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sinceileftyoublog · 2 months ago

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Andrew Bird & Mary Lattimore Live Show Review: 12/5, Fourth Presbyterian Church, Chicago

Andrew Bird & Alan Hampton

BY JORDAN MAINZER

A few songs into this year's first Gezelligheid show--Andrew Bird's annual series of winter concerts at the Fourth Presbyterian Church--Bird mentioned that when he put on an Ella Fitzgerald recording when spending time with his family, his niece asked, "Why are you playing Christmas music?" To her, Bird posited, all old music sounded like Christmas music. It's a fairly easy misconception to understand. After all, the feelings you most associate with Christmas, holiday, or wintertime music in general--warmth, joy, familiarity--are often inherent qualities of songs that clearly are from a distant past. A great classic song can make you feel nostalgia for a time you didn't even experience. It's that phenomenon that Bird took advantage of most on Thursday night.

Bird & Hampton

Accompanied by multi-instrumentalist Alan Hampton, Bird played both original and cover favorites from his recorded catalog. Highlights of the former included Armchair Apocrypha's plucky "Plasticities", the minimal "Pulaski at Night", and the swaying "Alabaster" from holiday album Hark! He culled multiple times from his deep well of tunes by Vince Guaraldi and beloved Americana duo The Handsome Family. Midway through the main set, Bird took advantage of returning home and invited Evanston-based longtime collaborator Nora O'Connor on stage. Though O'Connor has long been a backing vocalist for the likes of Bird, The New Pornographers, and The Decemberists, she and Bird actually played a deep cut she recorded with him, a version of Bob Dylan's "Oh Sister" from Bird's 2007 Soldier On EP. The three musicians on stage broke the song down, a capella style, before Bird built it back up with his violin.

Bird

But it was Bird's most recent releases of covers that ended up perfectly encapsulating the allure of the past. In May, he shared Sunday Morning Put-On (Loma Vista) with the trio of Hampton and drummer Ted Poor, a collection of jazz standards (plus one original) interpreted through Bird's unmistakable aesthetic. Bird knows that stringed instruments best emulate human voice, but on Sunday Morning Put-On, he explores the extent to which applying bow pressure on his violin strings can recall the rich sounds that result from blowing air into the mouthpiece of a horn instrument. Early in his set on Thursday, Bird and Hampton performed the Trio's rendition of Johnny Green and Edward Heyman's "I Cover the Waterfront", a song that's been recorded by the likes of Sarah Vaughan and Billie Holiday. Starting with violin, Bird's fluttering followed the original's vocal line; by the time he started singing, his bowing undulated like a tenor saxophone. The performance was eerie, uncanny, and time-bending.

Bird & Hampton

In October, Bird and singer-songwriter Madison Cunningham released Cunningham Bird (Loma Vista), a track-by-track recreation of Lindsey Buckingham and Stevie Nicks' pre-Fleetwood Mac record Buckingham Nicks. For many in the crowd, even among the pop music aficionados, it was their first time hearing the songs at all: Remarkably, Buckingham Nicks is long out-of-print and not on any streaming services, save for some unofficial uploads to YouTube. Bird and O'Connor duetted a strummed, stripped-down, faster-paced version of "Races are Run". On both Cunningham Bird and on Thursday, for "Crystal", Bird inverted the gender of the lead singer, Cunningham and O'Connor, respectively, singing Buckingham's words, Bird harmonizing Nicks' parts. And there's a fun connection between Sunday Morning Put-On and Cunningham Bird, which is John Lewis' "Django", a song that not only did Bird and his Trio cover on the former but that Buckingham and Nicks covered for their album--meaning Bird also reinterpreted Buckingham and Nicks reinterpreting jazz. The version that led into "Races are Run" Bird played on Thursday was firmly the Cunningham Bird version--after all, Poor's drums are key on Sunday Morning Put-On--but the song's inclusion as a standard that can be adapted in many different ways underscored the very concept of Gezelligheid: conviviality, coziness, fun.

Bird & Hampton

Mary Lattimore

Opening for Bird was harpist Mary Lattimore, a musician who has demonstrated over the past several years that combining classical training with clear experimentation and a sense of humor can, too, result in something fun and beautiful. Lattimore, gifted her harp by Chicago-based factory Lyon & Healy, performed tracks from her dense back catalog, many of which had a story associated with them. She wrote Hundreds of Days' "On the Day You Saw the Dead Whale" after, yes, seeing a dead whale in a coastal California town where she was at a residency. "Wawa By The Ocean", included on her 2017 Collected Pieces compilation, was inspired by her holy routine of buying a hoagie from the Philadelphia-born convenience store/gas station chain and eating it on the Jersey Shore. (Upon finding out about the song, Wawa headquarters sent Lattimore a care package.) "Til a Mermaid Drags You Under" aims to reflect the duality of dark and light in the surf town where it was recorded with Slowdive guitarist Neal Halstead, for 2020's Silver Ladders. On Thursday, hearing the songs' contexts gave crowd members a starting point, either as a lens through which to take in the song or as a challenge to see if they could empty their heads and get lost in the pure sounds emanating from the stage. Lattimore, meanwhile, used synths and looping not to trick and lull you into layers, but to show you how she was manipulating the sounds in real-time, as tangible as her plucks and scratches of the harp. At one point, during Hundreds of Days standout "It Feels Like Floating", ambulances were outside driving down the street, sirens on, but the crowd was subsumed by Lattimore's playing. The harp didn't drown anything out by volume, but like Bird's violin would do later, it enraptured a group of people who had walked through the doors of the church to nestle in the safety of memory and imagination.

Lattimore

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niccolites · 1 month ago

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green cliffs: - lessons in mortality. chapter three

highlander!soap x fem!reader. cw dubcon. read here on ao3

You grab the nearest item in Johnny’s room and lob it at his head, which he dodges with an ease that sets off your temper again. It’s a cup and it shatters against the wall, a last gasp of dust that settles into the air.

“You are a right bastard,” you hiss at him, so angry that you shake with it. You had barely been allowed a moment to process what Johnny had announced - without consulting you - before you were being hustled out. Johnny’s arms a firm band around your waist as he brought you to his room, something that had almost set you off in the hallway.

You expect him to get angry at you, the way he did out in the woods. If anything he seems delighted, broad smile as he laughs at you. Dodges your next throw - a book this time - and catches you, sweeps his arms around your waist and hoists you up against him. “Am sorry, a am sorry,” he grins into the curve of your jaw, the hint of teeth before he settles on a smacking kiss as you squirm to get away from him. “A just couldnae contain masel’, I had tae tell ‘em.”

“There’s nothing to tell, what are you talking about?” you snap, thumping your palm against his shoulder to get him to relinquish you. His shoulder is hard underneath his white cotton shirt, firm muscle that flexes as he adjusts his hold on you.

He doesn’t. Just continues to laugh, as if you hadn’t even spoken, eyes sparkling as he seems to be caught up in some other thought. Let's go of you but you can’t go far before he has your head held in his hands. “My father will want a full ceremony, so we can make it official there, Am sorry that I announced it before, a couldn’t help myself.” He nudges his nose against yours, affectionate like he’s allowed to be.

“I don’t understand,” you whisper, a twist in your mouth. You think about your brother, think about how you are going to get back to him. You’re starting to think that maybe you were the one to leave the pitchfork in the hay and guilt curdles in your stomach, another mess for Ian to clean up after you. Johnny’s hands cradle the back of your skull and you think that you are stuck here. Walked into the maw of a lion and were surprised when it bit down and caught you.

“That’s alright, angel, I can sort everything,” Johnny soothes you, but it just raises your hackles more. He nuzzles his face into the size of yours, the bristles of his beard catching on your skin and leaving you feeling raw. He pulls back, just enough to nudge his nose against yours. His mouth is so close to yours, and he seems to realise this, blue eyes going half-lidded as he sways forward.

“Johnny,” you interrupt, and his breath hitches in his chest, a fine tremor running through him as his name sits in your mouth.

“A know, cannae help maself around you,” he admits, leaning back just the smallest amount, a hint of bashfulness that you narrow your eyes at. Like he’s putting it on. “I’ll go speak wae my da, see if we can speed up the wedding, yeah? Then we don’t have to be so nervous.” His eyes shine, as if caught up in a fever dream.

“Johnny, I don’t -” you start, but he gives you another kiss on your cheek and darts away before you can finish what you were about to say.

Maybe that is how he justifies this to himself. If he isn’t here to hear you protest, then maybe that means you aren’t protesting at all. You scowl around his room, wondering how much destruction you can get away with.

It’s messy, which is about what you would expect. An oak table in the corner with a few dishes on it, left behind presumably from the last time he left - you hope. His bed tucked into the corner of the room, rich red sheets, crumpled, as if he had left in a rush. You wander around, drag your hands down the wolf hide thrown over the armchair by the fireplace. Imagine yourself being here, living here. Dig your fingers into dead flesh, the give of fur that has been stripped from a living thing.

His blood is still under your nails. You suddenly decide that you need to be clean, need to be scrubbed down of any traces of the last couple of days and start anew. Maybe Johnny is like an animal, if you stop having his blood on you, he’ll let you go.

There is a metal basin in the corner, but there isn’t any water in it yet. You falter, uncertain as you look down at it. Then square your shoulders. If you were going to convince Johnny to retract his proposal - that was more skipping past proposal and straight into matrimony - you would need to be brave enough to at least ask for warm water.

You poke your head out of the room, trying to catch the eye of anyone wandering. A stout woman is wandering past with a basket on her hip, filled with sheets. You tentatively call out and she turns a questioning look on her face. “Hello, sorry to bother you. Do you know where I can get some water for a bath?”

The woman - grey streaking her hair even crammed into her bonnet - squints at your face for a moment before she glances at the room that you are poking your head out of. “Ah! Johnny’s bride, aren’t ya? Nae bother, lass, I’ll run and get ye some water just now.” She pauses, giving a frown at the general state of you. “I’ll grab ye some clothes as well, poppet, ye look a right state.”

She’s off before you can find the words to let her know that you are not Johnny’s bride. Not that you know to even begin to articulate such a statement. You wonder if you do protest too much, if you would just be forced out of the keep. Told to find your own way home then, if you were happy enough to rudely reject the heir. You know that you are to the west of your home, but the intricacies of the journey are lost on you.

You slink back into Johnny’s room and settle into his armchair, feel the fur of that dead wolf on the back of your neck as you sigh. Stare down the portrait of what must be one of Johnny’s old relatives on his wall.

The older lady is efficient, barely any time has passed before she is back, bustling in with a bucket of water that she sets by the fireplace and starts trying to spark a flame. Mrs Duncan, she introduces herself as she settles down on her haunches with a grunt. “Oh, I can sort that - it’s alright,” you start to say, standing from the armchair and hovering as if ready to take over.

“Nonsense, ye’d likely dae it wrang and then I’d have tae come back and do it fer ye anyway,” she says. The words are harsh, but the manner in which she says them is as if she hadn’t just insulted you. You bristle, beginning to frown. You’re interrupted when she catches sight of the rest of the room. “Ah, look at the state of this. See that boy, absolutely no shame, y’know if he expects a woman to be living here wae him, he cannae be leaving it in a state like this,” she tuts, fire catching finally and she bustles around leaving the fire to warm up the bucket and gathers up any of the dirty dishes that have been left behind.

You twist your mouth, trying to hold back a scowl. Mrs Duncan is gone again anyway, returning with another bucket. There is a constant stream of conversation, even if you aren’t contributing much to it. She has a nephew in the keep, the stablemaster, and apparently he is as messy as Johnny. You hum politely, nodding in the right places.

You jolt back to yourself when she stands you up, the buckets of now steaming water in the basin, reaching behind you to undo your cloak and tossing it at her basket of sheets. “I can do that myself,” you yelp, stumbling away from her as she reaches for the stays on the front of your dress.

Mrs Duncan pauses, watching your wriggle away from her. She looks a moment away from protesting and yanking your dress off anyway, but the mullish look on your face pulls her up short. “No need to be prudish around me, poppet, I’ve seen all sorts in this place. I’m sure you haven’t got anything that would concern me,” she tells you, raising an eyebrow at you.

“I’m not - I just would rather sort myself out,” you manage. Her face doesn’t move. “It’s been a long couple of days, I just would prefer to.” She relents at last, a gust of a sigh before she scoops up her basket and leaves. You are left with firm instructions to leave your ruined dress by the door and put on the new one she brought for you - a pointed pat on the fabric that she has laid on Johnny’s desk.

Alone again, you tip the water into the deep basin, watch the steam wrap up in the air. It catches on your face and sticks, curled into the curve of your cheek and leaving behind the faintest of moisture. You yank your dress off, finally taking stock of it. It is ruined, Mrs Duncan hadn’t been exaggerating. Blood and muck and dirt, the skirt torn at the edges slightly. You hope that Mrs Duncan doesn’t toss it away, it had been your favourite for a while. You wonder if she would notice if you managed to get it cleaned in the bathwater after you were finished. Something tells you that you are unlikely to get away with it.

There’s more water than you’ve ever seen here. Usually, there is a single bucket that you manage to heat up and tip into the basin that you and Ian had been using since you were young. You suppose this is Johnny’s bath, and must be large enough to accommodate him. Deep and forged with a thicker metal than your basin back home.

Standing in your slip, you gnaw on your lip as you watch the door. There is an overwhelming urge to be cleansed. Some sick combination of Johnny and those Englishmen’s blood has seeped through your clothes in some places and have stained your hands, your legs. Your skin crawls with the need to scrub it off. However, the fear of Johnny coming back to his room and finding you naked is enough to give you pause before you jump into his bathtub.

You pause, twisting bare feet on the cold stone of his floor, as if you have created the time in which he will come back in. A few beats pass. If he comes back, which is unlikely, then you will just ignore him, you decide. You tug the filled basin slightly around the corner just in case. Childishly hoping that he may not notice you now at all if he does come back.

Your slip comes off and you sink into the warm water, groaning at the feeling. You dip yourself down fully, suspended in water for a moment before you pop back up, reborn again.

You scrub at yourself with your nails, dig off grime and blood. There’s a hardened piece of animal fat, soaked in a sweet smelling oil that you imagine is Johnny’s soap. You scrub yourself with it, an old version of yourself slicking off and sitting as a filthy film in the water. You dig into your hair next, lather and rinse until your scalp stings.

Perhaps you overindulge. Lie with the rim of the basin digging into the back of your neck and stare at the ceiling for a little too long. You think that the more likely reason is that Johnny is able to sense that you are naked and comes running.

The door opens and you flinch, sinking further into the water. The liquid surges, almost capsizing over the sides at the startled movement. Johnny flies in through the door and stutters to a standstill, almost hurling over himself at the sight of you. Blinks and breathes through his mouth, a faint wheezing noise.

You sink further into the water, cradling yourself as if to hide from his view. “Could you be a gentleman for one minute, and leave so I can get out?” You ask, trying to sound firm, but it comes out as a faint plea that makes you wince. Your plan to ignore him has fled, he commands too much attention, too much of your attention.

He barely seems to hear you, eyes focused on the flesh he can see through the water. As if entranced he stumbles towards the basin, distantly starting to tug his kilt out of the pin at his chest. Slow at first, then faster as his chest starts to heave.

“What - Johnny !” you exclaim as he strips off with an eagerness that almost throws him into a wall before he’s bare and striding towards the basin. He’s all muscle, built with no give in him. There’s hair over his chest, thinning to a line down his belly that has you averting your eyes with a flush. “I can get out -” you start, one hand still trying to cover yourself while the other tries to find some purchase on the edge of the basin.

You’re lifted up by your arms before you can stop him, squealing as he all but jumps into the basin and drags you down on top of him. Water sloshes everywhere, you hear the slam of it on the floor as he gets settled. It rocks around the two of you for a moment before it finally starts to settle.

Flesh squeaks against flesh, your breasts pressed against his chest as he holds you still until he’s sat down, you half-cradled into him. A familiar position, although it irritates you a lot more than it did in the saddle. You wiggle, trying to struggle free but it only makes him groan, hands seeking out the expanse of your back to grip, making you still. “This is inappropriate,” you hiss, feeling something twitch on the soft skin of your belly. Animal panic, the kind that makes you want to buck and kick him away but also freezes you in place.

“You’re the one who’s bare in ma bedroom,” he points out, hefting you further up his torso so that your faces are pressed together before you lean back. He almost goes cross-eyed, trying to take in your face as well as the press of your chest against his. The hair on his chest is wet, flattened down but it still tickles when you shift slightly. Fine but dark, plastered to tan skin. A freckle on his shoulder that catches your attention before you drag it back again.

“I was taking a bath,” you try to justify yourself. He hums in response, smoothing his hands up and down your flank. A hand up your side to glance against the side of your breast which makes him groan. “Johnny, we’re not even married yet - this is so inappropriate.”

He laughs at your scolding, dipping his head to press a kiss to your cheek and then bites at the apple of your cheek. Light, more to feel you jump under his hands more than anything. “We’re no’ swiving,” he points out, nose in the wet of your hair. “We’re promised, a reckon the Father wouldnae look too harshly on us fer getting tae know each other.”

“I would,” you snap.

“Ye look like a water nymph,” he murmurs, half-dazed as if he had been struck. Half the water is out of the basin, leaving your back cooling in the air. He's like a furnace, against your will, you instinctively curl into him, try to keep warm. His hands are grabbing at your back, as if he wants to touch all of you at once.

“Johnny,” you start, trying to get up again. Palms flat on his shoulders, try to use this momentum to force yourself up, but he all but yanks you back down. Your hands barely cover the breadth of his torso, small as they curl into his collar.

He sighs against your temple, a groan trapped in his chest. He bucks against you, forcing you still again and you feel him slide against your belly. “Ah, fuck,” he mutters. “C’mon, c’mon.”

You don’t know who it is that he’s speaking to, feel the kick of his leg as he braces you against himself, the rock of his hips against yours. Flesh and water, feel the lap of it around the curve of your waist. His breath is hot against the skin of your cheek, your scalp, your neck. He digs his fingers into your backside until you flinch and whimper which just makes him moan even hotter against you.

You hold tension in your back until you can’t, a twinge in the muscle. You deflate, let yourself sag into Johnny as pants into your ear. There’s a coil in your belly, has you tucking your head into his collar, waiting it out.

The sight of you giving in must be too much, you feel the same wetness from the forest only this morning, kick out onto your belly. The water likely washes it away, but you feel it like it’s branded you. He whines your name out, sounding pained. The sound of his punched out voice has something in your belly clenching, even as you ignore it.

His hands are still rounding over the curve of your backside, but you let him. Decide to save the energy for something else you will need to argue about. There’s a red scratch hidden in the scratch of his beard. You lift your hand and thumb over it. He hisses slightly, but you feel his cock kick at the feeling. “This from those men?” you ask, voice hushed.

The quiet of your voice seems to catch his attention more than you’re yelling does. Attention stretched to you, catching each word in a tight net. “Aye,” he murmurs, turning his head as much as he can without shifting your thumb from the bolt of his jaw. His eyes are half-lidded, but alert when pointed at you. His hair curls into his forehead, dark and soft looking.

You twist your mouth, study that small scar. There had been a fight in your village once, daggers drawn between two men. One of them had cut the other across the throat, you remember the spray of blood, vicious, like it was escaping. A smooth arc in the air before it landed, the horrible choking that had followed. Blood spraying, gurgling as if it had changed its mind and wanted to stay instead.

One of the men must have had a dirk on him, must have caught this a little before Johnny had dealt with them. You imagine if the Englishmen would have cut your throat in the same way, if your blood would jump out of your throat, or stick close by you, dribble down and stain your skin instead.

You sigh, and drop your hand. Evidence of the hurt Johnny has earned himself is enough to quiet you, leave you ruminating over him. It’s distracting, being naked on top of him, everything that has you reeling at the impropriety of it all. Then, there is the scar on his calf, the cut on his jaw. Marks of hardship. For you.

Johnny nuzzles his nose into the space between your ear and your hair, inhaling loudly. “You use my soap?” he murmurs. You nod and he sighs happily again, you ride the wave of his chest deflating beneath you. “You smell like me.”

Even though you had been the one to use his soap, it’s another branding mark. You’re spared having to make some kind of response, another justification for your behaviour, as a fierce shiver shudders through you. Johnny may be a burning furnace under you, but the water is tepid now, and most of your body is left out of the water to the cool draught in his bedroom. He laughs at you, wrapping his arms around more of you as if to catch your shakes. His chuckle is a boisterous thing, starting in his lungs and bursting out. A nice sound, you imagine, if it didn’t always seem to be at your expense.

“Up we go,” Johnny hums, his hands scooping you out of the water like a messy toddler. Water cascades again but the mess was already there, so you barely give it any notice. Your feet almost slip on the stones but it barely matters with how Johnny won’t let you go.

You cover yourself as best you can with your hands, Johnny frowning at the sight as he holds the towel that you need. You frown back at him, one hand holding your breasts from sight, the other crossing your belly to cover the crux of your thighs. You can’t reach a hand out for your clothes without exposing yourself. Johnny seems to realise this and his fists tighten in the cloth, expectant grin. Open maw.

A heat in your cheeks, but you rationalise that he has already seen most of your body anyway. One hand still holding your chest, the other reaches for the towel. Johnny snaps his arms around you again and lifts you against him, something between a snarl and a laugh as he drops his head to your collarbone. “Can I get dressed, please?” you hiss, cold and irritated.

He presses a harsh kiss to your skin, beard catching and scratching at your skin, amused at your annoyance again. “Aye, my dear,” he smarms, letting you take the towel from him. You dart away, but you think that he lets you, more than capable of crossing the distance with a few strides and yanking you back into him. The towel must be his, large enough to cover yourself from view but also catch the damp of your hair as you tousle it dry.

You glance over your shoulder at him, and find him watching you, eyes suddenly sharp, taking you in. “What is it?” you ask, hiking the towel further up your chest. He’s still naked, dripping water shamelessly on the floor, adding to the mess.

He’s quiet, which immediately sets you on edge. Appraises you, eyes darting between yours, then all over. Silent. His size had been an annoyance, but you suddenly understand how those Englishmen must have felt when he came at them. You’re standing, a drenched cat, in the shadow of something much larger than yourself.

He still hasn’t dressed again, just watches you with water droplets all over his chest. The flex of his waist as he inhales, the twist of muscle there, seeming to flex as your gaze drops there. Everything in reaction to you. You refuse to look any lower, drag your eyes up and frown at his face.

Whatever he sees must satisfy him, because he takes a step forward and cups your face in his hands. You startle at the heat of his palms but he doesn’t let you go anywhere. Leans down and kisses you before you can stop him.

Strange to think that this is the first time that you’ve kissed, everything is out of order. You have only been kissed once, with the butcher’s boy who was a few years older than you, and had been sweaty. He’d tried to put his hands up your skirt and you had pushed him into the dirt and stormed off. You don’t imagine you could do that to Johnny, likely he would drag you down with him.

The sweat has washed off of Johnny, but you barely have any time to discern the press of his lips before they’re opening and you’re gasping, a revelation. His tongue in your mouth, licking into you like you were meant to be tasted. His thumbs on your temples, the span of his fingers cradling your skull. Held in place as he groans and licks further into your mouth.

There has to be something blasphemous about this, something unholy. There’s nothing appropriate about Johnny’s spit spilling into your mouth until it slicks in the gaps between your panting mouths. Spills down your chin as he tilts your head back to reach more of you. His tongue on the back of your teeth, the space between your gums and your teeth. A place that you thought only you knew about.

You’re frozen until you sway into him, head heavy in his hands. He doesn’t seem to require much reciprocation given he’s in your mouth, but you tentatively lick back, try to slide your tongue against his and you almost shy away from how loudly he moans at that.

He pulls back, just enough to seal his lips around your tongue and suck for a moment, eyes heavy on yours. Filthy. He pulls his head back enough to let you catch your breath, but now he just rests his forehead against yours. You blink at him, bleary. His spit, or yours, on your face. His spend on your stomach. Water everywhere else, but it doesn’t cleanse like you thought it would.

“Ma da wants us tae have dinner wae him, tonight,” Johnny murmurs, thumb smearing the spit across your chin. Pupils blown, swallowing up the blue.

“Alright,” you whisper back. He hums in response, as if considering kissing you again. “I should get dressed.”

His eyes flicker back to yours, silent again. His hands bracket your neck now, hands spanning across your collarbone. A beat. Then: “I’ll see if we can get the priest over here in the mornin’.”

You aren’t left any room to argue, before he’s crowding you into another kiss and pulling back with a smack that disturbs you. A string of spit between your mouths that pulls until it breaks. He’s across the room, yanking on his white linen shirt and is out of the door with his kilt held in hand.

You shuffle, uncertain, dripping wet in a strange man’s bedroom. The water spreads over the stone floor, catches in the divots and speeds up. There’s the smallest hole in the mortar, the water spilling towards it.

You drop your towel over the gap and step over the mess to get dressed. If the water wasn’t going to clean you out, you weren’t going to let it escape before you could.

#johnny mactavish x reader #johnny mactavish #johnny soap mactavish x reader #johnny soap mactavish #highlander au #green cliffs #nic writes #cw dubcon #cod x reader #cod #call of duty x reader #call of duty #next chapter is the wedding ! maybe ! there are already problems in this marriage and it hasn't even begun #but god loves a trier so god loves johnny

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