubted the few officers left in the building would appreciate a desperate search for the rear exit.

"What did you do to him?" he demanded as his eyes darted between both men before he pointed at Vlad. He knew he probably wasn't going to get an answer, but he hoped he could stall the man long enough to come up with some sort of plan.

"Pardon me? Whatever do you mean?"

"Y-you know what I mean!" While he tried to keep the anger in his voice, it was quickly giving way to panic. Vlad kept moving towards him wearing an increasingly predatory expression which was really creeping him out. Strangely, the thought of accidently falling through the wall crossed his mind. Unsettling as it was, it was a far better situation than the one he was currently in. "The officer's not acting right!"

Vlad replied, but his words were drowned out as a strange coldness started to seep into his body, quickly filling every aspect. He tried to escape, thinking it was somehow tied to where he was standing, but his legs wouldn't respond. They felt heavy and strangely detached; his arms were beginning to feel the same way. He tried to yell out without any success. He soon realized his mind was being pushed further away from the sensations of his body and into something like a dark crevasse to be stored and forgotten.

But the coldness was not finished. It briefly brushed against his mind and seemed to whisper in an almost familiar voice, "Relax… It'll be safer for you and me if you do…"

Danny's last conscious thought before the darkness completely took him was to wonder if he was ever going to wake up.

….

When he came to, Danny found himself lying on his back and staring at an unfamiliar white ceiling. His mind felt groggy and his body heavy. Though he wasn't sure, he felt as if he had been asleep for quite some time. Sitting up, he tried to remember how he got where he was… only, he didn't know where that might be.

Looking around, he realized something wasn't right. The room he was in was rather large. It was a bedroom, not much different from Sam's, only it didn't have any posters or the same dark decorations. In fact, the room was mostly white save for some wooden furniture. Even the four-poster bed he was sitting on had a white comforter and curtains. The only real decoration in the room was a painting on the wall directly across from him which seemed to show military conquest with… a paranormal influence. It was rather grotesques.

The blank room gave him an uneasy feeling. Although it definitely wasn't, it gave him the feeling he was in a jail of sorts. Unnerved, he slowly got up and moved to the room's single window. After moving the curtains aside, he cursed as he realized the glass was heavily frosted, preventing him from seeing any scenery. His next move was to try the door, but it was locked.

After a panicked few minutes trying everything he could think of to attempt to open the door, he placed his back against the door and slid down it. What was he going to do? The better question was what was going to happen to him? With the room being blank, it gave him no indication of what he should expect. He should, he supposed, be thankful for it, but the wait might be too much for him to handle. What was the old adage? The suspense is worse than the actual event? He really hoped that wouldn't be the case.

xxxxxx

The sound of one of her parents calling for her to come into the downstairs wafted through the room, however, Sam was dead set on ignoring the summons. There were far more important things on her mind than dealing with whatever new 'daughter improvement project' they had come up with.

She was incredibly worried about her friend who neither she nor Tucker had heard from in a little over two days. At first she thought it might be due to being overwhelmed by suddenly finding out the man who raised him had been severely attacked and/or the police being jerks, but a call earlier in the day really concerned her.

She had been thinking about calling the police in the morning (while skipping class due to a feigned illness), however they beat her to the punch. Around eleven, she had received a call from one of the detectives asking her if she had heard from Danny. She told him no right before demanding to know what was wrong. Though it took a little bit of coaxing (and a reminder of her parents' influences), the officer admitted they had no idea where the boy was. He disappeared after his interview with another officer, and though they hated to admit it, after failing to contact him or anyone else who might have the boy, he was being labeled as a missing person. Her immediate response was to insult the competence of him and the rest of the force as the boy had gone missing from underneath their noses, but after she calmed down a bit, she promised to help in whatever way she could.

Sam sat down on her large purple clad bed and stared up at one of the posters on the ceiling as she tried to understand the situation. Her friend, who seemed to attract terrible and odd events, was now missing. Danny had tried to contact her the night he disappeared, but her family had forbidden her from further calls when she had returned home that night after they learned about the attack on Winston. Somehow, they had gotten the notion whatever had harmed Winston could attack her if she continued to talk to Danny. Though it was kind of nice to know they cared, they had taken it way overbroad.

But what was strange about the situation was there was no security image of Danny leaving the precinct. The officer had explained to her they had installed cameras a while back after someone had tried to break in to the office in an attempt to steal their guns. Due to safely concerns, they regularly had them checked, but the night Danny disappeared, they had a major malfunction. There was an image of him entering the entrance area, but after a few minutes, the image distorted so badly they could not make heads or tails of it. It also seemed to return to normal rather suddenly after a while, but Danny was long gone by then.

A look at the clock told her she was going to have to wait a while before she could contact Tucker. Unlike her, he had been forced to go to school. She had no idea if he already knew Danny was missing, but no matter what, he was going to help her try to find him. Tucker was the probably the only person in town who could possibly get an image off of the damaged security tape, and the only other person (besides her) who Danny had trusted with his issues. They had to try and do what they could to help him.

…

"So, any luck?" Sam asked the boy currently sitting on her rug surrounded by any number of other electronic equipment. He had been staring at the screen of his PDA with an intense look for quite some time.

She had managed to contact Tucker mere moments after he was finished with his classes for the day and explained the situation. After freaking out a bit, he told her he would be over soon after he made a quick stop. He arrived about forty minutes later looking more determined than he had ever seen him while carrying a bookbag filled to the brim with tech supplies she had never seen before. After asking if he needed anything, Tucker quickly went to work with his task.

"…Whoever did this to this footage is really good…" he eventually replied after a few more minutes of silence.

"What do you mean?" Sam asked hesitantly. It was rare to hear such a tone in Tucker's voice when it came to technology. He could usually work his way around a system in a few seconds, minutes if it was more complicated, but this was really causing him problems.

"It's hard to explain… Usually, people just modify existing images when they don't something seen, but this guy actually managed to replace some of the footage with an error screen…"

"So… it's gone… Like completely, gone? You can't trace it or anything?" There was no way for her to hide the hint of panic in her voice. If Tucker couldn't bring up anything, no one could… which meant they weren't going to have anything to use to find Danny.

A small laugh escaped Tucker, which caused her to stare at the boy. "Jeez, Sam, you shouldn't think so little of me. Who do you think I am? This guy, though good, made a small mistake. I guess he got interrupted or something because he started just covering up the image after a while instead of changing it. To most people, it's nearly impossible to catch, but it's there. Just give me a little bit of time…."

"A little bit of time?" Sam repeated as she watched him frantically work with his PDA. "How long are we talking about?"

He hit a few more buttons on the screen before he looked up and smiled. "Does 'now' work for you?"

"Tucker, you're amazing!"

"I know, I know. But it's nice to have my fans remind me."

Sam pulled down his hat in response as she sat next to him on the floor. "Anyways, do you have the entire footage?"

"I couldn't get part of it due to the replacement… but it looks like a little less than half was just modified…. So, let's see what no one wanted us to find…." He pressed a button on the screen and a fuzzy image began to appear. On the footage, they could see Danny backing away from someone standing near the door. It was difficult to make out, but judging from Danny's posture, he did not seem to be happy to see the person. After a little bit, Danny stopped retreating and followed the unknown man out the door.

Without any prodding, Tucker tried to see if he could clear the image a little or at least clear up the image of the suspect. After frantically trying several different techniques, he sighed and rubbed his eyes with his free hand. According to him, even though the person had changed methods, they were still able to damage the rest of the footage.

"I'll continue to work with it when I get home," he promised. "This is going to require some big guns for me to get something useful out of this. But don't worry; I'm not going to give up. After he saved our lives, I think this is the least I can do for him."

…..

Tucker had been booted from the house as soon as Sam's parents caught him being there. Thinking back, she was a little surprised he had managed to sneak past them in the first place since they were particularly good at catching people going up to her room. They had punished her in response by having her stay in her room for the rest of the night, which didn't bother her in the least bit.

Around seven in the evening she received a call on her cell. Noticing the number, she picked it up as quickly as possible, hoping her parents didn't hear it ringing. "Did you find anything?" she asked the caller as a form of greeting. The caller's reply was spoken too quickly and frantically for her to understand. "Whoa, slow down Tucker! I can't understand you!"

"Sam… it's worse than we thought!" came his panicked reply. "I managed to identify who was in the police station with Danny."

"Yeah? Well, who was it?"

"It was… Vlad Masters…."

Sam barely registered the phone slipping from her fingers and landing on the floor. How could she be so stupid? She knew that man had an interest in getting hold of Danny and should be the first logical suspect, but she didn't realize he would have stooped so low.

Angry with herself, she reached down to grab her phone so she could calm a frantic Tucker but stopped midway as a thought crossed her mind. How were they going to be able to get Danny back from a man who had mastered in lies with an unimaginable fortune to back him up?

=============================================================

I just wanted to point out that the way these officers are depicted is due to experience. The ones in the borough where I grew up were usually nice, but if they had it in their minds you did something wrong, you could be treated like trash. But at the same time, they're the reason why my childhood bully wasn't excepted into the NFL - they slapped him with assault charges when he decided to get into a fight while he was in college. I have mixed feelings. The officers from the neighboring borough were wonderful.

[aelaer]

☕ The fact that Wakanda was presented as an advanced country looking down on others from it's comfortable vibranium armchair but had a monarchist system that could place a ruler with 100% muscles and 0% brains at the head, along with other bothersome stuff like that, like Shuri being the head of the government's science department while she is a part of the royal family, or really, every single part of Wakanda that looks good on paper - a king with a council of people leading the different tribes - but that history has shown us very often ends up creating a dictatorship, which is really what happened in the movie and I'm surprised no one sees it.

Like, the movie literally shows us this country that's supposedly so advanced, with spies and people placed around the world, most likely putting their fingers in as many pies as possible, and an incredibly developed technology - which is frightening on many levels considering that UN or no Wakanda could blow up everything outside of its borders and people wouldn't know it until it happened -, but with a monarchist - and whatever other words could define it - governmental system that has revealed a lot of problems in its configuration. The tribes leader were literally being choked in the throne room and no one was doing anything, there was a destruction of a historical, scientific and cultural heritage being condoned by the new religious ceremony leader(???) just because the king ordered it. They would've literally tried taking over the entire non-black population (and where does that leave all the metis people? All the ones that are not white, but not black? Of middle eastern descendance? Of Asian one? Etc?) if the ex-monarch hadn't done something.

What I'm trying to ask if, what do you think of Wakanda being a good idea on paper but terrible in practice? True! Untrue? Something else?

Holy shit lady, you ask the tough questions. This is a difficult subject to cover - you’re asking me to look at the political structure of a fictional society within a disenfranchised continent - and I’m uncertain if it’s possible to do a decent analysis without addressing heavy topics. Basically, I don’t want to sound like a privileged dickwad. So I guess what I can say is - this comes from someone with a (mostly decent) American-based education, and no formal study of pre-colonial customs and political structures in Africa. I apologise for any misconstrued ideas and more than welcome any corrections to those who know more about these subjects!

I like Wakanda on paper, mostly due to the fact that the majority of Africa got completely screwed in terms of historical treatment and I’m rooting for the continent’s people to gain their own voices again. Wakanda being such a huge thing in international popular culture might serve as an inspiration for someone who ends up being important to at least one country there. In that sense, I really like Wakanda - the idea that it can potentially inspire historically disenfranchised cultures in the real world. How practical that thought is, I’m not sure - I might just be too idealistic.

Dictatorships can happen in non-monarchies as well, which you know -- as the most famous examples in 20th century history are not monarchies. The issue that can appear in monarchies -- or dictatorships -- is the lack of checks and balances to help keep those in power from going overboard (or the populace not having enough manpower/arms to get a dictator-like-coup out, but that’s an entirely different discussion!)

From what we got in the movie, Wakanda does seem to lack those checks and balances and no ability to overrule a king’s command. It seemed that they never had any sort of Magna Carta in their history (which is far from a perfect document, but did start the precedent of limiting monarchical power), and it doesn’t seem there’s anything resembling a representative government with veto power over the leader that you see in, what, 2/3rds of the world these days? (I legit have no idea, but I do know it’s wide-spread.)

But why wouldn’t they have such a document limiting monarchical power or some sort of democratic process? The modern mindset across many countries around the world leans towards democracy and elected, representative governments. But it can’t be denied that colonialism helped spread this, as -- at least, according to wiki -- representative democracy/liberal democracy/Western democracy all originate in Europe. So, in some way it makes sense that they didn’t transition yet because they were never colonized, and they were completely self-contained so didn’t have any of the outside world conflicts to force them to make changes. France helped fund the barons who pushed for the Magna Carta. France was also responsible for helping fund/arm the US in their fight to gain independence (lol France vs England history, it’s so great). External conflicts with other regions/countries caused *changes* to happen in those societies, at least from what I know of European history. Possibly happened in other continents, but I’m just not knowledgeable enough about their histories to give specific examples.

Wakanda had no outside conflict, and with no outside conflict, you get one major source of problems eliminated. Civil wars happen for a multitude of reasons, but perhaps one of their solutions historically for kingship changing without civil war was the fight of a representative of a tribe to try and win it over. Who knows? But when you’re enclosed like Wakanda was, there’s a lot less chance of things changing.

(On that note - their selection of a new leader is also incredibly disproportionately unfair to women. The average man is physiologically stronger and faster than the average woman. It’s just--biology. But who knows, maybe Wakanda was the same as much of the rest of the world in terms of their thoughts of women leading in politics. There’s comic canon that could be different, but the MCU did a lot of changes from comic canon.)

A *lot* of things changed across the world in the 20th century, making the world much smaller. Before the 20th century, it was likely considered completely useless and nonviable to make war on other nations because, though they were more technologically advanced, it’s incredibly unlikely they had something akin to nuclear bombs in the 19th century. They had to have their own steps of progression. And if they were only *a bit* better, they couldn’t stop the entire world if they started attacking and word spread. It’s only in the late 20th, early 21st century that things like destroying the rest of the world with Wakandan weaponry was likely actually feasible. Though honestly? I don’t think that shield could withstand a nuke. I just don’t see it. If Erik’s plan went through, he may have doomed Wakanda's capital city to being utterly annihilated because too many countries do have the ultimate kill button, and there are some who would not hesitate to use it.

It also could be cultural. Wakanda didn’t go conquering their neighbors left and right. They were happy with five tribes and it seemed to remain five tribes. That speaks of something deeply cultural, deep within the roots of how they’re raised and taught. Erik came from an entirely different culture with a violent childhood and background, and because they were in the 21st century, other Wakandans could *learn* of the rest of the world, and get new ideas - and get the same anger that stirs war and revolutions, and ultimately can affect a country’s culture.

So perhaps before the 21st century, limited power with the king wasn’t needed simply due to their isolation. Now, though that they are much more connected with the world, maybe they need something more like Botswana or Nigeria, only tied in with a monarchy (according to wiki -- Elsewhere, in Botswana, the kgosis (or chieftains) of the various tribes are constitutionally empowered to serve as advisors within the national legislature as members of the Ntlo ya Dikgosi. Meanwhile, in Nigeria, the various traditional polities that currently exist are politically defined by way of the ceding of definite authority from the provincial governments, which in turn receive their powers to do so from a series of chieftaincy laws that have been legislatively created.)

So basically what I’m trying to say is, while I’m personally super gung ho about representative democracies and individual liberties, that’s not necessarily the culture of Wakanda and it may not fit for them. But *what* the culture of Wakanda evolves into, being more open to the rest of the world -- and thus, the rest of the world’s ideas and cultures, remains to be seen. They may find that they do need to reform their political structure after the civil war we saw in the first film, though, and perhaps they do so.