#josh whedon

[janus-cadet]

So I did a redraw of this one. Or, I finished it. Depends on how you're looking at it- but, hey, anything for that musical. I just deeply love it. And my style evolved a bit since last year!

First drawing, on the left, was done a year ago, left unshaded and therfore quite unfinished. Second one was just finished today!

And yes it is not a funny drawing. Should have done a frozen-yogurt-themed one. But I can't deny I love the angst- always such a good way to leave permanent impact on one's memories of the show.

Anyway, I love Dr. Horrible, it lives rent-free in my mind since 2015.

[towritecomicsonherarms]

Astonishing X-Men #19

[bargainsleuthbooks]

Firefly #1: Big Damn Hero by James Lovegrove #AudibleExclusive #Audiobook #BookReview

I had a great trip down memory lane and got a new adventure for the much loved TV series #Firefly#BigDamnHero is the first authorized novel of the cult classic #Serenity #TVSeries #jameslovegrove #audiobook #Bookreview #sciencefiction #audibleexclusive

The Battle of Serenity Valley was the turning point that led the Independents to their defeat at the hands of the Alliance. Yet the Browncoats had held the valley for weeks against all odds, before being ordered to lay down their arms. Command stated they refused to send in airpower because the ground war was “too hot.” But the soldiers who were there insist that was not true… While picking up a…

[coochiequeens]

Ladies reblog if even though you liked Neil Gaimans works you thought he performed being a leftist a little to loudly, like it was to hide something.

[fictionkinfessions]

did some soul searching and figured out some stuff. I've been calling my timeline "the whedonless-verse" and I asked myself what would change if you don't have JW being a misogynistic PoS. Here's what I've got: I took much more time to heal my trauma from Pylea and although Gunn and Wes did technically fight for my affections it was much much later (like just before season 5 even) and neither "won" since they didn't feel comfortable making any actual passes at me since I was still healing. I spent more time with Cordy and I was like a third co-parent to baby Conner. Cordy may have tried to convince me to try dating but I really didn't take to it. I may or may not have made a pass at Angel early on but he turned me down for the sake of my mental health. Finally, while I didn't murder my old professor I did send him to Pylea as karmic retribution.

x

[strawberryqueen00]

Hey gang real quick. Plz submit Steven Moffat. It’d be funny.

Welcome to STEVE SMACKDOWN!!!

This is the place for all your favorite characters named Steve to fight! Rules listed below the Google Form.

Rules about submitting:

1. Your character must be named Steve in some way. This includes: Steve, Steven, Stephen, Stefan, Stefano, Stevie, and Steph. Asks will be open and if anyone has any other form of Steve, they can ask if it’s okay.

2. No DreamSMP or Harry Potter characters.

3. Real people are allowed. However, they have a much lower chance of getting in, in favor of fictional characters.

4. You can submit multiple characters, just don’t send in the same character multiple times in a row.

5. Submissions will end one week from now on July 18, at 1:00 PM EST.

6. If you have any questions, send me an ask!

Quick side note: Do not submit these 4 characters as they’re already guaranteed to make it into the tournament.

1. Steve (Minecraft)

2. Steve (Wii Sports)

3. Steve (Blue’s Clues)

4. Steel Vengeance (Cedar Point) [Commonly abbreviated to SteVe by rollercoaster enthusiasts like myself]

Tags of inspiration under the cut:

@orangecharactersmackdown @obscurecharactershowdown @artificialkids-2k23-official @throat-goat-gauntlet @cut-content-contest @corrupt-officials-brawl @ultimate-poll-tournament @john-battle @best-bff-brawl @redcharacterbracket @retirement-home-rumble @best-bff-brawl @unlikely-adversaries-bracket @dwampyverse-tournaments @evil-doppelganger-duel @favcharacterpoll @ferbracket @generic-man-in-suit-battle @i-mustache-your-opinion @patheticmenscuffle @super-smash-bracket @siblingshowdown @the-worst-bracket @themiiofalltime @tournament-winners-tournament @videogamedogbracket @weird-al-song-tourney @worst-room-tournament

and also @blue-character-brawl @facial-hair-fight @jamesbracket and (the now defunct) @unluckiest-character-ever because they’re all me

[orionsangel86]

I watched X-Men 2000 tonight. Yup the Deadpool and Wolverine brain worms got me - at least for a little while - so I figured I'd rewatch the old movies that I havent seen in over a decade and have basically forgotten entirely at this point.

You know what really stunned me? Even more than the slow pace, serious tone, actual dedication to telling a coherent and interesting story with layers of meaning and social commentary attached to it, as well as a sincerity that's been missing from most superhero films since the MCU was born (thanks Josh Whedon).

Nope, what shocked me most was this:

This is a perfect specimen of a man. Look at him. He's gorgeous. But look at his chest? His arms? He's muscular, he's pretty well toned, he's hairy. He's definitely got a six pack - but it's nicely covered by a healthy layer of fat. His skin is plump, he has a bit of squish to him. He'd probably be great to hug (Jean Grey certainly gives him a good squeeze lol).

When he sits down he looks like his stomach will roll just nicely. Like a stomach should.

I know my point here is obvious. It's just that scrolling the Deadpool and Wolvering tag is basically 50% "oh they definitely fucked in the Honda Odyssey" (yes lol) and the other 50% is just horny posting over Wolverine's topless scene like the entire site suddenly adopted Deadpools horny brain.

I gotta give props to Hugh Jackman for his dedication to turn himself into an actual comic book character - because that's what this new movie does. It gives us a comic accurate Wolverine in practically every way (except for his height lol) the suit is amazing, the cowl was a joy to see brought into live action. The body too though was straight out of a comic book artists male power fantasy.

What I wanted to emphasise was that this:

Is extremely tough on the human body. What I wanna know is how long he starved and dehydrated himself for before filming this scene? How long before they shot this did he last drink some water? Because damn that must have been tough. The oil and the lighting probably help further emphasise the muscle, vein, and sinew definition. It's probably similar to how body builders prepare before a show.

Nothing about body building is healthy though. So in the coming weeks as the whole entertainment industry rides on the coat tales of this movies success, and everyone goes crazy over Hugh Jackmans physique, please don't feel pressured into thinking that his 2024 physique in the movie is remotely realistic - or realistically attractive. Like I get the fantasy sure, but come on. I'd personally rather lie on a cushioned bed than a concrete floor.

Deadpool may disagree with me, but he's a masochist lol.

Oh and whilst I stand by the shade I threw at the MCU above, I think Wolverine's different physiques in the movies is a good standard of comparison for how much superhero movies have changed. Because when superhero comics first started getting adapted I think a lot of the choices made were about how to bring them to live action realistically and believably and the attitude was to try not to make them look ridiculous. The first X-Men movies definitely do this.

It was about bringing the comics to life in a way that fit in our world. But over the years, as audiences got more and more used to comic book movies the movies became more and more like comic books and less like a realistic adaptation of a comic book. Does that make sense? So as the movies attempted to bring the comics to life in a way that was less realistic and more comic accurate, the demands on the actors to sculpt their physiques to meet the standards of comic book art became normalised.

I think Deadpool and Wolverine is the MOST comic book accurate of all superhero movies made in the past 2 decades. Half the time the images from the movie look like they could be literally pulled from the pages of the comic books. The story is convoluted and stupid, the plot is barely there and is full of gaping plot holes and elements that don't fit any past stories. The action is ridiculous, extremely fast paced, gratuitous, and violent to a hilarious level. But it's so entertaining, joyful, exciting, and laugh out loud hilarious throughout.

It reminded me a LOT of my attempts at reading through the Deadpool comics (I've read a lot of them but no where near all of them).

To sum up this rambling message with multiple points, I'll say that Deadpool and Wolverine is a really fun movie that I thoroughly enjoyed, but make no mistake there is nothing real in it at all. It is almost literally a comic on screen. Don't expect anything more than that and you'll enjoy the experience.

[sugurugetos]

Your ledger is dripping, it's gushing red, and you think saving a man no more virtuous than yourself will change anything? This is the basest sentimentality. This is a child at prayer, pathetic! You lie and kill in the service of liars and killers. You pretend to be separate, to have your own code. Something that makes up for the horrors. But they are a part of you, and they will never go away!

THE AVENGERS (2012) dir. Josh Whedon

[devilofthepit]

and while i'm at it here's a buffy theory reading list

Slayage: The International Journal of Buffy+

Articles:

"Buffy and the 'New Girl Order': Defining Feminism and Femininity" by Elana Levine

"Buffy the Vampire Slayer: An Introduction" by Rhonda V. Wilcox

"Power Girl/Girl Power: The Female Action Hero Goes to High School (A Review of the Television Show Buffy the Vampire Slayer)" by Jacqueline Reid-Walsh with Krista Walsh

"'Hot Chicks with Superpowers': The Contested Feminism of Joss Whedon" by Lauren Schultz

"Female Heterosexual Sadism: The Final Feminist Taboo in Buffy the Vampire Slayer and the Anita Blake Vampire Hunter Series" by Carol Siegel (for the life of me i can't remember where i found this and when i emailed the author she wouldn't send it to me lol)

"Kinky Vampires and Action Heroines" by Jeffrey A. Brown

“‘Solving Problems with Sharp Objects’: Female Empowerment, Sex and Violence in Buffy the Vampire Slayer” by Gwyn Symonds

"The Epistemological Stakes of Buffy the Vampire Slayer: Television Criticism and Marketing Demands" by Amelie Hastie

Haven't read these so take them with a grain of salt but they look promising:

"From Beneath You, It Foreshadows: Why Buffy’s First Season Matters" by David Kociemba

"Buffy the Post-Anarchist Vampire Slayer" by Lewis Call

"(Un)safe Sex: Romancing the Vampire" by Karen Backstein

"Welcome to the Hellmouth: Paradoxical Spaces in Buffy the Vampire Slayer"

"Bibliographic Good vs. Evil in Buffy the Vampire Slayer" by GraceAnne A. DeCandido

"The Clothes Make the Fan: Fashion and Online Fandom When Buffy the Vampire Slayer Goes to eBay" by Josh Stenger

"'Hey, Respect the Narrative Flow Much?': Problematic Storytelling in Buffy the Vampire Slayer" by Richard S. Albright

"Dead, White, Male: Irishness in Buffy the Vampire Slayer and Angel" by Gerardine Meaney

"'That Was Nifty': Willow Rosenberg Saves the World in Buffy the Vampire Slayer" by Matthew Pateman (this looks at Buffy from a Jewish studies perspective which i haven't seen much!!!)

Books:

Sex and the Slayer: A Gender Studies Primer for the Buffy Fan by Lorna Jowett

Buffy the Vampire Slayer and Philosophy: Fear and Trembling in Sunnydale edited by James B. South

The Warrior Women of Television: A Feminist Cultural Analysis of the New Female Body in Popular Media by Dawn Heinecken (not exclusively focused on Buffy but the chapter on Buffy is very good)

I hope to keep updating this as I remember/find more!!

[cocoabubbelle-newblog]

Random SCOGUE headcanon because I need to vent and don’t feel like writing coherently I’m sorry 🥲

Angel’s Wings

You know how Rogue and Scott were in that Music Store in 5th Avenue when they overheard some customers talking about Angel?

And Scott was listening to something and seemed into it before Rogue nudged him?

Well…*cracks knuckles to share stuff no one needs or wants to hear*

She was sharing with him her favorite goth alternative music.

Performed by her favorite musician:

GOBLIN QUEEN.

Scott had never heard of her. Rogue then explained that GOBLIN QUEEN is less of a mainstream artist and more of an underground/indie/anonymous one. She goes on to gush about her favorite songs (ex. A Nothing Being in a Nowhere Place) and albums she managed to buy/burned onto cds (ex. LIMBO and ANODYNE), but laments that she’s never been able to find the one called INFERNO.

By sheer dumb luck (aka contrived coincidence à la me), Scott manages to find an authentic copy of the album INFERNO later on. Did he get another cd Rogue liked by another goth band she liked beforehand for her? Of course he did. But he saw how her eyes sparkled and how animated she was talking about that singer. Also, the music he had heard was pretty cool. So he was always on the look out for it.

Unserious (?) sub-headcanon based on what Josh Whedon once said about Buffy Summers from Buffy: The Vampire Slayer:

Scott and Buffy Summers are cousins on his Dad’s side.

They probably were initially on “Christmas Card” terms with each other (maybe their parents had a falling out (Did the series ever mention if Buffy’s surname came from her mom or dad?) or something and that’s why they didn’t reach out after the plane crash that killed Christopher and Kate and separated Scott and Alex or they only took in Scott for a little bit before giving him to foster care.) and barely speak.

He probably reached out again via a video chat during some holiday occasion (some time after the events of Apocalypse), both of them going the usual “how’s life? fine, how ‘bout you? same old stuff. cool, cool…” (bc she doesn’t know he’s a mutant and he doesn’t know she’s a vampire slayer). He offhandedly mentioned the INFERNO CD by GOBLIN QUEEN that his friend really wants and joked that his current Christmas wish was to find it…only for Buffy to comment that one of her friends had that album. Cue Scott begging Buffy for more information on how her friend got it, and he successfully obtains it for Rogue.

At this point, Rogue is dating Gambit (are they serious? is it casual? do they both genuinely like each other but are both knowingly distracting themselves from their unresolved feelings for others?) , while Scott and Jean are either still together (happily or is it strained bc they are starting to want different things in life and each other but are hoping to make it work regardless of each other’s clearer and conflicting focuses) or have quietly broken up.

Scott finally either found a lead via the previosly mentioned sub-headcanon or something else. Either way, it leads him to a random goth girl who looks oddly familiar, though he cannot for the life of him figure out why.

Scott: *trying to place where he has seen this girl before despite most likely never having met her in his life*

Mysterious Goth Gal: you’ll have a better chance of asking me out if you actually use your words instead of thinking them, chum 😜

Scott: ?!

He noticed she is has a tattoo that says GOBLIN QUEEN. He pointed it out and asked if she liked her music. Is unsure why when she answers yes she is grinning at him like she knows something that he doesn’t. She asks him if he’s a fan, or if there was a pretty goth girl he was trying to impress, winking at him.

Cue Scott talking about Rogue, anything and everything about her (save the mutant part), partially how she introduced him to the GOBLIN QUEEN’s music, but then evolves into how even the little things that she does or says he muses about with quiet admiration and fondness.

Mysterious Goth Gal: …*already jumped ship from making moves on him to shipping him like crazy with this girl he’s so obviously in love with like what*

Scott: *mid unconsciously simping for Rogue* and I wish I could find that INFERNO Album for her, but—

Mysterious Goth Gal: WAIT RIGHT THERE I CAN GET YOU A SIGNED COPY.

Scott: Huh?

Rogue was dumbstruck and ecstatic when Scott presented to her what he jokes is her belated Christmas gift when they meet up, asking multiple times how he got it.

He mentioned that it was autographed, so she opened it:

GOBLIN QUEEN: To Rogue: -insert obligatory autograph stuff- + PS. I wanted to give this to you for free, but your boyfriend insisted on paying full. What a boy scout. I’m rooting for the both of you! ;D

Rogue: ………………

Scott: ? What did she say?

[mage8]

Not if they've heard about what a piece of shit Neil Gaiman turned out to be.

Anyway, they said they want to do something slutty.

they’re gonna be boring and do good omens for halloween aren’t they ):

.

[featherbow]

Another awesome interview with Neil about working on Baldur's Gate 3 in general, Astarion specifically, and how much blood, sweat and tears he poured into the game.

(Also he's saying Josh Weeden, who is the Lead Casting and Voice Director at PitStop Productions, not Joss Whedon)

[olderthannetfic]

Re: https://www.tumblr.com/olderthannetfic/733301406703992832/on-the-topic-of-fanfiction-pet-peeves-i-want-to

Different anon but yes I hate the Josh Whedon snark SO MUCH!! I swear off Marvel studios because every character started talking the same way. As someone who is outsider to Western pop culture, I don't understand half of the references in those sassy quips, and I don't find them funny even with those I can understand. It just makes the characters come across as condescending try-hard assholes to me, and in many cases go directly against their characterizations!

Sassy bottom is a plague upon me and I just wish it's less of a hassle to filter them out.

--

Heh. This ask reminds me of someone I used to know in person who very audibly said "Josh" every single time and who, sadly for me, adored multiple Whedon shows and always talked about them.

The problem with his writing is that the characters are condescending, try-hard assholes. No amount of cultural exposure would fix that.

[itchyeye]

i'm not really someone who is good at judging or critiquing or analysing media as i'm listening to it (the extent of my judgement is basically just "am i having fun") but man tmagp statements have been so. underwhelming. the fandom's been going wild over the guy in the latest statement and i truly do not understand it.

and yeah, i don't think whoever writes the episodes rlly understands why ppl loved tma characters. they were 3 dimensional, real people! it feels like the tmagp characters are just analogues for tma characters. sam is martin (nervous, pushover), alice is tim and sasha smushed into one (clearly intended as The Funny One), gwen is jon (sorry gwen. i do kind of like her) and lena is elias. the only somewhat original character is colin and he has literally no other traits than being the it guy and getting mad at the computers. it's just such a. nothing podcast right now. the statements are nothing and the characters are nothing

yup :/ their relationships with one another also have no room to like... develop? be revealed? because the exposition is just... hacky!! it's bad!!

alice on the phone with her brother saying "what are sisters for :D" is fucking lame. it's a joss whedonism. there is no reason she couldn't have had a normal conversation, hung up, and then have sam say something like:

SAM: was that josh?

ALICE: nah, other brother. ben.

because normal human people don't point out their relationship to one another in casual conversation. i was just on the phone with my brother yesterday. at no point did we re-assert to one another that we are siblings. because we fucking know who we are.

and alice and sam are exes, which was revealed to us with the revolutionarily natural-sounding line "will it be awkward... working with an ex?"

the fact that jon, sasha, martin, and tim were all NEW coworkers in a NEW environment was a very strong narrative decision. because we the audience are there from the very ebginning of their relationship (OR the beginning of this new STAGE of the relationship since tim, sasha and jon did know one another from research and martin was a web avatar plant what who said that)

so being plopped into the middle of existing super high tension/really antagonistic office politics just feels... flat. when compared to listening to a series over nearly 6 years and getting to know these characyers slowly as they get to know one another.

also lena is such an elias try-hard you can tell they're REALLY going for Cold Calculating Boss... all the characters just feel so rigidly scripted and stiff :/

also yeah the statements are all so SHORT and nothing really.... happens in them? another huge strength for tma was that all the statement givers are so REAL!!! they give excellent details, they have lives and relationships and personalities, the things that happen to them and the way this happening impacted their lives feels so CONCRETE!!!

rn tmp just feels like an empty shell of a show, like a preserved ostrich egg

[burningexeter]

I did something exactly like this before and it turned out awesome so now I want to do it again or rather give it a new take or a new spin to it.

Here's a fairly solid amount of all the numerous different types of media that I think both fit well in and can share the same universe as one of the top five greatest superhero shows ever made, Christopher McCulloch & Doc Hammer's The Venture Bros., showing the numerous different sides and tones of the same world that you can both read and see below for yourself:

• Yasuyuki Ueda's Hellsing Ultimate

• Takahiro Omori's Baccano!, Durarara!! and Durarara!! x2

• Sunao Katabuchi's Black Lagoon

• Masayuki Kojima's Monster

• Hiroshi Nishikiori, Tatsuyuki Nagai & Nobuharu Kamanaka's A Certain Magical Index, Railgun and Accelerator

• Tetsuro Araki's Death Note and Attack On Titan

• Chris Carter's The X Files Series (First nine seasons, Fight The Future, Millennium and The Lone Gunmen)

• Joss "Yikes!" Whedon's Buffy The Vampire Slayer and Angel

• Todd McFarlane's Spawn Trilogy (HBO)

• Tom Fontana's Oz

• David Simon's The Wire

• Damon Lindelof & Carlton Cuse's LOST

• Bryan Fuller's Pushing Daises and Hannibal

• Vince Gilligan's Breaking Bad Trilogy

• Kurt Sutter's Sons Of Anarchy Duology

• Jeff Pinkner & J.H. Wyman's Fringe

• Jenji Kohan's Orange Is The New Black

• Jami O'Brien's NOS4A2 (TV Series)

• Jerry Seinfeld & Larry David's Seinfeld

• Winnie Holzman's My So-Called Life

• Linwood Boomer's Malcolm In The Middle

• Mitchell Hurwitz's Arrested Development (First three seasons)

• Dan "Ugh!" Schneider's Drake & Josh

• John Wells' Shameless (U.S.)

• Aaron Sorkin's The West Wing

#GoTeamVenture