#just an intern asks

[burninlovebutler]

Hi, Mel! Are you currently working on the Valentine's Austin fluff and the next part of "Just an Intern" or just the fluff one for now? I figured I would ask for the sake of my sanity. 🥰

this is a great question jasmine! 😅😅😅

i’m a very busy girl rn as i’m working on 4 different fics at the moment simultaneously 😅😅😅 (as well as various business essays 🙄)

so i’m working on the vday fic (“Candy Hearts”) which i’m trying to finish & post before vday 😅😅 (no promises!) BUT i wanna clarify that it is fluff AND smut so don’t you worry 🥰 lmao

the next Forever Winter chapter which will probably come out after Candy Hearts !

maybe both next week 💕 both are pretty fluffy so def on brand for valentine’s lol (and not so on brand for me lol)

Intern pt 4 is still in the very early stages 🖤

⬇️ this is Austin’s vibe in Candy Hearts 🥰💓

very giggly, blushy & shy 🥰💕

[bruciemilf]

Need a teen! Bruce au where he’s exactly like Justice League! Batman and Battinson in one. That mf put the fear of every god in Ra’s Al Ghul.

Everytime he’s in a room with someone over 30 “Teenagers” by My Chemical Romance plays in the background.

Despite that, in his own way, he’s as gentle as can be with his league. Give me a young Diana who’s getting spat on and ripped apart by the media in a way not one of her male teammates get.

And she’s Wonder Woman. She shouldn’t be affected by it. And she is, anyway. Bruce relates to that in an uncomfortable degree.

“When I first became Batman, weak men tried standing in my way, too. “

“And what did you do?”

“I stepped over them.”

He has a tiny Robin he occasionally has to keep on a leash.

Give me somewhat teen mom Bruce who struggles to wrangle his unruly six year old who likes flipping from rooftop to rooftop and thinks fighting Bane is a piece of cake.

“If Tati can do it, so can I!”

“Dick,” he paused, before handing him a handfull of candy. “Wonderful emotional manipulation. Good job.”

“:D”

[yellowvixen]

Got the chance to meet Roger Craig Smith today and he signed some art @fleetways and I collabed on!!

That's right folks, year of sonadow is real, Sonic himself said so :]

[technically-human]

Can you draw something with Doom Patrol!Edwin and Netflix!Edwin?

Maybe something about Dp!Edwin talking about his feelings for Charles with N!Edwin?

It's just something I've been thinking of, make it a little angsty?<3

Glad you asked

ko-fi

[im-totally-not-an-alien-2]

"You're my what?!" Red Robin asked, bo staff still held out in front of him defensively

"Intern!" Danny chirped back, "Clockwork sent me to help you out."

The vigilante lowered his weapon just a bit, "Who's Clockwork?"

Danny lowered himself to the rooftop he had been floating over and took a chance at getting closer to Red Robin so they could speak at a more reasonable volume. Hopefully, he wouldn't wind up on some gossip rag. "He's some kind of time deity. His job is to prevent time paradoxes and apocalypses."

Reds eyes widened along with his mask, which threw Phantom off a bit. "If he prevents apocalypses, then why haven't I heard of him?"

"He's not allowed to directly interfere with the physical realms. He can only do small things like make things go missing for a bit or give you a bad feeling. Ya know, things to make you second guess your decisions."

"And you work for him?"

"I mean, kinda? I'm a guardian spirit. I protect people and that's how I feed my obsession. Working with him is mutually beneficial."

Red Robin stared at him for a moment, "Obsession?"

"We're gonna be here a while, aren't we?"

[sizzlingsandwichperfection-blog]

I do like to be known as the husband of the cool art assignment lady! Buy our coffee--and now, OUR TEA AS WELL!

(Meme by @ctimemes)

[charlesoberonn]

Does anyone else have "thought layers" where their internal dialog is thinking several things at once?

Like you could be thinking a sentence and another part of you is thinking ahead to the next word before you think it, a third part is running wordless commentary on the first two, while a fourth part is playing a song in the background?

It's the mental equivalent of having several videos open at the same time but the videos interact with each other.

[f1-stuff]

Did carlos also used the friend word? Do you know when?

Hi, so I actually compiled some links mostly for myself, but also for you and anyone else interested. See below the cut!

Times Charles has referred to Carlos as a "friend":

'He has obviously become a friend.'

‘We were already good friends before we joined Ferrari.'

'We have a very special relationship. I mean, we are obviously friends outside the track as well. We are sharing good moments. We spend so much time - I mean, I see Carlos more than my own family...'

'He's a super nice guy, he's super easy to get on with and, uh- straight away we understood that we had a lot of interest outside racing in common. And now I can call him a friend, outside of racing.' (newest instance, at the end of their teammate era...)

Times Carlos has referred to Charles as a "friend":

'My teammate and I are friends off the track, we get along very well and we have a very good relationship. And we make a very good team. I think that if there is something that worked and works in Ferrari, it is the two drivers...' (translated from Spanish)

'We've been teammates for four years. There's been barely any situation where we've had a contact, or we had a misunderstanding. And even if we've had them, we've always moved on and we've always remained friends and had a really good relationship." (at the end of their teammate era...)

This is just what I could track down, but if anyone knows of others let me know!

Carlos has spoken about how he and charles get along very well, but that it's hard for him (and other drivers) to truly be friends with their teammates bc they're always so competitive with each other, and there's so much pressure to beat one another. ("Friend is a strong word that I don’t like using for anything or anyone.") And combine that with what we know about how, as a kid, he was surprised by other kids he thought were his friends running him off track and out of the race, we can see how much weight he applies to the 'friend' label.

To Carlos, I think a 'friend' is someone that a part of his brain would hesitate to race too hard against, and he can't let that happen with his teammate, who he wants and needs to beat more than anyone. He can afford to maybe leave Lando or Alonso a little more space on track bc he values his relationship with them as friends, and they're not currently his teammates. But he can't let himself have that relationship with Charles, or, for that matter, Alex next season.

Will he be able to say that he and Charles are friends more readily next year when they aren't teammates any longer? I think so. That was certainly the case with Lando. But I also think his relationship with Lando was a bit different - Lando was almost like a little brother to him. With Charles, he's more firmly a peer, and I think that hyper-competitiveness between them may always linger, right up until they aren't racing eo anymore, maybe especially bc their partnership was cut short before either could win a championship as teammates.

Time will tell, but it's clear that they already view their time together very fondly. They've spoken plainly about 'hating each other' inside the helmet when they've battled and disagreed, but that they always make up after two minutes. It's beautiful that they can always come back to the respect they have for one another. It's a unique relationship, and I look forward to seeing how it evolves in the years to come. ❤️

[poorly-drawn-mdzs]

I ABSOLUTELY ADORE YOUR SQQ HE LOOKS SO FUCKINH DONE WITH LIFE

The recipe for SQQ is: calm on the outside, screaming on the inside.

[waitineedaname]

for all that bingqiu and moshang are wrapped up in each other's business, I find it funny that shen qingqiu and mobei-jun have NO relationship. cumplane have their whole cosmically entwined nonsense, bingqiu and moshang are just differently flavored cumplane, and sqh and binghe have some kind of dynamic in the "author and his protagonist" sense, but sqq and mbj never once speak to each other. I just skimmed mobei-jun's appearances in the main three volumes and I think the only thing sqq says to him is "a demon?" when he first appears and mobei-jun just fucking ignores him. they exist in the same scene several times, but never interact. they've both got their attachments to binghe and weird obsession with sqh, but they have absolutely no relationship to each other. I think if you put just the two of them in a room together, they would sit there in silence until sqq contemplates whether killing himself would end the awkwardness

[burninlovebutler]

Ahhh MEL!!!!!! Pt.2 was amazing and well worth the wait, you’re an amazing writer. I love forever winter too. Hope we’re getting a part 3 of just an intern eventually💕🤗

this is also really late 😅😅😅 but thank you so much 🥺🥺 it makes me so happy that people like my writing at all 😭😭

thank you for reading any of my fics none the less both! i love you 🥹🥹

if you missed it Just an Intern Pt. 3 is up now 😊💓

part 4 is in the works 😊

[pettyprocrastination]

The Revenant Wife

Pairing: Joel Miller x Fem!Reader

Warnings: Mentions of grief and death. 

Summary: Ellie knows very little of Joel and even less of the wife he had before the outbreak. When she finally meets you, its just as much as shock to her as it is to your husband. 

Word count: 1.6k

Note: ficlet is based off of this previous post about Joel getting separated from his wife during the outbreak and assuming you died until you find one another years later. Reader is described to look like Sarah. Title came from the ever lovely @djarin-junk​ <3

Tagging those I think would enjoy: @pedrostories​ @thesadvampire​ @joel-mlller @softanon​ @max--phillips​ @captainsamwlsn​ @hooplahoopla​ @moondirti​ 

-------------------------------

Ellie didn’t know that Joel had a wife. 

Granted, she didn’t know much about his old life at all. 

She knew he built things. That he had a brother named Tommy and a daughter named Sarah, but didn’t like to talk about the latter that much. In one fleeting conversation, full of mumbles as her eyes began to close while they rested under the night sky she heard him mention you but was far too gone to truly hear what he said. Nothing more than the vague rumble of his voice saying “my wife” before her eyes opened once more. 

“You’re married?”

She asks with such incredulous shock it sounds more like “somebody married you?” but girls at her age hardly ever have filters. 

“I was.” 

There’s the same bristle in his throat and far off look in his eyes as when she first asked about his daughter. An open answer but one that carries enough unsaid to tell Ellie of your fate. To warn her that she should change the subject or simply shut her mouth and go to sleep before plucking his raw nerve one too many times until he snaps- 

“What was she like?” 

But Joel learned early on that Ellie wasn’t one to follow warnings. 

“Kind.” His breath stutters. “But not a pushover- she didn’t take shit from anybody.” He stares up at the sky, feeling his chest grow tight and fingers twitch by his side until there’s a rustling, the girl next to him rolling over to face him and he turns to find Ellie peeking out from her sleeping bag with a smile. 

Damn this girl. 

“Not even from you?” 

Joel scoffs. “Especially from me. The amount of times she gave me and Tommy and earful-” he shakes his head, Ellie watches a smile grow on his face in silence, as if worried she may frighten it away. 

“Did she cook?” 

Ellie thinks of the stories the older kids would tell her. The ones who remembered life before the Outbreak, who told her of freshly baked pies on weekend and fluffy pancakes in the morning. 

Joel remembers the first time you tried to bake him a cake for his birthday back when he was sixteen. How he opened the door to your forlorn face and a store bought sheet cake in your hands because as your mother told him over the phone, you damn near burned the whole house down trying to bake for him as a surprise. 

“From time to time.” 

There was only so much she could get out of him before his voice became clipped and eyes full of an emotion she didn’t quite know the name of that he told her to get some rest. Leaving her with nothing to do but to stare at the sky and wonder about these stories in the shape of a woman who unveiled a little bit more about the mysterious man she traveled with. 

Of all the silence and secrets that made up the man that protected her, she created stories to fill them. Stories of Joel Miller, husband, father, brother and badass contractor that everybody loved.   Of his soldier brother, of his wife and their smiling daughter between them both. 

In Ellie’s mind, you didn’t work. 

But not in a ditzy lame way like some boring housewife. But just because you didn’t have to. 

Joel said that everybody loved contractors so that means he probably got paid like, a ton of money to build stuff for people so you got to stay at home all day. Ellie imagined your house to be ginormous. Maybe Joel made it himself for you when you guys first got married. It was big enough that when Joel came home everyday he’d call out your name and it’d echo through  the hall as you called him into the kitchen, where your daughter sat reading as you set dinner on the table. Sometimes you’d get upset if he came home late but then he’d kiss your cheek and you would roll your eyes but smile before you all sat down and ate as a family. 

Ellie imagines Joel’s daughter, she wonders if Sarah looks more like her mother than her father. 

Ellie wonders as the sleep takes over her body, if they could have been friends. 

When it happens, months later after she’s come to think of Joel as something akin to family and he thinks of her as something he can’t say out loud just yet, she’s shocked. She’s face to face with a woman holding her at gunpoint that looks nothing like the smiling mother she dreamt of during cold nights. 

You don’t match the stories Ellie made up in your head.

You’re mean. 

No. Mean isn’t the right word. 

Cold. Yes. you're very cold. 

Ellie watches in shock as you ask where they're headed, gun focused on the center of her chest while the two boys at your side point their own at Joel, who has yet to speak. 

She waits for him to answer, but he just stares at you in awe. The same man she’s seen kill and threaten to keep her safe day in and day out is rendered speechless until all he can do is utter your name and she realizes that he knows you. More than that, judging by the way he surrenders his gun to you with no fight, something she had never seen him do. 

You lift your head to look at him, the brim of your hat raises just enough to clear the shadow cast over your face and Ellie can finally see your eyes and the snarl on your face. 

You’re also very pretty.

“I won’t ask again.” 

The two boys standing on either side of you have your eyes. Same color and intensity, narrowed into slits like guard dogs waiting for an order and Ellie sees the way Joel stares at them. 

She wonders if Sarah had brothers. 

“Out west.” He manages. “Takin’ her to her family.” 

Your eyes move to her and she holds her hands higher in the air. 

“That true?” “What?” 

“Is he telling the truth?” 

The taller one, Duke, she had heard you call him, had already ripped the bag from her back and emptied its contents onto the ground, she had nothing else to hide from you. 

But then she sees something in your eyes. A concern for her that she hadn’t seen since Tess or Marlene. 

And she understands. 

“He’s telling the truth.” Ellie forces out. 

You watch her for a moment and there’s a moment of panic where she thinks you can see right through her lie. 

But then you lower your gun and jerk your head over your shoulder. 

“C’mon.” is all you say before you begin to walk away. The boys gawk at you for a moment before you give them a look of warning and they follow in your step, occasionally casting glances behind them at Joel and Ellie who follow suit. 

She’s quick to grab onto the sleeve of Joel’s jacket and pull with a harsh whisper as the other’s march forward. 

“You know this psycho?” 

Joel flinches at her voice as it pitches up. If any of you heard her, which he gathered you did because Ellie didn’t have an inside voice to save her fucking life, you didn’t care enough to react. 

Ellie whispers his name again. Insistent and angry for answers but he just keeps looking forward. He can’t take his eyes off of you or the boys ahead and it fills her with worry but she doesn’t know why. 

“She’s my wife.”

You lead them to a cottage. Its paint is chipping and the fence is reinforced with wiring around the perimeter but it looks like a home. She can vaguely hear the soft clucking of chickens nearby and there's a flash of fur behind the fence with a pair of pointed ears that duck away just as fast as she saw them. 

Ellie has seen the remnants of homes before the outbreak. The plates still stacked in the sink and the jacket still hung up on the hook. A story telling a family that once lived within its walls and is now nothing more than memories that ghosts along its foundation. 

But this one is real. It’s yours. 

 There is a rickety wooden table in the dining room. Each chair around it seems to have been brought from a different house and is varying shades of faded brown. You kick the leg of one and nod toward it.“Sit, both of you.”

Ellie looks to Joel before sitting. He follows suit, choosing the chair closest to her. 

“I’m gonna get some bandages for that leg-” 

Joel shifts forward. “I don’t need-” 

“I wasn’t fucking asking, Joel.” 

You’re not stronger than Joel, if she had to guess. You both look the same age, but she’s seen his strength, his violence, all done for her safety and knows if it came down to it, you might not win in a fight against him. 

But at your order, he sits back in his chair. 

You turn and set a shoulder on your son’s shoulder. 

At least. She thinks he’s your son. 

Softly spoken words are exchanged while the other keeps his eyes on Joel and his hand on his holster. The boy says something back in insistence, but you tilt your head and he nods. 

“If either of them try moving or taking anything.” You offer them one final look over your shoulder before slipping out of the room. “Shoot them.” 

They listen to your footsteps slowly retreat until there’s nothing but the subtle creak and groan of the wood floor beneath them. Ellie leans forward to look at Joel, setting her hands firmly on the dinner table in announcement. 

“Dude-” The young girl breathes out. “Your wife is a bitch.”

[gwifirusu]

Can you draw Bee and Mirage chilling at a drive in movies :0000?

titanic came out in 1997 so let's pretend this is a post-canon scene

[razberrypuck]

okay but fiddleford was raised christian, is from a small town in the bible belt, AND lived in the 80s do you understand how much internalized homophobia this man must've had. like yeah he was super obvious about his feelings for ford, but god knows he was never gonna SAY anything -- how could he??

he's a married man. he's a father. willing to go out-of-state for work, sure, but he'd never hurt them like that. he never could. and even aside from everything previously mentioned, ford was his first and likely one of his only friends, he wouldn't wanna ruin that for some dumb fantasy. no, fiddleford just has to focus on being a better partner. that's all this is, and that's all it ever will be. he just needs to get that through his skull, and stop thinking about ford so damn much.

thankfully, he's gotten over most that stuff by now. ain't nothing gonna make mcgucket be ashamed of being himself anymore, but you sure as hell can try.

[genericpuff]

i find it funny that one of rachel’s drawings of herself in the afterword that just went up is just fully persephone. is that something she does a lot?

Alright so I've been making it a general rule for myself to like, not harp on Rachel in any way outside of LO as much because frankly the horse is dead now and there's not much left to say outside of what can be analyzed in hindsight. I think despite everything I have to say about her and her work, she still deserves to get away from this nonsense and I don't wanna spend eternity hovering over her shoulder.

But the afterword was posted within the LO series and is clearly meant for readers of LO in the functioning of being an afterword so let's just call it fair game LOL

I will say, on the whole, it does feel very honest and sentimental and I can respect Rachel for taking the time to write out and illustrate her afterword in a way that was personal to both her and her fans. I can understand why she went at it from the angle that she did and I'm not gonna fault her for that.

But there's also something that feels deeply... disingenuous about her approach right from the starting gun. I will say, before I continue, that I'm well aware I am biased towards Rachel as a creator, and I fully acknowledge that I could very well be reading too much into things. This is just my opinion, take it with mountains of salt.

I can get looking back on your own childhood, your past self, whatever, and going "see! it all got better!" because sure! For a lot of creators like Rachel, it must be wild to look back on where they came from and there's a lot of sentimentality on expressing that through an afterword like this where she reflects on where she came from. Though she STILL didn't acknowledge her other comics outside of LO, I can understand if she wants to leave those skeletons in the closet.

But I feel like her drawing herself as a child who's being given an Eisner by her adult self and all that just feels like some gross attempt to disarm any criticism of her because "don't make fun of me, I'm just a sad lonely baby girl!"

She's not a child. Child Rachel didn't grossly misappropriate Greek myth into their own self-indulged vanity project. Child Rachel didn't claim herself a folklorist of a culture's works only to bastardize them completely. Child Rachel didn't create a hostile environment within her fanbase by bullying anyone who she perceived as a threat, sneaking into critical spaces to try and cause trouble, and writing her own clapbacks into her comic. Child Rachel didn't claim to be challenging misogyny and purity culture only to reinforce misogyny and purity culture through her own self-insert baby-virgin-gets-rescued-by-rich-tycoon power fantasy that regularly glorified abuse towards women and the lower class.

30-almost-40-year-old Rachel did though.

At best it comes across as really cringe sentimentality from a Greek-weeb (heh, greeboo) and goes to show how much Rachel inserted herself into Greek myth without ever absorbing its messages or cultural contexts, it was all about her and her feelings as a sad New Zealand girl with dyslexia who thought Persephone's story was about another sad girl being rescued from her "horrible childhood".

At worst it's an active attempt to play on people's heartstrings by drawing herself as a child who people will naturally not want to criticize. I don't want to assume she's doing it intentionally, I really don't want to leave her afterword on a bad foot, as I can definitely understand as both a creator and a person who struggled with learning disabilities in their own childhood how and why she wants to pay homage to her past and where she came from... but let's just say, as someone who's also gotten way too "lost in the sauce" concerning personal self-reflective projects, I think there's a lot to say about how this confirms that Rachel made LO entirely for herself, about herself, without any actual intention to respect the original myths, because she never truly separated them from herself when she was a child. And, in my humble opinion as someone who has Been There with the self-insert OC's and self-reflective angsty plotlines, I can fully attest to the fact that that's not fucking healthy. Even with personal projects, you NEED to learn to get your head out of the sauce, you NEED to learn to objectively separate yourself from the narrative so the story doesn't fall apart under your own hubris and ego, you NEED to learn to draw a line if you want to have any sort of identity as a human being outside of what you make for people. And that's with just normal original stories, this was a story based on Greek myth which doesn't belong to her.

And this goes for a lot of the things she's said and done in the past, so much of her own "sources" even are tethered to things that she read / watched in her childhood and only vaguely remembers, as if she never mentally left her childhood at all, which just... if the point was to highlight her past and the traumas she went through and how they contributed to her present, an Eisner isn't going to validate those experiences. And drawing attention to her past through the lens of her childhood self absolutely 100% does not absolve her of the negative effect her work has had on the modern Greek myth zeitgeist nor the things she's said and done as a 38 year old woman who should absolutely know better.

The community she entered and took from will forever remain changed by her influence and taking, in many ways not for the better. She has the privilege of walking away and never having to think about it again, with all the awards and accolades that were bought for her, the bravado that she built around being a "folklorist" with zero credentials, and the platform she was given over many other creators struggling to even be heard.

That "place" she claims to have now was built entirely on inserting herself into another culture's works and doing nothing but taking, taking, taking, while offering nothing in return but vanity and lip service. That "place" was paid for and brought to you by Webtoons.

[rosegoldthorns]

So I had to help back up a large trailer so, naturally I realized how Bruce would not do this with his kids under any circumstances. And for Bruce, a rich city kid none the less with probably no idea how to back up a trailer, would need a few spotters.

To clarify, I mean Bruce asking any of his kids to help him would end a little like this.

Jason: You are too close. You are going to hit something.

Bruce stopping the car and getting out to check: I have two feet of clearance.

Jason: I know. that is too close. you are going to hit Alfred's roses. Do you want to deal with the consequences of that?

Damian: Todd you are wrong. This is enough distance to clear it passably. You just want to insult Father, you heathen.

Tim: Actually you are both wrong. If you looked on the other side you would know that you have about two more inched until you run over a tree.

Bruce: And why did you not say this earlier?

Tim: eh closer calls have come out fine.

Bruce: ... Dick can you help?

Dick: Personally I just think we should call Clark. I said this when we started.

.....they called Clark Kent, Superman, and urgently called him from work to ...help back up a trailer. (I mean it could have ended worse due to the nature of the bat family but Clark was certainly amused)