#just a very noble one

[sapphosboy]

I don’t think we talk enough about the fact that the tenth Doctor canonically tried to kill himself after losing Rose and he would’ve succeeded if Donna hadn’t stopped him

[otaku553]

Quite frankly still obsessed with the three of them

A little procrastination doodle

[odakota-rose]

so many gems in the Doctor Who script library the BBC just released but today I'm here in 4x02, The Fires of Pompeii

[poorly-drawn-mdzs]

Thank you. I'm sorry.

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[rinbylin]

圣人有情而无累

dihua + 情 | 莲花楼 mysterious lotus casebook

[seasicksilver]

so much chaeya on the tl, felt the urge to design fem!chaeya

[regheart]

there's something i find particularly annoying in this fandom and it's the way purebloods are written as highly sophisticated extremely rich and straight up a rip off of regency period novels

i understand the choice of this specific portrayal, i can see it as an approximation to historical drama, where the social restrictions are compelling and are relevant to the story, and a good writer can make any concept believable and good

HOWEVER as much as the worldbuilding on wizarding costumes (and a lot of other things) is extremely inconsistent and gets progressively worse towards the later three books, the implications that i see don't point towards this version of a sophisticated performatic elite who interacts only with itself

while i tend to see the blood status in the harry potter universe as a distinction of class and not at all a distinction of race, i don't think the difference is, in practice, as marked as it is in real world contexts, mostly because of how numerically small and insulated the wizarding community is

this post is part of my personal vendetta against purebloods as charming aristocrats & what appears to be the necessity of writing each and all of them as so very well spoken and politically savvy and never-caught-dead-speaking-to-a-half-blood

for once, the sacred twenty-eight is extra canon information and is disputed IN UNIVERSE, because it was anonymously published and received backlash for the inclusion (weasley, ollivander) and exclusion (crabbe, goyle, potter) of certain names

the malfoys are the only extremely rich family we see in canon. extra canon information tells us they made money before the statute of secrecy by trading with muggles

compare that to the potters who are also very rich (there's no scale to tell us who is the richer family), but made most of their money from the invention of sleakezy in the 20th century

the blacks are also implied to be wealthy: sirius manages to live off his inheritance after buying harry an expensive broom, and he says his grandfather likely paid for an order of merlin

there's a lot to be said about the blacks (e.g. they should have at least a couple more properties other than grimmauld place), but the big picture and the similarity with the gaunts (not about the incest, stop fixating on that) suggest they were a family in decadence by the time sirius was growing up

i believe that the implication is that neither of them had a proper job, which creates a similarity with gentry, but gentry lived off rentals and while it is possible they had a country state i don't think grimmauld place was making a lot of money

lucius malfoy also didn't work and spent a portion of his time being a school counselor (and obviously not being paid for it, as it was a way to exercise his political power over the main learning institution in his community)

it's also extra canon that the nott family had equal footing with the malfoys, so we can assume that crabbe, goyle, parkinson and bulstrode were slightly beneath them, either in social standing or money, despite the later two being part of the sacred twenty-eight (or it could appear to be so because pansy and milicent are girls)

the weasleys are obviously the main example of a poor sacred twenty-eight family, as were the gaunts

the crouch family was most like rich (they could afford a house elf), but it's likely that most of that money came from mr. crouch having a high level ministry job. his family and connections were probably an advantage to getting the job, but it's possible he wouldn't be able to maintain the lifestyle without work

longbottom, prewett and macmillan are families that appear to be very traditional, but not remarkably wealthy

other working members of the sacred twenty-eight are: horace slughorn (school teacher, but it can be argued that teaching hogwarts is a prestigious position), garrick ollivander (wand maker and shop owner, but, again, the only wand maker, which holds a certain prestige in itself), mr. burke (shop owner), arthur weasley (ministry employee), frank longbottom and kingsley shacklebolt (both aurors). amycus and alecto carrow are also temporary hogwarts teachers

the blacks married out of the sacred twenty-eight many times (max, gamp, crabbe, potter)

all of these people and every single muggleborn goes to the same school, buys magical supplies at the same place, drinks from the same pubs, etc. that alone should serve as evidence that there aren't many exclusive pureblood hangouts around

the only place that seems to attract the malfoys (arguably the richest and most important pureblood family in the 90s) and not most other people, is the knockturn alley, which is hardly a high brow sophisticated spot

except for malfoy and flint, no slytherin quidditch player during the 90s is in the sacred twenty-eight, so that's hardly a criterion for making it into the team

mulciber is not a sacred twenty-eight name, they could very well be half-bloods

tom riddle and severus snape were half-blood students who formed ties with purebloods while in school and held blood supremacist views, assimilation to a certain level was possible

[whatsfourteenupto]

In an effort to prove that his sleep habits are moving toward being relatively normal for a Time Lord, Fourteen has pulled out an old medical text on their physiology.

When he reveals that the TARDIS library has dozens of similar texts, their sleep schedule quickly becomes the least pressing topic of discussion. There is a lot of yelling.

[inaconstantstateofchange]

BG3 AU where Wyll's self-sacrifice in saving Baldur's Gate – from cultists of Tiamat, the queen of evil dragons, no less – at great personal cost creates the barest beginnings of a bond to the still-slumbering Ansur. After all, that stymied, accumulated draconic power would have had to dissipate somewhere, and would it not make sense for it to be drawn to the lodestone of a necrotic-energy suffused dracolich?

It would give Ansur a bit of a jolt toward waking, but not enough to bring him to full awareness. The part of him that remained curious, and hopeful, and mourned its lost connection to a bright spark of mortal devotion and nobility – in retrospect, lost to him perhaps even before Balduran’s transformation – latched on to that new path, following it to its end in the brilliant, marred soul of Wyll Ravengard.

After everything, after his father returns to the city, and Wyll... leaves it, he dreams. There’s a different, recognizable creature every time. It starts very small, a little fish in a pond he finds himself sitting by. He is tired and worn from keeping up his mask of careful good cheer, and his body aches from the scuffles it has been forced into. Mizora seems to get some entertainment from sending him after quarry just slightly above his level, or with not enough information to prepare himself adequately. He is learning quickly, but never quite quickly enough, it feels. Here, in this dreamscape, his eye socket still aches, but it is comfortingly empty of the stone that sits within in in the waking world, its chilling weight reminding him always of his mistress’s leash.

He trails his fingers within the pond, and the little fish darts away, a flash of blackened bronze scales. He can’t blame it; he’d hide from himself if he could, too. He says as much to the little creature, and fancies it moves a little closer to the entrance of its little hiding hole. Charmed, and encouraged by the thought that, after all, who else could he possibly speak to about any of this, he settles back against a small outcropping of rock alongside the pool, leaving his fingers bobbing gently in the water, but letting his eyes close and his attention wander.

He tells the little thing about his most recent quest — he likes to call them such sometimes, in the privacy of his own mind, because it lets him pretend that they are anything as glamorous and heroic as the future he dreamed for himself, Before. Even more privately, he draws a mental distinction between the quests he is allowed to take on of his own volition, and the jobs that Mizora sends him on, to further her own unknowable ends. Thus far, they don’t seem to have been anything too horrible, but he fears that such will not always be the case. What can he do about it, however? This was his bargain for the lives of every resident of the Gate, and his own acts at Mizora’s direction have not even come close to outweighing that number.

He is broken from this too-familiar thought spiral by a distinctly unfamiliar – and unexpected – brush of scales against his fingertips. He starts, briefly, but keeps his calm, and merely cracks open his eyes to look down at his little friend. It is poised to dart back into its crevice at the slightest motion, and he smiles down at it, keeping his fingers as still as he can.

“Have no fear — I will make no attempt at you, I swear it. At least one of us ought to be free.”

The little fish makes one last brush against his outstretched hand before darting away again. He fancies it swims with less frantic caution, this time, and counts it a victory enough. When he wakes, soon after, the memory of the strange dream does not fracture apart in the way of most dreams, but seems to tuck itself away, coming to the forefront of his mind only when directly called upon.

[Now with Part 2] [and 3]

[likesdoodling]

Rozemyne's not having a great day... :)

[mariocki]

RIP Timothy West (20.10.1934 - 12.11.2024)

"We met when we were cast with small parts in that really boring play, so had both brought the crossword to stop us going mad. We saw each other across the rehearsal room doing it, so decided to sit together. Then we couldn’t record because of the strike one day so we went to the cinema, Pru and I, to see The Grass is Greener with Cary Grant and Deborah Kerr. The show was cancelled, but a bit later Pru sent me a card saying ‘they’re reviving that terrible play, are you in it?’ I wasn’t but we started writing to each other then."

"Humour is vital, and respect for what people do and what people think. Kindness is important, and we’ve always had the same humour, laughed at the same things, been interested in the same things, got cross about the same things. And been in the same business. We have often been away from each other work-wise and therefore we’re always very glad to see each other again."

[bigkickguy]

some daan marcoh doodles around some dialogue bits I hit in game haha - gave me some thoughts on how one could think of daan if you only bumped into him at certain points? I don't remember the lines exactly but there were a few like this? 'Are you moving on? I guess we'll split ways here.' 'Someone has figure out how to treat these people...'

'You were very heroic stepping in there.' 'In the dark, your thoughts can really get to you out here...' 'Am... I... still a good man? Or...'

[spotaus]

Hi guys, this is usually what a doodle page ends up looking like <3 (oh, and @ancha-aus thought you might like this! Not writing but certainly fuel to my fire lol-)

This one is New Age filled!!! (Close-ups abd Lore beneath the cut!)

1) Night and Cross!

Night is actually very clingy once he's a teen. He doesn't usually realize it, but around the castle he'll snake to be closer to his Knights so long as there's no one he needs to keep his composure infront of is nearby. Cross is the one who's not used to physical touch (when it's not Ink ofc) so Night in his personal bubble makes his heart melt but also scares tf out of him <3

2) Error and Night's Meeting!

Error was carrying his whole life on his back and trying not to get arrested for unintentional property damage at this point, so when he saw the chance to get back at his brother and prove he was strong enough? Yeah, he got that on chance instantly. And was VERY smug when Nightmare chose him. (Also, Error is wearing gloves, so less Haphephobia)

3) Dream and Blue designs!

I think these are good tentative designs! Dream probably has a more regal fit, but he likes to play up that rugged exile look- He's inspired by Archers, while Blue takes on that classic Knightly-vibe. Their equipment is mostly stolen from Night's troops or brought with them from Blue's home kingdom.

Also, Dream is approx Killer's height at this point, shorter than Cross and *much* shorter than Apple!Nightmare. (Hc that Skeletons tend to be tinier in stature thanks to weird monster beauty standards. Horror and Geno's fam are outliers.)

4) Horror and Dust designs!

Horror is naturally a very *large* monster. He's very malnourished when Nightmare meets him, but by the time he's a Knight Nightmare has made sure that's no longer the case. He actually loves comfy, simple clothes, but to play up the whole 'strong mysterious' bit he wears a more barbaric Knight's garb. He doesn't mind acting scary, it's more fun that way :]. Dust is very very small, and envies horror sometimes for his size, but his tiny stature let's him control his body and move a lot quicker. He's very much based on a rogue, and usually covers the lower part of his face w/ a black cloth, and the upper part w/ his hood or mask. Dust only removes both to bathe, eat, or relax in a safe location. (Ignore that I can't draw the stupid gaster blaster lmao-)

These last two were space-fillers, but Cross and his Borzoi (Windmill, otherwise known as Milly (Killer named her-)) and really bad first wips of Ccino! I think Ccino was a chubby, happy toddler, but lost a lot of 'weight' (bone mass? Magic?) due to stress and pressure and bad eating habits. So it isn't until a while after the Coronation that he starts to relax abd feel safe enough to eat normal meals (Nightmare used to guilt him into eating snacks together, but as his boss (and younger brother) he can encourage it more often). By the time Killer shows he's still not quite healthy, but he's better. As more weight is lifted off his shoulders, the better he is. (That 'beauty' most people saw was a more stereotypical slimness, but Killer never stopped seeing Ccino as beautiful-) I think he never looked traditionally underweight, so no one noticed, and it was only much later that Night processed it. (And maybe it's why Dream hardly recognized him later on-)

[trash-can-sam]

What happens when your coworker kills your other coworker but both of you are in a relationship (kind of) with the same ethereal woman who had an admiration for said dead coworker.

+bonus Evandrey because it’s funny to me (I’m sorry Eva.)

[quietwingsinthesky]

of ten’s companions, if the doctor couldn’t handle losing them and crossed his own timeline to trick them into traveling with future!him instead of past!him so that he’d have a little more time with them:

rose would do it. first because bless her but she has the situational awareness of a rock, and legitimately would not realize this isn’t her doctor until his facade starts to break down and he starts bleeding grief-laced love for her at every turn. but once she does realize it, she’s both deeply sympathetic and a little scared that she could make him into this. it’s a lot to be confronted with having that much power over someone, to break them so thoroughly. rose would try to get back to her doctor, but while she’s with the future version, she tries to do what she can to ease his pain. (she also tries to figure out a way to subvert her fate. she fails.)

i think martha would be harder to trick. she can smell desperation on the doctor like a bloodhound. she is so tapped into the fact that this man wants to off himself so bad and that she’s 90% of his self-restraint, so present her with a doctor who is lacking that and she’s onto him immediately. however, assuming he gets her to come with him, explains why he’s doing this, there’s like. a minute where she’s kind of. not flattered exactly, but surprised, giddy with the realization that he’d come back for a little more time with her, especially if this is early season 3 martha. which would all come crashing down around the time that he reveals that he wasn’t pushed to this by losing her to some tragedy or her death or anything- but that she chose to leave. that is the point at which martha goes ‘oh i need to get the fuck off of this tardis right now’ and ghosts the past!doctor that she was also traveling with because holy shit, man.

donna, like rose, is easily bamboozled into following the wrong doctor home, provided that he shuffles her along into his tardis too fast for her to argue. but she catches on far quicker than rose does. like, three minutes tops of watching the doctor move through the tardis in a way that’s definitely not enthusiastic piloting and looks more like guilty panic. and then she yells at him for lying to her. and she yells at him for kidnapping her. and then she stops yelling because he’s gone sort of still and quiet and his eyes are just broken. and he doesn’t explain himself, he confesses. donna is going to try to stay with him after this btw. because how do you go back to looking your best friend in the eyes when you know he’d take everything you’ve become away from you, even to save your life? and this is still the doctor, he still did that to her, but he regrets it. regrets it so much that he can’t live with it, he’s breaking time and space just to hear her say his name again. and donna doesn’t want to lose him anymore than he wanted to lose her.

[nobledragonflying]

I just want to say that I love Esther Finch and she is a great villain but she is sooooooo sinister. I don't think enough people realize how terrible she truly is beacuse we mostly see her as a somewhat campy villain. Which she is but she is also so much more.

To start with she goes after Becky Aspen, a little black girl, and, well, Becky is a very vulnerable person because of it. The police and even other (white) people will be less likely to look for her because she is black. I wouldn't be surprised that the police did very little to look into her disappearance. And Esther isn't a stupid woman, she most likely went after Becky because she uses the systemic issues in place that make it easier for her to go after vulnerable girls, such as Becky Aspen.

Not to mention that the police wouldn't have gone after her anyways because she is friendly with them and they are friendly with her. She talks to them like a friend and the police treat her like one. And it's easy for Esther to do because she is a wealthy white woman, why would she be the cause of such a horrible tragedy? She is trust worthy and our friend so of course this wealthy white woman is not the kidnapper/killer. Because she is a wealthy white woman.

More under the cut

The police also show their incompetence/bias in the show by dismissing Crystal and Niko during the Lighthouse Leapers, because they are 1) outsiders in this town 2) are renting at Jenny's so they must be poor 3) not at school so they must be high/on drugs and 4) woman of color, while not mentioned, is something that most likely played a factor in the cops decision to not believe them.

The cop also immediately runs into Esther, who further turns the cop against Crystal and Niko. Esther takes advantage of her position in society, especially to those who are beneath her, to have power and control over them.

And the police will not side with her victims because it is her words over theirs and her word carries far more weight than those of her victims.

After all, Esther Finch is such a poor wealthy white woman and she is so sinister because it reflects our reality of how we (western) society view wealthy white woman.