#jimmy jazz

[mistwalker-official]

Mistwalker / Twin Banshee Tour complete!

⛓️🖤⚔️🖤⛓️

Stoked to have spent the past four days on the road with these wonderful people, including my bandmates in Mistwalker and the awesome people in Twin Banshee.

A huge thank you goes out to everyone who came out to our shows in Ottawa, Hamilton, Guelph, and Toronto, and to the Dominion Tavern, Vertagogo, Jimmy Jazz, and Houndstooth for hosting us!

Thanks also to Unsucked, Nasu, and Nepenthe for joining us on stage and to Jocelyn, and all the wonderful folks at the Class HQ for letting us crash at your places!

A huge thanks also to Sewer Pool Productions, Fvck You Too Productions, World Eaters, and Chris Verge for their help in booking and promoting this run of shows.

Also a special shoutout to Chris Verge for pulling double duty with both bands, doing nine sets in four days, and driving us across the province.

Until next time, Ontario. 🤘

[julio-viernes]

The Motors publicaron tres LPs bastante buenos y distintos entre sí entre 1977 y 1980. "Airport" fue uno de los singles de su segundo álbum "Approved By The Motors", una fantástica combinación de Ultravox y Beatles. Sólo que en 1978 no existía Ultravox, existía Ultravox!, grupo liderado por John Foxx. Me pregunto si Midge Ure al entrar en Ultravox! y dejarlo sin exclamación escucharía "Airport" ese año (seguro que sí, UK nº4), y si le sirvió de algún modo de inspiración para desarrollar el inminente sonido Ultravox que les catapultaría al estrellato ("Vienna", "The Voice", etc...). "Airport" se adelantó a todo el sonido ochentero de tecnopops- niurromantiks en Reino Unido. Siempre digo que John Lydon odiaba el pub rock - y de ahí venían Nick Garvey y Andy McMaster, de los ritmoybluseros Ducks Deluxe- pero intuyo que lo de Motors (grupo todavía catalogado como "pub rock") más nuevo y creativo, puede que no le pareciese tan mal. Jimmy Jazz subía el otro día "Airport" a la red social y pensé: "Vaya... los Motors... que buenos y poco reconocidos", y por eso se lo casco aquí a todos vds.

[harrison-abbott]

The bass playing on this track.

[spilladabalia]

The Clash - Jimmy Jazz - 3/8/1980 - Capitol Theatre (Official)

[stylized-corpse]

Nepenthe @ Jimmy Jazz - 11/16/2024

[entilovesthings]

I like to think that Jazz gets along really well with the other members of the NU team, i mean, how can you not love her???

[slutpoppers]

Shinichi Kudo

Meitantei Conan (1996)

[archivist-crow]

Miles Davis - Kind of Blue (1959)

Sixty-five years ago today, on August 17, 1959, Kind of Blue, the legendary album by the Miles Davis Sextet, was released. Featuring an all-star lineup of Davis, Julian “Cannonball” Adderley, John Coltrane, Bill Evans, Paul Chambers, Jimmy Cobb, and Wynton Kelly on one track, the album is considered Davis’ masterpiece, the greatest jazz album ever recorded, and one of the best albums of all time. In addition, it is certainly also one of the most popular and influential jazz albums of all time, with its legacy extending well beyond the confines of jazz. Timeless and perfect, Kind of Blue is, as one reviewer put it, a “defining moment of twentieth century music”.

[ifourloveisdead]

Notable bands in emo music history from Alternative Press, November 2017.

[chwduplemon]

BETTER CALL SAUL by Vince Gilligan and Peter Gould (2015-2022) // ALL THAT JAZZ, dir. Bob Fosse (1979)

#concerto alla rustica is playing in the background

[mistwalker-official]

Guelph’s Nepenthe are a phenomenal band. Their blend of doom metal and black metal is absolutely gorgeous and reminds me a lot of groups like Woods of Ypres and Agalloch. It was a pleasure to join them at the Jimmy Jazz for the release of their new EP, ‘The Fading Promise of Tomorrow’, which you should definitely check out.

[jazzplusplus]

1963 - Comblain Jazz festival - Comblain-la-Tour (Belgique / Belgium)

Jimmy Smith, Bud Shank, Johnny Griffin, Rita Reys, Pim Jacobs, Franco Cerri, Marc Laferrière, Michel Roques, Albert Mangelsdorff, René Thomas, Jacques Pelzer, Philippe Catherine, …

[zef-zef]

John Coltrane Quartet • My Favorite Things • Live in Comblain-La-Tour, Belgium, 1965

Soprano Saxophone - John Coltrane Piano - Mccoy Tyner Bass - Jimmy Garrison Drum - Elvin Jones

[th3-c0ll3ct3r]

I'm not saying that Flowers Husbands is back in business...

BUT WHAT I AM SAYING IS, Scott choosing to be a (spoilers) cat (spoilers) just to mess with Jimmy is golden

Like anytime he mentions it, it's just a series of "oh yeah I'm planning to go invisible and steal Jimmy's shit"

And the rest of the cast is like "okay... Anything else?"

Scott's just like "... Ehhhhhh didn't really think the rest through... Probably be a rouge route. And thief-ish...so I can't steal from Jimmy"

No thoughts. Just Be Gay. Do Crime.

[stylized-corpse]

Twin Banshee @ Jimmy Jazz - 11/16/2024

[b1lliesb1ues]

📸 Art Kane, 1958

‘I have no idea how they decided to stand where they did, and with whom, but they did. Slowly they formed themselves into a big group … and I saw they couldn’t have got themselves into a better position’ – Art Kane