#just needed this on my blog so i'm posting them

[amaltheafan]

(What OP wrote under the read more in case the original post gets deleted, OP's blog is deleted, etc)

if you wanna donate to a charity that's absolutely fine, but the thing is most charities (and even the UN!) are unable to make it into gaza in the first place, leaving aid rotting at the egyptian side of the border or subject to israeli settler attacks

not to mention, charities and nonprofits also maintain a paternalistic colonial relationship with the indigenous people they are trying to help, determining what aid they need for them instead of returning power to them and letting them make their own choices

i'm not here to say that one option is better than the other, just that they achieve different things and are equally legitimate. there's an attitude among people who question the legitimacy of these gofundme campaigns that somehow the people promoting them are telling them not to donate to charities. nobody is stopping you from donating to charities. we are just asking that you do not dehumanize the very real gazans in your inbox just because their method of asking for aid is more direct and risky.

unfortunately that’s exactly what has happened. because israel destroyed all of gaza’s more formalized infrastructure, it seems that organized crime and rampant inflation has taken its place. aid is supposed to be free, but in order to save for evacuation or the cost of living, people have started selling them at an inflated price. and aid that is truly free attracts intense, large crowds that are dangerous to navigate.

this was posted on abc a few days ago

it’s pure, unrestrained capitalism. i’ve had multiple palestinians describe this situation to me confidence. that’s why everything’s so expensive now. why people have to rent out tiny plots of land for their tents to sit on, why my friend @siraj2024 still has to buy tarps to cover the broken windows of the overpriced bombed out apartment he rented, and why a bag of flour can cost a thousand bucks in the north.

even before israel closed and then bombed the rafah crossing, the egyptian hala travel agency was only allowing people to cross the border if they paid a hefty $5000 USD per adult / $2500 USD per child bribe. it denies doing this, but the hundreds of stories from palestinians say otherwise.

with regard to the economy, here in america we saw something similar happen in the wake of hurricane helene and milton. the podcaster margaret killjoy describes how she saw dual economies rise after asheville was fully cut off from the rest of the country - some people offered each other supplies for free in a sort of mutual aid honor system, and some people required payment when they lent supplies because they themselves needed to buy stuff for their families. these dual economies exist in gaza too. and this means they all still need money to survive.

answering a couple questions i got on this post since i realized ppl genuinely wanna know:

tl;dr:

israel lets very, very little aid get into gaza. even the UN can't get in as much as they want to. funding individual families, gazan led initiatives, and mutual aid collectives operating out of gaza ensures gazans can provide for themselves and pay for the extremely expensive aid that is available.

with all the civil infrastructure destroyed by israel, the situation on the ground has devolved into unrestricted capitalism, driving up the price of aid (that should be free!). this makes it more urgent for people to have funding for daily survival.

the post linked above has examples of how donating to individual families can help a lot. if you want to help more than one family at a time, there are many gazan-led initiatives focusing on rebuilding their infrastructure and distributing aid fairly that are worth donating to instead of large charities that already get the majority of donations.

as i mentioned in the last post: @/careforgaza on twitter is a nonprofit started by gazans, it's been endorsed by multiple palestinian journalists.

the sameer project is a collective organized by diaspora palestinians offering emergency shelter to gazans.

ele elna elak is a project aiming to bring water, food, shelter, etc. to gazans and has been promoted by bisan owda.

and the municipality of gaza itself is fundraising to rebuild water infrastructure.

all of these organizations are active inside gaza right now and are being run by gazans. if anyone knows of other gazan-led mutual aid projects, nonprofits or charities feel free to link them in the notes! hope this helped!

long answers under the cut!

if you wanna donate to a charity that's absolutely fine, but the thing is most charities (and even the UN!) are unable to make it into gaza in the first place, leaving aid rotting at the egyptian side of the border or subject to israeli settler attacks

not to mention, charities and nonprofits also maintain a paternalistic colonial relationship with the indigenous people they are trying to help, determining what aid they need for them instead of returning power to them and letting them make their own choices

i'm not here to say that one option is better than the other, just that they achieve different things and are equally legitimate. there's an attitude among people who question the legitimacy of these gofundme campaigns that somehow the people promoting them are telling them not to donate to charities. nobody is stopping you from donating to charities. we are just asking that you do not dehumanize the very real gazans in your inbox just because their method of asking for aid is more direct and risky.

unfortunately that's exactly what has happened. because israel destroyed all of gaza's more formalized infrastructure, it seems that organized crime and rampant inflation has taken its place. aid is supposed to be free, but in order to save for evacuation or the cost of living, people have started selling them at an inflated price. and aid that is truly free attracts intense, large crowds that are dangerous to navigate.

this was posted on abc a few days ago

it's pure, unrestrained capitalism. i've had multiple palestinians describe this situation to me confidence. that's why everything's so expensive now. why people have to rent out tiny plots of land for their tents to sit on, why my friend @siraj2024 still has to buy tarps to cover the broken windows of the overpriced bombed out apartment he rented, and why a bag of flour can cost a thousand bucks in the north.

even before israel closed and then bombed the rafah crossing, the egyptian hala travel agency was only allowing people to cross the border if they paid a hefty $5000 USD per adult / $2500 USD per child bribe. it denies doing this, but the hundreds of stories from palestinians say otherwise.

with regard to the economy, here in america we saw something similar happen in the wake of hurricane helene and milton. the podcaster margaret killjoy describes how she saw dual economies rise after asheville was fully cut off from the rest of the country - some people offered each other supplies for free in a sort of mutual aid honor system, and some people required payment when they lent supplies because they themselves needed to buy stuff for their families. these dual economies exist in gaza too. and this means they all still need money to survive.

[kyri45]

✨ShadowPeach Bio Parents Bio AU Q&A! 21/11✨

Welcome to the Q&A! A space where I can answer related or similar question about the Shadowpeach Bio Parents AU! If you submitted your ask anonimously, then you’ll have to check the whole post if it’s answered here, if it’s not, worry not! Your asks might have been used for a future comic or just in the queue~

Anonimo ha chiesto: Hi! Would Macaque kidnap Wukong again? I read your comic, the last page, where Macaque is the kidnapping expert. And I'm very curious about it. Anyway, I love your comics! You are awesome.

Haha I don't think they really need it unless they want to do a "traditional wedding courtnapping" but it would be pretty odd since they kind of already live togehter.

Anonimo ha chiesto: I know this is definitely a LONG ways away, but, imagine: Wukong and Macaque playing the newlyweds game. What questions? What answers? Who’s asking the questions? Who’s getting the most right?

I wont list all the lesson but I think Macaque would get most of them right just because Wukong never really changed a lot during the years, while Macaque went through different stages of his life, and and he has new hobbies and tastes.

Anonimo ha chiesto: Will mk have a nightmare about LBD? If yes Then we will have some angst with fluffy monkeys family moments!!!

Oh he has. He has many. Most of them he has while he is at pigsy's.

Anonimo ha chiesto: Can you please shows up a flashback backstory on how MK/Wukong discovered/found out/came out as trans?? 🙏🙏🙏 Banana sundae with chocolate sauce, rainbow sprinkles, THREE cherries, and a super-deluxe one-and-only Monkie King™️ collectible spoon???

Anonimo ha chiesto: will we see any past Shadowpeach?? I’m interested to see how you frame their dynamic back 5en.

Hahah maybe in the future, I'll see

Anonimo ha chiesto: Can we get Wukong telling dad jokes? Please, I’m begging i want to see MK laughing and Macaque just being so disappointed with Wukong yet so smitten. I want to see more Monkey family domestic blissss. 🙏🙏🙏🙏

I don't have my dad jokes book here but man give Macaque an award for the patience he has with these two children

@goofybearclown ha chiesto: Hi :3 Just wanted to say I love your shadowpeach and cotl AU!!! I didn't notice you made both at first but when I did I was like "waow :0". Tbh your works are in my top 3 series on Tumblr! @fenikzia ha chiesto: I love your LMK comic so much, I look forward to reading the new additions to it when they come out every other day,and reading your comic just makes my day better. Even if it hasn't updated a particular day, I make sure to go back and reread the newest part.Keep doing what you're doing and make sure to take breaks! @skye-minecraftyt-blog ha chiesto: You! I like you! Your Bio parents Lmk au always makes me extremely happy and I regularly reread it. ((o(^∇^)o)) Just wanted to say it @blazeandsilver ha chiesto: Hello, I just wanted to say your artwork is absolutely stunning, it makes my day whenever I see that you posted something new to the BioParents comic. Please keep up the good work and be sure to take some time for yourself, you’re important too.

AWWWWWW THANK YOU FOR ALL THE LOVE!!

Anonimo ha chiesto: Hihi shadowpeach au question: You mentioned in the latest comic that Mac is more lean and skinny than Wukong. Will we ever see the full extent of that?? ALSO I ADORE YOUR ART OMG ❤️❤️

A fully naked Macaque you say? Maybe.... who knows....

Anonimo ha chiesto: I come to defend Wukong acting like a man looking at a victorian lady ankles, he hasn’t seen his (ex) husband’s fur in centuries. And he probably hasn’t socialize in years either besides MK and the gang. Romantically he is stunned right? I doubt he has even looked at anyone besides Macaque anyways…

Honestly I like to think that Macaque was the only being in all the universe that was eer able to make him flustered

@mochalikesdrawing ha chiesto: So I got a question, will we ever get to see kaiju MK again?

I have a scene post AU I would like to draw. Maybe.

Anonimo ha chiesto: Ignoring all the angst because it is crushing my soul /pos, I'm lowkey convinced that Macaque knows Wukong feels some kind of way about him because he can hear his heartbeat go crazy at certain moments and isn't dumb, but just isn't calling Wukong on it because he's still trying to sort his own feelings first. BUT ONCE HE DOES OH BOY-

Hahah Macaque knows perfectly well Wukong is down for him. In the meantime Wukong is alwasy afraid he's just imagining things bc he's dense af.

Anonimo ha chiesto: Do you think Wukong and macaque would be cuddling and macaque would be watching something scary and Wukong would be trying to not pay attention to it because he hates scary stuff or would it be the other way around?

yess

@ep2nd ha chiesto: In your shadowpeach bio parents au, if MK and Wukong were created by Nuwa, with Nuwa using Macaque and Wukong as a base, has anyone wondered who created Macaque? And does Macaque himself knows?

Wait Nuwa created Wukong? If that's so I think then all the 5 monkeys were made by her, for some reason.

@boonalina ha chiesto: Sooo what exactly is the courtnapping process like? Is it just a simple "I'm gonna pick you up and carry you away" or is it an entire ceremony? Does someone have to lure the person into place? For example, Mei bringing Redson over to a secluded spot so that Mk can "courtnap" him? (Side note: I've been in this fandom for around two years now, and this comic is what made me find out about courtnapping lol)

I "think" anything that can be counted as like a sneak attack that takes them out of guard and brings them to the designated courtnapped room can be considered as courtnapping technically.

Anonimo ha chiesto: ... Hey so your shadow peach bio parent AU is better way better than season five. WOAH, WHO SAID THAT!! (no but seriously it is like a sitcom I tune on ever so often. Much love 🫶)

Haha thank you! That's a HUGE statement!

Anonimo ha chiesto: I wonder if MK has any unique attributes/abilities as a living mass of celestial material?

He's such a cocktail ofdifferent energies I wouldn't be surprised he is able to glow in the dark.

@cjtuy ha chiesto: I do have a question it's mainly about pigsy and tang when and how long have they been together as a couple and did both of them find mk are they married ?

They have been together for almost a year, but I don't think they are married, but maybe that could happen in the future??? But yeah MK found out a little after season 5 that they are together, that was also the same time he started calling Tang "Papa"

Anonimo ha chiesto: Has macaque added any personal items to the house? Like is he moved in? Have Wukong and macaque improved or changed anything else besides making the bed bigger?

Yes he did! Half of his belongins are in FFM, althought he's a little more minimalistic than Wukong. He also have been bothering Wukong to death so that he can finally organize his stuff (and they were roomates

Anonimo ha chiesto: I feel like if they were to play Minecraft or something macaque would be the base mom. He would be the only one to remember to farm food to not starve. The others would probably forget all the time that hunger is a thing in game. Wukong or Mk: oh dang does anyone have food I'm starving Macaque: (always brings extra for this reason) "sighs" yes

AH!

Anonimo ha chiesto: Remember the Minor Scale episode, from season 2? Where MK learn how to shrink himself? And there’s also the final episode of that season where MK just grow very big to try to fight LBD. I just love that part of his power and I have seen very little people showing it. Like, sometimes that power can show up when the poor boy is experiencing overwhelming emotions that can’t be contained anymore, or pure exhaustion. For example, Having many responsibility can lead to a lot of stress and exhaustion and at some point MK just can’t do more and just become tiny, not able to do more. On the opposite, maybe he experience trauma again through a nightmare (like about azure for example) and the emotional burden is to much and he just becomes big because of that. You see my vision? I love sizeshifting base on emotions :)

Aww and i love emotion-based powers, they are just so easy to play around.

Anonimo ha chiesto: Tbh the show should let macaque have a motorcycle. Wukong gets to be passenger princess

Yesss

Anonimo ha chiesto: as we get into the colder months i like to imagine MK’s first winter coat and he’s all super fluffy and warm

Cool for the monkey parents, bad for pigsy and all the hair in the restaurant from sheeding.

Anonimo ha chiesto: I think it would be so funny if MKs rock hadn't been cracked and he'd been raised on FFM by wukong. If the same thing happens in the show macaque planning to take mks powers thinking he's just Wukongs student but then while macaque and MK are training. Since macaque is so close he notices his ears. (Being raised by a monkey he gets his form sooner) suddenly putting everything on hold busting into FFM and is like WUKONG WTF

There's a fic on AO3 about it it's A Son of Two Dads

@cheese-hommo ha chiesto: Hii, fiesta I want to say I love how you draw and everything, it just looks so cool and beautiful. Now, with the last chapter of Monkey parents Au and so, with the acknowledgement of the demon etiquette and else, DBK and Wukong really misunderstand the comfort scene for a confession? Or something more? It was just so funny seeing the two of them getting so embarrassed at the end 🙂‍↕️

Ah, 2 young demons in their true forms so close to each other, blushing? Scandalous.

Anonimo ha chiesto: I've seen Mk is his Lego merch- he gots a tooth gap- so does this MK have one or did he get it filled?

Wait that was a tooth gap??? I though it was like, a detail of the smile

Anonimo ha chiesto: 🎤 what is your official (if any) opinion on Ink MK? (as a character, plot device, literary parallel, what have you)

It's ok. I personally believe "shadow" version of one character with their own fears and doubts is a clique a little bit too much used. But they give a lot of angst.

Anonimo ha chiesto: Thoughts on Macaque knowing either Japanese or Korean due to him liking anime.

I'll give you one better. Macaque always traveled to Japan pretty frequently during the centuries. Then became a weeb

Anonimo ha chiesto: Maybe it's just me but Wukong looks a bit thicker each time, is it because his fur's thickening or is he getting chubbier ??????? Anyway luv ur art

Both.

[maxdibert]

Hello, I've been following you for some time and I love your posts and analyzes about Severus, I regularly update your blog hoping for more and I always wanted to send you something, but I never had the opportunity.

But recently I saw a video on TikTok, which I didn't pay much attention to, but I saw the comments and one of them talked about how if Harry was a woman and looked like Lily, Severus would be a pedophile and that that gave people the creeps. And I, personally, find this statement very funny, because as far as I remember, Snape never had inappropriate contact with any Hogwarts student, or with anyone, in fact. But people intentionally forget that the only person who had the opening to do this was Peter Pettigrew. Ron himself said that they slept together and, probably, Peter saw the boys, literal children, changing their clothes, but, obviously, it would be Snape who was the child predator.

Sorry if it wasn't very understandable, English isn't my first language and I'm using Google to help.

Hi! Thank you. I'm glad you like my rants and sometimes nonense lol

About your pint... Well, this is a very old story. If I had a penny for every time I’ve read someone spouting this nonsense, I wouldn’t be rich, but I’d have enough for a nice dinner at a fancy restaurant. It’s so absurd that I don’t even think it’s worth refuting, but just to clarify a few things:

Severus resents Harry for two main reasons, and neither of them has to do with being in love with Lily. It’s not something as childish as “uh, my crush married someone else.” No, there are several layers to it.

The first and most obvious is that, unfortunately, Harry is the spitting image of his father, who, unfortunately, was a jerk who spent his school years torturing people—specifically, and with great enthusiasm: Severus Snape. James spent seven years hunting him down and attacking him for sport, backed by his loyal ally Sirius Black and supported by his lackeys, Remus Lupin and Peter Pettigrew. While the latter two might not have physically assaulted Severus, they were there as enablers and complicit bystanders. Four against one, at the end of the day.

Severus never had the chance to heal from that abuse because, at 21, he was forced to return to the very place that had been hell for him. He had to teach students who were likely old enough to have witnessed some of those humiliations during his time as a student. A victim cannot heal in the place where they were consistently harmed.

Then Harry comes along, looking like an exact replica of James, and every time Severus sees him, it triggers him immensely. When he looks at Harry, he doesn’t see Lily’s son, nor does he see a child—he sees his abuser. And we all know Harry isn’t to blame for any of this, but the thing is, we can’t expect someone who isn’t acting rationally to be rational. Especially when we’re talking about someone who desperately needs therapy and probably medication, neither of which he’s ever had access to.

Then there’s another factor—a deeply emotional one—which is that Harry’s very existence is a painful reminder of Severus’s own role in Lily’s death. The fact that this kid is there, an orphan, is a constant reminder that Severus overheard a prophecy, reported it to Voldemort, and that Voldemort then chose to kill the most important person in Severus’s life because of it. It’s a perpetual mix of anger and guilt.

Looking at Harry forces Severus to relive his past as a victim, his most humiliating moments, as well as the terrible decisions he made because of them and their devastating consequences. This doesn’t excuse his behavior, but it does explain it quite well.

What I’m trying to say is that the reasons behind how he treats Harry are deeply tied to trauma. If Harry were a girl and resembled Lily, Severus would still feel deeply triggered every time he saw her. The only difference would be that instead of seeing James in her, he’d see Lily. I think, rather than anger, it would fill him with depression and guilt to such a degree that, instead of antagonizing her, he’d try to avoid her as much as possible. He wouldn’t want to get within ten miles of her because seeing her face would constantly remind him of the person he failed and indirectly condemned.

At no point do I imagine anything even remotely sexual crossing his mind. Especially when you consider that Severus never once confessed his feelings to Lily or behaved inappropriately toward her. I do think he’d act “softer,” but not because of her appearance specifically—more because Severus is always gentler toward women. I mentioned this in another post, but his more cordial relationships are almost always with female characters, and when he’s cruel, it’s typically far worse with men than with women.

People who lack even the most basic comprehension or analytical skills… Honestly, if they’re going to hate on him, the least they could do is come up with more convincing arguments. Sometimes it’s just exhausting to explain why their theories don’t make any sense.

[kiera-raelyn]

For the love of god, please interact with the creator of the work you love. If you've got the energy to gush about it elsewhere, then use just a fraction of that to do so with the person who actually made it. They're the ones who need to hear it most. Gushing about it to other readers may make more readers, but there's only one writer. And if they decide it's not worthwhile to share their hearts with the world, because that's what they're doing, then the readers will not have more to read.

Fanfiction is interactive by its nature. We write and then we share because we want others to like what we've done. If that were not the case, we wouldn't share in the first place. Fanfiction, especially long form fics, are a labor of love for your fellow community members. It takes considerable time and effort to not only conceive of a story, but to get it in a form fit to be shared with others and to continue to do this over months and sometimes years. Fanfic writers do this without pay and, if they're not getting interaction with their works, without appreciation. Do you honestly think you would put weeks, months, or years of effort into something you got no pay, appreciation, or recognition for? If so, show me. Prove it. I don't think you would. And expecting it of others is an astronomical level of selfishness and entitlement.

I say all this mostly from a reader's perspective. While I have written a bit, I am by and large more of a reader than a writer. While my experiences as a writer enforce what I've said here, my experiences as a reader confirm it more. I've seen authors say that the only reason they came back to finish a story was because of their readers. Because they knew there were people out there who cared, that they didn't want to disappoint. Authors who have said that their readers comments gave them the motivation to keep going when the story (or life!) got hard.

I am by no means perfect at always leaving comments. I would be lying if I said I commented on every chapter of every story I read. I don't. But, I'm trying to be better about leaving something, even if it's not the essay I feel the story deserves. Which is why I've pinned the kudos image post to the top of this blog, so that I can easily access it when I just don't have the energy to write out a long comment, but I want the author to know their work is appreciated. I encourage you to do the same.

A writer friend told me something that broke my heart a little bit today; they're going to quit publishing their fanfic.

My instant thought was that they had been trolled or attacked or that something terrible had happened in their life because this person is so passionate about their writing. It wasn't any of that. Engagement with their works has been going down, as it has for many of us. Comments are like gold dust a lot of the time, and just looking through the historical comment counts on old fics on ao3 demonstrates this trend very clearly. It was not simply the comments dropping off which caused them to decide to stop posting, however.

My friend came across a discord server for their fandom (I should point out here that their fandom interest and mine diverged a couple of years ago, we stay in touch but don't currently read each other's posts because I'm not into their fandom and they would rather gouge their eyes out with a wooden spoon than read anything Star Wars) and specifically to share fic in that fandom. They joined, because we all love a good fic rec, only to discover that their latest multichapter fic, which has almost no comments and very few kudos, is being hotly discussed in this server as one of the best stories ever. Not one of these people has bothered to say this to them on the fic. When they asked, none of participants could see the point in telling the author of the fic they apparently loved so much that they love it.

This discovery has absolutely destroyed my friend's love of sharing fic. They share because they love seeing other people's enjoyment, and fic writers do that through comments and kudos/reblogs/likes because we don't get paid. There is no literary critic writing a blog post/article about how amazing the story is for us to copy and keep/frame. There is no money from royalties. All we have are the words of the people reading our works.

Those people on that server could have taken five minutes of the time they spent gushing about how amazing my friend's story was to other people and used it to tell the one person guaranteed to want to hear that praise how much they loved it. They could have taken a moment to express their opinion to the person who spent hours upon hours plotting, writing, editing, and posting those chapters. Instead, they deprived my friend of thing that keeps them sharing their writing, and in the process have killed their love of it. My friend now feels used and unmotivated.

I won't be sharing a link to their fic, they said I could share their experience but not their identity. I know they plan to post one final chapter. I know they intend to express their hurt at being excluded from the praise for the thing they created, and I know they intend to announce that as a consequence they will not be posting for a long while, if at all.

So please, I beg you, don't hide your love of a story from the writer. It's just about the only thing we have.

[butch-reidentified]

gyns or trolls or radblr orbiters or whoever tf is frequently sending me TRA-style anons like "hey @______ is actually abc and said xyz and reblogged a post you made, im gona need a 5 page essay from you condemning her right away!" and literally including zero (0) receipts or anything:

1. grow up

2. fuck off

3. it's such "hey just so u know, op of that post u just reblogged is a terf!" energy

3. you know you phrase these things in ways that make any sane person 👀 right? like yall say shit like "[url] said rape is good and deserved in [absurd context]!" i always think, is that what she said or what you heard or what you pretended to hear? bfr

4. I'm not gonna go digging for some bullshit you vaguely referenced and paraphrased with zero receipts. burden of proof is all you.

5. when im on tumblr i stick 90% to my own blog. making my own posts, drafting new potential posts/reblogs, editing old drafts, going thru notifs and asks, DMing favorite mutuals... then 5% is going down random weird rabbit holes usually unrelated to radblr/feminism and the last 5% is reading the top 7 or so most recent posts on my dash. i miss the drama p much every time bc i dont lurk or read a ton on radblr, and even when i do catch some drama, as i learned the hard way, there's usually waaayyy more context than i realize and everyone assumes i have seen said context but i have not. im like a radblr top, i make the posts not consume them ☠️ (sorry i couldnt resist)

6. if you genuinely thought someone was a risk to others on radblr or pushing genuinely evil fucked up rhetoric, maybe sending an anon to me about them isn't the most productive way to address it. refer back to point #1.

xx

[catras-breakup-song]

i’m not gonna lie… i’m lost here. is this supposed to be an 4nt1/cr1t1c4l post? if so, i genuinely don’t understand the point being made.

is it that playful banter is a bad thing? is it that being too hands-on violates unspoken boundaries? the message is so unclear to my autistic ass…

oh, wait, OP provided tags:

so aside from the fact that they are absolutely not sisters by default, least of all canonically (even if you do interpret them that way somehow), nor was it ever intended by nate stevenson, i’m still having trouble figuring out how this is problematic.

in which ways is lighthearted touch totally contradictory to passionate kissing/caressing? why can’t partners who are dating do both, especially in different cultural environments such as the horde where intimacy is discouraged and friendly sparring with familiar peers is a safe expression? if it’s so different, what are we as the audience supposed to interpret from their style of physical affection by the final season? side note, but aren’t we supposed to consider the latest version of anything in general as the most accurate?

now i have a question lol, did you take this moment literally at her word, and all the other times she repeated it?

also, my friend just pointed out that this is the classic homophobic talking point of "they seem to just be very good friends! they were roommates!" lmao. i've never agreed with accusing anyone who cr1t1c1z3s catradora of lesbophobia, which i'm not doing necessarily, because that's simply not how it works, however i found this funny and partially true so i'm keeping it in.

the lip bite was included unintentionally 👀

anyway, as i’ve discussed on this blog before, i’m very arospec and it’s inseparably intwined with my identity itself; i also project that onto catra. something we often bring up in that community, is romance-favorability (as its own spectrum of range all the way to blatant repulsion btw) — which is a personal preference that’s defined as exactly as it sounds like and occasionally revolves around fictional depiction as separate from one's own reality — and arguably more importantly, amatonormativity — which is an arbitrary set of rules for romantic expectations set up by an alloromantic society. this is typically thought of as common denial of the idea that someone could actually want to separate themself from needing a life partner in marriage, but can very much be applied to an annoying list of what draws the line between romantic & platonic relationships. that line is very individualistic and is to be decided on such a level only, and it doesn’t even get into what queerplatonic means, a concept saved for another day!

my point is, the OP seems to be trying to claim that catradora objectively cannot be read as romantic because their dynamic growing up & early-on in the story doesn’t perfectly meet socially-constructed standards of what that should look like. i say we need to eradicate those standards altogether! it’s up to catradora to decide what they are, if anything specific at all, not us as the audience — assuming they could’ve had the words at their disposal to knowingly describe it. going back to my earlier paragraph above about how limited they were in the fright zone, i’ll borrow a quote from a comment i made on one of my recent reblogged posts (which is a great meta on how their mutual desire was uh... definitely not platonic):

"Catra and Adora’s desire for one another is shown in a variety of ways, mostly indirect. There are a lot of glances - until season 5, not the kind of open leering at one another that we’d seen between other characters. Mostly it’s fairly playful - wiggled or cocked eyebrows, glances at each other while smirking, that kind of thing, or really intense and somewhat angry glares when they’re fighting."

it's really bothering me that i can't recall where i read this from before, but someone analyzed before how, growing up, catra & adora didn't have a good sense of how to label their relationship with accurate terminology despite being subconsciously aware that they, whether they knew the other reciprocated or not, loved each other "like that." unfortunately, they couldn't further explore it because such love & affection was seen as a punishable weakness in the horde, so they resorted to the only safe option they seemed to have, which was subtle body language and play-fighting as [testudoaubrei-blog] described above.

also, since this screenshot is included in that post... i would be amused to read an explanation of how THIS LOOK from catra is "platonic with a capital P", because i'm not even sure if it's up for debate to be quite honest with you:

ESPECIALLY with the "i always have!" line (which 4nt1s like to doubt, but i don't care, it's official!):

[compacflt]

YOU'RE ALIVE??? - my reaction upon seeing your most recent reblog

Anyway, your fic and blog single-handedly kickstarted my U.S. military history obsession <3

im alive!!!! yeah I've been away for a while. it, ah... has not been a grrrreat time to be a military historian or a Big Fan of military propaganda pieces like Top Gun for the last year or so...

lmfao I just saw that the second trump admin plans to haul up all the commanders in charge of the Afghanistan withdrawal (which HE negotiated btw) in front of congress with the plan to charge them all with TREASON per the UCMJ (good fucking luck dude)

but um in my timeline... that includes navy secretary 2021-2022 tom iceman kazansky, bro... so in case you're wondering what these characters are up to in the present day apparently the answer is "getting investigated for treason." sorry to bring down the mood. my happy ending's a little sour now.

mostly I've been insanely busy. I graduate university in may & have to have a journalism capstone, an English research thesis (my paper on military commanding officers in fiction inspired by my top gun fics tbh) and a creative writing capstone (novel) done by march. plus job applications, work for the place where im currently freelancing, apartment hunting... so im a wee bit crunched lately.

some minor updates for anyone who still cares: I am, extremely slowly, still editing WWGATTAI & the other stories. I've finished a complete overhaul of the Carole-dies chapter, chapter 7, but have yet to post it because I'd like to sync a logistical change in the story across the other pieces. and I'm mostly done with a COMPLETE overhaul of chapter 6 (aka "the nineties" chapter where ice & mav move in together & build their family) which goes into much more detail about how... emotionally and logistically... they could pull that off. + a lot more baseball stuff + the Clinton sex scandal. which leaves just chapter 10 left to do. ugh, my least favorite, which is why im putting it off... and then debriefing etc. which won't take as long because I don't honestly care about debriefing at all and I just have very minor changes to make to it. slider doesn't need editing and idgaf about the other pieces.

once I finish with the edits, which will happen eventually I swear because more than anything I just want to hold the updated edited final thing in my hands the way I did with the first draft, I'll upload my pdf (with meta analysis and notes that go back to mid-2022) for u guys to do with as you wish

also for the m:i doubleheaders I am planning on editing my m:i fic pre-m:i8 next year and pending ilsa life status will write much much more

[absolutebl]

Given the wide range of BL you've consumed and analyzed. I am curious at your perspective when comparing BLs made/written by men and those that were written by women, in a different direction, comparing BLs directed by men in comparison to women.

If you could have the time and give your perspective in this two sources of BL , that would be great.

Hum, I'm not sure how to answer this. Except in a kind of avoidance way because I question the premise.

I think, in general, in most of the film industry, the original writing has very little to do with the final result, because so many new voices and povs are imposed on it the moment it begins to be adapted. After a BL leaves its author (predominantly female) it goes to script, a writers room, and eventually into the hands of director and team. All those people are different genders (predominantly male). And all of them have a significant impact on the end result.

Sometimes the author has unprecedented influence (mame for example) but that's pretty unusual.

Statistically speaking, the origin IP (whether novel or graphic) is most likely written by a female and the resulting BL most likely directed by a male.

There are always exceptions, of course.

Even putting aside all the other people, mostly script writers, in between the two primaries (which I just don't think you can) it would be statistically challenging to draw any commonalities amongst female directors (since there are so few) or amongst male writers (for the same reason). In other words, we have many many examples of really only 1 of the 4 possible combinations, and all those examples are muddied by the nature of the filming process (not to mention the nature of gender).

In other words, it would be challenging for me to say things are generally preferable in any one version of the pairings.

I have liked BLs written and directed by women, written by a woman directed by a man, written by a man directed by a woman, or written and directed by men (although those last two I would struggle to name any BLs).

However, I have also liked and then disliked BLs from the same general team and combination of genders behind the creatives.

For me, at least, there doesn't seem to be a reliable team or a reliable writer or a reliable director whose BL product I will reliably love.

I would hesitate to place a predictor on my BL taste (or anyone else's) based on the gender of any part of the team behind a BL. That seems..... weird. Especially when queers and 3rd gender etc are involved (and we have always been involved in artistic spaces for as long as humans have existed, I suspect).

But then I feel that way about most entertainment, from music to books to plays to comedy to fashion. I can be a fan of a director's style but not like some of their shows, just as I can be a fan of an actor's performance but not the character they're playing, or a fan of a pair's chemistry but not in those roles, and so forth.

I think what youth and influencers and the internet age has forgotten is that it's okay to admire a creative individual and not slavishly adore everything that they produce. (For fuck's sake though, don't tell them that, you absolute troll.)

Creatives and creative teams also have their own taste, and that may conflict with yours. Especially with newer IP where you might want the same old same old and they need to evolved. Consumers of entertainment are remarkably resistant to creativity, innovation, and change (so oxymoronic) .

It's okay, maybe you'll like their next BL, song, book, painting, performance......

I have no idea how I got here but:

Thank you for coming to my Ted Talk.

I do have some stuff on a queer lens here:

[lucidicer]

regarding violent affairs and my hiatus

i just want to say the only reason this post will exist is to serve as an answer to questions that will undoubtedly come eventually. from now on violent affairs is going to be a solo project focusing solely on sioar and the world i created for them. dont send asks trying to pry into the reasons why because the only people who need to know are me and the friends ive chosen to confide in over the past months. ive put in too much work and dedication in this project from naming it, creating the directory and so much writing and cc to just throw it away because of other people. ive been hurting greatly this year and truly miss creating and seeing all the amazing creations from my mutuals but sadly i still have a lot of healing i need to do so i think ill be gone until 2025.

my friends have been the only thing keeping me grounded and i couldnt be more grateful, truly the only reason i haven't just abandoned this blog and everything that came with it. namely sascha and nene <3 i don't know what i'd be doing rn if not for them.

this isnt a decision made on a whim, ive thought long and hard about this, ive let my patience wear itself out and now i just want to move on and do what i love doing again.

to my former co creator, considering you refuse to acknowledge my existence this is the way ive had to go about things. ive done everything i can. spin it any way you please or pretend i never existed in the first place. do whatever you want, i dont care, its not my problem and it's most definitely not my fault.

i currently have no desire to delete my past va posts since i put a lot of work into each and every one, i may just make a separate new tag in the new year. i'm not sure just yet. that's all i wanted to say, see you all in a bit.

[frostfires-blog]

My Top 15 Favourite Anime (& Donghua) Female Characters 2024

[Before I get started, I'd like to point out that making this list was quite challenging considering I have watched quite a few anime. So please don't be too offended if any of your favourites aren't included; just because they aren't here doesn't automatically mean I dislike them. Feel free to leave your constructive thoughts and own lists in the comment section since I appreciate amicable discourse. Also, I decided to use the "keep reading" feature to make it easier to scroll through the long posts on my blog, so the official list is under the cut.]

-> Honourable Mentions:

-> My Top 15:

“If you’re helping someone and expecting something in return, you’re doing business not kindness.” Shirayuki is incredibly empathetic and emotionally aware as evidenced by her drive to ensure that the people around her feel cared for and supported. Even if it involves sacrificing her time and energy, she is always eager to help others. At times this is her greatest strength—as it enables her to build strong connections with others. However, on occasion, this trait makes it difficult for her to establish boundaries and prioritise her own needs.  This struggle is something I think we can all relate to.  I greatly admire her determination, optimism, compassion and resourcefulness. Her integrity, patience and consideration for others is something I aspire to emulate in daily life. Her passion for plants is something I have in common with her.

"I won't lose to myself!" Given that she has become somewhat of a meme in the fandom, I'm sure some of you may be surprised by this, but she was one of the first female anime characters I resonated with when I was young. Although she lacks presence in the overall series, her strong-willed and independent yet easy-going and relatable personality endeared her to me. Even in stressful situations, she is renowned for her diligence, discipline, practicality, and reliability. Her character serves as a tribute to the resilience of the human spirit as well as the value of perseverance and hard work. Her fear of failure sometimes causes her to doubt herself and her capabilities which highlights the struggle we all face with balancing our concerns and our obligations. Her fighting style and character design remain one of my absolute favourites, making me annoyed that Kishimoto didn’t do more with her character. Also, nejiten is my Roman Empire.

“This is a cruel world. And yet...so beautiful....” In all honesty, I'm still miffed by the ending of Attack on Titan, which had me contemplating whether to include her on this list, but I realised that would be petty and short-sighted. Mikasa was one of the first female characters I saw who not only stood with male characters on the battlefield but also outperformed them—which made me look up to her. Mikasa's greatest attributes are her inner strength and innate sense of responsibility to defend her loved ones and fight for justice, as well as her intense loyalty and devotion, especially to Eren. Aside from her strength and fortitude, she also possesses compassion and gentleness towards those she cares for—which I admire considering many female characters in shounen anime are pressured to sacrifice these qualities to be strong and respected.

“Why didn’t I try to get to know him better?” Since Frieren is the newest character on this list, I’m sure she’ll continue to grow on me in due time. As the protagonist of a show centred around the value of life, the importance of goodbyes and the passage of time; Frieren is an incredibly complex, multi-faceted character. Her journey to understand the depth of human relationships and emotions—after losing someone she failed to realise was important to her—is an incredibly touching and insightful one. Watching her experiences serves as an important lesson: to value every moment and to take the initiative to build connections with others—which is something I often struggle with. Frieren is best recognised for her composed demeanour. She demonstrates qualities such as an affinity for independence, a keen sense of introspection and a preference for logical reasoning—all of which allow her to serve as a voice of reason for their group. Her sharp mind and unrelenting curiosity propel her to continually expand the limits of her knowledge, enabling her to innovatively tackle challenges from a unique viewpoint—making her an engaging and dynamic character to watch.

“A-xian is my little brother…When others insult him it is no small matter to me.” While often overlooked due to her immense kindness and amiable personality—her determination, selflessness and fierce protectiveness of her loved ones are admirable. Although not a major character in MDZS, her influence over its more central characters is evident. Her lack of hesitance in sacrificing her life for her martial brother, Wei Wuxian—even though he unintentionally contributed to her husband’s death—endeared me to her. Her determination to rise above her difficult upbringing and grow into a caring, mature and reliable figure is praiseworthy along with her capacity to find common ground in seemingly immutable situations. Her character design ranks among my favourites as well and complements her personality well. She taught me that despite being in a society where one is harshly rebuked or pressurised it is important to stand firm in your beliefs and desires.

“If you must cling to something in order to yield, why not pick up that which you have tossed away and hold it in your hands anew?” While initially, she doesn't appear to be very noteworthy because of her limited role in the series, the brief time she gets presents her in a positive light and her backstory is notably well-developed even among more prominent side characters. Despite her reclusiveness; her compassion, forgiveness and humility are noteworthy—especially when contrasted with the majority of other Heavenly Officials. Given that characters like Xie Lian and Hua Cheng respect her, while Jun Wu and Pei Ming are cautious of her proves that her strength and significance should not be undervalued. Her ascension story—which earned her the moniker “The Princess Who Slit Her Throat”—is a prime example of her incredible selflessness as she willingly laid down her life to protect her family and country despite being ignored and mistreated for most of her life. She remains very grounded despite her status as the God of Rain and Agriculture and is always willing to help others, even if it means defying authority. She possesses no ill will towards those she has had disagreements with and doesn't hesitate to save them.

 "Even if it's a short life, burn hot and bright and overtake the moment. That's my way of life." Kagura is best known for her quick wit, tomboyish personality and fighting spirit which often manages to steal the spotlight in the Gintama series. She is an ardent and fierce fighter who doesn't hesitate to express her opinions. Beneath her brash exterior, she is compassionate and caring, frequently using her keen intuition and empathy when interacting with others. She often takes risks, facing challenges directly which can be seen as impulsive and abrasive—however, this behaviour stems from her need for control and security amidst a chaotic world. In a sense, we all struggle to assert ourselves in difficult situations and could benefit from approaching things with a little more of Kagura's zeal. Kagura also enjoys helping others and is incredibly devoted to the people she loves. She is also not afraid to voice her opinions or act when she sees someone in need. By virtue of her strength, humour, and charm, she has not only gained popularity among fans but also established herself as an iconic figure in the shounen genre.

"If you don't hold a rose carefully, you'll get pierced by its thorns." Tsukuyo is best known for her unique fighting style, sharp wit, caustic humour, and compelling backstory which has allowed her to become a fan favourite and a key part of many serious arcs in the series. In many respects, her design and backstory serve as a parallel to that of the protagonist—Gintoki—which adds to her depth. Furthermore, her name and personality are based on Tsukuyomi no Mikoto—the moon god in Shinto and Japanese mythology—accentuating the cool aesthetic of her design. Contrasting her rough exterior, Tsukuyo is shown to have a tender side, exhibiting an innate sense of empathy and sensitivity. Although her reserved attitude often conveys an impression of aloofness and distance, this is just how she processes things and expresses concern, which is something I can identify with.  Her most admirable quality is her strong sense of duty and loyalty towards her loved ones, as well as her inclination to prioritise the needs of others over her own. Although she struggles with insecurity and anxiety—leading her to hesitate and over-analyse—she is resolute in overcoming these issues when crucial matters are at stake, which is a valuable message.

“I once believed that the road of happiness continued forever and ever into the distance. When it was destroyed, I realized for the first time that it lies upon a thin sheet of glass. And just as we were saved, there were those whose happiness that haven't yet been destroyed. So, I wanted to get stronger and protect them.” Shinobu is a multifaceted and captivating character who stands out—even amongst Demon Slayer's eclectic cast—largely due to her distinct fighting style, striking design, tragic backstory as well as her nuanced personality and motivations. Shinobu's strongest assets are her insight, and compassion, which enable her to support those in need. She usually has a relaxed smile on her face and generally exhibits a bright, amiable, and joyful demeanour. However, it soon becomes apparent that this outward disposition is a façade masking her profound anger and relentless desire for vengeance. This dichotomy in her persona is foreshadowed by her conflicting roles in the series as a healer and a poisoner. Her desire to cater to those close to her is the primary motivation for her outward façade, which is primarily modelled after the mannerisms of her deceased older sister. Considering we all conceal certain parts of ourselves to appeal to others, this aspect of her character is very impactful and relatable. She also often struggles with feelings of inadequacy stemming from her physical limitations. However, she overcomes this obstacle by employing poison to kill demons, showcasing her resourcefulness, fortitude and tenacity. Although we all feel envious of the talents of others, Shinobu's character is a reminder that we all have our strengths and should face obstacles head-on never giving up on our objectives.

“Although our thoughts are changeable and difficult to understand, the actions we take don’t change, no matter how much time passes.” As a consequence of her seclusion in the Yamei Palace and her mystical abilities, Jusetsu is quite enigmatic and detached. While she is often perceived as haughty and aloof due to her bluntness, impatience and lack of social experience; she is shown to have a tender and vulnerable side. She possesses an inherent sense of justice and doesn't disregard those in need, even if they have offended her in the past, which is incredibly admirable. Although her position as the Raven Consort demands her to live alone, she quickly finds herself surrounded by people, leading her to feel guilty considering her deceased predecessor remained isolated. Her heart begins to soften as she lets others in, but she often struggles to comprehend others, causing her to inadvertently offend them—which is something that most of us can relate to. However, she is quick to mend things once she realises her misstep and comes to learn that it's necessary to confide in those who care about you. She frequently exhibits guilt about seeing her mother die, which leads her to feel that it's preferable to be by herself than to lose anyone else. Her struggles with guilt and constant introspection not only add to her complexity as a character but also make her very relatable. To a degree, we all worry that opening our hearts to others will result in us being irrevocably hurt but constantly have to take that risk to live a fulfilling life—thus making Jusetsu’s journey an incredibly empowering and compelling one.

“I'll definitely overtake you, and it'll be my turn to worry about you.” Misaki is best described as bright, diligent, pragmatic, and disciplined. As the student council president, she is committed to improving her school's reputation, even if it involves challenging the expectations of her male teachers and peers. Before Misaki's father abandoned their family, she was noticeably more tender-hearted and compassionate, but she subsequently developed a bias against males based on her conviction that they were inconsiderate and unreliable. She possesses a rigid sense of justice and sets high standards for herself and everyone around her. Consequently, she often struggles with her emotions, particularly when it comes to maintaining her composure when her private life is disrupted. Misaki is particularly embarrassed about her part-time position at a Maid Cafe, believing it contradicts her strong, uncompromising image, and consequently takes great effort to establish a rigid boundary between her public image and her private life by keeping this job hidden from others. Misaki's best quality is that she never veers off course and gives her all in everything she does, inspiring others in the process. Misaki exemplifies the value of resilience and diligence when it comes to achieving one's goals because, despite facing countless hurdles, she remains committed to her ideals. Conversely, she is overly self-sacrificing and frequently overworks herself due to her inability to trust others. Through the course of the series, she learns to accept her femininity and fragility while remaining assertive and self-sufficient. As she navigates her growing romantic feelings for Usui, she learns the value of having faith in others, as well as the significance of respect, communication, and acceptance in relationships. This process of self-discovery moulds Misaki into a multifaceted character who is exemplary and relatable.

“If history repeats itself, and moves in a circular path, then believing that whatever force is turning it is perfect, is all we can do as we move ahead. Pushed along by forces beyond our control, waiting, for the blade to be swung." Rukia’s best attributes are her altruism, modesty, strong moral compass and sense of duty. Her journey throughout the series centres around self-acceptance and belonging. Initially, she feels worthless and out of place yet longs to be recognised and accepted. Given that she finds it difficult to reach out to others, she never expresses these desires and lives a lonely life under continual strain. After meeting Ichigo and his friends, in the World of the Living, she begins to open up but quickly backtracks after she is taken back to the Soul Society to be executed. Despite enduring tremendous hardship, she never forsakes her ideals or blames anybody else—but instead faces and overcomes everything alone. This demonstrates her immense fortitude, resolve and integrity. Her strength lies in the fact that her heart never fluctuates. Upon the moment of her execution, she does not display fear or regret but is instead grateful for having lived an ample life. However, this is the turning point, as she is saved by Ichigo and is thereafter rewarded for her resolve and steadfast convictions. She finally alleviates herself of the guilt and grief she had been carrying by allowing herself to rely on others for emotional support. She can now confidently confront and overcome her greatest challenges because she is certain of who she is. In this way, Rukia's character serves as an example that no matter what you are faced with, your efforts will be recognised so long as you remain resolute and virtuous—which is incredibly commendable and compelling.

Her enduring and incomparable bond with the series’ protagonist, Ichigo is one of my favourite aspects of her character and the series as a whole. Throughout the story, she is a continual source of both physical and emotional strength for him. In several respects, Rukia's character is a parallel to his as she understands Ichigo's feelings better than anyone else considering she has gone through similar experiences. The quote "The rain drags the Black Sun down, but the rain is dried by the White Moon" perfectly encapsulates their dynamic—with Ichigo representing the former and Rukia representing the latter. Throughout the series, the rain is a potent metaphor for Ichigo's despair, while Rukia is constantly seen guiding and consoling him—effectively drying up “the rain”.  She acts as a "ray of light" for Ichigo—despite her problems—who in turn does the same for her. Rukia's symbolism as the "White Moon" also pertains to her technique—specifically her bankai, which transforms her into a veritable ice princess. This symbolism furthers her development, influence and prominence in the series.

"Before I question the gods, there are questions I should ask myself!" Yona's remarkable development from a pampered princess to a courageous warrior is precisely why she is one of the most recognised and respected shoujo heroines of all time. This development begins after her privileged and idyllic life in Hiryuu castle is upended when her beloved cousin, Soo-won, murders her father and seizes the throne. After witnessing this traumatising event, she is forced to flee the castle and is forced to adjust to a harsh and perilous life on the run. She is momentarily overcome with fear and denial thus depending entirely on her bodyguard and childhood friend Hak for protection and care. However, after recognising that the people who were sheltering her would suffer as a result of her incapacity, she began to pull herself together. Empowered by her newfound resolve, she and Hak journey across the kingdom in search of the legendary Dragon Warriors and through these fateful encounters, they cultivate a revitalized sense of purpose and camaraderie. It is on this journey that she begins to realise that her father’s pacifistic reign came at the cost of weakening their kingdom, leading to widespread strife and corruption. Her overwhelming guilt regarding her ignorance causes her to develop a genuine sense of responsibility towards her nation's people. With the support of her allies, she travels around the kingdom to improve the lives of the common people, having abandoned the prospect of revenge. Yona's fundamental strength is shown to derive from her emotional fortitude, compassion and capacity for forgiveness. Additionally, her adaptability, willingness to learn, and strong sense of conviction are all admirable. Although she continues to grow stronger throughout the series, she has always been incredibly kind and compassionate. She is inspiring because she demonstrates that true strength comes from within. It is her immense compassion that not only motivates her to protect her nation and change the lives of those around her but also draws people like Hak and the four dragon warriors to her. Her ability to forego her desire for vengeance in favour of forgiveness is not a show of weakness but is one of strength, selflessness and maturity. She realises that her desire for revenge is outweighed by the kingdom’s need for a radical and strong ruler like Soo-won —leading her to choose to work from the shadows to uplift the common people.

“It’s not always easy to see the good in people. In some people, you might even doubt that it’s there at all. But if you can somehow, find a way to believe…sometimes that’s all it takes to help someone, to give them the strength to find the good in themselves...” “No matter how cold it is now, spring will come again...” Tohru is best described as optimistic, hard-working, patient and open-minded. She is also modest, caring, and gentle-spirited. She constantly strives to seek out the good in everyone she encounters and is always willing to assist those in need—bearing no resentment against those who have harmed her. Her benevolent and amiable disposition effortlessly attracts people to her, making them feel accepted and valued, as demonstrated through her interactions with the zodiac members of the Sohma family. In comparison to the series' vast ensemble of colourful, quirky characters, Tohru is frequently perceived as being too perfectly kind and hence bland—nonetheless, this is completely misguided. In actuality, Tohru is equally as emotionally broken and thus the Sohma family heals her heart in the same way that she heals theirs. Her character is an exemplary subversion of the typical "kind-hearted" heroine given that she faces several genuine hardships that result from her gentle and charitable nature. She is not a perfect saint, but rather a girl who prioritises the struggles of others over her own as she attempts to find her place in the world. Her greatest strengths are her immense compassion, innate empathy and sincerity. Given that she expects nothing in exchange for helping others, her generosity does not originate from a position of entitlement, which is incredibly admirable. Tohru has a strong desire to be needed by others and thus often puts the needs of others before her own. She craves validation and assurance, hoping to be acknowledged as essential and irreplaceable to those around her. In response to the terrible treatment she received from her paternal relatives, Tohru has developed the notion that she might burden those around her, so she rarely expresses her desires. Consequently, she is inclined to internalise any unpleasant emotions and feelings rather than express them externally. However, as time passes, Tohru gradually learns to be more assertive and to accept help from others. Tohru's relationship with Kyo is another facet of her personality that I find endearing. Despite having similar backstories, they have developed divergent perspectives on life. Kyo finds it hard to recognise the positive in other people, while Tohru finds it hard to perceive anything negative in them. They strike a perfect equilibrium as he teaches her that being too unselfish and not sufficiently assertive is detrimental to her well-being, while she helps him realise that there is hope in trusting others. While Kyo is not the only one who sees through Tohru's façade, he is one of the only individuals who can help her face her issues as she becomes especially transparent around Kyo, confessing all her concerns and anxieties to him. Tohru demonstrates the power of forgiveness, love and friendship and exemplifies what it means to be a good person. Her journey towards overcoming her fears and attaining true happiness through strength and determination is heartwarming and inspiring. She embodies hope and compassion in a cruel and unfair world. Her growth demonstrates that being kind is not synonymous with being powerless or meek. She demonstrates that no one is completely perfect—that kindness is a choice rather than an innate gift, therefore we are all capable of making the effort to be kind and compassionate to others.

“If I should die, I'd want to die of poison.” Maomao's story is kickstarted when she is kidnapped and sent to the Imperial Palace as a maidservant. Maomao’s extensive knowledge of poisons and medicine, along with her aptitude for unravelling mysteries ensnare her into the intricate web of political intrigue despite her attempts to remain inconspicuous. She is mature, sharp-witted, composed, and pragmatic, in large part because she grasps her expendability in the Rear Palace. Being raised in the Red-Light District has shaped her into a resilient and adaptive person with a thorough awareness of society's complexities, which she uses to traverse the Rear Palace. Consequently, she has developed a highly practical and pessimistic mindset on life, centred around avoiding trouble and adjusting to her surroundings—which has enabled her to tolerate circumstances that many would deem traumatic or distressing.  Ironically, her insatiable curiosity, along with her strong sense of justice and empathy, frequently counterbalances her self-reservation; leading her to become involved in problems that affect others. Maomao is intrigued by poisons and medicinal plants, and she often investigates their effects on her own body. This passion is her primary motivation for her actions considering the mere prospect of savouring poison or studying a rare medicinal component kindles a fervent fire within her, resulting in a riveting shift in demeanour—which is naturally perceived as astonishing and insane by many characters, particularly the series' deuteragonist, Jinshi. Maomao’s name is derived from the onomatopoeia of a cat’s meow “貓” and fittingly she is often depicted with cat ears, which act as a visual metaphor for her ardent curiosity. This feline motif, combined with her proclivity for pushing herself into risky situations and her dangerous fascination with poisons, makes her the epitome of the phrase "curiosity killed the cat". Despite her exceptional competence and charisma, Maomao is not flawless; in fact, her flaws add to her appeal. Although Maomao's distrustful and inquisitive nature makes her an excellent detective, this same quality—coupled with her distorted yet starkly reliable perception of human connections—occasionally renders her socially inept. Maomao tends to shy away from forging strong, intimate bonds or attachments with other people, causing her to be wilfully oblivious of the obvious concern or affection others have for her, regardless of whether it is in a platonic, romantic, or professional capacity. Furthermore, she is sceptical about the notion of romance, feeling that it is more likely to cause ruination than to provide happiness. This scepticism and detachment are probably traumatic responses to being brought up in the red-light district, where someone's genuine affection alone does not guarantee that they will not discard you if needed.

Another aspect of Maomao’s character that I find intriguing is her dynamic with Jinshi which develops gradually and is multi-faceted due to their opposing traits, social statuses, and backgrounds. Despite her pretence of indifference, Maomao's actions—specifically her attentiveness and concern—gradually disclose her growing interest in him. Maomao's development demonstrates her progressively becoming less closed off emotionally as she processes the intricacies of her feelings. Similarly, Jinshi had no intention of growing attached to her—as he merely wanted to capitalise on her skill set and intellect. Nevertheless, he fell for her fairly quickly, with his feelings progressing from possessive attachment to ardent, selfless love. Their partnership is defined by mutual respect, trust, and their resolve to overcome obstacles of the aristocracy together. The series’ willingness to address feminist themes within a historically misogynistic setting adds another layer of complexity to Maomao’s character; since her intellect, competence, independence and boldness defy the gender expectations of the era. Even amidst the competitiveness of the Red-light district and the complex balance of power within the imperial harem— which were settings devised to pit women against one another—Maomao continues to advocate for camaraderie between women. As we continue to witness women supporting and empowering each other; their enduring strength and tenacity is exemplified. Maomao's journey is thus an embodiment of progressiveness reflecting a refreshing standpoint on female empowerment. Maomao's exceptional charm and vibrancy are profoundly compelling, instilling an enduring sense of inspiration and empowerment.

[Congratulations and thank you if you made it all the way to the end. I fear I rambled too much…. oh well… If anyone has any suggestions on what to do next, then let me know. Otherwise, I'm just going to be working on a few asks…]

[elephantlovemedleys]

NICOLE KIDMAN & EWAN MCGREGOR as SATINE & CHRISTIAN

photographed for MOULIN ROUGE! (2001)

[originalartblog]

Apparently much-needed reminder that reposting artists' art (by saving the images or screenshotting them and reuploading them yourself) on other platforms without the artists' expressed permission and without credit is theft and an insult to their passion and craft. You are profiting (in views, in attention, in feedback) from someone else's work and ideas, who do not get that feedback for sharing their creation.

If you are an art reposter, you are a thief and I have no respect for you.

[triglycercule]

mtt therapy moment except dust keeps taking breaks to talk to phantom papyrus and horror just wants this to hurry up so it can get to his turn because he couldn't give two shits about dust and killer's trauma and killer physically cannot discuss his issues and just starts zoning out while crying for some reason during it

and i'm the therapist listening to all of this writing down notes fervently because ITS CANON MATERIAL CANON I NEED TO GET THE CANON MATERIAL

[sideblog-9000]

Season 8 is so cold, does anyone know what I mean. It's so gray, where's the warm lighting. I need yellow. Everything is so dead, it's such a lonely vibe where IS EVERYONE.

[finniestoncrane]

my thing is, i want to talk to people. i want to be good at socialising. but i've never really had much practice, so i don't know how? i don't know how to carry on a conversation. it makes me nervous and anxious and makes my stomach hurt and it tires me out. i would love to have a constant back and forth. it'd be swell lmao

unfortunately. i cannot and it's confusing. i want to talk, but i can't. and i also don't want to? mental illness cocktail gets in the way

like earlier i was going to speak to people, i'd typed a couple messages out!! but i figured they wouldn't want to talk to me which is fine i know that's likely just the anxiety. so then i thought "i know, mitigate the risk!! i'll ask if people want to chat about a specific topic with me so they have to opt in" and then panicked because that would mean people would talk to me? which is what i wanted? LMAO

confusing and irritating, so i made a meme

[reasonsforhope]

Heads up/warning that I'm going to start posting articles related to the Israel-Palestine War

I've worked really, really hard to keep my blog about positive news only, and that's going to continue - these posts will be only about good news related to the war.

Of which there really, really isn't much, so I don't know that there will be a lot of posts, but I will be posting articles about humanitarian aid reaching those who need it and actions that will prevent more lives from being taken.

I know that, no matter my position on the war, this is something that would be very controversial and make a lot of people upset, so I wanted to be explicit about my position on this - and my posting policy, which is not the same thing. I also wanted to give people a heads up because I know the war in general is really, really triggering for a lot of people right now, for a lot of different reasons. I'll be tagging all relevant posts, so if screening those out is something that you need to do, you can.

I have worked very hard to make this blog a space with only good news because I know how much it can matter to have just one place, if nowhere else, that you can count on to not give you emotional whiplash with horrible news. To know you have one place you can go where you are guaranteed not to see bad news that will send you into a tailspin. That's why I've had a policy of not including signal boosts or PSAs about tragedies, no matter what they are, on this blog. (I do post about some of that stuff, including the Israel-Palestine War, on my main blog, though. I consider this blog to be me trying to run a public service, basically, and so have specific policies for myself around that, including my editorial and fact-checking standards.)

I'm going to be honest, I was really, really hoping the war would end after a couple of weeks, which has historically not been uncommon for wars with/involving Israel.

But that's clearly not happening, and I can't keep not acknowledging what's happening on here, so, this post.

With that, I imagine people probably want to know my actual stance on the war, since that's what I'll be posting in accordance with.

So, here's the official stance of this blog:

Every time a civilian is killed, it is a tragedy; Every time a child is killed, it is a tragedy, no matter their nationality. I condemn all antisemitism and all Islamophobia.

I support all calls for a ceasefire, as well as demands that Israel immediately stop its repeated bombing of hospitals, ambulances, shelters (including UN shelters), and refugee camps.

There is no situation in which the repeated and/or intentional bombing of hospitals is justified.

There is no situation in which the repeated and/or intentional bombing of shelters or refugee camps is justified.

There is no situation in which the repeated and/or intentional bombing of ambulances is justified.

There is no situation in which the killing of children is justified. Yet more children have now been killed in Gaza than in all global conflict zones combined in each year since 2019.

There is no situation in which cutting off an entire country and/or territory's supply of food and water is justified.

Yes, this applies to every group involved in the war, including countries supplying either side, and any countries or non-state organizations who may yet join the fighting.

The initial Hamas attack on Israel was a tragedy. The continued Israeli bombardment and invasion of Palestine is also a tragedy.

Most of the things I post will be about aid reaching Palestinians or news about tangible, confirmed progress toward a ceasefire. I probably will not be posting good news posts about aid reaching Israel, unless it's explicitly and only humanitarian and/or barring drastic unforeseen changes in circumstance. This is because as of yesterday, November 7, the Palestinian death toll is over 10,000 to Israel's roughly 1,400 (only about 200 of whom have been killed in the past month, starting on October 8, aka outside of the initial attack by Hamas). At least 3,195 children have died in Gaza, 33 in the West Bank, and 29 in Israel.

The Palestinian death toll is nearly 8 times the Israeli death toll. The number of children killed is 110 times higher in Palestine than Israel. (Source for death toll here, ratios via calculator.) Every single one of those deaths is a tragedy - and there have been far, far too many tragedies this past month.

(On a related note, Israel stands very, very little chance of actually eliminating Hamas with this war. The US has attempted this same strategy and failed many times: the US failed to eliminate the communist/North Korean regime in the Korean War, which is technically still ongoing 70 years later; failed to eliminate the Viet Cong in the Vietnam War; failed to eliminate numerous groups of Iraqi insurgents in the Iraq War, which triggered Iraq's civil war; and failed to eliminate the Taliban in the Afghanistan War, even though that war lasted for literally 20 years. Afghanistan is once again under total Taliban control.)

The last thing we need is another 20 year war. The last thing we need is more civilian deaths. Bombing civilian settlements, as well as hospitals, shelters, and refugee camps are war crimes under international law, meaning that both Israel and Hamas have committed war crimes.

It's time for the war crimes to stop.

Humanitarian aid reaching civilians is good news, and I will be posting accordingly.

Ceasefire now.