#jekyll and hyde timeline

[heythereitsace]

Jekyll & Hyde Chronological Timeline

I don't know if people even need this, but I needed it and it didn't exist. So here it is. In the book the dates are blanked because that was the convention of the time, but I've heard in earlier drafts Robert Louis Stevenson had set the story 1883-1885, so based on that, here is a rough CHRONOLOGICAL timeline of Jekyll & Hyde (rather than the order we discover things in the book)

1833: Jekyll is born.

1840-55(ish): Jekyll's youth. He becomes friends with Lanyon and Utterson at private school. He is a wild youth with unconventional tastes that he keeps secret.

1865(ish): Poole starts working for Jekyll.

1870s: Jekyll begins studying transcendental medicine. He and Lanyon fall out over this and stop talking to one another.

Sometime early-mid 1883: Jekyll discovers the formula to transform himself into Hyde. Jekyll buys a house in Soho for Hyde and writes him into his will. Hyde begins indulging in forbidden desires.

Sometime mid-late 1883: Hyde tramples a young girl. Enfield is a witness. To avoid being attacked, Hyde goes to the laboratory door and draws a cheque in Jekyll's name. The next day Jekyll sets Hyde up his own bank account.

Sometime late 1883 (A Sunday): Enfield tells Utterson about the trampling of the girl as they pass the laboratory door on their regular walk. That night, Utterson dines with Lanyon and learns he is estranged from Jekyll. Lanyon has never heard of Hyde.

Late 1883: Utterson regularly haunts the laboratory door, and eventually meets with Hyde.

Jan 1884: Utterson dines with Jekyll and talks to him about his will, expressing his concerns. Jekyll stops taking notes in his experiment book around this time.

Aug 1884: After a night of adventures as Hyde, Jekyll awakes having involuntarily transformed into Hyde. He sneaks to the lab and takes a dose to transform back into Jekyll. Frightened, he stops taking the potion.

Oct 1884: Jekyll takes the potion again and transforms into Hyde. Hyde meets and murders Sir Danvers Carew. Hyde clears out his Soho home, destroys his papers and cheque book. Jekyll destroys the lab door key.

Oct 1884 (The Next Day, 9am): Utterson identifies Carew's body and goes to Hyde's address with Scotland Yard.

Oct 1884 (Same day, Evening): Utterson visits Jekyll. Jekyll says Hyde will not be returning and show Utterson a note he claims is from Hyde. Utterson asks Poole about the messenger, but Poole claims no letter was delivered.

Oct 1884 (Same day, Night): Utterson dines with his clerk Guest. He shows Guest the note from Hyde. A dinner invitation arrives from Jekyll and Guest compares the two. He notes the handwriting is the same, but slanted in different directions.

Oct 1884-Jan 1885: Jekyll becomes more religious and conscientious. The police hunt for Hyde and uncover some of his wicked deeds in London, but can't find him.

Jan 8, 1885: Jekyll throws a big dinner party for his friends. Utterson and Lanyon are there. It seems as though Lanyon and Jekyll may be mending their friendship.

Jan 8, 1885 (Night): Jekyll indulges his desires, but as Jekyll this time.

Jan 9, 1885 (Daytime): Jekyll daydreams on a bench in Regent's Park and involuntarily transforms into Hyde. He flees to a hotel in Portland Street and writes a letter to Poole and Lanyon to arrange for his chemicals to be brought to Lanyon's house. Poole and Lanyon break into Jekyll's office and Lanyon brings the chemicals to his house.

Jan 9, 1885 (Evening): Hyde travels around in a cab waiting until midnight until the driver gets suspicious. He walks the streets and punches a woman in the face who offers him to buy some matches.

Jan 10, 1885 (Midnight): Hyde arrives at Lanyon's, drinks the potion and transforms into Jekyll in front of him. Jekyll confesses his crimes to Lanyon. Jekyll returns home and falls into a deep sleep.

Jan 10, 1885 (Daytime): Jekyll transforms spontaneously into Hyde walking to his lab. A double dose restores him to Jekyll, but 6 hours later there is another spontaneous transformation into Hyde. From now on, every time Jekyll sleeps or relaxes too much he transforms into Hyde. He needs the potion constantly to stay as Jekyll.

Jan 12, 1885: Utterson calls on Jekyll. He's told the doctor is sick.

Jan 13, 1885: Lanyon writes his testimony of Jekyll's transformation. He seals it up to be opened by Lanyon when Jekyll has died or disappeared.

Jan 14, 1885: Utterson calls on Jekyll. He is denied entry.

Jan 15, 1885: Utterson calls on Jekyll. He is denied entry.

Jan 16, 1885: Utterson dines with Guest.

Jan 17, 1885: Utterson visits Lanyon, and is shocked by his deterioration. Lanyon says he will soon be dead and can't mend his friendship with Jekyll, but won't say why. Utterson writes to Jekyll demanding an explanation.

Jan 18, 1885: Jekyll writes a cryptic and darkly-worded letter to Utterson that does not explain why he and Lanyon have fallen apart. He says he intends to lead a very secluded life going forwards.

Jan 25, 1885: Lanyon is bedridden.

Feb 8, 1885: By this time, Lanyon is dead. The day after the funeral, his sealed testimony is sent to Utterson. He puts it in his safe.

Feb 1885: Utterson keeps calling on Jekyll, but is not admitted. His visits become fewer and fewer.

Feb/Mar 1885 (A Sunday): Enfield and Utterson walk by the laboratory door again, and walk into the courtyard hoping to see Jekyll. They try to talk to Jekyll at the window, but he is seized with terror and slams the window shut.

Feb/Mar 1885: Jekyll's supply of salts is running low. He sends messages to his servants to get more from chemists across London - none can give him salts that work.

Sometime Mar 1885: Trapped in his cabinet, Hyde burns Jekyll's paintings and letters from his father. He defaces Jekyll's religious books with blasphemies. Jekyll keeps trying to make the potion with the new salts that keep arriving, but concludes his original batch must have been impure, and this unknown impurity was what made the transformation possible. The servants hear Jekyll cry out upon the name of God.

Mar 1885 (1-8 days after the cry): Poole hears Hyde weeping like a lost soul in the laboratory. Poole catches sight of a masked Hyde going through packing boxes in the laboratory.

Mar 1885 (8 days after the cry): Jekyll uses the last of the original salts to write his last will, confession, and a note to Utterson. He puts them aside and becomes Hyde, finally and forever.

Mar 1885 (8 days after the cry, 10pm): Poole visits Utterson and asks him to help, saying he thinks there's been foul play. Utterson comes to the house and hears Hyde's voice behind the cabinet door. He listens to Poole's evidence and agrees he thinks Jekyll has been murdered. Utterson confronts Hyde, and he and Poole break down the cabinet door. Hyde poisons himself with cyanide. Poole and Utterson find Jekyll's will, note and confession. They search for Jekyll's body but can't find him.

Mar 1885 (Same day, 10-11pm): Utterson goes home and reads Lanyon's testimony, followed by Jekyll's confession.

Mar 1885 (Midnight next day): This was when Utterson planned to return to Jekyll's and call the police.

[weyounthevorta]

The Horny Beast, Doctor East

You’d worked for Chronos for only three months before you were suddenly transferred to the underground genetics research lab.

You knew you were good, but to be chosen for that prestigious position took you completely by surprise. There was a waitlist a mile long, and you were ten miles down.

It all made sense as soon as you met the head of the department, the diminutive Dr. East.

The man wants you.

The naked, hungry look he gave you said he wanted to do unspeakable things to your body, and you got the distinct impression that he was a bit more animalistic than he seemed at first blush.

[aemiron-main]

stranger things the first shadow and jekyll and hyde and carl jung’s concept of the shadow and edward creel is vecna and i can prove it

So! This caught my eye today:

I know there’s a lot of talk regarding how the MF is also called the shadow monster, and I’m sure that plays into it somehow, but I also wanted to talk about Carl Jung’s theory of the shadow. Jung’s theory is basically as follows:

The Personal Shadow

“The personal shadow is comprised of those qualities, impulses, and emotions that we cannot bear for others to see and thus cast into the hidden domain of ourselves. It is made up of the parts of ourselves we deem unacceptable. For many people this means things like our sadness, rage, laziness, and cruelty.”

Keep this above definition in mind.

"The personal shadow personifies everything that the subject refuses to acknowledge about himself and represents ‘a tight passage, a narrow door, whose painful constriction no one is spared.’”

Staring directly at the fact that the art of Henry for The First Shadow parallels the poster of Will looking out a door, at the shadow monster and there’s so much door imagery in ST. Will’s even got his shadow behind him, just like Henry does.

TLDR: a personal shadow is basically everyone’s “bad” qualities but they’re not always inherently bad.

Jekyll and Hyde are considered an example of somebody vs their shadow self/personal shadow.

“If we hold certain values and recognise these consciously then the opposite values may form part of our shadow. The shadow is not just restricted to values but the example of Dr Jekyll and Mr Hyde illustrates the point well. Dr Jekyll and Mr Hyde clearly manifested different values and these were translated into differences in their behaviours. Taking this further we can also see that sharing values would lead to a ‘shared’ shadow – the opposite of these values. The group would collectively hold unconscious and opposite values with the potential for projection.” (source)

The Collective Shadow

And so, remember how I said that I think that the Shadow Monster/the MF would play into this? Well, part of the shadow theory is something called a collective shadow.

Long story short, the collective shadow is considered the dark side of humanity, the sum of all past and present atrocities and abuses.

And we know that Henry had a whole speech about the dark side of humanity.

“The collective shadow, like the personal shadow, is relative in that it will be partially culturally determined/dependent on culture. It consists of things which opposes a culture’s conscious, shared and collective values.”

I won’t be surprised if the Shadow Monster/Mindflayer is meant to be representative of a collective shadow, a representation of the shared hateful/biogted beliefs of the people of Hawkins, a representation of all of the atrocities and abuse that’s occurred, including to people like Henry (in the lab and in the Creel house, ESPECIALLY considering the stage play being in 1959/tied to the Creels moving to Hawkins and also tied to the idea of the shadow via the title). But the people of Hawkins aren’t all inherently awful, because the shadow represents the opposite of their values/beliefs, and some peoples’ values/beliefs contradict eachother’s.

The First Shadow

So- the first shadow? It’d possibly be either a.) the first Henry/the original Henry or b.) the first new, separate sort of Henry, possibly a separate consciousness or an entirely separate Henry (staring at the Henry Creel vs Edward Creel weirdness in the Creel murder newspapers, staring at Henry Jekyll and Edward Hyde being the full names of Jekyll and Hyde). And keeping in mind that Edward Hyde was Henry Jekyll’s shadow- so then, Edward Creel would be Henry Creel’s shadow. And look at that art for the stage play again:

In this image, who is literally Henry’s shadow?

Vecna.

In the Henry Jekyll vs Edward Hyde and Henry Creel vs Edward Creel section, who was Henry Jekyll’s shadow?

Edward Hyde.

Which makes Edward Creel the shadow of Henry Creel. But Vecna is also Henry’s literal shadow in that image- oh wait, that makes both Vecna and Edward Henry’s shadow. Don’t people just have one personal shadow, though?

Yes. Because Vecna and Edward Creel are the same person. Henry Creel is not Vecna, Edward Creel is. Vecna and Edward are interchangeable, and they’re both Henry’s shadow, just like how Edward Hyde is the shadow of Henry Jekyll.

Edward is Vecna, not Henry. Even simply in a metaphorical sense, Henry is not the same as Vecna, Vecna is Henry’s shadow.

Conclusion

We’ve got the personal shadow, the collective shadow, and the first shadow.

And the personal shadow is considered the bridge to the collective shadow, in the sense that the collective shadow is made up of humanity’s personal shadows.

So, Henry’s shadow was likely the first one, the first shadow in that collective shadow- and what does the collective shadow represent? What is it comprised of? The atrocities and abuses of humanity and the values deemed negative by a culture. So, Henry himself being an outcast and being deemed negative as a child, and abused by the town and by the lab, and becoming the first atrocity in the collective shadow over Hawkins, the first personal shadow in that collective shadow.

Everything with the shadow sounds so extremely Vecna, with how he’s showing his S4 victims their own shadows, the parts of themselves that they refuse to acknowledge, the parts of themselves that conflict with their egos and ideals.

To confront one’s shadow is considered to be confronting the truth- and Jamie himself said that Vecna is fixated on truth.

And again, the collective shadow is made up of personal shadows. So, if you want to resolve the collective shadow/kill the shadow monsters, you need to resolve everyone’s personal shadows first.

Which is what Vecna was doing. He was literally forcing his victims to confront their personal shadows. He is attempting to kill and change the collective shadow of Hawkins because of how that shadow/those cultural beliefs have outcast and hurt him. But because he’s doing it by committing atrocities, he’s simply creating a new collective shadow/shifting those values/being a hypocrite. He think he’s destroying those hateful/harmful values, but instead, he’s just making his own twisted/still harmful version of them. I’ve talked repeatedly and constantly about characters like Vecna and Eddie being hypocrites and how for all of things Henry lists in his “eat sleep wake up,” monologue, he himself has his own twisted version of things, and this ties in perfectly with the collective shadow theory and the idea that Vecna is trying to destroy the collective shadow/bigotry/hate/abuse of Hawkins but is enforcing his own bigotry/hate/abuse in the process.

And going back to Henry not being Vecna, remember how the personal shadow is defined?

“It is made up of the parts of ourselves we deem unacceptable. For many people this means things like our sadness, rage, laziness, and cruelty.”

And so, if Vecna is Henry’s shadow (which, that’s exactly what we see on the poster), then that means that Vecna is comprised of things/traits that Henry deems unacceptable. Meaning that Henry didn’t share the same values as Vecna/Edward. Meaning that Henry is a good guy. Which, that doesn’t mean Edward is evil, especially not with the idea of Vecna being the result of Brenner merging himself with Edward, and Vecna and *Edward’s* values being different.

It’s also worth noting that Henry himself is very paralleled to Mairon (Sauron’s form before he became evil), and Annatar (his fake good form), but Vecna is the one paralleled to Sauron. Sauron, who poured his cruelty and his malice into the one ring. Sauron, who is described frequently as a shadow.

TLDR: timeline weirdness and Henry Creel vs Edward Creel and Edward is Vecna, Henry is not Vecna, and Henry is not responsible for Vecna’s actions.

Henry Creel is innocent. Any complaints can be forwarded to Henry Creel’s personal defense lawyers (@laozuspo and I, James also has great thoughts about Jekyll and Hyde vs Henry and Edward.)

[localcuttlefish]

Older art, but hey, I still like it, so I think it’s worthy of a repost here since this platform hasn’t seen it yet

Me when I post OC lore by way of a stylized reinterpreted cover art for a late Victorian literary masterpiece. :) but also me when I make a stand-alone piece for the aforementioned literary masterpiece that can be interpreted without the added context of original character lore, bc honestly I like the source media and I was inspired to re-read it recently

[oh2e]

Fascinated by the decision to give the blind man a white cane in the 19th century. Just in case the reflective glasses and the way he clearly couldn’t see anything on screen in front of him wasn’t enough.

Big fan of the foggy/grainy exposure on the nighttime outside scenes.

Also very impressed by Mrs Hyde’s impromptu dress making skills from a curtain.

Not to mention, Jekyll’s intense joy at transforming himself into Mrs Hyde and delighting in her femininity and being horrified by the re-growth of his masculine body hair.

“I was caught in a terrible trap. To continue my work I needed Sister Hyde yet all the time I became more and more aware of her growing dominance within me, a dominance I no longer had the strength to fight, contain or control.”

[magiefish]

A Timeline for The Strange Case of Dr Jekyll and Mr Hyde

The years here are dated according to which of the three years of the novella they take place in, not their historical location. 18– is used for unknown years. Notes are placed underneath each with speculation and justifications for the dates provided.

18–, 10 years previous: Jekyll and Lanyon have a falling out

This previous is dated from Chapter 2, not the first experiment

Year One

18– ??: Jekyll turns into Hyde for the first time.

The door story is dated in winter (December - February) and Utterson is still concerned about the will, so we could assume that Jekyll turned into Hyde for the first time earlier the same year or late the previous year

Lanyon says the entries in Jekyll’s logbook dated back ‘many years’ but ‘ceased nearly a year ago’. This occurs early in January of Year Three of the novella. I have no explanation for this, maybe he was just still in Year Two brain, happens to the best of us.

18– ??: Jekyll gets an apartment and a housekeeper for his Hyde persona in Soho. Simultaneously / around the same time Jekyll tells his household about Hyde and calls upon them to make himself ‘a familiar character’.

18– ??: Jekyll writes out the holographic will leaving everything to Hyde

1801, sometime in winter, 3 am: Hyde tramples a girl and is forced to pay money for it. He stays in Enfield’s house for the rest of the morning and the cheque is payed when the banks open.

It’s most likely December - It’s winter, and the Danvers murder occurs ‘nearly a year’ later so December would make sense seeing as November’s still autumn and this is the closest winter month to October.

If after Chapter 3 the events are ‘nearly a year later’ also, it can assumed that the events of Chapter 1 - 3 likely all take place over December / early January

1801, ??: Following the Enfield incident, Jekyll creates a separate bank account for Hyde

1801, Sunday: Utterson walks past the door with Enfield and he recounts his story. Utterson goes home and examines the will before deciding to go and speak to Lanyon where he learns he and Jekyll have not been friends for 10 years.

1801, unspecified amount of time (few days perhaps?): Utterson waits for Hyde

Still winter, mentions frost

1801, after a time: Utterson meets Hyde.

1801, two weeks later: Utterson talks to Jekyll about Hyde after a party.

Year Two

1802, August: Jekyll turns into Hyde involuntarily for the first time and goes cold turkey.

The event is dated ‘two months previous’ to the murder in October, so it’s August

1802, October: Hyde murders Sir Danvers in view of a witness maid before fleeing the scene of the crime. He turns into Jekyll at home and destroys the key to the back door. The maid calls the police at 2 am after fainting for an unspecified amount of time. They call on Utterson the same day and investigate the crime scene and Hyde’s house. Utterson goes to Jekyll’s house late in the afternoon to talk to him and receives a letter supposedly from Hyde, but a servant tells him they received no letters. He goes home and shares a drink with Mr Guest who compares the letter with a dinner invitation from Jekyll and concludes that they were written by the same hand.

Jekyll says the news of the murder became public ‘the next day’ but Utterson hears people crying it in the square when he visits Jekyll which is presumably on the same day of the murder. Possibly the murder occurred late the previous day before midnight, and the maid was passed out for like two to three house before waking up at 2am and calling the police.

1802, October to January: Jekyll renews social activities and charity and sees Utterson more regularly, ‘almost daily’. He continues to sin in secret but in his Jekyll persona.

18–, 10th December: the date on Jekyll’s letter to Lanyon.

The letter was written on the ninth and Jekyll believed the letter may be delayed and Lanyon wouldn’t receive it until the next morning, in which case it would make sense for him to date it 10th JANUARY in anticipation. December is either a typo that wasn’t caught even after 100 something years or Jekyll/Hyde was so out of it that he completely misdated the letter.

Year Three

1803, 8th January: Utterson dines with Jekyll & Lanyon

1803, 9th January: Jekyll sends a letter to Lanyon requesting his help. Lanyon receives Hyde at midnight.

1803, 10th January: Hyde turns into Jekyll in front of Lanyon. Jekyll goes home and sleeps, but upon walking across the court in the morning he turns back into Hyde. It takes a double dose to restore himself, but six hours later he turns into Hyde again.

Hyde is received by Lanyon at midnight so in the intervening time to make the potion the date has technically changed to the 10th

1803, 12th January: Utterson calls upon Jekyll and is denied

1803, 13th January: Lanyon writes his narrative

He places the 9th January as ‘four days ago now’

1803, 14th & 15th of January: Utterson calls upon Jekyll and is denied

1803, 16th January: Utterson dines with Mr Guest

If dated from the 12th, the 16th would be the date of the ‘fifth night’ mentioned

1803, 17th January: Utterson visits Lanyon who he finds sick. He says he’s had a shock and refuses to elaborate, but decries Jekyll. Utterson goes home and writes a letter to Jekyll.

Again, if dated from the 12th, the 17th would be the date of the ‘sixth night’

1803, 18th January: Utterson receives Jekyll’s response letter which tells him that he intends to seclude himself for the rest of his life.

This is the ‘next day’ from the 17th

1803, 25th January: Lanyon takes to bed

A week from receiving Jekyll’s letter on the 18th

1803, around 25th to 8th February: Lanyon dies

‘In less than a fortnight’ from the 25th

1803, night after the funeral: Utterson opens Lanyon’s last letter and finds another letter inside telling him not to open it until the death or disappearance of Jekyll.

1803, unspecified period: Utterson continues to try and visit Jekyll but eventually falls off

1803, Sunday, unknown month between January and March: Utterson and Enfield encounter Jekyll at his window before he abruptly retreats.

1803, March, Sunday: Jekyll cries out to god. This is the last time Poole hears him.

The last time Poole heard Jekyll was ‘eight days’ before the last night, which if we date to Monday would make this day Sunday

1803, March, for a period of a week: Hyde locks himself in the cabinet and calls on Poole to get chemicals for him

1803, March, possibly Monday: Jekyll writes his statement under the influence of the old powders. The last night occurs: Hyde commits suicide and Utterson goes home to read Lanyon and Jekyll’s narratives, promising to return before midnight.

Poole says he’s been called upon ‘all of last week’ and has been scared for ‘about a week’. ‘Last week’ would imply the week has passed, so Monday would make sense.

Jekyll’s statement is ‘dated at the top’ to the same day as the Last Night. If Jekyll wrote the statement this would be unusual: Poole recalls the last time he heard him being ‘eight days’ from the last night when he cried out to god. Why would Jekyll cry out to god if he still had some of the old salt? Was he crying out because he realised he had run out of it?

Why would Poole only hear Hyde and not Jekyll from that day if he still had some of the old salt? Jekyll remarks that his face is now ‘sadly altered’ so he could be an imperfect transformation, not fully Jekyll but not fully Hyde.

Alternatively, Jekyll could have not written that statement at all. Hyde didn’t destroy it despite it being in plain view, and we know he shares the same handwriting as Jekyll. He also wrote letters to Lanyon and Poole while stuck as Hyde in the hotel in his Jekyll-handwriting and neither questioned wether or not it was him writing. Who’s to say Hyde couldn’t convince Utterson too?

[spider-xan]

I love how some of the best LXG film fanfics are re-writings and re-imaginings of the Strange Case and the Jekyll/Hyde storyline to elaborate on the novella from Jekyll's perspective, fit the book into the film universe, and write out detailed accounts of the timeskip between the ending of the novella and his introduction in the movie to explain what they were doing during those years and how Hyde came to be the way he is compared to the source material as a means of bridging the two media together bc the prose, writing style, Victoriana vibes, Jekyll and Hyde's characterization and development, etc. in those stories are amazing and really a step up from an otherwise silly action film to the point of reading like professional writing at times, and it's a testament to how compelling the film's interpretation of him is while respecting the novella - but not a single one of these stories reads the book or character through a queer lens, so Jekyll is always aggressively heterosexual.

Technically, it still works and doesn't go against the original text bc Stevenson never elaborates on what exactly Jekyll was doing or what his personal transgressions were, but it would just be great for at least one such story to re-write the backstory through that lens! At least have some of the French prostitutes in the Paris part of the timeline be men instead of only women! I think part of it is due to his being attracted to Mina in the film, but there's no reason why that can't just mean he's bi in the movie universe; a lot of these fics also seem to be from the 2000s though, when I remember there being a harder divide between slash and not-slash, so perhaps if someone were to write such a fic today, it would more likely be written through a queer reading of the novella.

[demonsfate]

It means you smoke it, like this *lights it up and places it into his mouth*

❝ Smoke it . . .❞ Like a cigarette ? He's seen humans do that before, but weren't those generally unhealthy ? Then again, he doesn't function exactly like a human. Considering he doesn't even need to breathe, it should matter little if he tries this once.

So, Devil inhales . . . until he can't inhale anymore. He holds it in for a moment, & then -

❝ ! ! ! ❞ He should've expected it to burn, but he didn't expect it to be as bad as the volcano Heihachi dropped Kazuya into. Devil violently coughs the smoke out until tears leave his eyes. Give him a moment, he'll be okay.

[univemma]

Dont do that. Don't give me hope

might be flipping tf out rn

[patchworkspringlocks]

I’ve said it before that Dave is a people pleaser and covers everything with a smile and golden retriever energy which is very much an oversimplification of his overall psyche wrapped up in a few popular fandom characterization buzzwords that make for easy shorthand but It Is That Deep actually and I wanna talk about it + Patchwork and how he fits into his psyche as well which is all below the cut since I can’t ever be succinct when it comes to my ocs or fnaf lore

Dave had it burned into his brain by the tender age of 10 that he’s the one responsible for handling his mother’s moods and not letting anyone down with his own struggles (also comes with the territory of being born male and growing up in 60s america) lest he put anyone else in a bad mood and make things all about him when can’t he see that other people are struggling too? he learned quickly that his problems didn’t matter, his emotions didn’t matter to those around him, all they wanted from him was a smile and a joke to laugh at. I’m going to have to make another long in-depth post on Dave and Rachel’s entire relationship bc they are both my blorbos and I am so entirely normal about them but for the moment I’ll say that in his life she was the only person to really ever challenge this self-destructive notion and offer validation and love for him as a full, complete person in his own right. to everyone else, he was upbeat and lighthearted and easygoing and a guy you could chill with on a smoke break or head to a bar to wind down with after work. never fazed, never frustrated, never sad, never grieving, never angry

But Patchwork? he’s built on anger, powered by it even, the only thing he can do is lash out and out and out at the unfair world again and again and again and little else brings him as much satisfaction as when he’s hunting his targets down like a bloodhound who just got his quarry’s scent. he’s a force to be reckoned with as a 6’6 animatronic with teeth and claws and sharp, powerful metal springlocks twisted around the remains of what was once human flesh. you can’t ignore his presence, his moods, if you tried or just had an insanely large death wish. he’s the shadow archetype given form and unshackled from the dark recesses of Dave’s mind that he was forced down into his whole life. he’s a manifestation of Dave’s worst, most intimately-held fear, the kind of thing that can only reach out to others and rip them apart until he’s all that’s left, isolated and alone with no comfort to be found in anyone, a being that ultimately destroys anything it tries to hold close. and even so it’s still, after all, Dave inside that patchwork suit, who aides Michael after they’ve both been doomed by the Afton curse, who tries to fulfill his dying promise to “come home” and inadvertently likely ended up saving Rachel’s own life in the process, who at long last gets to help free at least five of the souls taken by his adversary’s hand too soon and bring them peace. Patchwork might act as Dave’s shadow, but inversely it’s Dave and his genuine kindness and care towards other people now hiding behind a soul marred by pain and despair. I am completely normal about him/them. btw. if you even care

And all of this doesn’t even touch on his later incarnations in the series

[moonpie016]

I have come back with art!

(And my body decided to feel blah, but now I'm kinda better.)

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Ok soo, we have Jekyll, Hyde, and Utterson

(Interesting to only refer to them with their last names, but that happens all the time regardless. Idk what the scenario is to this drawing.)

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A continuation to the Mind timeline drawing, we have THE HEART TIMELINE! >:D Yay.

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Some short comic sort of thing. :]

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And a little doodle.

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That's all I have for now, but hope you enjoy.

(for now >:])

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[basil-the-slinking-thing]

Realized that reason Edward Hyde reminds me of the feeling of being on Tumblr so much is because Tumblr is where you go when you want to leave your dignity and your face at the door. Which was like. The entire point of Hyde. So I’ve got a theory and I want y’all’s opinions.

Assuming the first option, I think Hyde would create like. A fucking iconic blog. Depending on how long he stayed here and how early he got on, I think he might be his world’s version of Pukicho. There is enough spite in his heart to pull it off and you know it.

Assuming the second option. Scientific shitposts. That’s what he would make. It wouldn’t get as popular cause he’d be nice and reblog more stuff, burying his original content like the rest of us. But he wouldn’t die, and he would not have felt the need to create Hyde in the first place because this place would teach him to actually be okay with the way he was an enjoy it actually, and this option wrenches my heart so much actually. I need it to be real in some timeline.

[sunset-sunbun]

all it needs is a title- and a timeline- because I have so many scattered ideas.

what if I just started making a Dr Jekyll and Mr Hyde AU

[leonenjoyer69]

I present, from my new Lanyon drinks the potion AU (working on the name), Robert Lanyon and his HJ7 Alter ego!

Taking pictures of colored pencil drawings is the bane of my existence, bc lighting is so annoying.

Anyways!!! I've settled on the first name Elias, bc I feel like Henry would help name him and Elias is a letter off from Alias (which means a fake/pen name), so I thought that'd be funny :3 still working on the last name tho.

Yes, that is Hyde's vest that Elias is wearing. Henry gave it to him on his first night alive after clearing everything up with him and Robert about what just happened to him. Since he's near Hyde's size, Jekyll decided that he needed some clothes, at least temporarily, but Elias refuses to give it back now, despite having his own clothes. Why? Because Henry gave it to him, and he loves Henry so much. it's also Hyde's vest, who's part of Henry, so by proxy he's gotta love him too, right? How could he hate any part of Henry?

Unlike Hyde, Elias isn't some self-proclaimed evil incarnate. He's very easy to read emotionally and is very honest to everyone around him. He's very open about his feelings, which are generally very quick to change, especially towards those he cares most about (*cough* JekyllandHyde *cough*-) and he strives for praise. He likes accomplishing things and has more of a liking for "sciency stuff", he also recalls most of the doctor things that Lanyon learned from university and isn't deterred by gross things and blood. He shares hyde's wanderlust and will run around town with him, though Elias prefers parks and nature over the slums of London, and he also enjoys the rooftops.

Timeline wise, Lanyon accidentally drinks the potion after all the blackfog and queen Lucy stuff, when they "kidnap" Hyde. Specifically, it happens right before Jekyll dumps all the HJ7 down the drain- like, right before. Lanyon kinda interrupts him doing that. Henry reenters the room in the middle of Lanyon's transformation, so he's there when Elias kinda "wakes up".

Anyways, please please PLEASE ask me questions about him, I'd love to answer them :3 also, I'm currently working on a fic for this!! The first chapter is almost done I think, I just need time to actually sit down and write.

Also jejvkekkvke character design is SO HARD, shout out to people who do it all the time. Also apologies if the skin looks off in any way, I've never really used colored pencils to color any characters, much less any colored characters, so I kinda had to figure it out as I went lmao.

[delicate-dollies]

was trying to make my own jekyll and hyde design ik they dont fit as much for the timeline in the original story BUT I WANT THEM TO LOOK SUPER CUTE SO UM i need to fix jekylls general personality though just cause i dont think its entirely accurate to the book ill have to read it again teehee

also if it isnt obvious i was inspired by the tgs version of jekyll and hyde because i like those colours hahah

[dross-the-fish]

Do you have a timeline about events that happened in your timeline?

Like when the villains + characters were introduced?

I do have a timeline, I hope you have time to read it, it's long. Lawrence Talbot (universal's Wolfman) gets bitten and turns into a werewolf, killing his family on his first transformation. Quincey and Larry seek out Doctor Watson for help because they don't know who else to turn too and Watson treated the initial wolf bite. Watson is also suspicious because there were no reports of a wolf escaping from a zoo and there are no wild wolves in Britain. They begin seeking out possible cures for Larry, this puts them on track for the Jekyll/Hyde encounter. After some convincing Edward joins the team and begins researching a serum to cure Larry. Research leads them to vampire attacks. Watson recalls that Holmes disappeared searching for an alleged vampire in the countryside. They meet Theo but she doesn't join them, currently Theo is still on team Dracula taking refuge with the brood hanging around Dorian Gray. Edward has a small breakthrough after speaking to a sailor at a dockside pub one night, he's put on the trail to find Victor Frankenstein's alchemical research. This leads him to Walton's ship and the expedition to the arctic where they encounter the Creature Adam joins the crew after Watson convinces him. The crew return to England and find that vampire activity has increased, more people have gone missing and they are tipped off by Theo that Dorian Gray has been hosting parties that end in the disappearances of guests. Selma is summoned by the Harker family to join as she is a vampire hunter, she leaves Texas and arrives in the UK. She and Edward hook up. The crew investigate Dorian Gray and through Theo's help obtain invitations to his parties. Dorian seduces Adam, while Dorian is distracted the crew hunt for Dorian's portrait. Once the portrait is found the crew get their first insight to devil contracts. They steal the portrait for study. Adam obsesses over Dorian and has to be talked down from stalking and killing him. Theo is outed as a traitor and has to flee from Dorian's brood. She seeks out the crew for shelter and is offered that Edward will research a cure for vampirism if she actively joins the crew. Theo agrees. A letter for Sherlock arrives indicating that the managers of an Opera house in Paris are dealing with a haunting. Watson is at first, averse to leaving for France but after a suggestion from Quincey that it might be worth looking into if this Phantom is really supernatural. There is suspicion that the Phantom is a vampire or connected to Dorian Gray as Dorian keeps a residence in Paris and is known to frequent the opera. This leads to the encounter with Erik and the Daroga. While in France Adam requests that they take a detour to Geneva, he wants to see what became of the Frankensteins after Victor died. He finds that Ernest had survived and the Frankenstein family continues to live there, they have recovered from the tragedy and the new generation is happy and thriving. Adam is relieved and decides not to make contact for the time being but he does sneak into manor and look for more of Victor's research. He is seen by Ernest's granddaughter who instantly realizes what he is. He begs her not to scream and promises that he's not here to do her harm, he only came for Victor's notes. She allows him to take them. He apologizes to her for the harm he caused and she accepts, albeit warily and it's uncertain to Adam if her acceptance was the product of fear. He leaves well enough alone and vanishes into the night.

Further research into Victor's notes reveals that there is a journal missing, efforts to track down the journal reveal it fell into the possession of Doctor Moreau. While the crew gathers to find Moreau they are robbed by Griffin the invisible man in an attempt for him to steal back Dorian's portrait. Griffin is first sensed by Theo who can smell him and later by Edward who can hear his heartbeat. As Griffin tries to escape he is caught in one of Erik's traps. During his questioning at the hands of Edward, who has far too much fun with the interrogation, Griffin escapes. The crew track down Doctor Moreau, who is hiding on an island in the Mediterranean, Adam is disgusted by the treatment of Moreau's creations and incites them to rebel. He is horrified to discover that Moreau was inspired by Victor's work and used a twisted version of his methods to create the surgically altered "mythical beasts" he controls. The creations rise up and kill their maker, Adam asserts that it was their right to do so. In Moreau's lab they find clues that lead them to the Faust's homunculus and to the immortal ancient Egyptian, Imhotep (Universal's Mummy) The founder of alchemy and not entirely evil. Imhotep is able to raise the dead but only as soulless husks, he is intrigued by Adam as Adam may present a key to reviving his lost love. Imhotep is convinced to let Adam go and gives up the Homunculus, explaining that it can break a devil's contract. A mysterious woman named Marguerite (Faust) appears and warns the crew to return to the UK before they get in too deep. Before Watson can question the woman she disappears. Vampire activity has reached an all time peek. Mina Harker, Quincey's mother, begins to have nightmares and visions. A threatening man revealed later to be Dracula appears in London and seems to be following Quincey. Dorian has fled and his home is now taken over by a vampire named Carmilla who reaches out to Theo with an offer to join her brood. Theo declines, having found a home with the crew. It is revealed that Marguerite is Mephistopheles in disguise and he is building and army with the intent to gain a physical foothold on earth with a long term goal of overthrowing Heaven. The rest of the story focuses on the crew trying to overthrow Mephistopheles and I am still doing a lot of re-writes and moving things around but this is the broadest roadmap of events.