#just if you were curious lol

[chick-it-out]

showcasing a lil bit of the stuff i got up to last year! 🌠 in 2024, i spent a lot of time thinkin about shape and color :)

[g1rlr0b1n]

Yet another commission by the super amazing and talented @ookamihanta!!! Go check out their page to see more art!!! Their commissions are still open so go check that out as well!!! I highly recommend them!!! 🦇

Blood of the Covenant (Preview)

Jon’s neck snapped over to where a silhouetted figure perched silently in a tree above. Had it not been for the scattering of birds, their frantic flapping and squawking, he may have never even noticed the presence up above. The figure crouched, hidden within the dark branches, like a predator observing, waiting to strike its prey. Jon felt a chill run down his spine as realization dawned on him. “just- just make it quick.”

Jon closed his eyes tight and waited for something that never came. Gathering his courage, he slowly opened his eyes and frantically scanned the area around the tree. The figure was nowhere to be seen. His body relaxed slightly, but before he could let out a breath of relief, the figure suddenly emerged from the underbrush, clutching a limp rabbit in his hand. Jon's breath caught in his throat at the sudden appearance and he couldn't help but shudder with fear.

“Tt,” he clicked his tongue and Jon immediately registered the sound as annoyance. He wondered if fear in its prey was becoming a nuisance for this particular vampire, it would have been almost laughable, if he wasn’t scared shitless right now.

Aside from the pounding in his chest, Jon watched on in silence as the creature expertly built a fire with dry twigs and leaves. The orange flames danced and flickered, casting eerie shadows on the surrounding trees. As the sun descended below the horizon, the fire became the only source of light, the sky now painted in shades of deep blue. The heat from the flames grew more intense, warming his skin and filling the air with the scent of burning wood. Jon’s eyes followed every move as the vampire gracefully skinned the rabbit, then with precise movements, drained the blood from the small animal. Jon’s throat tightened as the creature was skewered onto a freshly sharpened stick and placed over the embers. The smell of cooking meat filled the air, making Jon's stomach growl in hunger. The vampire seemed to have quite the sick sense of humor, subjecting him to such torture. Jon squeezed his eyes shut, trying to force his mind off of the pain in his gut.

Suddenly, an unfamiliar voice shattered the silence. "Eat," they commanded.

Confused and disoriented, Jon's eyes snapped open as he tried to make sense of the words. "W-what? Why?" His own voice came out weak and shaky.

“You clearly haven't eaten in a few days,” he stated matter-of-factly, his eyes roaming across him. Jon eagerly reached out, accepting the offering, savoring the succulent meat as it filled his empty stomach. When he finished, he crudely wiped his mouth with the cuff of his sleeve. He was still weary of the other but at least if he dies now, it would be with a full belly. The man continued to stare at Jon intently, never taking his gaze away. After a long silence, he spoke again, his voice low and measured, “how long have you been here?”

“Eighteen days,” he croaked out, feeling small and weak under the man's intense scrutiny.

The other only nodded. “Is that your canteen?”

Jon's heart sank as he nodded and replied, unable to hide the desperation in his voice, "It's empty." The sound of his own almost unfamiliar timbre only served as a reminder of how long it had been since he had last spoken to another human being…or anything close to it.

Without another word, the man snatched the canteen from Jon's hands and disappeared quickly into the dense forest. Minutes dragged on like hours, Jon could do nothing but watch as the moon dragged across the sky until it was directly overhead. With no clear sense of time, he began to wonder if he’d been abandoned once again, left alone in this desolate place with nothing but his thoughts for company.

As the last embers of the fire began to fade, Jon's gaze caught a glint of movement in the corner of his eye. He watched as the lithe figure of the man emerged from the shadows with the canteen in hand. With a quick flick of his wrist, he tossed the canteen at Jon, who winced as it thudded against his chest. “Vampires?”

Jon nodded, “yeah, we took them out but I got inj-”. He flinched, realizing suddenly that he was talking to a vampire about taking out his own kind.

The man seemed disinterested in the murder of his kin and instead chose to focus on something else entirely. “We?”

Jon swallowed the lump forming in his throat, “yeah, the guys I'd been traveling with.”

“They left you here?”

“Well-”

“To die?” he interjected.

“I told them too. I was slowing them down.” Jon’s voice came out smaller than he intended it to.

The man carried on, as though uninterested. “Kryptonian?”

“How did you-?” The man's piercing gaze landed on the prominent "S" adorning Jon's chest. Jon shifted uncomfortably, feeling foolish, “oh. Yeah.” The two sat in tense silence once more, until the question that had been gnawing at Jon could no longer be contained, “why haven't you killed me yet?”

For the first time since the man had appeared, he seemed to be taken off guard. He sat in quiet contemplation, his brow furrowed and eyes distant. After what felt like an eternity, he spoke again. “I knew your father. He was a good friend of my father.”

“Was.” Jon felt his heart drop to the pit of his stomach, “so, he’s dead then.”

“I’m sorry,” his eyes flashed with empathy, just briefly, before returning to their stoic state, “but yes. They both are.”

“It's okay,” Jon tried to reassure himself, though his voice trembled slightly. “I think...I think I already knew.” As the words left his mouth, he felt a sense of finality wash over him, confirming what he had been desperately trying to deny. His father hadn’t come looking for him, he had already known it could only mean one thing. Silence consumed the air once more, until Jon finally spoke, “so, you haven’t killed me because my dad used to be friends with your dad?”

“Is that not enough?” he shrugged.

Jon quickly shook his head, “no, I mean, I’ll take it.”

“Tt. So, don’t die on me Jonathan Kent or this will have been a complete waste of my time.”

Surprise flickered across Jon's face, “you know my name?”

The other man scoffed, “of course, I'm the son of Batman.”

“Batman? ... So then, are you ...Tim?”

“I'm insulted.” The man's expression turned from irritation to hurt, “no, I'm Damian. I'm... I'm the last living son of Batman.” A weight seemed to settle upon him as he spoke these words, as if the realization of his own loneliness had suddenly hit him like a ton of bricks.

“I'm sorry. My... my brother is gone too.” Damian allowed the silence to consume the night, he did not ask Jon any more questions and for that, Jon was grateful.

[necromash]

Something something, one of my Pelle WIPs because I turned 22 today or whatever, twinning! 😁👍🏻

[sysig]

Blood sugar levels (Patreon)

[furylad]

how is the ofmd fandom coping with the fact that Izzy Enjoyers were right about literally everything and the first three eps are just The Izzy Hands Show? I've peeked at Izzy hate blogs and have been amused that it seems like they're just pretending none of those scenes happened and are just latching onto the one Stede/Ed scene while ignoring. literally everything we just saw

[dotpyenji]

happy bisexual day to those who celebrate

[shima-draws]

Question for no particular reason if someone, not me, hypothetically wrote a fix it fic where Izuku goes back in time to save a young Tenko, would you, the audience, prefer that to take place BEFORE Tenko kills his entire family with Decay or AFTER

[celtrist]

Why does Vassago already have merch, we haven't even met him yet

[lynzishell]

As summer turned to Autumn and the days got colder and shorter, Phoenix and Dawn found themselves shifting focus to their careers. They both earned big promotions that led to higher stress and longer hours. With less time to see each other during the week, they made the most of what small pockets of time they could… like their 15 minutes over coffee in the mornings.

Phoenix, who has been working for the San Myshuno Human Rights Commission, is now heading the Department for Housing and Community Development. At first, he was excited and had big plans for the future of the city. Unfortunately, it seems the more power he is given to make a positive impact, the more he runs into roadblocks and red tape. The stress and frustration started taking a toll.

To cope with the stress, he began spending more time in Mt. Komorebi where he’d go snowboarding with his friends the way he used to before Kiyoshi ever presented the idea of climbing the mountain.

Nothing like the rush of flying down the slopes and landing massive jumps to get your mind off things, I suppose.

Meanwhile, Dawn has been working for the Dreamer Foundation as an Event Planner. She organizes many of their fundraising events, and they’ve been doing so well that she’s started putting together more prestigious events for their larger donors. This, of course, comes with its own kind of stress and frustration.

Rather than take off for the mountains though, she felt like she needed to make time to slow down and breathe. So, she started getting into wellness activities like yoga and meditation.

Oh! Also, Atlas and Asher started coming over every Sunday to join them for dinner...

...and to watch the latest season of Somnium.

All four of them are now fully invested in the series. (how could they not be with a genius creator like @rebouks)

Prev // Next

[puppppppppy]

people who do STEM or administration as a career full time and continue to do art as a hobby, I am scared of you but like in a hot way. youre like if we were allowed to have cold drinks in winter. i look at you and think of miles morales with his two cakes. do you want to make out sometime

[leah2eroes]

"european trans women on this site talking about their petty little problems with "transmisogynists" like. fucking excuse me???? im a TRANS MAN living in AMERICA do you even give a shit about the shit thats happening over here??? you are NOT allowed to voice ANY of your lived experiences if i decide that they make ME look bad!!! this is INFIGHTING! this is MISANDRY!! now is NOT the time for you fucking evil tra- uh.,, trans radfems, to be WHINING about how we 'oppress you'. we don't. now shut up and let the MEN talk."

-actual post i saw on my tl just now (obviously paraphrased with key subtext lol)

[vintagecandy]

Yesss that is right, you can now have your art turned into a sticker and mailed to you.

Because I decided... Why not ! I can make stickers, can't I? lmao

[sysig]

Does this hurt? (Patreon)

Bonus:

I love surfacetable.txt <3

[kathaynesart]

What advice would you give to someone who really wants to get into writing/drawing comics, but doesn't know how or where to start? What would you recommend? Even if/ especially if they already have a decent history in writing and drawing

SHORT ANSWER: Don’t do what I’m doing with Replica haha! I’m breaking all my own rules with this comic but maybe we can use it as a good example of what not to do in my rant below…

LONG ANSWER: (below the cut)

Hoo boy… there are so many avenues this question could take. I assume you don’t necessarily mean entering the comic industry as a professional (there are far more experienced people you can ask about that). But simply drawing your own comics? I'll try my best to break down some of the basics I've picked up over the years. Note these are just my opinion and there is always room for other methods...

1. ASK YOURSELF WHAT KIND OF COMIC AM I DOING?

The first thing to consider is what is your intention with this comic? Do you want to tell a story centered around a preexisting fandom or tell a completely new story you came up with? What genre do you want to focus on? I'd recommend finding something that really sparks your interest, because you're going to be working on it for far longer than a regular art piece. Plus if you like it, someone else is bound to like it as well!

2. ASK YOURSELF DOES IT NEED TO BE A COMIC?

This may sound silly... but often times I find people fail to take into consideration whether or not the story they are telling works best with the medium they are considering. Had I done Replica as a fan fiction, I would be much farther along with it... but with comics there comes a wide range of subtle visual cues, parallels, and symbolism I can use that I wouldn't be able to show through writing. The written word also has many strengths that comics lack... it just comes down to what you want to be able to show in your story.

3. KEEP IT SHORT AND SIMPLE

If this is your first time doing a comic, I recommend not overextending yourself with some grand epic that is going to take you forever (like Replica haha.)

Example: Years ago a close friend and I did a webcomic called Perpetual Flux that we were unable to finish. It went for about 2-3 years, was over 110 pages long, and yet we had only managed to get about 3 chapters into what would have probably been a +30 chapter story. We came up with this huge epic we wanted to tell and while it was a story we still wanted to finish, it just became impossible to continue as our lives and availability changed.

So start small! And take that experience you gain into bigger, future projects. Obviously I have not learned my lesson with Replica, but at least with this project it's something I can do on my own time and is supported by a wonderful community who keep me inspired. Speaking of which...

4. FINDING AN AUDIENCE

If it’s a story based off something with an existing fandom then half the work is already done! You just need to start interacting more with people in that fandom, and I mean really interacting. Talk to other artists, join Zines, leave comments, and share other people’s work. It can foster a community and help you be a part of the fandom so that people will be interested in what you have to share.

If it’s a new story you’re going to have to create your own community. Nowadays it’s easier than ever to get your work out there, but the competition for eyes is much steeper. What I find that works is rather than starting the comic cold turkey, draw out some highlights from your future story. Moments that have yet to unfold that might wet a random viewer's appetite for more. Kind of like… a trailer for what’s to come. Keep dropping those little crumbs of interest as you prep your comic to garner some interest and that way when you do start you may already have some followers who might share your work around!

5. CONSISTENCY IS KEY

Get into the habit of drawing and writing regularly. I know it can be a hassle and the last thing you want to do is make it a chore, but like exercising I find that the more I do it, the easier it is and the better I feel about it. Nowadays I feel weird if I'm not at least writing some script or drawing a few sketches towards my comic/projects every day.

Also, if you can make sure to update fairly regularly (something I also fail at with Replica haha, but at least I try to post little things here and there when time allows). It's important to let your followers know that you are still there and you care! It also helps keep you at the front of their minds. My fellow Apocalypse AU creators Cass and Tapakah0 are GREAT at this as they post a ton! It helps garner a strong community and a lot of continuous excitement! I wish I had that same energy and time but you'll have to make do with my old-lady pace of things, bless you all haha.

6. GRAPHIC DESIGN

Obviously as a writer and artist you're used to doing both... but with comics there's another aspect that can come into play. Graphic design! Whether it's your title, your font choices, the word bubbles, or the way you break down the panels, these area all things you should take into consideration. For example, every webcomic has panels, but they can vary tremendously in style. Because of Tumblr and the nature of the scroll method I chose to forgo the typical "comic book style" for more of a... loose storyboard feel where I care more about the angle of the shot within each panel rather than how these separated images link up to one another. Where as with Perpetual Flux, it was laid out on actual comic pages so we had to take serious consideration into how they fit together within each page. IngunnSara is also a great example of this more traditional method of paneling and it's gorgeous and difficult and they have my utmost respect for pulling it off with Hamato Wanderers! So I recommend looking to some of your own favorite comics and see what jives with you.

7. FIND A STYLE THAT WORKS FOR YOU

Also failed this with Replica haha, but to be fair I went right into it with the intent on learning the style as I went. But I recommend having some grasp on the style you want to use and whether or not it's a viable to be drawing over and over again for your comic (for example, if you make it too detailed it will take you far longer to draw!)

8. FORGET ABOUT PERFECTION

Perfection is a lie. There is no place for it in art, especially if you're just doing this for your own pleasure. Don't strive for it. Don't worry about it. Don't compare yourself. Just keep doing what you're doing and keep learning from it. You'll get much farther!

Ok... hopefully that helps a bit. I'm sure there's plenty more to talk about but I feel like I've talked enough for now. Thanks for listening to my TED Talk and lemmed know if you manage to get your comic off the ground :)

[batsplat]

Assen 2016: During warm-up, Marc Marquez takes a page from Valentino Rossi's book and cuts the final chicane.

[cutemeat]

shouldn't the Johnny thing have clued dennis into the fact that mac likes it MORE when guys treat him like shit?...like why the fuck did he set mac up with a "nice guy" for his date if he wanted it to actually go somewhere LMAO