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charminglatina · 6 years ago

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Riverdale Couples and Ships as Romantic Tropes (Part II). 🌹

Here is Part II of the list!

#11. Bughead (Jughead Jones & Betty Cooper; ROMANTIC TROPE: CHILDHOOD FRIENDS ROMANCE)

Childhood Friend Romance

Childhood Friend Romance is a part of romantic plots, when characters develop romantic feelings for someone who they spent their childhood years with. Often the pair will see each other as Just Friends (and may even deny accusations that they might have a different type of relationship); then, when puberty hits or when they meet again after being apart for some time, they will realize that the other is all grown up. If the pair goes through a Puppy Love phase from the very beginning, a Childhood Marriage Promise may be involved. Resistance to see a childhood friend as a potential romantic partner is known as the "Westermarck effect", a theory that claims that people who grew up together before the age of 6 are likely to become hardwired to think about each other Like Brother and Sister, with a Stupid Sexy Friend squicked reaction to the notion of romance. (Other studies question this on the basis that though few of the people they examined had major romantic relationships with childhood friends, many had crushes and romantic feelings that just didn't make it.) Subtrope of Childhood Friends. See also Patient Childhood Love Interest, a subtrope common in Harem Series. Compare also with High-School Sweethearts. Often benefits from First Girl Wins.

#10. Veggie (Reggie Mantle & Veronica Lodge; ROMANTIC TROPE: SLAP-SLAP-KISS)

Slap-Slap-Kiss

"[Punches Hiccup on the arm] That was for kidnapping me. [Kisses him on the cheek] That was for everything else."— Astrid, How to Train Your Dragon

This trope is nothing but universal in romantic stories. It frequently brings to a close the Will They or Won't They? phase of a Romance Arc. When a male and female character spend a lot of time bickering, it is all but inevitable that sooner or later he will interrupt her in mid-rant by suddenly grabbing her and kissing her. (Less frequently, she grabs and kisses him.) The kissed one rarely resists, and usually responds wholeheartedly. Usually this is triggered by their hostilities reaching a climax that results in an exchange of slaps, followed by a moment where both stare at each other in combined confusion and shock, after which they dive into the kiss. Either way, the kiss prompts both to realize that they've been in love all this time — the rationale being that they wouldn't argue so much if they didn't give a damn about each other. Normally results in some kind of permanent change in their relationship. The concept is related to the theory that hate is not necessarily the opposite of love so much as its twisted twin; its opposite would be apathy. Ergo, lots of contained emotion towards a person might be translated into lust given the proper catalyst. Pulled off successfully, it can be... quite satisfying. Otherwise, not so much. This trope is a major factor in Foe Yay shipping, since such arguments between those characters in the actual shows are often similar to examples of this trope (or even get Why Don't You Marry It? reactions). It should be noted that in Real Life it's not exactly a sign of a healthy relationship, with the exception of a little roleplay between consenting adults. Note that this trope is mostly Exactly What It Says on the Tin. If there is no kiss, that's Belligerent Sexual Tension. Dating back at least to William Shakespeare's Much Ado About Nothing. Compare "Shut Up" Kiss, Love at First Punch, Belligerent Sexual Tension, "Take That!" Kiss, Vitriolic Best Buds, and Destructo-Nookie. Often considered in similar terms to Foe Yay. Tsunderes are often involved on at least one end. Kiss-Kiss-Slap is this in reverse (kissing, then fighting).

#09. Jarchie (Archie Andrews & Jughead Jones; ROMANTIC TROPE: HO YAY)

HoYay

Homoeroticism, yay! Those moments of plot, dialogue, acting, etc., that fans delight in interpreting as homoerotic. It probably originates from the old days, when the homosexuality taboo was serious enough that every gay pairing was considered a Crack Pairing, so when authors wrote same-sex characters as very intimate with each other, audiences largely accepted that they are just very good friends, and moved on, or when authors wrote outright references to homosexuality, most just laughed at the sheer absurdity of the thought. With the gradual dissolution of homophobic moral codes, more and more writers have been able to publish and share their work uncensored, changing media forever. Nowadays, Yaoi Fans and Yuri Fans willingly interpret any interaction as potentially gay, for characters without canonical orientations and even for those specifically stated by their creators to be straight (in which case the author may be very annoyed by the fans' insistence otherwise). Cultural differences also have their say here. The level of accepted physical intimacy between close friends and adult relatives is hardly constant across various eras and nationalities, so, for example, the hugs and kisses which seemed mundane for an antiquated reader may appear blatantly erotic in the eyes of a contemporary one. In particular, the concept of Romantic Two-Girl Friendship — and Romantic Two-Guy Friendship — highly intimate yet platonic, only began falling out of use in the latter half of the 19th century. When this is done intentionally, it's Homoerotic Subtext, or possibly Implied Love Interest or Ship Tease. In the related trope called Foe Yay, even rivals or mortal enemies can get this treatment by fans and writers alike, especially if they have a more friendly past together, or one is inordinately obsessed with the other. In Fan Fic, this is the direct cause of many a Slash Fic.

#08. Choni (Cheryl Blossom & Toni Topaz; ROMANTIC TROPE: OPPOSITES ATTRACT)

Opposites Attract

"Strange extremes meet in love's pathway."—The Scarlet Pimpernel

Strong relationships, in both TV and real life, thrive on how each member compensates for the other’s weaknesses with their own strengths, and vice versa. A Motor Mouth just isn’t as funny if he doesn’t have the Straight Man to torment. Similarly, only when a sweet, shy person is paired up with an equally jerkish one is their kindness and shyness made all the more noticeable. It is all but guaranteed that the characters’ differences will cause more friction than harmony between them. That’s what gives the Odd Couple its fuel for Slap-Slap-Kiss, Will They or Won't They?, and Aww, Look! They Really Do Love Each Other situations. Bickering and mushiness in one package. What’s not to like? The Odd Friendship also has elements of this, but tends to focus on how the differences make them see each other, and maybe the world, through new eyes. Perhaps the serious one is Not So Above It All, or the Shrinking Violet has an inner strength they never knew they had. A Moe Couplet also does something similar to this, focusing on how each half of the couplet brings out the other's endearing or nurturing traits. Opposites attract has become so widespread in buddy cop shows, in the form of Serious White Guy meets Loud Black Guy, that it branched off into its own subtrope. About the biggest challenge in creating a day-and-night dynamic is to keep the attract and repel cases relatively balanced. When the pendulum swings too far toward the repel side and the characters seem more interested in torturing each other than helping out, it’s no longer cute to watch; it’s just masochistic. The key (both in fiction and in Real Life) is to watch the pair's goals. If they want the same thing but use completely different methods to achieve it, it's this trope. If they want different things entirely, it's a divorce waiting to happen. If you add a third-party mediator for balance, you get a Power Trio. Contrast Birds of a Feather. Compare Too Much Alike.

#07. Cheronica (Cheryl Blossom & Veronica Lodge; ROMANTIC TROPE: VILLAINOUS CRUSH)

Villainous Crush

"Just fear me. Love me. Do as I say, and I shall be your slave."— Jareth the Goblin King to Sarah, Labyrinth

This trope applies whenever a villainous character has romantic and/or sexual feelings for a heroic one. If this crush takes a turn for the perverse (and most such crushes tend towards this), this can lead to tropes like I Have You Now, My Pretty, Forceful Kiss, Bathe Her and Bring Her to Me, And Now You Must Marry Me, Scarpia Ultimatum, and Go-Go Enslavement where the villain tries to force their desires upon the character, although none of those require a Villainous Crush. Additionally, the villain may become a Stalker with a Crush. If the crush itself is a motivating factor in their Start of Darkness, then it's Love Makes You Evil. This trope isn't always negative, though. This trope can conversely be a very humanising trait for an Anti-Villain. The heroic character may become a Morality Pet, and can be fairly certain that their villainous admirer will never harm them or allow harm to come to them, barring certain exceptions. They may even step in to protect them from other villains who have fewer compunctions. Taken all the way, it may become Love Redeems. If the feelings are mutual or an actual relationship develops, then it's Dating Catwoman instead. When this is purely subtextual, see Foe Romance Subtext. The specific variant when the Evil Empress captures the hero to seduce him is Villainesses Want Heroes. Not to be confused with Foe Yay, which are purely audience reactions.

#06. Archosie (Archie Andrews & Josie McCoy; ROMANTIC TROPE: BIRDS OF A FEATHER)

Birds Of A Feather

Grace: My mum always said opposites attract. Rich: That's magnets. We're people.—Skins

Relationships, particularly romantic ones, tend to thrive when the people involved are similar. People are simply more likely to get along if they share common interests, values, beliefs, and goals. Thus people with similar personalities will often flow together easily, whether romantically or not. The dynamic of this pair differs widely from Opposites Attract pair. Their personalities can often be interchangeable and both of them can have a same role if they are a part of a group. However, their common obstacle is having a harder time to compensate for each other's weaknesses. Be warned, writers: while often Truth in Television, this trope can sometimes be seen to create a poorly written Love Interest who just happens to be a Gender Flip of the main character. When the commonalities are much fewer but still create a bond, see Commonality Connection. Contrast Too Much Alike.

#05. Beronica (Veronica Lodge & Betty Cooper; ROMANTIC TROPE: ROMANTIC TWO-GIRL FRIENDSHIP)

Romantic Two-Girl Friendship

"It was perfectly acceptable at Baker & Inglis to get a crush on a fellow classmate. At a girls school a certain amount of emotional energy, normally expended on boys, gets redirected into friendships."—Middlesex

At the beginning of adolescence, there is a time when friendship is emphasized, usually junior high/middle school. These friendships can have very strong emotional bonds, and, when two girls develop a close bond, it will almost appear to be a romance. They hold hands. Getting together to do something is a "date." Fights are treated as a "break-up." They're willing to sleep next to each other in the same bed (and maybe even cuddle). They're also sometimes capable of moving and speaking in perfect unison. They may not actually be in a romantic relationship, but it is emphasized in such a way that if they were, you'd assume it'd look this way. In the Western world, this was far more common up until the late 1800s, and applied to both men and women, even into adulthood. It was referred to as "romantic friendship." This practice waned at the turn of the 20th century as adults, particularly men, did not want to be mistaken as homosexual. Note Generally, it still only occurs between young girls, where it is more socially acceptable and not indicative of sexual orientation. In Japan, this is known as "Class S" and is far more common than in the West. Due to the influence of Western female literature,Note the Japanese developed a belief that young girls are expected to have friendships with each other that emulate boyfriend–girlfriend relationships. This is considered a temporary but wonderful part of adolescence, which they can later "graduate" from to "real" relationships with boys. To remain in a "Class S" relationship past middle school is seen as a sign of immaturity, although it is expected that these friendships will continue into adulthood without the romantic elements. The possibility of one or more of the girls involved in a "Class S" relationship being truly invested in the other romantically is usually ignored. If the romance starts to become too passionate, parents may try to intervene to separate the girls. This should never become physical that way; it would "corrupt" the Incorruptible Pure Pureness, which is then traded in for marriage. If the girls do cross the line into sex (or even passionate kissing), they are no longer this trope, instead becoming Schoolgirl Lesbians, and are treated differently. Compare Heterosexual Life-Partners, where it just doesn't seem as romantic but remains a tremendously important personal bond, above and beyond a genuine romantic relationship. Also compare Experimented in College.

#04. Varchie (Archie Andrews & Veronica Lodge; ROMANTIC TROPE: UPTOWN GIRL)

Uptown Girl

"She's a rich girl, she don't try to hide it, Diamonds on the soles of her shoes. He's a poor boy, empty as a pocket, Empty as a pocket with nothing to lose."—Paul Simon, "Diamonds on the Soles of Her Shoes"

You know the story. It's a love story. Our lovers are from different worlds — one wealthy, one not. The poor girl has fallen in love with the Gentleman Snarker, or the Unlucky Everydude secretly courts the daughter of the richest man in town. And she loves him too. Maybe it was Love at First Sight. Maybe she has a habit of slipping out to the seedier side of town for a night of fun. Maybe they've been friends their whole lives and the difference in status never really mattered. Will their love be enough to let them be happy together?

In any case, this is usually played out in one of three ways:

The poor guy and rich girl mutually fall in love, and neither one cares about their differences in wealth. People around them, however, do, and conspire to interfere with True Love.

The poor guy falls for the rich girl, even though he knows that she's out of his league. Undaunted, our hero engages in some Zany Scheme to get her to notice him or be impressed by him. This usually ends with the girl revealing that she doesn't care if he's rich or poor, and that she loves him for who he is.

The poor guy and the rich girl fall for one another, but he doesn't know she's rich at first. When he finds out, he's either intimidated by her wealth once he finds out, or else doesn't think he's good enough for her. As before, she doesn't care about such things, and has to convince him that he's the one she wants.

When the rich girl wants nothing to do with the poor guy, but slowly warms up to him, it's a different trope entirely. Note that the roles aren't locked by gender: a working-class girl who loves a rich boy also fits this trope, as do two lovers of the same gender. A relationship variant of the Odd Couple and quite often overlaps with Nobody Thinks It Will Work. Also often leads to cases of I Can't Believe a Guy Like You Would Notice Me, either with severe case of insecurity (like the third type above), or simply the poor guy being constantly feeling lucky and appreciative that someone so rich could fall for him. If it's not just the fact that she comes from money, but that he feels like she's above him, she's a Peerless Love Interest. Compare with All Girls Want Bad Boys, which often follows the same socioeconomic groups (or the inverse, if the girl is The Ingenue and the boy is an Gentleman Snarker or Spoiled Brat). Can overlap with Single Woman Seeks Good Man as it is the guy's personality that wins her heart (as is the case mentioned above). Not to be confused with the Brittany Murphy film Uptown Girls, which doesn't use this trope. Not to be confused with City Mouse either. This is transitioning into Dead Horse Trope territory, since interclass marriage is no longer shocking, and the expectation that men should be the breadwinner in the family is much weaker today than it used to be. On the other hand, it may become an Undead Horse Trope with the emergence of culture wars and new waves of social stratification. For the non-romantic variant, see Interclass Friendship. For the version endemic to India, see Type Caste, although that trope is not restricted solely to marriage and relationships.

#03. Falice (FP Jones & Alice Cooper; ROMANTIC TROPE: UNRESOLVED SEXUAL TENSION AKA UST)

Unresolved Sexual Tension (UST)

"To repress one's feelings only makes them stronger."— Yu Shu Lien, Crouching Tiger, Hidden Dragon

Two people are obviously attracted to each other, but some element of the story is keeping them apart. This tension is frequently referred to as UST in fandom, where it is pronounced "oost" or Yu-Ess-Tee. Also known as "Long Unresolved Sexual Tension". Belligerent Sexual Tension is a way to keep the UST by having the couple fight each other too much to actually get together. They Do is when it gets resolved (Literally Falling in Love might help). Shipping Bed Death and Strangled by the Red String are when it gets resolved badly. Compare All Love Is Unrequited, Will They or Won't They?, Just Friends, Moment Killer (a staple of a UST relationship), Maybe Ever After (a more uncertain version), Cannot Spit It Out. Contrast Official Couple, when the couple is already together, and Friends with Benefits, where the primarybond in the relationship is sex.

#02. Barchie (Archie Andrews & Betty Cooper; ROMANTIC TROPE: WILL THEY OR WON’T THEY?)

Will They Or Won’t They?

"Pam is very attractive, no question. If I didn't have an award show to host, I could easily see having two or three seasons of will-they-won't-they sexual tension that ultimately goes nowhere."—Conan O'Brien, Emmy 2006 opening skit, after crashing, The Office (US)

Two characters, often combative but with obvious Unresolved Sexual Tension, resist going into a full blown relationship for a rather long time. Usually the two characters will be presented so that "they will" is the conclusion to root for; only rarely is the question of whether the writers think they should in any real doubt. Actually ending the dance is a tricky business. It is difficult for shows to recover from the loss of a major source of dramatic tension represented by an unrequited relationship. Many shows Jump the Shark or suffer Shipping Bed Death when the two characters finally get together. A common problem is that the show suddenly becomes about the relationship rather than remaining true to its original premise. Sometimes an attempt is made to introduce a new source of dramatic tension, but it is frequently cheesy and lame. To avoid this, many shows choose to answer the question and end the show nearly simultaneously via a Last Minute Hookup. Of course, the opposite can also occur. Shows can go out of their way to avoid resolving the relationship, making ever-more-desperate narrative leaps. In longer-running shows, they may even have the characters hook up for a little while, only to split up over and over again, until by the time they finally let the characters get actually, technically married, the show has lost its viewership anyway. Belligerent Sexual Tension is often a victim of this. Sometimes a Love Epiphany can be used to have a character realize his/her feelings, but still not resolve the question, just add a new dynamic to it. A fundamental Shipping-inducement strategy. See also Almost Kiss, Held Gaze, Relationship Upgrade, Moment Killer, Everyone Can See It. When a series ends without even a hint of resolution to will-they-or-won't-they, it's No Romantic Resolution. If it's more ambiguous, it's Maybe Ever After. Contrast Friends with Benefits, where they definitelydo it, but without the emotional baggage. Compare Just Friends and They Do. Contrast Platonic Life-Partners and Ship Sinking — they won't. See Just Eat Gilligan if it's a major plot point. See also Break-Up/Make-Up Scenario when they separate for some dramatic reason, spend a time apart, then reconcile (usually with a kiss, which breaks the Will They Or Won't They)

#01. Jeronica (Jughead Jones & Veronica Lodge; ROMANTIC TROPE: BELLIGERENT SEXUAL TENSION AKA BST)

Belligerent Sexual Tension (BST)

"Wonderful girl! Either I'm gonna kill her, or I'm beginning to like her!"— Han Solo about Princess Leia Organa, A New Hope

There's a couple, usually a sometimes sweet, sometimes grouchy female (Tsundere) paired with a secretly-kind jerk (Jerk With A Heart Of Gold), who are not able to admit their feelings. At the top of their lungs. Despite the conflict, there is an attraction. This is usually obvious to everyone around except the couple. Confront them with the obvious, they'll deny deny deny. Sometimes they will progress to admitting their friendship but insist they are Just Friends. Eventually, they can admit their feelings to practically anyone except their loved one. It ends up where both characters dance around admitting their feelings as if the words "I love you" are some sort of death curse, much to the frustration of the audience and the other characters. Older Than Steam, since this is used in Much Ado About Nothing, and has varying degrees of popularity at different times. If there is a Love Epiphany with one of these characters, expect it to change nothing, at least in the short term. This can even be true in established long-term relationships; see Like an Old Married Couple. If the whole relationship is defined by the belligerence, it can become The Masochism Tango. If a pair of outright enemies has this sort of attraction, it's a case of Foe Romance Subtext and when it ultimately goes from subtext to text, then it's Dating Catwoman. See also Slap-Slap-Kiss, No Accounting for Taste, Well, Excuse Me, Princess! and Defrosting Ice Queen. If we're lucky, at the end we may get to see a moment of Aww, Look! They Really Do Love Each Other. Expect this couple to be either extremely popular or completely hated by the fandom. For the platonic version, compare Vitriolic Best Buds and With Friends Like These.... Not to be confused with Hate at First Sight, although it may overlap.

#barchie #jeronica #bughead #varchie #veggie #archosie #choni #beronica #jarchie #falice #cheronica #riverdale #gifs aren't mine

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myafterlifewithjarchie · 8 years ago

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Looking for a Partner in Plot

So, here’s the thing. I’ve been wanting to write fanfics since ever, but the plots I come up with are too complex and overly ambitious and I find myself unable to actually get to write anything cause I get stuck during the planning.

I’ve always been looking for collaborators to work on the plot together, but I haven’t been very successful at that either. This is why I ended up dropping one project after another, with my great displeasure since I had spent months racking my brain on certain projects.

Now I decided to give some of my fics one last chance trying to find a collaborator. In this post I’ll present an outline of the most prominent fan fiction projects I’ve been working on hoping that some of you reading this post will be interested in working with me on it.

As of now, I’m not looking for someone to actually write the fic with (although of course if you are a good writer I’ll be very happy to know that you are interested) I am looking for a partner in plotting, someone who, like me, relishes in coming up with plots, imagining narratives and seeing the connections between stories. My primary aim at the moment is to complete the planning of the plot for one of these fics. Writing will come after that.

Btw i know that some of these fandoms are long dead, but I still hold dear my fanfic projects, so I’m still very willing to work on them and give them one last shot with this post. I’m not very good at summaries, so pardon me. English is not my first language.

Now, presenting the projects (working titles):

Archie Andrews & Jughead Jones - The Great Beyond Fandom/type: Riverdale - Hogwarts AU Pairs: Jarchie (main), Beronica (side), Jughead x Jason (past) Complexity: 8/10 Progress: 5/10 Plot outline: Archie, Jughead, Betty and Veronica are students at Hogwarts and during their fifth year the vanishing of Jason Blossom sends the school into shock. In an attempt to solve the mystery of the boy’s disappearance they will uncover a dark secret about the Second Wizarding War and they will be faced with a conspiracy that threatens the entire wizarding world. All the while having to deal with teenage problems. In this fic we’re expanding the mythology of the wizarding world and we’ll be delving in mysteries untackled by the books. Sabrina and Salem will be prominent characters. Also the fic is set one year after the events of Cursed Child and will feature characters from it.

Life is Strange in Riverdale Fandom/type: Riverdale - Life is Strange AU - Dishonored mythology Pairs: Jarchie (main), Beronica (side) Complexity: 8/10 Progress: 5/10 Plot Outline: Jughead and Archie have grown apart the last few months, but when Jughead witnesses Archie’s death in the school bathrooms. He discovers he has time powers and uses them to save his old the best friend. However, he’ll soon realise Archie’s life is being endangered on a daily basis by some evil workings of fate and so Jughead will try to save Archie’s life time and time again. He’ll have to come to terms with the fact that his meddlings with time disrupt the reality and because of this the town of Riverdale is endangered by higher forces. Jughead’s life is soon turned upside down by Jason’s ghost, a coven of witches and goodly entities outside of time. All the while he also tries to come to terms with his feelings for his best friend and the possibility that he may have to let Archie die in order to save the town. The fic will borrow some characters and mythology from Dishonored while presenting situations similar to the ones in Life is Strange. Riverdale will provide the setting and the character. Sabrina and Salem will also be featured.

Once Upon a Time in Neverland Fandom/type: OUAT Cannon Divergence Pairs: not focus but many involving Pan, Swan Queen (background) Complexity: 10/10 Progress: 7/10 Project outline: Peter Pan is not Rumple’s father but his brother. His aim is to conquer all the realms and he needs Henry’s heart to do it. This will be an alternative story to what happened in OUAT after episode 3x08 and will see Pan as the protagonist. It will be focused on Neverland and will feature a plethora of characters and stories. It is an expansion of the OUAT universe way beyond what we saw in the show. It will follow Peter Pan in his rise to power, from his origins, when he was chosen to take over the role of Pan, the protector of Neverland, from the Pan who came before him, to when he was corrupted by darkness and started craving for more power. His search throughout the many realms for the Heart of the Truest Believer and his plans for the conquest of the universe once he got it. We will see Pan moving the island from one world to another. Then the battles for the domination of Oz, Wonderland, the Land Without Color, Atlantis and the many other realms. Pan’s fights against the Olympians and the other gods and higher powers. We will see Pan facing the eternal rivalry between magic and science in the battle against Tomorrowland. We’ll witness Pan make alliances with many villains across the lands. His plans unfolding and being defied by the Resistance of the people of Storybrooke and the other havens who stood up to his growing empire. Ultimately we’ll see Pan attempt to conquer our world, working with the power of belief. We’ll see the workings of the people trying to take him down and his eventual demise. We’ll delve in into the back stories of many characters such as Pocahontas, the Nutcracker, Pinocchio, Jim Hawkins, the Golden Fish, Dracula and lots more. We’ll expand the mythology and set clear rules to magic. We’ll discover the origins of Neverland and the first Pan, we’ll see how the forces of Light and Darkness battled for the Heart of the Truest believer since the dawn of time. We’ll also see Pan’s many love interests (he’s pansexual after all). It will be one hell of a ride, if you’ll care to bear with me.

more details here

Rise of the Nightmare King Fandom/type: ROTG sequel Pairs: Jack x Jamie Complexity: 7/10 Progress: 3/10 Plot outline: This is the story of how Jack watched Jamie grow, how Jamie grew up with the ghost of Jack but he never stopped believing in him. They eventually realized they were in love with each other and decided they wanted to be together despite all odds being against them. It’s the story of their journey seeking help from other spirits and legend (Valentine, Father Time, Mother Nature, and other characters from the Guardians of Childhood), looking for a way for a spirit and a human to be together. This is also the story of how the boogeyman played Jack and Jamie and got them apart while he restored his power and took over the world.

Descendants - A Prologue Fandom/type: Descendants prequel Pairs: not focus Complexity: 3/10 Progress: 8/10 Project outline: This is supposed to be a short narration in which I tried to come up with an explanation as to why the land of Auradon came to be. Explaining how Auradon looks the way it does today. A mix of concepts from OUAT and Kingdom Hearts in an attempt to give a shred of plausibility to the world of Descendants. Honestly what the creators should have come up with to legitimize their world in the Disney canon but didn’t.

If you are interested in any of these projects you can contact me and let me know if you want to take part to the plotting or you can ask me any info you need. If you’ll decide to work with me i’ll let you know all the details about the plot so far.

Anyway, if you like my concepts, you can show your support with a like or a reblog, this way i’ll have a better chance at finding a partner in plot!

Contacts: you can message me on tumblr, skype ([email protected]), email ([email protected]), hangouts ([email protected]),

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