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piqueconcentration · 6 months
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"Clay Pigeons" and the Blaze Foley Rabbit Hole
Originally posted Nov 9, 2022
This person, in the picture below, is Blaze Foley- a man that I had never heard of until a few days ago. He is also one of the most influential folk and country music singer-songwriters (arguably) that there ever has been.
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At the Folk & Forage music festival this past weekend, my good friend Jenner Fox, the incredible musician and veritable jukebox of a human being, began playing a song that I recognized, right as I was leaving the fire to get ready for bed. Several of my very close family friends -essentially extended family- were warming themselves by the flames, instruments in hand; they had just been playing a medley of John Prine songs after a particularly Prine-centric evening (John Prine, for the uninitiated, is -unlike Foley- an extremely famous singer-songwriter. His music inspired nearly an entire generation of the folk genre, and he is credited with such masterpieces as "I Remember Everything," "Angel From Montgomery," "In Spite of Ourselves," and on and on and on), but I was tired and the darkness required I have resolve enough to make it through the nighttime woods back to the cabin.
In any case, the song that Jenner's dad had asked him to play quietly landed upon my ear snail, and it was "Clay Pigeons". Now, my experience with this song was limited. Unfortunately, I have to admit that I had only heard it played by Michael Cera, who, if you don't have your finger on the pulse of contemporary indie/comedy filmmaking, is a bit of a young people's darling after his roles in Arrested Development, Superbad, and Scott Pilgrim vs. the World, among other things, and he currently is (presumably) enjoying quite the successful indie music stint. The absolutely insufferable hipster buried in me might scoff at the prospect of listening to someone who gained even a bit of notoriety from something as... repugnant as being an actor, especially one that people near my age swoon for, but that part of me sucks and I hate it and I wish it would shut up.
In any case, I was under the impression that the song in question, one that I had always really loved for a lot of reasons- its simultaneous simplicity, understated yet heartfelt lyrics and its confusingly ever-appealing melody (there isn't really a good way to explain something like that, but it manages to hit you right in the heart with only, like, three notes per line) was written by Cera, as i hadn't really heard or known to go looking for any other recordings of it. I listened to Jenner pick the rest of the tune, me quietly singing the harmonies as if subconsciously to prove my music-knowing chops to the people around me -people I need not prove anything to, as if there are any people like that at all- and asked: a) whether it bothers him that I like every song that he plays so much that I end up copying him and learning them all myself, and b) who wrote that one. I had noticed some differences in the lyrics between his and Cera's versions, and I guess I deduced that the latter was not, in fact, their author. He said "Blaze Foley" and I wrote that down in my notebook, joked to him about my musical/composorial confusion, said my good-nights, and went to bed with the melody still dancing around my brain.
It was still dancing several days after I got back to my house, and I went looking for another recording, worrying that the one I would like best may end up being the one that I'd heard first by nature of its earlier discovery. The first three versions that I found were the one by Michael Cera from the 2014 album True That, the Blaze Foley one on Sittin' by the Road from 2010, and the John Prine recording on 2005's Fair and Square. I immediately grew several sizes larger than my pants. The texts I sent to Jenner immediately after that go thusly, without grammatical correction:
well what do you know, clay pigeons isnt originally by blaze foley, it's by JOHN PRINE
*It is now, as I am writing this, that I am immensely grateful for the fact that Jenner was not entirely knowledgeable about the origins of the song.*
wait nevermind what
ok the info on the internet is very confusing
god i was so confident too
All that confidence had dissipated as soon as I took more than a cursory glance at any other part of the internet than the first few results on Spotify that come up when you type in "clay pig." What probably tipped me off was learning that Blaze Foley died in 1989, so there was absolutely no way that the recordings could correspond with their listed dates.
I then went down the proverbial rabbit hole as the title implies, and through several stages of knowledge about the timeline of this almost mythical man and his music, so instead of taking the reader down the same, needlessly complex path that I took to get to what I know now, I'll just start telling you about the guy as chronicled by his album releases, particularly as they are listed on Spotify. I won't pretend to know by what system Spotify dates their albums, considering in this case it is wildly inaccurate, but for storytelling reasons I'll go through them in terms of their oldest to newest (seemingly arbitrary) dates. Let it be known, also, that one thing I've found all over the internet in researching him is that compared to other artists of similar time and renown, his music is "frustratingly scarce" (Spotify), as he only has a few studio albums, and his most reliable recordings are ones from when he was playing live. There are a few other reasons, but you'll learn about them in a bit.
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Actually that sounds kind of boring and made me stop writing for like two days because it didn't interest me, so I rescind that previous statement about writing about each album and will now be doing whatever I want.
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Anyway, the album above is In Tribute and Loving Memory... Volume #1, released in 1998- essentially a testament to just how much of an incredible impact Blaze Foley had on the musicians of his time, with covers of his songs from fifteen different artists, including several recordings from his personal friend and fellow musician Townes Van Zandt. It does not include, however, the covers done by even more famous artists (Merle Haggard & Willie Nelson, Joe Nichols & Lee Ann Womack, Nanci Griffith, Lyle Lovett, John Prine, Michael Cera, and Whitney) recorded before or after, or the songs that they wrote about Blaze (Townes Van Zandt's "Blaze's Blues," Lucinda Williams's "Drunken Angel," Gurf Morlix's "Music You Mighta Made," and Kings of Leon's "Reverend"). The point is, either his songwriting or his personality or both had a lasting effect on anyone he met, and continue to have one on the people that learn about him, considering my current admiration.
The things about his personality that made him endearing to so many are wild to hear about- he was an absolute enigma, an alcoholic, a troublemaker, regularly engaging in self-destructive behavior, writing a fair amount of songs that actively made people uncomfortable, what with their scathing political satire or their just straight up sometimes gross lyrics. He was seemingly familiar with homeless shelters, regularly destitute, wore shoes and clothes so old that they were almost more duct tape than leather or fabric -his affinity for duct tape was widely known- but he also had a reputation for being amicable, oddly charismatic, and above all, a good friend.
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In my opinion, he is best characterized by songs from one of the few recording sessions of his that are readily available, when he played a show at the Austin Outhouse, "one of the few music establishments in town that would tolerate him" (Spotify). The performance, which took place on his thirty-ninth birthday, was long enough that the songs were split onto two albums. The first is Live at the Austin Outhouse, released cassette-only in 1989 and then again in 1999, and the second is Oval Room, released in 2004.
In many of the songs from the former, oddly at the end of the songs, you can hear a monologue from Foley about the tune he is about to play next (these days, if there is a monologue at all, it would normally happen in the same "song" as the song, but that is most likely a product of the album translating to streaming format in an unconventional manner). As it was played live, the listener is treated to the sounds of the audience, the interaction between the people on the stage, you can even tell when Blaze's jokes land and get the audience hooting and hollering, or sometimes don't land and the crowd doesn't laugh. It is an absolutely wonderful portrait of a man just slightly more weird than the people around him, and I think that is a beautiful thing.
Some of my favorite of his unhinged sermons, that I have attempted to transcribe in his exact manner of speech:
"*strum* And uh, ahm on' send it to Merle Haggard, I'un know if he'll read it, or not, but if anybody wants 's say hello t' Merle say 'hello' now. *'Hello, Merle!/Hey, Merle!' from audience* Hey, Merle. (presumably Foley, impersonating Kermit the Frog) Uh, Merle, this is Kermit, yeah. *Audience''s continued greetings, one woman laughing, strum* Uh, have you seen Miss Piggy uh last I heard she w's on yer buss. I'm kinda miffed, uh, Merle, know what I mean? *silence, strum* Cuz it's not easy being green- *strum* (no longer Kermit:) This's call' 'Our Little Town.'"
-Blaze Foley on the track "New Slow Boat to China," before playing "Our Little Town," Live at the Austin Outhouse, 1989
"This's call' Officer Norris. *chord strum* ihs' about a, cop that, put me in jail one time fer'... I was with a, married wom'n an' her, child. An' her husban' wun'n there and the cop didn' like that an' we were all friends, n' it ws', on the up-an'-up kinda. *slow chord strum* But anyway a cop stopped us fer', swervin'... after leavin' a Burger King parking lot an' goin' ten feet an' the car was like fourteen feet long. An' ih's like 'well, how could we swerve? Car's, not that short.' But anyway, 'Shut up, boy.' An' they put me in jail an' I had tinnis shoes on an' they had a concrete floor, it's'uh night kinna like t'night n' my guitar w's in the back of a truck, an' I w's afraid it was gettin' rained on n' the case wuhdn'n good *chord* so I wrote this song. But anny'way, I kep' stompin' on'n concrete floor w' my tinnis shoes n' they never heard me n'... my feet paid. *two strums, picking* So I, now I wear taps on my tinnis shoes."
-Blaze Foley on the track "Our Little Town," before playing "Officer Norris," Live at the Austin Outhouse, 1989
And on Oval Room, the other album made from that one show at the Outhouse, where most of the monologues are removed, there is one song called "20 Years Introduction," which is just Blaze speaking about the next song he's going to play (possibly "Someday," which is the next song on the album, but it's unclear if the songs are actually in the order that he played them that night). A portion of the same monologue appears before the track "Our Little Town" on In Tribute and Loving Memory... Volume #1.
"A lot of people say I'm, half sick, most uh' the time. *strum* But I can tell you that I'm... mostly not sick, most uh' the time. *strum* But anyway, uh... (unintelligible) this might not end up on'nuh record I hope not 'cuz I soun' like a hillbilly, *two strums* but uh, this talkin' part (chuckle). But anyway I'm jus' g'nna see what, what happens, like twen'y years from now I might still be haun'ted by this. *strum* Or, maybe not."
-Blaze Foley on the track "20 Years Introduction," Oval Room, 2004
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Blaze Foley was shot and killed on February 1, 1989, a month and a half after he played that show. He had wanted the proceeds of the album to go to a homeless shelter, but they were used to pay for his funeral costs instead (Spotify). His friends wrapped his coffin in duct tape.
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The next part is about where all his music went. Thankfully, we happen to be living in the age of peak musical availability, and several of the "lost" albums have been found, but I think it's worth taking a look at just how much trouble it took to get it all back. Normally, in a situation like this where some media is gone or missing, I feel like there's generally some sort of motive from someone that keeps it from resurfacing, like a crooked producer or a greedy company, but in this case, it just seems as though the Universe was adamantly determined to hide whatever the man in question wrote.
I think Foley's Wikipedia page puts it best:
"The master tapes from his first studio album were confiscated by the DEA when the executive producer was caught in a drug bust. Another studio album disappeared when the master copies were stolen with his belongings from a station wagon that Foley had been given and lived in.  A third studio album, Wanted More Dead Than Alive, was thought to have disappeared until, many years after Blaze died, a friend who was cleaning out his car discovered what sounded like the Bee Creek recording sessions on which he and other musicians had performed. This was Foley's last studio album, and he was scheduled to tour the UK with Townes Van Zandt in support of the album. When Foley died, his attorney immediately nullified the recording contract and the master tapes subsequently disappeared (reportedly lost in a flood)" (Wikipedia).
Anyway, I now adore his songwriting. I love the simple chord progressions, and as someone who struggles with needing to feel wholly original when I try to write a song, it's a powerful reminder that a song can be what feels like a masterpiece without being a ridiculous, jazzy scalebreaker. I love, in "Clay Pigeons," how the final verse is made up of parts from the first and last verses. I love his tendency to sometimes add a part of the melody at the end of a line that sounds like it's preparing to loop back around, that doesn't complete the melody but is like the lyrical equivalent of a sus chord. I love how the words he uses never feel forced or out of place. I love how I can't quite understand what he's saying metaphorically in his songs, it feels like it makes it simultaneously more personal and easier to listen to.
It makes me happy that we have what we have left of his work.
In conclusion, I think that artists should say the name of the original composer in the title of covers that they release.
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References:
Dave HJ (Director). (2015, May 3). Blaze Foley—Clay Pigeons, rare Live. https://www.youtube.com/watch?v=uM3YROq_cLY
Blaze Foley. (n.d.). Spotify. Retrieved November 5, 2022, from https://open.spotify.com/artist/1TlScGwN8MmIZ7kIYGjSZA
Blaze Foley age, hometown, biography | Last.fm. (n.d.). Retrieved November 8, 2022, from https://www.last.fm/music/Blaze+Foley/+wiki
Blaze Foley music, videos, stats, and photos. (n.d.). Last.Fm. Retrieved November 5, 2022, from https://www.last.fm/music/Blaze+Foley
Blaze Foley on Apple Music. (n.d.). Apple Music. Retrieved November 5, 2022, from https://music.apple.com/us/artist/blaze-foley/44075415
Blaze Foley. (2022). In Wikipedia. https://en.wikipedia.org/w/index.php?title=Blaze_Foley&oldid=1111200666
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d4rkpluto · 1 year
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𝔪𝔬𝔬𝔫 𝔰𝔦𝔤𝔫𝔰 𝔞𝔫𝔡 𝔱𝔥𝔢𝔦𝔯 𝔟𝔢𝔞𝔲𝔱𝔶
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before i get into this post, not everything is 100% for you! this will be about the features i found prominent in people along with their moon signs, on the other hand, there will examples of celebrities/models to help with my post. if you wonder why you dont see similar features with the celebrities who share the same moon sign with you, look at your parents x.
this will be based on tropical astrology :)
chart reading spots open! [DM ME FOR INFORMATION]
paid intuitive questions opened! [DM ME FOR INFORMATION]
𝔞𝔰𝔠𝔢𝔫𝔡𝔞𝔫𝔱 𝔰𝔦𝔤𝔫𝔰 𝔞𝔫𝔡 𝔱𝔥𝔢𝔦𝔯 𝔟𝔢𝔞𝔲𝔱𝔶
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ARIES/1H MOON BEAUTY
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ANGELINA JOLIE, RIHANNA AND KENDALL JENNER, IN ORDER.
♇ aries moon beauty [specifically for the women] are likely to have prominent eyebrows, their eyebrows tend to be sharp and arched.
♇ they normally have cupid bow lips and their lower lips are usually heavier than their upper lip, upturned eyes and dimples, [as aries' planetary ruler governs over dents in skin, specifically the face].
♇ they're likely going to have wide chins, [aries/mars can give broadness], or their chins can be very meaty, they could have cleft chins or very boxy ones. also the shape of their nose to their eyebrow arch resembles the shape of ram horns.
♇ the tip of their nose tends to point down, and they have sharp jaws and a diamond shaped face. it could be because they have nice and full cheek bones and their lower face is narrower than the upper scale of their face.
♇ their eyes isnt as intense as a scorpio moon's but their eyes are more "daring". they have a slender neck, the ratio to their neck and face, [chiefly the jaw] is very balanced. i've noticed they also look like their mothers a lot too, my second sister is an aries moon and she looks a lot like our mother.
TAURUS/2H MOON BEAUTY
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ZENDAYA, GABRIETTE BECHTEL AND VINETRIA, IN ORDER.
♇ taurus moon beauty [specifically for the women] tend to have sultry eyes, or eyes that are very inviting. they have full lips or the upper lip is heavier than the bottom, they can come off as very pink as well.
♇ they have light eyes or eyes that tend to glisten a lot, and they tend to have very brownish/warm under-tones.
♇ taurus moons are likely going to have sharp/square jaws, that can sometimes make their face come off as very square, [not diamond like, like an aries moon]. they also usually have full eyebrows, [gabriette, the one in the middle plucks hers], but their eyebrows are more soft then sharp, but there's like an arch to it.
♇ their eyes are either very slender or roundish, and their face structure could either be narrow or a very roundish square, [and full], but both face structures will give the individual a pointy chin.
♇ the tip of their nose are typically very round, and they could have spacey foreheads, or foreheads that are very squared, but their face structure helps them give off a very slender appearance.
GEMINI/3H MOON BEAUTY
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HEIDI KLUM, DITA VON TEESE AND BROOKE SHIELDS, IN ORDER.
♇ gemini moon beauty includes very strong and sharp faces, they're likely going to have square jaws, [square faces], and a very youthful look. [specifically for the women]. noted that other gemini moon women i've seen have very wavy/curly hair.
♇ they also tend to have a cool/true winter colour palette, their skin and hair tend to be very contrasting, for example the really pale skin and dark hair. [very dark features or there could be something strikingly beautiful about them].
♇ they have wide lips and a prominent cupids bow, their upper lip are likely going to be thinner than their bottom lip. most of the time, their eyebrows are low down to their foreheads.
♇ you could say they have prominent cheekbones, but i view them to be apple cheekbones, they tend to have short foreheads [but other people say their foreheads are large in height? i think it is more of the width]. and noses that point down. their eyes are upturned or very fox-like. but as it is a mercury sign, there are some gemini moons with down-turned eyes.
CANCER/4H MOON BEAUTY
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VANESSA PARADIS, MARIAH CAREY AND MIRANDA KERR, IN ORDER.
♇ cancer moon beauty involves with them having small faces, their faces being heart-shaped, and their upper head being rounder than their lower face which takes on a sharper shape.
♇ their chins are usually very meaty and prominent, and they usually do have a cleft chin. the width of their face is usually wide/long, and their features are normally just in the middle, very pinched-like face structure.
♇ these female cancer moons tend to have pouty lips, their lips are usually triangle shaped and they have round eyes.
♇ the soft curve of their eyebrow tail gives them a very soft look, and these cancer moon women usually have glossy skin and a youthful appearance.
LEO/5H MOON BEAUTY
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JODIE WOODS, MEGAN FOX AND MEGAN THEE STALLION, IN ORDER.
♇ leo moons have the stereotypical feline look, their eyes are sultry, shadowed or you could say it is flirtatious, their eye shapes are very "foxy" which makes the feline look more prominent.
♇ their jaws are angular and they have full lips, they are a very pink-toned or you could say are a very pink shade of colour and they have high cheekbones which can either come off as prominent or very soft.
♇ leo moon beauty includes them having arched eyebrows, elongated nose tip and nice side profiles. leo moon women [and the men], they have warm undertones and their hair is very glowy/wavy and is usually styled a lot. [a lot of them have flat noses as well].
♇ majority of the times their faces are either very long or very short, but there is always some square-ness to it, which also gives them a regal look, like they're above you, their beauty is intimidating.
VIRGO/6H MOON BEAUTY
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SHARON TATE, NICKI MINAJ AND BELLA HADID, IN ORDER.
♇ virgo moon beauty consists of them having sultry eyes like a leo moon, but the difference is that their eyes are slightly bigger than leo moons, if they don't have sultry eyes, virgo moon women are likely going to have doe eyes.
♇ they tend to have short chins, and their upper lips can be thinner than their lower lip, their faces tend to be angular and diamond shaped. paired with sharp eyebrows that makes it look like they're frowning a lot, people might deem them to have a resting bitch face.
♇ they have a really polished look, [and are likely to get cosmetic surgery done so they could reach their idea of beauty]. their noses are prominent and can sometimes be considered as beaky and downturned. they could have a prominent or soft cupid bow and their eyes glisten a lot.
♇ their feline beauty is not that similar to leo's, as virgo's moon feline allure is more fox-like due to their very sharp features and high cheekbones.
LIBRA/7H MOON BEAUTY
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MADISON BEER, PHOEBE TONKIN AND ADRIANA LIMA, IN ORDER.
♇ libra moons have very stunning beauty that can get them very envied, they have this baby doll/barbie or just doll look to them, they tend to have pouty lips and thin noses, if the noses aren't thin they're usually upturned.
♇ they have meaty chins, or you could say they can be very square or pointy, there's usually much shape to them. comparing them to libra ascendants, libra moons are likely going to have a very square or strong head shape while libra ascendants usually have an oval and softer head shape.
♇ they have the typical venusian eyebrow arch, clair nakti has spoken about it in one of her videos in venusian dominant beauty. and these libra moons have puffy cheeks that add onto their baby doll like beauty. they usually have a light/cold undertone while the sign that shares their planet has a more warmer undertone, and taurus moons usually have thicker eyebrows than libra moons!
♇ their eyes tend to be glossy, and their eyes are usually very high up on their faces and upturned, they are likely going to have full eyelashes or long ones, and their eyes usually makes them come across as flirtatious.
SCORPIO/8H MOON BEAUTY
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KALI UCHIS, JENNIE KIM AND LILY ROSE, IN ORDER.
♇ scorpio mon beauty is the epitome of dark femme beauty, most of the times scorpio moon beauty includes them looking like birds, specifically owls and sometimes crows or birds that are under the "dark category".
♇ they normally have small heads, which can make their features be in the middle and not as spread out, but it strengthens their owl like appearance, [pr even doll], and if their heads aren't small, it's usually long, not big, but long.
♇ could have catter-pillar or bushy eyebrows; they have very piercing eyes and sometimes it's narrow/slender. though, i've noticed when a scorpio moon/placement has blue eyes, it is very piercing or just very blue.
♇ their upper lip can be really forward, which gives them a pouty look, and their noses can be thin and slightly downturned. they tend to have apple cheeks, it shows the most when they smile.
♇ very intimidating look, or they sometimes appear like they seem "better than you". scorpio moons can also have a heart head shape, usually because of their cheekbones and small head.
SAGITTARIUS/9H MOON BEAUTY
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NAOMI CAMPBELL, ROSIE HUNTINGTON-WHITELEY AND KEKE PALMER, IN ORDER.
♇ sagittarius moon beauty includes them having oblong/rectangle head shapes, overall, they usually have long head shapes. but they tend to have really cute noses, the round top of their nose is really defined. [their head shape reminds me of squidwards house no offence].
♇ they usually have really inviting playful eyes even if they seem like an intimidating person, sagittarius moons specifically the women have very broad/squared foreheads and full lips. their cheekbones are full and their eyebrows are full too and well-kept.
♇ their eyes can be round and upturned or downturned, mutable moons usually have this impact on their features. due to their jaw being very wide it comes a bit forward and makes their chins appear very pointed.
♇ some of them tend to have dimples and have very glamorous hair like leo moons but fire moons usually do have really best hairs. sagittarius moons have a really royal and wise appearance, they seem like they always know something more than you.
CAPRICORN/10H MOON BEAUTY
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FANNY NEGUSHA, SYDNEY SWEENEY AND AISHWARYA RAI, IN ORDER.
♇ capricorn moon beauty includes them having very pointy/prominent chins like their sister sign, cancer. their eyes are usually a light shade of a colour as well, and they usually do look like goats but like a prettier version, [drop the guns and leave out the long paragraphs].
♇ their eyebrows are very recognisable, very sharp and arched, capricorn placements in general tend to have box heads, but what gives them the goat appearance is that their chin just goes forward.
♇ they have downturned eyes that are at most of the time big, [sometimes their eyes look like sanpaku eyes, even if they have it or not, the whites under their eyes are very prominent] and their ears tend to stick out.
♇ capricorn moon beauty involves them having a very slender look, but they dont appear as fragile like women with capricorn in their ascendant. they usually have very slender/bony nose bridges and sharp jaws, and their head shapes are oval-like but a longer version of it.
AQUARIUS/11H MOON BEAUTY
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CANDICE SWANEPOEL, JESSICA ALBA AND MARILYN MONROE, IN ORDER.
♇ you guys do look like the moon face emoji and it's okay, don't break a leg because i said that, mostly, your upper face is circular and your lower face is sharper giving the somewhat shape of an alien head. [but yassified versions].
♇ most of their nose bridges can be thin or wide, and downturned, aquarius moon beauty involves them having round puppy eyes, very straight and arched eyebrows. their forehead can be very prominent and portruding along with their brow-bone.
♇ their beauty includes them having a heavier lower lip and defined lash lines, they tend to have a very cute and full of life appearance, and their eyes look like they are sparkling/twinkling. the point of their chins can either come across as very rounded or squared.
♇ just like capricorn moons, aquarius moons can appear to have sanpaku eyes as well, even if they do come across as full of life, their eyes tend to show what they're feeling the most/very expressive.
PISCES/12H MOON BEAUTY
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♇ i have noticed a lot of pisces moon beauty, [especially the women], have glossy eyes, most of the time they look like they're about to cry, and they have thick/long eyelashes. i have noticed pisces moons have very adorable smiles.
♇ they have really full eyebrows, full and wavy hair, their eyes are usually round and they can be light. the shape of their lips is normally full and heart-shaped, and the middle of their faces goes really in giving them very portruding cheekbones.
♇ unless their other placements are as strong, or overpowers their pisces energy, many of them have short foreheads but it can appear as if they have big foreheads, but, that is because the width of their forehead is very long.
♇ pisces moon women are very beautiful and they always look like they're wandering, they always look like they're on another realm and tend to look like they're lost or shocked. on the other hand, they have really delicate features, they give off the stereotypical fairy/ballerina/princess look.
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𝔞𝔰𝔠𝔢𝔫𝔡𝔞𝔫𝔱 𝔰𝔦𝔤𝔫𝔰 𝔞𝔫𝔡 𝔱𝔥𝔢𝔦𝔯 𝔟𝔢𝔞𝔲𝔱𝔶
chart readings are open!
intuitive readings are open!
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tinyvault · 8 months
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🤍🤎🩶🖤 save = like
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lighticonx · 10 months
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yours-stevie · 5 months
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Coachella '24 Day 1 looks 🌵
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iconszinho · 1 year
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like/reblog if save or use pls
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iconclassic · 2 years
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seasonaldoldrums · 10 months
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femme fatale 🍷
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