#its true reality

[hannigramislife]

Me, a person who has experienced a very traumatic death of a loved one in her life and is an atheist:

Me: Heaven better be fucking real, because the Fast and Furious cast has got to meet Brian again 🥲

[heymacy]

IAN GALLAGHER + his journey with bipolar disorder

╰┈➤ “At times, being bipolar can be an all-consuming challenge, requiring a lot of stamina and even more courage, so if you’re living with this illness and functioning at all, it’s something to be proud of, not ashamed of." - Carrie Fisher

[sotwk]

As much as I love fleshing out Thranduil's character and family history and I enjoy worldbuilding for Eryn Galen and the Silvan Elves, it's also often a disheartening past time because.

Upon observation of the fandom, you often get that sense that most Thranduil lovers just want writers to quit yapping about pesky details and give them the one-shot Reader Insert smut.

[explodingstarlight]

spent a month mashing two of my long term hyperfixations together into an AU, bone apple teeth

I wouldn't consider this a crossover as much as an inspired AU because autism brain drew parallels between the two narratives and I think it would be fun to explore the earlier years of the apocalypse, before the world is absolutely decimated (alongside many of the resources), before the fam loses Donnie and Raph, et cetera. I have Plans™

Paying homage to this iconic panel from The True Lives of the Fabulous Killjoys: National Anthem:

Still finalizing each of the bro's code names, but here are the initial drafts and close-ups of their designs:

Riff-Raph

Donamite

Antimatter Master-Plan

Magic Mic

[art-is-kayos]

Sight of a Star - Blue-ish Star Ryōshū and Don Quixote

[madadrawing]

Joyce is such a fascinating character to me cause she feels so... defeated? In a way that feels at the same time distinct and very similar to Harry. I think the reality lowdown sometimes gets written off as being manipulative, and maybe there's an element of that, but she's also self-aware and vulnerable in a way I can't imagine a woman in her position would ever be with Harry. And she seems genuinely sad about how everything turned out; she wants to be forgiven by Harry, and if you do, she doesn't feel like she deserves that forgiveness anyways. She's intelligent, and aware of history in a way that real world CEO and economic leader types rarely, if ever, openly admit. She openly regrets the way all that history played out, and it's so fascinating to me that she chose her idealogy and career while knowing and internalizing so many emotions about the revolution. She wanted them to succeed; but she's a survivor, first and foremost.

There's so many characters I wish we would ever get to see more of, but at least for me, Joyce seems like a character I'd really love to learn more about her past. Especially with how she talks about Cindy, it makes me feel like she had a revolutionary streak when she was younger; I doubt it was lost in any way that wasn't boring, life washing away her edges until all that remained was what we see in the game. Maybe it'd make her less interesting to learn more about her, but she's one of the most fascinating characters in the game to me, in a game filled with some of the most interesting and thought provoking characters I've seen in the medium.

[itadore-you]

pairing: nanami kento x fem!reader c/w: implied smut, not canon events but it should be w/c: only 600 words today sorry <3

The way how Nanami tears off his clothes when he gets home: his tie already loosened the second he gets in the car; the dents at the back of his stiff, expensive oxford shoes because he can't be bothered to take them off properly; the trail of clothes left along the hallway as he finally reaches you. You've been waiting for so long for him to come back home, to be in your arms again. All those hours spent in a dull trance, wary and anxious that he's been badly injured from this mission.

The second that the hallway lights spill from underneath the door, you stand up giddily, knowing that he's back.

'My love...' Nanami says breathlessly, the chill from outside still burning on his cheeks. You rush into his arms, relaxing at his touch.

'Thank god you're back, Kento, I missed you so much.'

'I know, honey. I missed you too.'

You help him to unbutton his shirt, knowing how much he hates being in his work clothes. Nanami is eager to kiss you the moment it drops to the ground, hands circling your waist to bring you in closely.

'I quit today. It's all over now,' He pants between your kisses. 'You don't need to worry anymore.'

'What? What's over?" You're praying hard between each second you hold your breath, the day has finally come -

'I quit the job. No more fighting, and no more curses. Today was the last day.'

With his words, you can almost feel how each and every fibre of muscle in his body finally relaxes, how something comes back to life in his eyes again when he looks at you. Something about loving someone so deeply has imprinted on your soul, to a point where you start to think that maybe you become your other half somewhere along the way. Maybe emotions aren't all for one to bear - when one's away, you can still feel the other's suffering.

'When Nanami's happy, you're happy' is an understatement. The two of you are euphoric as you hold each other; Kento sweeps you off your feet as he's unable to contain his joy.

"I might have to burn these clothes forever. I never want to see them again," He sighs after eventually setting you down.

"I know it'd remind you of the past, but Ken," You watch as he kicks the shirt, tie and harness to the side - "I do always love seeing you in a nice suit and tie."

He raises an eyebrow in response, making you giggle. "I'll just have to find a new signature colour for you, won't I?"

"I'd love that, Kento..."

"Come, let me show you how much I love you."

With one swift motion, he's got you in the closest room possible, making sure that the surface he pins you against isn't too uncomfortable - it's a little indecent that he could barely keep his hands off of you in the hallway, but with the way how you look tonight (it's simply the radiance that happiness gives you), he can't help himself. Kento Nanami is a lost man until you give him purpose.

Just as he nips at your neck, he pulls away, blond hair falling into his eyes. "I apologise for coming on so quickly, I just-"

"No need to ask Kento, I want you right now."

He nods, pressing a fervent kiss to your lips, almost shaking when he eventually pulls away. "Mhm?"

"And I'd want you again. And again. It can all be tonight or tomorrow, whenever," You pant between kisses. "We have all the time in the world."

------------------------

Death comes to many too often, and even the life of a regular person can be cut short in an instant. Smaller threats outside of jujutsu sorcery still exist. But what's the point in thinking about that? In comparison to Nanami's previous daily life, it feels like nothing can harm him now.

Maybe, just maybe, both of you can grow old together, like this.

[r0zeclawz]

i think part of why i dont like calling the way i draw myself a "sona" is because im plural. like. this body isnt me at all im just living here. im not even the host im just the marketable one who likes to stream. thats not my sona thats me and i will carve this body into the shape of it if i must

[kashmimo]

greenie

[jerreeeeeee]

i don’t know if i’m ever gonna write the fic but i’ve been thinking abt like. the eternal stockade. the implications. lup, a lich who was trapped in a dark featureless cell for a decade completely isolated with nothing to keep her sanity but her own mind. she has to put people in the eternal stockade. how many liches does she see herself in. how many liches started out just like her. how many liches are truly too far gone. and the only liches we ever see other than her and barry are edward and lydia. they’re certainly evil, but mad? they seem pretty sane. they’re not, like, tattered echoes of souls, they’re definitely still people. even as much of a grudge as lup surely has against them, wouldn’t they remind her incredibly strongly of herself? do they deserve to be trapped just like she was? for eternity? isn’t eternity what turned john to existential despair in the first place?

[0809sysblings]

Childhood Antecedents of Multiple Personality - Richard P. Kluft

Q.10 Have you ever gotten angry at other people? I don't think I've gotten angry before. Isn't it kind of disgraceful to get angry?

[mummelthecryptid]

autism 4 autism javey. you agree

[deoidesign]

I'm caught now, what's the comic about? I'm guessing demons from your tags but I want to know more (without spoiling anything)

I'm so glad you asked.

I wanna say so much but I don't want to spoil anything... I'll do my best.

It's about demons, yes... But also mermaids, curses, murder, and love... The sweetest mermaid in the world gets magically stuck with an asshole demon warlord.

Thrust into a world of crime, murder, lies, and secrets, Luciel is completely out of their depth... And cursed to live in the ocean for the rest of his life, Zagan is a fish out of water.

Zagan is trying to solve the mystery of his own murder, while also navigating trying to cure his new curse AND gathering souls so he doesn't get sent back to hell. While Luciel is happy to tag along, Zagan is new to cooperation and is forced to adapt... And Luciel soon discovers there might have been a BIT more danger than they signed up for.

It follows the two of them as they solve a mystery, uncover new secrets, and navigate the dangers of the world while also discovering its many wonders!

And also maybe falling in love...

This is sort of the vibe... I haven't finished any episodes yet. These aren't canon scenes. I keep drawing just a couple panels or small strips of scenes that MIGHT happen cause I'm so excited it's not even funny I want to make it so bad

I can't stop drawing them it's a problem. I have work I have to do...

[dxxtruction]

Something to just consider is that Armand is a collectivist. Culturally I think this makes sense, considering he would've been raised in his foundational years in that sort of culture that values collectivism over individualism. He's also had to live in several high control environments afterwards, which demanded servitude, where putting himself first would've led to trouble, up to and including death. In the Children of Darkness, for example, the very idea of seeking pleasure at all is against the commandments, and since he is forced to lead this group (under careful surveillance), he can not therefore show if he even wishes to seek pleasure, because this would disrupt the collective thought, and further, place a level of threat upon himself for disobeying the laws he's meant to be upholding. He's at threat that he can be killed for it, because that's how such laws are handled. So he necessarily can not hold an individualistic, self serving, opinion, and hope to live, and lived in that kind of envoirment for centuries. Even the TdV carries on the same sort of traditions to less strict, more secular, degrees. Seeking pleasure in TdV is rewarded, even exhaulted, but the great laws are still imposed to the level of threat which is death, and everyone is always surveilling each other on this matter. He's a collectivist, especially in situations which impose certain, or uncertain threat of violence, for going against the group, or person, as in such a situation being individualistic is perhaps the last thing you may get to ever do. Nothing personally driven, therefore, seems that worth it provided the risk.

Whether he remembers this earliest period of childhood, or not, those sorts of values (likely positive then as things like sharing, community building, reaching mutually beneficial decisions, aid, and consideration of others feelings). Ingrained into his personality, and he doesn't have the kind of amnesia where it appears his personality was fundamentally changed by it. Rather, that since it's more of a dissociative amnesia barrier protecting him from traumas, that his personality would rather be fragmented, as opposed to altered. (Meaning such values are still there, but are now also acting alongside various further alteration to what is means to be in collective. And that if such amnesiac parts ever do surface, it is only reacting as if it is re-experiencing, and in the same context to the trauma. Depending on how complex this part is it could take on further environmental inputs while in this state, developing or simply having, essentially, its own personality... but I digress).

He does things for the group, which can at times only be one person, more-so than he serves himself. Placing what serves situation and context more highly that individual personal traits and feelings. But, by thinking he has no self, he naturally falls to self justifying everything wrongful he personally does, as for the benefit of the group. It's a cognitive distortion which doesn't recognize it's own selfishness because it sees itself as being selfless regardless of actual outcome. Further, this makes it so he takes no responsibility for others actions he may have caused, or to how a situation came about because of himself, if he doesn't then apply having any self to that situation. He'll bend to opinion even if its false, and create or even take on an entire role of falsehood, if he believes it serves a mutual benefit.

He uses this as a kind of shield against the world he must fundamentally view as threatening, and imposing, with very limited spaces of safety. But doesn't impose himself in healthy ways, therefore becomes an enabler of certain toxic behaviors getting out of hand, and creating unsafe environments. Desiring such places being controlled, and predictable, environments, but not fostering what's needed for that, and certainly not in a healthy way. Rather lending to manipulating others, or using threats, or force, to make it so he's secure in this. Again, self justifying that it's for a collectivist benefit. If he does at all recognize his own selfishness it's due to how he's able to come out of his own cognitive distortions, and dissonance, and admit faults and failings. Seeing that hiding his own faults and failings from others is something selfish, and therefore that he does indeed have a self there. In doing so, developing an understanding that he acts as a self in all things, and therefore understanding the effects of his actions are actually his. (Or else falling right back into the distortions). He has to be selfish, in a way, to ever be truly selfless. If that's really his goal.

To want something for itself, as opposed to some other means. To want good, love, and safety, for itself as opposed to what it does. He has to develop a sense of his own idea of these things, in order to form a consistent and more secure identity, not founded or attached to a group or person. And further needs whatever self that is, to be embraced, by himself, and not insecure in how others would react to it. To not be afraid of this self expression and personal desire, thought, opinion, feeling, and so on. By developing his own person he'd be able to better embrace his own bad qualities, even change them. As he then feels he has such agency, and isn't just simply reacting and serving to the world around him. I think there's something in how he changes Daniel which says he is moving in sort of this direction, there's something in how it appears he's roaming around on his own right now that suggests he is on a journey of this sort. I'm not expecting greatness out of it, but I am thinking there will be progress for present day Armand in future seasons. I think he is capable of change, and is not fundamentally as he appears. (And this would align to his narrative arc in the books anyway.)

And just also like I don’t think he knows entirely where the boundaries of anything really are or should be. Between himself and others or like where right begins and wrong ends and so forth. Not a moment in his memorable life, mortal or immortal, hasn't been without the presence of vampires, and therefore conditioned more under vampiric understandings as opposed to human ones. And because he's disconsidering of self, and hasn’t exactly been modeled what these should be, he's not able to function sanely in his environment. He's not sane I think I can say. But I do think he’s someone who learns experientially, and can do that on his own, so where those must lie he’s not in total lack of awareness either.

[ear-motif]

anyways will begging hannibal not to lie to him as he drags gideon into his house. yea

[bitchthefuck1]

you know what, I actually will talk about this because it's bothering me. The issue with focussing so heavily on syd and carmy's potential for a romantic relationship isn't that there's something inherently unintellectual about romance or whatever, it's that a lot of people seem incapable of doing that without immediately flattening the story and ignoring or intentionally misreading any and all nuance for the sake of that romance. Every scene suddenly becomes about how it impacts their relationship, every analysis is done through a romantic lens, every frame or line of dialogue becomes about finding some easter egg or hint that "proves" these people should start dating. Their dynamic is absolutely a fundamental part of this show, but if you can only see it as a will-they-won't-they, you miss so much of what the story is actually trying to say with these two.

There are good versions of this story where their relationship is romantic and there are good versions of this story where it isn't, but as soon as you decide them being together is "the point," you lose the ability to actually judge the story for what it is, not what you want it to be.