#luke maybank

[whosstella]

I was abt to post something like this! Love this 😭

RAFE CAMERON & JJ MAYBANK + parallels

[patheticrafeenjoyer]

like whatever .

[gotskamstuff]

My heart is actually breaking for JJ!!

We already saw throughout this season how he was struggling to adapt to their new life with money and how his first gut instinct was of pure panic just thinking that he was gonna become a Kook and that money would change who he is, but now he also found out not only that Luke is not his father…but he actually is the heir of a Kook family, JJ is the heir of the whole of Goat Island!

It already breaks my heart because it’s obvious now that the lash out he has in part 2 (the clips from the trailer where he goes apeshit destroying everything) comes AFTER this discovery which is most likely gonna cause some major spiraling from him and he’s gonna be in a fucked up mental state when we pick up on the story again.

And to be fair who can blame him? He basically just found out that his whole life was a lie, his identity JJ Maybank doesn’t even exist and he is a whole other person: Jackson Groff, a child who was believed to be missing/dead for 19 years.

This also makes JJ’s story and the life he lived growing up 10 times even more devastating.

He grew up in abuse and neglect when all along he had a better life waiting for him and that he was stripped away from, he grew up with traumas that were never real and he was gaslighted to believe: I mean, he lived his entire life believing that his own mother abandoned him as a choice and never cared for him (and developing a fear of abandonment) to then find out that his mother died when he was barely days old and he almost died with her.

He grew up under the same roof of an alcoholic “father” who physically and mentally abused him with no regard, a “father” who neglected him to the point that JJ had to work multiple jobs as a teen just to survive and being stripped of his childhood, a “father” who left him homeless and put JJ in the position to spend days of life without food struggling to afford a meal…and all along his biological father was right there, on the other side of the marsh living in lavish in his family’s mansion, knowing that his child was living in the Cut with an abusive drug addict.

There’s so much devastating information to digest all at once for him: his identity being a lie, his mom never being the woman who abandoned him, his real mom being dead, the abuser that raised him (or better neglected him) having no blood ties at all with him wasting his life away, his real dad and only biological parent alive living all along next to him in riches, the fact that his entire life could’ve been so different from the one he lived and without abuse, AND ON TOP OF EVERYTHING HE JUST FOUND OUT HE IS THE LAST SURVIVING MEMBER OF A FAMILY WITH A DEATH CURSE!!!

He’s gonna spiral so badly and again, who can blame him?

This also makes his found family with the Pogues and his relationship with Kie so much more special, at this point they are the only thing that remains real in his life and the only thing that can still ground him to the person he is. The only truth.

It seemed almost impossible for JJ’s story to get even more tragic and yet it just did! 💔

[futuremrscameron]

if that flashback was supposed to make us believe that man is his father they did a shitty job jj looks just like luke jesus

he literally looks like the son of larissa and luke but fuck it we ball

[bumblesimagines]

i just like having sex with you sometimes. that's all. let's set some ground rules. so… how do we do this? Sarah Cameron

i just like having sex with you sometimes. that's all.

let's set some ground rules.

so… how do we do this?

Pronouns: He/Him/His, M!Reader

and so the sequel becomes a holy trinity

Sarah Cameron was a pretty girl. Everyone knew it, whether they acknowledged it with awe, envy, or lust, everyone knew the Cameron genes worked like magic. The button nose, the full lips, the sun-kissed skin, the luscious hair that was a mix of blonde and brown strands, the dark brown eyes. The talk of the town, the pretty princess of Figure Eight, the beloved darling of the Cameron family. Sarah Cameron had no business being in the Cut. Hell, she had no business hanging out with JJ's troublemaking friends. She had no business seeking him out, and no business lying in the bed of a Maybank. Funny how the world worked, (Y/N) thought. 

Maybanks and Camerons weren't supposed to mix. They were from two different worlds. And yet...

Between the altercation between JJ and their father and Barry's rage over being jumped and robbed, (Y/N) had an ever-growing headache. He found himself glad JJ had beaten their father into near silence and fucked off before (Y/N) could get home, although he'd left him to patch their father up and deal with quiet, angered mutterings. His father luckily seemed either too exhausted or too drunk to bother him much, leaving him to spend his free day in his room listening to music while he gathered the will to get a Tylenol and step out into the world. He could use a drink or two or three. Maybe he'd stop by a bar and listen to Barracuda Mike's tales about his international dealings until the alcohol knocked him unconscious. 

Following in Daddy Dearest's footsteps. Typical.

His father staggered into the doorway, slamming his fist twice against the old wooden door with a sneer. (Y/N)'s heart skipped a beat and he tentatively paused the music, eyeing the subtle way his father swayed from side to side. Nobody could make him revert to childhood like Luke did, back when he'd cradle a crying JJ while JJ's mom and Luke got into screaming matches over one thing or the other. "Mind tellin' me why the hell there's a Cameron standin' on our goddamn porch? I don't want no problems with Ward, (Y/N)." 

"Jesus," (Y/N) exhaled, pulling the earbuds from his ears and standing up. "Which Cameron, Dad? The idiot or the chick?"

"The chick." Fuckin' Camerons. Fuckin' Sarah. "If Ward catches wind of his little girl strutting aroun' here half-naked-"

"What are you even talking about?" (Y/N) tossed his phone aside and sucked his teeth, slipping past his father and hearing those familiar heavy footsteps follow him to the front door. Sure enough, there stood Sarah Cameron, her head tilted out toward the marsh and arms folded over her bare stomach. Christ. 

"I want no problems. Understood, boy?" Luke hissed in his ear, moving past him and sparing the blonde a glance before he walked toward his truck. (Y/N) inhaled deeply and ran a hand over his face, finding relief in the fact his father coincidentally needed to head into town under the guise of an errand, when they both knew Luke only ran 'errands' when he needed a hit of something strong. Probably needed something to take his mind off the bruises on his face. 

"I shouldn't have to explain why showing up here, on the Cut, dressed in a bikini top and shorts is a shit idea, Sarah." 

"I was going to the beach with some- whatever, it doesn't matter. I... I wanted to talk about the other day, alright? You know, when you basically yelled at me-" 

"Yeah, yeah, okay. Next time, instead of showing up, you get my number from one of the Pogues and you text me, alright? The guys my dad hangs out with call girls like you jailbait, Sarah. They're sleazy fucks who couldn't care less about where you come from." (Y/N) huffed, but regardless, he pushed the front door open enough for her to step inside, eyes following the cloud of dust left behind by his father's truck as it sped down the road. 

The Maybank's home was hardly anything to look at but (Y/N) managed to keep it clean, at least whenever Hurricane Luke didn't pass through. The general upkeep, and frankly everything else, fell on his shoulders with JJ gone half the time and Luke too intoxicated to care about the world around him. Just about every piece of furniture was old, passed down from Maybank to Maybank without so much as a repair or restoration. At the very least, trying to fix the broken things at a young age had given him some pretty decent skills. He couldn't do much about the holes in the walls and doors, though. 

"It's my day off, Sarah. I'd like to spend it without stressing over any of the bullshit that's been going on the past couple of days, 'kay? Say your piece and go off with your boytoy, princess. I want to have a beer in hand by noon so make it quick." (Y/N) sat back on the armrest of the worn couch, crossing his arms and watching the girl study her surroundings. Sarah slipped her tote bag off her shoulder and set it on another seat, leaning back against the barely used dining table. Great. Definitely wasn't going to be quick.

"I didn't appreciate you getting in my face, for starters. It was rude and unnecessary and I wasn't even given a chance to explain our side of the story. We found the gold in the Crain house and we went to your job thinking you were there. You weren't, obviously. The old lady and Barry were and they set us up. Barry held us at gunpoint and tried robbing us. We defended ourselves. JJ went rogue and robbed Barry. We told him not to." Sarah kept her arms crossed as she spoke, finishing with a light shrug and slightly jutted lips. "I'm not a thief and I'm not a liar, either. I wanted to set the story straight." 

"You could've found diamonds or emeralds or rubies in that old ass house, and I still would've been pissed about this treasure hunt continuing. Big John is dead and you know how he died? Treasure hunting. John B wants to die like his dad? Fine by me. I stopped liking him a long time ago. But JJ? The idiot that I spent my whole life raising? I'm gonna make sure that little shit dies of old age. If you want to merrily march into danger with Routledge, fine, go for it. Keep my brother out of it."

"Why do you keep bringing JB up as if I like him? I already told you John B isn't my boyfriend. He's my friend, and yes, I care about him. I-I want to see him happy and that's why I'm helping him but-"

"Is that the only reason you're helping him?" (Y/N) asked, rising from the armrest and taking slow steps toward the blonde. Her brows lifted slightly and her lips twitched, slowly curling upward into that little smile despite how much she tried resisting it. She looked away from him defiantly and clicked her tongue, eyes trailing back toward him.

"Are you suggesting I became friends with John B just to see you? Quite the ego you've got, Maybank. I said I liked you, not that I'm obsessed with you." Her voice softened, laced with playfulness and a hint of mischief, her previous irritation (if she'd even been irritated to begin with) long gone. 

"I was gonna say you wanted to piss off Carrera but if that's the first thing that came to mind..." He trailed off, hearing her scoff in soft disbelief before she swatted at his shoulder halfheartedly. She rolled her eyes and pursed her lips slightly, peering up at him through her dark lashes. 

"You're a dick." She murmured, not nearly as offended as the last time she'd uttered those words.

"Yeah," He dipped down slightly, hands finding the back of her thighs and fingers digging into the warm plushness of her skin. Her hands landed on his shoulders, soft giggles leaving her as he lifted her onto the table, the wood creaking softly under the added weight. One hand slid up from his shoulder and curled around his neck, the tip of her nails slightly scraping against his skin. Sarah's skin flushed. "And the sky's blue."

"But what else is new, right?" Her lips stretched out into a smile before she leaned in, pressing them against his as his hands moved from her thighs to her hips, half his palms pressing against her skin and the other half against her denim shorts. He pulled her closer until she'd gone flush against him, her legs wrapping loosely around him. Her arm curled around his shoulder and her head tilted to the side, a muffled, flustered giggle leaving her when his teeth lightly dug into her bottom lip. His hand moved and pressed flat against her exposed back, trailing upward until his fingers found the bottom straps of the olive green bikini. With one swift tug, they went undone. 

There was a dizzying aspect to making out with a Cameron, he'd come to realize. Maybe it was the knowledge that her father could be considered one of the most influential men on the island or that his life could change for better or worse with just a word from her. It was an intoxicating feeling if he had to be honest. Sarah seemed to feel similarly considering her fingers dug into him and pulled him as close as possible, her breath escaping her in soft pants. She leaned back briefly and pulled her hands away, dipping them under her hair and undoing the straps keeping the bikini on her. She tossed it aside blindly and mushed their lips together again, arms coiling around him and body slightly lifting itself onto him. His hands returned to her thighs and he lifted her again, letting muscle memory kick in as he found his way back to his bedroom.

He really needed to stop hanging out with the Pogues. They were messing with his judgment.

At the very least, he'd spent his free day doing something fun, even if regret began to dig into his back. He was a Maybank. He lived up to the asshole playboy part of his family's reputation 'cause there was nothing better than messing around to take the stress off, but he never enjoyed toying with someone's heart. He'd made a rule in middle school after his first heartbreak to never knowingly get involved with anyone who actually liked him. The first time with Sarah hadn't broken that rule but now... 

"Can I ask what we are or will that ruin your mood?" Sarah's voice piped up, her lips dragging lightly over his shoulder. His fingertip ran up and down her spine, feeling the goosebumps along her skin while he stared at the ceiling. It felt grounding to have weight pressing him against the bed, even if it was Sarah Cameron of all people. 

"I just like having sex with you sometimes. That's all." He answered and she shifted, hands planting themselves on either side of his head and body lifting itself up slightly. Her hair tumbled down her shoulders, the ends tickling his cheek. 

"Sometimes?" She repeated with an arched brow. "You want to do this more often?"

"You're not bad for a virgin." He murmured. 

"Not one anymore, remember?" 

"Yeah, I remember." His hand moving along her back dipped under the covers that'd pooled around her hips, squeezing the skin hiding underneath. She flushed immediately and lowered herself back onto him, burying her warmed face in his neck and huffing. "You were pretty loud-"

"Okay." She groaned and lifted her head again, her reddened cheeks puffed out slightly. "So… how do we do this? Have you done this before?"

"Yeah, until she and I had a pregnancy scare. It was enough to make us block each other." (Y/N) answered, pushing himself up slightly and against the wall behind his pillows. Her legs tangled around his further, and her eyes widened at the revelation. "Let's set some ground rules. I'm going to give you my number and you'll use it whenever you want to see me. If anyone asks, it's just to keep in touch about JJ. Routledge probably thinks you've got the hots for him so I'd prefer if you didn't tell him or Thornton. Let those two go at each other. If you want to be spontaneous like today, you bring protection. I really don't need a little bastard running around right now." 

"I've been on birth control since freshmen year. Rose insisted on it."

"Good for you. My mom was on it when she decided to fuck around and find out and here I am now." He raised his brows at her. "Anyways... don't get your hopes up for anything, Sarah. I mean it. If you don't think you can handle it, that's fine. We're supposed to be having fun, not getting hurt by disappointment."

[missmouse43]

I really need Luke to make some kind of comment or threat towards Kiara in Part 2 just to see JJ go apeshit.

[storytellerslense]

JJ Maybank character analysis

Luke Maybank and the unhealthy dynamics of parentification

What is parentification?

Parentification is a role reversal where parents are emotionally unavailable to provide support to the child typically due to their own problems often caused by alcohol or drug addiction or a mental illness. The child is forced to take care of themselves and take responsibility of the parent. Parents who are emotionally unavailable might also put down their children, contributing to a lack of self-esteem and increased stress for the child. This unavailability leaves the child without the necessary emotional guidance and stability.

The relationship between JJ and Luke Maybank

Luke is a single father. He is drinking and addicted to the prescribtion drug "Ambien", also known as a Z-drug. He is neglectful and abusive, failing to offer the emotional backing that JJ needs.

Luke Maybank is addicted to sedatives

Until about the third episode of the first season, we don't learn much about JJ Maybank's abusive family background. The first time we get a glimpse of his father is when Luke Maybank is exiting Barry's house, where he possibly went to get drugs or being involved in other shady activities. We also learn, that Luke Maybank lost his job at the salvage yard because he turned up drunk for work.

In Season 1, Episode 3, JJ Maybank and his friends visit the salvage yard to steal an underwater drone. During this scene, JJ concocts a lie about his father to distract the security guard, crying that his father "was gonna hit him again" if he wouldn't finish a certain task for him. The viewer is left wondering if there is some truth in his lie.

In Episode 5, father and son are on screen together for the first time in a dramatic scene, which intensity shocked many viewers. Beforehand, JJ Maybank was portrayed as funny, reckless and rebellious. There were no actual signs that he could have really been the victim of such vicious domestic violence as portrayed in this Episode.

In the scene Luke Maybank picks up his son JJ from the police station. As soon as they got into the car, Luke's entire rage is suddenly unleashed on JJ as he brutally beats him up. The mistreatment continues at home, where Luke verbally abuses his son mercilessly, possibly being under the influence of prescribtion drugs and alcohol. Meanwhile JJ locks himself in his bedroom. He is badly bruised and anxious, visibly traumatized and shaken by his father's actions.

"How you gonna get that money back, huh? By sittin' around doin' nothin'? I'm gonna tell you right now, you are a worthless piece of shit! Your Momma knew." (Luke Maybank, Season 1, Episode 5).

But physical abuse only being one possible hallmark of parentification. Parentification mainly involves overstimulation in parent-child interaction, where the focus is strongly on the parent's emotional needs. A strong indicator for JJ being parentified is, that he only feels valuable when fulfilling his father's needs. He really tries to please his father, desperately longing to "earn" just a small moment of parental kindness.

When he steals money from Barry's drug shack to pay for his restitution, he is even willing to jeopardize his friendship with the Pogues, just to fix things with his father.

At first, Luke gratefully accepts the money. JJ is shown beaming with relief and happiness over his father's praise and appreciation. But soon after Luke makes it clear that he doesn't want to use it for the restitution to help his son. He argues that the money was his to spend because JJ had already "cost him so much".

Luke instills guilt in JJ by blaming him for his misery (Season 1, Episode 7)

With that being said, Luke twists the fact that it is actually his paternal duty to provide for JJ's basic needs. Instead, he manipulates JJ by making him feel responsible for financial burdens, further solidifying JJ's role as a caregiver.

When JJ objects and takes his money back, his father beats him again. This time, JJ fights back, ultimately overpowering his father, pinning him to the ground. JJ is about to possibly hit and kill him with an object, but at the sight of his father being defeated he breaks down in tears, heartbroken and frustrated about his father's repeated rejection towards him and possibly feeling guilty and ashamed about having to defend himself like that against his own father. As JJ realizes how weak his father is, he might have also felt uncomfortable and confused with the sudden power he has over him. Notably, that particular scene also visualizes the unhealthy role reversal between father and son.

"You gave me nothing. You gave me nothing but a shitty life. All you ever did was try to scare me. But guess what? I am not scared of you anymore!" (JJ Maybank, Season 1, Episode 7)

The internal struggle between longing for parental affection and dealing with the reality of his father's behavior becomes clearer in Episode 10 when JJ tries to steal the key to Luke's boat, the "Phantom".

As JJ is about to take the key off his sleeping father, Luke surprisingly wakes up in a changed demeanor. He apologizes to his son, not without shifting part of the blame onto JJ, saying: "You remind me of your mother".

"I know I'm hard on you sometimes. But sometimes I see your mother in you. And it get's me a little tweaked, you know?" (Luke Maybank, Season 1, Episode 10)

Although Luke comes across sincere and apologetic in this moment, he actually refuses to take any responsibility for mistreating his son. Worse than that, he shifts the blame onto JJ's mere existence and heritage. This justification for his anger issues is another form of abuse and emotional manipulation.

Additionally to that, Luke Maybank repeatedly brings up JJ's missing mother and his frustration about her, with complete disregard for his son's feelings for her. He never considers whether JJ loved his mother, if he misses her, or if JJ himself is hurt or confused by her disappearance. He focuses only on his own pain and frustration, completely ignoring his sons feelings who must navigate complex emotions and family dynamics all by himself.

JJ finally accepts his father's attempt to hug him because he deeply craves for his approval and love. In doing so you can see him desperately trying to push down his emotions and unsuccessfully holding back his tears. The intimate moment is interrupted when Luke, under the influence of his drugs, collapses back on the couch sleeping, allowing JJ to think clearly again and finalise his mission of taking the key of his father.

Another instance where the role reversal becomes very clear is when Luke JJ helps his dad to escape to Yucatan in Season 2, Episode 8. After they share an emotional farewell on the boat, JJ gives his father some money for the journey and secretly disposes the pills fueling Luke's addiction. These actions are another example of JJ routinely stepping into a caretaker role, which traditionally belongs to the parent.

Luke Maybank pressures his son into helping him for the last time (Season 2, Episode 8)

JJ stays behind, relieved that his father cannot harm and manipulate him anymore. But his hopes are fading that he will ever change. JJ is left with the growing certainty that he will, despite his relentless efforts, never be able to have the unconditional love and acceptance he craves for. It is questionable if JJ will ever give up seeking his father's love and acceptance, but due to his personal growth in the last three season it becomes clear that he will no longer fight for it to the point of self-sacrifice.

Luke Maybank leaves his son (supposedly) for good in Season 2, Episode 8

[manicpixievixen]

Daddy issues Jj Maybank moodboard

A woman I didn't recognize

Came and spoke to me through a chained door

I told her my story and who I'd come for

She said I'm sorry son but no one by that name lives here anymore

My fathers house shines

Hard and bright

[aubiewabie33]

luke maybank is hot….

[echobx]

"You gave me nothing but a shitty life"

sources: dictionary.com || obx 1.04 || the rime of the ancient mariner by samuel taylor coleridge, lines 139 to 142 || obx 1.05 || albatross by attalus || obx 1.07 || the albatross by taylor swift || obx 1.07 || albatross by foals || obx 1.07 || albatross by attalus || obx 1.10 || albatross by attalus || obx 1.10 || the rime of the ancient mariner by samuel taylor coleridge, lines 232 to 235 || obx 2.08 || albatross by wild beasts || obx 2.08 || albatross by wild beasts || obx 2.08 || the rime of the ancient mariner by samuel taylor coleridge, lines 286 to 291 || obx 4.05 || obx 1.07

please don't copy and/or post my work onto other platforms! ~e©ho

[ginerva-mollyweasley]

"sometimes it just feels like it's me against the world" JJ MAYBANK obx aesthetics [1/?]

[patheticrafeenjoyer]

i don't even have anything to say anymore like we knowwwww they're each other's mirrors (also are u seeing the dark v light thing here... ?). does it make it any less get-wrenching to see? uhhhh nope!

[gotskamstuff]

CHAT PAUSE, I MIGHT BE ONTO SOMETHING (or once again might be clowning)

THE DEATH CURSE IS NOT REAL!!

‼️S4 SPOILERS AHEAD‼️

I’ve spent the last 24 hours stressing over that fact that JJ is part of a family with a death curse on them… BUT THE CURSE PROBABLY DOESN’T EVEN EXIST!!

I apologize in advance ‘cause this is gonna be long, like looooong but follow me.

Wes Genrette (basically JJ’s grandpa) is the one who seemed the most convinced about the curse on his family probably because he never recovered from the sudden and tragic death of his daughter and that’s when he started believing in it, remember how Hollis told Rafe that the land on Goat Island remained untouched for a long time for generations and ALL OF A SUDDEN they now think it’s hunted and wand to get rid of it? There you go! It started with Larissa Genrette’s death.

HOWEVER is it really hunted? Ok Wes Genrette died like he knew he would, BUT he didn’t just drop dead in an unexplainable manner after supposedly seeing the ghost…HE WAS CONFIRMED TO BE MURDERED, STRANGLED BY A REAL PERSON!!

But who did it?

One thing that the forensic doctor also said to Shoupe is that the body found on the beach died in the same way by the same hands, so it means it’s a recurring method used by the killer…and do you remember how Cleo was about to get killed when taken hostage and Pope almost didn’t arrive on time? EXACTLY! PINNED DOWN TO THE FLOOR GETTING STRANGLED!!!

The man that went to the shop to ask “you’re those treasure hunting kids” and tried to kill JJ and Kie underwater and then also took Cleo is the one behind the killings, is he the main villain? Absolutely not! As we’ve seen he’s clearly being used to do the “dirty work” and taking orders, working for the main villain.

And who is the main villain? ALL OF THEM!!

Let me explain better, I think that Dalia (the British lady who’s the killer boss), Chadler Groff (JJ’s biological father) and Hollis Robinson (the real estate developer) are all working together orchestrated by Chandler.

Let’s take it step by step because there’s so much I unpacked (or think I did lol) and I hope I can make it understandable.

One of the major plot twists at the end of part 1 that we are not putting enough attention on is the fact that we see Chandler Groff and Hollis Robinson working together AND ACTUALLY IT IS A BIG REVEAL!!!

It’s big because it explains the whole motive behind the villains goal for this season’s plot.

You remember what business deal Hollis was making with Rafe? What her estate development plan is about? YEAH, GOAT ISLAND!

Chandler Groff and Hollis Robinson (who are also most likely together in a romantic relationship) are after Goat Island and becoming the owners of that land that’s worth a fortune.

The only thing in the way with that? The Genrette’s family!

Goat Island is property of the Genrette’s family and has been for generations and they are the only rightful heir to the mansion and land, Chandler however is only a son in law and a acquired family member by marriage, he is not a descendant of the family and therefore he doesn’t have any claim over the property as long as a member of the Genrette’s family is alive to inherit the island!

This brings us to the fact that Chandler is the one behind both Larissa’s (and also attempted JJ/Jackson) and Wes deaths, why? Because they were all direct heir to Goat Island before him. Now they’re all gone and he’s the only surviving member of the family who can legally claim the land in the eyes of the law. A tale as old as time, family killing family for the inheritance.

This also brings us to why and how JJ ended up with Luke.

I think at this point it’s pretty safe to say that Chandler killed his own wife Larissa and planned to kill their son (JJ) along with her, masking the whole thing as an accidental drowning but of course we know that the kid survived, JJ is right there.

My theory is that Luke Maybank either used to work for the Genrette’s family doing whatever maintenance job on the property (remember how in the first episode Chandler said to the Pogues that many people worked there over the years and never seemed to stick around for long?) or simply he had some sort of rapport with Larissa and therefore Luke is the one who found newborn JJ alive on Goat Island, which clearly wasn’t in Chandler’s plan who wanted him dead along with Larissa.

To get rid of him quickly before Wes Genrette found out that his nephew survived, Chandler probably offered Luke some money and a house on the Cut (or whatever he found convenient) to just take the kid with him and tell everyone it was his, a Maybank.

And the question everyone has been asking themselves since the reveal: why did Luke take this kid if he clearly didn’t want him and abused him for his whole life? My personal theory over this is that 1. As I said he was probably offered something convenient for him and as we know he is an opportunistic asshole 2. Luke actually said something important while revealing the truth to JJ, he said “I did it to help Larissa” which makes me think that perhaps Luke and Larissa actually did have an affair and Luke truly loved her (or at least he felt some sort of affection for her) so when Chandler Groff tried to get rid of his own son, Luke must have clocked that he was the one behind Larissa’s death and tried to do the same with their kid and therefore Luke realized that Chandler would’ve probably still killed JJ if he didn’t take him away, so he did and took Larissa’s son just for her sake and because he loved her…which also explains why in S1 Luke says to JJ something along the lines of “sorry that sometimes I’m like this, it’s just that you remind me of your mother” and gets triggered ‘cause he loved her and she’s dead.

Another important thing that Luke says to JJ in the reveal is “I guess the old man figured it out eventually” referring to Wes and the letter he wrote to JJ before dying, which explains that Wes never had any idea that his nephew was alive up until recently.

This brings us to where we left things off, the Pogues have completely abandoned the necklace part of the treasure ‘cause they are just left at “ok Wes is dead, our deal is done and we got the 5k byeee” and moved on to the blue crown for personal reasons ‘cause it’s worth a fortune…however once they find out about JJ’s affiliation to the Genrette’s family and to the curse, they’re gonna get focused on retrieving the necklace again to break the curse and save JJ.

Chandler is gonna take advantage of that making JJ believe he’s next for the curse and hopefully killing him with this excuse like he did for the other family members, and while the Pogues are distracted with the necklace he will go after the blue crown which technically also is part of JJ’s family fortune since they are related to the captain who killed Blackbeard and took over his ships.

He’ll do that with the help of the mercenaries led by Dalia with whom he probably made a deal and promised part of the treasure, if not the necklace itself which is why the Pogues will struggle to get it back and focus more on fighting with those mercenaries to retrieve it.

Now Chandler still doesn’t know that JJ has discovered that truth and he’s playing nice with the Pogues, he still thinks that JJ will live the rest of his life convinced of being a Maybank, but once JJ confronts him about it the truth then his true colors are gonna show and the Pogues will probably figure it out that this curse doesn’t even exist and it was Chandler all along who played into it and took advantage of this old legend to get away with all his murders of the Genrette’s family.

This also would explain why in the end we see Rafe and the Pogues working together in Morocco, they’re gonna find out that Chandler and Hollis fucked over the both of them together (Hollis is definitely scamming Rafe so they can use the Cameron’s money for the investments) and Rafe is gonna propose to Pogues “hey let’s join forces and go after them”.

I hope I explained what my thoughts are clearly enough, sorry if some part weren’t easy to follow but English isn’t my first language and I try my best, and although I gotta admit I am patting myself on the back a little ‘cause it does make sense, PLEASE REMEMBER THAT THOSE ARE JUST MY THEORIES AND SPECULATIONS, IT’S STILL NOTHING CERTAIN SO TAKE IT WITH A GRAIN OF SALT!!

[lovedeathalice]

*MAJOR OBX S4 SPOILERS*

OH MY FUCKING GOD. OH MY GOD JJ IS A DESCENDANT OF THE PPL THAT KILLED BLACKBEARD I FUCKING KNEW ITTTTTTT. I CALLED THAT SHIT BEFORE S4 EVEN STARTED TAPING!!!!!

EPISODE 7 IS CALLED MOTHERS AND FATHERS BECAUSE THE GIRL THAT DROWNED WITH HER SON WHO WAS ONLY PRESUMED DEAD IS JJ'S MOM!!!!!!!!!!!!! THE MAN THAT OPENED THE DOOR FOR THEM I FORGOT HIS NAME IS JJ'S DAD OH MY GODDDDDD

AND THE FACT THAT THEY SHOWED THAT SHOUPE KNEW HER WHEN THEY WERE YOUNGER???? SHOUPE WHO'S PRESUMABLY LUKE MAYBANK'S AGE????!!?!?? I FUCKING CALLED IT BABY LET'S GOOOOOOOOOOOOOO

[beetlejuice-maitland]

🚨OBX SEASON 4 SPOILER🚨

I’m just starting to finally accept and analyze JJ’s parentage reveal, and something totally random hit me: What does JJ know about his name?

Think about it—we had our theories (John Jacob, Jesse James, etc.) but now we know that legally, it’s Jackson. There was never any mention or slip of his full name at any point before. Why? Because even he doesn’t know.

Just imagine little JJ Maybank growing up not knowing what his name stood for.

Imagine an 8 year-old JJ meeting 8 year-old John B. Routledge, learning that the B stands for Booker & not being able to answer when John B. asks what the two Js stand for. Imagine JJ asking his dad what the letters stood for after learning his name should only be a nickname and going to bed with a swollen lip and more questions than answers.

Imagine a 12 year-old JJ snapping back at the secretaries in the office of Kildare middle school when they inform him his dad hadn’t filled out his registration properly, and they need a legal name, not a preferred one. Imagine JJ meeting Pope Heyward and Kiara Carerra, refusing to tell them what JJ stands for because ‘that unlocks at a level 10 friendship’ and certainly not because he doesn’t have a single clue.

Imagine a 15 year-old JJ sitting in the Kildare County Sheriff’s office, all deep scowls & snide remarks & dark bruises, only hearing the sneered ‘Maybank’ coming out of every officer’s mouth and silently wanting one person to treat him like a regular person for once & just tell him what the Js stand for.

Imagine a 17 year-old watching his dad drive off in a stolen boat and only realizing hours later that Luke Maybank never coming back means never really knowing what his true name is because he’s pretty damn sure his dad either lost or sold his birth certificate. Imagine JJ coming to on a boat with a massive headache and blood dripping down his face, learning he was only the wrong end of a machete away from dying without ever knowing his first name.

Imagine 19 year-old JJ Maybank, on the run from the cops for the 100th time, clutching a letter containing a damning family secret, and begging his father to tell him what the hell is going on. Imagine JJ Maybank frozen on the top of a lighthouse, sirens ringing in the air and the words “I ain’t your blood father, Jay.” ringing in his ears, realizing that everything he thought he knew about himself was a lie, that even the last name he’s always loathed for trapping him in an inescapable legacy of alcoholic, salt-lifer, smuggling Maybanks is a lie, that he’s never known what JJ stands for and now he’s not even sure that he really exists.

[a41-i-finally-caved]

Who's ready for some information nobody wanted??

So

does anyone see anything

Horribly familiar

With these images???

.

.

.

How bout now?

Yup. It's the SAME FUCKING COUCH

like

remember this??

Did no one think, hey! Maybe we should switch that out for a couch that DOESN'T bring back feeling like