#just a lot... so much happening...

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[a-scary-lack-of-common-sense]

Fiddauthor divorce arc speedrun <3

After 30 years of searching for his lost brother through demonic rituals and summonings, Ford has become a bit of a notorious demon collector over the years. He's made a LOT of deals with MANY different demons over the years; from minor and harmless little entities to big and powerful overlords. Most of the time, these deals aren't really a one-way situation, so a lot of demons have a strong grip on him just as much as he does on them. It often ends up being a mutual sort of destruction, as in: "I know I'm but a mere mortal trifling with things I couldn't begin to fathom, and I know you will destroy me eventually; but I don't care as long as I get to destroy you too." He just needs to live long enough to find his brother.

The red hands are essentially pieces of himself (his soul, you could say??) that he wields as his method of restraint to the demons he has "tamed" so far. They act as a leash to contain each demons' powers, and he can loosen or tighten his hold on them as much as he wants. The number of hands required to contain a demon really depends on their individual strengths, but 3-4 hands are already very energy consuming.

YES, I gave all of his demons stupid names. SUE ME.

[the-woman-upstairs]

Can’t believe all it took for me to care about the MCU again was Yelena getting a super-powered boy toy with crippling depression

[hinamie]

wonder if they know what he's on about

[shaykai]

Still thinking about Gortash’s coronation and how smoothly he cuts a Durge off from their companions (and wishing we had a follow up with that)

The first words out of his mouth are that he cares about them- anybody else who remembers Durge has only distain for them, but not him- he’s happy to see them, he missed them, they’re his favorite assassin and he’s only glad to see them alive

And then he takes it a step further by providing insight into their past, something Ketheric refused to do for them- and Gortash isn’t dumb. He knows exactly how Durge’s companions will react, knows that he’s effectively outing Durge when he so easily could have pulled them to the side instead

And when their companions snap at them and refuse to look at them, Gortash is still smiling. Suddenly, he’s the nicest person in the room. Suddenly, everything is unstable and dangerous- but he likes you. He’s sitting there with open arms while the companions are rightfully so mad with Durge, but Gortash is more than happy to resume their alliance

He’s more than happy to be their sole source of comfort again, and isn’t he just so sweet for that?

[jojaxcola]

post-wipeout patch up on a tuesday afternoon (embarrassing) [electric guitar]

[zillychu]

Can we please politely push for DPxDC content to not use the main DP tags?

An AU overtaking a main tag is a fairly common fandom thing to happen, and when it does happen, this is generally how it's dealt with. There's no solid guideline of when to do it, but at some point, an AU becomes so widespread that blacklisting doesn't really help.

It's also simply not fair, nor logical to shove a fandom out of its tags and into a different tag or community. What about new fans who peek into the main tag and see nothing but an AU they weren't looking for?

(This is a great place to also remind people that only the first five tags on a post get sorted site-wide. Anything after those are purely for your own organization in your own blog. So you can still tag your stuff with canon tags after the first five!)

I really think DPxDC stuff needs to be posted in a dedicated tag/community. I really don't want to have to start blocking individual users, but after waiting for... what, three years, I think? In hopes that fans would self-govern and use a bit of common courtesy I've seen in other fandoms? I'm unfortunately almost there. Not to say that this is deliberately rude! I'm not sure the fandom at large has really talked about it enough for DPxDC fans to catch on, so I don't blame any party here.

I just think this is something we could very politely ask for more. Be kind, be patient, and see if we all can't make this fandom space a bit more comfy for everyone, yeah?

[technically-human]

Valentine's Day!!

The boys finally get a happy moment after going through the canon events

This was a commission for @i-am-as-normal-as-you-are so thank them for the cuteness!

The bonus is completely my fault though:

[tianhai03]

behold. my collection of arthur morgan doodles i kept telling myself i would post (some of these are almost a month old now)

[sualne]

wolf crier, scapegoat, first on scene, first accused.

[screwpinecaprice]

Worse is it's probably the same it make cents joke.

Draw the OTP and pun-hater by @looneyfrechie. The post itself is not loading for me so here's a reblog of that meme template in case.

[egophiliac]

Do you have any final theories/desires for Book 7 Part 12?

(slamming fists on table) I DEMAND MORE CHE'NYA

[psilliguykai]

Consistent art style who?? [/silly]

Anyways uhh yeah it’s done!! Woo! Thank you so much @bluestarlett for the art request this was such an honor aaahdhfrjkrsndnn !!! Saturn is so cool wuagh ….

Yapping + flat colors version under the cut :]

I had so so much fun to work on this - any excuse to incorporate music, especially will wood and especially the Self-iSH aesthetic is a good one heheheee :D

The patterns on the border are edited but ripped straight from the Self-iSH album cover so credit to Will Wood for that ! Song featured in the background is The Song With Five Names by Will Wood and The Tapeworms. Thought this section would fit well since Sushine and all that jazz :3

Sorry I had to stray from the original design a bit - admittedly I know Saturn’s arms aren’t symmetrical but I couldn’t really make it work with the tools/skills I had on hand :( [also I’m soso sorry for forgetting their lapel pin- I don’t have a good reason I just forgot about it I’m so sorry 😭]

This was great rendering practice for me since I like. Never render lol- it definitely could be better but I’m fairly happy with how it turned out :D

Un-rendered version, mostly to show off the colors n patterns on the arms [inspired by the Self-iSH album cover]:

[jessmalia]

NATASHA + being impressed by Steve's quick wit

[nothorses]

I think the other thing about it is that sometimes what you get out of art says a lot more about you than it does the artist. and what you see in people says more about you than it does them.

the people who looked at Gaiman's work and saw beauty and love for humanity and a life worth living may have been looking at the mask of a monster, and they may have been seeing a bit of something real in an otherwise abusive person, but what they were definitely seeing was a reflection of something already inside themselves.

your relationship with art isn't just about the art, and it isn't just about the artist. it's about you. you are a lens the art shines through, and you are a part of the conversation the art is having, and you are reflecting and being reflected through and by the art, and you are echoing and interpreting pieces of yourself alongside pieces of the art.

it's not foolish to see good things in art made by shitty people. it's not foolish to see good in people who are lying. it's not foolish to trust, believe, hope, or love. I think you might just have hope, love, and joy in your heart, and you might just be finding it in all of those places because you carried it there with you in the first place.

[fire-on-fuel]

the most important distinction between boba fett and jango fett is that jango fett grew up on a farm and then in a traveling mandalorian merc clan and boba fett grew up in a city sized lab and then juvie and then every gutter in the galaxy from here to nar shaddaa