#jp warner

[rainestorm2556]

HAPPY ITHACA SAGA RELEASE DAY!

Full list of who’s in Ithaca:

Jorge

Talya

Luke

Luke’s wife

Mico (despite the jokes and Jorge’s video. He’s in the white shirt in Troy’s videos)

Troy

Earl

Janani

Mason

Ryan

Anna should hopefully make it today

JP

Various crew members

Teagan had prior commitments and Steven Rodriguez is preparing for an album release.

[iamroyalgayness]

The Ithica saga is officially out, Epic the musical is now complete. I am so glad I was able to be one of the people able to watch the live stream this last time.

Jorge and everyone, please keep in touch with each other and keep being awesome every single one of you!

Fans, you better go thank every person who has helped Epic The Musical be possible. From the artist to the musicians to the voice actors and singers. Even tho Epic is complete, it doesn't mean you can't go out and follow all of those who made this possible and absolutely stunning.

Thank you everyone, to cast, crew, fans. Thank you for making Epic well, epic.

[disneytva]

Marvel Animation’s “X-Men ‘97” Streams on Disney+ Beginning March 20.

To me, my X-Men, nw episodes, new era...

A trailer and teaser poster are now available to celebrate the upcoming Disney+ debut of Marvel Animation’s “X-Men ’97.” The all-new series, which features 10 episodes, begins streaming March 20.

“X-Men’97” revisits the iconic era of the 1990s as The X-Men, a band of mutants who use their uncanny gifts to protect a world that hates and fears them, are challenged like never before, forced to face a dangerous and unexpected new future.  The voice cast includes Ray Chase as Cyclops, Jennifer Hale as Jean Grey, Alison Sealy-Smith as Storm, Cal Dodd as Wolverine, JP Karliak as Morph, Lenore Zann as Rogue, George Buza as Beast, AJ LoCascio as Gambit, Holly Chou as Jubilee, Isaac Robinson-Smith as Bishop, Matthew Waterson as Magneto and Adrian Hough as Nightcrawler. Beau DeMayo serves as head writer; episodes are directed by Jake Castorena, Chase Conley and Emi Yonemura. Featuring music by The Newton Brothers. X-Men 97 is executive produced by Brad Winderbaum, Kevin Feige, Louis D’Esposito, Victoria Alonso and DeMayo.

The wonderful animation of X-Men 97 is done by StudioMir (Nickelodeon "The Legend of Korra", Dreamworks Animation "Voltron Legendary Defender", "Kipo and The Age Of The Wonderbeast", Lucasfilm Animation "Star Wars Visions", Warner Bros Animation "My Adventures With Superman")

[hongtonie]

targeted boycotts are as we know the most efficient and this isn’t me calling for a boycott, but to keep people informed below the cut are lists of kpop artists with affiliations to labels mentioned on zionistsinmusic on twitter

UMG (under an american umbrella label it owns or has joint shares in highup ent [kor releases only], yg ent [bp kor releases only], the black label [somi and taeyang's kor releases only]; under capitol music group it owns or has joint shares in sm ent; under republic it owns or has joing shares in big hit [txt kor releases only], jype [twice, skz, and itzy's kor releases only], under universal music japan it has u-cube a "joint venture with" cube ent, virgin music > republic records > used as an imprint for txt jp releases; through third party distribution umg is affiliated with yuehua ent) - 4minute, apink, ateez, beast, bigbang, blackpink, boys republic (actually managed by umg), btob, bts, dean, everglow, snsd, infinite, iu, iz*one, kep1er, lim youngwoong, loona (japan), miss a (since 2012), monsta x, nct 127, p1harmony, psy (since 2012), rainbow, stray kids, shinee, somi, stayc, super junior, t-ara, the rose, triples, tri.be, twice, txt, wonder girls, xikers, and zerobaseone

note: a lot of these have (south korea) next to the name, i don’t know if that means they only have a deal for that country because other artists like stray kids and lim youngwoong don’t have that specification

REPUBLIC (owned by umg) - itzy, nayeon, nmixx, stray kids, txt, tri.be, twice, vcha

SONY (owns columbia, wakeone, dreamcatcher company; distributes modhaus, chrome ent, kq ent, starship, top media, wakeone, wm ent) - riize, ive, ateez, bts, brown eyed girls, wjsn, crayon pop, dreamcatcher, everglow, exid, monsta x's i.m (astrisked, can't find why), kep1er, lim youngwoong, stayc, tfn/t1419, the rose, triples, wings, xikers, zerobaseone

COLUMBIA (owned by sony) - ateez, ive (usa), kep1er, p1harmony, stayc, triples, treasure (usa), xikers, zerobaseone

VIRGIN (owned by umg) - nct 127, shinee (japan)

WARNER (through warner records it owns or has shares in sm [aespa kor releases only]; included in their international labels is warner music korea which is an international copyright holder and distributor for brand new music [younite, ab6ix, as one, eluphant, miss s] and keystone ent [blank2y]) - aespa (outside of sk), b1a4, bigbang, cherry bullet, choi junhee/choi seoah/juniel (taiwan and japan), cn blue, day6, ft island, got7, iu, jyj, kep1er, loossemble, loona, p1harmony, sf9, twice

ATLANTIC (owned by warner) - got7, iu, kep1er, loossemble, p1harmony, sf9

as always if any of this information is incorrect or outdated, please feel free to correct me in a reblog or an ask and i'll update the information in this post. i'll try to keep up with any new companies that are brought up on the twitter account mentioned at the beginning of this post. i'm not here to call for a boycott of every artist mentioned here because i don't feel i am in the position to do so, but i'm not discouraging you from choosing to do so. in fact i encourage you to listen to these artists unofficially at the very least.

i'm not sure the extent to which these companies get revenue from these artists, i don't know if it's just streams or if other things like merch sales and youtube views contribute but quite a few of these artists' companies are being boycotted currently or in the near future anyway, so i would suggest you not buy any merch or watch youtube videos officially from them. this post has more info on downloading music, youtube videos (with subtitles), and the boycotts i mentioned so i hope you all will check that out too. tris @bandzboy has also been posting about and sharing twitter posts about zionism in music, especially in the kpop industry so i suggest you check out her blog as well

[raven-at-the-writing-desk]

There is something that been bugging me for a while about fans think about the Ghost Wedding. Eliza isn't base on the Corpse Bride movie. That movie isn't own by Disney. Eliza is base on one version of the ghost bride from the Haunted Mansion ride. That version of the ghost bride is a bride that died on her wedding day. She is looking for her groom since that day. That version of the ghost bride can be read about from the official comics made in the late 2000's about the ride made. Each story of the comics is done by different comic artist. That version of the bride was in the Japan's Haunted Mansion ride when the game first came out.

I don’t think that’s actually the common sentiment anymore??? Most of the time when I’ve heard Ghost Marriage being discussed, people are likening it to Haunted Mansion and not Corpse Bride.

I think Disney’s also coming out with a Haunted Mansion movie soon…? (I saw a trailer for it recently!) So maybe that’s part of the reason why more people know about it.

Maybe the misconception was popular during like… the very first time GM launched in JP servers, but not anymore (especially with increased awareness of even the most obscure of Disney properties or small details for theory crafting).

Personally, I don’t know a lot about the Haunted Mansion (I wouldn’t call myself a theme park ride enthusiast by any means 😂), so my brain initially fell back on Corpse Bride, which was the most similar thing to me. (I think part of it was that I thought Nightmare Before Christmas was a Disney movie, and since Tim Burton also worked on Corpse Bride, I assumed the latter was also owned by Disney. Of course, I later learned that Warner Brothers distribute Corpse Bride!) I definitely recall my more Disney-savvy friends educating me about the Haunted Mansion and how the idea of it is invoked in both Eliza and in some design aspects of Ramshackle Dorm.

[rebootgrimm]

Brands that are Pro-Israel under cut!!! Boycott them!!

Accenture

AccuWeather

ActionIQ

Ahava

AirBnB

Alaska Air

AllianceBernstein

Allianz

Amazon

Amdocs

American Airlines

American Eagle

American Wire Group

Amwell

Apollo

Apple

Aramis

ArentFox Schiff

Ariel

Atlassian

Authentic Brands

Aveda

Avery Dennison

Axel Springer

Bain & Company

Bank of America

Bank of New York Mellon

Baskin Robins

Bath & Body Works

Baupost Group

Bayer

BBC

BCG

Bioventus

Blackrock

Blackstone

Black & Decker

Bloomberg

Bobby Brown Essentials

Boeing

Bosch

Bounty

Bristol Myers Squibb

Bumble and Bumble

Burger King

Cadbury

Caltex

Capri Holdings

CareTrust REIT

Caterpillar

CeraVe

Chanel

Chapman and Cutler

Cisco

Citadel

Citi

Clinique

CNN

Coca-Cola

Comcast

Condé Nast

CV Starr

Cytokinetics

Davis Polk

Dell

Deloitte

Delta Air Lines

Deutsche Bank

Deutsche Telekom

DeviantArt

DHL Group

Disney

Donna Karan Cosmetics

Douglas Elliman

Dove

Edelman

Eli Lily

Endeavor

Energizer

Estée Lauder

EY

Facebook

Fanta

Fiverr

Forbes

Ford

Fox Corp

Gamida Cell

GE

General Catalyst

General Motors

Genesys

Gillette

Goldman Sachs

Google

Hardee’s

Hearst

Henkel

Herbert Smith Freehills

Hewlett Packard

Hewlett Packard Enterprise

HP

HubSpot

Huntsman Corp

H&M

IBM

Insight Partners

Instacart

Instagram

Intel

Intermedia

Interpublic Group

Intuit

Jane

Jazwares

Jefferies

Johnson & Johnson

Jo Malone

JP Morgan

Kate Spade

Kenon Holdings

Kit-Kat

KKR

KPMG

La Mer

Lays

Lego

Lemonade

Levi Strauss

Lifebouy

LinkedIn

Lipton

Live Nation Entertainment

L’Oréal

MAC Cosmetics

Maggie

Major League Baseball

Mango

Manpower Group

Mars

Marsh & McLennan

Mastercard

Mattel

McDermont Will & Emery

McDonalds

McKinsey

Merck

Merck KGaA

Meta

MeUndies

Microsoft

Milo

Morgan Lewis

Morgan Stanley

Motorola

MRC

Nasdaq

National Basketball association (NBA)

National Geographic

NeoGames

Nescafé

Nestle (and anything that stems from them)

Netflix

NFL

Nido

Nike

Nokia

Novartis

Nvidia

Okta

Omnicon Group

Oracle

Oreo

Origins Natural Resources

Palantir

Pampers (Procter & Gamble)

Paramount Global

Paul Weiss

PepsiCo

Perishing Square

Pfizer

Philips (66)

Pillsbury

Prescriptives

Progressive

Pringles

Puma

PVH

Raytheon

Regeneration Pharmaceuticals

Related Companies

Revlon

Ribbon

Riskified

Sabra Hummus

Sales Force

SAP

Sequoia Capital

Seyfarth Shaw

Siemens

Signal

Simons Property Group

Skydance

Snickers

SodaStream

Sony

SoulCycle

Sprite

StagWell

Starbucks

State Street

Stila Cosmetics

Subway

Sweet Green

Synovus

Tang

Tesla

Teva Pharmaceuticals

Thermo Fisher Scientific

Tieks by Gavreli

Tide

Toblerone

Tommy Hilfiger Toiletries

Tory Burch

Tribe Hummus

Troutman Pepper

Twin

UBS

United Airlines

Universal Music Group

UPS

UpWork

US Chamber of Commerce

Verizon

Victoria’s Secret 

Vim

Volkswagon

Volvo

Vontier

Wall’s

Walmart

Warby Parker

Warner Brothers Discovery

Wells Fargo

WhatsApp

Winston & Strawn

WiX

WWE

Zara

Zoff Davis

Zoom

[adachilovebot]

gonna word vomit my speculations post pado concert ( keep in mind ive only watched day 2 but kept eyeing translations for day 1)

1. pentagon's situation with cube :

will steal this observation from a friend but with cube's TERRIBLE financial situation:

• only made 6B won in profits this 1H

• saw a 66% drop in idol / entertainment gigs and activities

• two latest releases ( out of 4 total this year ....) handled by another label ( warner jp and 88rising)

so its safe to assume cube has no funds and are pulling the plug on every group that isnt idle . im assuming no one will make a cb until next year which is an issue since ptg's anniversary is coming up and their hiatus is getting ridiculous. they're aware of it and kept thanking fans for staying with them and in an apologetic sense asked them to wait for them (?)

PADO as an album feels rushed in a sense they took random old songs and mashed them in album to give shinwon a release and opportunity to meet fans before enlisting . im assuming they had to fight to get this release green lit it would explain the non existent album distribution and warner handling everything ( chaotically) and the pado special clip dropping on Warner's channel unlike shh

basically cube has no money and will for a while until either kakao buys them or go bankrupt refused to give them a cb this year and would explain ptg taking their concert waaaay heart to heart

2. renewals

changgu kino and hongseok all mentioned the "8 of them going forever and staying as pentagon"

no need to be a genius to guess 8 of them renewed to avoid whatever dirty copyright under the belt hit they'd try

and for yananie...... well its obvious he wont be and and much as it breaks my heart its for his best looking at how massively mistreated he was even for cube's standard tho i would like to get this clear THIS IS NOT BECAUSE OF THE GUYS

these boys love each other so much beyond just being co - idols it goes way beyond an entertainment contract for his solo fansign last month yanan did the Pentagon sign while for the eternal flame encore they let yanan's voice be heard intentionally and clearly ad a statement abt their stance with the little freedom they have atp. they definitely discussed this long and large from all the possible angles and came out to this so please avoid making anyone other than cube the big evil

[alln64games]

Superman: The New Superman Adventures

NA release: 28th May 1999

PAL release: 23rd July 1999

JP release: N/A

Developer: Titus

Publisher: Titus

N64 Magazine Score: 14%

Superman: The New Superman Adventures (or The New Superman Aventures, according to the back of the US box) is commonly referred to as just Superman 64, and is one of the worst games of all time, according to everything I’ve ever read about the game – all because of broken flying and flying through rings.

The developers, Titus, were dealt a rotten hand. After they got the license, Warner Bros became a nuisance to deal with. The developer’s plans for the game were constantly overturned, including the main idea of an open world that Superman would protect, allowing for him to damage buildings, which would affect the city. The developers were told that Superman couldn’t hurt anyone or damage anything, so the virtual world idea had to be made, and so much time was waiting for approval that there was little time to develop.

Everyone talks about the rings and the flying controls, so I’ll begin with that. And, frankly, I think most people trying out the game are trying to make it seem worse. If you hold down the accelerate button, you’ll travel too fast to turn well, but with regular taps, I found flying to work rather well, and I actually began enjoying the ring stages once I got used to it. Press the R button and you’ll very quickly stop and if you press up/down while not moving forward, you’ll move directly up or down. I actually think they did a decent job of capturing Superman’s movement – it’s just a shame the flying isn’t used for much more than the rings. N64 magazine said that that there was no way to stop flying, and I have no idea what they’re talking about.

The big problems with the ring levels are how many there are (with some taking upwards of 6-7 minutes) and how checkpoints work in the game. After each ring segment is a short action sequence – stop cars, beat up baddies, destroy robots, stop tornadoes – but it starts immediately, and the timer (which can be as short as 20 seconds) starts counting down as soon as the text appears. This wouldn’t be too bad if you just restarted form there – but you have to go back to the previous ring segment and do that again (save states really help).

Sadly, the immense amount of fog really makes the world empty, so there’s not much to look at. It’s a shame because there is a single open world, and some of the building designs do look quite interesting – the game is based on Superman: The Animated Series so uses that style – but you can’t see them from further than 5 metres away. Still, the rings and objectives are only half of the game, the rest are actual levels, with a set of challenges in between each one.

The controls for Superman on-foot are rather slow and clunky, with tank-based controls to make it more of a pain. The first level is quite simple, but you do have to return to the start after getting a key for no good reason. The boss fight in this level is probably the toughest in the game, and you have to rescue some workers from an underwater tunnel.

The Lexcorp level is one where just just keep going forward, pushing buttons and getting keycards. The enemies in the game are either “dark shadows” (presumably a restriction so Superman isn’t hitting people that look too human). There are some rooms with nice reflections and others that look dreadful.

Then its off to a warehouse to rescue Lois Lane. I spent ages flying around because I coudn’t find where to use a keycard – turns out it was hidden in an alcove, hidden by the black fog that indoor areas have. After you rescue Lois Lane, she walks around a corner and gets captured – and this happens multiple times until you can finally escort her. She starts off running and then slows down when enemies start appearing – and if you get too far away, one will spawn next to her. If either one of you die, the game’s checkpoint system rears its ugly head again and you have to start from the very beginning of the level.

The Daily Planet’s underground car park is by far the worst level. It’s a colossal maze (much harder than the “Solve My Maze” rings) and so much of it look the same, so it’s incredibly easy to get lost. I found myself spending most of the time flying around the same corridors again and again, and it definitely didn’t help when I picked up a tank and was thrust out of the game’s map into another section.

You have to find Jimmy, grab a keycard (which isn’t there if you look before finding Jimmy), go back to Jimmy and then find a bomb. Then it’s off to find Darkseid. Incidentally, I got so lost on the way to Darkseid that I approached him from behind and used laser eyes to take him down before he could do anything.

Star Labs, on the other hand, is fairly straightforward in terms of structure. You need to find a scientist, stop water from rising and trap Parasite in a forcefield (a Superman villain I am unfamiliar with, but seemingly Superman can’t harm him). There’s a long corridor that’s makes going back and forth a pain, but this level is alright.

After some more rings, Lex traps Superman in a subway tunnel. This is a very long tunnel, with a lot of enemies. Turns out you can ignore most enemies as the objective is to fly all the way to the end of the tunnel where an explosion will trap Superman. So you have to fly all the way to the start where another explosion will happen. You then have to fly to a station (which is near the other end of the tunnel) and beat up some enemies to escape. Although this level has one intriguing oddity.

On the way back to the station after the second explosion, Superman will encounter an old man who says he knows the way out, and says you can freeze him to protect him when needed. It’s a big pain to protect him and he walks extremely slow (you can push him from behind). When you get to the station, a cutscene will happen and – as the camera has moved away from the man, an enemy will spawn and attack him while you can’t do anything.

Using save states I managed to time it so I could rescue him, and he just casually walks through the “Exit” doors (that Superman can’t use). When he gets round the corner, an enemy spawns and kills him. I can only guess that this was the original method of finishing the level, then the developers thought it was to annoying, changed it but forgot to remove him.

The final level is on Brainiac’s ship. This game does the annoying thing where it locks the final level away from lower difficulties (luckily, there’s a skip level cheat to skip to it). The objective is to collect a load of data discs These discs are oddly extremely highly detailed and look higher detailed than most 2D objects in 3D N64 games (or, indeed, any of the graphics in this game). Getting around the level isn’t too bad, although the discs only appear on at a time, some open doors and other doors require you pushing buttons, so progressing is just flying where you previously were.

After breaking the virtual world and pushing some ice cubes of your friends across a lightning generator, then finding some bombs to blow up the ship. The end of the level is a window that literally says “the end”. You then get a cutscene saying that you escaped the virtual world, but Lex is still out there in the real world.

And that’s Superman 64. It’s definitely a bad game, but it really doesn’t deserve its reputation as the worst game ever. The flying is pretty good once you get used to it, and it really isn’t as buggy as I was expecting. The checkpoint system is atrocious, but then it was a pretty normal thing for games back then.

Superman 64 has some interesting elements, it attempts to do what it can with the license, even with severe restrictions. I honestly prefer a game that’s a little bit wonky to one that’s just flat out boring. In the end, I found myself both enjoying the game because I was laughing at it, and at times genuinely having fun with the game. And isn’t enjoyment all that matters in the end?

Fun

There’s only a select band of games that can stagger you into silence with their utter ineptitude and Superman is one of them. From promising beginnings (i.e. there’s no spelling mistakes on the title screen), the game quickly descends into astonishing crapness with a first level amalgamation of Pilotwings’ ring contest, and three mind-blowingly awful sub games.

- Tim Weaver, N64 Magazine #31

Remake or remaster?

It will never happen, but a remaster with fog removed and things smoothed out would actually be interesting to see.

Official ways to get the game.

There is no official way to get Superman: The New Adventures

[angel-lopes2000]

Some facts about me:

Well, I can't remember if I did once, but honestly - I didn't matter. I don't think my life's interesting enough to make you guys wonder about it, but if it get out of curiosity - here's some information.

I'm a Brazilian female, born and raised on Northeastern Brazil. First child from a married father and mother since 92' and oldest sister from one younger brother. My original language's Portuguese but can write, read, sing, pronunce and listen a bit of English - my only weakest point is speaking without the basic one.

My birthing were Biblical: My real name means ''Messenger of God'', born to a hospital named Genesis (First Bible' book) and in the same month that happen Easter and Holy Week: April (Meaning of Jesus' Sacrifice on Cross and His Resurrection after 3 days).

Always had been a quieter shy, introvert girl. Usually a few words person, but around family and closest friends - I can be a goofy, loveable, affectionate, good listener and always trying my best to be a good daughter and friend.

Christian since 14s. Even having my own bad points like any human, I'm always trying to be humble, kind, polite, respectful to everyone and never let my faith to Jesus off. Used to sing in church and been interested to join a choir, but now, I don't know.

Passionate for rock - both metal and slow love songs, but also enjoy pop and classical music.

Creative towards on Art' world. Even drawing being my biggest passion since 3yo - can also sing, write stories, sculpt claydolls, sometimes write and talk like a poem personification and interested to learn coding to develop own future games.

Love playing videogame, listening 70s/80s songs, reading mangas and books, watching 70s/80s horror movies, old-school animes and classic Hannah Barbera, Warner. Bros and Disney cartoons.

Passionate about red roses.

Don't use to show that much, but I'm a dreamer, romantic girl.

Love Chicken Pizza, Chocolate, Coffee, Beef and Passion fruit' juice.

Love dogs, cats, rabbits, hedgehogs, piglets, tigers and black panthers - but cats are my biggest preference.

Favorite animes: Dragon Ball Z, Elfen Lied, Sonic X JP version.

Winter lover. Perfect to sleep on warm bed with rains-n-thunders sound.

Love Thriller and True Crime stories (Since serial killers and unsolved cases) - Love to theorize and study about human mind.

Interested to play piano thanks Tchaikovisky and Beethoven.

And these are some of - more questions, you can ask me into box.

[shippinghazards]

URL Tag Game!

Rules - Spell out your url with songs and then tag as many people as there are letters in your url!

s - Semi Charmed Life, Alex Melton

h - Hallucinogenics, Matt Maeson

i - IdgaF, AUDREY NUNA

p - People, Libianca

p - PULL UP, KUN

i - I Don’t Care, Friday Pilots Club

n - Ni Muerta, Chiquis & Snow tha Product

g - Guns & Roses, Bohnes

h - HURT ME, Suriel Hess

a - aftermath, vaultboy

z - Zombie, Bad Wolves

a - A Little Bit Yours, JP Saxe

r - RECKLESS ABANDONMENT, the Spill Canvas

d - death wish, LØLØ

s - SHUT UP, Hayes Warner

tagged by @billyharris

tagging active mutuals bc there are too many letters in my url 😮‍💨: @beautifulviolent @nikofrpstheremix @chinaofrps @jackdwscn @lovestrings @reveriiewrites @musingsforthefleet @tayymuses @kalospias @wuunderstruck @cowgvrl

[wartoposluchac]

Best Of 2022 – Albumy

Best Of 2022 – Albumy

50/Sigrid – How to let go (Universal Music)49/Stromae – Multitude (Universal Music)48/Bastille – Give me the future (Universal Music)47/Michael Buble – Higher (Warner Music)46/JP Cooper – She (Universal Music)45/Rex Orange County – Who cares (Sony Music)44/Jean Michel Jarre – Oxymore (Sony Music)43/Muse – Will of the people (Warner Music)42/Mabel – About last night (Universal Music)41/Noah Cyrus…

[dkaufmandevelopment]

Hollywood Office Tower ‘The Star’ On Sunset Unveils $1B Makeover Plan.

Plans have been submitted for a 22-story office tower that will now be punctuated by a spiraling design offering 360-degree views of downtown Los Angeles, the Hollywood sign and the Pacific Ocean with luscious garden terraces on each floor that rise from the street-level entrance to a rooftop restaurant.

The plans were devised by Norman Foster of Foster + Partners, a London-based architecture firm known for iconic buildings and structures around the world such as the Gherkin skyscraper in London, the JP Morgan Chase Headquarters Tower in New York, Apple Park, Hong Kong International Airport and the Millau Viaduct in France. It’s expected to attract suitors across entertainment and tech, possibly as a potential headquarters.

Foster said the office campus, which is situated on a on a two-acre lot at 6061 W. Sunset Boulevard, is a “true reflection of the workplace of the future, nurturing community, well-being and collaboration” meant to “encourage and enliven the city’s incredible creative industries.” The location for the building sits across the street from the Old Warner Brothers Studios, now known as the Sunset Bronson Studios, and its 14-story office tower, which currently hosts Netflix. The former Television Center, which is undergoing a $600 million redevelopment and will be rebranded as Echelon Television Center, is also roughly a mile away.

Developers are betting on an urban design encouraging natural light and ventilation that incorporates vast outdoor areas with generous landscaping, floor-to-ceiling windows offering sweeping views of the region and an enhanced pedestrian experience along the entrance, which is walking distance from a Metro station and the Hollywood Walk of Fame. In a post-COVID world, access to fresh air and an outdoor space has been an essential consideration, especially for those in the entertainment and tech industries, said a company spokesperson, who declined to comment on financing for the development.

The campus, which sits next to less ritzy building hosting an events company and the Hollywood Palms Inn & Suites motel, will also feature a theater, gallery, rooftop restaurant and an outdoor event space intended to become a new destination. The development will break ground in 2026, with initial occupancy slated for 2029.

The Star will become a Hollywood “landmark” representative of a “new age of office space,” envisions Patrick Campbell, an architect at Foster + Partners. Learn more by reading the full-article at: https://www.yahoo.com/entertainment/hollywood-office-tower-star-sunset-142557018.html

#realestateinvestor #realestate #realestatedevelopment #construction #architecture #losangelesrealestate #losangeles #investinginrealestate #design #danielkaufmanrealestate #commercialrealestate

[andersonvision]

Warner Bros. Discovery Home Entertainment is set to release an exciting addition to the beloved Cartoon Network universe with "Craig Before the Creek," an original animated movie that delves into the backstory of the adventurous trio from "Craig of the Creek." Mark your calendars for March 26, 2024, as this much-anticipated prequel arrives on DVD, offering fans a fresh perspective on Craig, JP, and Kelsey's early adventures. Photo Credit: Courtesy of Cartoon Network Discover the Origins of Craig! Before becoming the renowned explorers of the Creek, Craig was simply a new kid adjusting to a new town, longing for his old life and friends. The discovery of a rumored lost treasure hidden within the nearby creek ignites a spark in Craig, propelling him on an epic quest. Alongside newfound allies, Craig embarks on a journey through the "suburban wilderness," facing dangers, forming bonds, and evading a menacing group of pirates determined to obliterate the Creek. The film boasts an impressive voice cast, with Philip Solomon bringing Craig to life, Noël Wells as the spirited Kelsey, and H Michael Croner voicing the lovable JP. Additional talents include Vico Ortiz as Serena, Kimberly Hébert Gregory as Nicole, Byron Marc Newsome as Duane, Phil LaMarr as Bernard, and Lucia Cunningham as Jessica, all contributing to the rich tapestry of characters that fans have come to adore. Directed by Matt Burnett and Ben Levin, with Naija Porter serving as co-director, "Craig Before the Creek" is a collaborative masterpiece. The screenplay, crafted by Burnett and Levin, stems from a story developed by a talented team, including Tiffany Ford, Ashleigh Hairston, Dashawn Mahome, Naija Porter, and Jeff Trammell. The film's production is led by executive producers Burnett, Levin, and Sam Register, with Rossitza Likomanova overseeing as the supervising producer, and Lisa Zunich and Susan Varghese contributing as producer and associate producer, respectively. Where to Find "Craig Before the Creek" For those eager to dive into the origins of Craig's adventures before the official DVD release, "Craig Before the Creek" is also available for digital purchase across various platforms, including Amazon Prime Video, AppleTV, Google Play, Vudu, and more. Don't miss this opportunity to explore the beginnings of Craig, JP, and Kelsey's journey and witness the events that shaped them into the Creek's greatest explorers. "Craig Before the Creek" promises to be a heartwarming, thrilling addition to the beloved series, perfect for fans of all ages.

[iiyatu]

https://hypebeast.com/jp/2023/11/major-record-labels-universal-warner-sony-change-contracts-prohibit-album-re-recordings-for-10-years

[sports1socket]

TRENDING

Who Will Rule the Test Cricket World? Join the Excitement of Australia vs India in the WTC Final!

WTC Final 2023 Fantasy Team: The highly anticipated final of the World Test Championship, featuring Australia and India, is set to take place at the picturesque Kennington Oval in London from 7th to 11th June 2023. These two teams have emerged as powerhouses in Test cricket in recent times, guaranteeing an enthralling and closely contested match.

India currently holds the top spot in the Test rankings and boasts a formidable batting lineup led by the exceptional Virat Kohli and Cheteshwar Pujara. Their bowling attack is equally impressive, with the likes of Ravichandran Ashwin, Mohammed Shami, and Ravindra Jadeja, all adept at taking wickets. Pujara and Kohli have been the standout run-scorers for India in the World Test Championship cycle, while Ashwin has been their leading wicket-taker and the third-highest overall.

Australia ranked second in Test cricket, possesses a formidable batting order spearheaded by Marnus Labuschagne and Steve Smith. Complementing their batting prowess, their bowling attack features the talents of Pat Cummins, Mitchell Starc, and Nathan Lyon, all highly skilled in claiming crucial wickets.

Also Read: What will happen if the WTC 2023 final is drawn or washed out?

Match Information

Game: Australia vs India, Final

Match: ICC World Test Championship Final

Date: 7th June 2023, Wednesday

Time: 3:00 PM IST

Venue: Kennington Oval, London

Probable Playing XI

Australia

David Warner, Usman Khawaja, Marnus Labuschagne, Steve Smith, TM Head, C Green, AT Carey(wk), Pat Cummins(C), Mitchell Starc, SM Boland, Nathan Lyon Bench: JP Inglis, MS Harris, Matt Renshaw, MR Marsh, Josh Hazlewood, Todd Murphy

India

Rohit Sharma(C), Shubman Gill, CA Pujara, Virat Kohli, Ajinkya Rahane, Axar Patel, RA Jadeja, Ishan Kishan(wk), Shardul Thakur, Mohammed Siraj, M Shami Bench: KS Bharat, Yashasvi Jaiswal, SA Yadav, Ravichandran Ashwin, UT Yadav, Jaydev Unadkat, Mukesh Kumar

Also Read: Fans from the United States can watch the final of WTC 2023 here

Injury and Availability News

Josh Hazlewood has been ruled out of the game.

Weather Report

Mostly sunny.

Pitch Condition

The pitch at Kennington Oval is expected to be balanced, offering a fair contest between bat and ball.

Average 1st Inning Score

155.

Win Prediction

India.

Pitch Report

Kennington Oval is a traditional English ground renowned for its fast and bouncy pitches. However, in recent years, the pitch has become more even, providing assistance to spin bowlers. The upcoming pitch is anticipated to be dry, hard, and possess some grass cover. Overall, it should offer an ideal setting for Test cricket, demanding both teams to perform exceptionally well to secure victory.

Player Picks

Captains

Virat Kohli (IND | BAT)

Kohli has been the second-highest run-scorer for India in the current WTC cycle, accumulating 869 runs in 28 innings with an average of 32.18. He arrives at this game following a successful campaign in the recently concluded Indian Premier League.

Usman Khawaja (AUS | BAT)

Khawaja has been the leading run-scorer for Australia in the WTC cycle, amassing 1608 runs in 28 innings at an impressive average of 69.91. He was the top scorer in the previous Test series against India.

Rohit Sharma (IND | BAT)

Sharma has accumulated 700 runs in 17 innings during the WTC cycle, with an average of 43.75. This match will mark his 50th Test appearance, and he will be eager to make a significant impact.

Players to Avoid in Your Fantasy Sports Team

Srikar Bharat (IND | WK)

Bharat made his Test debut against Australia this year but managed to score only 101 runs in four games.

Mitchell Marsh (AUS | ALL)

Although Marsh has been recalled to the Australian side, it is uncertain whether he will make it to the playing XI for this game.

WTC Final 2023 Fantasy Team Suggestion

Wicket-keepers: Ishan Kishan, Alex Carey

Batters: Shubman Gill, Virat Kohli, Marnus Labuschagne, Steve Smith

All-rounders: Ravindra Jadeja, Axar Patel, Cameron Green

Bowlers: Mohammed Shami, Mitchell Starc

DISCLAIMER:

The team selection presented in this article is based on the author’s understanding, analysis, and instinct. When making your own team selection, please take into consideration the points mentioned and use your own judgment.

[eurekadiario]

Larry Fink, CEO de BlackRock, sobre “diversidad” y “género”: “Hay que forzar los cambios, y si no fuerzas los cambios, te verás afectado”

Larry Fink, director ejecutivo del megafondo financiero BlackRock, uno de los mayores del mundo, enfrenta una serie de críticas en redes sociales por la viralización de un comentario de 2017 en el que admitía que su corporación “fuerza comportamientos” en empresas a la hora de invertir en ellas o prestarles dinero, en pos de que implementen “a la fuerza” criterios de “género”, “diversidad” e “inclusión” de minorías, lo que en la práctica implica la promoción acrítica y dogmática de teorías que elaboran la temática, como el caso de la polémica Teoría Queer.

El periodista le pregunta al CEO de BlackRock, Larry Fink, cómo hacer para acelerar los cambios “que son muy lentos”, en cuanto a la agenda de género, diversidad e inclusión (en el sentido en que lo entienden ellos, y que acá acapara en forma hegemónica academias, medios de comunicación, etc.). Esto es una cuestión importante, porque BlackRock incluye estos items como requisito imprescindible a todas las empresas y corporaciones globales en las que invierte o Estados a los que presta su dinero. La capacidad de lobby de un megafondo financiero como este es inmensa. Lo mismo vienen haciendo organismos como el BID, Banco Mundial y FMI. A todo esto, Fink responde sin tapujos:

“Tienes que forzar los comportamientos. Si no fuerzas los comportamientos, se trate de cuestiones de género, raza, o cualquier cuestión en la composición de tu equipo, te verás afectado. Tiene que estar imbuido en la cultura de la empresa, en los comportamientos a lo largo de toda la empresa, en cada región, tiene que ser similar. Cada ciudadano dentro de la empresa deberá entender cuál es el comportamiento aceptable y cuál es el comportamiento inaceptable (…) Los comportamientos tendrán que cambiar y esto es algo que les preguntamos a las empresas. Hay que forzar comportamientos, y en BlackRock estamos forzando comportamientos”.

Fink, cuya firma posee acciones en empresas globales de todo tipo, como Coca-Cola, Netflix, Warner, Amazon, Apple, JP Morgan, MasterCard, Johnson & Johnson, Walmart y Walt Disney Co., sostuvo que “lo que estamos haciendo internamente es que si no logra estos niveles de impacto, sus beneficios podrína verse afectados”, dijo Fink, antes de que el ex director ejecutivo de AmEx admitiera que la compañía estaba “haciendo lo mismo”.

El video circuló rápidamente en las redes sociales después de resurgir en línea, con miles de usuarios de todo el mundo que escribieron que BlackRock está “destruyendo valor y participando en conductas ilegales e inmorales”.

El ex ejecutivo de Anehuser-Busch, Anson Frericks, también criticó recientemente a BlackRock por comprometer el “dinero de los ciudadanos comunes” en inversiones con estas imposiciones. “Si van a administrar su dinero, tienen que comprometerse con cosas como ESG, diversidad, equidad e inclusión”.

Lo cierto es que este tipo de imposiciones ideológicas no solo afectan al ámbito empresario y corporativo, sino a los Estados, cuyas deudas internacionales dependen en porcentajes crecientes a fondos financieros como BlackRock. Lo que se dice una “revolución cultural” instaurada desde las cimas del poder.