#its very distinctive

[send-me-a-kae-via-subspace]

when jessica law does her lil warbling tremolo >>>>>>>>>>>>>>>

[bacchuschucklefuck]

couldnt draw my thang for mid-autumn so treated myself to a calne redesign instead

[ryssbelle]

Drew a bunch of Marinettes in a bunch of different artists styles it was a lot of fun!!

Artists who's styles I mimicked: @buggachat @hamsternamedmarinette @ladybeug @sabertoothwalrus and @anna-scribbles all epic artists 🤟😎

[chloesimaginationthings]

HBEBEBEBEBEB UR WILLIAM DESIGN IS SO SILLYYYYY THAT SKRUNKLY OLD MAN IS GETTING THE CHAIR <3333

The worst man ever 💜

[missmisnomer]

time keeps moving on

whether you want it to or not

@remedyturtles absolutely killing it with the latest chapters of their firefight fic. The last third of ch.37 was so fuckin eerie and tense and visually rich that I couldn't NOT make some art inspired by it. I've been hankering to draw something more experimental and dark lately, and this really scratched that itch!

Thanks for The Horrors™, Rem!

[greencarnation]

eleven is fascinating to me because he came right off the back of tens horrible traumatic breakdown after he lost everything and he immediately tried to establish himself as the opposite of that. he is funny and goofy and almost childlike, and he bulldozes on in his adventures with amy like nothing happened at all. but then something happens and his masks slips and it's like oh! the core of this man is still anger. he is so so angry all of the time and this façade is the only thing stopping him from being consumed by it. he isn't over any of it and he hasn't moved on. he is wearing a fez and laughing but under that all that exists is age old anger and grief and it is going to consume him

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[sbeana]

my argument for adaine with glasses is that what else is she going to fiddle with when she earnestly says things like "um actually you can't carbon date trilobites" and what else is she going to wipe blood off of whenever she kills someone and what else is she going to leer down incredulously at you through whenever you ask her about your future. you have to consider these incredibly important things

[serpentface]

Faiza performing the Kagnoma Odo (pretty literally 'lion dance'), a weapons dance and one of the more important ritual duties of Odonii priestesses. A relatively new addition to this traditional dance involves the musket as the primary weapon, which is fired mid-twirl into the ground at the climax of the dance. Faiza is experiencing an 'oh fuck' moment because her shot is more than ideally diagonal, but she’s being so cool with it.

This is a wholly ceremonial performance at the onset of the pilgrimage, performed in full regalia and lion skin (of the small, semi-domesticated strain) but no armor. It’s also distinctly a display of political allegiance between the powerful and beloved Odonii priesthood (and its loyal military) with the increasingly reviled and destabilized imperial family, with Faiza prominently wearing a bracelet of the royal serpent, which was gifted (along with the musket) by the usoma Stavis Amanti himself (Usoma is the Wardi word for king, which has been retained in the context of emperors).

The Kagnoma Odo is the ultimate demonstration of the Odonii as an embodiment of the Lion Face of God and living vessel of military might and sovereignty, demonstrating her fitness and proficiency with weapons and as a spiritual unifier for soldiers. It is accompanied by drumming and occurs in stages, running through the three keymost weapons used in war- the spear, the sword, and the musket. The musket is of the most significance, given the weapon has developed a particular esteem as the ultimate embodiment of might and superiority. Assistants (almost always other priestesses, occasionally high ranking soldiers) load and prime the musket to be fired at the climax of the dance, where it is shot into the ground as the priestess leaps out of range of the shot. The firing signals the end of the dance and the rite itself.

While not the utmost exemplar of trigger discipline, only fully inducted and senior (and therefore very thoroughly trained) Odonii are permitted to perform the dance, and injuries during actual performances are quite rare (though are known to occur during training, more than a few Odonii have burns and wounds on their feet).

The most important renditions of this dance are performed upon declarations of war and before battles (in this case, generally done in full armor along with the lion pelt). It is also done during some trainings (while a dance, it is carefully choreographed to include naturalistic maneuvers of the weapons involved and helps soldiers limber up and learn to move their weapons). It is regarded as an impressive and motivating sight and a morale booster, and, seen at a distance, potentially intimidating to enemies.

A special variant of this dance is performed as means of fully incarnating the Odomache, which is done in full nudity with the body covered in the blood of the freshly sacrificed lion and cloaked in its raw pelt (the lion has become the corpse of Odomache in the moment of death, as part of its recreation of God's sacrifice). Her public, full nude appearance once (and only once) in this act is what allows the Lion Face of God to incarnate within her. Those in attendance see the spiritually vulnerable, naked human body obscured with the sanctified and deified blood and cloaked in the sanctified and deified skin. It is a merger of the contradictions of mortality and divinity, the boundaries between the two indistinct in flickering firelight and the flash of musketfire. She is witnessed by her people, dangling in between humanity and divinity and leading them in dance, and and is thus transformed.

[twentyfivemiceinatrenchcoat]

THERE WAS NO PLACE IN NATURE WE COULD MEET ; SUGURU GETO

synopsis; it’s never fun to run into an ex; especially when the ex in question is your unfairly handsome high school sweetheart. and just so happens to also be a wanted mass murderer.

word count; 3.3k

contents; suguru geto/reader, gn!reader, geto-typical angst, exes to [redacted], lots of longing, geto is kind of a cunt but also disgustingly charming, reader is understandably upset, biblical imagery (i just think he’s so serpent coded), curse user geto is his own warning tbh

a/n; i wanted this to be a drabble so bad but it ended up just a little too long for me to get away w it so … :’3 yeah. i hate suguru geto (said w affection)

the moon is out.

in the shadows of the street corner you find yourself in, seated comfortably on the sidewalk, it’s a welcome distraction. something to look at, in the midst of your loneliness; the evanescent glow of the moon, illuminating your solitude.

a solitude soon to be broken. shattered into pieces, battered and bruised beyond recognition, jagged shards littering the asphalt. digging into the soles of your shoes.

”hey.”

for a second, you think you must be dreaming.

the figure obscuring the light of the lamp post in front of you is familiar. too familiar, a little too dear for your liking. as you grasp your shitty cup ramen, seeking the warmth seeping through the polystyrene, all you can do is stare. blinking dumbly, drowsily.

geto looks something like a bad omen.

sharp facial features, even sharper eyes. so dark they almost shift from an amber-tainted cedar into an obsidian black — two abysses, staring into your soul, beckoning you closer. they were always enchanting, but now you think they look almost hypnotizing. not at all in a good way. dark hair frames his face, cascading down his back, longer than you remember it being. and he’s wearing robes.

still has those fucked up bangs, though. of all the things to keep.

the gears of your mind turn, endlessly, untangling the mess of thoughts inside your brain. ensuring you that no, you are not hallucinating, and no, you didn’t fall into a deep slumber somewhere between the moment you exited the convenience store and sat down by one of tokyo’s empty street corners. this is real. a reality you can’t comprehend, can’t even begin to process.

what stands in front of you is a ghost. but ghosts don’t exist, can’t be seen, can’t touch the living.

(so how is he able to haunt you like this?)

what eventually jolts you out of your silent stupor is not the questioning tilt of his head, nor the suffocating sensation of your heart crawling up your throat, but the feeling of soft fur against your leg. the stray cat you met further down the street meows at you, sweetly, trying to get your attention. you think she must be asking for more grilled fish.

so, completely ignoring the apparition in front of you, you turn to reach for the little plastic bag you bought as a midnight snack — digging out a bit of fish for the kitty to enjoy. she seems happy, settling down by your feet. purring softly.

geto watches, eerily silent. 

(maybe he’s upset that you’re ruining his dramatic entrance. you hope so.)

finally, you have no choice but to look at him. a lump forms in the back of your throat, clogging up a little more for every second spent falling into the trap he’s laid out for you, trailing over his moonlit features with your tired gaze.

mouth full of noodles, staring holes into his attire, you narrow your eyes. suddenly disgruntled.

his lips quirk up. ”something the matter?” he asks, and you can’t even begin to describe how much you hate his voice. how devastatingly deep it is, during the late hours of the night, even deeper than it was back in high school. 

slurping up the soggy noodles, you lean back a little, licking some broth off your lips. finally meeting those abyssal eyes. 

”… i was gonna say those robes look like shit on you,” comes an exhale, weary, ”but you actually kinda pull them off. that’s…” 

a beat. you struggle to find the right word. 

”annoying.”

geto’s lips curl up, smoothly, and you find a hint of familiar amusement in the vague crinkle of his eyes. barely visible crows’ feet. then he’s moving — plopping down right beside you, robes fluttering with the breeze.

”well, thank you.” he hums; crossing his legs.

the silence that festers around you is odd. not quite suffocating, nor especially fragile. definitely not comforting. it’s familiar, yet different, and it hurts a bit more than it should. but you choose to look at him, out of the corner of your eye, and he looks right back at you. still smiling that eerie smile.

when your eyes settle on the particular cloth wrapped around his torso, you just barely manage to bite back a taunting chuckle.

”a gojo-kesa, huh?” you grin, and geto doesn’t flinch. he doesn’t miss the meaningful glint in your eyes, either. ”you miss him that much?”

”just a coincidence,” is all he answers. smiling, but you think it looks a little stiff.

your grin widens, for a second, before settling back down. a sad transition. you let it go. 

”whatever you say, geto.”

at that, he visibly reacts. barely noticeable, but it’s there — a twitch of his lithe fingers, an unknown something that flickers through the scope of his iris. when he looks at you, a neutral smile is playing at his lips. 

”ah. i take it we’re not on first name basis anymore, then?” he asks, casually, hiding a tinge of something mildly displeased.

a shrug. you pick at what’s left of your ramen with your chopsticks, a little too nauseous to enjoy it. ”call me what you want. i just don’t see suguru when i look at you, y’know?” leaning forward, you begin to pet the kitty by your feet. ”he was sweeter.”

geto smiles. almost a grin, but not quite there. a chuckle spills out from his lips, and something about it irritates you. ”was he?”

”yeah,” you nod. without hesitation. a summer-stained memory blooms behind your eyelids, but you try not to look at it. all you catch is a glimpse of cherry blossoms. ”you just seem bitter.” 

the grin that finds its way onto your lips is self-deprecating. a shadow falls over your face.

”guess we’re in the same boat, huh?”

a hum buzzes in his throat. he casts a meaningful glance towards your hand, scratching behind the cat’s ear. ”oh, i don’t know about that.” his smile grows with the drawl. ”.. you seem just as sweet as always.”

to your grave annoyance, you can’t control the way your face changes at his words. a twitch of your lips gives away your discontentment, and something sour settles on the tip of your tongue.

(your blood begins to boil, beneath your skin.)

geto sighs, suddenly, filling the tense silence between you — a little theatrical. ”ah, but that’s a shame.” he turns to you, soft pout playing at his lips. ”i was hoping i could hear you call me suguru again…”

”— i was hoping you’d come back.”

a beat.

somewhere outside your vision, a crow takes flight into the night sky. swallowed by darkness, melting into that sea of black. no longer perceivable, by you or the world.

”but you never did,” the polystyrene of the plastic cup crinkles beneath your fingers. your eyes look dull. ”so what the fuck do you want, exactly?”

…

”i heard.” geto rests his jaw on the heel of his palm, gazing at you with those piercing eyes. like he’s trying to see inside your brain. ”… about your decision.”

”ah,” a grin splits across the curve of your lips, showing off the white of your teeth. ”of course. that’s what this is about, huh?”

with groggy movements, you throw away your nearly-empty cup of noodles, haphazardly aiming towards a trash can across the street. it bounces off the steel cover, landing on the ground with a soft thud. leftover broth spilling out across the pavement. geto doesn’t bother to hide his amusement, lips twitching upwards before he sends a curse to eat it from the asphalt.

you furrow your brows in embarrassed annoyance.

a moment passes, and something in you knows that he’s waiting. it’s like you can practically sense it, like it’s etched into your bones. the same way you always knew exactly when he would begin to get impatient during your nightly convenience store runs back in high school — after you had spent about ten solid minutes struggling to decide what kind of chips you wanted. 

”what can i say?” you lean back, palms against rough concrete, breathing in the midnight air. ”you inspired me.”

geto tilts his head. smiling. always, always smiling. he smiled at you the day before he massacred that village, too. ”oh?”

with a deep breath, cool air courses through your body. burning your lungs. ”i realized being a sorcerer is completely fucking meaningless,” you exhale through your nose. ”and that trying to change that fact is even more meaningless.” 

a wicked, rueful grin rests on your lips. ”so i left.”

geto doesn’t say anything. you continue, voice dripping with venom.

”i’m a civilian now,” you purr, mocking, a sardonic coo on your tongue. ”does that bother you? feel like killing me?”

…

his smile looks a little off, now. tilted in a direction you don’t want to recognize. you don’t care to examine it further, don’t care to figure out if it might look just a little bit sad, because that’d only hurt more.

so you look away.

a click of his tongue. then he speaks, with that honeyed voice, raspy and husky. almost a groan. ”well, i can’t say i approve.”

he’s looking at you. sharp eyes digging into your skin, dissecting you, a million words he expects you to grasp from that look alone.

”you’re better than them,” he states, matter-of-factly, and you try not to squirm when his eyes trail over your features. ”worlds better.” his voice sounds almost motherly, a twisted concern that makes you cower a little. like he’s scolding you. a crease between his brows.

”i don’t like the thought of you surrounded by these animals.”

a huff pushes past your lips, but it sounds shakier than you’d like it to. you hope he just chalks it up to the chill of the air. then again, when has he ever made anything easy for you?

”what, you got a problem with cats now?” you reach for the little furball licking grilled fish off the concrete, picking it up. cradling it close. ”gonna go on a cat-killing spree?”

an amused exhale. geto narrows his eyes. ”funny,” he hums, but his eyes say you know what i mean.

it takes you a moment to regain control over your breathing. there’s still something tense in your shoulders, and your heart still feels a little like it might jump out of your throat and crawl into his lap. the stray cat slips from your grasp, moving towards geto, curiously sniffing at his robes. he looks at it with no ill intent, and it puts you at ease.

”well, i appreciate the concern, buddy,” you pat his back, trying not to flinch at the contact. trying to appear relaxed. ”but frankly, i don’t give a shit. i actually like my job, unlike literally every single sorcerer on planet earth.”

geto stills.

”.. buddy?” he echoes, ignoring every other bitter word you just graced him with. for some reason, he actually seems visibly bothered. ”i’m buddy now?”

you click your tongue. muttering, tiredly. a little exasperated. ”.. what else would you be?”

and then he smiles, again. only this time, it looks oddly genuine. the same as you remember, framed by cherry blossoms and the fizzle of youth.

his movements are smooth. like he’s completely unguarded, like this situation doesn’t bother him in the slightest. elegant, in the way he leans back, palms on the concrete to support his weight. keeping eye contact with you, all the while.

when he speaks, his voice has a sweet tinge to it. nostalgic, maybe. wistful. if you hear a touch of longing, you choose to ignore it.

”i seem to recall you calling me baby quite a lot,” he hums, and you stiffen. gritting your teeth. eyes darkening, but he continues. ”what else was there? angel, i think… it was sweet.”

then he’s leaning forward. scratching the cat under its chin, gently. ”ironic, though.”

an inhale. then, an exhale. they’re a little shaky, a little meek, but at least they make the lump in your throat feel less like it’s blocking your windpipe. air fills your lungs, but it tastes like nothing at all. 

something like sorrow simmers in your eyes. or maybe more like fatigue. god, you really want to cry.

(you wonder if he gets some sickening satisfaction out of seeing you like this, out of breaking you. maybe it just makes him feel rotten. you don’t know what you’d prefer.)

”suguru,” you murmur, at last. voice dripping with exhaustion. defeated, the sigh that flows from your lips. ”why did you come here?”

…

”join me.”

the words spill out into the open air, slicing the silence in half. heavy. a request, not a question. against your better judgement, you turn your head to meet his gaze.

”we could use you,” he says, and there’s hope in those keen eyes. he maintains his distance, but for some reason you still feel like prey being sized up by a predator. like he’s weighing your value.

a chuckle slips from your lips, but there’s no humour to it. ”use me…” you echo, a tired murmur under your breath. ”you're just straight up admitting it, huh? kinda refreshing.”

”that’s not what i meant.”

he inches closer. slowly, as if trying not to scare you. reaching out, to brush through your bangs, his fingertips ghosting over your skin. tangling them between your locks, inserting himself into your space. testing the waters. 

you don’t look at him, completely still. barely breathing. like a wounded animal.

”i want you there,” he says, and it comes out almost as a whisper. ”with us.”

unable to resist the temptation, you indulge in a single brief glance his way. his eyes look warm, and his lips look soft as they part.

”with me.” 

there’s a devotion to his voice when he continues, one he’s always had. one you thought you’d always be able to trust. ”i’ll create a world where you can be happy,” he vows. ”i swear it.”

a moment passes.

(you swallow thickly. it takes everything you have not to burst into tears. when you remember how he brushed you off, back then, it gets a little easier. when you remember all the skipped meals.)

”.. like you give a damn.”

geto smiles. you loathe how soft it looks, how similar it is to the one suguru always had. when you used to eat your ramen too quickly and started choking on it, and he brought a palm to your upper back, patting it gently. he’d chuckle, and tell you to slow down, and the softness of his smile would almost be enough to distract you from the amusement in his eyes. 

”my love.”

you flinch. breath drawing back at the base of your throat, heart screeching to a halt, and some part of you emerges; the shy, sweet kid you used to be. hanging on to his every world. like he was your sun, your guiding light. back when that purr of my love had you blushing furiously, not choking back a string of curses.

it’s sudden, and you can’t react the way you want to. you want to kill him for calling you that. for thinking he has any right to call you his, anymore.

but that sweet, naive, innocent little kid still exists. even if you want to pretend otherwise. it’s there, somewhere, that part of you — peeking out from behind the curtain. and it stops you from saying anything that might hurt him.

(it’s so hard to hate him when he calls you that.)

if geto notices your inner turmoil — he must — then he doesn’t mention it. you don’t say anything, but you hope the amused, harsh exhale you partake in is signal enough for him to cut it off. now.

yet he continues. there’s love in his voice when he speaks, barely contained. if he’s trying not to hurt you he’s doing an awful job.

”… i never stopped thinking of you,” he whispers, so low you almost miss it. ”not once. i left for you, not just for myself.”

and, despite every part of your being resisting it, a sweetness settles on your tongue. so sweet it’s sickening; the thought that maybe he’s telling the truth, maybe he really has been thinking of you. maybe you’re more to him than just a means to meet an end, or a memory yet to be buried.

geto looks at the moon. bathed in moonlight, he looks a little like a god. like something reverent. his voice is honeyed. low, like a secret.

”this world doesn't deserve you.”

silence.

a subtle anger trickles through your veins, a kind of fury, subdued, carefully tucked away. sparking to life inside the depths of your eyes when you look at him. bitter, given everything. but your voice still comes out sounding something like a plea.

”and you think you do?”

another smile. this time, it looks a little sad. remorseful, maybe. ”… let me prove myself.”

his touch burns. the pads of his fingers against your cold skin, cupping your cheek. slithering down to grasp your hand. and you’re pliant, unable to react. just sitting with that aching hollow feeling in your chest.

”i wasn’t worthy, back then,” he hums, bringing your hand to his lips. ”but now…”

a kiss to your knuckle. featherlight. reverent. you try not to shiver, but when he says your name, dragging each syllable out, like they belong on his tongue —

a chill runs down your spine.

when he speaks, you feel his warm breath on your skin. it’s dizzying. ”i’m not the same suguru you once knew,” he admits, a forlorn look in his eyes. and devotion, frighteningly sincere. ”unlike him — i’ll never let you go.”

what a twisted desire. he wants to take you with him, drag you down to hell. the suguru you knew wouldn’t put you through that. but maybe you’re even more twisted, for wishing he had; for wishing he had taken you with him, ten years ago, instead of leaving without a single goodbye.

geto’s voice is soft. coaxing, like he's handling a frightened mouse. join me, he whispers, and you think of eve. when you look at his mouth you think you see serpents’ teeth behind his lips.

(you're almost sure he notices it. and you're almost sure his smile widens, lips curling up, as if preparing to open his maw and swallow you whole.)

a sickening sense of resignation roots itself somewhere in your gut. 

you pull your hand away, and he lets you. the loss of warmth hits you like a freight train, but you aren’t sure you could think clearly with his skin on yours. when you part your lips to speak, only air comes out, just barely forming a sentence. like there are no more words to say. like the world stopped spinning around you both a lifetime ago.

”i don't love you.”

…

for just a second, his smile falters. 

”no?” he hums, and you wish it didn’t hurt so bad to see him hurt. his eyes carry a kind of patience, something gentle. ”it’s fine… these things take time.”

a bitter chuckle. ”like you’d know anything about waiting,” you spit, and it comes out sounding venomous. a phantom ache sprouts in the spot where his lips touched your skin.

geto closes his eyes.

”you don't need to love me,” he says, finally. kind. you hate that he still sounds so kind. so understanding, like nothing you do could be wrong in his eyes. ”as long as you're beside me, that's enough.” 

he turns to look at you, and his smile looks very real, for a moment. impossibly fond. ”i have two daughters. i’ve told them about you,” he smiles. ”my family… you’d like them. i know they’d like you.”

dark clouds cover the moon, suddenly, and a shadow falls across you both. illuminated only by the streetlight. in the distance, you hear a car whooshing by.

”don’t stay at the bottom,” he beckons, and your name slips from his lips again. soft, his tongue bending around the vowels. coaxing. stirring your heartstrings like a puppeteer.

then he’s standing up, dusting off his robes, large hands smoothing down the fabric. turning around, towering over you; obscuring everything else. all you see is him, under the glow of the lamp post. a halo of artificial light.

”come. let me show you the world we can create.”

he gives you a sweet smile, two abysses gazing into you. the promise of something twisted, new, forbidden. you think of red skin and yellow flesh; the bite of sin.

and for a second, you see it. the world. a world where laughter comes from the bottom of your gut, and the trees are always ripe for picking, red apples hanging from the branches like glowing rubies. a world where sweetened fruit never give way to rot.

paradise.

geto stretches a hand out towards you. fingers unfurling, one by one, like a blooming camellia. close, right there in front of you, so close that you’re tempted to take his hand in yours, let him carry you away. burn everything else to the ground. 

(you think of the serpent. you think of god.

only one of them banished eve.)

”so,” he smiles. ”what do you say?”

[fruitfloats]

half of my posts are me adding my own lived sibling experience to the robins/batsiblings

that being said i had a speech impediment when i was younger because my older brother did and i copied how he spoke and then my younger brother had one because he copied me

sooooo what im thinking is Jason copying how Dick speaks so much when he was younger that he gains a little of Dicks accent then Tim copying him because thats the accent the 2 previous robins had etc continues down the line and theres a like distinct robin voice

[arachnits]

hc i came up with a bit ago, i thought itd be cool if once someones in your heart, you take on a physical trait from them!! sora truly is a mosaic of all the people hes ever known

[naggingatlas]

'thats not his role in the story!' hm i wonder what the point of it is then. hm i wonder what the dead pixel scene means. hm i wonder what wrong organ are trying to say with the context of 'awesome male friendship' and 'corporate hell where the only woman onboard is constantly under ridicule, abused or forcibly forgotten yet is the catalyst' if not this. hm i wonder how curly's physical agony being a direct parallel to anya's mental agony, stripped of voice, agency, just like her, and being forced to watch what happens while not doing jack shit, just like he used to, plays a part in this. i wonder what the moral of him being the final girl says about living with the consequences of your inaction, because of sentimentality, because of status, career and social. hm i wonder whatever the fuck this game was trying to say. hm i wonder what else is on this person's blog Oh Lord there's yaoi penice.

[lazycranberrydoodles]

its prosecutor jiang wanyin!!!! oh fuck!!! / gifs + au rambling below the cut / follow for more mdzs x aa crossover stuff :3

all the gifs i made (poses traced off franziska):

hes so similar to franziska when you think about it. theyre both deeply insecure tsundere adoptive younger sibling of successful main characters. who carry whips. something something edgeworth choosing death and wwx actually dying also

his share code is HWFEFF if you wanna use him in a trial! you can't share backgrounds but heres the scenery from the donghua i used.

the easiest way to put custom stuff into objection.lol is to send it in discord and then use the link from opening it in your browser :)

a whole lot of AU stuff

the art im making is for if mdzs was an ace attorney game, playing from WWX's POV to solve various mysteries/cases over the course of the plot. so this scene would be from turnabout goddess, which would loosely cover the dafan mountain mystery.

cases include:

Turnabout Revenge (Mo Manor, quick introductory first case)

Turnabout Goddess (Dafan mountain, the good times flashback)

Turnabout Saber (the man-eating castle (omg hiii nhs))

The Blind Turnabout (Yi City arc)

Turnabout Deviation (the Koi Tower conference, Empathy on NMJ ala turnabout memories or beginnings. opening cutscene is his qi deviation)

The Blood-Soaked Turnabout (second Burial Mounds siege, flashbacks: Xuanwu, Sunshot, YLLZ, Nightless City massacre)

Turnabout Lotus Seeds (testimony about JGY, tree scene, golden core reveal, bathtub scene. opening cutscene could be JGS' death but that would make it canon rather than ambiguous)

Turnabout Confession (Guanyin temple)

the problem with splitting novel!mdzs into turnabouts is that flashbacks are a huge chunk of the book but they don't have mysteries/ cases to solve so they've gotta be lumped together with present day stuff. imo? many of the flashbacks would likely have to be abridged so they could be retold ala DL-6, SL-9, or the fourth grade incident, where characters talk about it over some pieces of art. this is really difficult when theres a metric ton of unspoken, complex, and signifcant history between every character lmao

there's not as much of a problem with the cql timeline but i have not finished it. so.

the opening cutscenes in ace attorney always show the murder and/or the murderer plotting. the first cutscene of the game would be MXY summoning WWX, muttering about getting revenge on his family (it would also be good for him to mention the yllz being dead because that's how the novel starts.) cut to WWX's POV as he wakes up covered in blood and the investigation segment begins.

for investigations of monsters (goddess, saber, etc) the cutscene would be a scene of some poor throwaway cultivator getting their shit wrecked.

it would be cool to make a breakdown for JGY but again I need to review that scene cause I don't know who I'd base him on. maybe Vasquez or Dahlia.

tell me your thoughts!! i'm working off of a mdzs summary/ skimming the novel because i don't remember it too well so if i get anything wrong please yell at me

Jin Ling's sprites & Nie Huaisang's sprites / masterpost

[sorunort]

you know what fuck you [un-greyscales your rpg world]

WAHOO THIS IS FINALLY DONE AAAAAAAGH my color hcs!!!!! some of these were harder than others (isabeau), some of them were easier than others (bonnie), but i'm pretty happy with them all!! especially mirabelle, i did her first but she ended up being my favorite of the bunch...

i'd like to do one for loop sometime (starry spacey galaxy body WHEEE) but i need to rest for like 3 days ough my RSI

[valtsv]

cannot decide if this moment in my fic drafts is real as fuck or a category twelve she would not fucking say that moment (for context, she's talking to the cairn maiden and projecting HARD in her grief-wracked rage and self-loathing)