#jessica watkin

[servants-hall]

Camp (Presumed Innocent) will star as JP Morgan, the world-famous investment banker who finds himself at odds with George Russell (Morgan Spector) over the future of the railroad industry. Martin (Evil) will play Madame Dashkova, a medium who claims to be able to commune with the dead. Wever (Unbelievable) will take on Monica O’Brien, Bertha Russell’s (Carrie Coon) estranged sister who appears at a crucial time for the family. 

“The American Gilded Age was a period of immense economic and social change, when huge fortunes were made and lost overnight,” reads the season’s official description. “With the old guard officially deposed, New York society finds itself turned upside down, and all must get their house in order. But even those at the helm of this new era may find that change comes at a cost.”

Other new cast members joining the above trio are Leslie Uggams (Roots) as Mrs. Ernestine Brown, Elizabeth Kirkland [Phylicia Rashad]’s friend and a member of the Black elite community in Newport; Lisagay Hamilton (Winning Time) as Frances Ellen Watkins Harper, the famed Black suffragist who inspires Peggy (Denée Benton) to become involved in her cause; Paul Alexander Nolan as Alfred Merrick, a dashing, wealthy New York businessman, who has all the hallmarks of the old money set — elegance, refinement and sophistication; Hattie Morahan (Fool Me Once) as Lady Sarah Vere, Sister to the Duke of Buckingham (Ben Lamb); and Jessica Frances Dukes (Ozark) as Athena Trumbo, Dorothy’s (Audra McDonald) beloved first cousin and a part of an elite enclave of Black residents of Newport, R.I.

[higherentity]

[bonniehooper]

Top Picks of 2024

My Top 10 Favorite OTP’s - #6: Emily Lopez and Luke Watkins from All Rise

[kawaiiinla]

This makes me both ridiculously happy to see such a historical and wonderful thing but it also makes me sad that it's 2023 and this is only now the first time for a black woman to be on a space station crew. We are such a slow fucking species.

Also - I have a crush now.

[n0thingiscool]

This is cool.

This makes me both ridiculously happy to see such a historical and wonderful thing but it also makes me sad that it's 2023 and this is only now the first time for a black woman to be on a space station crew. We are such a slow fucking species.

Also - I have a crush now.

[salemoleander]

lost in the dark (Hunger AU) webweave

Created as a tribute to the absolutely incredible fic @definitelynotshouting is writing, up to the current plot beat!

// Sources under readmore //

What is a webweave? Previous art: Third Life | Void Falling | Attempt 33 | Martyn | Limited Life | Nightingale Chapter 1 | Chapter 2 | singing songs to the secrets behind my eye | A Hundred Things We Had Not Dreamed Of | solving counting sheep

Pt. 1: Flutter / Valerie Hammond ◆ Sanssouci Palace + The Black Ice Cream Song edit / @mountainqoats ◆ Excerpt from The Average Fourth Grader is a Better Poet Than You (And Me Too) / Hannah Gamble via @blackberryjambaby ◆ of course i bite textpost / @valtsv ◆ Lie Down / Ellen Jenkins ◆ 27 / Daniil Kharms trans. Matvei Yankelevich ◆ Embrace my Soul / Sergio Borga ◆ Color Changing Magic Potion / DirksenCraft ◆ Fragile Bird / @cocoabats ◆ Holding Onto Black Metal / Debra Baxter ◆ Excerpt from III. The Child / Quinn Newell via @voicedwords ◆ Crawler Pot / Rose Schmits ◆ Metamorph / Gunnel Watkins ◆ Untitled eye / Henrik Aa Uldalen ◆ tumblr guide for chad twitter users (real) / @arahir ◆ the best way to solve problems tweet / @wolfpupy

Pt. 2: Reoccurring Nightmare comic / @deep-dark-fears ◆ Knotted Serpentine / Hannah Russell ◆ Garden + Blues in Dallas edit / @mountainqoats ◆ The Watching Moth / Cady Shaye Poorman ◆ NOCTURNAL Series 11 of 20 / Santiago Caruso ◆ Watching Moth / Cady Shaye Poorman ◆ Afterglow / Pei Wang ◆ Sun in an Empty Room + The Young Thousands edit / @mountainqoats ◆ Study for "Mathematics," "The Sciences" / Kenyon Cox ◆ Hard to Swallow / Debra Baxter ◆ Molly Brodak / Molly Brodak via @kafk-a ◆ 02112022, S.T. / @ryebreadgf ◆ Woman with Red Hood / Alice Pike Barney ◆ Come On, Motherfucker, You Survived! / @selfhealingmoments ◆ Excerpt from The Blind Assassin / Margaret Atwood via @flowerytale ◆ Heirloom II / Cindy Rizza

Pt. 3: Excerpt from The Love Song of J. Alfred Prufrock / T.S. Eliot ◆ i love you. i can't tell you / @/tturing (OP altered, original contents linked) ◆ Hope is the Thing - Sunset Flight / Erica Wagner ◆ Poppies + Nova Scotia edit / @mountainqoats ◆ Untitled (open/end) / Debra Baxter ◆ Excerpt from Alive at the End of the World / Saeed Jones via @geryone ◆ Weeping (Lamentacia) / Dezider Toth via @amare-habeo ◆ NOCTURNAL Series 7 of 20 / Santiago Caruso ◆ Fridge Funerary Epitaph / @catilinas ◆ Untitled (Trail of eyes) / @julialepetit ◆ Stained Glass Hellebore, California Poppy, + Poppy / Jessica Saunders ◆ 世界の声が聞���えるとき (When the voice of the world is heard) / Tomohiro Inaba ◆ Still from Don't make me do this again gif / @cibastion ◆ Excerpt from So I Locked Myself Inside a Star for Twenty Years / Jeremy Radin ◆ Excerpt from Invisible Monsters / Chuck Palahniuk via @quotespile ◆ Potion Bottles / Edited from Panel 1 Source

[dwellordream]

Best Reads of 2024

this year i read 300 books. which i think is impressive but not as impressive as it sounds bc many of these books were very short, easy reads meant to be like, stuff you read at the airport or sitting by the pool on vacation. so it's not like i was tackling the harvard classics. i also read extremely fast; it only takes me about an hour to do 300 pages unless it's a super dense complex text. that said, here is a list of all the books i read this year that i would rate 4 stars or higher, separated by genre: Fantasy/Magical Realism: The Tainted Cup by Robert Jackson Bennett Highfire by Eoin Colfer Tehanu by Ursula K. Le Guin Gifts by Ursula K. Le Guin The Last Tale of the Flower Bride by Roshani Chokshi Chlorine by Jade Song The Passion by Jeanette Winterson The Magic Toyshop by Angela Carter Realistic Fiction: We Are Not Like Them by Christine Pride & Jo Piazza Young Jane Young by Gabrielle Zevin My Absolute Darling by Gabriel Tallent Only Child by Rhiannon Navin Movie Star by Lizzie Pepper Prima Facie by Suzie Miller Acts of Desperation by Megan Nolan Marjorie Morningstar by Herman Wouk The Subtweet by Vivek Shraya All Grown Up by Jami Attenberg Piglet by Lottie Hazell The List by Yomi Adegoke A Winter's Rime by Carol Dunbar The Resurrection of Joan Ashby by Cherise Wolas

Mystery/Thriller: Queenpin by Megan Abbott Bury Me Deep by Megan Abbott Beware the Woman by Megan Abbott Firekeeper's Daughter by Angeline Boulley The Guest by Emma Cline Advika and the Hollywood Wives by Kirthana Ramisetti Kala by Colin Walsh Descent by Tim Johnston Wahala by Nikki May When We Were Bright and Beautiful by Jillian Medoff We Could Be Beautiful by Swan Huntley Bright Young Women by Jessica Knoll Nothing Can Hurt You by Nicola Maye Goldberg Fruit of the Dead by Rachel Lyon The Lagos Wife by Vanessa Walters Grown by Tiffany D. Jackson Yes, Daddy by Jonathan Parks-Ramage Cape Fear by John D. MacDonald Sea Wife by Amity Gaige Last Seen Wearing by Hilary Waugh The Black Cabinet by Patricia Wentworth Historical Fiction: Everyone Knows Your Mother is a Witch by Rivka Galchen Gilded Mountain by Kate Manning All You Have to Do is Call by Kerri Maher Cruel Beautiful World by Caroline Leavitt Payback by Mary Gordon A Dangerous Business by Jane Smiley The Affairs of the Falcons by Melissa Rivero Longbourn by Jo Baker The Hazelbourne Ladies Motorcycle and Flying Club by Helen Simonson Go to Hell Ole Miss by Jeff Barry The Divorcees by Rowan Beaird Consequences by Penelope Lively Iron Curtain: A Love Story by Vesna Goldsworthy Homestead by Melinda Moustakis Not Our Kind by Kitty Zeldis Hamnet by Maggie O’Farrell Teddy by Emily Dunlay Science Fiction: Prophet Song by Paul Lynch Aesthetica by Allie Rowbottom Fever by Deon Meyer The Salt Line by Holly Goddard Jones Land of Milk and Honey by C. Pam Zhang Gold Fame Citrus by Claire Vaye Watkins A Children’s Bible by Lydia Millet Briefly Very Beautiful by Roz Dineen

Romance: Everything’s Fine by Cecilia Rabess Adelaide by Genevieve Wheeler Meant to Be Mine by Hannah Orenstein When Katie Met Cassidy by Camille Perri Major Pettigrew’s Last Stand by Helen Simonson American Royalty by Tracey Livesay The One by Julie Argy The Mountain Between Us by Charles Martin Queen of Urban Prophecy by Aya de Léon That Dangerous Energy by Aya de Léon The Dove in the Belly by Jim Grimsley Fatima Tate Takes the Cake by Khadija VanBrakle Faro’s Daughter by Georgette Heyer Horror: Red Rabbit by Alex Grecian The Parliament by Aimee Pokwatka Cujo by Stephen King Night Watching by Tracy Sierra The Garden by Clare Beams The House of Ashes by Stuart Neville The Suicide Motor Club by Christopher Buehlman True Crime: In Cold Blood by Truman Capote Columbine by Dave Cullen Kent State: Four Dead in Ohio by Derf Backderf Bad Blood: Secrets and Lies in a Silicon Valley Startup by John Carreyrou While Idaho Slept: The Hunt for Answers in the Murders of Four College Students by J. Reuben Appelman The Bishop and the Butterfly: Murder, Politics, and the End of the Jazz Age by Michael Wolraich Fatal Vision by Joe McGinniss Billion Dollar Whale: The Man Who Fooled Wall Street, Hollywood, and the World by Tom Wright and Bradley Hope

History: Midnight in Chernobyl: The Untold Story of the World’s Greatest Nuclear Disaster by Adam Higginbotham Capote’s Women: A True Story of Love, Betrayal, and a Swan Song for an Era by Laurence Leamer The Astronaut Wives Club by Lily Koppel The Burning Blue: The Untold Story of Christa McAuliffe and Nasa’s Challenger Disaster by Kevin Cook The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz by Erik Larson Grace and Power: The Private World of the Kennedy White House by Sally Bedell Smith As Long as We Both Shall Love: The White Wedding in Postwar America by Karen M. Dunak Babysitter: An American History by Miriam Forman-Brunell Game Change: Obama and the Clintons, McCain and Palin, and the Race of a Lifetime by John Heilemann and Mark Halperin All She Lost: The Explosion in Lebanon, the Collapse of a Nation and the Women who Survive by Dalal Mawad Psychology: Hidden Valley Road: Inside the Mind of an American Family by Robert Kolker The Anxious Generation: How The Great Rewiring of Childhood is Causing an Epidemic of Mental Illness by Jonathan Haidt Beautiful Boy: A Father’s Journey Through His Son’s Addiction by David Sheff Misdiagnosed: One Woman’s Tour of -And Escape From- Healthcareland by Jody Berger Stolen Child: A Mother’s Journey to Rescue Her Son from Obsessive Compulsive Disorder by Laurie Gough Zig-Zag Boy: A Memoir of Madness and Motherhood by Tanya Frank I’m Glad My Mom Died by Jennette McCurdy Us, After: A Memoir of Love and Suicide by Rachel Zimmerman Everything Is Fine: A Memoir by Vince Granata Juliet the Maniac by Juliet Escoria

Memoir: Upstairs At The White House by J.B. West A Mother’s Reckoning: Living in the Aftermath of Tragedy by Sue Klebold Goodbye, Sweet Girl: A Story of Domestic Violence and Survival by Kelly Sundberg This Boy We Made: A Memoir of Motherhood, Genetics, and Facing the Unknown by Taylor Harris I Am, I Am, I Am: Seventeen Brushes with Death by Maggie O’Farrell Fragile Beginnings: Discoveries and Triumphs in the Newborn ICU by Adam Wolfberg The Longest Race: Inside the Secret World of Abuse, Doping, and Deception on Nike’s Elite Running Team by Kara Goucher and Mary Pilon Remedies for Sorrow: An Extraordinary Child, a Secret Kept from Pregnant Women, and a Mother’s Pursuit of the Truth by Megan Nix Brazen: My Unorthodox Journey from Long Sleeves to Lingerie by Julia Haart Minding the Manor: The Memoir of a 1930s English Kitchen Maid by Mollie Moran Love in the Blitz: The War Letters of Eileen Alexander to Gershon Ellenbogan by Eileen Alexander Any Given Tuesday: A Political Love Story by Lis Smith The Apology by Eve Ensler Wild Game: My Mother, Her Secret, and Me by Adrienne Brodeur One Way Back: A Memoir by Christine Blasey Ford Biography: The Matriarch: Barbara Bush and the Making of an American Dynasty by Susan Page Untold Power: The Fascinating Rise and Complex Legacy of First Lady Edith Wilson by Rebecca Boggs Roberts King: A Life by Jonathan Eig Louisa: The Extraordinary Life of Mrs. Adams by Louisa Thomas American Girls: One Woman’s Journey into the Islamic State and Her Sister’s Fight to Bring Her Home by Jessica Roy Susan, Linda, Nina, and Cokie: The Extraordinary Story of the Founding Mothers of NPR by Lisa Napoli

Gender: Becoming Nicole: The Transformation of an American Family by Amy Ellis Nutt The Feminine Mystique by Betty Friedan We Were Feminists Once: From Riot Grrrl to CoverGirl®, the Buying and Selling of a Political Movement by Andi Zeisler All the Rage: Mothers, Fathers, and the Myth of Equal Partnership by Darcy Lockman Ain’t I a Woman: Black Women and Feminism by bell hooks Enslaved Women in America: From Colonial Times to Emancipation by Emily West You’ll Do: A History of Marrying for Reasons Other Than Love by Marcia A. Zug The Red Menace: How Lipstick Changed the Face of American History by Ilise S. Carter Odd Girls and Twilight Lovers: A History of Lesbian Life in Twentieth-Century America by Lillian Faderman

[adamsvanrhijn]

Character Descriptions BILL CAMP as JP Morgan, the world-famous investment banker who finds himself at odds with George Russell (Spector) over the future of the railroad industry. MERRITT WEVER as Monica O’Brien, Bertha Russell’s (Coon) estranged sister who appears at a crucial time for the family. LESLIE UGGAMS as Mrs. Ernestine Brown, Elizabeth Kirkland’s friend and a member of the Black elite community in Newport. LISAGAY HAMILTON as Frances Ellen Watkins Harper, the famed Black suffragist who inspires Peggy (Denée Benton) to become involved in her cause, in spite of the dissenting opinions of those around her. PAUL ALEXANDER NOLAN as Alfred Merrick, a dashing, wealthy New York businessman, who has all the hallmarks of the old money set – elegance, refinement and sophistication. The Russells invite him to dine at their home in the hopes of charming him into a business deal. HATTIE MORAHAN as Lady Sarah Vere – Sister to the Duke of Buckingham (Ben Lamb), Lady Sarah makes it clear that the Russells are not to her taste. ANDREA MARTIN as Madame Dashkova, a medium who claims to be able to commune with the dead.

JESSICA FRANCES DUKES as Athena Trumbo, Dorothy (Audra McDonald)’s beloved first cousin and a part of an elite enclave of Black residents of Newport, Rhode Island, who is pleased to host Peggy (Benton) and is supportive of her writing career.

[tyrannuspitch]

like part of what i'm getting at here is that ainsley must have been SUCH a lonely child. how was she having creepy, manipulative one-on-one encounters with not one but two malicious adults (watkins and sterling) apparently without anyone responsible for her knowing about it???

(and there must have been more to the sterling thing than we saw, right - how the fuck did he know what ainsley had been saying to her psychologist about the bruises on her arm? i find it hard to believe jessica was willing to talk to him... maybe it was evidence in the case, but if it was evidence, then it's even more unethical and probably-illegal for sterling to be speaking to ainsley at all. how is he even in their house??? fucked up and shady all around.)

anyway - this is speculative, but i think it would make a lot of sense for ainsley to have been somewhat neglected in the aftermath of martin's arrest. jessica was seriously struggling, and malcolm was more obviously traumatised and in need... and both jessica and malcolm were in and out of interrogations - in silent night (iirc) we saw malcolm getting interrogated, apparently not for the first time, alone in a police station like an adult even though he was literally eleven!! and obviously if your child is getting intimidated by cops like that you want to be as close as possible to support him and shout at whoever you need to to get him more age-appropriate treatment. but do you take your five-year-old along with you to do so? probably not...

anyway i'm rambling. this is just one scenario. but there will have been A Lot Of Shit going on with malcolm, and jessica already had a lot of her own shit to deal with, and i can imagine it would be pretty easy for ainsley to just fade into the background. not just her emotional wellbeing, but actually being physically present when you have so many other places to be, being literally there for her...

so maybe, pretty often, she was left alone, with someone vaguely keeping an eye on her (like, there is technically an adult with her in this huge mansion, but ainsley doesn't know them and they're not exactly skilled at childcare), and ainsley has to keep herself entertained, and then she wanders off chasing ghosts...

anyway. my point is that if ainsley was spending a lot of time either alone or around strange and sinister adults in the immediate aftermath of martin's arrest... that would REALLY feed her abandonment issues. like it's not just the sudden and total loss of martin. it's the sudden and partial loss of / new distance from... pretty much everyone.

[brightmalcolm]

Love looking at old prodigal son posts like we all really thought we were on to something every time 😭 remember Jessica helped Martin kill people? Malcolm killed the GITB? John Watkins was gonna be in the season one finale?

[blogger360ncislarules]

EXCLUSIVE: HBO‘s The Gilded Age has tapped six for supporting roles in Season 3: Dylan Baker (The Good Wife), Kate Baldwin (Broadway’s Hello, Dolly!), Michael Cumpsty (Severance), John Ellison Conlee (Boardwalk Empire), Bobby Steggert (The Marvelous Mrs. Maisel), and newcomer Hannah Shealy (The Rose Tattoo).

Baker plays Dr. Logan, a family doctor who treats a number of high society families, with Baldwin as Nancy Adams Bell, the older sister of John Adams (Claybourne Elder). Cumpsty portrays Lord Mildmay, a British nobleman who comes to dine at Sidmouth Castle, with Conlee as the successful, educated and polished businessman, Weston; Steggert as the famed artist John Singer Sargent, who has just begun his career painting the great ladies of society; and Shealy as Charlotte Astor, the married daughter of Mrs. Astor (Donna Murphy), recently returned from an eventful trip abroad.

Currently filming its third installment, The Gilded Age is an ensemble drama telling the story of The American Gilded Age, a period of immense economic and social change, when huge fortunes were made and lost overnight. With the old guard officially deposed, New York society finds itself turned upside down, and all must get their house in order. But even those at the helm of this new era may find that change comes at a cost.

Other newcomers in Season 3 include Bill Camp as JP Morgan, Merritt Wever as Monica O’Brien, Leslie Uggams as Mrs. Ernestine Brown, Lisagay Hamilton as Frances Ellen Watkins Harper, Andrea Martin as Madame Dashkova, Paul Alexander Nolan as Alfred Merrick, Hattie Morahan as Lady Sarah Vere, and Jessica Frances Dukes as Athena Trumbo.

The Gilded Age is created by Julian Fellowes, who writes and exec produces alongside Sonja Warfield. Other executive producers include Gareth Neame, David Crockett, Michael Engler and Salli Richardson-Whitfield (who also direct), and Bob Greenblatt. Erica Dunbar serves as historical consultant and co-executive producer.

A co-production between HBO and Universal Television, a division of Universal Studio Group, the show’s casting directors are Bernie Telsey and Adam Caldwell from the Telsey Office.

Baker is represented by Innovative Artists and Viking Entertainment; Baldwin by Paradigm and Schachter Entertainment; Cumpsty by Innovative Artists; Conlee by Innovative Artists and Meghan Schumacher Management; Steggert by Wolf Talent Group; and Shealy by Untitled Entertainment and CESD Talent Agency.

[justinspoliticalcorner]

Andra Watkins at How Project 2025 Will Ruin YOUR Life:

Jessica Valenti has written well-founded epistles on their use of the words “national consensus on abortion” and “minimum national standard.” Republicans know Americans support abortion, but because they govern by their interpretation of the Bible, they don’t care what voters want. It is more important to force everyone to live by the tenets of Christian Nationalism. Which is why they hide the words “national abortion ban” in ways their base will grasp without alarming the rest of us. [...]

The Dobbs decision is just the beginning. Red-state Christo-fascist Republicans have already made their next steps crystal clear. The Texas Republican Party platform calls for the death penalty for women who get abortions. Multiple red states have proposed or passed legislation that restricts a pregnant woman’s right to travel out-of-state. Katie Britt introduced a bill that would build “pregnancy.gov,” a site that could ultimately be used to track pregnancy outcomes nationwide. (Because Republicans excel at deploying vague language, the bill doesn’t say it outright, but it’s a reasonable conclusion.) To protect the unborn in every jurisdiction in America. This is code for “national abortion ban.” Dobbs was always about paving the way for a national abortion ban. The anti-abortion movement will never be happy until no American can get a legal abortion. Blue state voters and voters in red states that have enshrined the right to abortion in their constitutions would do well to recognize what this language means and vote accordingly.

The heroism of every choice to become a mother. This means they won’t allow exceptions for rape, incest, or to save the mother’s life or health. Christian Nationalists believe God made the choice when he bestowed the pregnancy. A pregnant person’s only choice is to bear each pregnancy with joy, duty, and humility. A moral responsibility to lead the nation in restoring a culture of life. Whenever Christian Nationalists pull out the word “morality,” they mean “their interpretation of the Bible.” One could therefore translate this phrase as “a Biblical responsibility to lead the nation in restoring a culture of life.”

Project 2025 calls for a de facto nationwide abortion ban.

See Also:

How Project 2025 Will Ruin YOUR Life: Christian Nationalists and the "Natural" Role of Women