#just a few that come to mind

[hadrianshistorian]

shoutout to tboys with zero swag. pathetic losers with not a dime nor damsel to their name

[bluerosefox]

Drake Siblings

Have I read this prompt somewhere or was this a fever dream from my bored mind.

What if, now hear me out.

What if we bring up Dana Winters-Drake (whose confirmed to at least be alive in the DC verse but no one knows where she actually is)

What if instead of when she had a mental breakdown and getting committed to an Bludhaven clinc she wandered away before anyone noticed and by the time Tim or anyone did notice a lot of stuff started happening at once in both Gotham and Bludhaven (Steph dying, The Bludhaven crisis, etc etc)

Tim still tries to find her though but even with best resources it was like she just disappeared into the wilderness and the stress of trying to handle more and more problems get worse.

So when out of the blue, a couple of years later, he gets a call from an unknown number. On his private, only for friends and family, phone and when he answers he meet with a young girls voice on the other end.

A very young, maybe six or seven, girl who informs him about his apparently half-brother Danny Drake-Fenton. And how she loves Danny so, so, so much but knows her home is dangerous for him to be in.

Tim is stunned and before he could question her, she says Danny is Dana and Jack's baby and that her parents had adopted him years ago and put Dana's stuff that the hospital had away for him to look at when he was older but she just had to fight off their lunch from eating her brother and she knows he needs a better place to live and so she snooped around and found Dana's diary and that she had to unscramble the nonsense Dana wrote and found Tim's number with the words 'tell him about his brother Danny' hidden in it. And-

But before she could keep rambling she hears Danny screaming "JAZZY THE MILK WENT BAD AGAIN AND HISSED AT ME!"

Tim is left with silence after hearing Jazz yell to Danny to lock the fridge and step out of the kitchen as she gets the bat.

[timdoubleyou]

i found jay’s black jacket (an ID guide)

This black jacket is worn by Jay about 9 times throughout Marble Hornets, including his final appearance. And after some weeks of on-and-off research, I think I know the exact make and model.

This post will detail exactly how I found it, and serve as a guide for anyone that wants to find the jacket, whether that's for cosplay purposes, or if you're just keen on collecting items related to MH.

Main post under the cut

Intro

The first step to identifying the jacket was to gather as many references as possible.

I went back to the web series and took screenshots from any entries the jacket makes an appearance. (shoutout to mg549′s very comprehensive MH wardrobe guide, without it this would’ve been much more of a pain)

Jay's jacket is, for the most part, very plain. It's a solid color, full-zip jacket, without any particularly eye-catching logos or other details. I had to look for moments where even the slightest distinction appeared clear on camera, at least as distinct as it can be. Even if it was just close-ups to get the shape of a zipper, or how many buttons are on a sleeve, it was the best I got. While I did manage to find a decent amount of these, there was just one crucial detail that would've made finding it near-impossible; the brand is never shown. Thankfully, I had another resource.

In 2018 Troy Sold a Lot of Stuff

In early 2018, Troy officially announced that MH would be continued in a comic series. To fund the first issue, he held a number of auctions for production items used during the web series on Ebay.

These included items such as Jay’s camera, Brian’s hoodie, A Masky mask, and Jay’s black jacket.

Lo and behold, the jacket listing includes a picture with the brand in clear view. It's from Gap.

Ebay does not archive sold listings older than 90 days. However, Worthpoint, a website for valuing and pricing collectibles, does. Using Worthpoint I was able to find all of these items, (and a lot more, which can be found in this doc I submitted to Archive Hornets)

Identification

With the picture from the listing and the series screencaps, I had a complete ID list.

(Top image is from the Ebay listing, with the contrast adjusted a little for easier viewing. The bottom two images are from Entry #79)

The Gap logo (This specific logo dates the jacket being made anywhere between 1986 and 2009, when it first appears).

Front Zipper (Note the shape)

The two front pockets

The two buttons and pointed cuffs on each sleeve (Second one is a little hard to see but it's jusstt peeping out at the side)

The blue piping in the inner lining

The zipper in the right side inner lining

The gray mesh inner lining

With these in mind, I could now go to the next and longest step-

Finding the Jacket

I combed three resell sites; Ebay, Depop, and Poshmark. My main goal wasn't to actually purchase the jacket, (although, I would like to at some point) but to find a jacket listing that had every identifier, and have a more definite baseline for finding others. I needed to be sure what I had was enough to properly ID the jacket. The references I had stitched together were decent enough, but I wanted to see if there was something better out there.

After tons of page scrolling and tab-switching and comparing and contrasting, I finally got lucky.

(first two images are from crashthecloset's listing on poshmark, last six are from shannfo-76 on ebay)

I haven't bought one myself as of posting, but I feel pretty confident this is it. The jackets were already sold, but every marker seemed to be accounted for. It also revealed new ones, like the reflective pattern and pockets on the inner lining, (zipper on the right side pocket, button on the left pocket) and the materials tag.

With that, here's some final notes that may be helpful if you try looking for the jacket yourself:

Online sellers often describe it as a light jacket, a windbreaker, a 2-in-1, or 3-in-1.

"Gap Mens Black Jacket" is the search phrase I used the most since it yielded a (very) broad result pool.

Most of the jackets I found came from Poshmark or Ebay.

The exact size of Jay’s jacket is unclear. My best guesses are either a US Men’s S or M, since Jay was pretty skinny and of average height. I’ve only been able to find maybe 2 jackets that are a size M, one of which is the first pic in the photoset above.

Gap has sold other black jackets that look remarkably similar to Jay’s, and they do pop up on resell sites. One of these was so similar, the only discernible difference was the style of the logo. I highly recommend making sure it matches the exact one Jay had before purchasing. (It's also more than fine to ask/msg me if you have any doubts!) As long as you know what to look for, you shouldn’t have a problem finding at least one.

One detail that confounded me was this sleeve poking out of Jay's jacket. At first I thought he was wearing a long sleeve underneath, making this shot a continuity error since he appeared to Only be wearing the green short sleeve under the jacket.

@hivemite pointed out that this might be a two-in-one jacket, which has multiple layers for different types of weather. While I have not been able to see the sleeve outside of two shots in entry #79 and #80, one listing I found did describe it as a 3-in-1.

that's about it! hope this helps :)

[moomoorare]

click for better quality? tumblr loves to compress images worse than dudes repressing gay urges

Art I made for my second work in the Scales of Fate au (Blood In The Wine) featuring The Ocean Queen and her new knights Dame Gem, Lady Pearl and Earl Cleo 🌊💗

[ratxiety]

I am a bit late because of traveling but HYPE HYPE HYPE

[vickyvicarious]

It's kind of striking how Jonathan already is expressing doubts and fears, he isn’t ignorant of what situation he might be in, but when the Count gives him food and a bed, he dismisses these fears as his mind playing tricks.

The warm hearth, the meal, all this transferred him from the darkness and the snarling, howling wolves outside, to the light and the safety of Castle.

So Jonathan stepping from the outside, is trembling, shocked, but now this powerful old man is giving him a warm fire, security, and food. He's now putty in his hands.

In retrospect then, Dracula manipulates Jonathan from the beginning, putting him in grave danger, and leaving him alone in the cold and surrounded by wolves. Later, he plays the kind host, providing Jonathan with food and shelter. Jonathan is now like a grateful puppy, completely dependent on Dracula for his basic needs, but he is unable to recognize this due to the carefully orchestrated emotional roller coaster Dracula has just put him through.

From the start, Dracula is doing textbook abusive, gaslighting codependent tricks to manipulate Jonathan, one could say...

I feel like as readers, it can be easy to dismiss just how easy it would be for characters to dismiss their fears and doubts once somewhere warm and well lit. Unless someone is truly already a believer in the supernatural, anyone would probably try to talk themself down, just because... well, the idea seems kind of silly, doesn't it? Sure, there were scary stuff happening, but - really, my host is impersonating his own coach driver? Why? Spontaneous fires in the woods that can be seen through a solid human form? Wolves that are driven off by a commanding gesture alone? What kind of ghost story is this? Jonathan sticks to his guns fairly well, being firm about what he's certain he did see, but he admits to having fears and doubts he's not going to mention because they aren't logical, they're fearful speculation about things that for the most part, probably are things he's always considered impossible.

So, yeah. Leaving Jonathan outside in the courtyard alone for a while, to really marinate in his fear and distress at realizing he's trapped alone, surrounded by wolves and who knows what else, and has no idea where to go to seek help... by doing so, Dracula not only has time to run around and take off his disguise, but he primes Jonathan to see his invitation inside as a welcome relief. At least it's better than being exposed to the threats outside. (Though interestingly, it seems it still took several invitations before Jonathan actually came all the way in.) It's setting Dracula himself up as a welcome savior. He brings Jonathan inside, out of the cold and dark to somewhere well-lit and warm. He feeds him, he's courteous and friendly, he shares Mr. Hawkins' praise with him. Jonathan gets to smoke a cigar and relax a bit. He gets to tell the whole story to an interested audience. * Of course he feels better than before. And it's thanks to Dracula. Dracula is the one who can protect him from all that scariness out there, who can make him feel comfortable again. It's a good way to build trust and influence quickly, by positioning himself as a friend/protector.

But Dracula can't restrain himself. He pushes too much, too soon, and Jonathan feels rightfully creeped out:

As the Count leaned over me and his hands touched me, I could not repress a shudder. It may have been that his breath was rank, but a horrible feeling of nausea came over me, which, do what I would, I could not conceal. The Count, evidently noticing it, drew back; and with a grim sort of smile, which showed more than he had yet done his protuberant teeth, sat himself down again on his own side of the fireplace. We were both silent for a while; and as I looked towards the window I saw the first dim streak of the coming dawn. There seemed a strange stillness over everything; but as I listened I heard as if from down below in the valley the howling of many wolves.

As soon as Dracula touches Jonathan, he feels repulsed. Part of this may be some kind of instinctive reaction to Dracula's supernatural nature. Maybe it's related to the memory of how incredibly strong his grip was earlier. Maybe it's simply because Dracula is being an overfamiliar creep - that would be plenty of reason on its own. (And I'm sure his terrible breath doesn't help matters.) But regardless, Dracula hasn't established enough trust between them here for Jonathan to welcome this touch. And he's not quite established a fearful enough power dynamic for Jonathan to force himself to accept the touch. Politeness is the only reason Jonathan doesn't move away, but his feelings are made obvious by his shudder.

Dracula pulls back, tries to play it off, but they still fall into a silence that is clearly a lot less comfortable than before. And the atmosphere around them reflects the sudden distance too: Jonathan notices dawn coming (presaging a physical separation as well, but also Dracula's power waning right after this blunder lessens his emotional power over Jonathan). Eerie elements creep back in: Dracula's frustrated smile shows his teeth more than all his deliberately charming ones have done before. Wolves are howling, which pleases Dracula and upsets Jonathan - the final exchange which they have before Dracula sends Jonathan off to bed, and one which seems to bring Jonathan right back to a much more distressed state of mind as he relives the night's experiences over again.

Dracula spoils his own fun a little bit here, because he puts Jonathan back on guard. And I think it's clear he's a little annoyed at himself for it. He finds Jonathan so interesting/enticing that he's having difficulty playing a long game. At least a part of him wants to jump right in to more intimate/threatening actions, and though he mostly restrains himself, the mask still slips and his victim notices. Which is lucky, as Jonathan needs that guard up to keep himself safe.

* I just realized that Jonathan does say that he "told [Dracula] by degrees all [he] had experienced" on his journey. I hope to god that doesn't include him mentioning the crucifix lady's gift with any kind of specificity, or else I fear very much for her life.

[jestroer]

SIKE! IM ILL ABOUT DESERT DUO AGAIN

------------------------ quote is by ivipl1 on tumblr

[seiwas]

iwaizumi hajime the type to run to the store for you at some outrageous time like 2am—

—in nothing but his sweatpants, sleep shirt hastily thrown on. it’s thinned out from each wash and is way too faded to be worn out; there’s a hole or two somewhere on the sides. and his hair’s all messed up, sticking out every which way with a bit of sleep still in his eyes.

he’s yawning through the aisles, slides smacking against the store floor as he looks for what you need. self check-out is mechanical at this point, movements memorised.

when he comes back home—to bed, you’re sat up against the headrest, waiting. he drops the paper bag beside you and climbs under the covers, slinging an arm around you as he whispers in your ear, lazy and sleep-laden while his eyes fall shut, “need anything else?”

[dykedvonte]

Benny would be thrilled by Nick Valentine. Like I know the concept of synths and replacing people would initially shock him but I don’t think for long.

He’s not a technology guy by any means but he certainly appreciates it and understands what it can do. He’d be pro-synth and synths at people for purely pragmatic reason at first but seeing some noir detective would have him thinking of all the ways he could improve on his plan if he had that tech for Yes-Man.

If Yes-Man could pass as human he’d have no reason to hide him and could even have him buddy up with the rest of the Chairmen! Even if he’s found out and House wants him and especially synth Yes-Man out their is a loyalty to them that is only made stronger that Yes-Man looks like them now. It’s also such a complex thing for Yes-Man too now to struggle with “humanity” in a new context and his teacher tragic being Benny Fucking Gecko.

[beaulesbian]

I need to talk about zolu in the terms of dnd because I can't get this idea out of my head!

Zoro who starts as a fighter class - a swordsman through and through - that's all he's ever know since childhood. He fights to become the best, the strongest, to keep his promise to Kuina.

But then, an impossible guy saves him from a certain death. A guy who becomes his captain, his guiding light. And Zoro becomes his, his pirate despite never wanting to have anything to do with them before.

Zoro has never believed in any gods or higher power or miracles, it's just not who he is - to depend on something or someone intangible.

But he believes in Luffy, because he's seen what he can do and knows what Luffy wants. Their goals allign.

He believes in Luffy so much that he saw him as a god before anyone else did. And that's where it changes - when he's faced with his biggest rival whom he wants to beat, defeated, and swears to Luffy an oath to stand by his side to reach their dreams together. Calls him the Pirate King.

He believes in Luffy so much, that he would swap their places in facing death just so Luffy could take another breath, pain-free. He believes in him with absolute certainty, even to become the King of Hell for him, and to defy Death time and time again, with absolute faith that he would keep standing and breathing, to stay by his captain and crew's side.

(Luffy believes in Zoro, too, in his strength and his words, that's why he can always trust and lean on him.)

With Luffy behind him, Zoro becomes his champion, his paladin, not only to the alternation of the Sun God Nika, but most importantly to Luffy as a person and what he represent - freedom, joy, infinite possibilites; and then he can show this trust to all the other people they're helping along their journey. It changes his whole world, but in a way he might not even notice- in the small every day things, like not traveling alone and knowing his crew has his back. Their bond - the oath, the promise - re-affirms the powers Zoro can wield (*cough* unlocking Concqueror's Haki), he's much more stronger now than he could ever be as a fighter with no other purpose except to fight. He no longer fights for the sake of fighting, but for the sake of protecting.

(Official art from here X)

[chotachica]

Nah sorry chat she is straight up asking for death threats here LMFAOOO

[omnificent-orion]

A comic for a certain someone’s generosity (who was thwarted in remaining anonymous hahaha!)

Thank you.

Commission Info | Support My Work

(alt text below the Read More)

Image description: A monochrome comic set in Scala ad Caelum. It is winter.

PAGE ONE Panel 1: Young Xehanort is seen from above, his eyes closed as snow falls. His hood is up and he is wearing a loose wrap. Panel 2: Xehanort's expression changes to annoyance as the sound of Eraqus shivering interrupts the quiet. Panel 3: "You're not bothered by the cold at all, huh?" asks Eraqus. His only brace against the weather is his usual robe and a long scarf. "Being unbothered and not complaining aren't the same thing." Panel 4: Eraqus tries to warm himself by blowing on his hands. "It'll be nicer tomorrow," states Xehanort. Panel 5: "How do YOU know?" Eraqus whines. Xehanort tries to help Eraqus warm up with friction by quickly rubbing his arms with his gloved hands.

PAGE TWO Panel 1: Xehanort looks up into the snowy sky. Smoke can be seen rising from several chimneys. "Well, when smoke falls without wind, or floats west, it'll rain." Panel 2: "If it rises even in foul weather, or floats east, fair weather is on it's way," the statement is continued by Xehanort's mysterious robed mentor from his childhood on Destiny Islands. They sit in a wooden shack watching the rain pour down outside. Panel 3 & 4: "Huh? Really??" the question is asked by both Eraqus and an even younger Xehanort who is sitting beside his mentor. Panel 5 & 6: "Ha ha, don't believe me?" lilts Xehanort and his mentor in parallel.

PAGE THREE Panel 1: "Sounds like an Old Wive's Tale to me," states Eraqus, louder now that he's warmer. Panel 2: Xehanort folds his arms, tucking his hands under his wrap. "We'll see how you feel about it this time tomorrow," he smirks. Unconvinced, Eraqus retorts "Now it's going to snow even harder..." Panel 3: Xehanort and Eraqus walk side-by-side, shoulders pressed together. "If you talk about bad things happening, they will." Xehanort states with an air of undue superiority. "Oh yeah?" says Eraqus, "What other WISE words does the WISE man have to share?" Panel 4: "If you point at shooting stars," says Xehanort, "You'll die." "WHAT!?" Snow cloaks the city and smoke rises.

[they-bite]

this is the only project i want tom holland’s name invoked for

[humanmorph]

i forgot i had wanted to draw this until i heard "i'll make you eat those words!!!" in the recap at the beginning of pal33... surprisingly fun honestly : )

[2hoothoots]

i was having a chuckle to myself last night about Gristol, and how his plans are basically:

Restore Ford Cruller's memory

Find Maligula

???

Profit

but then... of course they are, right? this is Gristol we're talking about. Fatherland Follies drives home again and again that he's still operating on a child's logic, a warped and reductive version of the world that he never bothered to grow out of. both of his memory vaults center on the images of his childhood, this idealized version of the past that he clings to no matter what. and that's still how he remembers Maligula, too - as this saviour figure, who rushes in to help him when he's in trouble.

[ID: Two slides from Gristol's memory vault, Glory to Grulovia! Left: Gristol clings to Maligula's back as she summons waves to sweep away his assailants. Right: Gristol and Maligula waving from a balcony as the people cheer. Gzar Theodore brandishes a dagger in the background.]

like so much else, Maligula represents a return to this idyllic childhood - to the peace and simplicity of his youth, when he was free from worries and responsibilities. in his mind, he doesn't need to make any further plans - once Maligula's back, everything will go back to normal. Maligula will make everything better.

...is what i thought, but then i remembered this line:

[Screenshot source. ID: Gristol, in Truman's body, bows on his hands and knees in front of the newly-awaked Maligula. The caption reads: "Yes, High Priestess! I am here to correct the mistakes made by my father!"]

and that's kind of interesting, right?

to be clear: this happens directly after Maligula sees Helmut-in-Gristol's-body, and recognises him. her line before this is:

"Little Gzesaravich! Have you come to pay for your father's sins?"

my first thought was that Gristol hadn't expected to still be in Truman's body by the time he managed to find Maligula, and this was him trying to placate her and buy some time until he could explain the situation. but watching the cutscene back, that's clearly not what's happening here. Gristol is answering as himself, and his response of throwing himself to his knees before her is, as far as i can tell, genuine.

so what is going on here?

in Fatherland Follies, there's this line in the ride narration that stuck out to me:

"Why didn't the Gzar help Maligula in her time of need? No one knows, but historians agree - it is Gzar Theodore's biggest failure."

other lines mention Gzar Theodore's "mistake", and it's wording Gristol himself echoes in the screencap above. evidently, he believes that his father abandoned Maligula, leaving her to her fate at the hands of the Psychonauts, and it was that mistake that lead to them being driven out of the country - that mistake which he seeks to correct. maybe he even feels like he has a debt to repay to her for his family turning their backs on her all those years ago.

the 'High Priestess' thing, though - that's kinda weird, and threw me for a loop the first time i played the game. it took me until my second playthrough to connect the dots, and remember how the room in the Lady Luctopus - Gristol's room - was full of Delugionist scribblings and symbols.

[Screenshot source. ID: left, the walls of the hidden backroom in Gristol's hotel suite, covered in scrawlings of eyeballs and Maligula's name. Right, the pinboard from the hidden backroom. On its surface are photographs and newspaper clippings connected by pieces of string.]

i mean, look at this stuff! he had a whole conspiracy board and everything!

we learn very little about the Delugionists and their beliefs as a whole during the game, but i think drawing the connection here suggests two important things. one: that Gristol was in deep with this stuff. i don't know how he linked up with them - maybe via old family connections, or just good old-fashioned digging (we know he's skilled at worming his way into peoples' good graces, after all) - but it seems likely that he's begun to internalise their ideas, maybe even warping his own memories of events. and two: the Delugionists themselves are, if you'll pardon the pun, pretty far off the deep end.

like... i understand why PN2 didn't go heavy on the "mass-murderer cult worship" aspect of things, in the end, but man this is such a tantalising glimpse into the wider mythos around Maligula. Gristol is proud and haughty and thinks himself above everyone else; the fact that his first reaction seeing Maligula is to throw himself to the ground at her feet says so much about the way he's come to see her. he's not just trying to bring back Maligula, his childhood bodyguard. he's trying to bring back Maligula, the High Priestess of the deluge, the semi-mythical figure whose supporters believe even death couldn't stop. he doesn't even flinch at the way she confronts him, and maybe it's because he's bought in so completely to this deified figurehead, this idea of Maligula; more a living force of nature than a person. and it all comes back to the same place: an abdication of responsibility, not just to the person who protected him when he was little but to this avatar of floods and destruction. Maligula will make everything better.

i'd write more about my thoughts on the Delugionists but that'd be taking a hard turn into speculation, and this is already kind of long and rambling so i'd better end it here. but what an unexpected and evocative line, right? it's some of the only stuff we have to go off of regarding the Delugionists as a whole, but i think it does such a good job of hinting at the wider story - at teasing another layer to the mythos surrounding Maligula, one whose ripples we see throughout the game but which never quite breaches the surface.

[stuckinapril]

Been feeling the growing pains full force lately. Absolutely not perfect, but so much of the shit that used to make me feel anxious isn’t making me feel anxious anymore. Maybe it’s bc I’m at a period of my life where I’ve had the most freedom w how to structure my time, and it’s a transitional period of intense studying and commitment to so many things that are fairly new to me, but I could genuinely only liken it to staring into a flame for an hour and just feeling the brain fog clearing. It’s just been so much easier to put things into perspective lately. And I could confidently say that this is the most I’ve known myself & been unapologetically me. I’ve been trailblazing my own path as opposed to listening to other opinions, and it has never felt more right. It’s so hard to be swayed when for once I know exactly how I fit in the jigsaw