#jon is in a bad way

[agnes-come-back-challenge]

I love that everyone in TMA is just. Unremarkable. Jon isnt a heroic character; he's self-loathing and depressed and he exhibits the same self-pity as I do when I'm self-loathing and depressed. He doesn't stand out for his strength of will or quick-thinking or virtue. He's a good person but he stops trying to stay human when it gets uncomfortable. He's everything that a regular person is when theyre trapped in a horrible situation and it's ugly and insufferable and Real.

[dipperscavern]

thinking about jon snow not knowing what to do when you admire him.

he’s sprawled on his stomach, bare chested & fast asleep, with the blankets covering his lower half. castle black stirs awake as the sun starts to rise, moving to start its ascension into the sky.

the ghost of your fingertips across his spine pull him to consciousness, goosebumps trailing his skin from your touch. he lightly stretches, opening his eyes as his muscles tense & relax once more.

he looks to see you sitting up, a glossed over look in your eyes as your gaze is fixated on his back — the hint of a smile playing on your lips. he’s never been looked at like that before. caressed, admired, as if he was something special.

he can feel the pads of your fingers as they run along his shoulderblades, tracing the ridges & muscles that map the expanse of his back. has he ever felt anything this gentle?

you stop your mapping of his body when you see that he’s awake. he’s not looking at you, though. his eyes are blank, fixated on a distant wall as he focuses on your touch, trying to commit the feeling to memory.

“you’re so pretty, jon.”

he feels his cheeks grow warm, no doubt starting to turn a pretty shade of pink. his entire body grows hot, nerves on fire with the sincerity of your words. jon knows you mean it — you’re no liar. suddenly your gaze is overwhelming, and he feels the need to squirm under it.

you’re evil, he thinks. the worst to ever live. can’t you see what you do to him?

he’s brought out from his thoughts when the warmth of your hand leaves his shoulders, coming to brush his hair out of his face. you tuck the strands behind his ears, the dark curls protesting being moved. jon swallows, looking up at you.

he can see the smile you’re trying to suppress, and he feels his heart swell at the fact the sight of him is enough to make you smile. the knuckle of your finger comes to trace the underside of his jaw, just the way your lips have done countless times before. the thought alone is enough to make him shiver.

you get to the front of his face, the pad of your thumb coming to run along his bottom lip. the same lips that have been all over your body are now at the mercy of your touch, and jon wouldn’t ruin this moment for anything… even if lord commander mormont had returned from the dead & knocked on the door.

jon had tried to be still, truly. he should’ve been given an award for how long he’s held out so far. he can’t help himself, lips moving to kiss the pad of your thumb. they start to descend, trailing down the slope of your hand. he presses a final kiss to the inside of your wrist, before his hand wraps around it and brings it to his cheek. he uses it as a pillow, laying his head down once more & sighing, eyes fluttering shut.

you let the smile break free now, eyes gazing down at your lover, in all his content. jon deserves it all. the gentleness, the warmth, anything that you have to give, you offer to him. he’s been through hell and back, the scars run deep. and you want nothing more than to kiss each and every one, to replace the once horrid memories with the feel of your touch.

you eventually pull away your hand, & jon’s eyes are quick to open. you can almost feel the disapproval radiating off of him, which is quickly replaced with a warm feeling deep in his chest when you reach for his right hand.

you bring it to your lap, eyes fixated on it. both of your hands cradle his larger, calloused one. you run your hands along his, feeling every vein & knuckle under your fingers. his fingers twitch with the need to curl into your smaller ones. jon’s so busy looking at your hands holding his, he at first doesn’t see the way your eyes are closed. you’re mapping him, every part of him with your hands — trying to bury the feeling in a deep part of your mind so you never forget. and once jon realizes that, he’s inclined to never let you go. just keep you here, wrapped in his arms forever. you wouldn’t mind, would you?

once you’re done, sure that you’ve traced every part of him that you can reach, you bring his hand to cradle your cheek, mirroring how jon had done with your own not so long ago. you lean into it, relaxing into his hand.

it’s jon’s turn to smile now. it tugs at the corner of his lips, curving them upwards as his tongue darts out to wet them. is this what love is like? jon thinks it must be. to simply exist & be cherished by someone, to be truly adored & held close.

jon can’t resist the urge anymore. its overwhelming at this point, clouding his mind. he uses the hand on your cheek to pull you closer as he simultaneously pulls himself up, connecting your lips with his. he kisses you long & soft, as he gently moves you to lay down on your back. you’re easy in your compliance, putty in his hands; the one still on your cheek, and the other pressing to your waist as your lips continue to dance with his.

he pulls away, trailing kisses down your neck. your hands find their way to his hair, not pulling, just slotting themselves amongst the curls. once he reaches the end of his descent, he moves to place once more kiss on the underside of your jaw, before laying his head down on your stomach. his arms wrap around your waist as your hands scratch at his scalp in a way that’s divine.

& in the comfort of your arms, jon understands why so little men join the nights watch of their own accord. what is honor compared to a woman's love? what is duty against the feel of a newborn son in your arms? he understands now, able to fully grasp the concept of never knowing the tenderness of your touch — and it’s not a very pleasant thought.

in the back of his mind he remembers the duties you both have to tend to, but they’ll be fine, he thinks. they can wait.

[bugisbonkerz]

i think it’s funny he has a tie of himself

[superbat-love]

Clark comparing his argument with Bruce to the ones he had with Lois

[jonsnowunemploymentera]

And remember kids, the next time someone tells you, "George R. R. Martin wouldn't make Jon Snow the typical fantasy hero because that's cliche".....

Oh yes he would!

One viewer wants to know what character would you play (on the show)? GRRM: If I could magically clap my hands and become a different person, it would be cool to play Jon Snow who's much more of the classic hero. Everybody wants to be the classic hero! ABC Interview, 2014

GRRM: And the character I’d want to be? Well who wouldn’t want to be Jon Snow — the brooding, Byronic, romantic hero whom all the girls love. Meduza Interview, 2017

In fact he already has ☺️

[frankensteincest]

society if knowledge and secrets (the Eye) vs. narrative and meaning (the Web) wasn’t presented as a strict dichotomy where one Fear alone developed the ability to Think but rather our amorphous blob of terror being an exploration of epistemology and metafiction. society if there was at the very least an actual discussion of the Spider’s desire to proliferate in and feed on infinite realities being the same hunger that drove Jonah Magnus and how they both deified the same man over it, making him the site of violence in this cosmic struggle between fate and free will.

[untimelyambition]

very fond of these little interactions between the cast at the very end of the show as the finale starts

[wesavegotham]

These fanon Tim Drake takes/fanfictions that paint him as the ultimate victim during the Morrrison era were always annoying, but if you're looking for a character to write fix it fanfictions about because they got abandoned by their family when they went through a lot of losses and lost themselves in the process, ran away from everything and only had the batfamily try to bring them back home ages after they had already run away and only after first blaming the kid and then not prioritizing bringing that kid back, then Damian from 2018 to 2020 is right there?

Where are my 1000+ fanfictions about that?

[paradoxunknown]

The only way I’m feeling better about this:

This means — at least to me, until proven otherwise— that Bryan handpicked his BCC boys to give him his (“full time”) wrestling career send off.

That he hand picked Mox & Claudio to be his foils and “bad guys” — to “put him to rest”.

That he hand picked Yuta to be his avenger (more than likely, again, I’m thinking this until proven otherwise) and to carry on not just the BCCs legacy and teachings but carry HIS legacy and teachings too.

In the end, no matter how heartbreaking the “betrayal” was and now matter how sad I am…in the most warped and twisted way this “ending” to the BCC is an absolute homage to its moniker:

“Iron sharpens Iron.”

[throwawayasoiafaccount]

I have a significant issue with the way the fandom often reduces asoiaf’s complex exploration of morality, power, the cycle of violence, oppression, corruption, rulership, class, etc., into simple, one-size-fits-all buzzwords. This strips away the complexity and moral ambiguity that are central to asoiaf.

This simplification of these discussions asoiaf opens is often done to push an agenda, and that leaves a bitter taste in my mouth.

And while we all have biases and hold a few narrow minded opinions, I just wish the fandom would avoid rigidly boxing asoiaf into categories that leave no room for nuance.

One example of this oversimplification is the belief that asoiaf is anti-monarchy, which has become a bit more popular recently due to HOTD.

To understand why calling asoiaf anti-monarchy is a severe oversimplification of its complex exploration of rulership, class, power, etc., one must first understand what the term ‘anti-monarchy’ means:

Anti: opposed to; against.

Monarchy: a form of government with a monarch at the head.

So, ‘anti-monarchy’ means being opposed to a form of government with a monarch at the head; and according to google, ‘anti-monarchical’ refers to showing opposition to a king or queen, or to the idea of a country being ruled by one.

The reason I find the idea that asoiaf is anti-monarchical so bizarre is because Dany, as queen of Meereen, exists.

The narrative painstakingly weaves Danys' storyline as Queen of Meereen, opening up discussions about rulership, what it means to be a good ruler, justice, the abuse of power, class divisions, systemic violence and oppression, how a ruler must navigate the pitfalls of power, the difficulties of challenging the status quo, pragmatism vs idealism, and the difficult balance between all of this and a ruler’s own morality.

If asoiaf were truly anti-monarchical, then Danys' queenship would not be portrayed as it is in the narrative. The story would have consistently condemned her position, both subtly and overtly. Instead, her journey is depicted as one of empowerment—the path of a revolutionary whose position as queen is essential to achieving the changes she seeks, and the changes the world needs.

When looking at things this way, can one objectively call asoiaf anti-monarchy?

I sometimes think calling asoiaf anti-monarchy is a way for people to scapegoat the monarchy, avoiding deeper engagement with the idea that the rot in Westerosi society is systemic. It's not just the fault of the ‘mad’ Targaryens and their terrible ‘nukes’—it's a broader societal issue.

I just wish the fandom would stop scapegoating certain groups and be a bit more open to nuance.

That’s all :)

[stormikitty]

Cosmic Love prompt:

Danny and Damian have been engaged since they were babies. The Fentons wanted access to Lazarus water, and they made a deal with the league of assassins to get it. Danny is trans. Danny and Damian haven't seen each other since Damian was 10 (I imagine Danny is anywhere from a few months to a year younger, so Danny was either 9 or 10 at the time). They had been seeing each other twice a year the last time they saw each other. They used to have more time scheduled to spend together before Damian started training to be an assassin. They weren't getting along when they last saw each other. Danny was upset/angry that his life had been planned out for him and that he was going to be in an arranged marriage. Damian was kind of a jerk at the time (because of trauma but he was still a jerk), and he thought Danny was being a jerk too because having his whole life planned for him was all Damian knew and it didn't make sense to him to get upset about it because that's his reality that he just had to accept. Damian does care about Danny, and cares about what he wants too. But they were kids. They were upset about their situation and frustrated and angry with each other and their families. They haven't had contact with each other at all since Damian came to Gotham.

Skip forward a few years and Damian has fallen in love with his best friend, Jon. He tells his family and Jon about the arranged marriage even though it's likely not going to be a thing anymore since he has cut ties with the league.

Damian and Jon start dating.

Danny is 16 and on the run from his parents and the GIW. He only managed to escape after he had already been captured and vivisected. He goes to Gotham because it'll be harder for his parents and the GIW to find him there. He runs into Damian and Jon at a park while he's at a point in his life where he's got nothing left an he's just sad, scared, angry, lonely, and he'd just about sell what's left of his life for a hug.

[writingoneout]

Untilted Katamari Reflections

Preamble:

Content considerations for the following include:

Parental abuse

Bigotry

Worldly anxiety

You're welcome back another day if that's too much right now.

I.

It’s fall of 2015.

You and your virgin college friends drink shitty cocktails called the “Slutty Will Rodgers.” They’re just Pepsi rawdogged with indeterminate amounts of grenadine and Captain Morgan. When you bought the mixers a Wal-Mart stocker yodeled “OOOOoOoooOH, maKIN sOMe DRINKS?!?!” and you knew it was time to leave.

We Love Katamari is on the Telly. It’s a sweet, trippy game you first bought to cope with high school. On Dark Fridays at 1am, when your inbox was barren and your balls were full, you’d drive to the empty gym downtown and sprint six miles. Then you’d come home and replay the firefly level until you fell asleep with your pug.

Your college friends are bad at the game, so they pass the controller. You’re playing the underwater stage. A spaceman falls in the pond of people gunk and stacked crabs. It’s going really well if you’re honest. You point to the screen and say “this’ll be Florida if Trump wins.” See Fig. 1.

Figure 1: Rick Desantis has big plans for Disney.

Your friends don’t reply because they soon won’t be virgins and their tongues battle each other’s. It’s a different game they play, one with fuzzier rules, but greater industry respect. You wish the campus gym was open 24/7.

. . .

Your skills as the prince are not inherent. You first meet him in 2005, when your dyspraxic hands can barely tie a shoe. Your parents catch you lose shit for the Toonami review of Me and My Katamari. They buy it for Christmas, hoping to steady your nerves while your father’s in therapy.

Dr. Flam is a Neo-Freudian hitched to your mom’s guy, Dr. Flim. She’s deep in your dad’s dream journal and makes him watch movies like Cool Hand Luke to really reign in his ego. He gets the DVDs from the Netflix site, then through the mail. As a family you watch your dad’s therapy films and reruns of Inyuasha.

In the waiting room you barely navigate the sticky ball through Namco Bandai’s Satoshi Kon parade. See Fig. 2. You’ve only seen adults express anger verbally, so when you mess up you grunt a lot and let out those Leopold Butters Stotch swears like “crap,” “shoot,” and “gosh darn.” You’re not particularly self-aware, so you probably just say “god fucking damn it” a few times and don’t remember. Years later you realize there was probably a secretary behind the glass watching you do all this.

Figure 2: Bwahbwahwabhbawahbwaaaaah.

Sometimes there’s a girl in the room with you, just around your age. She’s stuck while Dr. Flim teaches her mom about what dream snakes mean for her fear of male puberty. That's what he did for your mom, anyway.

You think the waiting-room stranger is cute, but you won’t admit you like girls yet, especially not to yourself. To cope with the cognitive dissonance, you do your weird shit louder while refusing to make eye contact with her. If you get real stressed you crank up the main menu track and yell “ahhhhh that’s so relaxing” while the “nah nah nah nahs” play through your headphones.

At one point the girl stands against a wall and stares at you with her arms crossed. You bet she thinks you’re cool, but she’s probably just annoyed and hopes you’ll notice, or maybe just ask if she’s OK. It’s probably good you don’t talk with her. You might ask something stupid, like if she's seen the roach corpse in the stairwell. It’s been there for a year straight, isn’t that crazy?

For better and worse, you power through your little game alone. Every time you lose the King of All Cosmos beats, shoots, and belittles you. See Fig. 3. It reminds you of when your own dad shattered your Harry Potter wand over the kitchen counter because you dropped a mini pizza.

Figure 3: The King of All Cosmos offers little constructive advice, all things considered.

You fail quite frequently. Eventually you drop the game because it’s getting stressful and you have the power to relieve yourself of the situation—not the Freudian lobby, just your fake dad.

II.

It’s 2012. PlayStation Network uploads The Prince’s primeval outing: Katamari Damacy. Within, Padre Cosmotic flaps his gums over too much hooch then slams his dump truck ass through the better part of our solar system. He dislodges every recognized constellation and even the moon itself.

Cosmos sends Prince to Earth—the last brick left in the shitstorm—to make slop of our planet and bodies. With the slop space itself will be made anew. The Good Son does as he's told, and every living entity experiences euphoric ego death within the bulbous heaven of the Katamari.

As a Real Gamer Teen you lose a lot less in this one. You really go in and fix Fake Dad’s mistakes, no problem at all. This is why a year ago you hailed “gaming journalism” as your calling. You write clean and play tight; should keep the lights on. It’s the most concrete idea you’ve had since 7th grade when you outlined a YA novel called Tooth Pocket. Even you didn’t think Scholastic would buy that one, though. It was just too hot for the book fair.

One day you’re cranking through FFVI and your real dad swings by, mad you're young. He grills your ass and says “I bet you can’t even tell me the biggest thing happening right now.” It’s some real “What’s a gallon of milk cost?” shit, he could mean anything.

 Surprisingly, you can’t think of a good answer. You and your friends are actually pretty informed because John Stewart is still at the desk and y’all chime in every day. See Fig. 4. You also spend hours each week tearing through MSN slideshows in your Graphic Design class because the Photoshop takes five minutes. You’ve seen a staggering amount of the Syrian civil war.

Figure 4: Sometimes in Snapchat you draw glasses on your cat to make him look like Mitch McConnel. You wouldn't do that without this guy.

Still, you’re a little stumped. It’s the middle of a phenomenon native to moralist presidencies known as "a slow news week.” You actually ran out of war shit the other day and clicked through some slides about Pakistani wrestlers. The seniors who offered you Jack Daniels in the Whataburger lot saw it and laughed. They thought you were peeping dong in class. You really weren’t, but they didn’t believe you. They graduate certain you were bricked up in the Dell Lab over big guys in spandex.

“I don’t know,” you tell your dad.

He throws his hands behind his head, hard, like an orangutan chucking logs at a poacher.

“It’s the fucking carbon tax,” he yells. This comes as a surprise, you think, because that shit is last month’s news. It really didn’t go anywhere.

“Do you not pay attention because you don’t give a shit, or are you just a nihilist and think you can’t do anything?” You can tell in his eyes he thinks there’s a real answer. “Seriously, which is it?

You don’t remember what you said. You probably just stammered until he walked off.

A month later he picks you up from marching band. Your phone is dead, so he had to wait twenty minutes longer than anticipated while you found his car. He punches the rearview mirror until the windshield cracks then screams of how your birth kept him from New England.

III.

It’s 2016. A rockin’ MILF in the Psych department gets you really into Hamilton. See Fig. 5. Every day you wake up on the grind and blast “You Aaron Burr, sir?” through your shitty 7-11 cans. While cramming foreign language Quizlets and McGraw Hill Online you do this thing called “Hafilton.” It’s where rock up to “Nonstop” and quit listening just before Hamilton decides what he will stop is being a good husband.

Figure 5: Like Kojima, you know "MILF" is a mindset, not a factual inquiry.

It’s 2018. Your grades are notably better and you’ve snuck into the honors program. Like Hamilton himself, you really flourished at 19 and thought about running for office. You immediately abandoned this idea after remembering your allergy to recordings of your image or voice.

You cohabit with the Psych MILF, and she offers some advice: she’s really had her boots on the ground with this whole “clinical psych thing” and honestly, respectfully, she loves you, but dear God it might not be your scene. It’s taken a real toll on her and the friends, and she can’t imagine you going through that shit.

At 1am in your living room you boot up DOOM (2016) and listen through some Hamilton. Angelica is thirsty on main when you remember that you, yourself, could be a lawyer. You don’t have to run for Congress to fight the establishment. There’s just the common law, and it’s right there. You can just get your grubby little hands in that shit and work your magic.

. . .

It’s the last semester of undergrad. Your Western Thought professor says Hamilton wasn’t really a huge deal and really James Madison shat out the big parts of our faction-proof empire. Yes, there was, in fact, a civil war, but the caplock rifle worked it out. After the Federalist papers he has you read the Bill of Rights but no Supreme Court cases. There’s a lot of talk on negative liberties.

Just before finals, the learned doctor says your generation only has two things to worry about: the climate and the poverty. Yeah they’re big, he says, but they’re just two things. You’re crafty kids, smart as the framers, even.

. . .

The state decides law school is your jam and lets you come inside.

There’s the negative liberties but you actually read Supreme Court opinions when the big boys aren’t shaking fists for Valley Forge. They have you listen to Hamilton for context. You feel dirty. An LRW professor puts on the “I’m Just a Bill” video and your sectionmate with Ivy degrees gets really, really mad.

. . .

The Federalist Society has a comfy presence at your law school. Along with Big Oil they sling out free pizza to every Little Scalia with a rumbly tum tum.

On your way to class you hear what the pizza boys feel. They hate Europeans, those social democrats with the rotten armories and clumpy cash. The Euros, they think, give too much wiggle room for the mentally ill, and by that they mean they mean gay people and probably just women overall.

There are more than two things to fix, you think.

. . .

The pandemic hits. You and some pals start a Google Doc to stay afloat. It barely works. In the Zoom review for the property final your professor catches multiple people crying. "You don't have to be here," he tells them, “there are other jobs.”

. . .

A year passes. You’re in a niche public interest class you do all right with. The professor looks you and thirty-five others dead in the eye and says how sorry he is that law school is traumatic. You shed a single tear in your little window. You're pretty in the shit and haven’t worn pants to class in months.

Then public interest prof takes a big, big drag from his long, fat spliff. He spins his desk chair and baseball cap at the same time, never letting go of the joint.

“Hey,” he says. “It’s not your fault, really, but the world is fucked. It’s time to fix what your parents did.”

The next week he gives a practice exam where the best solution is to sell an old lady’s house to Nestlé.

IV.

It’s 2022. After throwing your whole gooch at it, you fail the bar exam.

You fall back hard into exercise. When you’re not slamming Barbri you’re at the gym binging curls and cranking the Chainsaw Man soundtrack. One night on the way to squats you finally hear “Black Parade.” Just like you, Mr. Gerry Wayland is stuck between global disrepair and the desire to write Funny Little Books.

You just started an FLB yourself, actually. It’s spin on a Story Break episode you love. In your version there’s a fucked up civil war horse that moves like a spider and is covered in bugs. Rich people kill the planet then the horse gets lost in space. It’s compelling, you promise. There’s body horror and pirates dressed like Gorton’s Fisherman. See Fig. 6 It’s about the horrors of the contemporary world state. It’ll be fun.

Figure 6: An untapped horror icon. Imagine blood contrasting that yellow.

Big problem, though: you remember rich people love hiking. There’s no grass on Mars, not that good shit anyway. Would they really fuck all of it?

You edit. In the last few years, the real breathless ones, the oligarchs cash their tab. A cartel, they think, could really muscle those stragglers, the tragically common. There’s one city left with both breathable air and refugees. They level it. The few survivors are spread amongst the stars, so their loves and languages may die.

. . .

It’s the middle of Bar Prep Round 2. You and the patient MILF see Hadestown in the Big City.

There’s a juke joint on stage flanked by devil trombones. A sad little guy slinks in from the janitor’s closet. His name is Orpheus and, just like you, he’s a sad, short writer who likes a lady so much it comes out weird. He has a vision, he says, for a little ditty. It’s compelling, he promises, and shit’s gonna change. His love is functional and realized, worth the investment of a hardened woman displaced by capital’s torture. She believes him.

You cry because you know where this goes.

It’s just a single tear.

Don’t worry.

Nobody sees.

. . .

There’s this game you like, by some corporate anarchists who hate themselves. They’re Scandinavian, from the spot in Tallin where you stopped for a cruise. Every gift shop there had swastikas and gas masks leftover from the bloody years.

In the game is a liberal yacht MILF. She thinks you’re stupid but someone’s helping with your gun, so you’ve got that on her. And yet, she pins you, re your whole writing thing. See Fig. 7.

Figure 7: She sucked, but it still hurt when she left.

Your favorite Supreme Court podcast says the ocean’s last hope is other countries. But those countries’ people cry to the Disco game, and their ministers also bought The End of History. You meet them on the subreddit. You're all geeked out, waiting for the tide.

. . .

It’s the era of desert cradles. God thinks you’re disgusting, so he sends his better kids with a memo: the flood was too much work on his end, it’s time for something different.

“Just keep walking,” he says.

Your skin bares his figure. So do the corpses. You little birds among billions, gassed out and screaming, move to clean.

V.

It’s 2023.

We Love Katamari is up on the PlayStation store. You sit with the cats and mow down some crabs. You don’t need it so much these days, but it’s nice.

There’s a Bar card in your wallet, just below your gym tag. There are two interviews in your Google Calendar. Good stuff might happen, hopefully soon. You crawl into bed and wrap an arm around your wife’s rib cage.

Everything matters and nothing is safe.

You are loved enough to sleep.

[hotdrinks]

I meant WHO is Jon?

A fella

[ID a very simplified sketch of Jon sims sitting with his legs straight out, holding a tape recorder and frowning deeply. Three disembodied eyes hover behind him and look at him. End ID]

[averagepsychouser]

Magnus archive fans are more scared of making people not conventionally attractive than they are of the actual ghosts

[jaehaeryshater]

the problem with the asoiaf fandom is that you’ll think jon snow is your son but there’s thousands of people out there who also think he’s their son and expect custody

[jonsnowunemploymentera]

Something rubbed against his leg beneath the table. Jon saw red eyes staring up at him. “Hungry again?” he asked. There was still half a honeyed chicken in the center of the table. Jon reached out to tear off a leg, then had a better idea. He knifed the bird whole and let the carcass slide to the floor between his legs. Ghost ripped into it in savage silence. His brothers and sisters had not been permitted to bring their wolves to the banquet, but there were more curs than Jon could count at this end of the hall, and no one had said a word about his pup. He told himself he was fortunate in that too. His eyes stung. Jon rubbed at them savagely, cursing the smoke. He swallowed another gulp of wine and watched his direwolf devour the chicken. Dogs moved between the tables, trailing after the serving girls. One of them, a black mongrel bitch with long yellow eyes, caught a scent of the chicken. She stopped and edged under the bench to get a share. Jon watched the confrontation. The bitch growled low in her throat and moved closer. Ghost looked up, silent, and fixed the dog with those hot red eyes. The bitch snapped an angry challenge. She was three times the size of the direwolf pup. Ghost did not move. He stood over his prize and opened his mouth, baring his fangs. The bitch tensed, barked again, then thought better of this fight. She turned and slunk away, with one last defiant snap to save her pride. Ghost went back to his meal. Jon grinned and reached under the table to ruffle the shaggy white fur. The direwolf looked up at him, nipped gently at his hand, then went back to eating.

Jon I, AGOT

It's interesting that GRRM would dedicate several paragraphs to a seemingly unimportant exchange between a boy, his wolf, and an unfriendly third party. But there's just something about this passage that has continued to nag at me for years since I first read it because, considering how heavy handed GRRM was with the foreshadowing in AGOT, this feels important.

Jon is sitting at table full of squires - aka would be knights. We don't really know who they are or what families they belong to, but it's safe to assume that they come from a certain level of privilege; this is considering the fact that it cannot be financially easy to be a squire. And these boys already have a slew of tales detailing all their previous knightly exploits regarding "battle and bedding and the hunt" which suggests that they have some capital. So you have boys who will soon be men. And they will, presumably, become men of some power.

These lads eat their fill of the chicken until only half remains, which Jon then gives to Ghost. The direwolf's name is not so important here but what he represents is. Throughout the series, we're told that Ghost is reminiscent of the weirwood trees (because of his red eyes and white fur). He's stated to be of and from the Old Gods and since he's a personification of the weirwoods, he might as well be one of them. It's almost as if Jon is presenting whatever is left on the table to the Old Gods (Ghost). He lets them devour his offerings while he silently watches. And the motif of watching is so interesting here because it's kind of like Jon takes on a stewardship role - to watch over land/people/etc. He oversees Ghost eating the chicken, so he's overseeing whatever has been given to the Old Gods. This is not new imagery to his arc. As a brother of the Night's Watch and eventually its leader, we have several instances where he leads people to adopting the Old Gods in some fashion. In ADWD, several recruits swear their vows to the Old Gods while he watches on as their Lord Commander. The Old Gods are also primarily of the North and we're told that Jon has more of the north in him than his brothers; interesting that this also includes Bran. So perhaps whatever is being offered to the Old Gods relates to the North.

We must also note that Jon initially thinks to give only a small portion, a leg, before pivoting and providing the entire thing. It feels to me a bit like the process of carving up a kingdom or something similar. The lords (represented by the squires) take what they want and leave aside what they don't; or perhaps they have eaten to their fill and can take no more. Then when his time comes, Jon first considers a small piece of land/group of people before eventually absorbing all of whatever is left behind. The concept of carving up a kingdom rings harder considering that we have several callbacks to the ideals of kingship in this chapter. Robert, Jaime, Tyrion, and even Mance though we don't know it yet, all play into this. And then there's the aspect of Jon letting the chicken slip between his legs which evokes birth/fatherhood, a very curious choice when GRRM could've just had Jon place the chicken on the floor. So land/people are carved up and Jon then uses whatever is left to birth his own type of kingdom. And this kingdom is one for the Old Gods.

This also touches on something that has been quite prevalent throughout Jon's arc. It's the concept of accepting the "others" or "those left over" who live apart from the accepted social norms. Arya (a tomboy), Sam (a gender non-confirming boy), the Night's Watch (criminals, extra sons, and men who have no future left or place to go), and even the wildlings are all examples of this. And Jon takes on a leadership/paternal role to every single one of them. He looks after them as a leader would/should. Sometimes, in the case of Arya and the wildlings, he's equated to a king. He's a steward/shepherd/king. There's messianic undertones to this:

Come unto me, all you who are heavy laden, and I will give you rest. Take my yoke upon you and learn from me, for I am gentle and humble in heart, and you will find rest for your souls. For my yoke is easy and my burden is light." (Matthew 11:28-30).

If you're familiar with Judeo-Christian tradition, you'll know that Jesus is often personified as one who spent the majority his time among the outcasts. The idea is that he came to save them too and that anew kingdom (or new earth depending on your translation) would spring up after the end of the world where he would forever rule as king; which presents the idea of a final king after the earthly ones are done away with. Now GRRM isn't so heavy handed with Christian allusions as other authors out there, but he does have a Catholic background and Jon is so overtly a Jesus figure. And in Revelation, Jesus is king and god at the very end....

One last thing: the mention of the mongrel who challenges Jon has always been rather interesting but confusing to me. A mongrel doesn't really relate to one specific type of dog. But it's interesting that Jon notes several roaming about where he is. They follow the serving girls who carry the food to be offered. Mongrels are used to describe antagonist/villainous groups in ASOIAF. Sometimes, they're used to describe slavers in Essos. But what's interesting is that most of the time, they're used to describe Euron's Ironborn especially in Victorian's POV. So I don't think the mongrel who challenges Ghost is a supernatural threat of death (i.e., the Others) but rather a human one. They represent those who are called to the scene once the lords have finished playing their games. It almost feels like a feast for (carrion) crows....

But it doesn't really matter because this mongrel isn't much of a challenge for Ghost. Though the mongrel is much larger, the direwolf is able to fend her off very effortlessly. Given that "mongrel" is used to describe Ironborn raiders, could this exchange between Ghost and the mongrel point to reavers or sea raiders who rise and fail challenge Jon kingdom? There is a historical King Jon Stark who did this....

When sea raiders landed in the east, Jon drove them out and built a castle, the Wolf's Den, at the mouth of the White Knife, so as to be able to defend the mouth of the river.[1][2] His son, Rickard, followed him on the throne and annexed the Neck to the north.

ref.

So this might shed some light not only on Jon's already published arc, but also on what we can expect in the future. We have some foreshadowing through Jon's ADWD dream that he will not only rise with the dawn (thereby live through the Long Night), but will be in a position to lead people (wildings in that chapter) to a new peace after a hard fought war. Also remember that the wildlings, rather enthusiastically, swear oaths to him as if swearing oaths to their king. In this instance, the supernatural (a dream of the war for the dawn) is followed by the natural/human. So perhaps this particular passage (and Jon's dream) can be used to predict that Jon comes out on top, and quite effortlessly too, as a leader. And he becomes a leader who rules by association with the Old Gods; or rules a kingdom for them.

To end, I think it's of note that this passage immediately precedes Jon's conversation with Benjen where he voices his desire to go out on his own - the hero's call to action. This is the adventure that's going to kickstart his growth as a man, warrior and most importantly, a leader. So it looks like before we even began, GRRM telegraphed how it would all end in just three short paragraphs.