#just a few that come to mind

[hadrianshistorian]

shoutout to tboys with zero swag. pathetic losers with not a dime nor damsel to their name

[stemmmm]

Don’t think about it. Don’t fall asleep. Don’t look. Not yet.

fanart for the latest chapter of Then It Becomes, It Becomes, It Becomes A Problem because holy shit

[troublemakingrebel]

[bluerosefox]

Drake Siblings

Have I read this prompt somewhere or was this a fever dream from my bored mind.

What if, now hear me out.

What if we bring up Dana Winters-Drake (whose confirmed to at least be alive in the DC verse but no one knows where she actually is)

What if instead of when she had a mental breakdown and getting committed to an Bludhaven clinc she wandered away before anyone noticed and by the time Tim or anyone did notice a lot of stuff started happening at once in both Gotham and Bludhaven (Steph dying, The Bludhaven crisis, etc etc)

Tim still tries to find her though but even with best resources it was like she just disappeared into the wilderness and the stress of trying to handle more and more problems get worse.

So when out of the blue, a couple of years later, he gets a call from an unknown number. On his private, only for friends and family, phone and when he answers he meet with a young girls voice on the other end.

A very young, maybe six or seven, girl who informs him about his apparently half-brother Danny Drake-Fenton. And how she loves Danny so, so, so much but knows her home is dangerous for him to be in.

Tim is stunned and before he could question her, she says Danny is Dana and Jack's baby and that her parents had adopted him years ago and put Dana's stuff that the hospital had away for him to look at when he was older but she just had to fight off their lunch from eating her brother and she knows he needs a better place to live and so she snooped around and found Dana's diary and that she had to unscramble the nonsense Dana wrote and found Tim's number with the words 'tell him about his brother Danny' hidden in it. And-

But before she could keep rambling she hears Danny screaming "JAZZY THE MILK WENT BAD AGAIN AND HISSED AT ME!"

Tim is left with silence after hearing Jazz yell to Danny to lock the fridge and step out of the kitchen as she gets the bat.

[gremnda]

Part of the family :]

[ofswordsandpens]

I rewatched Zuko and Azula's Agni Kai recently and it's left me wondering – when Zuko begins to goad Azula into striking him with lightning, was he making the decision to kill her?

Because had Azula shot lightning directly at him like he planned and not at Katara, the most forthright implication to me is that he was intending to strike Azula with her own lightning. And Azula, for all her mastery, would not have been able to counter that.

On the other hand, maybe he wasn't planning to kill her at all and was simply planning to redirect it elsewhere (similar to what he did with Ozai). But given the tone of tragedy throughout the Agni Kai, the fact that they both acknowledge that this fight will be "the end" to them, I don't think it's inaccurate to read Zuko's actions as him preparing to kill Azula, even though an Agni Kai doesn't have to end with death (and in canon it didn't). Also, why goad her into striking him with lightning if he wasn't planning on doing something intentional with it? If anything, it adds another layer to the tragedy to me, because I don't believe Zuko wants to kill her. And it stands in such contrast to the way that Azula desperately wants to kill him.

I also think that there would have even been something sadly poetic in that sort of demise for Azula should the Agni Kai had gone this direction: Azula, struck down by her preferred sub-skill. Azula, struck down by the very bolt of lightning that she intended to kill her brother with. Azula, struck down by her own power.

[dollopole]

I should find another hobby

Anyway, if Merlin was set in modern times, Arthur would have called Merlin his “gay awakening”.

[erinwantstowrite]

you know what's so funny about chapter 18? Peter's motivation for beating Loki's ass. it's pretty much entirely for Thor at this point, right? because he saw what he did to Thor and knows how important this is for him. and Peter's mainly thinking "Well, sometimes I get a little insecure, but at the end of the day I am aware of what I made Spider-Man for, and so are the Avengers. so I'm a little ticked off that they didn't tell me everything about Loki but I'm sure it was for a good reason and they were keeping in mind that I've never really wanted to do some of the world saving that they do."

and then he finds out why they didn't tell him about Loki and he's like "okay actually i am mad now" (which yes this is part of the reason they didn't tell him, but there's another bigger reason that will outshine this reason)

[3rd-shrike]

another theory of who the @askoverkill director is: siffrin. obviously!

but, well. specifically ISAT siffrin.

i've been giddy since loop's reveal, because it means that this theory i've been holding onto since i read through the entire blog a few days ago holds more water!! i mean, there's a lot of evidence to touch on!!! (so please expect this to be lengthy and FULL of images... sorry!!)

references on a character design level to specifically events related to ISAT's siffrin, loop's attitude towards the siffrins (including themself), and a buncha other things like choices in worldbuilding that might be me nitpicking but still lend the idea a bit more credence... this au makes me insane i think.

i'll be discussing it down here:

✦ "regarding the director's character design..."

let's start with the most direct and blatantly obvious reference to ISAT sif!

the star on their chest.

unlike loop's current star (which has remained mostly consistent with their star in ISAT), this one is lopsided & more reminiscent of a crack, with the edges spreading outwards in lines. and gee, i wonder where we've seen that star before...

the star that happens when siffrin & the king attempt to say their country's name. i should also point out that these kind of cracks are similar to the ones seen in the sky once you get past the king in act 5, which are a result of siffrin's just-about-giving-up of his wish.

not only that but the spiraling eyes! the 2-lined white star!

i also wonder who that could be referencing...

(please disregard the empty box, that's where the battle sprite is)

while you could argue that the spiral can be taken from loop's image when you lose the act 6 battle, i'd say that mal du pays' spiral eyes have more significance, since we often see loop with mostly normal eyes, while the only close-up of mal du pays eyes we see is a spiraling one, and they are literally a representation of siffrin's fears and self-hatred.

the star, too, is drawn differently to the way loop's star is! loop's eyes, both in ISAT & in overkill, are drawn with a more average, rounded star. siffrin and the director's star pupils, in comparison, are drawn very simply with just two intersecting lines. no rounding, no sharpening of the points, just a cross.

and a bit more conceptually, in contrast to loops' star head, the director's head is described as a black ball, and when combined with the black & white mask + the shining light... it almost feels like an eclipse, or a black hole (though this one's a bit of a reach).

✦ "regarding loop (and the siffrins, a little)..."

a bit more abstract & loosely connected to the theory, but loop exists!!! seeing as their star has barely changed from its usual upright four-pointed glory (other than it becoming rougher/frizzier & looking more like a blood splatter at sometimes), i'm inclined to believe that this is still loop-as-in-saap-siffrin.

(as mentioned previously,) they also have the rounded red star in their eyes that they get in the second phase of their act 6 boss battle (and in their special attack frame), and the double spike + closed eye seems to be taken from that too.

and if we take into account their heavy experience with guiding the siffrins (and genuine shock at there being a kid), their mentions of a 'usual' script for them to follow, absolute resignation and exhaustion with having to lead these siffrins to their deaths over and over and over again... it really feels like loop's been there from the start. you'd be preeety hard-pressed to make a copy of loop specifically, so that leaves either ISAT sif or another siffrin we've not known yet, and i'm more inclined to believe the former's more likely, given the (probably mocking) reference to loop's "royal we".

✦ "regarding other things referencing ISAT events..."

there are a few things to mention! first of all: the sky breaking. the world ending.

this all reminds me very heavily of act 5's... everything, really. the sky breaking into the signature red, the mentions by the party & loop of sif's wish ending/breaking the world. it all feels waaay too relevant to ignore, and that word choice definitely feels on point.

and then there are the curses! the theatre & blood curses. turns you into a puppet, and makes you rot while alive. very thematic. very reminiscent of a certain someone's spiraling thoughts.

and more recently, the explanation for the outer & inner loops!! this one fucking blows my mind away, bc jegus christ that's so cool??? but it also makes sense if you consider a LOT of ISAT siffrin's thoughts about the time loop in act 4 & 5:

the director's not only got siffrin dying over and over, but they've got the entire play repeating again and again. it makes sense, especially if ISAT sif felt like that was basically the highlight of their lives (in true king fashion), not to mention the reason all of them ever met. and if mira is considered the director's "favourite actor", then it's only natural that the outer loops (likely triggered by zem) would start from the beginning of the crisis, from mirabelle's dormont, when the play truly started.

finally, there's also the little bits of words we can see in the director's reference sheet! (courtesy of @shadowedfaith048)

likely hinting towards this being post-ISAT in some way! and bearing in mind the "a bad wish" at the bottom, it can be assumed that a lot of this might be the unfortunate result of wishing (and maybe wishes being broken, who knows!)

✦ "in conclusion..."

i believe that, in some way, the director is ISAT siffrin after something went awry with their (or even just a) wish. maybe it isn't even just ISAT sif! ze could be two or more sifs stuffed in a trench coat! and maybe the worst possible ending happened during the act 5 battle w/ bigfrin, and the ensuing world-ending & destruction from giving up their wish was amplified by a hundred. maybe this happened after act 6, some time after sif did get his happy ending. i do believe that at the very least, this had to have happened after ISAT's act 4. too much red in there for me to believe otherwise.

i might reblog & update the evidence list as the story progresses, so please don't take this as final!!! new evidence could come out that might result in inconsistencies for this theory, lore drops could further push it to be true, (again) who the hell knows!!

and for myself? i'm just having the time of my life connecting possible dots and going insane over this au lmao

[wildstar25]

MiqoMarch Day 29 - Smile

Just imagine what's around the bend~

ft. @eriyu @nhaneh @improvised-finish @quicksilver-ink @zylphiacrowley & @khajiitclaws

[untalentedace]

Very rough comic thingie on something that never gets talked about! (in the way I view it at least.)

I hear a lot of people talk about the SA in the show, some of which used for gags. But I've only seen it talked about with the girl characters. Yagi gets mobbed by fangirls in the movie and kissed, unknown if consensual or not? (I see it as SA personally) Only heard it talked about three times in the past 4 years I've been in this fandom! I feel like if he were younger and not a guy, it'd probably be brought up more, considering other sa gags in the series get brought up.

Sure he's been seen letting people touch him in the first few episodes, but still, I'm giving the gag a more serious thought. I'd imagine that after having it happen for so long, he'd be more used to it and allow the touches (whilst feeling discomfort inside), which... Doesn't make it right. This is for me and the... 3 others who think of this scene in a more negative way, aha 😅

[wilting-fl0wer]

The only correct form of caltam, as far as i am concerned

[burningcheese-merchant]

So there's this Shadowvanilla fic on Ao3 Im fairly certain you know about, and in It SM and PV link up to eachother's minds/feelings/souls via their souljams touching, and its pretty sweet since since they're on their chests, the two basically have to hug to connect.

Which made me think, what about the other beasts and ancients? BS and GC would be by far the weirdest imo bc she would have to touch her forehead to his chest??? Which depending on the size difference It could still just be a hug.

SS and WL would touch their weapons (sword and staff), which can comes off as distant or cold, despite the fact they're about to peer into eachother's very being.

ES and MF suffer because their's are on their forehead and their ancient's are on their weapons😭😭 imagine HB shield to EG's forehead, that'd be awkward af

I'm not actually sure what you're referring to 😅 is it Jambound? I think something like that happens in it? I don't really remember, I read the first 3 chapters a while ago and that's it haha (I really don't have the time to read fanfics, especially not ones as long as that one (it's like 15 chapters long now and still going with no end in sight, isn't it??? Goodness)). I never really did much of anything on AO3 tbh, I honestly just go there to write and post my own dumb garbage and then vanish into the aether again

Regardless. I always vibed with the concept of the Ancients and Beasts connecting/strengthening their existing connection through their Soul Jams. But the way I've tried to get around the fact that most of their placements are... cumbersome and don't really lend themselves to that (White Lily's staff and Silent Salt's sword, for example) is, I think of it as... Through the sharing of the Soul Jams, they're all already bound to one another, yeah? So do they NEED to have them be a component in the physical aspect of this? Do White Lily and Silent Salt NEED to have their staff and sword clink together to express that intimacy? Or can they simply embrace each other nice and tight, staff and sword set aside nearby, and their souls can resonate just with that action? The Soul Jam not physically being in their hands doesn't really mean it's left their ownership and they've completely lost access to its power, I don't think; we saw that with how the Light of Abundance refused to answer to Smoked Cheese when he took it, and how Golden Cheese could keep fighting Burning Spice for a while even without it (albeit weaker). So idk if they need the Soul Jams to touch so they can feel closer to each other. I think they've all been naturally imbued with that power at least to some degree and thus don't really 100% need the physical Soul Jams to facilitate that closeness. If I'm already super glued to somebody then not putting my hands on their belt buckle or whatever isn't going to make us any less stuck together ykwim

With that said I like to imagine BS's being particularly sensitive since it's embedded in his chest. GC can press her hand down on it, or lay her head against it, and feel his heart beating through it, if only faintly. Maybe it feels warm to the touch, and grows warmer and shines brighter the faster his heart races. Maybe his breath catches in his throat when she touches it because it feels different there than it does when she touches any other part of his body. Maybe it acts as a cute little nightlight when they're curled up together in bed. Maybe it burns hot like a coal and glows like the fire in a hearth when they're deep in the throes of passion. Maybe, as a charming little gesture, she actually will touch her forehead to his chest so they can listen to that soft little clink that sounds the little kiss Abundance and Destruction shares. Maybe a certain something stirs within them both when she does it, maybe not. But it's cute. They're so in love that even their Soul Jams want to make out. Lol

Also any excuse to put her face in those big strong man titties is 👌👌👌 in her opinion

[polysyndetonaddictsupportgroup]

pez dispenser debris for the fic ask thing? 👀

As much as this is my “kill no darlings you will get EVERY flashback” fic, there’s overarching sociopolitical backstory explaining why Izuku and the rest of class 3A exploded in the public eye that I don’t think I’ll ever fully fit in.

It’s a combination of it being more of a meta analysis than anything and also requiring information from a perspective that I know will never appear in the fic. Like, the fic still gets the different moments that make up this analysis, but there’s no explicit connecting thread to show how they all locked together to create this sort of global cult following of class 3-A. I almost put in a little fake news article opinion piece that was meant to sort of walk the reader through why society is Like This, but I decided it was too heavy handed and deleted it.

Everything that I’m going to reference has already appeared in pez dispenser debris to some degree, and none of it will ever actually materially impact the plot. They may receive a little more detail down the line if they’re mentioned in passing in the fic, so out of an abundance of caution, I’ll stick it below the cut so people can avoid this, but I don’t personally consider any of this spoilers.

Izuku and the rest of the class are famous in pez dispenser debris in a way that’s pretty much unprecedented for students. Canonically, not even all might had a name for himself until after his graduation. Pretty much everyone from class 3A are public figures, with Izuku specifically being considered a major global figure.

In my mind, there was this perfect storm right during their second year that catapulted them into fame. The class personally has varying levels of awareness of why they got so popular, but there was this perfect cross winds of societal unrest and fear that made them household names.

There was an approximately one month span in their second year where they were just hit one after another with a major firestorms of events: The UA Sports Festival, the Sidekick Strike, and the Tartarus Prison Break/Desertion of Yokohama.

The UA Sports Festival is the one that the kids attribute this most to, because so many of the news articles that followed referenced their performance in it. But it probably gave them less mileage than what the other two events did.

What the UA Sports Festival did was showcase their skills to the world in a venue designed to show them off. The public was already on edge. All Might had retired, crime rates kept going up, and people were rapidly losing confidence in existing heroes. Class 2A made such an insane showing of skill in the second Sports Festival that it made the public rave about them for weeks after. It was extremely reassuring to Japan that they had such powerful heroes in the barrel and would soon be on the streets. But that attention probably would have died down had it not been for the Sidekick Strike and Yokohama.

The Sidekick Strike actually had nothing to do with them. But it undermined the public’s faith in heroes at just the right time.

The Sidekick Strike is just one of those things that I have no POV that would even tangentially be involved in it so we’ll get a few passing references in media clips and it’ll never be discussed in depth. Which is a shame because it’s such an interesting conflict to me.

The Sidekick Strike was heavily inspired by the 1919 Boston Police Strike. Effectively, it was the height of the labor rights movement, and police officers got together and went on strike to get the police union recognized. They had tried to negotiate and negotiations failed, and so they all walked off the job. The city descended into lawlessness, the national guard was deployed, it was a whole thing. Famously, Calvin Coolidge fired the entire police force over it on the grounds that there was no striking from public safety.

I thought it would be really interesting if there was something similar that happened with the sidekicks. The thing is that the heroics structure as it stands really incentivizes abuse towards sidekicks. We have a society where there’s a decent amount of heroes who are only in it for the fame. A not insignificant amount of money must come from marketing deals. And it’s a ranked system, so they’re all in competition with each other.

Heroes wouldn’t be incentivized to showcase their sidekicks—they’d be incentivized to take advantage of them and take credit for their work.

Like, think about the work-study experiences. Momo didn’t even officially work for the hero she studied with. She wasn’t getting paid. An adult woman used her for a shampoo ad. Who wants to bet whether Momo saw a dime from it? It’s probably very predatory because the nature of the system incentivizes predation.

I thought the underlying legal issues would be interesting and complex. Who owns a sidekick’s image—the agency or the individual? Who gets the proceeds of their brand deals? This all would be governed by their employment contracts, and sidekicks just starting out have very little leverage compared to big name heroes. And those heroes would want to keep their sidekicks names small and theirs big. The rankings are competitive, after all.

It’s a situation where I do think that like. The sidekicks would have a point in unionizing. The use of their image, appropriate compensation, and proper credit for their busts would all be like, very legitimate concerns in a normal employment context.

I see agencies like Idaten settling immediately with the union and having their sidekicks back on the street before the day is out. In my mind, idaten is considered the gold standard for sidekick jobs already, and their employees mostly did it out of solidarity with the people they worked alongside of. Like, Idaten was already doing most of the union’s demands and signed off very quickly on the remaining ones. If it was just about the Idaten sidekicks, none of them would have gone on strike, but they had a lot of colleagues who they depended on in the field who were in terrible situations. What were they gonna say, sorry, sucks to be you, I got a great gig though so condolences? These were the people keeping them alive. They went on strike because they knew Idaten would publicly settle before the day was out and set an example for the rest of the agencies. Hopefully it would help other agencies follow their lead.

But that didn’t happen. Some agencies, like Endeavor’s, fired everyone immediately. And I think a lot of agencies spent a long time picking over every line item in prolonged negotiations. It dragged out.

And that went over fucking terribly.

All Might just retired. Crime is up. And their sworn defenders are bickering over who gets what cut of the action figure line. Like I think the public would have fucking hated this in a post-All Might world. It would have seemed like the only real hero just medically and irreversibly retired and the rest of them are squabbling about whose turn it is in the spotlight.

I also think that the villains would have taken advantage of it.

The Tartarus Prison Break in pez isn’t the one that happened in canon. Here, the League of Villains attacked Tartarus and set everyone loose. In the process, they made a very clear stance: they are going to leave with All for One, and they are not going to attack any civilians. They won’t fight at all unless attacked first.

All of the horrible and sadistic villains they just let go have not made the same promise.

They chose to do this now because of the Sidekick Strike. All their heroes don’t give a fuck about protecting them, so they’re strapped for staffing. So they’re taking back their leader and going back to ground, and the heroes are free to immediately go after and contain all those bad bad villains who just escaped. And those guys are headed to the heavily populated mainland, so better be quick.

The whole world knew that was their explicit reasoning and promise. Because Himiko fucking lived tweeted the escape.

The Sidekick Strike took the hit for a lot of the blame, but I do see all the sidekicks breaking strike lines to go respond to the crisis. But response times were severely handicapped by the fact that most if not all of them were cut off from their agencies. It was just a complete systemic breakdown.

And then there became the question of what crisis do you respond to: All for One’s escape, or everyone else’s?

I mentioned in one of the little fake tumblr posts that the Tartarus Prison Break was seen as Endeavor’s greatest failure. And part of that is because he chose to sacrifice the nearby area, Yokohama, to contain All for One.

I am one of the biggest haters of Endeavor’s later arc, specifically because it required going back on the nature of the abuse he had subjected his family to that was already established in canon, but that’s a different rant. This is not canon endeavor. I hate what they did with canon endeavor.

That being said, I do think that the self doubt weighed on him once he became number one. And this was the moment of his career where it really crushed him.

All for One had escaped. So had every other villain from Tartarus. He should go after the most immediate threats. He knew this. It was basic triage.

But they would never have a better chance to stop All for One.

Prisoners in Tartarus aren’t exactly hitting all their macros and micros or training daily. They are not adherents to the Bakugou Katsuki Fitness Lifestyle. All for One was coming off spending the last few months drugged up to his eyeballs and strapped to a chair in a straitjacket with at least fifty guns pointed at him at all times. The man has not scratched his own nose in weeks. He’s weaker now than he’ll ever be again.

It was their best chance.

If he escaped, and he went back to ground, he’d have the time and space to get as strong as he wanted, and then he’d come back for real. And he’d be coming back for everything.

Stopping him the first time had cost them All Might.

And Endeavor simply was not All Might. And he still wouldn’t be All Might when the next fight came.

It really was the hardest decision of Endeavor’s life. He had to admit to himself that his own inadequacy was going to cost them countless lives. But he thought it was a hard decision he had to make. He was losing the battle for the barest chance at winning the war.

So he made the call that all heroes were to respond to All for One. They had to hit the league of villains now with their full force if they were to stand a chance. They could not afford to divide their already sparse forces. They’d respond to Yokohama when AfO was contained.

He was also the one who made the call to broadcast the warning message that we hear in the Twitter post. He thought it would give civilians their best chance. He didn’t want them to act with the expectation of the heroes being en route.

Of course, that meant that the entire city got fucking sirens going off and a message telling them that the heroes were not going to save them. Which, as you can expect, did not do a lot for public morale.

In my head, Tartarus is like, the equivalent to Gotham’s Arkham. It’s borderline an institute for the criminally insane. You don’t end up there unless you did something super fucked, are super dangerous, and have extreme violent tendencies. It’s exclusively for the most dangerous and indiscriminately violent criminals in the country.

The entire world was watching in real time while the tragedy unfolded. A lot of people were livestreaming after the emergency broadcast dropped, because they didn’t want the government to be able to handwave away how terrible their death was, or because they didn’t know what else to do, or because they just didn’t want to be alone. The full expectation was that it’d be a massacre.

But it wasn’t. Because Class 2-A responded instead.

The Class 2-A defensive efforts were discussed in one of the silly little fake tumblr posts and in the fake twitter post. In those, we find out that 1) Class 2-A, along with Lemillion, Suneater, and Nejire responded to the scene; 2) the entire class rolled out of Mirio’s fucking mom van and tamaki and nejire’s cars like they were fucking clown cars; 3) the HPSC claimed it was a legitimate operation blessed and coordinated by them; and 4) a lot of people think this was a lie, in part because videos leaked of Aizawa bitching them all out in the street afterwards. We also see Izuku’s green lightning at the end of the twitter video, showing him responding to the scene just as the first villains hit the mainland.

This fight has a lot of names in the backstory that lives in my head. It’s called the Tartarus Prison Break for obvious reasons. It’s also been called in some circles the Desertion of Yokohama, because of the call Endeavor made.

But it’s also called the Battle of Yokohoma. And it’s ranked alongside the Battle of Kamino as one of the finest acts of modern day heroics. And that’s because of Class 2-A. If it hadn’t been for them showing up, it would have gone down in history as the Massacre of Yokohama.

Like. It kills me that I can’t include the full details of what happened, but there’s just too much to make in a flashback. It’s a fic in and of itself. But it really was the fight that made Class 2-A.

It was the first fight where they were really the only heroes that could be counted on. Granted, they’d had to fight for their lives alone, but this wasn’t just their lives. These were thousands of terrified civilians who all thought they were going to die.

It was the first true test of them as heroes in the world. And they actually rose to the occasion. They didn’t just fight the villains—they realized that they needed to get emergency services working throughout the city if everyone was going to make it. Momo and Tsuyu conducted a mildly hostile take over of the emergency call center so they could coordinate relief. They had fucking Tokoyami and Dark Shadow single-handedly holding the line on the hospital while Kaminari, Shoji, Jiro, and Sato all learned to drive for the Very First Time while commandeering the city’s fucking ambulances. They were fighting and containing villains, performing emergency aid, putting out literal fires, everything. It was the hardest fight of their lives.

There was a hot second where Class 2-A was The Moment. Like. The entire world was watching them during this fight, and they had no fucking idea until it was over. People lost their minds when the first footage made it out of Yokohama of a bunch of teenagers showing up and immediately throwing hands with S-Class villains.

It was global news. Think of the kind of media attention that was received by the search for the Titan, the Tham Luang Cave Rescue, the Suez Canal getting blocked by the Ever Given (rip queen you will always be famous to me), that kind of thing. Class 2-A was fighting for their fucking lives and then found out three days later while they were all still in the hospital that there was a prayer vigil going on in Portugal for them during the battle and CNN had 24 hours live coverage of the fight that had so many viewers it outnumbered the population of Finland. Like what do you even do with that information.

The world expected a massacre. They didn’t expect a bunch of footage of high schoolers kicking the shit out of superpowered murders and personally ferrying the injured to the hospitals they were also defending.

The other part about this fight that really made them permanently part of the public consciousness is that it was not lost on everyone that every single person who responded to that fight did so at the risk of their license.

All of them had provisional licenses, save Lemillion, Suneater, and Nejire, all of whom went AWOL from the explicit directives ordering them to respond to the fight against All for One. The operation could not have been less authorized. They had to steal their gear and jimmy the UA fence to even get out. The explicit plan was to steal one of the UA buses and have Bakugou fucking drive them to the fight (he also did not know how to drive but he seemed the most likely of them to break literally every single motor vehicle code to get them there but still be naturally talented at it enough to not kill them) but Izuku told Mirio what bullshit they were up to and Mirio, who was with Tamaki and Nejire when the news broke, immediately decided he would be on that bullshit too and pulled up in his mom van.

In my mind, there were strict rules around provisional licenses and how they could be used, and they broke pretty much all of them to respond to Yokohama. It would have been grounds to revoke their provisionals and permanently bar them from heroics. Lemillion, Suneater, and Nejire could have all lost their licenses for helping them and for going AWOL.

The HPSC fucking fell over themselves to legitimatize the entire operation. They knew they were utterly fucked if they didn’t. These kids already had murals being painted of their faces in other fucking countries. There was a little old lady in Kyoto livestreaming herself working overtime to embroider Iida’s face onto a cushion because that lovely young man saved her darling granddaughter from *checks notes* horrible and painful death directly caused by the failings of the current HPSC administration. There were multiple trending posts online agreeing to fucking riot if those kids got in trouble for this.

Every single actual hero in the immediate vicinity of this disaster had responded to fight a villain who wasn’t actually attacking anyone. And then they fucking lost. They publicly broadcast a message saying Good Luck Champs Because We’re Not Going To Save You. It was an actual PR nightmare that they had a bare chance of salvaging if they just latched onto these kids like an aggressive parasite and that is exactly what they did.

They totally knew. Actually, it was a joint operation coordinated by and between UA and and the HPSC. Why would the kids be in trouble?? They had responded because the HPSC told them to.

UA gave it a week of dead silence and then issued a short statement praising the bravery of their students in a recent HPSC approved mission, and then they never said another word about it. They didn’t have any choice but to go along with the HPSC’s story. If they contradicted them, all of class 2-a would find their licenses pulled by the end of the day, and lord knows they wouldn’t wait for the court of public opinion to work its magic and would just all go out and become fucking vigilantes, because why not. Aizawa has aged 100 years since he got this class. Every single day he thinks of how it was a 50/50 shot between him and Vlad.

No one in the class is fully aware of just how famous they were in the immediate aftermath, because the school bent over backwards to try and shield them from it as much as possible. Like, they have an idea, but none of them saw the full explosion firsthand because of just how hard the school worked to keep it from them. Aizawa confiscated the internet router and told them it was punishment for whatever the fuck they did to the buses (thank god Mirio was just as crazy as them because they were NOT GOOD at hotwiring cars) but really it was to try and insulate them from it a little bit. Like. Japan’s Imperial Family wanted to do an official visit. The White House offered to host them. They received interview requests from every major talk show on the planet. Buzzfeed wanted to do a puppy interview with them.

Right now, Aizawa’s terrified for Midoriya’s graduation, but in the aftermath of that, he was breathing into a paper bag about all of them. Society had sort of latched onto them like they were the last life raft on the titanic. All for One was back, and All Might wasn’t, and the heroes had publicly broadcast a message saying they were useless, but don’t fucking worry, fifteen year old Iida Tenya is on the case. Society will be upheld by Kaminari Denki, currently viral for driving a real life city ambulance one hundred miles per hour down the street while screaming “WEE WOO BITCH.” And don’t forget the pillar that will be Mina Ashido, who rushed over to him earlier that day to show him her extra sparkly pink nails. And if you have a major fight that needs to be won? Don’t fucking worry, just send out bone-breaking boy wonder Midoriya Izuku and his equally reckless brother Toogata Mirio, because their dumbasses managed to take down an S-Class villain team that only All Might could defeat the first time around. Don’t worry about the multi week hospitalization they needed after, because that’s an acceptable burden to put on children.

When Aizawa started this job, he promised himself he would never send a student out to die. Some of them would die. But it would be tragedy, not damnation. He’d have given them their best chance. Part of the reason why he made that promise was because he sort of felt like his teacher sent him out set up to die, and it’s only luck that he made it through his first couple of years.

He has gone to the funeral of every single student he has ever had who did not make it. He goes back to their graves every year.

He was fucking petrified after Yokohama that society would push these kids too far too soon. Every single one of his classes before them had gotten the benefit of being practically unknown their first few years. They didn’t have the world talking about them like they were already the top heroes. He was terrified they wouldn’t have the space to learn and grow when they started.

A lot of teachers would have tried to mine the notoriety of Yokohama to hard launch their students’ careers. Aizawa told Nedzu point blank that he would quit tomorrow if he did not help him quash this thing as much as possible, and nedzu agreed.

This world killed its real heroes. It sucked them dry and left them like All Might, and he just needed fucking time. He needed fucking time to let them be kids and maybe they’d survive.

Izuku ended up being the one who escaped the aftermath of everything the least. His Quirk was too much like All Might’s for the world to let go of him easily.

And then Stain got fucking dogpiled by idaten in the aftermath of the Tartarus prison break and implied he considered Izuku the only true hero in the absence of all might and everyone started asking super inconvenient questions like “how does stain even know you exist” and “no really he called you by your actual legal name how does he even know that” and it just. It didn’t help things. Izuku’s suffering.

So yeah. There was just this absolute collision of a total lack of faith in current heroes combined with a huge swell of public trust in class 2-a that led us to being in the landscape we are now. All of the currently licensed heroes said that they wouldn’t be there to save the public, and then Class 2-A immediately hit back that they would be there. Actually, they’ll risk everything to be there. They’ll die to protect the public and they’ll risk the entire future they had been trying to build and they will fucking be there to save them.

There’s a lot of people that never forgave the heroes for deserting Yokohama. And there’s even more people who have absolute faith in Izuku and his classmates because they didn’t. That’s why the world is watching them so aggressively. These kids are the most trusted heroes in Japan right now.

I wish I could fit in more about what happened, because I love this backstory so much, but 1) some of it absolutely requires POVs like Endeavors, which we won’t get in pez dispenser debris, 2) there’s no one POV that could tell the full story via flashback and 3) it’d just be too long of a divergence. Like. It really is a whole fic of its own. I’d love to write it one day but I probably won’t have the time

[inkedberries]

i've been thinking about an 86 au set (vaguely) in the late 18th century. Giad and the Republic of San Magnolia are at war and Shin is a Giad soldier that was captured by San Magnolia. They try to pry information out of the infamous Undertaker that would get them an advantage over Giad but he manages to escape before they decide to just kill him off.

Lena is the only daughter of a highly decorated Alban commanding officer. Upon her father's death, she uses the fortune he left her to establish a shelter which house children orphaned by the war. To her mother's dismay, Lena breaks off the engagement her mother has set for her and moves to care for her children away from the city's prying eyes.

Shin and Lena cross paths while Lena is foraging for berries, nuts and shrooms with her children when one of them spots Shin near a riverbank, barely alive and wounded. Lena decides to bring him back to her shelter to care for him.

then romance ensues

[hakusins]

tw // blood red water, slight nudity

There stands the root of all the world's corruption, the seed of ruin - Auriga

Pose reference under the cut!

Fate Grand Order Durga's Final Ascension Art