#just SO many dialogue hints

[cutter-kirby]

me to detective noel:

[tiredguyswag]

i think instead of putting the blame on the writers of the series we as a fandom should shift it to the corporate office like im 101% sure that's where it went wrong. also netflix has a bad habit of cancelling great shows with latine leads like that may not be what happened here but it DOES happen

[frogmascquerade]

Doctor who spoilers in the tags ! Empire of death

[kazisonline]

The day people will realise dee molesting charlie was a throwaway joke will be the day I'll know peace

[insertdisc5]

TIMELOOP GAMES REAL!??!??!!

hi i made a timeloop game called In Stars and Time and this is a whole post about other timeloop games you can also play.

some i liked. some i loved. some i didnt like. all are worth playing and like also listen the second friends and family heard i was making a timeloop game, i got bombarded with timeloop media recs. so here is a sampler in no particular order! NOTE: knowing some of those games are timeloop games is a spoiler. but. you are here. for timeloop games. so timeloop games you shall have

Outer Wilds

If you need to play one timeloop game, it's this one. Please play it blind. I swear to god you won't regret it. it's timeloops in space!!! it makes you think!!! there are so many "HOLY SHIT WAIT I GET IT NOW" moments!!! please just go play it please please please. some of the best environmental storytelling in a game. so many hints in plain sight. JUST PLAY IT

[way more timeloop games under the cut]

Oxenfree

I didn't actually like Oxenfree very much. But also it stayed in my mind for weeks after I finished playing it. that's how you know it's a good game. I really enjoyed the dialogue system in this, and how much the loop affected the characters. and it got so spooky!!!

Hikeback

i'm in the credits for this one because i was one of the inspirations heehee <3 i loved playing it… short little game about trust, self-sabotage, and never-ending cycles. highly recommend it

The Stanley Parable

Listen babes it absolutely counts. I replayed it a bunch while making ISAT, and I got immensely inspired by the dialogue, and how it catches you off guard sometimes? You get SO SO used to the narrator's "All of his coworkers were gone. What could it mean?" at the start of every game, and then for no reason instead it says "A soft wind blew outside and perhaps rain started, and if it did it stopped shortly after. Stanley hoped that he would one day see weather." like WHAT THE FUUUUCK IM GETTING CHILLS JUST THINKING ABOUT IT

12 minutes

ok i know we all made fun of this game when it came out because the story is batshit insane HOWEVER!!!!!!!! i REALLY REALLY LOVED how doing the same actions multiple times would have slightly different outcomes. If you battle someone, the first time you get knocked out in one hit and the loop restarts. the second time you try, you evade the first hit, but get knocked out. the third time, you last a little bit longer, and a little bit longer, until you can pretty much hold your own against your enemy. And it applies to so many things in this. Retrying different things to see how they would change was a delight.

this game is also so bad its almost good, and if you're interested you HAVE to play it with friends so you can yell about how bad it is together.

Zero Escape

it's just a good series ok. escape rooms, and also time loops! the 3rd game in particular goes deep into The Math of how timeloops would work, which i think is interesting. sometimes timeloop games just go "yeah you can timeloop dont worry about it" and others go "OK HERE'S THE HOW AND WHY IT WORKS" and both are interesting!

START AGAIN: a prologue

this game has almost everything i could wish for in a timeloop game. depression. lines repeating. dying brings you back. you get new levels and skills because you're aware of the loops but your party members don't. so you get overpowered next to them and they Notice. just. party members who dont know about the loops still noticing something is wrong. you are acting differently than yesterday. you look sad. you are acting weird. you know too much. how did you know where the keys were? how did you know this would happen? what's wrong? talk to us. and oh my god this game has a sequel? which will probably have Actually Everything i could wish for in a timeloop game? i can't wait. who made this? (its me i made this)

Ghost Trick

ok its not really time loops and more time travel and only for 4 minutes HOWEVER!!!! you should play it. you know you should play it because everyone says so. so go play it

Elsinore

im sure its a great game but ive never seen/read hamlet. so thats a failing on my part. because. you absolutely need to know hamlet to understand this game lol i did like the whole "make sure to find out which events are Important and which ones aren't so you can have The Perfect Loop"! very fun. or it would be. if i. knew. hamlet

The Forgotten City

a friend kept recommending it to me and i didn't like it. its good! just not for me. but if you like to think a lot you should play it. another "make sure to find out which events are Important and which ones aren't so you can have The Perfect Loop" game

Gnosia

Gonna be real. I didn't like the story very much, in part because the game lets you choose your gender but still acts like youre a straight dude. HOWEVER the gameplay was very inspiring to me. Every loop is pretty much just an among us meeting, and you have to find out who the imposters are or everyone dies and you loop again. and sometimes you ARE the imposter, so you need to make sure no one finds out. or you loop again. rules get added as time goes on too. i REALLY loved how quickly the loops stacked up. seeing "loop 100" was such a nice moment. ive been here so long! i tried to recreate that somewhat for my own game…

Loop Hero

Technically not a timeloop game, but a loop game. It still absolutely counts because it's about loops and memories, and what are loops and memories together if not a timeloop. You have your little guy going through a closed loop, battling enemies, getting cards, and making the world whole again by using those cards to make forests, towns, lakes come to life. I am famously a Story First Gameplay Second kinda player, but I did play this 45h for the gameplay alone. I learned a lot about battle balancing and randomness by playing this!

You and Me and Her: A Love Story

you know doki doki litterature club? this came before. and one might say. it's. better. in some parts (and i say that as someone who LOVED ddlc!) i won't say much except it's a dating sim but with timeloops. with a lot of what it implies. why are you dating this girl a second time? a third time? a fourth time? choose another one already! it was such a fascinating game to play, and is incredibly meta in the way it talks about dating sims and visual novels. had a lot of very impactful moments however, i played the hentai version. some of the worst, most cringy sex ive ever read and heard. however, one might say the sex is an integral part of the game and its deconstruction of hentai/dating sims…? no. just play the steam version which doesnt have the horrible sex scenes and you will have a great time i think (or play the hentai version. if you like. to watch. horrible sex scenes???)

Higurashi

knowing this is a timeloop game is a massive spoiler. however, this game is more than a decade old, so,,, honestly if you havent played higurashi what are you doing. i know i just spoiled you on it but i was also spoiled on it and i can GUARANTEE YOU that you will still have an amazing time. one more thing. you gotta play with the original sprites or you're a fake fan

I Was a Teenage Exocolonist

starts as a visual novel/management sim/dating sim kinda thing, until you realize that every replay is a new timeline. so the main character can save people, because they remembered about them dying in a previous one. i wish the timeloop would affect the game/story more (let me find a certain character quicker once ive found them in a previous playthrough!!!), but timeloop aside, it's a very fun game to play!!!

that's it! hope you will find a nice timeloop game you like

[physalian]

How to make your writing sound less stiff part 2

Part 1

Again, just suggestions that shouldn’t have to compromise your author voice, as I sit here doing my own edits for a WIP.

1. Crutch words

Specifically when you have your narrator taking an action instead of just… writing that action. Examples:

Character wonders/imagines/thinks/realizes

Character sees/smells/feels

Now not all of these need to be cut. There’s a difference between:

Elias stops. He realizes they’re going in the wrong direction.

And

Elias takes far too long to realize that it’s not horribly dark wherever they are

Crutch words are words that don’t add anything to the sentence and the sentence can carry on with the exact same meaning even if you delete it. Thus:

Elias stops. They’re going in the wrong direction.

I need a word in the second example, whether it’s realizes, understands, or notices, unless I rework the entire sentence. The “realization” is implied by the hard cut to the next sentence in the first example.

2. Creating your own “author voice”

Unless the tone of the scene demands otherwise, my writing style is very conversational. I have a lot of sentence fragments to reflect my characters’ scatterbrained thoughts. I let them be sarcastic and sassy within the narration. I leave in instances of “just” (another crutch word) when I think it helps the sentence. Example:

…but it’s just another cave to Elias.

Deleting the “just” wouldn’t hit as hard or read as dismissive and resigned.

I may be writing in 3rd person limited, but I still let the personalities of my characters flavor everything from the syntax to metaphor choices. It’s up to you how you want to write your “voice”.

I’ll let dialogue cut off narration, like:

Not that he wouldn’t. However, “You can’t expect me to believe that.”

Sure it’s ~grammatically incorrect~ but you get more leeway in fiction. This isn’t an essay written in MLA or APA format. It’s okay to break a few rules, they’re more like guidelines anyway.

3. Metaphor, allegory, and simile

There is a time and a place to abandon this and shoot straight because oftentimes you might not realize you’re using these at all. It’s the difference between:

Blinding sunlight reflects off the window sill

And

Sunlight bounces like high-beams off the window sill

It’s up to you and what best fits the scene.

Sometimes there’s more power in not being poetic, just bluntly explicit. Situations like describing a character’s battle wounds (whatever kind of battle they might be from, whether it be war or abuse) don’t need flowery prose and if your manuscript is metaphor-heavy, suddenly dropping them in a serious situation will help with the mood and tonal shift, even if your readers can’t quite pick up on why immediately.

Whatever the case is, pick a metaphor that fits the narrator. If my narrator is comparing a shade of red to something, pick a comparison that makes sense.

Red like the clouds at sunset might make sense for a character that would appreciate sunsets. It’s romantic but not sensual, it’s warm and comforting.

Red like lipstick stains on a wine glass hints at a very different image and tone.

Metaphor can also either water down the impact of something, or make it so much worse so pay attention to what you want your reader to feel when they read it. Are you trying to shield them from the horror or dig it in deep?

4. Paragraph formatting

Nothing sticks out on a page quite like a line of narrative all by itself. Abusing this tactic will lessen its effect so save single sentence paragraphs for lines you want to hammer your audiences with. Lines like romantic revelations, or shocking twists, or characters giving up, giving in. Or just a badass line that deserves a whole paragraph to itself.

I do it all the time just like this.

Your writing style might not feature a bunch of chunky paragraphs to emphasize smaller lines of text (or if you’re writing a fic on A03, the size of the screen makes many paragraphs one line), but if yours does, slapping a zinger between two beefy paragraphs helps with immersion.

5. Polysyndeton and Asyndeton

Not gibberish! These, like single-sentence paragraphs, mix up the usual flow of the narrative that are lists of concepts with or without conjunctions.

Asyndeton: We came. We saw. We conquered. It was cold, grey, lifeless.

Polysyndeton: And the birds are out and the sun is shining and it might rain later but right now I am going to enjoy the blue sky and the puffy white clouds like cotton balls. They stand and they clap and they sing.

Both are for emphasis. Asyndeton tends to be "colder" and more blunt, because the sentence is blunt. Polysyntedon tends to be more exciting, overwhelming.

We came and we saw and we conquered.

The original is rather grim. This version is almost uplifting, like it's celebrating as opposed to taunting, depending on how you look at it.

—

All of these are highly situational, but if you’re stuck, maybe try some out and see what happens.

*italicized quotes are from ENNS, the rest I made up on the spot save for the Veni Vidi Vici.

[dogtoling]

OK. . . seems i missed the whole 'chickens are controversial in splatoon' thing. . . why?

To put it short there's evidence both for and against them existing, and this is without me actually looking anything up so i might be missing something.

cases for chickens being extant: there's been chickens present in SOME form in several splatfests, they're not mammals so they're not NECESSARILY extinct, despite being domesticated animals and thus being unlikely to survive it doesn't mean it'd be IMPOSSIBLE because pigeons and other relatively human-dependent birds still survive in Splatoon, and of course there are many instances of Eggs being a staple in inkling culinary culture. egg is everywhere

cases for chickens being extinct: we only actually See chickens (or chicken, as in food) in splatfest art and splatfest dialogue which isn't (or at least definitely wasn't until Splatoon 3) canon-compliant at all. We havent actually seen chickens in-universe to my knowledge, nor had them mentioned outside splatfest. probably the biggest nail in the coffin is that there IS a chicken statue in Splatsville, and typically when there are big animal statues in the cities those are statues depicting extinct animals. this is something from an interview that touched on the crane and tortoise statues in Inkopolis Square; which also confirms that it wasn't JUST MAMMALS that suffered and went extinct, it was also other miscellaneous land animals and even random birds which I think me and initially a lot of other people thought were just. Fine and safe. But if a random bird like a crane can be extinct now then chickens are absolutely not safe just because they're not mammals. although eggs are in like every food it's not really been confirmed in any way that those are CHICKEN eggs (although that is the most likely), they could as well be farming domesticated pigeons or something

So really it's a big case of no real confirmation they DO exist, but also no real confirmation they DON'T exist, but also the only context we see them in-universe is in a context where every other animal depicted there IS extinct and it's like a lore thing. So the existence of eggs is a big hint TOWARDS them existing but could easily mean nothing whereas the other one is more in line with proving they do not exist. it is a very uncertain situation for the chicken

HOWEVER!!!!!! there is hope for the chicken. splatfests in Splatoon 3 have had more in-universe accurate themes and dialogue so far (meaning they dont randomly make up shit like "marina's landlord is a narwhal" and "inklings eat red meat" or whatever the fuck in that sea food vs mountain food one we didnt even have that one it was regional). SO THIS MEANS! in the next splatfest we Could get a somewhat stable answer to if chickens exist or not. of course the other 2 options are extinct animals whereas the chicken is 50/50. i'm HOPING the dialogue touches upon this fact and doesn't just talk about all of those like they just Exist. basically we are very close to some kind of progress on this issue that would be Somewhat credible because while splatfest dialogue has never been a credible source in the past, it has been WAY better in S3

TL;DR we just don't know. Chickens are a mystery

[mac-tirs]

the usage of different types of english in elden ring

most human/tarnished NPCs we meet, like rogier, ansbach, and nepheli, use late modern english:

"a sorcerer, as you might have guessed. i'm looking for a little something, here in the castle. when i'm not hotfooting it from the troops, that is." - rogier, first meeting "general radahn. a pleasure to see you, after all this time. but those remains do not belong to you." - ansbach, upon summon for PCR

but older demigods like messmer, ranni, and morgott use early modern english:

"thou'rt tarnished, it seemeth. mother, wouldst thou truly lordship sanction, in one so bereft of light? yet… my purpose standeth unchanged." - messmer, pre-battle cutscene "thou needst not indulge them unduly, but they too wish to appraise thy worth. it hath been a passing long time since a newcomer entered my service, after all." - ranni, after agreeing to serve her

then there are the younger demigods, like miquella, malenia, and potentially melina, who use a later variant of modern english, similar to the tarnished NPCs we speak to:

"if we honour our part of the vow, promise me you'll be my consort. i'll make the world a gentler place." - miquella, post-PCR cutscene "the scarlet bloom flowers once more. you will witness true horror. now, rot!" - malenia, phase 2 transition cutscene

finally, the hornsent NPCs like the hornsent, hornsent grandam, and the hornsent spirits such as the one outside the whipping hut, who use late middle english similar to the english found in shakespeare's sonnets:

"fie, another? ... then, as that woman would surely say, we are in our purposes well aligned. but understand. your kind are not forgiven. the erdtree is my people's enemy. by marika long betray'd, set aflame." - hornsent, first meeting "all your resentment lingers yet... the raw stuff from which i shall surely forge a curse. upon the dastard messmer's head. upon marika's children each and all." - scorched ruins hornsent spirit

i find it interesting how different the usage of english is in the game, and i feel that it can be a hint on how to properly date an individual's occupation in the lands between/land of shadow. the hornsent, being a people much older than many in the lands between, use the most archaic version of english, while the tarnished and younger demigods use a form of english more closely related to our own in the current period. older demigods (and marika herself, as heard from melina's recounts of marika's spoken echoes) use a form of english more closely related to the period of transition from middle english to early modern english.

additionally, another interesting thing to me: mohg is almost certainly nearly the same age as morgott (since they're referred to as twins), yet he speaks a little differently compared to morgott:

"tarnished, thou'rt but a fool." - morgott, post-battle dialogue "dearest miquella. you must abide alone a while." - mohg, pre-battle cutscene

this makes me wonder if it's possible that, assuming that miquella's verbiage is indicative of his younger age in comparison to the older demigods (aka the demigods born before the marika/radagon union), miquella's charm altered mohg's perception enough to also alter his manner of speaking and carrying himself in some way. if his pursuit of finery (dressing in embroidered robes and handling himself with poise, juxtaposing his bestial growls and strength) was mainly done in an effort to fit into miquella's ideal of a consort. of course, mohg could just be as vain as he seems to be all on his own accord, but i find that it's interesting to entertain the idea that even his current state of being was due to miquella's charm.

i'd love to hear what others think about this. i'm not very learned when it comes to english (it's not really my first language), but i find this all very cool to think about.

[sunny-knight]

@forgettable-au Babybones Fancomic ✨

“Keep Reading” for the rest :3 (10 Pages)

*deep breath*

you hear that?

thats the sound of AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

ok. I spent. 31 Hours of my life on this. And i dont regret. a GODAMN thing.

i will go on, but first, A N A L Y S I S

PAGE 1

The title “Radio Star” comes from the song “Video Killed The Radio Star” by The Buggles. Its lyrics I believe are absolutely perfect for this AU, Examples being “Rewritten by machine and new technology” , “We hear the playback and it seemed so long ago” , and “We cant rewind we’ve gone too far”

The title also refers to how…1, they build a radio-

and 2, Sans calls Papyrus a Star at Grillbys if you call him “uncool”

PAGE 2

Nothing to note

PAGE 3

This is the first real scene I had in mind. The entire concept came from me imagining how Sans’ memories of Wingdings got overwritten, so where in memories he’d call Wingdings by his name, he calls him Papyrus.

In an animation with audio, itd be like “Aw cmon, P A P Y R U S” and be a silly little jumpscare.

Buttttt then ofc the idea turned into a thing where I couldn’t shape it into a “fake” memory.

I wanted to play with their characters as they WERE not how they remember them being.

PAGE 4

Nothing

PAGE 5

As they travel to the barrier, Wingdings is leading, and COMPLETELY focused on his goal. Ignoring Gerson (social interaction) while Sans takes his time and looks around getting “distracted”. This exemplifies the nature of their relationship.

Them in Hotland, they’re actually right next to the lab. Taking the elevator the guards were…guarding. So Sans is looking at the lab like “hey. Hey wingdings, look, look at that building, thats so cool”

PAGE 6

At the bottom is just another example of Wingdings being deadset on his goal, while Sans is helping out but still stopping to smell the flowers

PAGE 7

This panel makes me so happy-

It works??? vs It works!!!

Wingdings doesn’t come across as the kind of guy to doubt himself, I just think he’d be shocked at himself regardless that he pulled this off. Meanwhile Sans is just thrilled 😭

PAGE 8

N/A

PAGE 9

Oh boy this is the finale of explanation.

This conversation that Asgore and Sans have. Is REALLY important to me

Asgore/everyone that isnt sans, cannot understand Wingdings. So, Sans is talking for him. It may come across as him taking all the glory or whatever, but NO. look at his dialogue boxes! they’re not blocking out WD, and he’s like “YEAH 😊 MY BROTHERS SO FUCKING COOL”

Meanwhile Asgores boxes are completely blocking WD out. He thinks Sans built it cause hes doing all the explaining, and Sans isnt getting the hint that Asgore THINKS THAT HE MADE IT its a whole thing

Wingdings appreciates Sans, but he doesn’t appreciate people thinking he did all the work-

Asgores dialogue box when asking “How did you build such a thing??” is covering Wingdings, and he’s looking at SANS. he’s asking Sans how he built it, meanwhile Sans, still not getting the clue, is looking at wingdings like “:) cmon bro, tell him, you know ill translate for you!”

PAGE 10

Sans then understands at least that Wingdings does not want to indulge this- and goes into explaining mode, as hes done it so many times before-

Sans saying “You cant understand him” instead of something like “his font is hard to understand” is important because he is putting the “blame” on you. He’s fully aware this is something Wingdings WISHES he could change about himself so badly, so he just kinda naturally changes his tone which I find really fun when writing dialogue :3

This comic, I feel is an example of how much this AU/comic series means to me-

As much as I obsess over and LOVE comics as a medium, this is the first ever I have ever properly finished. ofc there have been like 2 page ones, but YEAH this is the first BIG one i have ever finished in my entire life.

These characters- as much as they’re Tobys, they are also Sunsestarts in my opinion. The situation they are put in of JUST the font trouble alone is something i’m SO fascinated by and clearly- had the time of my LIFE writing and playing with. And thats ignoring all the other shit that happens BECAUSE of that.

Undertale is special, The Forgettable AU is SPECIAL- THESE SKELETONS ARE SPECIAL

Im on the edge of my seat waiting to see what happens next because I know whatever it is, its gonna be special

also, I made this while listening to Slipping Through My Fingers on repeat. I regret nothing

((ALSO I HIGHLY RECOMMEND TIME/SPACE BY ALEX G, ITS A GREAT SONG IM DEFINITELY GONNA STORYBOARD A FORGETTABLE AMV TO CAUSE ITS REALLY REALLY GOOD, ID TOTALLY TIE IT TO THIS COMIC- BUT ITS MORE FOR PAPYRUS AND GASTER INTERACTIONS RATHER THAN BABYBONES???)

[guardianspirits13]

Ok. I’m still trying to gather my thoughts and settle my hyperfixation after episode 3 of the Percy Jackson show, but one of my conclusions is that this is one of very few adaptations that actually understands the term ‘adaptation’ and furthermore what makes one successful.

On a fundamental level, understanding and respecting the source material is a must. You need to not just know the bullet points of the story, but you need to know the ‘why’s’- why does this story need to be heard, why do people like it, why does it stand out from the others in it’s genre, etc.

Second, you need to deconstruct the source material and piece it back together in a way that makes sense for the new format. Copy-pasting almost never works, since there will inevitably be discrepancies between the readers’ imagination and the adaptation that can distract from immersion.

Third, you need to provide something new. Why does this story deserve to be told in a different format? What can this add to the original themes of a story? What can we change to make the message come across more on screen? Will this dialogue really be as funny when it’s said out loud?

We’ve seen a lot of terrible “adaptations” of animation and books and musicals into movies/tv shows, and I think even among the better ones there is a dissonance between the desire to stay faithful to the source and the desire to make a good adaptation, with whatever changes that may necessitate.

I think while we’ve watched the casting of this series, the hints here and there, and final the premiere with bated breath, they’ve been playing the long game. They cast Walker as Percy before he was in the Adam Project. Many people expressed…unsavory…feelings when Leah was cast as Annabeth, but those of us that trusted the team behind this project- including the author himself- did our best to welcome her and were repaid tenfold with her performance in this episode particularly.

Most of the scenes in this episode were not at all how I imagined them in the book, but I adored it. They took what they were given and expanded on it. They created a mini-arc for the trio learning to trust each other. They gave Medusa a labyrinthine lair. Annabeth is a 12 year old walking into a convenience store for the first time in 6+ years with $200 in her pocket, of course she’s gonna buy as much as she can carry.

The love and care and artistry that went into this single episode brings me so much joy and gives me so much hope. Like I was already excited for a faithful adaptation, but seeing these characters come to life on screen, once you see their chemistry with each other and how they speak and push and pull at each other’s emotions, it has never been more clear to me the amount of care and foresight that went into this show.

Rick said that these kids are the characters he created and for like 2 years I’ve trusted that that was true, but today it was proven beyond the shadow of a doubt.

I am just…in awe.

[heart4caitlin]

THE PERFECT GIRL / paige bueckers

ghostface!paige x fem!reader headcanons!!

cw: blood mention, killing mention, manipulative paige, overstim, lowkey whiney but dom paige, basically no dialogue yay!!

yall met either in elementary or middle school. some random girl was being rude to you and of course paige wanted to stand up for you. and ever since the yall have been best friends

definitely the type to quiet literally go insane once boys or girls start to look at you with interest. she is declining all their offers to you and you're always get upset about it, and she'll always reassure you, "oh come on.. you know i know what's best, y/n."

when you got your first girlfriend, she was livid. always looking at her a certain way, always had something smart to say back to her, anytime you would bring her up she would say something mean about her. she was so much better than your girlfriend so why weren't you dating her?

and when one week your girlfriend just disappeared and you were heartbroken, who was there for you? paige of course. she stayed at your house 24/7 comforting you. would go pick up whatever you wanted and made sure you were alright. while she's holding you in bed she can't help but think back to your girlfriends screams as she tortured her, her crying and begging to be let go because why would y/n's best friend hurt her? anyways

and another week later when her body was found, you were disgusted. who in their right mind would brutally kill someone like that? and paige was there for every moment of it. still holding you while you cried over that worthless girl.

for the rest of high school you never had another girlfriend, too scared of losing that one as well. paige didn't mind at all, maybe just a little bit because she wanted to kill them but....

she was never scared to stand up for you either, especially at parties when guys just would not catch the fucking hint to back off of what's hers. his body was also found two days later, multiple stab wounds covering his body.

when it was time for the both of you to graduate, she followed you to uconn. making sure that both of you could be roommates!! and you were so happy to have your best friend with you there. only problem was her jealous issues got way worse.

since you were an adult now, you were going out more with friends, dressing up in dresses what fit you so well that paige couldn't help but stay home that night and just think of you while touching herself, whining out your name while she cums

goes right back to being normal with you afterwards!! always the one to pick you up while youre drunk out of your mind. making sure you're buckled up in the car, has a cover in the car to cover you up with, if you're hungry she'll always stop somewhere for you

but you start to get real concerned when anyone who asks you out just starts showing up dead? you don't think it's paige at all, you don't catch onto it at first

you go to every single one of her basketball games, being the loudest in the crowd. she's always looking over to you to make sure you're watching her. her favorite is after the game and you run up to her in the court. her wrapping her arms around you, both of you laughing and smiling. she can't help herself but lean down and press her lips to yours, the both of you surprised

after that game she takes you on so many dates, wanting you to see how well she can treat you. she's buying you any and everything you have ever wanted

she hasn't killed anyone in a while, stopped for a couple months once the two of you started dating

that changes once you became friends with a certain group of people. them influencing you to do whatever, one of them being extremely touchy and flirty with you. but you don't pay attention to them, you're head over heels for paige you don't even realize they are flirting with you

andddd they show up dead as well... this murder being the worse one they've seen so far. you don't think anything of it until you you're cleaning yalls dorm/apartment and you find a bag in the room. opening it you see a ghostface mask and knives which are covered in blood

you'd been frozen for over a minute now, not even realizing the paige was walked into the room. you're full of every emotion, you don't know whether to be disgusted, angry, or what

argument breaks out between the two of you, you're yelling at her and accusing her of killing all of your friends. argument ends with paige pushing you against the wall and pressing her mouth against yours, can't help herself but grind herself against you

she's just so whiney while kissing you and trying to speak to you, telling lies about "nonono, i would never do that, you have to believe me, baby.."

ends up with her hands in your shorts, thrusting her fingers deep inside you as you whine for more. you're gone so fast once her thumb finds your clit, rubbing quick circles against it. she can't help but tease you on how "you're such a slut, cumming on my hands knowing that I killed all your friends? your ex girlfriend? just know i'm better than them, hm?"

her movement doesn't stop either as you whine, staring up at her with tears streaming down your face, from the pleasure? or from knowing she killed all those people? you have no idea

her thumb stays rubbing against your clit that you can't help but cum again and again because of her. after your third orgasm she slaps your cunt just slightly before pulling her hand out of your messy shorts.

"can give me more, can't you? waited so long to get you. had to watch people try so hard for you just for them to end up bleeding to death because of me," she's rambling now as she pulls your shorts down, your cum sticking all over your thighs which makes her laugh. "soaking wet as i'm talking about killing them? 's pathetic, y/n." just muttering to herself like she can't stop

forcing you onto the bed as she falls between your thighs, her tongue pushing deep inside you as you cry and try to pull away from the pleasure. she's pulling you back every time, her arms holding you down as you moan for her to stop and slow down. you feel terrible knowing that you're about to cum on her mouth knowing that she killed all those people.. but you just can't help it, she's so hot and just so good at eating you out

eventually you're begging for her cock, random babbles just coming from you as you plead her for more and how "i won't tell anyone, paige!! p-please just want y-you so bad," you're hiccuping and slurring your words slightly from how intense you're orgasms feel

lowkey got carried away with this but i also imagine you either joining her or leaving her... of course joining her would make her extremely happy but leaving?? she's tracking you down and she will find you

taglist for those who commented on the post!! @cosmopretty @martinsgirl @elliecoochieeater @melpthatsme @sweetluna20 @st4rrzynight !!!

[musashi]

aai2's english translation has done an amazing thing in furthering franziska's juvenile tendency to address people she's close with like she's a child.

here are some facts about franziska:

she addresses nearly every single person she meets aggressively formally and professionally. firstname lastname. sometimes, mr. or ms. firstname lastname. other characters point this out. it's weird, clunky, and a quirk specific to her.

franziska is obsessed with appearing more grown up and professional than she is.

despite her dedication to this facade, she cannot break the INCREDIBLY JUVENILE habit of calling her murderous, long-dead father "papa."

(it pisses me off when people erase this about her. she only ever calls him "my father," twice in canon. he is almost ALWAYS "papa")

to the contrary, franziska does not seem ashamed/embarrassed about this tendency at all, even though she seems very embarrassed about other childlike things she thinks/feels/does.

until aai2 this was exclusive to manfred... but it is now canon that she does it to anyone she considers family, or close to family.

in the fan translation, blaise teases her about being a little girl and calling him "unky boo boo" once upon a time. in the official translation, franziska still calls him uncle in the present day. her first inclination is to call him uncle winner, wholly informal, absolute (pun) whiplash.

okay, cute, but probably not worth noting... AND THEN SHE'S OUT HERE CALLING HILDA "GRAMMA" AS WELL. one thing about me is that when i was TODAY i learned about her having some optional dialogue that alludes to the two of them knowing each other.

(i could go ON about how manfred must have loved her so much more than we see in canon--how often did she insist upon coming along with hm? how often did he find himself unable to say no to her big sparkling eyes? hilda does not say "that's franziska" hilda says "that's von karma's little girl!" which means hilda knows her through manfred. every single person who spent any amount of time around manfred von karma in his heyday knows franziska, which means that she was following her papa around like a little duckling, and he loved her enough to make space for her at his back)

my fave thing they do with franziska is the little hints that her facade is just that. too many of them spoil the subtlety, of course, but they are there--the flavour text about her shaking and looking scared the two times she's a victim of gun violence and thinks no one's looking. the hints here and there that she has a terrible sweet tooth she's trying to control. the meltdown at the end of JFA. and "papa." these are all little ways that the writing nudges us and says franziska is a professional, but she's also quite young, and never really let herself be a kid. she does a great job at hiding most of it, but these little tendencies leak out here and there.

by giving her two more people in life she does this to, it's no longer just that papa is Special Enough that he gets the same treatment from a 3 year old franziska as a 30 year old franziska. no, she does that to everyone she grew up looking up to, any odd work friend that manfred brought around or let her pester.

adorable. absolutely adorable.

[writers-potion]

Hi! I would like to ask if you could possibly give any tips on how to properly manage to introduce characters ?

Techniques for Character Introduction

There are many things you can consider for an impactful character introduction:

The Point of View of your novel

Whether your character is a POV character or not

The tone of your novel

What your character is like

In-Medias-Res

Immediately show the character in the middle of action.

Character(s) come into the scene running, fighting, laughing - whatever it is.

Good for leaving an impression

Could be an in-medias-res hook in the very opening of your novel, to introduce the main character.

Choose an action that "defines" the character. Perhaps it's something they do repeatedly (going to the gym at 5am every morning) or that shows a key part of their personality (digging through a large pile of laundry because they cannot keep their room clean)

Dialogue - Voice First

The character makes a voice entrance before we "see" them physically appear.

It helps the readers define the relationship between the character being introduced and the character that we've been following.

From Dan Brown's <Digital Fortress>:

"David?" "It's Strathmore," the voice replied. Susan slumped. "Oh," She was unable to hide her disappointment. "Good afternoon, Commander." "Hoping for a younger man?" The voice chuckled. "No, sir," Susan said.

In these few lines, we already know (1) Strathmore is Susan's boss, (2) quite high-ranking in some military/governmental/secret agency (commander??) (3) is male (4) has a sense of humor (5) seems to be quite friendly with his employees, etc.

By using phone conversations, you can also show how the POV/main character truly feels about the character on the phone - there's no need to make appearances. Perhaps they frown, or attempt to throw their phone on the wall in frustration while the other talks.

Via Another Character

This is where characters in the story talk about the characters even before they are introduced.

Often used with villains/characters with popularity in the story world.

Example: "You've heard of Joe, of course."/ "I'm sorry, who?" /"The president of Book Club? Red hair, freckles?"

Simple Intro with direct characterization

Sometimes, just writing a brief description about the character can be effective, especially if you have some backstory that really, really need to be there before the readers start following the character.

Here's a passage from Leigh Bardugo's <The Familiar>:

"Dona Valentina had been raised by two cold, distracted parents who felt little towards her beyond a vague sense of disappointment in her tepid beauty and the unlikelihood that she would make a good match. She hadn't. Don Marius Ordono possessed a dwindling fortune..."

The key here: provide interesting detail. There's no fun in saying, "Dona Valentina wasn't too pretty, so she had to marry Don Marius Ordono with little wealth." An image of a girl neglected by her parents and bartered for wealth is much more captivating.

Slow & Mysterious Setup

This one is harder to execute than the others on this list, but when done properly, it can produce a beautiful effect where the readers know who you're talking about without you ever having to name them.

An excellent example of this is how Marcus Zusak introduces Death (with capital D, who's the narrator of the story):

"I could introduce myself properly, but it's not really necessary. You will know me well enough and soon enough, depending on a diverse range of variables."

"Your soul will be in my arms." "I will carry you gently away."

Death continues to talk about his "job" like the above until it becomes enough for the reader to catch on.

Drop enough hints for your readers to recognize the character

Works best with an archetypal character - devil, vampire, demon, angels...some figure with distinct features that even when described mysteriously, will be noticeable.

Showing Attitude - For POV characters

Present a peculiar line of thought or show some attitude that makes the character immediately interesting.

This works wonderfully with POV characters - by giving the reader a crucial piece of the POV character's mindset to set the overall tone of the novel.

From Rick Riordan's <Percy Jackson and the Lightening Thief>:

"Look, I didn't want to be a half-blood. If you're reading this because you think you might be one, my advise is: close this book right now."

Percy (the POV character) goes on a bit like this before we get his name, etc. in the subsequent section.

─── ��� ｡ﾟ☆: *.☽ .* . ───

💎If you like my blog, buy me a coffee☕ and find me on instagram! Also, join my Tumblr writing community for some more fun.

💎Before you ask, check out my masterpost part 1 and part 2 

[imperator-titus]

Favorite Party Banter [Gale Edition]

[Astarion (Ascended)] [Halsin/Jaheira] [Gale] [Karlach] [Lae'zel] [Minsc] [Minthara] [Shadowheart] [Wyll]

I often miss party banter because of party comp (and sometimes just straight up can't hear??) so here's a collection of my favorite bants while going through dialogue files. I know the wiki has the banter (most? all?) but I added the file names and dev notes.

Either Gale is the main speaker/subject or I think his reaction is good shit.

Not in any particular order.

[PB_Laezel_Gale_ROM_Act2]

Gale: So, Lae’zel - have you ever been tempted to use psionics in your, erm, romantic endeavors? {Devnote: Curiosity winning out over awkwardness}

Lae’zel: Only once. Did you know, in low-gravity settings, githyanki can maintain aerial suspension for hours at a time? {Devnote: cheekily}

Gale: Fascinating - I think the archmage Tasha described a spell with similar effect. I really must look that up… {Devnote: latter part almost to self}

[PB_Gale_Astarion_ROM_Act3_Spawn]

Gale: If you’re feeling faint after your bout with Cazador, Astarion, I don’t mind donating some blood. {Devnote: Sincere/Genuinely trying to help}

Astarion: When you’re still full of that Netherese bile? I’ll pass, thank you.

Astarion: Besides, I have someone else to nibble on. And they are delicious.

[PB_Gale_Shadowheart_Morgue]

Gale: Look at this place. Such horrors defy descriptions…{Devnote: In very bleak/grim surroundings}

Shadowheart: Silence can be best. Give it a try sometime. {Devnote: A little cheeky, though they’re in a grim place}

[PB_Gale_Shadowheart_ROM_Act3_Selune]

Gale: I must tell you, Shadowheart, the bathing waters here leave much to be desired. {Devnote: a bit know it all}

Gale: The ablutions offered at the Temple of Beauty in Waterdeep are far superior. And they have the most excellent soaps. 

Shadowheart: Hmm. I was wondering why you always smelled like a wealthy dowager. {Devnote: teasing}

[PB_Wyll_Gale_ROM_Act2]

Gale: I’ve heard that in Baldur’s Gate, ‘wizard’ is also a term used for one who eschews their more, ahem, carnal desires. Is that true, Wyll? {Devnote: Fishing for info, a bit annoyed about what he’s heard.}

Wyll: Where are we going with this, Gale?

Gale: Oh, nowhere. I just think it a rather cruel misnomer. Not at all reflective of the glamour wizarding life affords. {Devnote: A bit sulky/sensitive about it}

[PB_Gale_Astarion_ROM_Act2]

Gale: I fear I've been rather hasty to judge you, Astarion. {Devnote: sincere/sympathetic}

Gale: One heartbreak was quite enough for me, but to experience it as many times as you have must change a person.

Astarion: Thank you, Gale. Let us both hope that broken hearts are a thing of the past.

[PB_Karlach_Gale_BlushingMermaid]

Karlach: Man, it's good to be home. First round on who?

Gale: She who thirsts buys drink the first. {Devnote: Like it's a well-known saying}

Karlach: You won't pin me down with a rhyme, wizard! {Devnote: jockeying with Gale}

Gale: She who declines gets the worst of the wines.

[PB_Laezel_Gale_ROM_Act3_001]

Lae'zel: Gale, I've heard you talking in your sleep. Your mate needs better rest for our journey.

Gale: And deprive them of the pleasure of hearing my nocturnal postulations? I'd never be so cruel.

Gale: The mind absorbs much while we believe ourselves dormant. To lie beside Gale of Waterdeep is positively educational.

[PB_Karlach_Gale_ROM_Act1]

Gale: Karlach... a hypothetical question for you.

Gale: If someone - not me, of course - detected a hint of romantic interest in them from another, unnamed individual, what might that someone do about it?

Karlach: Whoever it is, just talk to them, Gale. And leave out the hypotheticals.

Gale: Talking. Right. I'm good at that.

[jobean12-blog]

A Warrior's Heart

Pairing: Marcus Acacius x female reader (Pedro Pascal's character in gladiator 2)

Word Count: 823

Summary: The general comes home from battle and knows exactly what he needs.

Author's Note: So I saw the new photo of Pedro from Gladiator 2 today. I couldn't stop myself. I'm not even sure that Marcus is definitely his name in the movie but I think I made it work. Also, I apologize if any of the dialogue doesn't fit-I haven't written many period pieces. Thank you all so much for reading! Much love always! ❤️❤️❤️Divider by the lovely @firefly-graphics thank you sweet Daisy! 😘

**There are no spoilers of course- I just went with my own brain here and made shit up haha. I tagged some friends but please if you're not into it never worry, I understand! 💕

Warnings: talk of battle, tiny mention of blood, spiciness and softness

Pedro Pascal Character Masterlist

The enormous wooden doors swing open, and the dying light of the sun reveals a dark silhouette that pulls a rush of breath from your lungs.

He takes a step inside, the heavy footfall of his boots echoing in the emptiness of the hall. His dark hair is disheveled, and curls hang over his forehead even after he runs his hand over his head.

His armor is battered and bloodied and his skin is littered with scrapes and cuts that still bleed.

“My General,” you whisper, pressing a shaky hand to your trembling lips.

With clear eyes he finds you and takes two long strides to meet you in the middle of the hall. You slowly lift your hand and gently trace your fingertips along his beard before they touch his lips.

He grabs your wrist and closes his eyes, pressing his lips to each fingertip and then your palm.

“My love,” he murmurs as he sharply tugs you against his body and his eyes fall to your mouth.

The brush of his lips is all you feel before a throat clears and you’re pulled from the moment.

“General.”

He tears his eyes away from you and looks up.

“I’d like a report,” the King states.

You press yourself closer and lay your head along his shoulder, instinctively inhaling the scent of his skin.

“After,” Marcus says gruffly. “I’m in need of…my wife.”

With those final words he presses his hand to your lower back and escorts you out of the hall.

When you reach your shared chambers, he ushers you inside and closes the door, locking it and turning to face you as you stand in the middle of the room.

His eyes wander languidly down every inch of you, and a shiver of anticipation runs down your spine.

“Are you hurt General?”

The question is a whisper and when he fills the space in front of you and cradles your cheek in his hand you lean into his touch, your eyes shining.

“No, my love,” he answers. “But the blaze of battle still runs hot through my veins.”

His eyes are dark and intense, and you fully understand the meaning of his words. It heats your skin, and you know he’ll find you ready and wanting.

Your movements are graceful when you run a finger down his chest and carefully pull at the leather tied along his sides. They loosen and soften under your touch and loop by loop you free him of this cuirass.

You pay special attention to his gorget, relishing each turn as you unwrap the linen and reveal more of his neck. You place a soft kiss just under his jaw, tasting the saltiness of his skin before your mouth moves lower.

He swallows and you can feel the cords of muscle in his throat flex. You smile into his skin and drop your hands to gather his shirt at the hem.

When he is left in nothing but his pants you step back and let your eyes assess.

“Do you deem me fit enough to take you?” he asks with just a hint of teasing.

The corner of your lips lift and you push the shawl from your shoulders, letting it pool at your feet.

Your fingers reach for the wrap at your waist, but he steps forward and takes it from your hands.

His eyes, though still alight with fire, soften at the edges. “Each time it is like unwrapping the most beautiful gift.”

You drop your hands and fill your lungs with a slow inhale, your breath quickening as his hand traces over every curve he uncovers.

Now his gaze burns with nothing but desire and his jaw is tight with restraint.

“Wife,” he growls, looking his fill. “You would tempt a blind man with your beauty.”

Your smile is saccharine, though your words are anything but.

“How will you have me General?” you purr as you press your bare skin against him.

He hums low and deep, wrapping you in his arms and walking you backward toward the bed.

“First,” he whispers along your neck, “I will taste every part of this silky skin.”

His lips trail down your throat and across your collarbone. When they reach your shoulder, his fingers follow and smooth over the soft slope before dropping to massage your breast.

“Then I will taste the honey between your legs.”

His mouth moves lower, his warm breath teasing your nipple before his lips close around it.

Your fingers delve into his hair, threading through the mess of curls until he groans out your name.

“And then?” you ask in a breathless whisper.

He looks up, dark lashes lowered, and his tongue traces his lips. “Then,” he murmurs, “I will fill you so completely you will know nothing other than the feel of me for days to come. Every step you take will be a reminder of who you belong to.

@lizette50 @hiddles-rose @blackwidownat2814 @tripletstephaniescp

[zorobff]

i bet on losing dogs. (opla!zoro x reader)

synopsis: zoro is defeated by mihawk and therefore unable to claim the title of the world’s greatest swordsman. you just want him to know that he’s still the greatest to you.

warnings: mentions of blood, some direct dialogue from opla, not much romance i literally just wanted someone to tell zoro he’s enough bc he deserves it <3

a/n: idk if this is any good i just wanted an excuse to write and one piece has been my fixation for like 2 months now so :P

you can’t move.

it seems as if every bone in your body is frozen in place despite your brain telling you to do something — anything. you stand there, eyes helplessly locked onto zoro’s weak and defeated body. your heart is racing and you’re unable to stop your mind from doing the same. after all, there was a certain unease that came with seeing someone like roronoa zoro be conquered. his dream of becoming the world’s greatest swordsman had been crushed within minutes. knowing zoro, that thought would be tougher to overcome than any physical wound.

you want to run to him. to be with him.

luffy beats you to it.

“zoro!” he shouts with such pain that you wonder if he’s somehow hurting more than the swordsman is.

the sight of your captain sprinting across the deck of the baratie manages to push you to action. the two of you rush to zoro’s side, trying and failing to look anywhere but the bright red gash across his torso. it’s even worse up close. with every heave of his chest, more blood oozes out.

the cut is impossibly deep and yet, you can’t help but feel grateful. you’d seen the size of mihawk’s sword. the thing could’ve split zoro in half with the flick of a wrist. just the thought of that sends a new wave of shivers down your spine. you thank every higher power that mihawk was feeling generous enough to spare your friend’s life.

“zoro?” you attempt to say his name calmly. “zoro, please talk to us.”

his eyelashes flutter as he attempts to keep conscious. you see the subtle wincing in his face, the clenching of his jaw. for a second you wish he would have passed out, at least then he wouldn’t have to endure all this agony. even though this was surely the worst hit anyone had landed on him during his extensive career, you could tell that wasn’t the hardest part for him.

his eyes stay glued to the skies, refusing to even acknowledge you or luffy. his irises gloss over and tears well up on his waterline. there could only be one thing on his mind, the one thing you knew he was truly passionate about; his promise. was he afraid he had let down that nameless person he always spoke of? that he had failed as a swordsman?

for some reason, you want to cry with him.

“you did good,” you whisper without a second thought. “just stay awake, okay?”

luffy nods in agreement, hand coming to grip zoro’s shoulder so tightly his knuckles turn white.

“monkey d. luffy,” calls mihawk, shifting everyone’s attention back to him. “what is your goal?”

your captain nearly growls. “i’m going to be the king of the pirates.”

luffy’s response could seem rehearsed. mechanical, even. but the truth is he just meant it that much. his conviction was unmatched in every possible way.

“king of the pirates, eh?” repeats mihawk. there’s a hint of amusement in his tone. however, he wasn’t mocking luffy, as many people tend to do when they hear of his dream. “that is a much more treacherous path than defeating even me.”

luffy whips around to fix mihawk with a stern glare. “i don’t care. it’s what i’m going to do.”

“maybe you will at that,” muses the bearded swordsman. “this world could use a few more wild cards.”

their odd exchange ends there, leaving an unnerving silence. the sound of your choked back sobs getting caught in your throat and waves splashing against the deck is all there is for a moment.

“why the tears, girl?” mihawk inquires.

you can’t bear to look at him, much less respond. not after what he’d done to zoro. your hands that once rested reassuringly on your crewmate’s stomach now ball into fists. how could he behave so nonchalantly when he had injured zoro within an inch of his life?

“seems like you aren’t as plucky as the rest of your crew, hm?” mihawk comments when his question is met with silence.

hot tears of frustration roll down your cheeks. “get lost. you’ve done enough damage, haven’t you?”

“that would be incorrect. i was tasked with retrieving your captain for the marines. as you can see, i have yet to do that.”

“i couldn’t care less about what you came here for,” you tell him between gritted teeth. “how do you have the nerve to stand there and talk down to us after what you did to him?”

mihawk’s head tilts to the side as he observes you. pensively, he murmurs, “you care for him.”

“of course we care for him, he’s our crewmate!” luffy shouts in response, clearly missing the true meaning behind the words.

on the other hand, you opt to stay silent, slightly embarrassed about how quickly mihawk was able to catch on to you. were your feelings really that easy to see through? almost as if confirming your concern, mihawk coughs out a dry chuckle before his face falls stoic once more.

“look after him.” his gaze lingers on you when he says that. “it is too soon for him to die. roronoa zoro, grow strong and come find me. i’ll be waiting.”

with that, mihawk makes his exit. once the coast is clear, usopp and nami finally come scurrying over. the marksman kneels down on zoro’s left while the latter stays standing, almost too afraid to get close.

“he’s losing so much blood,” usopp notes, voice unsteady.

luffy is quick to shut down the true implication behind those words. “he’s going to be okay.”

a strangled groan escapes the green-haired swordsman in question. the four of you freeze. the moment feels eerily similar to when you watched him collapse after mihawk had struck him down. for the second time in a day, zoro has all of you holding your breath in anticipation.

“if i—” he swallows hard, eyes still shiny and looking upward. “—fail to become the world’s greatest swordsman... you’ll be disappointed. right?”

luffy’s gaze softens. “you could never fail me.”

however, your captain’s sincere words don’t seem to be enough. zoro finally rips his gaze away from the clouds, head lolling to the side to face you instead. those wide eyes of his always held so much intensity, so much emotion. now is no different as he meets your stare, seemingly in search of your reassurance as well.

it wasn’t that you were unsure of what to say but how to say it. you didn’t trust yourself to speak your mind and say what you truly thought of zoro. the last thing you needed was your feelings for him slipping out at a time like this. you decide to play it safe and just nod. “you know i feel the same way. we all do.”

“i need… to hear you say it,” he replies, voice cracking.

your heartbeat gets caught in your throat at the utter desperation in zoro’s voice. it sounded as if he truly needed your approval if he was going to survive this. it was unlike him to get hung up on something so trivial such as someone’s opinion of him. he never seemed to care what other people thought, why was he starting now? and with you, of all people?

before you can question it any further, zoro hisses. the pain causes his entire body to tense and his wound spurts fresh crimson. without thinking, your hand comes up to rest reassuringly on his cheek. automatically, your thumb begins rubbing soothing circles on the skin. he’s hot to the touch and slick with sweat but you don’t mind it. the way his body relaxes itself is all you care about. well, that and the way he leans into your touch. for someone who rejected physical contact at every given chance, this was new but very, very welcome.

the emotion of it all causes you to lose any concern you’d previously had over voicing your thoughts about zoro. you can’t help but give him the response he was begging for, regardless of how smitten you sounded.

“zoro, you’re the best i’ve seen. and i don’t just mean with your swords. no defeat could ever take away what you have, you know that right? almost everyday i ask myself what the hell i’m doing on the same crew as someone like you. you don’t understand how much it pains me knowing that you feel the need to prove your worth when clearly you’re the greatest there is. in every way. so, how could i ever be disappointed in you?”

there’s a few moments of silence. this time, you truly don’t hear a thing. not the waves, not the birds in the sky, not even the thumping of your own heartbeat. your brain has blocked out everything that isn’t zoro. the same zoro who’s breaking down into tears right in front of you. it’s an unbelievable sight, watching them stream down his face as he takes in everything you’d just said.

using what little strength he has left, zoro lifts a shaky hand to rest atop yours. you pause your ministrations on his cheek and let him intertwine his fingers with yours. he squeezes your hand so tightly that you’re positive it takes everything in him to do so.

“never… again,” he chokes out, tearful eyes meeting yours. “from now, until i beat him.” he uses his left hand to unsheathe his sword. he lifts it to the sky with purpose, as if to solidify this vow. “will i ever give you a reason to be disappointed in me. i, roronoa zoro, will never lose again!”

his grip becomes unsteady, causing his sword to fall from his grasp and clatter on the ground. his arm falls back to his side and he’s able to give you one last look before he’s out cold.

“zoro?” luffy calls, leaning forward. “zoro?!”

you suck in a shaky breath at the feeling of his hand going limp. you’re grateful he’s still breathing at the very least but it’s clear he needs medical attention fast.

“let’s get him inside,” nami commands. it’s the first thing she’s worked up the courage to say.

luffy and usopp waste no time shifting zoro’s arms over their shoulders while you and nami take his legs. despite your joint efforts, the four of you struggle to drag zoro off the baratie; you blame his rigorous training that had made him all muscle. usually you wouldn’t complain but it sure made carrying him aboard the going merry a difficult task. at last, he’s dumped onto the table in your makeshift kitchen.

“get the first aid kit,” nami demands, opening zoro’s shirt to inspect the severity of his wound.

“do we even have one?” usopp replies as he shifts around every cupboard and drawer on the ship.

“zoro… can you hear me?” luffy’s quiet voice gets lost in the commotion your two other crew mates are creating. but you take notice.

“he’s going to be alright,” you tell him. whether you say it for luffy or yourself, you aren’t certain.

“someone needs to go back to baratie,” nami sighs, running a hand through her ginger locks. “maybe one of the customers is a ship’s doctor.”

the devil fruit user blinks a couple times. “right. a doctor. we need a doctor.” he sprints out of the kitchen, presumably in search of one.

once your captain’s gone, nami aids usopp in scouring the kitchen, in search of anything that could potentially help your crew mate until he’s able to receive the proper medical attention.

you decide to stay right by zoro’s side. not once do you leave him.