#just listened to this podcast and thought it was really fascinating

[sapphire-weapon]

"It's not the game. That's not what we're arguing about. It is all about an inherent thing we do of social sorting. The reason we socially sort is because we want to put ourselves into a group that gives us a sense of belonging, a sense of friendship, love, whatever you want to call it, and creating a sense of identity through which you can express yourself. These are very important things to people. [...] That is what people are really fighting over. It's masked under all these arguments over these merits about the game, but that's not actually what people are fighting about. They are fighting to defend their sense of identity and belonging from those who they believe are attacking that with their opinions about the game. [...] "What you can do is at least be aware of what's really going on inside of you when you get these strong feelings -- when you see these opposing views to what you believe. [...] Realize what's happening -- realize what's really happening. Take a step back from that. You have this cognizant higher thinking part of your brain right here behind your freaking forehead that you can use to go, 'Hold on a second, emotional part back there. This actually isn't all that serious.' [...] "Because it's going to happen. You're going to have a feeling that comes up. You're going to see somebody who says something and you're just going to feel annoyed. You're going to feel angry. You're going to feel all those feelings. You don't have a choice in that, by the way. That's just going to happen to you. That's the part we're saying you can't control about your human nature. But you can control -- being aware of where that's really coming from -- how you go about responding to that. [...] "We have to wrestle with this. We have to wrestle with how we respond to this. Because [...] we have tools at our disposal that put us into contact with people who, it feels like, are threatening us all the time when they're not. They're not. They're not threatening you. It feels like they are -- it really feels like it. Trust me, I know exactly what you're feeling. [...] I could not control myself. I literally couldn't for a while. If I saw somebody say something like that, I felt the need to validate my position, clarify, tell this guy or girl or whoever was saying it why they're wrong. It's in me, too. [...] "And, I feel like, just in the past couple weeks, I had a little bit of a breakthrough, where I was looking through some comments and I saw something, and I just kind of laughed at it instead of getting angry. I laughed at it because it was wrong; I didn't get angry because it was wrong. Like, my brain -- the prefrontal cortex finally broke through and convinced the amygdala that: 'You can laugh at that; it's okay. You're not threatened. Just laugh it off and walk away. You don't have to fight this person. You don't have to engage. You don't have to prove that they didn't understand what you really meant. You don't have to do that. It's just a video game.'"

-- Mike from Resonant Arc, talking about video game discourse and shipping wars

[area51-escapee]

My special interests in cults/Christian fundamentalism/the satanic panic crosses over with my love for comics to give me. Way too much knowledge on Chick Tracts

[callie-the-creator]

sfw. warnings: obsessive behavior, slight stalking, jealousy, saiki uses his powers for selfish reasons, etc.

author’s note: oh, don’t mind me, just writing some headcanons if saiki was ever a yandere.

• you and saiki first met in chūgakkō, junior high, but he didn’t fall in love with you until a few years later when you two were already in pk academy. maybe it’s all the accidentally bumping into him, dropping your papers and saiki being the one to help you pick them up, making awkward eye contact in class, hanging out with one another outside of school, or touching on the same snack you both are aiming for at either the vending machine or at the store... all the things somehow have you involved these recent days and saiki is less than impressed at first

• saiki has always stated time and time again that he personally does not think he will not fall in love, so he always watches others who are in love and help them if he can, but here he is…completely captivated by you of all people. he didn’t know why though, was the author just really that bored?

• good grief

⨯ . ⁺ ✦ ⊹ ꙳ ⁺ ‧ ⨯. ⁺ ✦ ⊹ . * ꙳ ✦ ⊹ ⨯ . ⁺ ✦ ⊹ ꙳ ⁺ ‧ ⨯. ⁺ ✦

• let it be known that he does possess the power to alter your perception of him. saiki could always just make you fall in love with him just like that…but…what’s the fun in that? no, no, he wouldn’t dream of doing that to you

— however, since saiki was born with the uncontrollable ability to read the minds of all living creatures in a multiple-mile radius…he can read your mind, he knows all of your favorite things, what you dislike, your hobbies, and your address. he didn’t mean to at first, but he did find your thoughts and imagination fascinating. he even finds himself listening to you during class like you’re his favorite podcast

• saiki is crazily protective over you.

— there was a time where you nearly got mugged! and when i say ‘nearly’, well, let’s just say you should be grateful saiki was there to protect you. can’t you see that he’ll always be here for you in a time of need? he’ll keep you safe, but only if you see that for yourself…

• saiki doesn’t think he’s the jealous type, but he will stop any other man who has a crush on you by any means necessary by either relentlessly embarrassing them for the rest of the day or wiping you from their memory because only saiki can have you. no one else. he doesn’t care how many people he has to make forget you to become your boyfriend

• what’s that? you wish it was a sunny day in japan instead of a rainy one? don’t you worry about a thing! saiki will handle that for you!

• stalking you is almost child’s play to saiki since he has so many powers to ensure you don’t spot him — shapeshifting, teleportation, you name it! but this is a good thing because you don’t have to worry about him being an aggressive type of yandere

— if he is following behind you when you’re walking home, i do think saiki would change to his female self, so you would be less scared

• once the author made you bring coffee jelly to school and willingly give it up to saiki after seeing him light up at the sight of it, saiki knew that he just had to marry you

• he could, quite literally, turn the world upside down for you if it meant that you’ll be with him.

[always-too-many-daisies]

I have too many thoughts about Jeremy Brett and most of them are making me too sad...

As far as we know, Jeremy was often scared of Holmes, scared of playing him but also obsessed and fascinated by the character. I kind of feel this way now about Jeremy due to this hyperfocus phase of mine...

This week I've finished listening to all the episodes of The Jeremy Brett Sherlock Holmes Podcast including all the interviews with Granada team members and guest stars who knew Jeremy. The interview with Prim Hardwicke was lovely. The interview with June Wyndham Davies was just heartbreaking. Hearing that she saw him when he was at his lowest mentally, probably suffering from psychosis and hallucinations caused by mania... It just makes me sad and frustrated that CHAD is generally so hard to treat, that you should take medicine all the time and ideally be in therapy and or/getting good psychoeducation and Jeremy didn't really have access to the knowledge on this disorder and level of care and support we have now... (even if now it's also often shitty and depends on your privilege). It's also so... scary - I think- that his mental and physical health was deteriorating at the same time. It would be hard enough to suffer from one thing but both... it's just wrecking. Also, June saying that Jeremy called her days before his death and to say goodbye...

On the brighter note, I think that it's amazing that despite the fact that Jeremy's friends were often hurt by him due to his disroder everyone was like "Oh Jeremy said some horrible stuff but I know it wasn't him because he was a lovely person, it was just his illness". I think it's beautiful to be remembered this way.

When I get too sad from all this I try to remember that he has been a successfull actor for like 25+ years before his ilnesses hit him hard. He is very much defined by the public by this last decade of his life because of Sherlock but maybe he shouldn't be.

Jeremy... I will never know you but you truly inspire me to be brave, to live and create.

[a-kind-of-merry-war]

will you please give us examples of resources to look at if we want to learn more about the concept of gender and maybe even transness in Medieval Europe? thanks!

whooooo boy right, there's a lot! I wanna start this by saying that I am very much not an expert, and I only have access to stuff I can find for free and the handful of books I can afford to buy second hand. Most of my research has been around gender as it relates to transness and GNC people. I am absolutely missing stuff, or have forgotten stuff, or simply lack the know-how to find stuff.

There's a few bits I've got on a TBR but haven't read yet - some I've included and some I haven't, depending on the source and how established it is.

Also: this is medieval Europe. The way pronouns are used to describe people don't really align with modern views of sex and gender. Also be aware of old-fashioned language use (for example, some texts talk about "hermaphrodites"). Remember that the way we talk about gender and trans identities is far different to how we even spoke about it 20 years ago.

So with that out of the way... I am chucking this under a read more, because it's long:

---

GENDER

Medieval ideas around gender were different to how we now think about it. The Hippocratic view of gender saw gender as a sort of wet/dry, cold/hot spectrum upon which men were at one end and women the other (and in the middle were intersex people). The male body was seen as hot and dry, and the female as cold and wet. The cold, wetness is what made women try to seek out heat from guys. A lot comes down to humors rather than genitals - if you're hot and dry, that innately means you grow a penis, because the heat sorta forces it out. So the marker is that penis = man, but you only have that penis in the first place because of your hot, dry humor.

Some people believed the vagina was an inverted penis - as in, the penis turned outside in. Some schools of thought believed that both men and women produced "seed", and that both were needed for conception. These thoughts and ideas shifted around a lot.

The Hippocratic view shifted towards Aristotelian ideas around the 12th Century, where the male/female divide was a lot stronger. There were also surgeons throughout all these periods who sought to "correct" intersex genitalia with surgery (how little things change).

This podcast (I've linked to a transcript, because I have more time to read than listen to things) with Dr Eleanor Janega is super interesting. In fact, I'd recommend reading her whole blog, which is fascinating. She also has a book out (but I've not read it so I can't give a yay or nay on that one)

The Meanings of Sex Difference in the Middle Ages by Joan Cadden seems to be a good source on this, but I've not read it so I can't vouch for it 100%.

I've listed below some real people who could fit into our modern interpretation of transness, and the fact that all of these people were only "outed" when arrested or at their death makes me think that there were probably a lot more people at the time who would also fit into this category. It does feel (to me, a layman) that you could rock up in a new town and go "hello I'm Jeff the Man" and people would just accept that.

It's also important to note that the majority of sources I've found are about people we could define as trans men (FTM). I've only found one person who could be described as a trans woman. If anyone out there has more sources for trans women, I'd love to hear them - specifically in medieval Europe/England.

There's also a big discussion to be had around the idea of women dressing as men to achieve a goal. People love getting into arguments about it. My general rule is that if someone lived as X gender, and was forcibly outed against their will or at death, then I feel we can more safely assume that their experience maps more closely onto a trans narrative than it does one of a woman taking on the "disguise" of a man.

---

TRANS & GNC ACADEMIA

Here's some of the sources I've been using that examine medievalism through a trans or trans-adjacent lens.

Trans and Genderqueer Subjects in Medieval Hagiography, Alicia Spencer-Hall & Blake Gutt - a deep dive/collection of essays about medieval religious figures/saints through a trans lens, specifically about cross-dressing figures. Really fascinating, and available on open access.

How to be a Man, Though Female: Changing Sex in Medieval Romance, Angela Jane Weisl - goes into detail about medieval texts in which characters change their sex.

Transgender Genealogy in Tristan de Nanteuil, Blake Gutt - trans theory in the story Tristan de Nanteuil.

Trans Historical: Gender Plurality before the Modern, edited by Greta LaFleur, Masha Raskolnikov & Anna Kłosowska - A great big examination into trans history/gender. I desperately want this book.

Clothes Make the Man, Female Cross Dressing in Medieval Europe, Valerie R. Hotchkiss (book, no online source available) - Another look into women dressing as men and gender inversion.

The Shape of Sex, Leah DeVun (book) - A history of nonbinary sex, 200 - 1400BC. Not read this one yet but it's on my TBR.

In fact, I'd recommend all of Leah DeVun's work, which I'm currently making my way through. I'm currently reading Mapping the Borders of Sex.

The Third Gender and Aelfric's Lives of Saints, Rhonda L. McDaniel - An examination into the idea of a "third gender" in monastic life based around chastity and spiritualism

Erecting Sex: Hermaphrodites and the Medieval Science of Surgery, Leah DeVun - an essay about "corrective" surgery on intersex individuals in the 13th/14th centuries. (I've not fully read this one yet but the topic is relevant)

----

TRANS FIGURES

Joseph/Hildegund (died 1188) - A monk who, upon his death, was discovered to have a vagina/breasts.

Eleanor Rykener (1394) - A (likely) trans sex worker arrested in 1394 (and another source that isn't wiki)

Katherina Hetzeldorfer (killed 1477) - An early record of a "woman" being executed for female sodomy. Katherina dressed and presented as a man, and some scholars read them as a trans man.

Marinos/Marina the Monk (5th Cent) - A monk who was born a woman and lived as a man in a monastery. Marinos was accused of getting a local innkeeper's daughter pregnant. Their "true sex" was discovered upon their death.

-----

ROMANCES* & GENDER

If you're interested in the idea of gender presentation and trans-adjacent stories, I very much recommend taking a look at some contemporary sources. I've tried to take a sort of neutral approach to pronouns for these descriptions, but it's hard to marry the medieval and modern ideas of sex and gender! The titles are all links.

*Romances here means Chivalric Romances: prose/verse narratives about chivalry, often with fantastic elements. Not, like, falling in love Romances.

Le Roman de Silence (13th Cent) - in order to ensure inheritance, a couple raise their daughter as a boy. The baby is called Silence/Silentius/Silentia. The poem features the forces of Nature and Nurture, who argue about Silence's "true" gender - Nature claims they're a girl, and Nurture claims they're a boy. Silence has a variety of adventures, largely referred to in the text as a man with he/him pronouns, and at the end their "true gender" is discovered and, as a woman, they marry the king.

Yde et Olive (15th Cent) - to avoid being married to their own father, Yde, a woman, disguises themselves as a man and becomes a knight. They end up in Rome, where the king marries them to their daughter, Olive. After a couple of weeks, Yde tells Olive about their "true gender", but the conversation is overheard. The King demands Yde bathe with him to prove they are a man. An angel intervenes and transforms Yde's body into that of a man.

Iphis and Ianthe (Greek/Roman myth, but also in Ovid's Metamorphois, which first came to England in the 15th Cent) - Telethusa is due to give birth, but her husband tells her that if the baby is a girl he'll have it killed. When she gives birth to a girl, she disguises the baby as a boy. Eventually, Iphis is engaged to Ianthe. (Incidentally, this is also a really early example of same-sex romance, as Iphis struggles with their love for Ianthe "as a woman"). Before the wedding, Iphis and Telethusa pray at the temple of Isis, who transforms Iphis into a man.

Tristan de Nanteuil (11th/12th Cent) - from the Chanson de geste, after his alleged death, Tristan's wife, Blanchandin/e, disguises themselves as a Knight. Clarinde, a sultan's daughter, falls in love with them. Blanchandin manages to hide their "true sex", but when Clarinde demands they bathe with her to prove they are a man they flee into the woods. There, they meet an angel who asks if they want to be transformed into a man. Blanchandin accepts and he is turned into a man for the rest of the poem. (Incidentally the angel gives him a giant cock. Yes, the text specifies this).

Le Livre de la mutation de fortune (1403) - written in the first person by Christine de Pizan, the poem describes how the narrator is transformed by Fortune into a man after the death of their husband during a storm at sea. They maintain that 13 years after the event, they are still living as a man. (They also mention Tiresias, a Greek mythological figure who was a man transformed into a woman for seven years).

Okay, for now - that's about all I can think of. Happy reading!

[whereforarthur]

Love at First Podcast

Request: oh one where your a recent new youtuber who’s grown really fast and you get on bach’s and arthur podcast and arthur thinks you’re pretty and is instally his types when he finds out your interests are like his, like his cute like intrested in shark facts and playing chess <33

Pairing: ArthurTv x Youtuber!Reader

Category: Fluff

Word Count: 1.9k

*****

“Falling in love is very real, but I used to shake my head when people talked about soul mates, poor deluded individuals grasping at some supernatural ideal not intended for mortals but sounded pretty in a poetry book. Then, we met, and everything changed, the cynic has become the converted, the sceptic, an ardent zealot.” ― E.A. Bucchianeri

"Alright, love, you're on in three, two, one..."

The countdown echoed in my ear, and my heart skipped a beat as the podcast host's voice grew distant. I, Y/n, a London-based YouTuber with a burgeoning audience, had scored a guest spot on "The Bach and Arthur Podcast," a podcast hosted by none other than ItalianBach and ArthurTv. Known for their charismatic banter and intellectual discussions, the duo had stumbled upon my channel during a late-night scroll and had been asked by their viewers to have me on as a guest, thinking that me and Arthur would get along.

Arthur's husky voice resonated through the airwaves, "Welcome to the podcast, Y/n. We're thrilled to have you with us today."

My voice quivered slightly as I replied, "Thanks for having me, guys. I'm a bit nervous, to be honest."

"Don't worry," Isaac assured me with a chuckle, "We're just here to have a good chat."

The conversation flowed easily as we discussed various topics, from the latest YouTube drama to our favorite hobbies. It was when we touched on shark facts that Arthur's interest seemed to peak. His eyes lit up, and his enthusiasm was palpable even through the microphone.

"Oh, you're into sharks, are you?" Arthur's voice was a warm cup of tea on a rainy afternoon, comforting and inviting. "I've always been fascinated by those majestic creatures. Did you know that the average human is more likely to be killed by a falling coconut than a shark?"

My mind raced as I tried to keep up with Arthur's sudden barrage of facts. It was clear he had a deep love for these predators of the deep, and I couldn't help but be charmed by his passion. As we delved further into the topic, I found myself smiling more and more at his excitement. The way he spoke about sharks with such affection and admiration was like nothing I had ever heard before.

Arthur leaned back in his chair, a knowing smile playing on his lips as he listened to me share my favorite shark trivia. Inwardly, I was kicking myself for not preparing more. I hadn't expected to find someone as enamored with these creatures as I was, especially not a well-known YouTuber like him. It was like he had peeked into the secret corners of my soul and found the one thing that truly made me tick.

"So, Y/n," Arthur began, his tone smooth and curious, "What sparked your interest in sharks?"

I took a deep breath, ready to dive into my lifelong obsession. "Well, it all started when I was a kid. My granddad used to take me to the aquarium every summer. There was this massive shark tank, and I was just captivated by them. They're so misunderstood, you know? They're not mindless killers, they're just doing their thing in the ocean, keeping the ecosystem in check."

Arthur nodded eagerly, his eyes never leaving mine. "Absolutely. And what's your favorite species?"

The question caught me off guard, but I replied without hesitation, "The thresher shark. They're so elegant with their long tails. It's like watching a ballet dancer underwater."

Arthur's eyes widened in surprise, and a grin spread across his face. "Thresher sharks? That's a unique choice. They're quite fascinating indeed."

*****

In the midst of our shared enthusiasm, Arthur's thoughts veered inward. He couldn't believe the person he was talking to was not only beautiful but also shared his obscure interest in sharks. It was like finding a unicorn in a bustling London street. He had always appreciated a good-looking person, but to find someone as pretty as Y/n who also loved the same quirky things he did? It was almost too good to be true.

Isaac, ever the observant one, couldn't help but tease his friend. "Arthur, it seems like you've found your soulmate here," he said with a smirk, interrupting our shark-filled discussion. "The only thing that would make this better is if she was into chess too."

The room grew quiet for a moment as Arthur's cheeks flushed a faint shade of pink. "Well, as it happens," I began, a playful smile forming on my lips, "I've been playing chess since I was eight. My dad taught me, and it's been a bit of a family tradition."

Arthur's jaw practically dropped. "No way," he exclaimed, his voice filled with disbelief and excitement. "That's incredible. I've been playing since I was about the same age."

The energy in the room shifted as the three of us swapped stories about our chess triumphs and defeats. Arthur's passion was contagious, and before I knew it, I was sharing tales of late-night tournaments and the thrill of capturing a king with an unexpected move. His eyes lit up with every detail, and I felt a flutter in my stomach as his gaze held mine, as if we were the only two people in the room.

Isaac couldn't resist the urge to stir the pot further. "So, Arthur," he said with a mischievous glint in his eye, "are you going to challenge our shark-loving, chess prodigy to a match?"

The tension in the room thickened as Arthur's cheeks grew a deeper shade of pink. He cleared his throat, trying to play it cool. "Well, I wouldn't want to impose, but if Y/n is up for it, I'd be more than happy to have a friendly game."

Isaac couldn't contain his laughter. "Oh, come on, Arthur. You're practically drooling over the board at the thought of it."

I blushed, a little overwhelmed by Arthur's intense stare but also thrilled by the challenge. "I'd love to," I said, trying to sound casual despite the racing of my heart.

Isaac leaned back in his chair, grinning like a Cheshire cat. "Well, it looks like we've got ourselves a date, folks. Arthur, you're on."

*****

The podcast went on, but the underlying tension between Arthur and I was unmistakable. Our shared passions had created a connection that neither of us had anticipated. The conversation shifted to other topics, but my mind kept wandering back to the thought of our upcoming chess match. Would it be a friendly game, or would the competition heat up?

Arthur's eyes met mine, and I felt a jolt of excitement. He was more than just a handsome face; he had a sharp intellect and a quirky charm that was hard to resist. As the podcast wound down, the nervousness I felt earlier had transformed into a thrilling anticipation of what lay ahead. His smile was disarming, and the way his hair fell over his forehead made my pulse quicken. I found myself trying to imagine what it would be like to sit across from him, each of us plotting our next move on the chessboard.

The podcast concluded with a flurry of thank yous and promises to keep in touch. After we signed off, Arthur turned to me, his eyes sparkling with excitement. "So, when do you think we should have this chess showdown?"

I laughed, feeling the same thrill he did. "How about this weekend? We could meet up at a café in the city, somewhere with a decent table and a relaxed atmosphere."

He nodded eagerly. "Perfect. I know just the place. It's a little hidden gem, great for a quiet game and a cup of tea."

The days leading up to the weekend felt like an eternity. I found myself replaying our conversation in my head, analyzing every word, every smile, every gesture. It was more than just a chess game; it was a chance to get to know Arthur better, to explore the depths of his personality as we navigated the strategic dance of pawns and rooks.

When the day finally arrived, I walked into the café with a mix of excitement and nerves. The smell of freshly brewed coffee filled the air, and the soft murmur of chatter created a cozy backdrop for our battle of wits. Arthur was already there, setting up the board with meticulous care. He looked up as I approached, his smile warm and welcoming.

"You found it," he said, standing to greet me. He pulled out a chair, and as I sat down, I noticed the way his hand lingered on the back of mine for a brief moment. It sent a shiver down my spine, and I couldn't help but wonder if he felt the same connection I did.

We began our game, the pieces moving with a rhythm that felt almost like a dance. Arthur's eyes never left the board, his focus unwavering as he considered each move. I watched his expressions shift, the intensity in his gaze as he tried to outthink me. His hands, strong and sure, caressed the pieces with a gentle touch that was surprisingly tender.

As the game progressed, the tension grew. We both knew we were evenly matched, and every move was a delicate balance of aggression and defense. The café around us faded away, and it was just us and the chessboard. Our conversation grew more personal as we shared stories from our childhoods, our families, and the moments that had shaped us into the people we were today.

When Arthur finally claimed victory, I couldn't help but feel a twinge of disappointment. But as he leaned back in his chair and offered his hand for a congratulatory shake, the look in his eyes told me that the real prize was the connection we had formed over the last few hours.

"Rematch?" he asked, his voice hopeful.

I smiled, placing my hand in his. "Always."

*****

The crowd in the café applauded our game, and as we packed up the chessboard, I felt a new chapter in my life unfolding. Arthur and I had found common ground in the most unexpected of places, and I knew that this was just the beginning of a beautiful friendship—or perhaps something more.

The next few weeks were a whirlwind of chess games and shared moments. We discovered more about each other with every pawn that was sacrificed and every king that was checkmated. Our friendship grew stronger, and our bond deepened as we learned to read each other's moves both on and off the board.

One evening, as the sun dipped below the London skyline, casting a warm glow through the café windows, Arthur reached across the table and took my hand. His eyes searched mine, and I knew what was coming.

"Y/n," he said, his voice thick with emotion, "I can't believe I've found someone who understands me like you do."

My heart raced as I looked into his eyes, feeling the same vulnerability he did. "I know," I whispered. "It's like we're two lost souls who found each other in the most unlikely of places."

He leaned in, and our lips met in a soft, lingering kiss that seemed to hold all the promise of the future. The chessboard was forgotten as we realized that sometimes, the most beautiful connections are found in the most unexpected places. Our love for sharks and chess had brought us together, but it was our shared passion for life and the quiet moments between the moves that would keep us together.

As we pulled apart, Arthur took a deep breath and smiled. "Ready for the next game?"

I grinned back at him, feeling more alive than I had in years. "Always."

*****

@gvf23

@xxkatxgracexx

[flatluigi]

it's the birthday of Friends at the Table

(well, belated, but close, and people keep sharing their thoughts about it on twitter)

I haven't been caught up to friends at the table in a long time but I think about it constantly. for a while I genuinely considered counter/weight among my favorite works of fiction, and concepts like pattern magic I casually reference as if it's just something brilliant everyone knows. so many different game systems, so many very interesting ways to approach both building tabletop games and playing them.

if chappell roan's your favorite artists' favorite artist, friends at the table is your favorite actual plays' favorite actual play. i watched an adventuring academy on dropout the other day where both brennan and his guest griffin mcelroy talked offhand how fantastic FATT is, and i'm constantly wishing austin got invited to talk about his tabletop thoughts because every time he got into behind the scenes stuff on the podcast and the why of everything i was just fascinated

if you've never listened to the podcast, i highly recommend putting it on from the beginning and enjoying the ride. some of the early stuff is rocky audio-wise, but there's still so much to be loved from episode one. i opened up the episode list and immediately got thrown back into some of my favorite moments just from the titles, so many years since I last listened. I might start a relisten and post all my thoughts per episode here, just because I can't hold all my feelings about the show together and badly want to get started again

if you like tabletop as a medium, actual plays in general, or just people being really fucking good at storytelling across a bunch of different ways to tell story: go listen to friends at the table

[boombox-fuckboy]

Hi!

I have been following this blog for a while now and I love using it to find new podcasts. I was wondering, if you have time, what you think is the scariest podcast you've listened to or what your favorite horror podcasts might be? Thank you, and I hope you have a great day :)

I'm so glad to have helped you find new shows!

I don't really get scared by horror podcasts (not sure why. It isn't some "I'm tough" thing, I get startled by the toaster, and it's not like I never feel unsettled or concerned or icked out at podcasts, just not scared) so I'm not sure I can give you a good answer on that one, but I'll gladly give you ten of my personal favourites instead:

Alice Isn't Dead: The podcast that got me into podcasts. A truck driver travels the USA looking for her wife, who until recently, she had thought was dead. Along the way she has all manner of strange encounters, and sees a side to the world that few truely comprehend.

Archive 81: A young archivist takes a job at a remote outpost organising and digitising a collection of tapes. On the tapes is a series of interviews and investigations made by a social worker in the 90s as she becomes familiar with a bizzare apartment building. The archivist, naturally, has an increasingly bad time. Each season is part of the same story, but they're all a bit different.

Ghost Wax: Recorded interviews conducted by the last surviving necromancer, and various people who died under seemingly otherworldly circumstances.

Hello From The Hallowoods: Supernatural and cosmic horror. A powerful and dramatic entity visits your nightmares to relay stories of the people (to varying degrees of both human and alive) who inhabit the beautiful and deadly Hallowoods. What start off as individual stories quickly connect to a larger narrative.

Hi Nay: A supernatural horror following a young woman named Mari, who's babaylan (shaman) family background draws her into helping people with various horrific supernatural problems around Toronto. Formatted as phone calls to her mother telling her what's happened.

I Am In Eskew: Often-horrific stories from a man living in something that very much wishes to be a city, and a private investigator who was, in her words, hired to kill a ghost. Many people seem to agree this one is scary.

Janus Descending: A xenoarcheologist and a xenopaleontologist are sent to investigate and sample the ruins of a long-dead alien city, and discover more than they anticipated. The format for this one is really clever: you hear her audio logs first to last, and his last to first, and the story is all the more heartbreaking for it. I'd recommend listening to the supercut.

The Lost Cat Podcast: A man befriends strange entities, loses bits of himself and drinks an awful lot of wine while looking for his cat. Soft and cosmic horror.

The Moon Crown: The shortest on this list, but also one of the most fascinating. A disgraced scribe living in a city of humans, beasts, and other bizzare entities, begins to recount recent happenings, and actions she has a hard time explaining, on broadcast. But the people she's hoping to reach might not be the ones listening.

The Silt Verses: In a modern world where gods are plentiful, both illicit and commercialised, two disciples of an outlawed river god go on a pilgrimage.

Although, maybe some other listeners can help me out and share what scared them?

[s1i9d]

I hope you don't mind, but now that I've finally found someone who's listening to Magnus Protocol but hasn't listened to Magnus Archives I will be studying you like a bug under a magnifying glass. I've been dying to know how the show hits from a non archives perspective. So in that vein, if you don't mind me questioning you, what are your overall thoughts on the show so far? Also what's it like seeing the fandom response from people who have listened to archives? Have you been successful in avoiding spoilers?

Honestly I’ve been loving Protocol.

I’m not 100% sure what to translate since I don’t know what Archives context I’m missing, but I can try to tell you what I really like about Protocol.

I really do love the format of Protocol. It’s mostly an office drama story, which on its own is appealing, but the statements from FR3-D1 put in each episode gives the story this underlying horror aspect to it. So when I listen to an episode, often times if the statement portion feels lacking, the office drama really brings up the episode and the vice versa.

Then things start to get a lot more creepier when the two intersect (The Magnus Institute, Mr. Bonzo, Lady Mowbray, the Drowning Victim, the Archivist, etc.) and by this point in the story, we’re so close to having a full merge.

Since this is my first real dive into horror podcasts, I do want to engage with the fan community, but it’s hard to balance being spoiler-free at the same time. I do know some general spoilers that I haven’t updated in a while, but is mostly still accurate. I don’t know what an Archivist is, but I am aware that AU versions of Archives characters have made their debut here.

I am aware that Protocol is going a lot faster than Archives. From what I understand of Archives, it has a lot more slow build up rather than Protocol which I has a pretty good pace. Might be because Protocol has less than half the episodes as Archives.

It’s really interesting how the fandom keeps losing their minds over stuff that I’m just like “yeah cool let’s see where that goes”. Like E26 where the Archivist was named, I felt like I took on the perspective of Alice/Gwen/Sam where I’m like “okay… and this means what?” while the rest of the fandom is taking the Celia perspective of “OH NO”.

Or even this recent episode where this Minister Trevor Herbert dude was. Like I have no idea what this dude is and why everyone is absolutely screaming, crying, throwing up that he’s here, and that is fascinating.

It’s been pretty interesting when I bring up something that felt weird or off that just went nowhere, and my friends revealing some info. I’m like “WHAT” and they’re just like “oh thats not common knowledge?” And I’m just there like “huh?!?” Which turns out, the Hilltop Centre was actually important.

I mostly wish the fandom would tag archives spoilers with #tma /#the Magnus archives / #tma vague just so that spoilers could be tagged a little bit better, but to be fair I am one of the rare people that doesn’t intersect the Venn diagram between archives and protocol.

But overall, I really am loving Protocol. I don’t know when I’ll listen to Archives (probably after Protocol’s three seasons are over) but I will listen to it eventually. Feel free to send more asks my way.

[unsoundedcomic]

Would Duane like the gnostic versions of Christianity? I thought Ssaelism took inspiration from it (or rather I thought you took inspiration from Legacy of Kain, which had loads of gnostic themes)? As a mythology, the old testament Canaan Thunder God + the Gnostic Jesus feel like a very rich world, I wish more fiction would take inspiration from it. Or was I mistaken in your sources of inspiration?

I think Duane would find gnostic Christianity more comprehensible than many of the other types (Mormonism would perk his ears too). Jesus is missing a lot of what your typical Ssaelit love about Ssael though. Ssael is so very relatable because he lived a full mortal life. Jesus never loved a partner or had kids or fought in a war; he's written as being utterly perfect and basically just a god, whether there's a demiurge out there or no. Sonum Ssael was explicitly a mortal man, with all the foibles that come with mortality, and no divine powers to elevate him above his peers; just talent, wisdom, and his labour.

There's a lot more Siddhartha Gautama in Ssael. The Buddha gave up a life of privilege in order to spread his enlightenment to others, and Duane would jive with that enormously, as well as the idea of escaping reincarnation and getting out from under the thumb of the gods.

Inspiration-wise, I pulled from all over. Because Ssaelism proclaims the demiurges WERE destroyed - not going to be destroyed, or have the potential to be destroyed, or maybe you can destroy them yourself - I always am reminded of the Olympians overthrowing the Titans. The great potential of humanity above all others, including the senets, reminds me of the potential of humans within Hinduism and Buddhism. Humans are the only ones able to consciously choose good or evil; but like senets, divine/spiritual beings are bound to act according to their nature, so their karma is stuck until they're reborn human.

I do agree that there's a lot of really interesting Christian and Jewish mythology. Early Christianity actually fascinates me a lot, and I listen to Bart Ehrman's podcast every week for a helping of it. Jesus is really the least interesting part of any of that; I'd love writers to delve more into Paul and his clashes with Peter. I think there should be a JC Superstar sequel about this, with Paul cast as like a shrewd record producer who starts recutting the hits that Jesus left behind and bickering with his "band" :D Webber, write this! Leave Phantom alone!

[makemeimmortalwithahug]

How Could You Think, Darling, I'd Scare So Easily?

Painland Week Day 2 - Myths/Legends

Charles/Edwin - post-canon

y'all remember how I said a few days ago that day 2 for @painlandweek was almost finished? Yeah,, when I went to bed two nights ago, this fic had 500 words. When I woke up again, I thought, hey, just write another 500 words and get back to it to flesh it out sometime later. Yeah, I finished this at 3am and it turned out to be *checks word count* almost 4000 words! Whoops?

Word count: 3726

ao3 link will be added

Title is from Hozier's "Francesca"

TW: body horror (Charles changing forms)

summary:

Hell has made them stronger together, Edwin is sure of that. It has, however, also made Charles anxious to leave Edwin alone for longer periods of time. When Charles doesn't return home for hours and neither Crystal nor Edwin know where he might be, everything leads to a familiar witch who wants to find out how strong the bond between the two ghosts really is when tested.

It had been exactly two months, three weeks and five days since they escaped Hell, found and lost enough to last another lifetime or two and realised the possibility of relative peace existed for them in the form of a trans-dimensional being who had never learnt what “tranquillity” even meant. Edwin agreed that most times, there was too much paperwork to be done to even try to achieve some peace of mind. 

For the most part, though, it was just an excuse. In reality, Edwin struggled with the idea that he could stop running now. After decades of looking over his shoulder, it took an immense amount of effort to direct his gaze at what’s in front of him.

Looking ahead now, all Edwin could see was the empty office, dust dancing over the furniture. The boxing gloves lay forgotten on a table near the entrance door and the football Charles always played with inside despite how much Edwin complained haphazardly rolled under the couch. Everything was still and that was only the beginning of the long list Edwin formulated in his mind of Things That Were Wrong.

Exhibit B: Charles was nowhere to be found. Which, while not particularly sitting right with Edwin, was not an unusual occurrence these days. Charles spent a lot of time with Crystal, helping her get used to her new flat or just keeping her company, watching movies. Crystal always made sure to extend her invitation to Edwin as well and he agreed every once in a while, sitting next to Charles on Crystal’s small but cosy couch, thighs touching. He also enjoyed his time spent with Crystal. She had grown on him and he was quite glad to call her his friend. Edwin lent her the detective novels he loved and in return he listened to what she called “podcasts” about psychology. 

But even so, he knew that the needling to “come over to hers with me, yeah, mate? The movie’s s'posed to be aces” was solely Charles’ doing because he did not like letting him out of his sight ever since Hell. This resulted in Charles excessively checking in on him via mirror every few hours, which most times was met by Edwin with a fondly annoyed eye roll. Edwin was quick to give in when confronted with Charles’ pleading eyes. It was not like he was any different in that regard. Spending time with them was no hardship whatsoever and Edwin had to admit that he found it quite sweet how Charles would look after him.

Which brought him to exhibit C: Charles had been gone for more than five hours and had not checked in on Edwin once in this time. Which had Edwin more worried than was probably warranted. Charles would be just fine, he was sure. He would just take a quick trip to Crystal’s and then he could calmly get back to his work for the Night Nurse. 

Edwin stood up and put the files under their paperweight. Mirror travel had been one of the most fascinating aspects of being a ghost. It required to be precise and focused while not putting any strain on his energy. It took just a fraction of a second until he found himself standing in the middle of Crystal’s living room.

“Holy fuck!” The resounding thump alerted Edwin to their psychic who was clutching her shoulder that she probably hit against the door frame she was currently leaning against, mouth twisted in pain and eyes wide with shock and irritation. “Edwin! How many times do we have to have this conversation until it sticks?”

“Yes, yes, no sudden mirror jumping into your room. I know.” Edwin pursed his lips, looking around. Better get to the point quickly.  “Is Charles here?”

“No, he isn’t. I don’t know where loverboy is, why?”

“He is not home either, has he said anything?”

Crystal flopped down on her couch. “Well, he said he wanted to come ‘round today to help me fix the sink but he didn’t show.” Reaching onto the coffee table for her phone, she checked the time. “Yeah, Charles said he’d be here around two.”

Edwin felt his stomach lurch in anxiety. It was half past five. A chilled silence filled the room as they looked at each other in question.

“Let me grab my jacket.”

“Doesn’t seem any different, right?” 

The agency lay completely untouched, nothing out of the ordinary. Normally, this would ease Edwin’s nerves, seeing as it was his sanctuary, his safe space along with Charles. Now, though, this also meant that there were no clues as to where Charles had gone. 

“Quite,” he agreed. Walking in circles around their desk, he eventually walked up to the window and peered outside. “Maybe there is something outside, he didn’t leave through the mirror.” 

They made their way downstairs, Crystal barely holding onto the railing to not slip on the steps in her hurry while Edwin simply opted to let himself fall through the floor to get to the entrance door as soon as possible. The night creeped in steadily, the shadows growing longer, twisting at their ankles. Their office was located a little off the beaten path, but not too far. When they first started flat-hunting, they were conscious that they had to balance on an incredibly fine line of finding a place just secluded enough to not bear the brunt of the daily London tourism but also don’t attract anyone who might be searching for lost places to scout out. 

This resulted in a beautiful view from their window but dark alleyways that led to seemingly nowhere, cobblestones streets with missing stones and cracks in them. The walls towered over them here, making it harder to distinguish the darkening sky from the roofs and edges. Their living neighbour had hung their bed sheets on the washing lines on the balcony and whenever Edwin blinked and tried to bring his eyes back into focus, they reminded him of David the Demon when they first exorcised him. 

It was dark, dirty and daunting. Nothing looked to be amiss. Except, of course, for the backpack that was sloped against the gutter. Edwin snatched it up and true enough: Charles’ bag of tricks. The straps showed various scratches and the top was stained. Decidedly not a condition Charles would leave his most prized possession in. Crystal was aware of this as well and carefully reached out to read it.

The few seconds that passed while Crystal’s eyes turned white and she stared into the distance were the most agitating of his existence.

Crystal gasped, letting the bag fall to the floor again, supporting herself on her knees. Edwin crouched next to her with his hands fluttering around her, not exactly knowing what he was supposed to do to help her. 

Resurfacing, she stood up again, shooting Edwin a small grateful smile that quickly blinked away again.

“Esther’s back,” she announced and tucked her jacket tighter around her. “She ambushed him here and took him.”

And Edwin’s world broke into pieces, shattering from the sky onto the puddle-ridden street and breaking the moonshine.

He didn’t say anything at first, every word vanished from his mind.

“I might know where they are, though. Or, I can find out.”

“How?” His voice sounded rough - harsh, but Crystal didn’t get angry. She knew that this was not borne of anger but sheer gripping despair.

“She had a business card on her and when Charles tried to defend himself, he caught a glimpse.”

This, more than anything, gave Edwin the determination needed to hoist the backpack onto his shoulder.

“Let us not waste any time, then. Do you think this internet you have might be of help?”

“For sure, Edwin,” she answered, petting his shoulder.

If Edwin hadn’t been out of his mind worrying about Charles, leaving him with sparsely any mental capacities to think about anything else, then he could have admitted that Coupeville, Washington was a tranquil but charming little town. With its little art stores and cafes, it gave a delightfully unassuming appearance.

Edwin hated every moment. For the sake of not leaving Crystal alone - he tried to silence the voice in his head that whispered you couldn’t take care of Charles either -, he had suffered through another flight, a ferry and multiple train rides. 

Crystal huffed as she dragged her suitcase up the stairs.

“She couldn’t have been less creative, huh? Relocating one ferry-ride away.” Which was true. Port Townsend could be reached in less than an hour. 

Personally, he could not care less whether she called this town or the bloody Empire State Building her home. All he cared about was getting Charles back as soon as possible.

They quickly checked into a hotel to get rid of the suitcase. Insisting that she had slept enough while travelling, they immediately headed to the address that Crystal had found out using the business card - a brewery. 

It must have been well visited only a few weeks ago, the dust had not properly set yet. But the lights were out and the doors were barricaded. Quickly nodding at Edwin, Crystal got on the way to find a window she could climb through while Edwin seized the opportunity to phase through the doors. Darkness enveloped him and he could not hear a single sound. 

He slowly made his way across the reception area, trying to get a feeling for how big the building really was and where Esther might have been hiding in here. If there was actually any connection to Charles’ disappearance and this place, anyway. But Edwin couldn’t stop and think about this very real possibility. 

Focusing on his surroundings, he noticed suspicious lines behind a grandfather clock on his left. And sure enough, upon examining them up close, there was a small door hidden behind it. Anxious excitement coursed through his body and he waited impatiently for Crystal’s arrival. 

“Searched for the entrance for celebrities, did you?”

“Shut it. Let’s move this clock.”

Despite taking a few tries, at last they found themselves faced with the entirety of the door. The handle was made out of iron, but Edwin didn’t hesitate to grab it despite the pain and the indignant screech Crystal let sound. 

“Are you out of your fucking mind? You might still need that hand.”

“Irrelevant and inaccurate, I won’t lose it by touching iron for a few seconds, do not be silly. And regardless, Charles does matter more right now.” He tried to hide the red swelling on his palm but he was not ignorant enough to think that Crystal actually hadn’t noticed.

“A plan is needed. I would suggest you wait here, in case Esther is not here and tries to surprise us.” 

“Alright.” Crystal nodded. “Don’t do anything stupid, yeah? Charles wouldn’t forgive anyone if you got hurt.”

Least of all himself went unsaid but they both heard it all the same. 

Edwin inclined his head, opened the door and went inside.

The room unfolding in front of him was surprisingly spacious but shockingly empty except for the enormous carpet. Sliding onto his knees, he felt the cloth and without a doubt: laced with magic. It was easy enough to counter the spell that acted as both a means to soundproof and seal without a lock whatever lay underneath it. 

Moving it aside, he was faced with a basement and without a second thought, jumped down.

Like a moth to a flame, Edwin’s eyes immediately found Charles in the completely dark room. 

“Charles,” he breathed, the name echoing off the walls like a prayer. 

Charles was slumped against the far wall, hands in cuffs mounted next to head which was lolling unoriented. When he finally looked up, Edwin was met with a disbelieving smile. But before Edwin could reciprocate, a look of blinding terror coloured Charles’ face pale.

“Edwin!” he hissed, pulling at his cuffs which brought tears to his eyes in pain. “Please, please leave, Edwin, she’s after you.” 

Edwin didn’t even think about leaving without Charles. All it took was the span of a blink and Edwin fell to his knees beside him, trying to find magical leeway for him to put the cuffs out of action, but to his dismay he realised that Esther had reinforced her strategy, not just opting for simple iron but also a curse. 

“What? What do you mean by that?” he asked, only half listening as he mentally flipped through all the knowledge he had on this kind of magic.

“She,” Charles began, coughing, “She said she was impressed that we escaped last time. She wants to get rid of me first and see how much it’d raise your pain level to drain you again. Put a curse on me too, in case you showed up.”

That got Edwin’s attention. “What?! Do you feel alright? What kind of curse?” 

“Eh.” Charles’ head lolled to the side again, as if he was losing consciousness. “She wants to try sacrificing me and if you tried to rescue me, I’d turn in all kinds of horrible beasts. Wouldn’t want to hold onto me then, she said. Wants to see how far you’d go.” 

“Charles, Charles!” Edwin held him by the shoulders, careful not to jostle him. “I’d go anywhere for you, do you understand? A curse is not going to stop me.”

But Charles was barely there anymore, teetering on the edge of oblivion. “S’ planned for t’morrow. I won’t blame you for letting go, mate, you were scared for so long, don’t need any more of that, yeah?” And then he fell into something close to sleep but what most likely resembled unquiet rest.

There was nothing he could do against the cuffs, not with no grasp on what exact kind of magic he was dealing with and no idea how much time he had left until Esther would show up.

Edwin put a hand to Charles’ cheek. “Don’t worry, I’ll hold onto you, Charles, stay strong.”

With one last glance to his love, he began climbing back out of the basement.

Upon reading up on locations with magical and sacrificial history in Washington, Edwin concluded that their best chance was a secluded part of coastline, the stony beach along with the clear view of the sky providing the perfect atmosphere. 

Edwin and Crystal were hiding in the underwood, watching Esther where she was standing near the shore, when suddenly, something moved right in front of them. 

Crystal gasped. “Did- did the path just move?”

Quickly, he shushed her. “No, there is no path,” he whispered, “there is only the beach. That is a snake.”

True enough: a black snake slithered up to the ritual circle Esther had set up. This snake was even bigger than the one in Esther’s house in Port Townsend and tied to its back, there was Charles.

“Okay,” he said softly, “wish me luck.”

Consolingly, Crystal put her hand on his shoulder. “You don’t need luck. Go get him. I’ll deal with Esther.”

They stood up and sneaked closer. From a safe distance, Crystal started tapping into her powers. Edwin trusted her, therefore he turned to Charles straight away. 

Edwin had also found a remedy for the cuffs’ curse, which made it easy to pull him off, hugging him close and making it just far enough away to give Crystal the opportunity to handle the snake.

Tightening his arms around Charles, who was panting against his neck, it didn’t take long until he could feel Charles’ body morph. 

When Charles told him that he’d turn into various beasts, Edwin had thought about what he had been afraid of when he was still alive. After seventy years in Hell, any scary children’s story he had heard lost its appeal. When he was ten, his neighbour’s children had told him a story about Spring-heeled Jack who’d haunt the streets of London but also other areas of Britain. They told him about his terrifying looks with his claws, jumping at passersby to scratch them and then back into the night. 

Thinking back now, though, Edwin would gladly face a hundred variations of Spring-heeled Jack all alone if it meant that Charles would be safe and sound in their office come next morning.

“I’ve got you, Charles,” he mumbled. He didn’t respond and as Edwin looked up at him, he came face-to-face with a doll version of Charles, his eyes unseeing and mouth twisted in a numb smile, a hollow feeling to his body. Edwin could see his own face reflected in Charles’ eyes, unease boiling slowly under his skin. Where Charles’ hold on him had been strong and desperate only moments ago, now it was stiff and felt like porcelain. Edwin’s fear of dolls was real and tangible but he was far more scared of letting Charles go and shattering him on the stones.

He pressed Charles closer to him.

He stayed in this form for a while until Edwin felt a shift again. This time, Charles resembled the demon that had dragged Edwin to Hell. He was a familiar sight albeit an unpleasant one, so Edwin just put his forehead to Charles’ shoulder and waited it out, the haze around them slowly dissipating.

Next was the thing one of his demons had traded him to. He maintained that it was worse than a demon, for the simple reason that there were characteristics one could apply to a demon, it was possible to create a definition and know what to expect when one encountered a demon. This thing, however, was less a physical form and more a foreboding. The feeling deep in the bones that something horrible was imminent and no matter how hard one would try to work against it, failure was predestined. A looming presence - a threat. There was a voice in the back of the mind, whispering knowingly about every mistake he ever made and it was all your fault, right? Niko dying, Charles getting hurt, Crystal being dragged along to all of this, having been in Hell? But you don’t need me to tell you that, you already think so.

It was a sick trick and his only enemy in this was his own mind. But Edwin had grown, he had realised that thinking something didn’t have to reflect reality. And while he did blame himself for all these things from time to time, it was a passing sorrow. None of the people involved in these thoughts would want him to condemn himself and after his second time in Hell, Edwin had understood that he needed to show himself self-respect as well. Hell was an error Edwin had had no control over.

He did, however, have control over not letting Charles fear that he would be afraid enough to leave him. Because he was quite sure that underneath these appearances, Charles was conscious of what was happening and scared out of his mind.

“Don’t worry,” he whispered. “It’s alright.”

The fourth form was the spider-doll-demon. Its many arms were gripping Edwin’s back, the dolls’ heads pressing into his chest and neck. Edwin tried to slow his breathing. He spent more than seventy years running away from this demon and being so close to it was associated with blinding pain, being torn apart over and over again. 

Maybe now was the time to finally stop running and face his fear head-on. And so he looked straight at it, staring lovingly beneath its surface where he knew Charles was.

One second to the other, the demon was gone. There was no other figure, but Edwin still felt Charles’ presence and he tensed up at once, realising what this particular fear resembled: Charles was invisible, gone from his sight. No means for him to see him again, the only thing left for him to do was anxiously grip where Charles’ shoulders were supposed to be and not let Charles jerk away if he saw the horror on Edwin’s face. This was the only shape that compelled Edwin to screw his eyes shut. 

Time passed until he felt Charles change one more time. This was the only one not tailored specifically to one of Edwin’s fears and it showed him that he had been right in assuming where Esther had drawn her inspiration for this act from.

Charles resembled a burning coal, the heat licking at Edwin’s skin. He embraced him tightly, stood up with him and dragged him into the water. Below the surface, he could see Charles turning back into himself, his bright eyes the most beautiful sight he had ever seen. Nothing had ever felt as right as holding Charles in his arms.

Bubbles appeared in front of Charles’ mouth even though he didn't need to breathe and Edwin erupted spontaneously into laughter at the ridiculous sight of Charles trying to speak underwater. Despite being in the water, he felt himself get teary-eyed. He didn’t even try to fool himself into thinking that they would not both be sobbing messes as soon as they resurfaced. But for now all he needed to do was drink in Charles’ smile.

Back on the shore, Crystal was busy brushing off her jeans.

“Boys!” she yelled as soon as she saw them, running towards them and pulling them both into a hug at the same time. “Esther’s gone, let’s hope for good.”

“Yeah,” Charles whispered, putting one arm around Edwin’s hips. 

Crystal pulled back, smiling knowingly but in a comforting way. “So glad you’re both alright. I’ll go check to make sure no one here accidently saw me fighting a huge snake and a witch. Meet me at the hotel, yeah?” With that, she walked back in the direction of the trees. 

Charles turned to Edwin, smiling shyly. “So, you kept holding me,” he stated.

“Nothing has ever been easier, Charles.” He put his hands on Charles’ shoulders again. They fit so well there.

They hugged once more.

“You know,” Edwin mused, playing with Charles’ hair, “it was like Tam Lin.”

“Mhh?” Charles mumbled, he sounded tired. “What’s that?”

“A legendary Scottish ballad. Not letting your love go, no matter what.”

“Oh.” Charles’ eyes were wide. “Does that one end in tragedy too?”

Edwin smiled. “No, it ends precisely like this.” And Charles’ smile was brilliant as he leaned in and kissed Edwin.

[ladyloveandjustice]

List of "Does it Like Women" Results and whether I agree

I find the "Does it like women" blog fascinating, as y'all have probably noticed. I always tend to think deeply about this topic when I consume media, so I wanted to make a list of results I disagree with, because it interests me! I'll likely be updating this through reblogs if my interest doesn't wane, I'll make a note in the replies when I do!

Loves Women

I agree with all of these so far! Well, loves women might be a little bit of a stretch for the first Spiderverse movie (on the other hand...doc ock...hnnn), but I think the second does so yeah basically agree.

Likes Women

Kill la Kill- Man it's 2013 again and I'm seeing tumblr make powerpoints about how klk is deeply feminist and it's actually a super deep critique of harassment that Ryuko has to wear the ugliest outfit ever and Westerners Don't Understand (person making this argument is inevitably a Westerner).

Yeah, based on the part I've seen and everything I've heard, hard disagree. But I have not seen the whole thing, just those three, I do know the part I saw included rape jokes a plenty, a weird victim-blamey take on "not being ashamed" of being forced into a skimpy outfit and how if you're bothered by men ogling you that's your weakness, and a vagina wedgie. I'm not as mad about it as I was back then,and I can appreciate the show has it's good points later on. Not having watched it also means my knowledge is incomplete. However, I have listened to really in depth breakdowns of the series (mainly Anifem's podcast), so I know exactly what happens, and yeah, the treatment of women doesn't impress me. I'm on the dislike side, (holding back on hates because again, haven't seen all of it)

...could understand mixed feelings though, I guess

Fullmetal Alchemist 2003 anime- nahhhh man, it doesn't like women, treating them significantly worse than the manga it adapted. I have a lot of issues, from how thoroughly it shafted Winry, to how it gave Riza nothing, to Dante being every cliche about a female villain they could fit in here, the treatment of Rose leaving a horrible taste in my mouth (I see arguments of what happened to her being a critique of imperialism, however I have yet to see anyone justify why the show had to continue to have her kidnapped and assaulted and treated as an afterthought after that) and some truly rancid one-off episodes.

I break down my problems with it at the end of the little FMA 2003 liveblog I did, though it's phrased super obnoxiously because I wrote it...oh my god twelve years ago oh god I'm crumbling to dust as we speak. But I break down the basics with the "top gross things" post I did (ignore any thoughts on race I had no place writing bout that tbh). The tag anime: turn your zombie mom into ethanol also goes into more of my thoughts, though again, very obnoxious and the deeper you dig the more ancient and obnoxious it will get lmao.

I have several ancient posts on how it treated Winry in particular, as she was my fave and was done so dirty, and I think they hold up fairly well. Here's a post I made about the Winry-Roy plotline, and a good response by another user. Then we have this post, ignore horrible art.

(Please don't try to spark a debate with any of this stuff, it's years and years old, I went through so much drama and legit panic attacks, and I'm not committed anymore. Love 2003 and think it likes women if you want, that's fine! I'm just trying to illustrate what I mean in saying imo it dislikes women).

The Handmaiden- This poll reminded me to finally get around to watching this movie, and I'm so glad I did! I'd go with "loves women" for this one actually,The nos must either be misclicks or people who don't understand that two women having sex on screen is not the same as the male gaze.

Madoka- I'd definitely go more towards mixed feelings honestly (especially if we're counting Rebellion) but I get the people who say "likes".

Yuri is my Job- it loves women, it loves messy women, it loves women who love women, it loves them so much, idk why it got a sizeable no vote. People who only watched the first ep? People who think yuri is "bad"?

Mob Psycho 100- Someone in the notes says "accidentally likes women" and that's the only answer in the "likes women" area I'll accept. It has 10 million prominent male characters and like three prominent female characters. ONE really really obviously has a hard time imagining women as powerful or action heroes. (this is reflected in One Punch Man too) (One Punch Man actively hates women and queer people though, Mob is infinitely better) Only one who ever gets to fight and play with the boys, and she's a low level mook, and we have to spend 75% percent of her limited screentime on whether it's actually okay to fight women, with her winning argument being "Well you're literally a child so I guess it evens out" (???) The little girl with the evil dolls gets even less screentime.

I do like that the series examines how Mob idealized Takane and how people not caring about the real her made her tired, as well as how it allowed her to reject Mob and was basically a lesson in the importance of accepting rejection. But her screentime is also really limited, and I feel like we could have dove into her a lot more. Tome is a wonderful weird girl and I liked her little arc, and I hear she gets more in the Reigen manga, but still not a TON of screentime, and even with her there are a couple jabs about how she doesn't "count" as a girl due to not acting traditionally feminine we're clearly supposed to find funny. Emi is...there I guess. There's that sweet scene with the writer girl, and the bully girl, but they're like, not reoccurring at all, as evidenced by how I can't remember their names.

And uh. the girls school episode.

Anyway. Hot take but I don't think "they're barely in the story but when they are two of them are treated pretty decently and have some depth, though there is some weird stuff about whether women can even fight men or whatever" really counts as "likes women". I'd go more mixed feelings.

Life is Strange-out of the two options I chose dislikes, but my feelings are a lot closer to "mixed feelings". I go into why here.

Gushing Over Magical Girls- lol. lmao even. The anime about middle school girls who look 8 sexually assaulting other middle school girls DEFINITELY doesn't like women. I go into more detail here.

Cowboy Bebop: Mixed feelings, probably. I chose dislikes because yes, Faye and Ed are great (you could def read Ed as nb though), but Faye also is repeatedly damsel in distress'd and treated as incompetent in her field when I don't think she should be, she can be a failgirl without being the sole woman in the action side of the group and also the least capable (there's also That Scene in the movie). also i just. it's fine that she's sexy but I hate her outfit. give her something nicer looking, it's so ugly. But my main reason for a dislike vote is the treatment of Julia. Girl is a textbook example of fridging. They really gave her so little. But yeah I could see mixed feelings.

Also do you remember that one scene during Faye's tragic backstory where she's hospitalized and the camera requires us to look down her super (painful looking? like idk how she's not screaming about it) squished boobs during this tense and important moment god that took me out. whenever anyone acts like Faye always owns her sexiness and the camera never does anything I remember that scene.

Ranma 1/2: I've seen read a good chunk of it, and this result is...surprising. Maybe by the standards of 80's manga though, who knows.

Better Call Saul- I did vote yes on this one, but I'd put it more at mixed feelings. Kim is a fantastic character, but there aren't enough women on the show at all. She's a major part of the show, but basically the only one of any note. I only voted yes because I finally remembered Francesca was a reoccurring character and she's all right, but the fact I had to think to remember...

Undead Unluck: I know it gets a lot better later but I'm not sure if a work that has it's female character continuously and comically sexually harassed for the first few chapters can ever get liking women privileges. I don't know enough about it but it might be a mixed feelings situation.

Akiba Maid War: tbh I'd probably give this 'loves women'.

Ducktales: For the second season specifically I'd say "loves women". The first season leans more towards 'like women' though, so it evens out.

Crazy Ex-Girlfriend- Should be "loves women" but people are ridic and voted based on the title.

Mixed Feelings

Dracula- IIII definitely think it dislikes women, sorry guys. Mina is a great character and you do have to take it in the context of when it was written. But there are surely contemporaries of Bram Stoker that wouldn't have randomly gone out of their way to scoff at the "New Woman". Not to mention again, really random sidebars about how men are so much smarter and cooler and women should be grateful to them. I could go on about Lucy and how Mina is treated and whether that's a critique of sexism or just playing into it and how it's so open to interpretation but I'll stop here.

also the book is hugely anti- Romani, immigrant etc and I think that ties into disliking women since some women are those Romani and immigrants

It really really felt like a case where a lot of people in the Drac Daily tag just wanted it to be super feminist because they liked it (you can like things without having to make them feminist! it's fine!), and the way they scoffed at feminist scholars who had "surface level readings" of the text (aka they dared to say it was sexist) still leaves a bad taste in my mouth.

The Lego Movie: dislikes women. what are y'all on. Even it's own sequel calls it out for disliking women. Wildstyle is basically the only woman with real characterization and she's the purest concentration of "hypercompetent woman must play second fiddle to Average Male loser who is the one who actually saves the world and also she falls in love with him because of course she does'. Then Wonder Woman got one line (in literally the first theatrical move she got to even be in) and Superman and Batman a lot of screen time.

Does not like

Scott Pilgrim- Don't get this result, I'd put it at likes or mixed feelings? It's literally about how Scott has weird issues with women where he doesn't see them as to full people they are, and it calls him out on that hard. The whole sixth volume is how he made up a damsel in distress scenario for Kim and always took her for granted, how he put all the blame on Envy for the end of their relationship when he played a huge role in that, Knives finally getting over him, moving on, and telling him he needs to grow up a little (highlighting how his grossness towards her was him refusing to accept that he was an adult now, and that he was horrible to her, and yes he does apologize), and accepting that he and Ramona are both messed up people and she's just as flawed as he is, taking down the pedestal he put her on. And having Ramona triumphantly confront her abuser. Scott acknowledges he has a lot in common with Gideon, the supervillain!

Roxy is a sticking point, the whole 'it was a phase thing' and her and Ramona's relationshipbeing unexplored was annoying (fixed in Takes Off) but even she had some moments of pathos and was definitely the (Ramona's) ex the story seemed to sympathize with the most.

I dunno. this seems like a tumblr lacks media literacy thing again. Did you think the narrative agrees with Scott. Did you only watch the movie.

Succession- I'd go more mixed feelings? Dislikes is fine, I think it doesn't have enough women and often privileges male characters over them, but sometimes it's examination of the sexism Shiv faces is really incisive, and she's a complex character. But she should have gotten that abortion.

Watchmen: hates women actually. Pretty much anything written by Alan Moore does.

Persona 4: I think it hates women actually. But dislike is fine too.

Merlin: Everything I've heard about the show puts in in the hates camp rather than dislikes, but i never watched it (I did watch this video on it, and the bootlicking is out of this world if it's accurate) so I can't really comment

Fables: I cannot fathom how this did not get "hates women". Not just the fact it's written by a known misogynist. I will always remind everyone that I was literally there to see Bill Willingham say the female fans protesting the misogynist treatment of Stephanie Brown were annoying and he wishes he could shoot them. I was there. I heard him. This attitude completely shows up in his work. On top of that, his conservative, women hating idealogy all over this comic. Do you not remember all the random abortion soapboxes and how hard Snow White got sidelined????

And when I refreshed my memory, I discovered the reason Snow White had kids when she didn't want to was because a spell made her have sex with the male lead and she didn't even remember that happening. I also forgot that her backstory was the seven dwarfs raped her (but then she murdered them! Girl Power!) This is only the tip of the iceberg, I rediscovered way too many screwed up things he did to his female characters. Plus blatant Zionist propaganda and a ton of racism.

Like Snow White's backstory was some dark and edgy rape revenge and she's an Empowered Woman now, only to have her be raped by the man she will marry (in a mutual rape) but we don't call it that, and now she has kids she doesn't want, she can't get an abortion because It's Evil, time to quit her job she's proud of and move to a farm to have six kids.

iCarly-- It hates women! Dan Schneider. That should be all we need but some people in the comments insisted on separating the art from the artist despite the fact the artist is ALL OVER the art, and said art directly tormented Jeanette McCurdy! There was so much content in the show that was there to specifically torment her-- the fact her character has a food addiction/eating disorder while she had a real life eating disorder and they had to have known this, the fact after hearing she had a crush on an actor then they wrote it into her character to humiliate her, the fact they continually sexualized her while knowing her discomfort with it and with her body-- I have also watched the exhaustive basically minute-by-minute breakdown by QuintonReviews. Some gross shit happens on that show.

Hates Women

Agree with all of these so far!

[hauntedparkinglot]

Ok wait I’m not done with this. Gender in Malevolent is driving me insane.

The way that women in the narrative are so absent, that the hole is so huge you can’t help but stare into it. And I do think a lot of the gender stuff is unintentional, it’s just that the way it’s unfolding fascinates me….

I actually stopped watching the show for a full year after episode 31…. The way Arthur talked about Bella’s death upset me in a way the other visceral horror didn’t. He didn’t resent Bella, he didn’t really…. Feel anything super deep about her. He got stuck with her, she was better than him, she was an equal to him but her life and death didn’t affect him the way every other loss in his life did. He didn’t want a wife, and in the end that’s all he saw her as….

Kind of insane how he finally shows some sort of emotion for Bella in the name of mutual rebellion, she didn’t like what her dad stood for either. Arthur thought he was making a sacrifice for her and Faroe by marrying her…. But she didn’t want it either. Arthur was honour bound she was actually literally trapped. She made the sacrifice.

Everything about Bella makes me so mad. I hateeee the dead wife trope. I feel like a type of subversion was attempted but idk. When I think of this situation from her perspective it becomes a much scarier horror podcast, lol. We all know Arthur Lester is a mess, his flaws make the show. But for this one. Arty when I get u…

I actually thought Bella was gonna turn out to be a figure like Anna Stanzyck when I first started listening. Idk how to elaborate.

[agro-carnist]

I listened to a podcast ages ago about a parasite that lives in salmon that is believed to be the only animal to un-evolve breathing of any sort. Just no aerobic respiration at all. It is called the salmoncola. I thought you might be interested, sorry if it is old news :)

I don't know how I haven't heard of this but that is fascinating! I think it's really interesting when scientists find animals that lose certain traits over time, showing us that evolution is not just gaining new features but becoming more efficient to survive in a certain environment.

Here is an article about it for those that want to read more

And the study that was published

[dutifullyscreechingdragon]

Michael the Distortion X Reader

A/n: Hiiii, I should note from the start, that the characters belong to the Magnus Archives Podcast, which was written by Johnny Sims. So, yeah, I do NOT own the characters. That being out of the way, enjoy:)

You were an Archival assistant. You were also Helen's close friend. So it was natural that she went to you for comfort after being trapped in the weird halls dimension and terrorised by a series of weird doors. It was also natural for you to suggest she makes a statement for the Archives. There was a chance, however slim, that they might do some digging into the matter.

And naturally, you were there with her as emotional support. It would be cruel to make her face Jon's scrutiny on her own.

So here you were, listening to your friend rambling about her encounter, nodding along and giving her encouraging smiles. You glanced at Jon. He wasn't pleased, but he wasn't wearing his usual look of skepticism either.

"...Maybe you can make some sense of it" Helens words finally drew you out of your thoughts.

"We'll try our best" you gave Helen another smile and gave her a pat on the back. Your little moment was interrupted by Jon:

"You said you don't remember the man's name..."

"I... I think he told me, but I just, I..." Helen begins but is interrupted, by Jon:

"-it wasn't Michael, was it?"

"Yes! Michael..." Helen's face darkens "Do you know him?"

You furrow your eyebrows and turn to Jon:

"You don't think that-"

"Maybe. I don't know!" Jon sighs and turns to Helen "We'll make some enquiries and get back to you"

"Right, well... I'll just leave you to it" Helen says before leaving.

You watch her and turn to Jon, to start discussing Helen's statement. You brace yourself for his questions. Maybe he'd ask you to provide some more context. However, instead Jon opts for calling Sasha and you resignedly plop into the armchair once again.

You look over the maps Helen drew. They really don't make sense. At all. Weird lines crossing one another... They are oddly fascinating.

When Jon and Sasha finish talking you brace yourself for questioning once again, but freeze when you see a tall, lanky man.

He has golden locks that twist and turn into intricate patterns. His hands are abnormally long and his fingers curl around the doorframe he leans on. The suit he wears makes you dizzy. It looks woven out of caleidoscopic fabric. And his smile. It's unnaturally wide. His features... Are weird... As if shifted a bit, making his face a bit mismatched, misaligned.

He is not supposed to be in the archives. You are sure of that.

He speaks:

"Do you know they're lying to you?"

The words make your hair stand on end. Or maybe it's just the static that seems to rise in the background with every word he speaks.

"I'm sorry- This uh... May I help you somehow? This place is off limits" You hurriedly inform the impromptu visitor.

"I disagree" the man says leisurely.

"Who let you in here?" Jon cuts to the chase with his questions. This seems to amuse your stranger.

"Let?" He laughs. It's breathy and out of sync. It makes you shiver. "I'm afraid this isn't how it works..."

"You're him" Jon states, rather than asking.

"Yes"

"Michael"

The creature holds a pause before speaking:

"That is a real name"

"Wait. Pause. Break" you interrupt. This is... Well, you'd say weird, but anything concerning the archives is weird... It's more than your daily intake of "weird".

"You're... Michael" you restate.

"Ah... The little archival assistant's comprehension skills deserve the highest praise" Michael muses.

"No. I mean... You're the guy that Sasha met... Michael 'How would a melody describe itself if asked' the distortion ?"

"Mhm... Yes... The Deceitfully distorted being of non-reality" Michael grinned, visibly please you quoted him.

"Sure... That checks out... Weird, but poetic descriptions" you mutter "Should I uh... Take your statement?"

"You'd like one.... Wouldn't you?" Michael asks you, twirling his hair "I wonder... Is it the eye's mark... Or sheer human curiosity? A mix of both? Or perhaps... Something else entirely?"

"Are you here to make a statement? You haven't answered the question." You respond.

"I suppose I haven't..." Is all the response you get.

"Are you here to kill us?" Jon asks. Way to be optimistic, you think.

"No" he states decidedly.

That's a relief, you don't think fighting him would be pleasant.

"Oh... Why are you here then?" Jon seems to take the lead in asking questions.

"I am simply collecting what is mine, Archivist. the one who entered my domain"

"Helen?" You muttered, your heart rate picking up.

"Mrs. Rich-ard-son? You own those hallways?" Jon asked slowly.

The distortion grins

"What a fffascinating question" Michael drags out "Does your hand in any way own your stomach?"

"Ah-" is all you can manage to utter. Your stunned silence doesn't seem to throw Michael off as he continues:

"In any case, it doesn't matter, the wanderer had a brief respite, but it's over now" he shrugs.

You can't help but let out a triumphant laugh:

"Haha! You're too late! Helen's already left! You ain't getting her! Tough luck, mate" you shrug.

"Yes... Ah... Did you notice which door she left through?" Michael's smile grows wider and he can't help but let out a small chuckle.

"Well, yes it's... Wait... You trail off" you don't remember that door... Should there be a door?

"There has never been a door there, your mind plays tricks on you…" Michael responds to your silent question.

"Let her go! This instance! Open the bloody door and Let. Helen. Out!" You clench your fists, making a few steps forward.

"No?" He laughed. That made your blood boil. You couldn't contain yourself. You leaped over the desk, grabbing a dagger in the process and putting it to the creature's throat... Or at least where you thought it would be.

"Let Helen out!" You seethe.

This didn't have the effect you counted on. Michael stayed unphased.

"No can do" he slightly moved your dagger to the side and unperceptedly shifted behind you.

You turned still gripping your dagger.

"How did you- you were just standing here and-"

His Cheshire cat smile just widens at your confusion.

"I'd advise not to wave sharp objects" he drawls in a leisurely manner "you can never know when you can accidentally... Get cut" he lightly trails one sharp talon over your forearm. Tiny beads of blood litter your skin, in spiraling shapes. It stings. You wince. Michael.... Smirks. It almost makes you want to punch him in the face. But you know better. You do not want to be sliced into ribbons. At least, not before you have rescued Helen.

You take a few steps back, trying to put a bit of space between you and Michael. You barely contain the irritated groan, when he shifts a bit closer.

You try to move away, without turning your back to him and simultaneously avoiding tripping over the boxes scattered on the floor. Somehow, you still find him behind you, his long fingers resting on your shoulders and tapping a rhythm you can't quite guess. It's too irregular to be predictable, yet too regular to be completely random.

You turn and come face to face with the madness incarnate. Michael cocks his head to the side and you wonder whether he will continue twisting further and further, until any normal human neck would snap.

Jon's voice breaks you out of your staring contest. Michael directs his attention to the Archivist, leaving you standing there.

It gives you ample opportunity to catch your breath and notice, that you're mere meters away from the door Helen walked through. A quick glance reassured you that Michael and Jon are deep in conversation.

You inch slowly to the door, trying not to tip off the embodiment of losing your mind. You're almost there. You wonder if the door is unlocked and if you open it, will you be able to get to Helen instantly.

Your hand touches the door knob. It's warm almost welcoming.

You turn your head slightly, to check that Michael is still distracted.

He isn't. In fact, he's staring right at you, with his everpresent uncanny smirk

"Oooh, do go on... Don't you want to see what's behind the door?" His staticky voice encourages you, "Don't you want to rescue your friend? It is... Slim chance... But I am keen to see you try..."

You wonder briefly, whether this is some reverse psychology thing. Whether he actually doesn't want you to open the door. You look at Jon, noting his foreboding expression and slight shake of the head.

You start weighing your options, but then you remember her. Helen. Your friend. You can't leave her.

You put on your bravest face and push the door open. Caleidoscope colours flood your senses. And this laughter. This uncanny, hypnotising laughter, feels your ears, clouding your senses. You feel it reverberate in your bones and course through your veins.

The avatar of the Spiral and the Archivist watch you disappear behind the door. One wears an all too wide grin, the other the expression of utter shock and horror. It's easy to guess which is which.

"What a fascinating Archival Assistant you have" Michael drags out disrupting the silence, "Or perhaps I should say... 'had'?" He muses much to Jon's irritation.

"What did you do to them? Bring me backy assistant!"

Ignoring Jon's demands, Michael approaches the door. It swings open and the distortion's fingers curl around it's frame.

"If it wasn't for the Ceaseless Watcher's touch, they'd make a fine spiral avatar..." Michael's laughter echoes through the room "They still might..." He grins disappearing through the door

A/n: Whooo, this is done. I hope you liked it and have a great day!!

[untildawntrashcan]

I decided to replay the original and I have a few thoughts.

Why didn't Sam just take the letter once they had all walked away? That instigates the whole prank right and she was there when they set it down. I get trying to talk them out of doing it, but she could have just taken the letter??

Beth's closest relationships in the original are (by order of highest to lowest) Hannah, Josh, Sam, Jess, and Chris. Ashley, Mike, Matt, and Emily are all at an equal level to one another. I find it kind of interesting that she is closer to Jess than Chris. Jess is the one who instigates the mean spirited prank on Hannah. Beth never knows that, but it's an interesting wrinkle.

There is an investigation going on a year after their disappearance and they do mention a man of interest in the case-which is an interesting foreshadowing to flame thrower guy. Josh likely knew about it. So, it added a little credibility to his "prank". The podcast Sam was listening to not only had the sheriff of Blackwood on it but featured Josh's note to his friends. It wouldn't have been a stretch for his friends to believe that someone would take advantage of their publicized return to the mountain to do something. The Wendigos were a fascinating angle, but I think it would have also been kind of interesting if there had actually been someone with a vendetta against the Washington family just plotting to "get even" or maybe even an obsessed fan of Mr. Washington's movies wanting to re-create some of his classics.

Sam's not really close with any of the main characters when you start playing initially. She is neutral towards everyone except Jess and Mike which is fair. Jess was the planner of the prank and Mike was the catalyst. Relationships are fluid and change over time. Since it has been a year since she's seen everyone, the fall in relationship levels could likely be explained by guilt and distance. The only one I don't really get is Josh. Her relationship with him, I would think, should be higher given that she says at the end that she thought they had a connection.

Anyway this was just a thought dump while I'm at home sick and replaying one of my favorite video games.