#jj s2

[criminalmindsverse]

CRIMINAL MINDS 2.21 — "Open Season"

[luthqrs]

"I thought you said it was physics?" "Physics... magic." JENNIFER JAREAU, SPENCER REID, PENELOPE GARCIA & EMILY PRENTISS in CRIMINAL MINDS 2x12 | 'Profiler, Profiled'

[sunniepoo]

we need to have a discussion about how the sex would s2 rafe would literally go crazy!! he is so desperate for power and validation that he isn’t getting from his father, he channels it onto you

there’s like two opposite poles to this and one of them is that he is exerting as much power on you that he can and that means taking full control, tying you up, breathplay, cumming in you even if he said he’ll pull out,choking,slapping,edging, sensory restriction and all of it just revolves around him gaining power

but the on other end is validation and he gains that when you tell him how good he makes you feel and how important he is to you - it’s all he wants to hear. i firmly believe rafe isn’t a munch the way jj is but he will get on his knees and eat you like a man starved if that means you will tell him he’s doing good, this also means so much overstimulation because in his eyes him making you cum is a sign of doing well

anyways just wanted to say i need to fuck s2 rafe cameron desperately and i feel it would heal all my problems

[jemilygifs]

[veryberryjelly]

holy crap i love your writing!! could i get a bedtime story with jj maybank and 61 + 79 please !!

congrats on 1k

jj maybank x fem!reader

prompts : " forehead to forehead " + " leans in for a small kiss, pulls away, and then turning into a full blown makeout session "

𝐉𝐎𝐈𝐍 𝐌𝐘 𝟏𝐊 𝐒𝐋𝐄𝐄𝐏𝐎𝐕𝐄𝐑

somehow, days spent relaxing in the sun seemed exhausting.

being out on the boat with your friends all day, dipping in and out of the water every 30 minutes, had brought you to the brink of exhaustion.

you used jj's assistance to climb out of the boat and went straight for the spare room that jj used.

whenever all of you stayed over at the chateau, you pretty much had your designated places.

pope and kiara situated themselves on the pullout bed in the living room.

sarah took residence with john b in his room.

and you always found yourself on the other side of jj's bed. so much so that you had a few things in a box under 'your side' of the bed.

nothing much, a few hairties, a bikini and a phone charger, maybe a couple of miscellaneous things,.

the only reason you didnt have it in the bedside table was for jj's sake. incase any girl came over and found all of your stuff in his room.

but you hadn't seen jj with many girls recently. he had been spending a lot of time with you and the pogues.

you hadn't spotted him chatting up any girls at parties either. it was odd, but you just brushed it off, figuring he was doing stuff on his own time.

you were too tired to think about it right now.

you went into the drawers across the room and grabbed one of jj's t-shirts to put on in place of the bikini top you had been using all day.

there were faint tan lines from the strings which brought a brief smile onto your lips.

you were interrupted by a knock on the door as you pulled the t-shirt over your head, moving to sit on the edge of the bed as the door pushed open.

" crashing in here, sunshine ?" the sound of jj's voice caused you to turn your attention towards him.

" definitely. " you replied, collapsing back against the pillow with a soft sigh.

you turned onto your side, curling up slightly into the soft fabric of the bed.

you could hear some soft rustling around the room which you assumed to be jj getting changed, but what you didn't expect was to feel themed dip on the other side, jj falling onto the mattress beside you.

your eyes fluttered open to find him laid opposite you, mirroring your position.

the sight of him across from you brought a smile onto your lips as your eyes closed again.

sleeping after a morning spent in the sun was always the best feeling. it was like the best kind of nap ever.

it was made better by the warmth you felt as you woke up, even though you were unable to see much as you opened your eyes.

you felt a warmth around your torso as you checked the time on your phone.

19 : 48.

you set it down again, turning over to your other side, only to be met with jj fast asleep behind you.

you couldnt stop yourself from lifting your hand to brush some of his hair away from his face with a soft smile.

but it seemed you just interfered with his sleep as his eyelashes fluttered against his cheeks.

you dropped your hand down to the mattress almost instantly, hoping he would just go back to sleep, though your hopes were not met.

his eyes eased open and you were met with his set of baby blues.

" sorry... didn't mean to wake you " you apologised, your voice no louder than a whisper.

" s'okay, sunshine. " he replied, his arms not moving from your torso, not even to move his hair when it dropped over his face again.

the golden locks were blocking the view of his eyes. you brushed it away as best you could, pushing it onto his head, your fingertips dragging deilcately down the edge of his face.

your knuckles grazed over his jawline before dropping down onto the mattress between the two of you.

you really weren't sure why you did that, and as embarrassment settled into your stomach, you felt a warmth on your hand.

jj lifted your hand and settled it onto the junction between his neck and jawline.

you didn't dare move it away this time, instead resting it comfortably against his cheek, your thumb moving of it's own volition, stroking against his cheekbone.

you didnt really have time to question what was happening before you felt the light pressure of jj's lips against your own.

though they disappeared as quickly as they arrived and you were left staring at eachother with an unreadable expression on either of your faces.

you decided not to think about it, or question it, and instead went back in to kiss him, with a considerable amount more passion than he gave you.

his hand dropped from holding onto your wrist to holding onto your waist and pulling you impossibly closer to him.

this was not what you had planned when you came in here to take a nap, but you had to admit it was a better turn of events.

you only pulled back when you had to breathe. and when you did you couldn't stop the smile that spread brightly across your face.

or the slight nervous giggle that slipped from your lips.

you were brought back down to the moment when a similar laugh came out across from you.

" what was that about ?" you questioned, not moving far enough from jj that you only had to speak at your quietest volume.

" been thinkin' about it for a while... you're not pissed ? "

" nah, i've been thinking about it for a while too "

his smile grew even further at your answer, dropping his head down against the pillow, your forehead pressed against his.

neither of you moved from that position, ending up falling back into a slumber.

the next thing that woke you was the sound of the door opening followed by the noise of your friends arguing about who called it.

[theunholyvirginemilyprentiss]

Requested by @lazyclumzycat-blog (my beloved 🫶)

THE BAU ON PROM NIGHT

SPENCER: His mom picked out his suit—tweed with a black bow-tie. He was reluctant to wear his dad’s old Italian leather loafers, but he decided not to spite his absentee father if it meant Diana didn’t have to spend a hefty sum on new shoes. Spent most of the night standing awkwardly at the edge of the dance floor beside Penelope.

PENELOPE: Can’t stop scratching her itchy corsage, but refuses to take it off because she spent all night bedazzling it. Watching Morgan dance with a sultry look in her eye. “Look at him move. He’s like a cat.”

EMILY: “More like a dog.” Spiked the punch and has three minibar bottles of vodka stashed in her bra. Thoroughly enjoyed watching JJ stumble about the dance floor wondering why she had sea legs, hiccups, and the giggles all of a sudden.

JJ: Slow danced with her quarterback boyfriend and then made out with Emily behind the bleachers. “This is just because I’m drunk. I’m just… experimenting.”

EMILY: “Sure, honey.”

ROSSI: Took his job as chaperone very seriously, only because he found it funny. Walked by JJ and Emily and blew on a whistle, making them jump. “Leave room for Jesus, you’ll catch cooties!”

GIDEON: Gave a lengthy and surprisingly inspiring speech before thanking Aaron Hotchner, the class president, and crowning the prom royalty.

ELLE: Broke up with her boyfriend, won prom queen, and agreed to try a keg stand at the after party. After winning the crown, she pulled Spencer onto the dance floor. “Come on, boy genius. Show me what you got.”

MORGAN: Won prom king, unsurprisingly. Made sure to give all the ladies in his criminology class a first-rate slow dance. He especially showed off Penelope—that was quite a dip and spin!

TARA: Was absolutely tearing up the dance floor. Four cups of punch in and she still had flawless footwork.

HOTCH: Pulled up in a limousine, gave a speech as class president, slow danced with Haley, and left in a limousine. In a word, ✨class✨. Took Haley to a secluded spot in the park to watch the stars—there was a ring in his pocket…

Two days later…

LUKE: Strides into the school gym in a tux only to find it empty, and sighs. “I really need to buy a calendar…”

Visit my Masterlist for more BAU scenarios!

If you liked this post, you might also enjoy the Criminal Minds Yearbook posts which can also be found on my Masterlist.

[jiarasource]

I gotta be honest. That was the best freaking speech you have ever given.

[mewtnaishi]

WHY?!

What is it with writers thinking it's a good idea to take a traumatised and obviously suicidal character and KILL them off?!

This character has been through so much shit and pain. They have managed to find joy in the people around them and have had SOME happy moments.

But they still have so much unresolved trauma. And they still carry so much pain inside.

And instead of giving them a well deserved happy ending that could bring some hope to the audience watching who might relate to said character… they thinks it's a good idea to KILL THE CHARACTER OFF?!

ARE YOU F-ING KIDDING ME?! WHY?!

[lilalbatross]

SHORESY 2x04 | Players Only

[marvelsgirl616]

….jj what’re you looking at? ;)

[criminalmindsverse]

CRIMINAL MINDS 2.15 — "Revelations"

[luthqrs]

"Emily? How come none of this gets to you?" EMILY PRENTISS and JENNIFER JAREAU in CRIMINAL MINDS 2x15 | 'Revelations'

[lovingobx]

WEIRD!POGUE!READER

WEIRD!POGUE!READER who messily slops on silver, glittery nail polish to the sound of punk rock blaring into her ears — through her still corded earphones. the freshly thrifted nail polish smothers over her cuticles and onto her skin, but, she doesn’t bother cleaning it off. weird!pogue!reader thrashes her hands through the air, attempting to dry the polish asap.

— ˗ˋ ୨୧ ˊ˗ —

WEIRD!POGUE!READER who spends most of her free time either at the thrift store or soliciting random animals on the island — or sleeping. most folks on the island ignore her, simply looking the other way when she walks by, rather than smiling at her. even fellow pogues.

— ˗ˋ ୨୧ ˊ˗ —

WEIRD!POGUE!READER who bumbles around town, ignoring the depressing scene — to most, at least. to her, it’s normal, her life for as long as she can remember. thats what happens when you’re an outcast, and there isn’t a lot of them on kildare. most people are involved actively with one group, kooks or pogues. sure, weird!pogue!reader was a pogue, economically at least. but socially? she’s a nobody, thats known by everybody.

through the years weirdo x rafe cameron

[storytellerslense]

JJ Maybank character analysis

Luke Maybank and the unhealthy dynamics of parentification

What is parentification?

Parentification is a role reversal where parents are emotionally unavailable to provide support to the child typically due to their own problems often caused by alcohol or drug addiction or a mental illness. The child is forced to take care of themselves and take responsibility of the parent. Parents who are emotionally unavailable might also put down their children, contributing to a lack of self-esteem and increased stress for the child. This unavailability leaves the child without the necessary emotional guidance and stability.

The relationship between JJ and Luke Maybank

Luke is a single father. He is drinking and addicted to the prescribtion drug "Ambien", also known as a Z-drug. He is neglectful and abusive, failing to offer the emotional backing that JJ needs.

Luke Maybank is addicted to sedatives

Until about the third episode of the first season, we don't learn much about JJ Maybank's abusive family background. The first time we get a glimpse of his father is when Luke Maybank is exiting Barry's house, where he possibly went to get drugs or being involved in other shady activities. We also learn, that Luke Maybank lost his job at the salvage yard because he turned up drunk for work.

In Season 1, Episode 3, JJ Maybank and his friends visit the salvage yard to steal an underwater drone. During this scene, JJ concocts a lie about his father to distract the security guard, crying that his father "was gonna hit him again" if he wouldn't finish a certain task for him. The viewer is left wondering if there is some truth in his lie.

In Episode 5, father and son are on screen together for the first time in a dramatic scene, which intensity shocked many viewers. Beforehand, JJ Maybank was portrayed as funny, reckless and rebellious. There were no actual signs that he could have really been the victim of such vicious domestic violence as portrayed in this Episode.

In the scene Luke Maybank picks up his son JJ from the police station. As soon as they got into the car, Luke's entire rage is suddenly unleashed on JJ as he brutally beats him up. The mistreatment continues at home, where Luke verbally abuses his son mercilessly, possibly being under the influence of prescribtion drugs and alcohol. Meanwhile JJ locks himself in his bedroom. He is badly bruised and anxious, visibly traumatized and shaken by his father's actions.

"How you gonna get that money back, huh? By sittin' around doin' nothin'? I'm gonna tell you right now, you are a worthless piece of shit! Your Momma knew." (Luke Maybank, Season 1, Episode 5).

But physical abuse only being one possible hallmark of parentification. Parentification mainly involves overstimulation in parent-child interaction, where the focus is strongly on the parent's emotional needs. A strong indicator for JJ being parentified is, that he only feels valuable when fulfilling his father's needs. He really tries to please his father, desperately longing to "earn" just a small moment of parental kindness.

When he steals money from Barry's drug shack to pay for his restitution, he is even willing to jeopardize his friendship with the Pogues, just to fix things with his father.

At first, Luke gratefully accepts the money. JJ is shown beaming with relief and happiness over his father's praise and appreciation. But soon after Luke makes it clear that he doesn't want to use it for the restitution to help his son. He argues that the money was his to spend because JJ had already "cost him so much".

Luke instills guilt in JJ by blaming him for his misery (Season 1, Episode 7)

With that being said, Luke twists the fact that it is actually his paternal duty to provide for JJ's basic needs. Instead, he manipulates JJ by making him feel responsible for financial burdens, further solidifying JJ's role as a caregiver.

When JJ objects and takes his money back, his father beats him again. This time, JJ fights back, ultimately overpowering his father, pinning him to the ground. JJ is about to possibly hit and kill him with an object, but at the sight of his father being defeated he breaks down in tears, heartbroken and frustrated about his father's repeated rejection towards him and possibly feeling guilty and ashamed about having to defend himself like that against his own father. As JJ realizes how weak his father is, he might have also felt uncomfortable and confused with the sudden power he has over him. Notably, that particular scene also visualizes the unhealthy role reversal between father and son.

"You gave me nothing. You gave me nothing but a shitty life. All you ever did was try to scare me. But guess what? I am not scared of you anymore!" (JJ Maybank, Season 1, Episode 7)

The internal struggle between longing for parental affection and dealing with the reality of his father's behavior becomes clearer in Episode 10 when JJ tries to steal the key to Luke's boat, the "Phantom".

As JJ is about to take the key off his sleeping father, Luke surprisingly wakes up in a changed demeanor. He apologizes to his son, not without shifting part of the blame onto JJ, saying: "You remind me of your mother".

"I know I'm hard on you sometimes. But sometimes I see your mother in you. And it get's me a little tweaked, you know?" (Luke Maybank, Season 1, Episode 10)

Although Luke comes across sincere and apologetic in this moment, he actually refuses to take any responsibility for mistreating his son. Worse than that, he shifts the blame onto JJ's mere existence and heritage. This justification for his anger issues is another form of abuse and emotional manipulation.

Additionally to that, Luke Maybank repeatedly brings up JJ's missing mother and his frustration about her, with complete disregard for his son's feelings for her. He never considers whether JJ loved his mother, if he misses her, or if JJ himself is hurt or confused by her disappearance. He focuses only on his own pain and frustration, completely ignoring his sons feelings who must navigate complex emotions and family dynamics all by himself.

JJ finally accepts his father's attempt to hug him because he deeply craves for his approval and love. In doing so you can see him desperately trying to push down his emotions and unsuccessfully holding back his tears. The intimate moment is interrupted when Luke, under the influence of his drugs, collapses back on the couch sleeping, allowing JJ to think clearly again and finalise his mission of taking the key of his father.

Another instance where the role reversal becomes very clear is when Luke JJ helps his dad to escape to Yucatan in Season 2, Episode 8. After they share an emotional farewell on the boat, JJ gives his father some money for the journey and secretly disposes the pills fueling Luke's addiction. These actions are another example of JJ routinely stepping into a caretaker role, which traditionally belongs to the parent.

Luke Maybank pressures his son into helping him for the last time (Season 2, Episode 8)

JJ stays behind, relieved that his father cannot harm and manipulate him anymore. But his hopes are fading that he will ever change. JJ is left with the growing certainty that he will, despite his relentless efforts, never be able to have the unconditional love and acceptance he craves for. It is questionable if JJ will ever give up seeking his father's love and acceptance, but due to his personal growth in the last three season it becomes clear that he will no longer fight for it to the point of self-sacrifice.

Luke Maybank leaves his son (supposedly) for good in Season 2, Episode 8

[kierreras]

you're it for me, belly

belly conklin & conrad fisher // the summer i turned pretty, s2

[princessbrunette]

rewatching some of s1 and everyone acted like rafe was crazy for pulling up on sarah and yelling at her for stealing from a drug dealer but like ……. 😭😭 he was right idk! anyone with a big brother would know that that’s what a big brother would do, he was trying to protect her