#its too goddamn much

[thepringlesofblood]

anyone else having to go through fhjy at a snail's pace bc every time there's a teacher-student interaction (even the positive ones!) you want to set something on fire because of how much you hate high school and american academic culture and it throws you back to the Bad Old Days of actually being in high school, but also you really like fantasy high and you really like the characters and their story and the players and the way they're exploring & critiquing the US school system and basically everything about the show but actually watching it makes your brain explode?

[hurlyburlytopsyturvy]

when you get engulfed by a space-time anomaly and it forces you into therapy for the greater good

[shittalkerxox]

The 141 have a ridiculous run of inside jokes that is continuosly ruining their lives, such as;

1.) If someone says, "You love it really," to you, you immediately have to agree with them, no matter what the circumstances. Otherwise, you lose the ability to do it back. This has resulted in many weird fake confessions, including one time in which Soap got fed up with people making your mom jokes at him and went on a rant about it. Ghost glanced at him in front of a room full of cadets and just went, "You love it really, though," and Soap almost died as he sadly nodded and replied, "Yeah, I do."

2.) If something even remotely sexual sounding is said about you, you must always say, "You're damn right I do/am/will," back. This backfired once when they were in a defreif and Price said something about Gaz "coming through the back door" and Gaz, without think, winked and replied "You're damn right I did," In front of everyone and got in trouble for mild insubordination. (The others almost died laughing as he realised what he'd done, who he'd done it to, and who he'd done it in front of (aka Price's bosses))

3.) When talking about Roach, they will always act like he's died. He hasn't, but none of them can stop the joke, and it always makes all of them crack up, even Roach. This once caused major panic, as once when Ghost was discussing their latest mission with Laswell, he said, "It was fine because Roach - God rest his soul -" and Laswell had about two minutes where she thinks Roach has dropped dead and she didn't fucking know.

4.) They will always make up bad stories for how they met Ghost, if anyone ever asks. It doesn't matter what the truth is, or who they're speaking to, when asked, all three of them will reply with some made up, overly dramatic or down right boring story on how they met. These stories ranged from Ghost, saving them from a shark attack (Gaz), Ghost selling them assorted drugs as a teenager (Roach), and most devastatingly is when Soap told a distant relative of his that he met Ghost after "finding him with my older brother, behind his wifes back" he does not have an older brother, and so there is no wife.

5.) They always reference the "Malibu incident." None of them have ever been to Malibu. Nothing bad has ever happened there, but now they've created a whole conspiracy in the British Army about a coverup that happened in Malibu. Price knows about this one and finds it endlessly funny, so he goes along with it, never directly mentioning it but refusing to deny it when someone asks. If anyone ever asks about the details of it, they just give a deadpanned look as if the other person should already know and say; "Don't make me say it." There are rumours. Like, a lot of rumours.

6.) Roach claps every time someone says, "I'll be there for you" because once he clapped at the wrong time during the friends intro and had been paying the price ever since. It doesn't happen often, but sometimes you'll just hear him clapping - not even in the tune to the friends theme. Just random clapping. If any of the others hear it, they almost always reply with "That's a fuckin' joke" in a really disappointed tone. It's confused a lot of people.

[lunar-wandering]

welcome back to our regularly scheduled monkies for pride everyone

bonuses of MK being tired of their bullshit;

[tarufai]

[ruporas]

kiss the pain away

[yo-yo-yoshiko]

Idle doodling tonight while we wrap up Revice... (I'm a little obsessed with all his t-shirts...)

[allastoredeer]

Me : well maybe it's not that bad?

Me : looking for radioapple art and immediately get hit with big buff Alastor and tiny shorter than in canon Lucifer, Lucifer in a dress getting fucked by Alastor, Lucifer in a dress getting fucked by big buff Alastor, Lucifer who look like 5 yo and 'suave sugar daddy' Alastor who holds him and each with thousands of likes and absolutely zero of anything else than that

Me : nope 🙃😔

Save me Vox/Al artists, save me

Man, I love Vox/Alastor art so much.

I just love the Vox/Alastor ship as a whole, be it one-sided, mutual, or anything in between, and a lot of it stems from Alastor still feeling like he's Alastor.

I mean, I think people make Alastor a little more cruel and heartless towards Vox sometimes, but overall he still feels like himself. He gets to be dangerous and manipulative and he gets to be silly and whimsical. It's perfect.

Adding a cut right here because this post got WAY longer than I anticipated ⬇️

I think with RadioApple, when it comes to Alastor, people lean too much into this:

And not enough into this:

It feels like his fun, sassy, and whimsical side gets stripped away and he's turned into a stereotypically tall, dark and menacing love interest.

Where's his flamboyancy? His razzamatazz! As Susan would say, "Where's the showmanship? Where's the pizzaz? Fucking mediocre."

If I'm reading a fic or looking at art and I can't imagine their Alastor doing one of his girly-pop wrist flicks -

- then I can't keep going. His girly-pop vibes are too important to me.

Of course, when it comes to tone in both fics and art, sometimes fun and whimsical aren't what the artist is going for. But even outside of NSFW art and stories, so often Alastor just feels...bland. He feels too stiff. Too much like a suave, old fashioned, smooth talking gentleman, and not enough like a fun, silly, and sassy little freak who loves trolling people.

And with Lucifer if feels like they lean too much into this:

And not enough of this:

I feel like any, if not all, of Lucifer's flaws are brushed aside so often and so easily.

He feels softened and watered down. Like he's either a sad & awkward UwU boi all the time, or he's the most flamboyant, seductive little minx there is. And to be fair, he is both a very sad boi and a seductive little minx.

But rarely does he ever come across as powerful to me. A lot of the time he feels too normal. Or too sad and naive. Literally, like he could be any other sinner if I didn't already know he was the kind of Hell. And that's so funny to me because we've seen him openly and extravagantly display his powers multiple times in the show--not to the extent that he did in the finale--but he was definitely flaunting all the things he could do, make, or summon for Charlie during his musical-battle with Alastor. He was 100% showing off how powerful he is.

Not only that, but, honestly, Lucifer feels too open and sincere because that man is judgmental as fuck.

Going back to the "Dad Beat Dad" episode, there are multiple examples of him being a self-righteous little shit: 1) he was incredibly critical of Charlie's hotel the moment he stepped inside, even if he tried, and failed, to cover it, 2) he didn't even try to hide his disgust for Alastor's bar, which he didn't even know was incorporated by Alastor (who he hadn't even met him yet) and could've been incorporated by Charlie or Vaggie, for all he knew, 3) he wasn't taking Charlie's hotel or her plan for redemption seriously from the start, he didn't even have his mind open to the possibility, he wasn't there to hear about her plans he was only there to see her, and 3) when the hotel was attacked by the loan sharks, instead of making them go away or preventing the hotel from being damaged - which he could have very easily done with no amount of effort - he hung back and smugly reiterated that he was right and sinners can't be redeemed and Charlie should just give up on her goals/dreams because it's just not possible so there's no point in trying.

Like, Charlie was very clearly in distress over her hotel being attacked and destroyed, but he was too busy boasting about how he'd been "proven" right to see that.

He's very easy to anger and his ego is so easily bruised. Alastor got under his skin immediately and effortlessly - though I also believe that's on part that Lucifer doesn't have a high opinions of sinners anyway - and Lucifer 100% escalated the conversation/argument he had with Alastor during their first meeting.

See the whole scene of him referring to Alastor as a "has-been" and insulting the name he'd given the hotel, especially when you take into consideration that until Alastor said that he named the hotel, Lucifer thought it was Charlie who came up with it.

And I'm not going to say that Alastor was an innocent, picked on little baby in that scene, he was 100% riling up Lucifer from the start, but also, like...Alastor's lines weren't outright antagonist like Lucifer's were. They were more subtle, slightly needling and passive aggressive, but nothing that could really be taken as a insult.

This is literally the dialogue, word for word, of their very first interaction:

Lucifer: What in the unholy Hell is that?!

Alastor: Just some of the renovations we had done. Adds a bit if color, don't you think?

Lucifer: And you are?

Alastor: Alastor, pleasure to be meeting you, Sir, quite a pleasure. It's nice to finally put a face to the name. You are much shorter in real life.

Lucifer: Who is this? Who is this now - are you the bellhop?

Alastor: Ah-ha, no! I am the host of the hotel. You might've heard of me from my radio broadcast.

Lucifer: Hmm, nope! I guess that's why Charlie called it the "has-been" hotel, hahaha!"

Alastor: Ha ha ha, it was actually my idea.

Lucifer: Ha ha, well it's not very clever.

Alastor: Ha ha, fuck you.

Like. That's their first interaction. And if you go back and actually pay attention to facial expressions and body languages, this was the first time he's seen Alastor, and Lucifer was immediately disdainful.

I went back and screenshotted Lucifer's face, right after Alastor's first line (which was a relatively innocent in and of itself and didn't even sound that antagonist), and:

That's a lot of disesteem for someone he literally just met. At most, you could argue that it was Alastor's smirk or tone that set him off ⬇️:

But even that is such a small thing to get upset over.

I'd say the only time Alastor really started getting openly hostile towards Lucifer was when he wiped his hand after shaking Lucifer's cane (which Lucifer didn't even see as he was too busy fixing his hat) and commenting on Lucifer's height (as a shortie myself, can confirm, that'll get on the nerves very fast).

My point is, Lucifer was immediately unfriendly towards Alastor and escalated the situation just as quickly, if not quicker, than Alastor did. Alastor implied that Lucifer might know of his radio broadcast, and Lucifer jumped right to calling him a "has-been." He doesn't even know him. This is their very first meeting. He was judgy and dismissive of Alastor at first sight, and, let's be honest, he kind of threw the first punch with that "has-been" line. Alastor said Lucifer was shorter than expected, but it's not like he laughed, pointed at him and called him a undercooked little chicken nugget. I'm sure a lot of demons/sinners who've never seen Lucifer would also assume he would be taller and more menacing at first glance, and I doubt this is the first time someone was surprised with his height (still not cool, Alastor. We vertically challenged folk have feelings too).

But Lucifer was prejudice from the start and antagonized Alastor just as quickly, and way more openly, than Alastor did to him. And don't get me wrong, this isn't me saying that's a bad thing on Lucifer's part! This isn't me criticizing or scorning him for it. I think it speaks so much of him as a character!

Cause we've seen the soft and tender moments he has with Charlie. We know how much he loves and cares for her. But he's also egotistical, antagonistic, and judgmental as hell, and that's what makes him such a fun character to write about. He's awkward yet showy, smug yet caring, depressed yet prideful. And by god, this man will show off his power without hesitation. He knows he's hot shit. He knows he's the strongest person in all of Hell. He knows he's the top dog and he can do whatever he wants - even if he has no love or interest in interacting within the Pride Ring (as far as we've been shown).

He's got a lot of multi-facets to him and I adore it, and that's why I get so annoyed when all of that is stripped away and he's turned into this soft little sunshine UwU boi who's just a sad, sweet lil lamb who's done no wrong.

No! He has done many wrongs! There's a reason he and Charlie were estranged and I don't think it was Lilith's fault - or, at least, I don't think it was all her fault (I have many thoughts about Lucifer and Lilith's divorce, okay)

I didn't mean for this to turn into a full-blown character analysist post LOL but alas I tend to get carried away. This was all to say, I really enjoy RadioStatic because Alastor typically gets to keep his sadistic and whimsical side, and I appreciate that. His silliness means a lot a to me, and if he comes off as too stiff or formal, it takes me out of a story.

Lucifer's flaws and sheer power also mean a lot to me, and I wish there were more fics and fan-art that showed that. If Lucifer reads too much like a normal, every-day person, I lose interest. I like the idea of people getting used to him, and getting comfortable around his presence, only to get a sudden and overwhelming reminder that he is, in fact, an ancient and immortal being with immense power that their brains wouldn't even be able to comprehend.

I have so many headcanons about Lucifer as a fallen angel and how his habits and lifestyle developed over the thousands upon thousands of years he's been in Hell. Habits he's adopted that unconsciously help him duplicate the mannerisms and behavior of sinners and demons, but also those small, indistinct tells that are quick and subtle reminder that he could destroy everyone in Pentagram City with ease if he decided to; and also, those times if you were to look closely and really pay attention, you get the faint, unsettling feeling that there is something very un-human about him. A subtle, unnerving shiver down your spine as your instincts yell at you that this person is not a person at all, he's just passing off as one.

That shit gets me. Give me ancient, eldritch Lucifer and I'll love you forever.

I am sorry Anon, I did not mean for this response to get so big 😅 You gave me a paragraph and I gave you a novel. But yeah, save me RadioStatic artists, save me 🙏 I rarely have to worry about Alastor turning into a big, buff alpha man or a soft little UwU when he's with Vox, and I appreciate that.

Edit: Adding a screenshot of my tags here because apparently I wrote down too many and it cut off the character tags.

[ezralva]

"I'm his big brother." "He's my big brother."

Yuuji and Choso art from Takeo-san, JJK anime's official illustrator.

[queenie-ofthe-void]

No matter how many times I read The Locked Tomb series, I'm always left devastated.

To fall so deeply in love with Gideon Nav. Only to then never see her again as she was. Just as slightly different, horribly altered and misaligned remnants of herself.

[reds-skull]

I am thinking about yet another AU

[cloudysarts]

this show would be good if literally everything about it was different

[rainyraisin]

Movie Gerald Robotnik: An analysis on how sympathetic does not equate to forgiveable and the differences between redeemability and forgiveability

Redemption is a possibility for every person. To be redeemed is to change for the better. And as Sonic states within this film, "You always have a choice". Choosing to be better is an integral theme within this franchise and has so far been shown through Knuckles, Shadow, and Robotnik, and the movies make a point of illustrating that anybody has this choice. Everyone can be redeemed.

But not everyone can be forgiven.

There is no threshold for where redemption no longer becomes a possibility, because being better is always a possibility, after all its well known that when you're at rock bottom, you can only go up. But when it comes to forgiveness, there is a threshold where granting that forgiveness brings your own morality into question. If you're willing to forgive something that bad, what else are you willing to forgive? The characters that Sonic forgives in these movies only ever get close to doing what they aim to, and these instances only occur because of manipulation, both Knuckles and Shadow being manipulated by one of the Robotniks to aid them in their plan, along with Eggman being manipulated by Gerald. The one character that does go forward with it yet still gets redeemed, Sonic doesn't even outright forgive like he does the other two. Eggman and Sonic never make amends or properly team up together. The one time they do team up is begrudgingly and it is incredibly clear that both sides still despise each other. Despite Ivo's redemption, there is no forgiveness there. Redeemability and forgiveability are not outright intertwined with one another. Being deserving of one does not automatically grant you the other.

Something else that most would assume is interwined with forgiveness is sympathy. You understand why someone has done something, so you forgive them for doing it. That's how the majority of people assume forgiveness to work. If you do not understand why someone has done something, then on what grounds can you forgive them? But sympathising with someone does not mean that their actions are no longer inherently bad or morally wrong, nor that they should be forgiven. And in my opinion, the perfect example of this concept is Gerald Robotnik.

Outside of the movies, Gerald Robotnik had never really been a character I'd thought much about. But something that is a trend with these movies is that they tend to bring characters I wouldn't expect to have liked or didn't previously think about any interpretations of to the forefront of my brain, and that's what happened with Movie Gerald.

The character of Movie Gerald is objectively sympathetic, yes. This man has been torn apart by his grief, losing the person he cared most about, someone he took everywhere and did everything for, and imprisoned for 50 years at the hands of the people who took her from him, only able to escape by giving them more power than they deserve to have (although I do believe that this incarnation of Gerald didn't expect GUN to have the chance to use it, he was incredibly quick to enact his plans and seemed very confident within them). But the movie makes a point to display how he is in no way a character that you should respect or care about, because he will not change. He will not care about others, and so you should not care about him.

One of the best examples of this is one of the first scenes within the eclipse canon, where Gerald forces Shadow to relive Maria's death in order to power the eclipse canon. This event was the downfall of both he and Shadow, the thing that led to the paths they are currently on and the entire reason that all of this is happening right now, but despite how emotionally charged this memory is for the both of them, despite him being the one other person who knows how damaging and absolutely devastating this moment was for the both of them, despite being the only person Shadow has left, he uses it against Shadow anyway for his own personal gain.

And yet, in that same scene, it visually displays how destroyed Gerald was by it. In one look, you can see the moment where this man was broken to the point of irrepability, a point of no return, and in that moment you sympathise with him. Because why wouldn't you? But as soon as that flashback is over, you remember how he has just used what caused that change to hurt the one person who understands, and suddenly all that sympathy is gone, because he does not care.

Gerald Robotnik is a manipulator. He is cold and calculating and any sense of sympathy or care he himself shows at this point is only there to serve his own personal goals. The people around him, the people you expect him to care about (Ivo), and the people he has cared about (Shadow), are only there to be tools for his ultimate plan. He does not care if they live or die, in fact his entire plan revolves around the fact that they will die. Every single human life is completely irrelevant to him. Is utterly disgusting to him. So why should you care? Why should you sympathise? When this man would vaporise you in an instant simply because you exist? For something that may have happened before you were even alive. Before your parents were even alive, in some cases. A small group of people caused this pain, and yet Gerald wishes to take revenge on everyone, no matter how innocent they are.

And the thing that hurts the most is that this change is so perfectly displayed through the flashbacks within this movie. One line that has stuck with me the most is "They want to take Shadow from us, Maria". From US. He cared about Shadow just as much as Maria did. Yet now, when Shadow betrays him, he does not show hurt. He does not speak of how much he trusted Shadow, and how he is saddened by the fact that he would act against him. No. He simply laments how Shadow was once so useful to him. He pratically raised Shadow, he knows he is a child, he refers to him as a child, a kid, yet now he only cares about how useful he can be. Someone he considered his child just as much as Maria is now pratically dead to him.

This man does not care about anyone and never will again. He cannot be forgiven, because he will not forgive anyone. He cannot be sympathised with, because he refuses to sympathise with anyone. He cannot be allowed to live, because if he does everyone else's lives will be forfeit. The choices he has made have led to him being completely unforgiveable, and whilst that sympathy is still somewhat there, it gets harder to provide the further on the movie goes, the more you see of just how little Gerald cares anymore.

I really love how his death was not given a single ounce of seriousness or importance. Every other death or near death experience in this franchise is treated with the severity and intense emotional charge that is necessary within these scenes. Even Walters, a character most people do not even like, is treated with respect during his death, and he is allowed to have his last words.

Yet Gerald doesn't get any last words. Nope, he gets a quill to the ass and get launched into a fucking bugzapper and is never mentioned again. It is utterly perfect for this interpretation of the character because he got the death that he would've provided everyone on earth. No last words, no chance to properly come to terms with the fact that they are going to die. Some may have not even noticed what was happening. Half the world wouldve been asleep. They wouldve all been there one moment, and gone the next. Just like Gerald. And I think that is the death he deserves, or at least it is at this point in his life. The point of no return.

Gerald had multiple chances to change. He always had a choice. He had 50 years to make that choice. He had people there who wanted to help him make that choice, tried to help him make that choice. *Ivo*, his grandson, the last family he had left other than Shadow, tried to help him make that choice. Yet Gerald rejects him. Because he is no Maria.

Gerald is completely hung up on something that happened so long ago, and he will never let that go. He would rather vaporise every living being, including his loved ones, because he lost one person. And whilst Shadow was going to make that same choice, he chose to change.

Some people may even be of the opinion that he had been put through more than Gerald had. Gerald had more family than just Maria and Shadow. Yet they were all Shadow had. Shadow was forced to relive that exact moment for 50 years whilst he was in statis because he had no other choice.

But Gerald did. Gerald always had that choice, as soon as he got out of prison he had that choice, because he had the freedom to do what Shadow could not on his own. He had the choice to not let his anger consume him. Other characters in this franchise have displayed not letting their grief ruin them. Shadow, someone who went through the exact same thing Gerald did, possibly something even worse, makes the choice to not let his grief ruin him, and to do the right thing. To redeem himself. To not let himself get to the point where forgiveness is no longer an option, because deep down he knows that that isn't what he wants. That isn't what Maria would've wanted. She wouldn't want him to reach that threshold, something that Gerald shows he doesn't even care about anymore when he states that it isn't about what Maria would've wanted, it's about what they deserve. Maria is now only the vehicle for his anger, something that pushes it forward but no longer the reason for its presence, because anger has consumed all that remained of him. Even though he says it is in the name of Maria, he isn't doing it for her. Not anymore.

Gerald is the example of someone who allowed themselves to pass the threshold to a point where they could no longer be forgiven, the complete opposite of Shadow. And what does he receive for this? Nothing. He does not get the revenge he wanted. He does not get an honourable death like Shadow does, and unlike Shadow, nobody cares when he dies. Because he always had a choice. He just refused to make it.

He didn't choose to be redeemed.

And whilst he is sympathetic, and always will be, he didn't choose to be able to be forgiven.

Gerald Robotnik is the perfect example of how sympathetic does not mean forgiveable, and is, in my opinion, the perfect villain for the Sonic Cinematic Universe. Because he openly rejects every theme that the movies uphold. He rejects family. He rejects being redeemed or forgiven. He rejects that he can change. He goes against everything that these movies and characters stand for, and all he has to show for it is a meangingless demise that only served to make people laugh. Gerald Robotnik is made out to be a joke. And that is the only part of him that will persist in death.

[sm1l3b0t]

getting queerbaited by an action webnovel is so embarrassing. but goddamn this dog is just too fucking good at chess

[shithowdy]

realized a drawing i'm doing rn is almost identically posed to one i did 8.5 years ago of a different oc, except the old drawing was instantly tainted by one of the players featured messaging me asking if i could take it down because their abusive, possessive rp partner saw it and got jealous of them "roleplaying behind their back" and i said "nah" and it became a whole Thing that i should have walked away from at that exact moment but didn't and the 6 months that followed contained some of the most truly condensed batshit i have ever witnessed in an rp community already well-known for its batshittery.

... anyway i love my friends. so happy to accidentally redeem the pose.

[redhoodie1723]

lando norris number one enemy now