#just need to credit :3

[mag-loopy]

There was an attempt at drawing venti in the Mizuki trailer style, but alas

It doesn’t suit me that much I think

[saturnisfallingdown]

I HAVE. A QUERY. for artists who have been posting stuff online for several years now....

[abstractfrog]

SILVER BLAZE PART THREE - happy jonkday everyone. one of these days i'll draw a scene that doesn't take place at night

[dreamsicle262]

Dead Plate AU Information

This is a masterpost detailing my AUs for Dead Plate, which may soon become their own fanfics—if given enough time—since I plan on trying to write out a few. There's a lot of text so be warned: there's a long post underneath the cut. I tried to describe character designs when necessary because there's currently no images like character sheets/references yet. Hopefully I'll get there. This post might be edited if I have more AU ideas, or if I add pictures.

As a note beforehand, I do have a headcanon involving Vincent not having a sense of smell, since being able to taste goes hand in hand with being able to pick up on scents. If he can’t taste things, then he likely cannot smell anything either. This headcanon remains consistent with him in these universes, unless stated otherwise.

Vampire AU

Dead Plate, but Vincent is a vampire. That’s pretty much what this AU is.

At some point prior to the events of Dead Plate, Vincent got turned into a vampire. He has only been dealing with it for a short amount of time, and his fangs have been taking quite a while to grow in. He didn’t really think anything of it at first. He still couldn’t taste foods, his appetite generally remained low, and he usually didn’t experience hunger very strongly.

He does murder Manon still. It’s during this time that Vincent is suddenly aware that he’s able to smell blood. Naturally, he figures that if he can smell blood, then he might be able to taste it. However, he doesn’t drink any of Manon’s blood to test this; whatever she has to offer he’s not interested in. It’s at this point that his plans have changed, and figuring out if he can actually taste something aside from nothing at all becomes his main priority. The whole ‘cooking with love’ thing is put off to the side for the time being. This could be attributed to him being selfishly inclined.

It's only when Rody accidentally cuts open his finger the next day that things change, and he actually does take the opportunity he’s been given to taste test his blood. As expected, this is an awkward situation for the both of them afterwards.

I haven’t fully decided on where I’d like to go with this AU to make it any different from the main plot of Dead Plate, but maybe an incident happens during the dinner party or something. I’ll figure it out when I actually get to writing the potential fanfic for this one.

There are no design changes for this AU aside from me giving Vincent fangs. He looks normal otherwise, and his fangs aren’t visible when his mouth is closed. There’s general vampire lore that I use that’s different from what’s usually expected of vampires but that probably doesn’t need to be elaborated here. I’m always open to questions on my AUs for further clarification though.

Florist + butcher AU

Rody is a florist, and Vincent is a butcher.

Vincent wasn’t able to open up a restaurant in this AU, but was content with opening up a butcher shop instead, still providing quality service to his customers in the process. Despite his shop being popular, it isn’t as large as it could be. In order to not put as much pressure on himself, he does have a few employees managing the shop’s orders, which mostly consists of providing custom cuts of meat or preparing special deliveries since his business is still a fairly big deal. Vincent himself mostly deals with the actual butchering in the back, instead of serving customers directly. He’s very picky about where he sources his products from, only accepting offers from places with a track record of animals raised to be high quality. Sometimes, this makes his store’s selections limited, and because it takes time to get new shipments in occasionally due to the distance, the products rotate every two days. Vincent lives above his business.

Rody is a florist, having managed to open up a store by saving up enough money to rent out an available building right next to Vincent’s butcher shop. He did this in order to cope with his break up, and to hopefully impress Manon and get her back. Since he’s managed to start his own business, it’s working out for him, surprisingly. Even if his business is for her sake and not his, at least he’s making progress with some personal growth and success. Rody still has a few issues with sourcing his products if he can’t grow them himself, but is otherwise doing okay. It is due to this reason that he is unable to deliver flowers, and majority of his customers are walk-ins instead. The only exception is if they happen to live nearby and he can reach them that way with his bike. Some of the flowers he sells come from his rooftop garden, which is contained within a greenhouse so he doesn’t go out of business every winter. His new apartment is below this garden, but above his flower shop. It is still considerably messy, but he tries to make improvements where he can.

Manon never had a rebound with Vincent, and was only aware that Rody had opened up a flower shop when he happened to get an advertisement in the newspaper and she saw it. Since then, she has opted to stay in contact with him, and occasionally visits like she used to. She lives somewhat nearby both stores. Given how Rody is making personal progress instead of being too self-sacrificing for her, she’s been trying to encourage him to invest more into his business instead of worrying about her all the time. It’s worked a little bit so far. Sometimes, Rody gives her nice bouquets of flowers that have meanings behind them since he knows quite a lot about flower language now.

Plot-wise, Rody will be staying in his chosen location near Vincent's butcher shop until he has enough money to relocate, but during that time he will get to know Vincent more due to their close proximity to each other constantly. Vincent, while originally annoyed by Rody's presence, starts to become intrigued by him and wants him to stay just so he can observe him some more. Of course, this leads to problems when he catches wind that Rody will be leaving soon, and is later told by Rody himself that he'll soon be 'out of his hair' in another month or so.

In response to this, Vincent starts sabotaging Rody's business by messing with stuff regarding the building (electrical cables, etc etc) and killing off his most frequent customers in order to cook into meals for him as potential bribery to stay. All of this negatively impacts Rody's business, especially financially, so he has to remain where he is longer than expected. He doesn't even know that Vincent is killing his business (quite literally) right next to him.

Design-wise, Rody wears an outfit similar to his casual clothes, but with his shirt buttoned up. His undershirt is a faded mossy green. Over his shirt, he has a dark brown apron with small, white floral patterns embroidered at the bottom to make it more noticeable. He also has an upper left pocket in the apron that he uses to tuck one flower in every day. It is usually roses of varying colors, but can be other flowers that mean love as well. Sometimes, his hair is tied back in a small low ponytail.

Vincent's design remains relatively the same, save for a kind of yellowish apron that goes over his outfit as well, and a pair of black gloves. His apron used to be white, but, given the nature of his work, it ended up giving it a look similar to old and yellowed book pages. It definitely has a few stains on it, but that comes with the job.

Manon retains her usual design. Can't improve perfection.

Zombie apocalypse AU

I had the vague idea for this AU, and @dollsteaparty helped me out with some other bits.

This AU is after the Table for One ending.

The zombie apocalypse happens and Rody primarily remains in his apartment during the beginning of it. He doesn't dare leave, and he doesn't even bother to look outside. The prospect of it scares him shitless, and for good reason. However, at some point he starts running out of food, and he can really only think of one good place in order to stock up. This forces him to finally venture out of his safe haven of his apartment and go back to Vincent's restaurant.

Unfortunately, Vincent is undead by this time, and isn't in a very good shape. His mouth is all fucked up and generally looks kinda like that one doodle in the upper left corner of a page by one of the devs that looked like it was based on a game or something. To make matters worse, he regained his ability to taste when he got turned in the first place, but his jaw is weakened and he can't bite down as well as he'd like or move it as much as he wants to most of the time. He can taste just fine but can't eat well, which has the expected side effect of pissing him off greatly with how ironic it is. Other than that, he's pretty well put together as a zombie, aside from the obvious ravenous behavior and poor muscle control that comes with being one in general.

When Rody does find Vincent, he's in the freezer room, and while Rody is strong enough to hold him off, it quickly becomes annoying to have to do. Eventually he's able to come to a compromise with Vincent, since apparently he's able to be reasoned with even in his current condition. Rody stitches up the sides of Vincent's jaw to the best of his ability to make it look more normal, but his handiwork isn't the best since his hands were so shaky. He was just nervous about them being near Vincent's mouth and the possibility of being bitten that comes with that.

The two then enter a relationship of forced codependency due to Vincent wanting to reopen his bistro even though it's the apocalypse since he's dead set on continuing business as usual and he can finally taste food, and Rody needing a safer place to stay where there's a food supply available, not to mention weapons. In fact, Rody's return helps the restaurant reopen, since beforehand people were too scared to enter the place, and they didn't even know it was technically still functional. It's still clean and everything too, because there was no way in hell Vincent would let his bistro fall into ruin.

The place becomes tense neutral ground where no violence is permitted in the dining area, and people are advised to use their best manners. It's a fine dining establishment and they will act accordingly. Both alive and undead customers show up, but now there's a sign outside the bistro that has a set of rules that everyone has to abide by if they wish to live. Besides, Vincent is capable of either reasoning with or even outright threatening other undead people if they don't act nice to their living counterparts while inside or around his esteemed establishment.

No one can have their weapons out or in view, customers cannot fight amongst themselves, no one except for staff are allowed in the kitchen, don't ask about the screams coming from the freezer, no one is advised to make sudden movements like running (something about predator drive and sudden movements making even valued customers look like prey), no one is advised to send the meals back to the kitchen since they most likely don't want their scent on it (they'll be associated with the food and have to be killed anyways), and if anyone has a problem, they can take it up with Vincent personally in the freezer. True to his word, Vincent still doesn't serve human meat... to his human customers. Any undead customers will usually be consuming human meat in their dishes because they can actually appreciate it.

Rody is the only one allowed to serve the customers in the dining area because all of the cooks working for Vincent are also undead, with the exception of the one cook that was fired since they got rehired. They help to desensitize their undead coworkers to a human in their midst, and also are a familiar face, so they have a lower risk of getting attacked. The zombified cooks and their fear of Vincent overrides any instincts that they might have as zombies, so he's capable of keeping them in line and certainly isn't afraid to enforce his rules in the kitchen. Both Vincent and his employees are in a much better preserved condition than any zombies outside the establishment due to them having access to a functional freezer. Also, Vincent does still pay whoever works for him. Vincent's apartment just upstairs has largely not been used in awhile, so that is where Rody stays, along with people who are looking for a safe place to stay for only one night. Vincent gets oddly upset when there's guests and Rody has to stay with them, but he does know it's for the better. Rody is also responsible for going on resource runs for cleaning supplies or ingredients, and for also stitching up the cooks when necessary.

Speaking of the cooks, sometimes they are put in the freezer on meat hooks as a form of solitary confinement for messing up very badly. They look miserable through that window in the freezer room door and Rody can very clearly see them when this does occur. That one human cook isn't stabbed with the meat hook and is usually just tied to it instead. If Rody gets the same treatment, he is usually tied up and left to sit on the floor for awhile, but typically doesn't remain in there for long since he either has to serve customers or Vincent deems his expression too 'unpleasant to look at' and lets him go anyways.

Character designs aren't too different aside from Vincent looking a little messed up in regards to his jaw, and Rody looking a lot more unkempt.

I also don't know where I'm going with this AU and if I particularly want Rody to be zombified or not... but I did think about a scenario where that would happen, as a treat. He would be turned by Vincent personally if he was dying somehow, and he'd probably try to get to his heart to eat it first before Rody turns completely. Something about wanting to taste what love really tastes like since it's his heart... and for Rody, laying his heart bare (literally in this case) and being able to love in such a way that it practically seems like he's serving his heart on a platter. Very big fan of the character design and what it could mean or show about him. Also I think Rody should lose the ear he lost in the actual game too. Just because.

As for that one human cook, Vincent would probably just get another cook to make them into a zombie if they were on the verge of death. They're not worth his time.

Plushie platonic soulmate AU

(Disclaimer: I actually am not fond of soulmate AUs in the traditional sense (aka almost exclusively romantic in nature) so this is platonic. Vincent is aspec to me in some way to begin with, so there's that too.)

During his emotional turmoil following his break up, Rody receives a mysterious plushie at his doorstep that looks like someone he’s never met before. He doesn’t know who sent it. This plushie is Vincent, but Rody doesn’t really know that yet. He’s heard of him since he’s a world renowned chef, but he’s not very familiar with his appearance. Either way, he reluctantly decides to keep the plushie, before eventually discarding it after it keeps showing up in his kitchen despite him putting it on a shelf somewhere. Also, his utensils seem to move in different places every day, so it’s creeping him out. It’s during this time that he’s looking for a job, but doesn’t take up the opportunity to work for Vincent, and instead opts for a simple fast food job. The Vincent plushie keeps showing up despite Rody’s attempts to get rid of it, so he just gives up and lets it remain in his apartment. One day, he wakes up to a fresh lemon tart, but no evidence that it was baked using his kitchen, especially since he doesn’t even have the ingredients to make that dessert. Beside it is the plushie, sitting there innocently.

On the other side of things, Vincent also receives a plushie of Rody that appears in his apartment one day on his living room table. He simply discards it, uncaring of where it came from. However, it keeps appearing again and again and it’s frustrating him to no end. At some point, he mutilates it with one of his knives, then trashes it again. When it comes back just as new, he puts it in plastic packaging and tosses it out of his window into the alley. When it returns yet again, he finally gets so fed up that he shoves it into the oven and sets it on fire that way. The plushie ends up coming back again and Vincent just puts it on his desk in his room, unwilling to mess with it anymore. He has no idea who the plushie was supposed to be because he’s never seen anyone like that before in his bistro. On top of this being strange, he also feels the strange urge to hide this plushie from Manon, since he doesn’t want her knowing that he has this. It’s unnatural and out of character for him to have something like that when it doesn’t serve any real purpose.

At some point, Rody and Vincent get to find the other person with their plushie counterpart and are both left thoroughly confused as to what it could mean.

Character designs for this AU do not vary.

Vincent forced therapy AU

Funnily enough, this AU came to me in a dream with one vague scene, and then it just went from there after discussing it with @vinylbiohazard. It's also exactly what it sounds like.

This AU is set after the Best Served Hot ending.

Vincent somehow survives after his restaurant was set on fire, but does have severe burns and some blood loss. The only reason why he doesn’t have severe blood loss is because the wound on his neck was cauterized by the flames, so it ended up not bleeding as much anymore. There’s still the glass shards that needed to be dealt with, though, so he does still need medical attention. One of the luckiest factors in this is how his restaurant was running out of cooking oil anyways, which is one of the reasons why he was even able to get out in the first place before his exits were blocked off.

Whenever the information of his bistro burning down becomes public, the general assumption of what happened is that he had been drunk, suddenly ‘snapped,’ and then tried to commit suicide while also taking his business with him. Essentially, his life is ruined, because he doesn’t seem too stable to the general population, and the media is having a field day with headlines. He does end up in the hospital trying to recover, and he’s not permitted to speak much for a while so his neck can heal. He technically still can since his vocal cords weren’t damaged, but it’s best that he doesn’t talk for some time. His neck is still in bad shape, but it could have been worse; the wine bottle that he was stabbed with narrowly missed the major veins and arteries in that area. By the end of everything, he does heal enough to look relatively normal, aside from the burns and scar tissue.

During this time, Rody is laying low at his apartment. He never comes out with the truth regarding his missing ear, and everyone just assumes that he lost it in an unrelated accident for being clumsy. While he would ideally like to stay away from the food industry, he does end up finding another job at a fast food place. When he learns that Vincent is still alive, he’s initially still upset, but since he’s had some time to cool down following the incident, he mostly just feels horrible. After all, he had expressed some concern about Vincent losing everything if something were to happen to his business. While not ready to approach him about it in the direct aftermath, Rody decides that he will try to talk it out with him at a later date.

As it gets closer to the day where Vincent can be released from the hospital, Rody shows up to talk to him, or, more accurately, speak his mind. He can talk to him without being interrupted, so he’s taking his opportunity to explain why he was so upset and why he acted the way he did. Adrenaline and trying to make rational decisions don’t mix well. Vincent has to sit there and listen to Rody rant for a little bit, all while he’s still not supposed to speak. At some point a nurse asks if the two were friends or something, and Rody has to awkwardly go along with it and say yes. Vincent is probably grumbling to himself mentally as this occurs.

Unfortunately, since Vincent’s apartment was above his restaurant, he doesn’t have anywhere else to go but Rody’s apartment following being released from the hospital. Rody’s not too happy with it either, but he’ll manage. In fact, he’s the reason why Vincent even gets to go to therapy in the first place. He’s the one to suggest it.

Vincent keeps taking Rody’s knives in his apartment because he doesn’t use them, they’re sharp, and he’s been considering killing Rody off anyways from being forced to live with him for so long. He has to keep getting them confiscated by Rody due to this. Whenever he’s scheduled to have therapy, however, he brings at least three knives with him and keeps them hidden. He doesn’t actually get to take them into the room where he’s supposed to have a therapy session and he has to begrudgingly give them all back to Rody beforehand. He may have been fully intending on using them to murder the therapist. It doesn’t look good for him, but he essentially has a mentality similar to ‘I’ve lost everything so why does it matter what I do now?’, so he doesn’t care.

There are no design changes for Rody in this AU, but Vincent has a few. There’s scar tissue on the right side of his neck from being stabbed there, as well as burn scars. There’s additional burns on most of his upper torso and arms. Any other burns aren’t as major, and most of them on his body healed over. In the hospital, he had bandages on over these while they were still healing.

[vibiano]

VIBIANO BLAST. walked into a room with my ipad and stylus walked out an hour later with a dazed expression and vivid blue lipstick marks all over my face…. I love how you draw her I couldn’t help myself

ABSOLUTELY STUNNINGGGG THANK YOU SO MUCH FOR SHARING.... omg the way you chose the colors is so gorgeous and your style is soooo gorgeous Im obzezzed. I adore the brush you chose!! And ahhh her OUTFIT!! His makeup!! She is sooo pretty Im absolutely obsessed especially with the tail and the ears and the face and the hand and the shading on the texture of the dress... this is genuinely so incredibly stunning Im in awe!! Thank you so much for sharing this with me!! 💋💋💋 <- me kissing her beautiful face

[dootznbootz]

My childhood friend said that my Odysseus looks like a mix of Chappell Roan and Griffith from Berserk and that thought is killing me. It's too correct.

(Lovely doodle of my boy courtesy of the wonderful fellow trashcat @thehelplessmortals :3 )

[sethiescope]

some of my favorite phones for the holiday. HAPPY NATIONAL TELEPHONE DAY!!!

[thestarswillguide]

I am SO UNWELL with the fact that they gave us Aaravos with a FREAKING HIGH PONYTAIL & LONG SHARP NAILS OMG!?!?!?

[bandanad33]

Made some core blinkies!!!

update, I made glados and aegis ones here :3

[lunarharp]

if i just told you i love you would this world change

[mangotri]

Lil silly Tessa 🖤

[al-luviec]

band au

[00fairylights00]

I Guess You Just Don’t Love Me Anymore

GIF from @glowing-starlight on Tumblr

I was so taken by @ash-arts-but-sinful's post which mentions P being jealous of the cat and @oldworldghost’s post which contains the idea of him becoming more mischievous and sassy as he becomes human that I just had to write a little something, I hope it’s alright that I drew on your thoughts for some inspiration!

As a disclaimer, I haven’t finished my first play-through yet so this is more of a character study based off of what I’ve experienced in-game and what I’ve been seeing on Tumblr instead of delving heavily into the world-building and established story that exists within the game. So hopefully no spoilers and it’s very likely that this won’t at all line up with the in-game timeline.

Big thanks to @cupidsredcollar beloved for proofreading <3 

For as long you had known Pinocchio you had never known him to be a jealous individual, in fact, when you’d first met that bleak, overcast morning in Hotel Krat you had been almost unsettled by his uncanny nature. 

His features were perfectly human, aside from the metal prosthetic he’d been fitted with. He had freckles and soft hair, a face that looked fashioned from a real person instead of the smiling caricatures Krat’s puppets were usually fitted with. 

But despite his boyish features, his face barely moved, he nodded along to Sophia as she gave him the task of locating his father, Mr. Geppetto, and tilted his head in question as Lady Antonia explained the concept of lying but his brows didn’t so much as pinch, his lips didn’t quirk and his eyes looked straight through you as you had wished him safety on his travels.

So watching in real time as he came into his own was something you cherished greatly, you continued to watch him grow and change, become something new. Pinocchio chose to spend a lot of his down time with you, he said he found you interesting, that you had a way of explaining humanity that made sense to him and over the last couple of weeks something had started to shift in him.

No, Pinocchio had never been a jealous individual, for as long as you’d known him.

Until today.

Your morning had started normally, woken up by the cool feeling of P’s lips against your forehead, human hand smoothing back your hair. He mumbled something about needing to go out, you tried to convince him to come back to bed, he tried to convince you to get up (he always wins).

P drags you down to the kitchen, you eat and he watches, something that was initially a little awkward but you’ve come to really look forward to, then you farewell each other at the rear entrance of the hotel. 

He holds you close to his chest, resting his lips to your hairline and making you promise to look after yourself and your companions while he’s away, you make him promise to be careful though you know he’s not always able to, often catching glimpses of Sophia muttering blessings and incantations under her breath in the foyer.

“It’s just Ergo hunting today, I’ll be more than careful.” He whispers, human arm winding around your shoulder. You breathe him in, hands to his chest feeling the odd sensation of his heart, not quite a tick but not quite a beat. 

You lean up to kiss against the slant of his jaw, his mechanical pulse jumping in response. He looks down at you, you catch the fondness in his blue eyes without mistake, he captures your lips in his, holding on for a second longer than he knows is necessary (it’s not like you mind though).

Lounging against the doorway, watching him walk towards the entrance of Elysion Boulevard, he turns and gives a last longing look over his shoulder before stepping through the wrought iron gates and disappearing from view.

You sigh, making your way back inside to start on your usual round of chores, helping where you could to take the load off of Polendina who needed more time to focus on Lady Antonia and her illness. You had just returned to the puppet butler for more tasks when you noticed movement on the top of the shelf behind the front desk. 

Sitting tall and proud was Hotel Krat’s resident sweetheart, Spring, tail swishing steadily as she kept watch of the foyer from her perch. The white and orange cat jumped down to the desk as she noticed you, laying down across the dark wood and turning over in gesture for belly rubs; which you gave happily. 

“She’s been very noisy today,” Polendina explained, stroking the cat, “I wonder what she’s trying to tell us?”

“Probably trying to manipulate us into giving her more treats, isn’t that right?” You accused lightly, you were sure that if he could, Polendina would be smiling. 

“There is another load of laundry that needs folding, could I have a hand?” He asked politely.

“Of course Polendina.”

And it seemed you had found yourself a shadow, Spring making an unreasonable amount of noise as she followed you and Polendina around the hotel. She wound between your legs, chirruped in response to your voices and bumped her head against whatever part of your bodies were within her reach. 

It was no surprise that Spring was loved by the inhabitants of the hotel, and it was very apparent that she loved them back, well everyone except for P. Not for lack of trying of course, he followed your advice of trying to build trust between him and the animal but she wouldn’t so much as let P touch her, hissing her disapproval for all to hear.

You’d often watch as P would recoil from Spring, the feline swiping and spitting at the puppet. You couldn’t tell from his expressions if the cat’s dislike for him bummed him out but sometimes as he lay next to you in bed he would lament quietly that Spring hated him, which would award him a sound of humoured pity and a kiss for the cheek.

It wasn’t clear what it was about P that set Spring off so aggressively. In all the time you had spent at Hotel Krat she’d never behaved in such an unfriendly way, even complete strangers who would seek refuge for short periods of time were welcome to interact with Spring freely. 

She would bask in the attention. You hoped that she would eventually come around to the puppet, given it looked like he would be around for the long haul and you just knew the two would be the best of friends if she would stop being so nasty.

But P was patient, far more patient than you were and it showed as you folded and unfolded the same piece of linen for the third time without realising, Polendina placed a gloved hand over your own, silently relieving you of duty.

“Apologies, my mind seems to be elsewhere Polendina.”

“You worry for the boy, it’s only natural that your mind wanders.” You sometimes forget how long Polendina has been around, having been a close companion of Lady Antonia’s for decades. You had a feeling he knew more about human emotions than he let on, somehow he always knew what to say when it came to your thoughts surrounding Geppetto’s Puppet. 

“I just can’t help it, and with him figuring out who he is, I fear he’ll get himself hurt by being too kind.” You wring your hands in your lap, focusing hard on the lines in your skin as you try to keep yourself from thinking of anything too awful.

“He has met humans who have given him trouble before and he has a good head on his shoulders. I would wager that you have nothing to worry about, but I understand that may not put your mind at ease.” 

“It doesn’t but thank you.” Your hand went to Polendina’s shoulder with a smile. “I think I’m going to find something else to do, try and get my mind off of things.”

Polendina nodded once, going back to folding the linens, “I’ll send the boy your way when he returns.”

You smiled in earnest, appreciative of Polendina’s knowing kindness. 

Spring, who had been lounging between you and Polendina, got up, stretching herself out and scampering over to your side. She meowed frantically to grasp your attention. 

Her interruptions continued as you made your way around the kitchen. It wasn’t particularly dirty given how little it was being used now, however, the repetitive action of wiping down the countertops and sweeping the floor were just the distraction you were looking for. 

Your ears perked up at the heavy steps of boots on marble floors, the jingle of P’s belt was something you could identify in your sleep. He stood tall in the doorway, all sweet smiles and fidgeting hands. Happy to see you, always happy to see you.

He was shockingly clean as he approached, resting his forehead to yours as his hands found their place on your waist, all the scolding about tracking oil and muck through the hotel was finally paying off.

You ran your hands over the intricate designs embossed onto the lapel of his coat, smoothing the fabric down before hooking your hands behind his neck.

“Welcome home, pretty boy.” You cooed, brushing your nose against his. 

He liked the small intimacies you shared, bunny kisses you’d come to find were a favourite of his.

“You can go and relax if you want, I’m just cleaning.” You offered, but he shook his head. 

Spring had also gotten bored of waiting on you, brushing up against your legs. So there you stood, sandwiched between your two favourite beings. 

And two shadows wouldn’t be so bad if they would stop getting under foot, you laughed as Spring and P fought for your attention while you made your way around the kitchen.

P hovered close, slinging his arm around your waist as you tried to pass him. You stopped short as he pressed his face into your neck, leaning back against his chest and resting your hands over his wrist. You could feel him smile against your skin, a careful, small smile that only he could manage.

At that moment Spring took it upon herself to jump up onto the counter in front of you, hissing and swiping at P, he scowled and pulled you closer.

“Beast,” he scowled, you gaped at P, smacking the back of your hand at his chest.

“Don’t be horrible, she’s just protecting her territory,” you chided, 

“I haven’t done anything to her, yet she spits at me.” He complained, you thought your ears might be playing tricks on you at the distinct sound of a whine in his tone.

“You love her.” You reminded smugly, a truth he was unable to escape.

“Yeah, unfortunately,” he mumbled, you pushed against his hold, trying to signal your want to move and he hesitantly loosened his grip. Hand ghosting over your waist as he watched you go, you threw a smile over your shoulder which he returned in kind.

You gave Spring a kiss on the head, letting her nuzzle her face against yours before scooping her up and putting her down on the floor where she went back to curling around your legs.

“Ah, so the cat gets a kiss but I don’t?” P asked. You snorted, flinging the rag you’d been using to polish the countertops over your shoulder.

You lent your hip against the counter and crossed your arms over your chest, “you never asked for a kiss, how was I supposed to know that’s what you wanted?”

“I feel like it was obvious.” He placed both of his hands on the counter, stretching his arms out straight as he pushed against the granite. 

You rolled your eyes in jest, unable to keep the fond smile from creeping onto your face, playfully exasperated you closed the short distance between the two of you. Lifting up on your tip-toes to press a kiss to the corner of his mouth, he was quick to move his head once you’d pulled back. Hands to your waist and pulling you against him, sealing his lips to yours so quickly it pulled a sound of shock from your throat.

“What’s up with you today, you’ve been awfully touchy.” You teased, twisting the ends of his hair between your fingers. “Not that I’m complaining of course.”

“Missed you,” he murmured, pressing his lips to your forehead tenderly. 

“I missed you too, always miss you when you’re gone.” You placed a hand on his cheek, thumb rubbing gently under his eye.

He pulled the rag from your shoulder and threw it behind you unceremoniously, taking your hand from his cheek to drag you out of the kitchen, a laugh bubbled out of your throat that P was happy to mischievously return.

He led you to the library, seating you at the piano and turning away to rifle through the sheet music stacked in a crate on the floor. He’d been getting better day by day. 

His body wasn’t exactly built to do delicate actions but that never seemed to stop him, in fact, he was inexplicably drawn to all the soft parts of being human even if initially he was afraid to get it wrong. The last thing he’d ever want to do is hurt anyone close to him and for that reason he was acutely aware of the raw strength he possessed.

Though his conscious effort to be gentle made all the difference.

Spring decided she’d had enough of being ignored, jumping up onto the piano bench and brushing up against you, pressing close and then curling down next to you. P turned around, the particular book of sheet music he was searching for held up in his hand, his expression dropped almost comically as he noticed Spring’s position next to you, taking up what was going to be his spot.

“Move her,” he says simply, you throw your head back with a hearty laugh but P’s serious expression doesn’t change.

“No,” you start with a laugh, “Spring got here first, you’ll have to pull up a chair.”

P continued to stand his ground, you wondered if he hoped his very presence would annoy Spring enough that she’d disappear of her own accord, but the cat only opened one eye. She regarded P from her curled up position before nestling her chin back down into her tail. 

It was like Spring knew she was in his spot and was smugly showing off to him, purring loudly.

“P, I’m not moving the cat. Just come and sit on the other side of me.” You insisted, watching as his unappreciated love for the animal won out and he stalked off to get a chair. You chuckled under your breath and passed your fingers through Spring’s soft fur.

“You are so mean to him, you know? He’s quite fond of you and I think you two would be very good friends if you gave him the chance.” You whispered to the cat who ignored you, continuing to purr unabashedly.

Unbeknownst to you, P watched your interaction with the feline from the doorway, his chest feeling warm in a way he wasn’t quite used to yet. Touched by your words that you thought were falling on deaf ears.

He gave in to your fondness for the cat, pulling his chair up next to you, fingers gently flitting across the keys as you hummed softly, head resting comfortably on his shoulder. He decided he didn’t mind this so much.

Late in the evening, however, he decided he did mind. 

You were curled up in your bed a book in hand and Spring dozing lazily in your lap, he entered the room and his shoulders physically dropped.

“What’s the matter?” You asked, thumb placed between the pages of your book as a makeshift bookmark. 

“Nothing,” he mumbled, sitting down unceremoniously on the edge of your bed to take off his shoes.

You placed the now forgotten book on your bedside cabinet, the act of sitting up a little difficult with the cat in your lap. You reached for his shoulder but he shrugged off your hand, trying to hide the action by stripping off his coat.

He stood and draped the coat over the back of your desk chair and moved to unbutton his waistcoat, all while staring down Spring with a scowl.

It clicked.

“Are you jealous of the cat?” You wanted deeply to believe that your Pinocchio was not jealous of a cat, but you couldn’t come up with a more sound explanation.

“I don’t know what that word means.” He lied, avoiding your gaze entirely, unbuckling his belt and dumping it on the desk, Gemini didn’t say anything so you assumed he mustn’t be awake.

“Yes you do,” you rolled your eyes, “I remember very clearly the conversation we had about it.” 

He didn’t respond, turning his back to you and focusing his attention on rifling through the dresser drawer full of his clothes. The sleep clothes he was looking for were folded at the end of the bed.

“It’s okay that you’re jealous of-”

“I am not jealous.” Quick, concise and with no room for argument, he spun back on you. His snapping didn’t phase you.

“Uh huh,” you teased with a smirk, turning all your attention back to Spring who’d been ignoring your exchange.

Perhaps what you were doing was a little mean, given that before you hadn’t been ignoring him on purpose, but it was too fun an opportunity to pass up. P let out a disgruntled huff, shuffling around in your peripheral.

“I guess you just don’t love me anymore.” He offered with his arms crossed over his chest, your jaw dropped and a shocked laugh fell out of your open mouth.

“You take that back, immediately!” You snapped playfully, sitting up fully and annoying the cat enough for her to get up and move.

“Make me.” The challenge he’d levied would mean conceding to his childish behaviour but after all he’d been through, you thought it only fair. 

You pulled the sheets back and stood from the bed, crossing the room to him. He tried to act as though he was uninterested, tried to pretend that your hands on his chest didn’t affect him, tried to ignore the speed of his heart as it hammered under your palm.

Your hands travelled the beaten path they always did, from his chest to his collarbone, then hooking behind his neck. Trying to pull him down was useless, like trying to topple a brick wall with bare hands, but you caught him staring out of the corner of his eye.

“Look at me.” Your whisper was a command, and he had always been faithful to a fault. “I love you.”

He tried to hide the oncoming smile, dropping his chin to his chest, but you were quick to guide his gaze back to yours. There was no way you’d be missing that careful grin. His eyes were soft and gentle when they met your own, there was hesitance in them that you didn’t want to see, so you kissed him.

He melted against you, arms winding around your back and pulling you against his chest, you hummed and he couldn’t stop the full blown grin from forming on his lips; breaking away to look at you like a giddy school boy.

“Are you going to take it back?” You asked, brushing your nose against his in a bunny kiss. 

“Will I still get to kiss you if I do?” He joked, you rolled your eyes albeit in good nature, hands cradling his cheeks as he continued to smile.

“I think that can be arranged,” you mused, leaning in to kiss him again, the two of you falling into familiar rhythm with one another.

Spring slinked out of the partially open door, tail held high, she had seen more than enough.

[dreamedofyou]

Only Friends Textposts: Ep 3 (1/2)

[tragictempest]

My Favorite School Spirits Scenes&Dialogue

[Feel free to use any of these as writing prompts]

CW: School Spirits Spoilers, Innapropriate Language, Mentions of Murder

---

(Maddie and Simon walk into the auto shop looking for evidence)

Simon: Talk about a perfect place to dump a body... He ever bring you here?

Maddie: .....

Simon: Oh jeez. This is where you guys hooked up?

Maddie: I'm not answering that.

Simon: Classy guy.. What, was the dumpster behind the Jack In The Box already taken?

Maddie: Oh, grow up. You tried to make a move on Celeste Molina at the bowling shoe return counter.

Simon: That was eighth grade!

Maddie: It was ninth! You just looked like an eighth grader.

---

Xavier: And you know what they say...

Maddie: What do they say?

Xavier: Bros before... strong, independent women with bright futures, it's a very popular phrase.

Maddie: You're stupid... you're lucky you're cute.

Xavier: What the Lord deny in brain, he deliver in beauty.

Maddie: And boy did he deny.

---

Maddie: Look, I can't really chat right now because I've got some holes in my memory to fill.

Wally: Hey, that's why I'm here, I can totally help you fill your holes.

---

Maddie: ...Excuse me?

Wally: Oh, uh, obviously I did not mean for it to come off that way.. it was more of a hypothetical "I can help you figure things out if you need it."

Maddie: Okay... I can handle it myself. And I don't need to take advice from someone who looks like they're headed to aerobics class.

Maddie: You were murdered by your guidance counselor?

Rhonda: Yep. Guided me straight to the light.

---

Rhonda: There's still people in this school that count on you. Dead people.

Maddie: Since when did you stop majoring in who-gives-a-fuck?

Rhonda: We all have to pitch in, pussytoes.

Maddie: I'm sorry, what did she just call me?

Charley: I.. I think it's probably a flower...?

Maddie: 'kay...

---

Simon: You hate scary movies, just own it.

Nicole: That's not true. I liked Scream.

Simon: That's scary satire, doesn't count.

Maddie: And you closed your eyes the second the movie started.

Nicole: No I didn't.

Maddie: You spent half the movie looking for that twizzler you dropped on the ground.

Simon: And you don't even like black licorice, that's Maddie's thing.

Nicole: Yeah, well, Maddie didn't invent black licorice.

---

Charley: The bigger disappointment was me thinking I would get to haunt all the assholes who tortured me while I was here. But uh, instead, I was haunted by all the jokes they made once I was gone.

Maddie: What do you mean?

Charley: I was a gay kid in the 90s who died because he was allergic to nuts.

Maddie: ...

Charley: Okay, that's where you're supposed to laugh.

---

Simon: Nicole, you were supposed to give me a ride this morning. To school? Remember?

Nicole: I had stuff to do. Sorry.

Simon: I figured, you were AWOL all weekend, didn't answer a single text.

Nicole: I had an application deadline, okay? So the video statement was due, my portfolio looks like it was slapped together by a third grader, so..

(A minute later, Simon opens up her binder and looks at her portfolio)

Simon: Hmm. FYI, you're a very impressive third grader. I mean, I'm impressed.

(He turns to a page that's full of half a dozen photographs of Maddie)

Simon: Uhh.. and a little concerned. Damn, she knew you took all these?

Nicole: I took a bunch of you too, you're just.. not photogenic..

Simon: Yeah.. but.. this is intense. I mean, it's cool, it's just a lot of maddiemaddiemaddiemaddiemaddiemaddie —

Nicole: — What are you trying to say?

Simon: ..Nothing. Hey. Breathe, stop doubting yourself, okay? If admission asks why you're obsessed, say you worshipped her. Tell 'em she taught you how to parallel park.

---

Maddie: Seriously? All we do is haunt the halls of the stupid school, and none of you have seen anything suspicious from Anderson?

Wally: Well, one time I saw Mr. Anderson misspell the word "Fundraiser" on a Boosters Club poster, and I – he forgot the D. I feel like that's pretty suspicious coming from an English teacher.

Charley: Wally.. I'm pretty sure that was a pun..? So I'm assuming he probably did that on purpose....

Rhonda: Sorry, sweets, we don't just stand around staring at the living all day.

Maddie: No.. you plan weekend fun. Like movie nights.

Mr. Martin: Well, we do what we can to break up the monotony, Maddie, that's all.

Charley: Well, if I may.. to be fair, watching the same five sports movies over and over again is kind of monotonous, Mr. Martin.

Wally: I thought you loved "Rudy".

Charley: No.

Wally: Wow. Just w– I can't even.

---

Rhonda: How are you not pissed right now!?

Wally: I am pissed, Rhonda, I'm just trying to make sense of this all, this is very new to me, I don't know how I feel —

Rhonda: Try not to lose it in front of your crush.

Wally: OK, YOU DONT HAVE TO BE MAD AT ME RHONDA -- I DIDNT DO ANYTHING, BE MAD AT HIM —

Rhonda: I am mad at him.

Wally: Okay, you said you wouldn't bring that up again —

---

Maddie: Have you seen my teacher Mr. Anderson?

Dawn: You mean like him with a murder weapon? Or your dead body?

Maddie: Yes!

Dawn: Nope! Though I am pretty easily distracted...

Maddie: Is it the.. bad acid?

Dawn: ....?

Maddie: Charley mentioned something about that..

Dawn: Well no, I've never taken drugs! I just meant from all the new ways you kids have had to connect... (starts talking about the internet)

Maddie: Okay.. well I've got to go talk to the bus crash kids.

Dawn: Oh, good luck. Those banjos are all bongo, if you know what I mean... You should let me come with! I speak bongo.

---

Nicole: I'm sorry, when did you become all Scooby Doo?

Claire: ...

Nicole: I mean, two months ago, you were wiping your feet on Maddie's face, now you're... what? Trading in your pom pom for a trench coat?

---

(Charley laying on the indoor pool bleachers with sunglasses over his glasses, smelling sunscreen)

Charley: Ah, I love this smell. Coconut, verbena.. you close your eyes, you could be anywhere. Miami.. Aruba...

Rhonda: Yeah, and then you open them, and there's a band-aid floating in the surf.

Charley: I miss a good sunburn.

Wally: I miss Debbie Gibson.

Rhonda: ...??

Wally: What? I thought we were talking about stuff that we miss.

---

(Emilio walks past Charley and makes him gay panic)

Rhonda: Dial it downnn.. just because you smell like an Almond Joy, doesn't mean he knows you're here.

Wally (to Maddie): That's Mr. Figueroa. Emilio. He was Charley's crush when they were still students here. He sponsors the.. L-G..T —

Rhonda: — B.

Wally: B-T-Q club.. and Charley never misses a meeting.

Charley: I only go for the refreshments.. and uh, you're one to talk. You hit the gym every day to impress some boneheads who only know you as a name on a scoreboard.

---

Charley: Okay, let's try hypnosis.

(Dawn randomly spawns in the back, sitting at the table eating the burrito)

Dawn: Oh, God no... Not that.

Wally: Hello, Dawn.. uhhh, how long — how long you been sitting there, girl?

Dawn: Since I smelled the burrito 😊

---

(The ghosts are gathered in a circle so they can begin the anti-seance as Dawn waves an old, burnt Brussels sprout around as a substitute for sage)

Dawn: Settle, settle, settle, settle. We're under Capricornus.

Rhonda: ...who?

Dawn: The stars. Close your eyes, look inward, right to the back of your skull. What are you seeing, Mads?

Maddie: Uh, not much, it's dark..

Dawn: Dark!

Rhonda: Maybe it's the back of her skull.

---

Xavier: I just -- I feel like I'm walking into a trap.

Maddie: Funny. I don't recall you being scared when you were hooking up in your backseat.

---

Rhonda: If I thought it would help me cross over, I would go out there and tackle someone.

Mr. Martin: Okay, that's the spirit.. I think.

---

Xavier: I wasn't tampering with anything, dad.

Sheriff Baxter: Man, how stupid do you think I am? What are we, runnin' neck and neck in the dumbass derby?

---

Wally: I wanna make sure she's okay!

Rhonda: Let's check the faculty lounge..

Charley: She didn't say she needed a nap.

Rhonda: Maybe she went to speak with Simon. Sorry.

Wally: Why are you sorry?

Rhonda: You wince every time you hear his name.

Wally: This is not me wincing, this is my happy face.

Rhonda: Ah, could have fooled me.

Wally: Look -- I know she's still trying to figure her stuff out, but I can wait. We're not even at halftime.

Rhonda: I don't know what that means.. but if that is your happy face, remind me to hide when you're really happy.

---

(Maddie and her mom arguing before Maddie's death)

Maddie: You wanna take everything that dad gave me? Here. Take this.

(Maddie rips her necklace off and hands it to her mom)

Maddie: You could pawn it, get 40 bucks from it. Buy yourself a fucking welcome mat.

---

Xavier: If I ask her about the phone, she's just gonna bail!

Simon: Stop being a fucking coward!

Xavier: A coward -- FUCK YOU SIMON.

---

Simon: SAYONARA, SHIT RIVER!! Northwestern won't know what hit 'em!!

(proceeds to bump into somebody walking through the hall as he says that)

Maddie: Slow your roll, we're not even in yet.

(Bell rings)

Mr. Anderson: You degenerates are late!

Nicole: I'm not even in your class..

Mr. Anderson: You're still late.. and degenerate.

---

Claire: What did you tell the police?

Mr. Anderson: I told them the truth. That I took that money to pay off my dad. Is that okay with you? Cool. Can I go?

Claire: Did you say anything about me!?

Mr. Anderson: Y'know what? I don't remember! 😛

---

Mr. Martin: It sounds like you're struggling. Write your obituary.

Maddie: Uh, no.

Mr. Martin: Everyone here has written one. It helps us to focus on the highlights of our lives, the sweet victories.

Maddie: I've gotten out of writing papers before because of cramps. I'm pretty sure death counts as a good excuse.

---

Simon: Happy?

Maddie: Yeah, I'm thrilled. My DNA is on a boiler room wall and my piece of shit boyfriend might have something to do with that. Does it get much happier!?

Simon: Oh, so now you come around? How many times did I tell you that dude was sketchy?

Maddie: This isn't about him keeping hand lotion in his glove compartment, Simon.

---

Simon: Bathrooms.. you're not gonna linger and wait there... right?

Maddie: ...

Simon: MADDIE

Maddie: Relax, I left before I saw anything.... But you should really wash your hands more.

Simon: Okay and now I'm hanging up. Byeeeee!

[planandexecution]

sonic 4 having metal sonic + metal sonic debuting in sonic cd + sonic cd having time travel + leaked storyboard version of the ark blowing up in sonic 3 called space station time travel……. i don’t know what this means but some dots are connecting in some kind of way