#just having it in the back of your head

[gabrielsbubblegumbitch]

I just wrote the scene where Vox asks Valentino if he's a communist, and honestly, I think it would be hilarious if Val were a communist.

Vox learns about it during their fourth sleepover (I assume they started seeing each other not long after Val's death, when he wasn't bourgeois and still held some of his beliefs). That revelation causes Vox's existential crisis because he can forgive being a rapist, murderer, and queer, but a communist? He vents about it to Alastor because you know how angry some people get when you suggest that maybe ten people shouldn't own all the money? And Alastor, who is of course an anarchist, says something like, "But you said he was stupid!" That sends Vox spiraling because apparently, he's weirdly attracted to men who are red in more than one way.

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[teaboot]

Sometimes at work it's not my place to tell people the things I want to say, and I find I often go home at the end of the rougher days to stand blankly in my shower and tell myself over and over what I wish I could pass on.

This accomplishes very little, and mostly just gives me a tension headache, but through it all I think I've narrowed myself down to a few solid things I'd like to tell people the most.

You can't change people. Not permanently, not for anythig. You can support them, encourage them, love them, give them tools and opportunities and resources, but you can't make them change. They can change themselves if they want to, but they have to want to, and they have to want it for themselves, because they're the only one that's certain to be with them forever.

For better or worse, you make your own choices, and blaming bad choices on others doesn't only work to absolve you of responsibility- it also robs you of control. Because if you say you only did something because I did something, then you arent only shifting blame- you're admitting that you cannot control yourself, that you cannot truly make choices for yourself, that other people can control you- and as long as you truly beleive that, you'll keep facing the same problems over and over. You'll keep letting others dictate your choices, because you'll beleive that they can, and you'll never be free.

White knights on horseback are from fairytales. Nobody can help you if ou're not willing to help yourself. To try, to put the dirty work in, to belive you're worth that effort- Act as though nobody is coming to save you. From a struggle, from pain, from bad relationships, from yourself. And when you do save yourself, because you will, because failure here isn't an option if you want to survive, you'll never find another dragon that can keep you prisoner.

Don't say anything to anyone that you wouldn't want them remembering forever.

Doing the right thing in bad circumstances is hard. It's the hardest thing. But if you make the choice to do that hard thing anyways, despite your fear, you'll go on the rest of your like knowing that you're the sort of person who did something.

The present only seems the hardest because the past I over and the future hasn't happened.

There's so much joy ahead of you, the kind you can't possibly understand until you see it yourself.

The responsibility of consequences is often disguised as the power of permission. "I won't do this if you help me", "I'll work on my anger if you do this for me", "I promised you I'd quit, but can I have just one?". The unspoken question is, "Can it be your fault if this goes badly?"

You cant make someone love you the way you need to be loved. Someone can love you very much and still be bad for you, even if you love them very much in return. Two people can love each other very, very much, and try their very best, and still be wrong for each other.

Sometimes being near to someone changes you, even in good ways, and the people you become don't fit together as well as the people you were.

Caring takes work. Even if it's real. Especially if it's real. And the most important gestures aren't the grand, poetic, songs-and-flowers-and-tears moments; they're getting out of bed even though you don't want to. Paying attention to things you don't enjoy. Scrubbing pans, or opening a window, saying "thank-you", or helping carry groceries into the house. The small things fill the big things- without the small, boring, mediocre things, big things feel hollow.

Thrre is honour and dignity in humble work.

If you are a cruel and spiteful person, then you will find every place you visit to be full of the same cruel, spiteful people. This is not because the world is as cruel as you, but because everywhere you are, you will be disliked. This is the curse that comes with being persistently cruel and spiteful.

If you are a kind and ppsitive person, you will repeatedly encounter kind and positive people, because as they grow familiar with you, they will be happier to have you near. This is the reward of being a kind and positive person.

When splitting paths with loved ones, briefly or forever, aim for your last words to always be "I love you".

[a-compass-without-a-needle]

This is what happened after 3.1 isn't it?

[teratomatica]

you always land on all fours

[willowser]

HMMMMM bakugou being just. the absolute picture of sin.

he works overnight and comes home early in the morning, around 3 or 4 am or so, and you greet him and give him a kissy and ask how it all went. and even though it's still dark outside and he's been working for twelve hours—he's still coming off patrol, right ? so he's still got some energy left, and he eats something and takes a shower and winds down as you fall back to sleep.

and it's not until much later in the day that he wakes up, early afternoon, and you're kind of tiptoeing around so that he can get his much-needed rest. you slip into the closet of your bedroom for something and you think you're gonna get in and out without a sound, but his hearing is so attuned to just about anything and everything at this point.

so rough and raspy, he grunts out, "what're y'lookin' for?" and you whip around real fast and he's just—

half sitting up in bed, bare back leaning against the headboard. an arm behind his head, so that his bicep is tense and round and stone-solid. stretched like that, his obliques are more prominent, taut and rippling up the side of his ribcage. he must have gotten hot while passed out, as he usually does, because the comforter is all askew; one of his legs is bent, the fine hair a dark gold in the waning day; the other is hanging off the bed, lightly swinging as he watches you, and the blanket has come down enough that you can see the bulge of his thigh muscles beneath his stupid tiny black boxer briefs.

and he's just so. man. in every single way.

(his hair is flat on one side, too, and his eyes are still a little puffy from sleep—but you think that adds to it, all in all)

[zu-is-here]

Happy birthday to the boy who changed the fate★

Axel [10/29] & Eve by ari-cuno

Anko by groovygladiatorsheep

Crazy Lace by clownyclowns

Esther by orange-dreamzer

Flicker by bluepallilworld

[thimblings]

c'mon ashley it's not even grammatically correct (planning a fic mentally and working out dialogue for a scene and then suddenly Viago says "y'all's" because i'm southern and despite my best efforts some phrases are ingrained in me and honestly i would like to personally apologize to him for it)

[nikolaj-costerwaldau]

JAIME LANNISTER in every episode: 1.03 // Lord Snow

[laurrelise]

the bit in s1e10 where five says “ok i have an idea for us to not die in this apocalypse, but you guys have to trust me” and the brothers all go “eh… yeah no” is simultaneously funny and sad because oh lord could you IMAGINE

picture this: you spend 40 years in an apocalyptic wasteland with the single goal of getting back to save your siblings from dying when the world ends just to fail

and then you start to panic because you and your siblings are about to die a horrible death and there’s nothing you can do to stop it, but you desperately cling onto a shot-in-the-dark plan to save them because it’s accompanied by a sliver of hope, and then ask if they trust you to try it and they WITHOUT HESITATION go “absolutely tf not”

[poorly-drawn-mdzs]

A new challenger approaches (slowly)

[First] Prev <–-> Next

[fbfh]

did you know that Dean wakes up one morning and realizes he has a fucking bombshell of a wife/husband/spouse, a cozy (slightly rural) suburban house, and not one but three fucking daughters???? Did you know that he woke up one morning to toddler giggles and little kid bickering and baby babbling????? and your girls come charging in hushing their little giggles so they don't wake up mommy and daddy and so OBVIOUSLY he has to pretend to be asleep so he doesn't foil their plan. he focuses all his energy on keeping his face and body relaxed, keeping his breathing even. they're whispering and babbling and Dean peeks an eye open and looks at the love of his life and these three angels with their daddy's attitude and their mama's heart. they have your eyes and his smile. they're... the best parts of both of you, and there's something entirely new and beautiful in each of them too.

Bobby Dean is your oldest, and her 4th birthday is just around the corner. She's 3 and 3/4 right now, and won't let anyone forget it.

Your second is Jodi John, or JJ informally. She's fought her way half way through the terrible twos and is already getting a head start on the whole 3 going on 13 thing.

Mary Cass, or Cassie, is your youngest. She's just over a year old, and wants to do everything her big sisters do.

And Dean is looking at your little girls, and at you. He sees the way the morning sunlight dapples in through the window and illuminates their tangled hair and disney princess nightgowns. Your face is all puffy from sleep, and you still smell like the apple pie you made yesterday.

it's real, he realizes. that pipe dream that apple pie life.

you gave that to him. you did that. you turned his deepest, most unspoken desires into a reality like it was nothing. and every ounce of joy and love and peace he feels every moment of every day, he owes it all to you. You try to tell him on occasion when he gets all sentimental on you, he deserves it. he deserves every good thing he feels, and he's so great with the girls, he's a natural dad and you couldn't possibly dream of a better husband to do it with.

Because at his heart, Dean is a family man. He's your family man.

[chippedcupwrites]

sansa/arya/dany, your stans could never make me hate the other two of you 💞✨

[ghostlyarchaeologist]

Evolution of Eliot/Hardison hugs over the years.

And the one time that Eliot really needed a hug:

Leverage S02E08/S03E10/S04E01/S04E07/S04E10/S05E09/Leverage Redemption S01E16/S02E06.

[mirellapryce]

It’s unrealistic, but in my mind I’ve decided that part of the look on Charles’ face after Edwin confessed is because Charles JUST got over his crush on Edwin. The boy was secretly holding a torch for his best friend for over twenty years, but since Edwin showed no signs of returning his feelings, or maybe he just didn’t want to risk it, Charles never said anything. He thought he’d finally gotten over it, and maybe he could move on and like Crystal for a while, when Edwin hit him with a full-on love confession, and now Charles has to deal with any residual feelings coming back, fighting with the growing feelings he has for Crystal. 

Boy is tired.

[harbingersecho]

READY AIM FIRE